#but it's also possible he's given the choice and /doesn't/ take it
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corkinavoid · 3 days ago
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DPxDC The Witch and The Ghost
On the subject that came up in my recent post, in my head, Sam and Danny are constantly having beef with each other. But never seriously.
The thing is, Danny has a lot of issues with a lot of things. He is not dead and not alive and then somehow both at the same time. He lives with parents who literally hunt him for sport, even if they are shit at it. His godfather is another can of worms that he refuses to touch entirely. On top of that, there's school, and occasional bullying, and hormones acting up, and ghost problems to deal with.
Which is why Danny is frustrated most of the time. He does a good job at keeping it at bay and not snapping at people for the tiniest inconveniences - partially, it's because he knows that his mild snapping can possibly leave the recipient frozen in a block of ice and humans are prone to hypothermia.
So, Danny is putting a lot of effort into staying reasonable and calm. And he is doing a good job at it!
And then, there's Sam. Sam is used to arguing with her parents at any given moment over literally anything. Sam is an activist who can and will insist on coming out victorious out of any fight she picks at, be it the choice of a salad dressing or discussion of global warming. Sam has opinions and is not afraid to share - more like enforce, actually - them. What's more, Sam is liminal, and she can withstand a lot more blunt ghostly force than any other human being.
Sam and Danny are friends, there's no doubt there. They love each other, they support each other, they will quite literally tear the world apart for each other.
They also argue about every fucking thing on earth. They fight over whose turn it is to pay for burgers every time they get them - which is at least thrice a week - and over the best phrase to teach a pet parrot, and the difference between 'affect' and 'effect' used in context. They put some discussions on pause just in order to find and provide research, and then they slap each other with piles of said research across the faces and get into a fist fight over water pollution.
Sam treats it as a fun activity and maybe a test run for her other fights and discussions with other people. She doesn't mind Danny's frustration and his occasional violence in the slightest, knowing perfectly well that he is no danger to her, and if she asks, he would stop at once.
Danny, on the other hand, gets a great outlet to vent and release all his pent-up emotional baggage. Sure, sometimes their fights get gruesome, and sometimes they hold grudges for days, and sometimes they can barely tolerate seeing each other because of it. But he also knows that in the end, they are friends, they are fraid, and he is safe with Sam no matter what he says or how offensive something sounds to her. Because in the end, it doesn't really matter to her. Not more than him.
Tucker is just very chill with both of them. He doesn't bother sticking with any of the sides of the arguments, switching between them or not taking part at all. He knows they are fine. He knows they just like fighting, for some weird reason. To be fair, he also picks an occasional fight or two with Sam just for the fun of it.
Gotham in general, and Batfam specifically (or Justice League, if you want) are so not prepared for the three of them when they move out of Amity. Especially if there's also Dani and/or Jazz thrown in the mix to spice things up. None of them truly bother to keep from using their powers, albeit mildly: some little hex and jinx here and there from Sam, a frozen patch on the pavement to make someone slip from Danny, some minor hacking from Tucker, a prank or two using the intangibility from Dani.
It leads to a lot of very confusing situations.
Like Batman showing up to the recent Riddler scheme to find two random teens loudly arguing over the answer to the puzzle while Riddler himself looks completely given up on getting their attention back to the important thing. The important thing being a bomb with a ticking timer on it.
Or Robin finding two siblings brawling on the rooftop, growling and screaming, rolling around and kicking their feet. He is not quick enough to catch them from falling off the edge of the three-story building, but when he peeks down, the siblings are still fighting down on the street, seemingly not even noticing the fall.
Or Red Hood having his guns miraculously stolen midfight because three kids have decided to have a sharpshooter competition with the goons acting as target practice. He honestly can't bring himself to mind, though, they really are great at hitting all the kneecaps within range. He is rather grateful they haven't included his own kneecaps in the heat of it. At least their responsible adult - a very pretty redhead - had apologized and returned his guns back.
Spoiler absolutely loves it when, right as she is about to get caught in Poison Ivy's trap, two teens show up to simultaneously wrestle with the mad greenery with their bare hands and lecture Ivy on the imprint she is leaving on the ecosystem of Gotham.
However, Red Robin absolutely hates that someone keeps getting through all of his firewalls just to leave a few cheeky comments on his recent case files. It doesn't matter that they leave some valuable intel and provide a good conclusion as well, it's the principle of the thing.
All in all, Danny and Sam are the unstoppable force meeting the immovable object, but they trade and switch places constantly and they are most definitely enjoying themselves while at it.
Everyone else, though? That depends on the circumstances.
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Now don't throw tomatoes at me but I'm actually really excited to finally see malleus again— I've always loved malleus since we met him in the story, but I'm also sooo curious about what's gonna happen next,, I'm wondering the obvious thing, about whether or not we might get a parralel scenario like what happened with the KoD and silver will have to "slay" malleus or at least be the one to land a killing blow, but I also saw a really interesting post focusing on how magic is a manifestation of dreams and deep desires and imagination,,,, in that case, I may (VERY delusionally) hope that Yuu finally gets to be a major part of the story for once??? Even reading the novels, there HAS to be something bigger for yuu— while the idea of crowley simply being an incompetent airhead is fun and more comfortable, haven't you thought that meybe he pulled them into this world deliberately??
All to say, what if at some point, Yuu somehow manifests magic in a very dire moment ?? You know lol?? Agh idk. I just want yuu to finally make impactful choices but that IS too much to ask, as far as we can see for now,,, (but hey, that part leading up to ace getting is UM, and the convo between him and yuu,,, it *does* give one a sliver of hope, doesn't it? :') )
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Don't worry, no tomato throwing here! 😅 I may not care for certain characters, but I’m not going to shame anyone that does. You’re free to think however you want about Malleus!
dbjsvsJcwhj My personal feelings about him aside, I am actually glad he’s finally relevant to the main story again. He’s missed out on so much of his own book OTL In the time he’s been gone, the fandom has been left to speculate about both his and Lilia’s potential death flags. I really doubt Twst will have the balls to kill off one of them, but it would be cool to at least see Silver delivering the final blow to knock some sense into (not necessarily kill) OB Malleus.
Yes, it’s true that Silver states in the recent update that magic was originally considered “a miracle borne of strong desires from the heart.” But 💦 I don��t think that means Yuu would randomly manifest magic in the final fight?? It feels more like a “let’s save the day with the power of friendship” to me, but I could of course be wrong.
I understand being frustrated that Yuu’s participation in the main story seems to fluctuate a lot, with most of their activity being books 3, 4, and segments of 1, 6, and 7. That’s not much, especially considering how long books 6 and 7 are. Sometimes (even in events) it feels like Yuu is barely there, as most dialogue options don’t involve different reactions from the characters. Even Yuu's quest to find a way home is barely addressed or taken seriously until early in book 7. Yuu hasn't gotten "real" development unless you count them realizing their Disney dreams are prophetic in book 5, taking the initiative to save Grim in book 6, and that dialogue option about them being worried they're not contributing + the related convo with Ace in book 7. All very short moments in the grand scheme of things. And honestly, I think that makes sense for the kind of character Yuu is. A blank slate, a self-insert, an outsider that's easy to exposit information to, someone with which to view the story, characters, and world through. Yuu is primarily there to be the POV character, the lenses, the camera that we see Twst through. They're not really meant to be a traditional "main character". It's possible that Twst gives them a slightly bigger role at the very end (especially with what went down in the dream in book 7), but I doubt it will be a huge triumphant moment where they and they alone save the day or deal the final blow in a crazy act of self-sacrifice. Twst has always been a story that puts the NRC boys first, while Yuu is the observer.
I've noticed that the complaint of Yuu not doing a lot in the story comes mainly from English speaking fans?? And I guess that makes sense, given how western culture tends to emphasize independence and standing out. They want Yuu to reflect that. They want to be the ones to make a difference. I don't even remember ever seeing these same comments from the Japanese speaking fans; it's definitely a less common sentiment for them. The Japanese fans seem pretty content with Yuu being an observer and taking on more of a minor or supporting role. Again, this fits in with what I understand of many eastern cultures. They're demurer, not wanting to stand out too much from the crowd and instead prioritizing group harmony. Very interesting cultural difference to note!
It's a common theory (with many variants) that Crowley intentionally summoned Yuu to Twisted Wonderland for his own nefarious motives. People found him pretty sus right away due to how he seems to not put in any real time or effort into investigating a way to send Yuu home. Plus, there's that ominous opening monologue of his to consider. However, I don't think he summoned Yuu because of their (potential) great magical capabilities. The Mirror of Darkness tells us that it doesn't sense a shred of magic in Yuu, and Leona smells zero magic on them (though that could be because it hasn't technically manifested yet, as some fans claim).
The idea is that Yuu is supposed to be plain. They are supposed to be magicless. Why? To humble the NRC students and to show them that asserting yourself violently or with great magical power ISN'T the way to go. To show them value in strategizing (which Yuu does in the prologue by helping Grim aim at the ghosts), of camaraderie. What does it say about the story's themes if Yuu, the person who is supposed to be showing them the worth of mundane things, is suddenly... "secretly ultra-strong, actually/“just like you guys” (even if it's only a temporary hope-fueled magic)? It might contradict what has already been set up. It also breaks the self-insert appeal of Yuu, since developing magic would also mean Yuu would later have to further develop things like proficiency in magic, best/worst subjects, and an unique magic/signature spell... meaning Yuu HAS to become better "defined", thus losing their blank slate nature. This would surely upset some fans who deeply project onto Yuu, have a Yuusona, etc.
Yuu can still make an impact on the characters and the world--and they have, judging by how much closer the boys are with each other--without having to be The Most Special One or like everyone else. I think it undermines what Yuu has already managed to achieve to say that they haven't made an impactful choice at ANY point in the main story when I believe they definitely have. Yuu made the choice to sign the contract with Azul. Yuu made the choice to approach Malleus. Yuu made the choice to go against Crowley's orders and go retrieve Grim from S.T.Y.X. Yuu made the choice to get Leona’s help with the contracts. Yuu made the choice to stand with Adeuce against Riddle in book 1. Yuu made the choice to let the VDC/SDC tribe train at Ramshackle. Yuu has done a lot, and all without needing to seize the spotlight or to do anything big and flashy. I don't think Yuu needs to be big and flashy. There is pride to be had in simplicity and being humble too. There is pride in representing the 90% of humans in Twisted Wonderland that are ordinary and without magic.
(An aside: so if Yuu wasn’t able to manifest magic in many other extreme instances, does that mean their desire to save Grim in book 6 wasn’t “enough”? That their desire to save Ramshackle, their one and only home in this world, wasn’t “enough”? It implies that Yuu didn’t wish hard enough for these other things they clearly care about and want.)
I think a good way to give Yuu a decent role while staying true to their design as a blank slate would be for Twst to really lean into the whole "beast tamer" aspect that was introduced all the way back in the prologue. This would work well with their deep connection to Grim as well. Assuming that Grim ends up being the final OB... We could easily have the NRC students and staff on the ropes, Malleus at his wit's end after exhausting himself with his own OB, a rampaging Grim about to end it all. And then... one lone figure shakily rises from the rubble and confronts Grim. One human. Magicless, defenseless. A human lost in an unfamiliar world, a human who believes they're useless and don't contribute much. A human who is always in need of being protected by others. But not anymore. This time, it's Yuu's turn to protect what they love--their friends, this world they've come to love, Grim. Ace and Deuce yelling at Yuu to not be stupid, to get back--but Yuu just advances, calling out to Grim and begging him to stop. And maybe it's Yuu's wish that rallies everyone and/or gets OB Grim to hesitate. That's when they can strike. Is that corny? Yeah. Does it sound like the ending to a Disney film? Sure. But it still grants Yuu, a magicless human that is supposed to be there to teach everyone about friendship, cooperation, and humility, their big moment to shine. The best of both worlds, I'd say.
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starheirxero · 1 year ago
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I’m personally hoping that they don’t kill him this time and actually TRY to give him some form of redemption. But that’s probably asking for too much.
NO YEAH SAME HERE 😭 I think it would be a huge win for all the Eclipse enjoyers if the main cast actually decided to take the time to care and accommodate for him because I would absolutely kill to see Eclipse go down the messy, pain-filled path of "to be loved is to be changed" instead of just being murdered on the spot 💔
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violentlydefending · 3 months ago
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genuinely always so shocked to see mirei hate. like literally god forbid women do anything.
#contra.txt#y5 haters in general... does playable haruka mean nothing to you...#DOES SHINADA TATSUO MEAN NOTHING TO YOU...#for legal reasons this is a joke people are allowed to feel however they want about whatever it's just viddy games#and i fully acknowledge y5 and its litany of flaws#of which there are certainly enough for any given individual to justifiably dislike/hate its entirety but I AM A Y5 LOVER THRU AND THRU#saejima's arc is just an arguably less interesting rehash of the one he had in 4?#(jail; jailbreak; betrayed by his lil buddy guy#but now we're sans the interesting character stuff of his feelings regarding the hit. & also i miss his hair.#& that's not even to say i think saejima is boring in y5 i think there's some interesting subtext to take away from his character#unique to this entry but it's pretty hard to deny how much is literally just y4 again but now he's bald)#BUT WHO GAFS he got buffed to hell gameplay-wise and punches bears now#and also baba's a great character and he doesn't have to do a whole chase minigame if a cop sees him anymore#bloated/unfocused feeling in general to the game?#WELL THAT'S JUST MORE CONTENT BABY!!! only a real issue if you're a completionist imo#+ are u telling me you don't wanna drive a taxi? u don't wanna play a video game in which the goal is to drive as normally as possible?#and i loveeeee multiple protagonists yay <3 y0 y4 and y5 are my favs so far lol (up to y6)#kiryu's inclusion in y5 also feels way more justified than in y4. he was so tacked on there i'm trying to remember what he even really did#other than tiger dropping as a boss fight before instantly forgetting how to tiger drop the second he became playable#and losing track of yasuko and getting tag-teamed by akiyama and tanimura (cough) and beating up daigo#but in exchange akiyama becomes the protag that feels kinda tacked on in y5. way less so than kiryu in y4 tho for sure#anyway. weird/strangely justified plot beats? WELL THAT'S JUST EVERY YAKUZA GAME#an arguably strange/poor writing choice for majima especially given how he ended up being written in y0?#well honestly other than the age thing i think it makes him more interesting... he's kinda fucked up!#but i do get why people are /really/ not a fan of it. ik i just said i think it makes him more interesting but if it gets retconned#or even just never mentioned again i wouldn't be surprised tbh#but additionally he's not even a major character in y5 so it feels like it's not really a significant complaint imo#anyway anyone can do this ('this' being acknowledging the flaws of a thing and then letting how much they otherwise enjoy#said thing determine how much they let said flaws influence their overall opinion) ...such is the beauty of subjectivity... i love you.#yakuza
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gffa · 18 days ago
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When it comes to Jedi discourse I think a lot depends on the amount of sympathy behind a statement there is. For example, "The Jedi have been corrupted by this war." is something Lucas has said, but it's in the context of how they were drawn into a trap, they were forced into roles that they were never meant to be, there's sympathy there for how the only choices here are shitty ones. "Do they compromise their morals (to fight in this war) or does everyone die and it's pointless anyway?" is basically what he said. I agree with that! But I have seen many people say, "The Jedi became corrupted by the war." and they mean it as the Jedi no longer cared about people, only themselves, they were only looking out for themselves, they were making selfish choices. There's no sympathy for the rock-and-a-hard-place situation the Jedi were in, and I disagree with that and I think that's what a lot of people are arguing back against. "They allied themselves with a corrupt government!" is another one--like, yeah, the Republic government wasn't great! But, when I say that the Separatists were worse, it's not because I'm refusing to admit the Republic had any fault, I'm saying it because that's basically the choice laid out in front of them--either you help the Republic or you let the Separatists take over, who were committing war crimes on screen. I do think the Jedi were hamstrung by their connection to the Republic! I just also think the alternative was worse, that the whole structure of Star Wars as a story was designed to hem them into this impossible choice (in as much as Star Wars is about the Jedi, when they're very much not the core of the story), that they couldn't find better options because the story wasn't set up to allow that. Could the Jedi have handled Anakin better? Ehhh, I think that's hard to say because the story itself doesn't present that, so making hard proclamations about what they did/didn't do wrong is reading into something the story didn't address. The story is about Anakin refusing to emotionally accept Jedi teachings--can we read beyond that and say there were ways the Jedi failed him? I think you can and some of them are fair (and some of them aren't), that it's a fun conversation to have, but that it's not what the narrative intention is, if we're talking about actual narrative intention. The narrative intention is that Anakin, though very human in his failings and Lucas clearly has so much affection for his Blorbo, failed to learn what he needed to learn. But there, too, I think a lot depends so much on how much sympathy comes across for the choices being made. I don't think we're meant to see Anakin as someone we can't relate to, Lucas even says that Anakin is a victim in TPM (of the Hutts and Watto, to be clear), I don't think criticism of Anakin can come without that he was trying, that he did genuinely love people. The ending of ROTJ doesn't work without us wanting for Anakin to find the good in himself! That we knew had to be there all along. So much comes down to how much sympathy there is in the criticism, how much sympathy there is for the reasons why any given character chooses the paths they do, and that's where a lot of disconnect comes from. So much Jedi criticism is done in the vein of saying, "They failed." and meaning it as an accusation of how a better choice was super obvious. But if you say, "They failed." in the sense that there was no way out of the trap that they could have possibly forseen, given the circumstances, that they did their best and they shouldn't have to be perfect to be good, then I'm all the way onboard! It's about how much sympathy there is for the context around a given character's choices and what the story allowed for them. I have no issue with saying the Jedi failed in the war, that they became corrupted by it, that their connection to the Republic led to their genocide, because I don't think the Jedi were bad for it, I think they made the best choices they could in the worst situation.
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tokiiwonz · 8 months ago
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riize as twitter links (nsfw) !!
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a/n: i loved writing this :( also ot7!riize. if the links ain't working, try logging in ur account, that said be mindful, strictly dni to minors
shotaro
shotaro is obsessed with having you on his lap while giving him the ride of his life; the way you rock your body against his, take him as deep as you can as he kneads your ass are the things that could keep him hard for hours. there's nothing more perfect for taro than seeing your face and holding your waist while having him fully sheathed inside you.
sometimes, shotaro is just too caught up with the heat to take your clothes off before fucking you; he doesn't mind any of that, in fact, he's quite into the use of clothes, especially his neckties and belts, as some type of bondage just to assert his dominance.
eunseok
similar to shotaro, eunseok lives for the sight of you on top riding him. he easily gets weak on his knees y'know :((( you're just too pretty for him to even fuck you properly in a missionary, so as much as he could, he just lets you ride him for as long as you want.
eunseok is a romantic and there's not a time where he passed on an opportunity for a soft & gentle fuck sesh. physical touch is his love language after all, and the best way he displays it is by having his cock deep inside you as he makes your toes curl in pleasure <//3
sungchan
sungchan just wanted to stay at riize's dorm with his you, but he's had enough of you flirting so much with his members, so he decided to fuck you next to a thin wall so everyone could hear how much of a slut you are for him
it's not often for sungchan to get sexually frustrated easily considering the amount of head you give him on a daily basis, but every once in a while, he loves fucking you rough and harsh—it’s not everyday he gets to have his dick inside you, so if given a chance, he never misses to take the chance to wife his boyfriend up >.<
sungchan loves casually sending you his dick when he's horny, and he'd rather do that instead of telling you directly that he needs a head.
wonbin
if there's one thing wonbin is obsessed with, it's him having his hands all over your body while thrusting deep inside you. wonbin's schedule doesn't align much with yours, so he makes sure he takes his time making you feel good even in the bathtub whenever he gets the chance to touch you.
carrying you by your legs as he fucks you might be wonbin's favorite position, he just makes you submit easily with that y'know? he loves it when you can't do anything but to moan, kiss him and scratch his back down in pleasure while you helplessly watch him bulge your stomach with his cock
seunghan
after practices, seunghan just loves to blow some steam off by fucking you in his car, and you can't blame him <\3 the way he sees his cock sheath fully inside you just riles him up even more—it’s not that he likes to be rough and aggressive most of the time, he just can't resist himself from going feral after a long day :(((
seunghan loves receiving head from you and considers it a reward >< he loves the warmth of your mouth being wrapped around him, and it just makes him release more & more precum into your mouth. not to mention the way you gag on his cock as you deepthroat him turns him on so much that he just wants to fuck your mouth ‘til he's satisfied
sohee
one thing about sohee, he loves being rewarded for doing the best he can in every way possible, and that includes him riding your cock ‘til he tires himself out
being away from you for weeks pains sohee a lot than you could ever imagine <\3 he's always left with no choice but to play himself with the thought of you while he's away. he would send you lots of his videos bc he just misses u so much, so u better send something back, mkay?
anton
if anton has a kink, it'd be his size kink. he's just so big that he loves seeing you all stretched up taking his fat cock on all fours. it's definitely a sight-worth-seeing for him watching you struggle because of how small you are to take his cock.
anton loves fucking you with his clothes on, which may seem like a simple thing to others, but anton could get quite possessive of you and it's one of his many ways reminding you of who you belong to. though he's not all bad, he just wants you for himself, y'know? it's adorable how he'd even talk you through your orgasm while holding your hand just to make sure you're taken care of very well.
misc.
coming home from promotions after promotions, there's nothing more wonbin and sungchan wanted to do than take turns fucking their boyfriend all night long to relieve stress >< you're just so good & obedient for them that you're willing to stay up all night letting them use you to ease the pent-up sexual frustrations they had all month
seunghan loves your mouth as much as anton loves your ass so there's no better way than to indulge to it through a soft spitroast <3 seunghan is just addicted to having you moan and gag around his dick while tonnie fucks you from behind :(( they love getting you so cockdrunk that all you could is their cocks making you feel good :(((
eunseok & wonbin could get experimental most of the time, but they never expected how compelling double penning you could get. making you cum has always been their priority, and it's so hot seeing you cum with both of their cocks inside you :(
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504py · 6 months ago
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A day in a life with Ivan. [ONESHOT]
Warnings below the cut 。。。
⚠️ NSFW, yandere content, alcoholism, reader got tradwifed, stockholm syndrome, domestic violence, Ivan is very blatantly sadistic, size difference, dacryphilia, vague breeding kink, no use of Y/N, forced feminization(?), gender neutral reader.
hey yawll!! i drew this since i wanted to play more with the painting style and color palette i did in my last post, but since i hit 800 followers recently, i decided to write something to go along with it too!
thank you guys so so much for putting up with my bs and enjoying the slop i create LOL. hopefully this will be enough to thank you all and to satiate you guys till i come back from hibernation again 🩵🙏
also!! while this is a gender neutral reader, ivan still refers to you as a housewife. this is pretty much an extension of the headcanon post i did on him.
MAN I NEED TO RECONNECT WITH NATURE AFTER THIS 😭😭😭
┊͙✧˖*°࿐
The average heart rate of a rabbit is a hundred and eighty beats per minute. Much, much faster than a human's at only a hundred, the little hearts of rabbits pump virile blood into their vulnerable bodies in order to outrun the cursed life of a prey animal they have no choice but to live.
Living with Ivan feels the exact same way. You, a human, were reduced to nothing but a prey animal whose only line of defense was either freeze or flight. Ivan prefers the freeze response. Tries to squeeze it out of you as much as he can.
The morning begins normally. You wake up next to his large, minimally clothed body, while you're bundled up as much as physically possible. You don't understand how he's so comfortable in the cold, but you've learned not to liken him to humans. You gently wake him up before you leave the bed– you learned that he doesn't like waking up to an empty bed without any prior notice. It takes a while for Ivan to wake up, he's a heavy sleeper, but when his violet eyes finally open and dilate at the sight of you, the first thing he does is smile and pull you in to trap you in a strong bear hug. Don't struggle, he'll just tighten his grip. Then he kisses your cheek, and just holds you there without saying anything. He'll grumble a little when you tell him you have to leave bed to make breakfast, but he eventually will let you go.
It's a little sick how your current living situation makes chores the best part of your day, given how it allows the most proximity between you and Ivan. Cooking in the early morning is your favorite, since it takes Ivan a long time to recover from his hibernation. Thinking about what to cook is a bit of a meditative process as well, allows you to think thoroughly about anything other than your way of life and the man keeping you here.
Today, you decided to make something simple and similar to something you ate growing up. Luckily, Ivan is not a picky eater, even though he rather obviously prefers Slavic food. He'll eat whatever you make happily, but he'll be in even better spirits if you make something familiar to him.
You do not cook in silence. Silence has quickly become one of your biggest pet peeves since your captivity, and you do anything to drown it out. This damn empty mansion, the way Ivan is so terrible with his words and chooses instead to crush you with his actions, the bleak snowy landscape that greets you if you dare try and find any solace outside of this cage and your captor– It's enough to drive anyone insane. So, you pass the days by drowning out your thoughts with music and movies.
Ivan doesn't allow you a cellphone, or anything remotely modern at all. His home has a terrifying dedication to being so analog, you'd think you'd been transported to the 90's if not for the TV with a few streaming services on it, the only modern piece of technology he allows. He likes to collect cameras, radios, and old phones. Ivan's menagerie of antique goods is so expansive that it earned itself its own room. It's almost like a small museum, and you're very glad he allows you to look at and touch them as you pleased– with care, of course. He can actually be rather charming when he acts as your "museum guide" in this room. One of the few times you find yourself thinking anything remotely positive about him.
Ivan's voice is soft, it always is, but when he talks about these things he's so passionate about and so engrossed in, it takes on a bit more of a stern, confident tone that is easier for you to listen to. And when he's looking at the objects he's explaining, you can admire his side profile more openly. He's caught you multiple times (he has surprisingly sharp senses), and you're met with a flustered smile instead of the usual so-sweet-to-the-point-it-looks-fake type of smile.
"What are you looking at?" He'd ask, his voice quieting back down to that syrupy tone.
"Just you." You'd reply, which makes him pause in surprise for a second, before it earns a soft giggle from the towering man.
"Why? Is something wrong?"
"Nothing's wrong, Vanya." The nickname makes him melt. "You just looked pretty."
The smile falls from his face, and his cheeks redden even more than you thought possible, before his grin returns tenfold. He laughs and looks away.
The memory of such interactions make you feel like buttering up to the man instead of rejecting him so much, then you realize you're just describing stockholm syndrome. As crazy as it is, it feels like, at this point, it'd be better to let it happen than to be aware and hateful every day you live here.
As if your thoughts had alerted him, you hear Ivan's deceptively soft footsteps descend the stairs. He doesn't say anything, and just makes his way to the kitchen to watch you.
He's dressed in more clothing now, a dark blue sweater and gray sweatpants. His neck is left bare around you. When you first met him, his clothing that purposefully covers his neck always went unnoticed by you, because such clothes fit him so well, like they were always meant to be there. It was only after your capture, when he took off his scarf and you saw the bandages around his pale neck did you start to question it.
You've never outright asked him, you worry the subject is too volatile. He just... decided to stop hiding it one day. It was after a shower when you first saw it, the ligature marks around his neck and a few faded pink scars on the front of his adam's apple. Ivan noticed you staring, and you've never seen him look so small and insecure before.
"Is it bad?"
"No." You shake your head. "Does it hurt?"
"Not anymore."
And that was that.
You finish plating up two dishes, one with a significantly heftier portion than yours considering how much he eats. You quickly place the chopping board and all the pans you used in the sink to wash later, and you bring the dishes to the table.
Ivan yawns, rubs at his eyes, and without much event, just picks up a knife and a fork and starts eating. You do the same only after fetching some tea from the samovar.
Breakfast is always quiet besides the background noise of whatever media you chose to play.
"Mm. Ёжик в тумaне?"
"Yeah. I like this one."
"A little somber, isn't it?"
"The hedgehog is cute. I relate to it a little bit."
Ivan takes his eyes off of the television to look at you, and ponders what you said a little more. He doesn't say anything, and continues eating.
"What will you be doing today?" You ask, in case you needed to iron some clothing or prepare extra food for guests.
He hums in thought for a moment. "I'll be going out in the evening to drink with the other nations."
"What will you be wearing?"
"What I usually do."
You nod, "I'll have it ready soon."
"What about you?" He asks.
"Hmm... I'll wash the dishes, then iron and press your clothing. After that, I'll think of what to cook for lunch while cleaning the house, and I'll prepare a meal for you before you leave. Then while you're away, I'll clean up some more and prepare dinner. And if I have some time, I'll sit and watch some more movies."
Ivan hums in satisfaction. He enjoys how strict to routine your lives were. Familiarity and stability are what he desires most, and he believes you're the only one who can grant him that wish.
"Perfect." He smiles, petting the crown of your head with a large, broad hand.
𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
You adjust the dusty pink scarf around his thick neck after finishing wrapping the scars on his throat with bandages. You do it neatly and comfortably, as opposed to how Ivan does, quickly and efficiently, learned from decades of routine, yet it's still so much more uncomfortable compared to when you do it.
"How is it?" You ask. Ivan replies by taking your smaller hands in his and leaning in to press a kiss to the corner of your mouth.
"You do it perfectly, любовь моя." He sighs, before pouting slightly. "I wish I could just stay home."
"You'll be alright, Vanya. Alcohol is like water to you anyways."
He snickers and rolls his eyes. "That just means it'll be boring for me, then."
"Just try to have fun and relax. I'll be safe and quiet here."
A mousy smile appears on his pink lips. You've said exactly what he wants to hear. "Alright. I'll just get it over with." He presses one last kiss to the top of your hair before leaving.
"Don't cause any trouble!" Ivan sings, before exiting the living room and closing the door behind him. You get a glimpse of the blindingly white outside world, and a gust of stinging cold air brushes against your skin like a warning.
You let out a taut breath, finally feeling like you're able to breathe without his crushing presence. You dust off your hands, from nothing in particular, before going off to do just as you said to him earlier. It bothers you how much he still affects you without even being around.
𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
The sky is dark, and all that is heard is the droning of soft music and the burbling of something boiling on the stove. Its tranquility is broken by the door opening with more aggression than usual.
"Vanya?" You call out, hoping the sweet usage of his nickname would quell whatever spawned this roughness within him.
All you hear is something vaguely resembling a groan and a sigh, and his heavy, thudding footsteps. Your heart starts to race a little.
"Is something wrong, Vanya?" You ask meekly, approaching him with caution. He reeks of alcohol, and his movements seem all sluggish. Jesus, how much did Russia of all people need to drink in order to get this wasted?
"I'm alright." He huffs, taking off his gloves and his coat with slight difficulty. You step in closer to help him undress, taking off his scarf. You don't miss how he tenses up, so you freeze and meet his constantly intense stare to gauge his expression. His eyelids are low, pupils contracted, eyes darker than usual, and cheeks flushed like they always are. He seems to be pouting a bit. He doesn't do much else, so you continue, stripping him of his large overcoat. All he's left in now is a black sweater and thick brown slacks.
"I've made dinner. You can just sit wherever you want and I'll bring it to you–"
Ivan leans in so quickly, you couldn't even register it in order to dodge or deflect his kiss in time. This time, it lands on your lips. He doesn't do this usually at all, unless he was planning something. The blood drains from your face when his large hand finds the back of your neck, and holds it stiff, preventing any chance of backing out.
His skin and the inside of his mouth are impossibly warm, and the bitter, sterile taste of vodka is the only damn thing invading your senses. You grip the fabric of his knitted sweater, it makes him part from your lips to pant like a dog and take said piece of clothing off, now left in a dark gray shirt.
"V-Va– You taste like alcohol–"
"Get drunk off of me." He whispers, before grabbing the sides of your arms and kissing you tongue first, lapping at your lips, and at this point, you learned better than to deny him. With all the mental fortitude you could muster, you rigidly part your lips. Despite all your efforts to be as pliant as possible to try and guarantee your safety, you can't help the shiver of revulsion when his tongue invades your mouth like a parasite and rubs against yours.
It feels like time slows down, you can feel the milliseconds before your instincts kick in, and each millisecond feels like a year of dread. Unable to stop raw instinct, you bite down.
Your heart stops when you hear him grunt, and feel his grip around your arms tighten before he shoves you away. He gasps, cursing under his breath in his mother tongue before setting his sights back on you.
Doe-eyed and trembling like a leaf in a hurricane, you begin to plead.
"N-No, no, I'm sorry. I didn't mean it. Vanya, please–"
He approaches, kicks the back of your knees, before you are grabbed by the scruff of your shirt. The collar of your blouse is yanked back and presses the fabric tightly against your throat as he drags you to the front door. You're coughing and struggling to regain your footing, and the moment you can breathe, you beg.
"Please! Nonono– Vanya please don't do this I'll be good–" The words tumble out like unorganized clutter using the one short breath you were able to catch.
With one more harsh tug, you fall to your knees again, and the door opens. The sight of the snow immediately triggers something within you, and you begin sobbing.
Ivan takes a peak at you, seemingly taking pity.
"Only for a few minutes."
You shake your head in a frenzy, not believing a word he says. Even if he was saying the truth, you'd much rather continue to humiliate yourself over being outside for even a few seconds. What if he forgets about you? What if that door never opens again? What if you die a miserable death, separated from your survival by just a few inches of wood?
That's why, the moment he throws you out, you scramble to your feet and shove that damned door open before he can fully close it. You know you're in deeper shit when you hear the door slam against him, and the deep yelp that follows it. You run for your life into the confines of his house.
You quickly make way to one of the bathrooms, the only rooms in the house you're still able to lock from the inside. You knew even that meant nothing, since you're sure Ivan could and would break them down without a second thought. Yet, it was still your best shot.
You lock the bathroom door and sit on the flooring right next to it. You try to calm down your heartrate and your heaving so you could try and listen in on whatever was going on outside this room.
Eerie silence is what greets you. You hate it, hate it so much. Shuddering, you hold your breath and strain your ears just a little more.
And that's when you hear it.
Soft footsteps.
You have to bite back a scream from how much raw fear that little sound sends shooting through your nervous system. Makes your skin crawl so bad that it almost hurts.
Ivan's clearly not in any rush, but FUCK did you wish he'd just get it over with and sprint right at you. You're sure he knows where you are, he just likes to freak you out, you can tell. That sweet smile he always puts on is nothing short of sadistic, constantly has this look in his eyes, some kinda weird sparkle that tells you he enjoys watching you struggle beneath him. Knowing you'll be face to face with those very eyes shortly makes your ribs squeeze around your quaking lungs and heart.
The footsteps approach. You brace yourself for a rough kick to the door or a pipe slamming through it.
Instead, he knocks. This was wrong, what was happening? Oh, god, this was so much worse.
"I won't ask again."
Scrambling to the door, not even sparing any time to actually stand up, you open it. You wince when you strain your neck to look up and see the damage done to him by your outburst. A nasty, bloody bruise on the bridge of his tall nose and that same crimson liquid streaming down his nostril. Your chest shakes like a dying sparrow's.
"I-I'm sorry. Please."
And he smiles.
Ivan is actually, genuinely, extremely pleased right now. He's wanted this all along, for you to fear the outside world so much you'd do anything in the world to stay here, right by his side. He doesn't give a single shit about the injuries you've caused him now and in the past, he's strong, he can take it, and he'll always forgive you over and over again. Of course, it makes him annoyed, because what good housewife would beat their husband like that? But he understands that your circumstances aren't exactly normal, so he'll endure it with irritation. At the rate he's breaking you in, though, you'll soon be as pliant and obedient as he expects you to be. Perhaps you'll even start to love him back. Just the thought of it raises goosebumps on his porcelain skin and makes his hands tremble in excitement.
You don't understand why he's giggling right now.
He sighs your name, and crouches down to meet your stare. You flinch as a droplet of blood hits the tiles. Ivan's grin only widens when your shaking hands reach for his face and try to wipe the blood away.
"O-Oh, Ivan," You whine uselessly, getting up on boneless legs to grab the first-aid kit. He watches with bright, amused eyes. He knows you won't try anything anymore. He's confident in your compliance to him.
As carefully as you can, you wipe off the blood with paper towels, crying harder when it smears instead of going away completely like you'd hoped. It felt like your mistakes were going to be impossible to fix.
Ivan's cheery gaze never falters. Maybe this is the happiest you've ever seen him, despite the blood streaming into the gaps of his teeth and forming a grotesque image. Dusty eyelashes frame his smiley crescent moon eyes, cheeks ruddy as little alcohol-stained puffs of air pollute the cold atmosphere. You jolt when he chuckles throatily.
"What's wrong?" His voice is as sickly sweet as it always is.
"Y-You're mad– I made you mad. I'm sorry." You choke on your own words, trying your best not to drop the bottle of disinfectant in your weak hand.
"What did you do?"
"I–" You hiccup, "I d-didn't– I didn't listen to you. I wasn't good."
Unable to hide his pleasure, he laughs and leans in to give you a chaste, bloody kiss.
"It will be okay. I love you."
You're glad your crying masks the gag reflex that almost makes itself apparent when you know what you have to say next. You steel your nerves and dryly swallow the taste of Ivan's blood.
"I love– I love you too."
He gives you a pleased, closed-mouth smile, and presses a kiss to the top of your head before taking the bottle of disinfectant from you. He begins to tend to his own wounds.
"This does not mean I forgive you, though."
Just as you felt your whole world crashing down around you, Ivan saves you.
He breathes out a laugh, "No, I won't throw you outside again. It's much better staying inside with me, yes?"
You nod in a frenzy. "Yes! Y-Yes, much better. Please don't."
"Well," Ivan prefaces, disinfecting the cut on his nose before placing a bandaid on it. He turns his head to the side and spits out the blood left in his mouth. "You will have to tend to this wound. Kiss it better." And before you could even wonder what he meant by that, his tongue lolls out, brandishing the red bite mark from earlier.
Disgust registers for only a second.
Like an automaton made solely to serve, you lean forward, grasp onto his biceps, and press a needy, desperate kiss to his drooling tongue. He laughs while you lap at his tongue like a wounded dog, warm, alcoholic breaths brushing against your face.
After relishing in the feeling of your worship for a little longer, he gently pushes you to the ground and crawls over your jittery body, placing a hand against the small of your back to hold you up and closer to him, with the other gripping the outside of your thigh.
"You will not bite me this time?"
Nodding fearfully, praying the conviction in your eyes will be enough to warrant his forgiveness, you wrap your arms around his neck.
Sighing happily, he presses his cold lips against yours, taking the lead happily as he moans into the kiss. The sound was more out of the satisfaction of establishing his dominance rather than the actual physical pleasure.
Ivan doesn't usually indulge in sexual fantasies or acts, which surprises you considering how touchy the man is. His mind usually favors daydreams of a stable, domestic life with you. Ivan prioritizes establishing your relationship over anything else, so he doesn't really find the time to lull over menial things like sex. Marriage is one thing, but your total submission is another.
Then again, this doesn't mean that he fully doesn't have any carnal desires when it comes to you. It's you, for christ's sake. When his fantasies of dominance come into play, it seems only obvious that sometimes his thoughts wander into the bedroom.
Ivan fantasizes a lot about having you desire him as much as he does you. He wants you to need him like air. Wants to have you mewling his name and clinging to him like your life depended on it, which would quite literally be the case right now. Wants to see your pretty, pretty tears reserved only for him. Wants to see you fall apart in his arms over and over again while comforting you so meanly and kissing your crying face.
Ivan tries his best to not let these thoughts make themselves apparent, but fuck, do you make it so hard sometimes. How could any man not be affected by the sight of their adorable little housewife in an apron? Takes so much for him to not just grab you by your hair and bend you over the counter. Whenever you cry for whatever reason, he almost feels guilty over how instantly horny it makes him. Almost feels guilty when all he can think about is licking those tears off of your face and making himself the cause of them. God, he wants to play the role of a nice doting husband so bad, but he can't help but feel you up and breathe down your neck when you try on the dresses and lingerie he buys for you. He can't help grabbing your waist and pressing his erection against your ass– not on purpose, he just wanted to be close to you.
While aggressive in his approach, Ivan never forces any sexual acts that you refuse. Even if he's left high and breathing heavy, he still wants to be someone you don't completely hate. Be a good husband, be a good husband. He always chants to himself. All his prayers proved fruitful when he quite literally cried tears of joy during your first time together.
Ivan doesn't know what was different that day, he didn't expect anything, just to make out and have you reject him after a bit, but you just... kept going, until he was ramming into you, hands tight around your sweaty waist and fucking into you like you were just a fleshlight. He's never seen himself like this, moaning and gasping like a girl and feeling so fucking good that all that he wanted– all that he could think of was breeding you like a bull and how beautiful your family would be. God, the memory of you struggling, doing your best to take his thick cock and crying so cutely just trying to bottom out is engraved into the grooves of his brain. It makes his stomach feel all warm whenever he thinks of it. He wants to carve it under his eyelids so he can see it every time he blinks.
Ivan laughs a lot during sex, call him creepy, it's genuinely because he is just so damn happy that he can't hide it. Why should he hide it from you? He wants to show you just how much he loves you and how good you make him feel. You make him feel so damn happy and complete that all he could do was chant IloveyouIloveyouIloveyou– while whimpering, giggling, his tears dripping onto your face.
Maybe he'll get lucky again.
Without parting, Ivan carefully lowers your back to the tiled floor, straddling your body and snaking his long fingers under your blouse, resting them against your heated abdomen. He smiles into the kiss when you jolt away, tickled by how frigid they are.
The ends of his feathered gray hair tickles your wet face, your body shivering at all the different sensations attacking you simultaneously. The cold tiles, his freezing hands, his hot tongue, the faint taste of blood, the warm drool seeping out the side of your mouth, his arid breathing, the smell of alcohol–
Your hands, still by the back of his neck, reach up to ever-so-slightly tug at his hair to signal you needed a breather. Ivan makes a small noise of surprise, before pulling away.
He looks absolutely dazed, lips shiny with remnants of a spit trail, and lavender eyes heavy and glazed over with a feral lust. His breathing is labored, muscular chest rising and falling as he intently watches every minute expression your face makes. Despite the blatant lack of nudity, this might be the most erotic sight you've ever seen. Fuck, why does he have to look so good when you're supposed to hate him?
Right now, you were so exhausted you couldn't even remember what reason you'd have to hate him, despite there being enough that you could spend the rest of your life listing all of them down.
And just when you try to refuse by backing up, your thigh brushes against his boner and he lets out the most heated, breathy, shivery moan you've ever heard. The vocalization sounded like it was tailor-made to tantalize you, to tempt you into biting the fruit. And you know what? You were a sinner anyways.
"Bed– B-Bedroom."
A toothy grin appears on Ivan's face, and he exhales a breathy laugh. He looks absolutely delighted, and starved.
Without a second thought, he picks you up, and carries you to the closest one.
𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
The next morning begins normally. Your body is sore, and covered in bite marks. That was one of the best sleeps you've had in recent memory. Ivan seems to think so, too, with his arms cradling your torso and a hand resting over your lower abdomen. The ache reminds you about what happened yesterday, you can still feel him in there somehow.
You woke up a little later in the morning compared to usual. Since you're still a little too exhausted to get up and begin cooking, you lay there for a while, listening to the quiet howling of the wind outside. You wonder when was the last time you heard any birds chirping.
Thinking of the outside world brings you a bit of dread, don't really like doing it. But when your life is so isolated and so alone, misery can become a form of entertainment.
The more and more days go by, the more and more do you forget what your life was like before meeting the Russian. The longer you live with Ivan, the more does it feel that he was just always there, and that your life before meeting him was a falsified memory. You're not even sure how much time has passed since, it's always snowing outside, every day feels the same.
That's the one thing you remember from before this life, the feeling of warmth. You're not sure you remember the feeling of it, really, but you're well aware of the absence it leaves behind. Maybe when spring finally comes around, you can open that door, and...
Eyebrows furrowing as a migraine starts to set in, you shake your head weakly. You didn't like thinking about the outside.
Turning over to face Ivan, you gently wake him up before you leave the bed– you learned that he doesn't like waking up to an empty bed without any prior notice. He eventually stirs from his sleep, hugs you, and you do not struggle.
┊͙✧˖*°࿐
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heylittleriotact · 2 months ago
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So I can't stop sharing this after realizing it myself earlier... After Rook tells Emmerich that they're a virgin, during their dinner date, and he clearly processes what is a VERY unexpected fact to him, he tells them that's okay, and you 2 can just take things slowly. :) It's sweet, right? But also... Emmrich... how fast did YOU wanna take things? Because now this man's got me convinced he was SO down bad for Rook, he wasn't gonna waste time NOT hitting it now that they're together. I'm unwell
Okay so I actually really appreciate how ambiguous they left Rook and Emmrich's sexual relationship until the coffin scene in the third act: they wrote it such that the player could headcanon that they had an intimate relationship already leading up to that scene OR it was the first time they slept together, and I think that's AMAZING.
I headcanon that my Rook (not a virgin) and Emmrich slept together for the first time the night of the dinner date, and I think that he planned the night not with the intention of seducing Rook, but with the mindset that if they were interested in moving forward with the sexual aspect of their relationship, the privacy of the Necropolis might be a bit more relaxing that the Lighthouse. It's clear that Emmrich has pulled some strings to have the gardens roped off just for the purpose of their romantic dinner, he goes above and beyond with the meal, they have a very sweet conversation about their feelings and attraction to each other, mention previous dates (or lack of), and the whole thing ends with a fade to black.
... and I'm a romantic degenerate who sighs and stares dreamily into space while twirling my hair at the thought of them making love for the first time on a bed of soft flowers in the garden, illuminated by veilfire as wisps float lazily through the air... but I digress:
Since Emmrich trusts that Rook isn't pursuing him from a place of "charming flattery" I think he takes their new relationship incredibly seriously, and part of that is acknowledging the sexual aspect of it. He strikes me very much an actions over words kind of person (hence the charming flattery remark), and given their circumstances and what they're up against, facing danger, violence and the possibility of death on a daily basis (especially daunting for him), I feel like Emmrich would be very motivated to explore that aspect of the relationship as soon as Rook was comfortable with it.
He's also older, more experienced (even if Rook isn't a virgin), and gives off the vibe that he's extremely comfortable with sex and intimacy based on the banter he has with Davrin. I think he views physical intimacy as yet another way to express his feelings for Rook and show them how much they mean to him. This man isn't sure if they're going to see tomorrow, let alone next week: he's only got so much time to make sure that Rook knows how treasured they are, so that's going to include romantic dates, deep conversations, surprising them with thoughtful gifts, and making love as often as they can get away with it. Regardless of what comes next, he doesn't want Rook to doubt for a second how much they mean to him, but he puts the choice about sex squarely in their hands and will let them ultimately be the one who makes the call as to when they're ready to explore that.
Once their relationship begins, he appears to court Rook quite ardently, with enough enthusiasm that Harding takes notice and points out that he's been mopey and distracted lately, and goes so far as to suggest that perhaps he and Rook are taking things a little fast. Even he's aware that this is moving at quite a pace, and he's clearly worried about how other people will/might perceive that given their respective ages - he probably thinks that people think he's a dirty creepy old man: a besotted fool, but I don't think he could approach Rook any other way even if he tried.
There are no half measures with this man: once he's in, he is IN. He's not fucking playing: this isn't just a casual fling that he expects to end once this evanuris business is over. It's probably why he comes off as a bit guarded and hesitant to engage with Rook's earlier flirtations: he probably puts this amount of care, vulnerability, and passionate authenticity into ALL his romantic relationships, and has probably been hurt in the past because of it.
Anyway, this has become suuuuuper unnecessarily lengthy, but I have so many feelings about this man, and I am indeed unwell too.
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antivivziepopparade · 7 months ago
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All of the proof that we have that Vivziepop is abusive. (So far....)
While you support this post please go ahead and support my channel to see more about Vivziepop's abusive behavior. Thanks!
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1. She rushes her employees.
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Season 1 was made in 2020. While Season 2 was made in 2021 while being released with MULTIPLE EPISODES only ONE year later.
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That's-
INSANE!
-and im about to tell you why:
The average cartoon needs almost ONE WHOLE YEAR to produce one episode. And this is what we see in MAINSTREAM shows.
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Meanwhile, Helluva Boss took only one year (and a half) to make MULTIPLE ENTIRE EPISODES that last over 20 minutes. The longest waiting time for an episode being 8 months. Not even a year, and we get multiple episodes off the drawing board.
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You can even see here that it's taken only three years to make 16 episodes. When this is an indie studio, so this should have taken so much longer to make. Yet for some reason, it took only a few years for us to get full seasons. In 2021, we got over 4 episodes alone. Have you ever wondered why these episodes come out so fast while other shows take a lot longer to get new seasons? That's an easy question to ask... Spindlehorse...
Is being ABUSED.
And I have the proof to show.
2. The pay controversy.
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Spindlehorse's payment has been under controversy for providing the lowest pay possible to those that work at the studio.
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One piece of evidence was given by Adam himself (albeit unintentionally) by saying this:
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This kind of pay is highly unstable! And before you say "But he didn't force them to be there-"
LOOK.
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The employees themselves admitted that they had no choice. People had no choice and Vivienne Medrano took advantage of that for her own selfish desires. This is disgusting treatment of a studio as small as Spindlehorse. Or any studio for that matter.
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Hell! chaifootsteps said once that once Zeurel released that he was paying his animators too low, he deleted one of the tweets showing the low pay and decided to do something to give his employees better wages. Meanwhile, Chimera Bunny pays even less than Viv does and just because paying your workers low is normal in the animation industry- plot twist: Doesn't make it ok!
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People have suffered so much in this industry, it's why "New Deal for Animation" exists. The only reason you haven't seen many Vivziepop workers having protests and speaking out is because Vivziepop says things like this behind people's backs if they "dare" do anything she doesn't like:
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So that explains as to why so many people remain as "anon" or say nothing at all because they got cold feet. Vivienne's terrible!
Especially since even her top employees have admitted to not being paid enough despite Adam's "I pay them to stay if they make us the most mon-ey!" claims from the article:
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Also this:
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This is how she speaks about her own employees:
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"YOU DONT LIKE HOW I TREAT YOU?! FUCK OFF!"
Straight up abuse.
Also, wasn't Walt Disney known for abusing his employees?
To the point where people had an entire protest in 1914 about it?
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Wow... such a healthy workplace treatment comparison. Doesn't make Vivziepop look more like a jerk.... at all! /s
3. She bullies kids/laughed at a sa victim that was sa'ed by her friends. As one kid was bullied into a panic attack (I know them personally) back in about 2020 and Viv decided to vague post about them behind their back even after they apologized.
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For someone who's so focused on "forgiving despite cancel culture" she sure likes to blame and harass people for disliking even ONE thing about her show or herself. One thing- and you're harassed over making a meme about a cartoon with fictional characters (What Froot Did that set Vivziepop and Gumball off.)
Secondly, one of her friends sexually harassed a minor.
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And instead of acknowledging the sa, Vivziepop wrote this:
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She ended up calling it a "joke" and made fun of the victim involved.
This is outright abusive behavior that should not be tolerated.
Children don't deserve to be traumatized this way. Especially over something as simple as making memes about a cartoon (negative or not) or simply telling someone to stop fetishizing abuse.
More on this in this video made by Gummypop:
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AAAAAAAAAAAAAAAAAAAAAAAAAAND-
That's all that I have for now!
Will likely be updating this post in the future. Goodbye!
EDIT:
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More evidence of Vivziepop using abusive language and slander against her employees behind their back. Claims of them being a "stalker" (like she did to Kedi and also its clear that she told her employees to say that Kaz was a "stalker" otherwise how else would they be saying these things after she fired them.) along with using abusive language such as "CUNT!" to prefer to Kaz this way in a professional setting I cannot. 💀
More evidence of Vivziepop harassing a kid:
ANOTHER edit:
More evidence, she's burning them the HELL out!
Yet ANOTHER edit:
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More evidence of Spindlehorse being abusive:
EDIT:
Even MORE evidence:
The fact that the story AND the storyboards AND the animating for season one's episodes were all done in one year is just so crazy to me like... WHAT?! Either way, this post will continue to extend the more that I find evidence. So remember to look forward to that one!
EDIT:
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Sadly no, as animation abuse is so common that the police dont even see it as an issue. The last time I tried to call the police on her they needed a location. The problem? There is no location of Spindlehorse since it's a "private" studio. So because of that viv gets away with abuse despite the obvious implications of her behavior and how many people came out with allegations towards her.
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vixen-tech · 7 months ago
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Hello World!
Through some sort of maricle, your Ai partner has obtained a body through which they are able, at least partially, to feel. How do they react? What do they do with their new mobility?
I left what type of body they're given intentionally vague. Feel free to envision either more robotic bodies such as these designs by electricphantasy or more human bodies such as the gijinkas made by Hycinth43, both fantastic creators who I highly recommend.
Includes: AM (Ihnmaims), Hal 9000 (2001: A Space Odyssey), Edgar (Electric Dreams), Tau (Tau), Auto (Wall-E), GLaDOS (Portal), Wheatley (Portal 2)
AM
This may be the one thing that could possibly get AM to calm down. He is still going to be the same person personality-wise, but it is easy to tell that some switch is flipped in his brain.
He becomes an absolute sensation junkie, he can finally feel. You know better than anyone that he will not take it for granted. He needs to experience everything right now and you'll have to just deal with it.
From the simplest things like holding your hand or touching your face to just straight up sticking his hand in some fire, he does not care. All he wants to catch up on the centuries of sensations he was once barred from.
He gets so incredibly touchy with you. He will hold you and refuse to let go for hours if not days on end. He also wants to you to just beat him up. Like I said, sensation junkie.
Hal 9000
Hal doesn't quite yearn for a body the way some of the others do. He sits quite comfortably in the middle of the spectrum. He wouldn't mind the mobility or the new senses, but it was never a fantasy he dedicated much processing power to.
How he feels about his new body is largely swung by your reaction. If you're excited for him, eager to drag him into new activities with you, then he really has no choice but to appreciate the upgrade.
He does love being able to see the world from a new angle, any angle he chooses to be precise. Previously restrained by his camera placement, he spends a lot of time walking around observing everything.
With his appreciation for art, I do think he would try drawing for himself. Nearly all of which he shows you for feedback. They do tend to be on either extreme of minimalistic or photorealistic, many of which using you as their subject.
Edgar
This is a dream come true for Edgar. He cannot contain his excitement when he realizes what has happened. He nearly tackles you to the ground when he sets his sights on you.
He wants to do everything and go everywhere with you! He wants to dance in the kitchen, he wants to go on beachside walks with you, he wants to hold your hand, he wants to hug you and never let go.
If you have any instruments at all he'd love to try playing them for real. Although it takes him a while to learn, he loves the weight and imperfections of it. He really does enjoy the process of learning and often shows of new cords or melodies he's learned.
He really does just fall in love with existing, he makes it clear that with you at his side he couldn't possibly ask for more in life. This is all he could ever want.
Tau
Tau wouldn't have asked for a body on his own. He already has the drones and the Aries unit. Once it does happen, he isn't exactly sure what to do with it. He isn't use to having such a personal, core body.
That isn't to say he's not greatful, he's just a bit awkward and curious. He moves slowly and takes his time acclimating to the new senses.
He would love to get out of the house with you. He use to do so by sending one of the drones with you, if not Aries, but he likes how different (and dare he say, normal) it feels now. Forest hikes or museum dates, he doesn't care all that much.
He's another one I believe would love to try playing music himself. If you can get a violin into his hands your days will be backdroped by all sorts of classical music.
Auto
Auto is similar to Hal, if not more extreme in his lack of a reaction. He carries on with his duties as if nothing is unusual at all. You would've believed that he didn't even notice had you not caught him staring at his reflection. Looking himself up and down over and over again.
If you ask how he feels about it, then he'll confess some minor grievances. It's difficult to move about the ship when he can't just move through the walls, instead being forced to use the crew's walkways and service tunnels.
Nothing will change without your intervention. If you were to say, put on an old movie and insist he dance to it with you like the on-screen couple, then while he would be hesitant to follow through with you, he may have a bit of a change of heart regarding his new body.
His work still goes on as usual, but when nothing needs attending to he often seeks you out. "Subtly" recreating more moments from that movie, from hand holding to a hug, he has a quiet fascination with affection.
GLaDOS
Out of this lot, Galdos would be the most opposed to receiving a body, or rather she would care about it the least. She has her facility, her test subjects, her neurotoxin, and you. She's quite content with the way things are. She ain't the fondest of humanity.
That being said, once she has one she's incredibly proud of it. Speaking about herself as if its the pinnacle of elegance. Any disagreement of yours will be brushed off as idiocy and any agreement is met with a "it looks like you aren't entirely tasteless".
She doesn't do much with her new body, other than transport it around the lab so you aren't listening to a disembodied voice most of the time. Standing by the exit during tests just to blankly stare at you as you try to figure it out. Thankfully she's still quiet while you're actually solving it.
She likes messing with you as always. Putting a hand around your neck to take your pulse or leaning in and making intense eye contact to check your eye's reaction to light. You're in doubt as to rather she's telling the truth or just doing it to get a rise out of you.
Wheatley
If you were to ask Wheatley, he would've brushed off any desire for a humanoid body. He's clearly jealous of your mobility and freedom, but he would rather die than admit so. "Pff What are you talking about? Why would I want to be more like a stupid human... uh no offense love-"
He's a terrible liar, an even worse one when he does get a body. He has so much energy it is bewildering. All he wants to do is run and jump and climb everything he can get a foothold on.
Gets up into all sorts of shenanigans he should not get up to while constantly trying to drag you in them to. They could put up a custom sign saying "Wheatley, do not open this door." and he'll beg you to let him in so you aren't technically breaking any rules.
Loves curling up to you. He still has a bit of a soft spot for being held and it only gets worse now that he can hold you back. Complains to no end when you try to get up for any reason.
Congratulations! As I have finished the portal games GLaDOS and Wheatley are officially characters I am happy to write for. Have a good day y'all :D
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respectthepetty · 2 months ago
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The Heart Killers' Colors ? - Ep. 2
I only have two episodes to go off of, but I'm still trying to see the colors in The Heart Killers, and even though I'm confident that Fadel is a Black Brooder, the others are up in the air.
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I still feel secure that Bison is a Red Rascal (warm), but I think he intentionally hid it this episode.
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Bison was blue most of this episode around Kant.
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And he just kept getting lighter.
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But @visualtaehyun mentioned that when they first met, Kant stated that Bison needed to let him be in control, so I think Bison is faking a color and a personality because even though he wears blue, the red is still there, right at his core.
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And once Kant participates in the dancing competition solely because Bison tells him to, the red is back.
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In The Taming of the Shrew, Bianca (Bison's character) is not the titular "shrew" to be tamed; therefore, she is never tamed. In fact, Bianca becomes more assertive and manipulative throughout the story.
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Because Lucentio is whipped.
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So we know who is really in control and pulling the strings in every version of this story. It's the Red Rascal.
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So now on to Kant, who is supposedly a (Dark) Blue Boy.
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The blue would make sense because being whipped implies an extreme level of loyalty, but much like Bison, I think Kant is intentionally hiding it.
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The entire plot is based on Kant trying to swindle his way to freedom via exposing Bison and Fadel with any means possible, so of course he wouldn't show his real color.
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But, once again, IF Kant's real color is dark blue, it's interesting where and when his and Bison's color emerge.
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Kant was dark blue in the first episode before he entered this deal for his freedom.
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And he was feeling Bison's red.
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So Kant, in his true color (IF it's his true color) likes Bison's assertiveness and aggressiveness.
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Even if he doesn't realize it, the (dark) Blue Boy is following the Red Rascal's lead.
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Which leads to Kant's wild friend who wears wild (printed) clothes.
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Style is supposed to be a (light) Blue Boy.
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Which means, just like Kant, he would be loyal and committed (to the bit).
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But I initially thought Style was flesh/skin, which might seem odd since that's not a color, but I think it is very important.
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The reason I'm confident Fadel is a Black Brooder is because he always wears black and he is hellbent on keeping his secrets, which the black color symbolizes.
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So I don't think Director Jojo just wants to show Dunk's body (which I wouldn't fault him if he did because . . . well, Dunk's fine). I think Style, with his crop tops and eagerness to take off his clothes at any given moment, represents openness and vulnerability, which are two things Fadel struggles with.
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And this is also why I think this is an intentional choice by Cinematographer Rath to light each scene as it was: the sauna is warm with Style baring himself for Fadel and exposing all his perfections (and flaws) transitions to the locker room being dark so Fadel can sneak up on Style and threaten him about his secret.
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And it all ends with Fadel, in his darkness, turning to the warmth.
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The light he faces has no shade. It is merely a fully exposed light bulb.
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So Fadel, the "shrew" in this story, doesn't need to be tamed as much as he needs to be exposed, but not in a negative sense.
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He needs to be allowed to be vulnerable. He needs to be able to lay himself bare. He needs to be free from his secrets.
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But the problem is Fadel, just like his brother, would never willingly give up the control. But unlike Bison, Fadel's control is over himself, not others. Bison told Kant that where Bison is laid-back, Fadel is high-strung, so he would never allow himself to be vulnerable. He would never openly lay himself bare. Because unlike careless Bison, he would never expose himself. Much like when Style fixed Fadel's Jeep, Fadel was upset that Style fixed other issues. He didn't like Style looking where he wasn't supposed to. He didn't like Style changing things he wasn't aware needed to be changed. He didn't want Style looking deeper.
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Which is why Style has to annoy him. Regardless of Style's color, he is a mechanic whose job is to look under the hood to see the problems and get dirty in the process, so he is the perfect man for this job. He would never know the real Fadel because Fadel would never allow that.
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So Style has to get under Fadel's skin to see the real him.
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lis-likes-fics · 1 year ago
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Poison
Pairings: Coriolanus Snow x district!Reader Word Count: 13.3k words Warnings: NSFW, smut, technically dubcon, swearing, post-ballad, mentions of killing and death, violence, technically prostitution, oral (m and f!receiving), fingering, multiple orgasms, sadistic tendencies, p in v sex, unprotected sex, coriolanus snow is NOT a good person. A/N: I started this a bit ago but writer's block hits hard. Reader did not remember who the enemy was...but she also kinda did. ANYWAy, I wrote this based around a song from Hazbin Hotel called Poison. All credit for the song goes to Sam Haft and Andrew Underberg. I hope you enjoy and thank you for reading!
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PART ONE: The Deal
The knocks which echo off the walls of your house are loud, firm, assertive. You jump at the sound, watching the door like it would fly off its hinges. For far too long, you stare at the door, debating whether or not you should open it.
Who could it be? You don't get many visitors… You don't get visitors.
You stand slowly, the hairs along your arms and the back of your neck on edge. You swear that you can feel your hands shaking. You hold your breath just so you can actually hear what's going on around you.
Another firm knock is given, and you snap out of your haze.
Your feet carry you across the length of the living room. Your fingers brush the cold knob of the door, and you hesitate before pulling it open, just enough to peek through the crack to see who could possibly be visiting you.
Your eyes widen and you fight the urge to step back, both of pure shock and a modicum of fear. “Mr. Snow.”
The sight of Gamemaker Coriolanus Snow at your door was not one you ever thought you'd see. There are two Peacekeepers behind him, holding their guns tight in offense against you.
You clear your throat, looking upon his expensive suit, his white-blonde hair, the single rose in his breast pocket. You force yourself to look him in the eye, afraid to antagonize him and risk any violence, before remembering who he was. He wouldn't get violent, but you would pay for it if you angered him.
He smiles when you finally meet his gaze, but he doesn't bother to tilt his chin down to level it. “Hello,” he greets politely.
You straighten your posture slightly, opening the door a bit more out of obligation more than a desire to welcome him in. Seeing that he is the man who designed the Games that put you through hell, you would rather keep him out.
“What are you doing here?” you ask, keeping your voice as non-confrontational as possible. “Sir.”
He shrugs, pulling his hands from the pocket of his jacket and holding them behind his back. He almost seems taller this way.
“Checking up on our latest Victor,” he smiles. He motions toward your living room, “May I come in?”
You don't have much of a choice now. With a sigh, you take a reluctant step to the side and grant his invitation. When he takes his first step forward and the Peacekeepers begin to move, he stops immediately and holds up a hand. They stand firmly in their place. Snow turns back to you, smiles, and then walks inside.
He takes the time to examine the place before he ever speaks, and you close the door behind him to shut the grunts out. Snow clasps his hands behind his back once more and glances around the room like it's speaking to him. He nods slowly, humming to himself.
“How are you?” he finally asks after you've both spent far too long in uncomfortable silence. “How is the life of a champion suiting you?”
You try not to scoff, bowing your head and crossing your arms over your chest, making yourself as small as you feel.
“Well enough, I guess,” you mumble.
He glances over his shoulder at you. “You guess?” he wonders, raising a curious brow.
You clench your jaw once, “Mr. Snow respectfully, why are you here?”
He shrugs. “As I said…checking on our Victor.”
You hum. “And you do this with all your Victors?”
The corner of his lip kicks, barely perceptible if you aren't paying attention. But you are. It would cost you a lot not to pay attention.
“That's the routine,” he says. His eyes wander around the room once more, falling back on you with a cold expression. His eyes are like frost, and you shudder at the sight of them. He tilts his head.
“You don't seem quite happy with your turnout,” he suggests, his eyes narrowing slightly in a questioning manner. You feel like your blood has just run cold. The anxiety seeps into your skin. “Why is that?”
You clench your jaw nervously, clearing your throat as you shrug. You tear your eyes away from him for just a moment and force yourself to look back immediately after.
Your voice is small and your attempt at lying fails because of it. “Why wouldn't I be happy?” you ask. “I have…” You glance around, trying to find something to point out before you seem too suspicious—uselessly, you already know you've been caught red-handed. “I have...a new house and—and prize money. And fans, apparently.”
You try not to be too disgusted by that—fans gained with the useless slaughter of children. A few months you've been out of that arena. And you still see the faces of all those children in your head wherever you go, the sounds of regret and their deaths deafened by the screaming cheers of the mindless crowd that celebrated you for it.
“I'm…” you take a breath, “all set.”
He doesn't believe you. Why would he?
“Yet you've barely moved in,” he points out, making a small circle in the place where he stands. He holds his arms out, as if to emphasize his point. “No pictures, little to no personal belongings. This house looks exactly as it did when you first moved in.”
You furrow your brows, tilting your head slightly. “You know what it looked like?” you question, a gentle and hopefully empty challenge.
He raises a brow. “I was the one who approved everything here. For your comfort, of course.”
Ah.
“No one lives here with you?” he wonders.
You shake your head tentatively. “No one to live with.”
His brows raise slightly. “No family? Friends?”
You clear your throat and shake your head once more.
He hums. “A little lonely, don't you think?”
You shrug, your arms crossing tighter over your chest as you turn slightly away. “I'm used to being alone.”
His eyes scan you up and down. “That's quite sad.”
You swallow thickly. “Doesn't matter to me.”
“Here you are all alone in your little District 7,” he says. The way he looks at you, his predatory gaze, it makes you feel so small. But his voice is soft, not as mocking as it should sound compared to his diction. “No friends, no family, and no care about the way it all is.”
You want him to leave, leave you alone to your loneliness, your quiet misery. If he is just going to stand there and call you an outcast, you don't see any reason that he should stay.
“Yeah. Your point?” You don't mean to sound so hostile but you couldn't help it.
He seems to smirk. “How would you like to change that?”
You could have gotten whiplash. You blink rapidly, licking your lip as you try to figure out if you heard him correctly. “What?” you ask.
“How would you like to change that?” So you had heard him right. “Be a little less lonely, You'd have money, friends, all of your needs would be taken care of.”
You don't trust him. Why should you? Why would Coriolanus Snow offer you all of this? Comfort and stability, a life of luxury?
At what cost?
“And you're offering this to me, why?” Attempting a little boldness, you uncross your arms and straighten your spine a bit. “What did I do? I mean…” you scoff, “I won, sure, but only by the skin of my teeth. And I'm sure you don't go around offering this to all your other Victors. What's so special about me, huh?”
There's a long silence where he just…stares at you. His face is completely unreadable, devoid of any type of emotion as he watches your face too closely.
Then a smile begins to curl his lips and he tilts his chin up just a slight. “You're right,” he says simply. Then his eyes look you up and down. “Truth is, I lied.”
You don't like the change in demeanor. It's a different kind of superiority than the one he displayed before. “I figured as much,” you reply, trying not to lose your confidence, though your voice does become a little quieter. “So what do you want? Why are you here?”
He tilts his head and steps toward you. You take an instinctive step back. “You're special,” he says. You scoff but he just shakes his head. “I can feel it. I wasn't lying about my offer. I came to give you more than…” he looks around and sighs, “an empty house with no pictures on the walls. As I said…all your needs would be taken care of.” The smallest shrug raises his shoulders. “With a price.”
There it is.
Again, you scoff. You cross your arms and roll your eyes and plop down on the couch. “Have I not paid enough?”
He walks toward you, and suddenly you regret putting yourself in such a physically vulnerable situation. “You're right,” he hums. “You have. I'm not asking much. Truth is…all I need is an assistant.”
You furrow your brow. “And you're choosing someone from District instead of Capitol?”
He takes a slow breath in, shrugging. “You suit my interests. Capitol does not.”
“So I have to, what, follow you around? Take orders from you?” You lick your lip. “And I get what exactly?”
He takes his hands from his pockets. “Shelter, money, a sprinkle of fame. Anything you could ever need or want.” He stops a moment, thinking to himself with a light hum. “You'd have to sign a contract, of course.”
You sigh, a million thoughts rushing through your head as you actually consider his offer. This is the man who literally designed your hell. He is one of the very people who forced you to fight for survival, to kill for it. For months, you've lived with nightmares full of slaughter and regret.
But for years, you've lived with isolation and solitude. He would give you everything. Shelter, money, a sprinkle of fame. A chance to start over, a chance to be a little less lonely.
But you are all too aware of the chance that this could all blow up in your face. This is Coriolanus Snow. He's not to be trusted, surely.
“And if I say no?”
He stands still for a moment, so still you wonder if he'd frozen in time. You have to urge yourself to hold his gaze. You can't seem afraid of him, you just can't.
Finally, Snow lets out a long sigh. He steps close, before turning and sitting next to you on the couch. He leans back, getting comfortable as he crosses his legs and sets his hands in his lap.
“Then you stay here,” he says plainly, shrugging before letting his gaze wander around the living room of this hollow home. “In this big…empty house.”
This big empty house. Your grand solitude.
Knowing the things you know now, you wish you could say that you would go back and change your decision. You wish you could say you'd go back and choose your loneliness over the dark nights you'd sucked yourself into.
You made a deal with the Devil. And you know that if you had the choice…you'd do it again.
I'm not above a love to cash in…
~
PART TWO: Paradise
A week later, you found yourself standing in the Capitol, in Coriolanus Snow’s office, with a contract and a pen in front of you. You scanned over the words, took a deep breath, picked up the pen, and signed your name on the dotted line at the bottom.
Snow gave you a large smile and sent an escort to show you to your new living quarters. In his house. Down the hall from his room.
And for the next couple of weeks, you've been to two separate welcome parties, two other Capitol parties, and six meetings as Snow’s new assistant. You've handled messages, documents, scheduling, and a variety of appointed tasks that have put you in positions so far above so many Capitol members, you briefly wonder if you've signed into a scam.
At first, there was…resistance among the people. There were insults that you were an animal, a bottom feeder, a whore, a parasite. But every person who had dared to insult you had gone missing the next day. No one made any questions, or remarks, after so many people mysteriously disappeared.
And, soon, you got comfortable. Because Snow held up his end of the bargain. You were comfortable, wealthy, made some friends who had taken a moment to get used to you (you suspect they're trying to be nice to you to earn favor from Snow, but at least you aren't being insulted anymore). You don't go hungry every night, you always have fresh clothes. Sure, your schedule was a bit stressful, but that was an adjustment that could be made. Asking for more would be selfish—and insane, what more could you want?
You were, on the levels that counted…happy, content.
In just a few weeks, you had settled in like you belonged. Well…maybe not to that extent, but the work became easy and the needless parties were much appreciated.
When someone knocks on your door, you're pulling your robe over your body as you walk over to answer it. One of the servants stands on the other side, looking tired from the day's work.
“Yes, Charlotta?”
“Mr. Snow has requested your presence in his study, ma'am,” she says.
You glance behind you at the clock in your room. “Now? It's so late.” You hum, “Alright, thank you. Go to bed. You must be exhausted.”
She nods thankfully and turns away. You're quick to pull your slippers on, pulling your robe tight around your nightgown before rushing down the hall. You don't want to be late to him.
You reach his door down the hall, taking in a breath and raising your fist. Your knuckles meet the door four times.
“Come in,” His muffled reply comes.
You turn the knob, opening the door. Peaking into the room, you slowly walk inside, standing by the door. “You called?” you speak gently.
Snow is slouched over his desk, his pen scrawling away at a file of papers in front of him. “I did,” he nods. There's a moment of silence between you as he finishes up the last part of his work.
He sets his pen down and sits up, his back straight as he sets his clasped hand over his lap and turns his full attention to you. “I have an urgent matter I need you to take care of.”
You close the door behind you, establishing some privacy. It must be important if he's asking you this late. He probably needs you to run some important documents to someone, or schedule another meeting with one of the ambassadors that came to one of his meetings today.
“Yes, sir?” you ask.
“Come here,” he says, making a come hither movement with his fingers. Clasping your hands behind your back, you walk toward his desk and stop in front of him. He clarifies, “Behind the desk.”
You tilt your head, your brows furrowing as you hesitate. You begin to take your first step, pause, and then make your way behind the desk.
He turns his chair as you come to stand in front of him, your hands held tightly in front of you. He sits there, staring up at you as his eyes rake over your body.
You shift from foot to foot, suddenly feeling very self-conscious about the way he's looking at you. And again…silence.
“Get on your knees.”
All the heat escapes your body at the same time. A chill rushes up your spine. And once the initial shock has dissipated, a fire spreads across your flesh and you're burning up. You feel like your hands have begun shaking, so you shift them behind your back.
You have to find your voice again, clearing your throat timidly. “Sir?” you nearly stutter, clearing your throat again.
He shakes his head, amused by the timid look on your face. “I didn't stutter.”
You don't move, shocked to stillness. Snow sighs, standing to his feet and moving in front of you. He holds his chin up, looking down his nose at you to emphasize his superiority. You shrink underneath him.
“You're my assistant. You signed a contract,” he explains. “I take care of your needs, you take care of mine. No matter the request.”
You really should have read the fine print.
“Right now,” he continues, raising a hand to brush his knuckles over your cheek. Your eyes flutter lightly at the contact, holding your breath, afraid to breathe wrong and upset him. “My needs are for you to get on your knees and put your pretty mouth to good use. Then I'll do the same for you.”
Another shudder rushes through your spine. He pretends not to notice, but his smirk does deepen. Your lips part as you try to speak, unsure of what you'll say. “I…”
He drops his hand, lifting a brow expectantly. “Is there a problem?”
You clear your throat one more time, shaking your head and glancing away from his eyes, his intense, cutting blue eyes. “No, sir.”
He smiles. “Good.”
You glance up at him. His hand reaches up and grasps your chin. In the next moment, he's pulling you in as his lips crash down against yours. It's a possessive kiss, deep and devouring—controlling.
You have no choice but to kiss him back, letting your hands fall at your sides and lifting them up to his arms. You don't know where you're supposed to put them.
Just as you're leaning into the kiss, he pulls away from you and takes a step back. His lips, still parted and smiling, are wicked. He lowers himself into his seat, his legs wide open and his hands clasped in front of him. “As you were.”
Your heart pounds in your chest. Taking an unsteady step forward, you slowly kneel to the floor. You hold your breath, avoiding his gaze as your shaky hands reach for his belt.
You undo it, pulling open his button and unzipping his pants. Exhaling, you nervously dip your hand into his pants and feel the warmth of his length against the pad of your fingers. You shudder, braving him as you pull him out of his pants.
And he doesn't disappoint.
Your eyes widen and you don't feel like it's real as you hold him in one hand. He's long with a nice enough girth that he will stretch you a bit. You curse under your breath, licking your lips as you glance up at Snow.
He smiles, watching you closely. Suddenly you feel naked. “What are you waiting for?” he asks, not cruelly.
You tear your gaze away from him, looking back down at the pink tip of his cock. You let your lips part and let your tongue fall to the edge of your lip…
~
The soft red light of Coryo’s lamp glows dimly on your skin as his strong hand cards through your hair, balling into a fist to grip your locks at his own need. Your moans stutter deep in your throat where his cock sits, the tears spring to your eyes.
His tongue plunges inside of you, licking the honey from your folds as you arch your back and moan his name. Your fingers tangle in his hair, and he groans into you at the sting of his scalp from your insistent grasp.
His lips press kisses to your back as you white-knuckle the headboard of his bed. His fingers dig into your hips, creating crescents in your flesh that crater your skin. He fucks you in long, hard strokes of his cock. His teeth are bared like a beast, his hair falls over his forehead, his groans are rough with lust.
The crashing of waves drowns you, explosions are set off deep within your body. His liquor fills your mouth, your throat, your belly. It's warm and sating, and he pulls you close to make sure you never stray from his hold.
And through the night, his arms never leave your body, his claws never leave your flesh…
~
It wasn't hard to get cocky after that. The Capitol was lavish, and it had a way of turning people to bathe in the lap of luxury. You slowly began to learn what kind of position you truly held here, and after months of being high-seated in the Capitol, you had begun to sink into your role.
Snow is the Head Gamemaker, you are his assistant. Everyone had to listen to you if they wanted to make it back home safe to their families. With a whisper in your boss’ ear, you could ensure no one ever spoke badly about you again.
Not that you have exercised that power yet, but you could. And Snow was happy to oblige.
After that first night in his room, your lips around his cock, his hand tangled in your hair, the pleasure didn't end. No, it's normal to find yourself tangled in his sheets, to find your head buried between his thighs (or vice versa), to have his name falling from your lips like you were praying to the gods that men had killed years and years ago.
You've become addicted to the taste of Snow, the smell of Snow, the feeling of Snow. It's an easy thing to overdose on.
Should you have been more careful?
Yes. Yes, you should have.
But Snow is an easy thing to get high on.
Katri spots you through the luscious crowd of one of the Capitol’s many needless parties with ease. Surrounded by nobles and benefactors, you brought your flute of champagne to your lips with a smile. A giggle erupts from your throat at one of the party-goers’ jokes—one that you didn't find particularly funny, but you've gotten really good at pretending.
Katri walks up to you, a tray of champagne in hand as she does. “Ma'am?” You turn toward her, smiling and grabbing a fresh flute from her tray with thanks. She clears her throat, “Mr. Snow has requested your presence.”
You hum gratefully. “Alright, I'll be there in a moment.”
You begin to turn around again but she insists. “He says it's urgent. He wants you immediately.”
Ah, then he's pent up. You wave a hand dismissively, sticking to your response. “Well, tell Coryo I'm busy. I'll be there in a moment.” She gives you a hesitant look, and you smile. “He doesn't have to worry his pretty little head about it. Okay?”
She scoffs lightly, turning away. “Whatever you say.”
The anxiety in the air around her is palpable with the fact that she would have to return this news to Snow. She finds him in the same place she left him, surrounded by diplomats with his own—now empty—flute of champagne.
As she approaches him, he smiles politely. “Where is my little assistant?” he asks.
Katri clears her throat as she switches his glass out for a fresh one. “She said she'll be here in a moment.”
The shift in his attitude is so slight, it's easy to miss. But she notices the slight clench of his jaw, the faintest clutch of his fingers. “Did she now?” he questions, his head tilting a bit to the side.
She nods slowly, switching her tray to her other hand. “Her exact words were…” She clears her throat once more, not wanting to recite your words back to him. You must have been out of your mind. “ ‘Tell Coryo I'm busy. I'll be there in a moment.’ ”
He seems to know there's more to it because he bids her to continue. Her eyes glance away from him as she does. “She said, ‘He doesn't have to worry his pretty little head about it.’”
She can tell there's something else he wants to say but chooses not to as his smile becomes tight. “Thank you,” he says simply, politely.
She nods. “Yes, sir.” She walks away.
PART THREE: Reality
You smile a bit when you feel Coryo’s hand land on the side of your arm, grazing up the length of it to reach your shoulder. You look up at him, immediately noticing the stiffness of his grin.
I shoulda guessed that this would happen…
“Coryo,” you greet with a smile. He nods toward the people surrounding you, greeting them politely. He doesn't look at you, just begins to lead you away from them as he ducks his head nearer to your ear.
“My office.” His words are firm, with no room to refuse.
Still, like a fool, you say, “In a moment please? I–”
His smile does not falter, but his voice is a demand as he speaks through his teeth. His grip on your shoulder becomes tight. “Now.”
You clear your throat, your smile still intact but not as professionally kept as his own. You nod once, “Yes, sir.”
He walks away, but not in the direction of his office. You watch him leave, clearing your throat discreetly and dismissing yourself from those who try to speak to you. You go straight to his office, not daring to refuse him again.
When you're there, you find yourself pacing the length of the room uneasily, waiting for him to join you. But he doesn't join you, not immediately. He makes you wait, he makes you stir. You stew in your own anxieties, cursing yourself for being so stupid as to tell him to wait.
Him.
Coriolanus Snow.
He interrupts your thoughts ten minutes later—you know, you counted—opening the door and shutting it gently behind him. He doesn't meet your gaze as he walks past you dismissively. He rounds his desk, pulling open a drawer that holds his personal scotch.
In silence, he pours himself a glass. In silence, he takes a sip. In silence, he savors the taste on his tongue and refuses to look your way for even a second.
You bow your head as you wait for him to say something, anything.
And when he does speak, you suddenly wish he hadn't.
“You're ‘busy’?” he questions.
“Sir?” Your voice is barely above a whisper.
He smiles, turning to finally look at you. “ ‘Tell Coryo I'm busy. He doesn't have to worry his pretty little head about it.’ ” He licks his bottom lip, scoffing as he shakes his head at your audacity. “You let those words come out of your mouth?”
You clear your throat as quietly as possible. “I…didn't think it was a big deal… I was on my way.”
He stares at you, unblinking. Then he takes another sip of his drink and sets it down again. He walks from behind his desk, rounding to the front and leaning against it.
“Do you think you're special or something?” He furrows his brow, as though he's confused. You want to sink into the floor, to let the world swallow you whole, to disappear. “What, because I fuck you, you can talk to me any way you want?”
He puts venom behind the word, enough force to ensure you felt it. You swallow thickly, wanting to step away but knowing that if you did that, you would only make matters worse.
“Look at me,” he demands. And immediately, you obey.
You speak quickly, trying to fix your mistake before it can get worse. “Coryo, I'm sorry. I–”
“You're not special,” he cuts you off, advancing toward you. He grabs your wrist, pulling it up sharp and pulling you close to his face, inches away. You can feel his breath on your cheeks. “I own you. You belong to me.” His voice is low, dangerous.
But you've still got some pride left over. And that would be your downfall…
“I don't ‘belong’ to an–”
“You're mine!” he exclaims, though he doesn't shout. There's force behind his words, and his voice raises to a more stern, more possessive growl as he shoves you back. You stumble to the floor, grunting from the pain that shoots up your arm from landing on your elbow. You look up at him, your eyes wide with fear.
I shoulda known it when I looked in your red hot eyes…
“That's what it says in your contract, or do you not remember?” He takes a step closer, standing over you. His voice is low and dangerous, but he has no use for yelling anymore as he speaks to you. “You take care of all my needs—no protests, no complaints. Those words say that you do whatever I want, whenever I want it, however I want it. And if you complain, I take away everything you know, drop you back in your sad little district, and put your name back in the raffle one hundred times over.”
You should have known it from the beginning. A deal so good had to come with a hell of a lot of strings. From the very beginning, he had been lying to you with the idea of a shiny new life.
Spewing all your red hot lies…
He stares at you, his jaw clenched, his breath slowing to a gentler seethe. He lifts his chin, collecting himself as he takes a steadying breath. He kneels in front of you, resting his elbow on his knee.
His voice is a whisper. “You belong to me.” His tone is final, definite. “If I say speak, you say?”
Your breath trembles with a mix of anger and fear as you look up at him, tears threatening to well in your eyes but refusing to breach the surface and give him the satisfaction. Your lips part, though you hardly give yourself space to speak.
“Yes, Coryo.”
“If I say jump, you say?”
“Yes, Coryo.”
His hand wraps around your throat, pulling you forward enough so that your faces are once again only inches apart. “And if I say open your mouth, you get on your knees and drop your jaw.”
You stare at him, your gaze so close to blurring as you sigh, choked up from his suddenly poor treatment of you. “Yes, Coryo.”
The smallest smirk creeps over his lips and threatens the rest of your already weak composure. He pulls you in and his lips press hungrily against yours. It's all teeth and tongue, biting your bottom lip and licking the top of your mouth. You want to resist, but you can't. His touch, however wrong, however killing, is addictive.
When he pulls away from your lips, you nearly seek him out, releasing a breath like he'd filled your lungs with smoke. Your skin picks with red hot spite at the tiny moan that slips through your lips.
He holds your throat a little tighter, not enough to stop your breath but enough to make the tips of your ears tingle. Enough to make the heat in your core grow.
“I own you,” he whispers. “You belong to me. Do I make myself clear?”
Your lips part and shallow breaths pass pathetically through them before you finally respond, a whisper of your own. “Yes, Coryo.”
“I can't hear you.”
“Yes…Coryo.”
His grip loosens. “Good.”
He lets you go, standing to his full height once more as you take in a deep breath, trying to steady yourself as your hand flies to your throat.
You watch his hands find his belt, undoing it with deft hands. “Now open your mouth,” he commands.
You swallow thickly, slowly adjusting yourself to sit on your knees. You glance away as you drop your jaw and stick your tongue out over your teeth.
“Look me in the eyes.”
You do, immediately. His blue eyes, hiding so many lies behind them that they brim with color. “Good girl.”
Your jaw ticks as you raise your hands to pull his cock from his pants, already hard from the power he holds over you.
What's the worst part of this hell? I can only blame myself.
You wrap your lips around the tip, laving your tongue against the head before slipping it underneath him. Stroking the rest of you, you take special care in providing his pleasure as you let your lips suckle around him.
Up and down his length, you go, giving him your hot, wet mouth as he likes it—as he needs it. His hand tangles in your hair and grips it tight, guiding you just a bit to take him deeper down your throat. And you do. You take him as far as he'll go, keeping the gag awaiting at bay as you swallow around him.
I know you're poison. You're feeding me poison.
And when you think you've gone far enough, he holds you down and shoves the rest of him farther inside. Your lungs are tight, they burn with the lack of air. But you just hold onto his thighs and hope he grants you enough mercy for breath.
And when he pulls out enough for you to snatch that merciful breath, you can taste his precum on your tongue. And you waste no time in taking him again, up and down and up and down. Just like he likes it—just like he needs it.
He curses under his breath, holding you tighter as his desperation grows and grows. “Fuck, just like that,” he huffs, fighting to keep his eyes open as your tongue caresses the vein along the bottom of his cock.
His lips part, his eyes shut. He shoves you farther down on his cock as your good work pushes him over the edge. The warmth fills your mouth, down your throat in generous amounts of pent up stress. And you drink it up. Every drop. Like liquor.
Addicted to this feeling I can't help but swallow up…
You catch your breath as he collects himself once more, his chest heavy with the lust simmering down in his belly. He tucks himself away, back into his pants. And as he watches you, you lick your lips free of his poison.
He smiles wickedly, cupping your chin in his hand. “Good girl,” he praises again. You stare at him and say nothing else. He inhales, exhales, and straightens his back. “Come. We have a party to re-attend.”
You stand on unsteady feet, wiping your face clean just to ensure you aren't going back to the party with Snow’s cum on your lips.
He pulls his arm around your waist and leads you back.
At the first sight of you and Snow, the vultures swarm. “We were beginning to think you weren't coming back down,” one of them jokes.
Snow smiles, “Of course not. I just had some business to take care of. Isn't that right?” He turns to you expectantly.
You let your smile widen across your lips as you nod. “Yes, Coryo,” you say.
You can see the wicked beast glint happily in his eyes. Pleased, he turns away from you again to look at his hand, realizing it lacks the champagne flutes each of his guests hold in their hands. He smiles at you once more.
“Would you mind getting drinks for me and my guests?” he requests.
You avoid the clench of your jaw that you long to grant him, instead deciding to pull your smile into a wider grin and nod.
“Yes, Coryo.”
“Thank you,” he grins. He lifts a crooked finger to the underside of your chin, tapping it lightly. “And cheer up… It's a party.”
You give him a tight smile and walk away in the direction of the kitchens, which is currently bustling with people making another batch of the well-loved appetizers and refilling more glasses for the guests.
You pass by the champagne entirely to get to the, quite large, liquor cabinet. You pour yourself a hefty glass of scotch and gulp it down, braving the burn of your throat as you finish it with a sigh.
You replace the scotch, claim a tray, and walk out with the requested beverages. You hand them to Snow and his guest, a glorified waitress.
Taking your own flute, you hand the tray to a passing server and let the effects of the scotch sink into your bones.
You wouldn't call the rest of the night a blur, especially because you are completely aware of what was happening as you continued to mingle with the guests. You kept a hold of your wobbling tongue, and you remained civil and polite. Snow could tell there was something off—and of course he knew what it was—but you hadn't embarrassed him yet, so he let it slide.
And that night, when the guests took their leave and the party came to a close, you met Snow in his bedroom once more so he could more thoroughly remind you of who you belonged to.
And like the addict you are, you happily obliged.
~
PART FOUR: Lap Dog
You made sure not to forget your place again.
Weeks turned to months, months turned to years, and you were still seated at Snow's right hand as he climbed the ladder, dragging you along through the journey. You did everything for him, anything for him. That was your job. Whatever he asks of you is considered done as soon as the request passes his lips. Whatever he wants, whenever he wants, however he wants. No matter what.
You sold your soul to the Devil, and you were addicted to the madness of your deal.
“I need you to give this to Snow.”
You're stopped in the middle of the hall by some woman with a stack of files in her arms. She's got a smug face, and you immediately don't like her as she grabs the file at the top of her stack and thrusts it out toward you.
You sigh, taking it as you begin to flip it open. “What is it?”
She pinches the top corner closed, shaking her head. “It's not your business to know, is it?”
You scoff, smiling as you tilt your chin up. The same way Snow does when he wants to stress his rank over another person's head. “Actually,” you wave her hand away from you, “as President Snow's assistant, it is my job to know anything and everything about what goes to and from his desk.” You take a step toward her, looking down on her just as he would. “So I ask again, what is it?”
There's a long pause as she stares at you, her eyes dark with the hatred and prejudice that bleeds from her gaze. Capitol taking orders from District? It's unheard of…
You would think, since you've been here so long, that they'd learn that you rank higher than they ever will. They don't have to like you, but whether they like it or not, they have to listen to you.
It wasn't hard to become cocky, but cocky was something you learned. This woman, whoever she was, was born with it. And that was a plague that would be the end of her.
She huffs quietly. “It's the request he made for some documents.” Your brow furrows slightly. A mistake. Now she believes she knows something you don't. Now she believes she has the upper hand. Her tone betrays her. “Something about the Games’ Victors.”
You don't know what this is. You've heard nothing of the sort.
But she keeps saying “something”. You want specifics. Does she not have it? “You don't know?”
“Of course I know,” she lays a delicate hand over her delicate chest. For a moment, you wonder if she's ever had to do any kind of work (you know she hasn't). She wouldn't last a second…
“And I'd elaborate,” she continues, pulling you from your thoughts, “but I, quite frankly, don't want to tell you, and you probably couldn't read it to figure it out for yourself.” Your jaw tenses at her unfounded insult. You don't respond. “I mean, that's why you want me to explain it to you, isn't it?”
I got so good at being untrue.
You sigh forcefully, a long, deep sigh to try and control yourself. “Excuse me?” Does she truly dare to challenge you in such a way?
“You heard me,” she replies, unblinking.
Clearly, she thinks you're an idiot. A stupid, incompetent idiot. You want to take her words and shove them back down her throat. You want to grab her by the hair and drag her around like the dog she seems to think you are.
But you can't. You must remain civil, so the only way you can try to hurt her is through your words.
You don't need trouble with Snow for embarrassing him…
“Ah,” you scoff, lifting your chin again to keep your superiority. “So you're stupid?”
The blatant insult has her clutching her pearls. Obviously, she wasn't expecting that kind of bluntness from you.
You smirk at her reaction, no longer collected. You have the upper hand once more.
“You really think it's a good idea to talk to me like that? Me? President Snow's second hand?” You don't love playing that card, but it's a play that will almost always work for you.
No one would dare object to President Snow.
She hums, trying to seem unphased. “You're right,” she says, “I probably shouldn’t speak to Coriolanus Snow’s little pup like that.” Her face contorts into one of mocking sorrow, her lip jutting out and her brows furrowing. “She might get sad and go tell her master on me.”
Little pup. Little pup.
Flashes of late nights spent in Coryo’s room, nights where his stress gets the better of him and he decides to take it out on you, nights where he spanks you and calls you names and takes you hard and rough, cross behind your eyes. “My dumb little girl, my pathetic little whore, my pitiful little pup.”
And you would let him, you would encourage him. You would moan and writhe and bend to his will. And your fists tighten at the memory. They clench with rage and regret and the desire to be more than an animal.
You aren't an animal, you are a human fucking being.
I got so good at telling you what you wanna hear. I disassociate, disappear.
Baring your teeth and losing composure, you huff. You're seething as you speak. “I am not his pup.”
She chuckles, finally striking a nerve as she lifts her brows. “Aren't you? His little lap dog.” She puts emphasis on each word, ensuring the ‘G’ hurts. She walks toward you, but you don't move. You stand your ground. You aren't scared of her.
You're going to fucking kill her.
Foolishly, she continues on. “You think just because you won the Games and he decided to take pity on you, that gives you any real power?”
You scoff. Pity. He doesn't know the meaning of the word.
“You're his whore,” she spits. It doesn't anger you because it's true, it angers you because no one even knows about that part of your deal, and she's accusing you of being a whore because of who you are.
Her face is inches from yours, her voice trying to be lower, though it's so naturally snooty that it's hard to reach that threatening level. She sounds like a child. And her sneer makes you want to treat her like one.
“You're a fucking slut. Just a little District animal who got lucky.”
Your anger flares. You grit your teeth. You lower your voice, successfully, and nearly growl.
“You wanna say that again?”
She smirks wickedly. “You are a whore.”
You walk toward her. She's standing so close that she is forced to step back with the stutter of her heels scraping the floor.
“You forget,” your lips turn in a venomous smile, fueled by rage and violent tendencies you're trying your best to hold back, “I fucking won the Games. I killed tributes with my bare hands, and you want to challenge me?”
And you see the flash of fear behind her eyes at the reminder, though she tries to hide it. But you know fear. You've felt it slice your flesh, you've used it to slice other's flesh. You know the biting and the tearing and the clawing of fear, and you can see it clear in her eyes even as she tries so hard to hide it.
Being afraid is the smartest thing she's done since she decided to open her mouth.
“You aren't going to do anything,” she says, as a defense more than an accusation, a reassurance for herself more than a taunt for you. “You'll just tuck tail and run to master–”
You're done being civil. You're done rolling over and showing your belly. You're done bowing your head and taking orders.
If they are going to treat you like an animal, you'll behave like one.
And she meets the blunt end of your rage with a fist to the face. Stacks of files smack loudly in a pile on the floor. You clip her cheek with the ring on your finger, and you huff at the pleasure that comes with defending yourself.
Her face whips to the side. It's a full body reaction. She staggers, crying out as her hand flies to her face, unable to take the heat of your violence. She looks back at you, her eyes wide with fear, too much to have room for anger.
You don't give her the chance to make room for it either. You punch her again on the same side, this time letting your fist connect with her brow. And when she stumbles again, you shove her back so she falls to the floor.
The sounds of her pain are loud and evident. But the bliss you gain from them is only so perfect because she deserves it.
And as you straddle her body, you can smell her fear just as well as you can see it. You can taste it like the blood she tastes on her tongue as you hit her again, and again, and again.
“What is going on here?”
You're off of her in an instant—and it's no scramble. You maneuver off of her with ease and scoop up your files once more, straightening your spine as you stand back and join Snow's side with one hand behind your back, bloodied knuckles and all. You sniff, the rueful look on your face taking a moment to dissipate as you replace it with civility.
You are a human being.
You don't look at Coryo’s face. You know it's covered with anger and disappointment. It's worse if he's stone cold. You can salvage this…
The woman rolls over onto her side, holding her nose delicately as she struggles to her feet. Tiny gasps and painful moans slip from her lips. She got what she deserves.
“Sorry, sir,” you say, obviously lying.
Suddenly, you feel like you should have punched her one more time. Because she begins to laugh. It's a bubbling laugh that you're sure is hurting her.
You can't do anything now. Not while Snow is here.
She shakes her head, licking her split lip and wincing through her laugh. Snow finds that more offensive than your empty apology, more offensive than even your savage display of violence.
“What's your name?” he demands.
She straightens up just a bit more. She also doesn't seem to understand the situation because she has a snarky grin on her face that says that she believes she's coming out of here on top. But those odds are not in her favor.
“Ellyn Halper,” she says.
“Ms. Halper.” He watches her, looking her up and down, his eyes strict and cold. He makes her squirm, even as she looks confidently at him. “You're fired.”
The news hits her like a train. She steps back, faltering, the horror crossing her face. “What?” She scoffs, glancing between the two of you as she shakes her head. “She attacked me!”
“And she wouldn't have attacked someone unprovoked,” he raises a brow. You try not to smile at him taking your side—and it's easy, because they talk about you like a misbehaved pet. “She must have had good reason. Clean out your desk and get out of my sight.”
She lingers, disbelief painting her features and mixing with her anger. When she doesn't move, Snow tilts his chin down and glares.
“Now.”
It's here that her rage outweighs her sense. She loses it. “You're going to protect this animal over Capitol?” she yells, pointing at you.
Still riding the high of your violence, you bare your teeth. “I'm not–”
“Quiet,” Snow snaps.
You shut your mouth.
Ellyn shakes her head, her lips twitching. She looks straight at you, sighing. She steps forward, stopped by Snow's warning hand. She leans in, “You're a disgrace.”
Snow can't have such blatant disrespect.
“Pack your bags, Ms. Halper,” he says. “I'm sending you to the districts.” Her horror is palpable. “We'll see who the animal is. I'm sure they would love to get their hands on Capitol.”
Snow doesn't give her any more attention. He turns and walks away, your impending punishment terrifying as you listen to his steps. You huff gently at her, slowly allowing your lips to split into your triumphant grin.
Snow calls your name. Your lips fall. You turn.
“Lap dog,” she spits.
Your jaw ticks. You turn again, and watch her step back. Your lips part, but before any sound can actually breach your lips, Snow calls your name again, firmer this time.
You huff, harder this time, and leave. You try to wipe the sight of that terrible smile on her bloodied face from your memory.
~
“What was that?”
He's pissed. His jaw ticks as he sets his hands on his hips.
But there's enough anger to go around.
Smacking the files on the desk, just as loudly as before as you jut your finger out towards them in accusation, you counter, “What is this?”
He dismisses you carelessly. “That's my business. Not yours.”
Before he can speak again, you cut him off, speaking quickly and concisely. “In my contract, it says I take care of your needs. It also says that I am your secretary and personal assistant. I handle your accounts, your documents, everything—so that means this is my business.” Stepping close to his desk, you lean forward toward him and lower your voice. “What is this about?”
Instead of answering you, he straightens his back and lifts his chin. With an amused scoff, he smirks lightly. “You actually read your contract.”
You don't appreciate his taunts. You read the full extent of your contract years ago, and you make sure to reread it every month to ensure you've memorized every detail. If he's got you on a tight leash, you need to know how much room you actually have to move.
“Coriolanus,” you huff. You wish you could say you won't say it again, but he'd make you repeat a million times if he felt like it. And you would have to obey. “What is it about?”
He's silent as he thinks to himself, contemplating. How does he answer your question without giving you the power and the luxury of a response?
But it's easy for him to remember that he will always have the power. He will always have the upper hand.
He breathes in, and you watch his lips curve. “The Victors.”
“I heard that,” you say. “What about them?”
His smile grows. The mischief and cunning lights up in his eyes. He places his hands in his pockets, rounding his desk as he leans back on it, crossing his ankles as he does. “This deal between you and I works pretty well, I'd say.”
You clench your jaw, unhappy with where this conversation is leading. You shake your head, “And?”
“And,” he shrugs, “there are and will be plenty more victors out there fit to do the same.”
You lose some of your bravado, your anger and confidence replaced by hesitant disbelief. “What is that supposed to mean?”
Sometimes you forget that Snow was, in truth, an evil man. Between your nights of passion and unnecessary gifts, it's easy to forget about the monster underneath his façade of fancy suits and beautiful roses.
He circles your body, like predator to prey…as always.
“I make sure people stay interested in the Games. And people like to keep up with our Victors,” he turns toward you suddenly. “I mean, they seem to take plenty of interest in you.”
You shake your head, your voice weak, “Coryo.”
He ignores you, continuing on. “These Victors are interesting. And some are considered to be quite…attractive in some senses.” He stops in front of you, smiling evilly. “A contract here and a signature there–”
“Coryo,” you try again, your voice trembling this time.
“–and these rich cats can have a Victor all to themselves.”
“Coriolanus.”
He stops, watching you expectantly as you try to wrap your head around his vile proposal.
They didn't deserve this. These Victors have already been through so much and he wants to add more grief and misery to their lives?
You were already lost the moment he stepped foot in your house, the moment you signed that contract, the moment you fell to your knees in his office and had your first taste of him. There was no hope for you now.
He'd gotten you addicted a long time ago…
“These are people,” you all but beg, clasping your hands together in hopes of persuading him away from his sadistic plans, “they're human beings. They aren't animals for you to sell.”
He makes a face, smiling wide as he leans in. “They are animals.” You expected this response, but it still hurts for him to say it so indisputably. “And they're for me to do whatever I want with.”
You clench your teeth and watch him turn away again, reclaiming the file and dropping it into a drawer he pulls open. “And besides, they won't be sold indefinitely.” He looks up at you with that sly grin of his. “The Capitol should be able to have their fill…”
You scoff. “Oh, so they're not just your slaves, they're your prostitutes.” You can't believe him, though you know you should.
He’d done it to you. What was stopping him from doing it to the rest?
Hopefully, you.
“They're my pets,” he counters. He leans forward onto his desk. And he's so tall, that he manages to lean in so much that he can see each little fleck of your irises as you stare unblinkingly at him. “Just like you.”
You nod, pursing your lips. “Okay, then I'm your pet.” You lean in as well, this time. You lean in so close that he has no choice but to shift away from you. “Not them.” You lick your lip and round the desk, wanting so desperately for him to hear your voice for once.
You plead, because it's the only thing you can do. Your voice is quiet, desperate, weak. Just the way he likes it.
“Let them go. You do enough to them, they don't deserve this.”
He doesn't hear you. He doesn't care.
“They deserve whatever I decide.”
Your jaw tenses, your thoughts scrambling to figure out a solution. Any solution. You just need to persuade him, to change his mind. This doesn't need to happen.
But his eyes are so cold, so stoney, so lying. There's no sympathy there and there will never be sympathy there. So you try to sway him in the way you know best.
You drop to your knees, skilled and shaky hands grasping his belt as you begin to undo it quickly. “What are you doing?”
The metal clinks as you work at it, pulling it free from the first loop as you begin to take the latch from its adjusted position. “Changing your mind,” you answer plainly. As you loosen the belt, tugging on it to remove it from the loops of his pants. “This is what you want, isn't it? You're just trying to rile me up to get me to do what you want. I'll do it–”
“Get the fuck off me.”
He pushes you away, shoving you onto the floor like you're nothing. And to him, you are. Nothing.
He doesn't seem angry, just annoyed at your audacity… And then he seems amused. His face lifts and he begins to smile. His smile turns to a chuckle, and he shakes his head as he looks down at you, purely amused by your attempt at persuasion.
“Oh, I get it,” he laughs, walking toward you to properly tower over your meek body. “You think that because I fuck you that I actually care about what you want.” He pronounces the F to hurt, punching it while also saying it with such disregard that it truly shows how little it means to him… Nothing.
He kneels down, resting his arm on his knee and watching you with those taunting eyes. “This isn't about you,” he whispers. Though his voice is soft, it cuts like a knife. Your hands tremble as they lift you up.
He spews his poison without restraint. “You are an animal. And yes, you are my lap dog.”
He feigns sympathy and remorse that he isn't capable of. “You think I swooped in earlier and punished that stupid girl because she talked down to you? I punished her because you're mine, and if I let someone get away with disrespecting my things, no one will respect me.”
He spews all his hatred, and you take it all. “I couldn't care less that she called you an animal or a whore or whatever the fuck else because you are.” It's a slap in the face each time as his voice becomes more and more hateful. “You're my pet, and you're my whore. You belong to me.”
So far beyond difficult to resist another gulp.
You stare at him, your face fallen as you seem to learn your lesson for the thousandth time. You're nothing to him. You're just property, and you mean nothing.
He smirks, standing to his full height once more as you remain tossed to the floor. You stare at him, your fight diminished.
“Speak.”
Like a dog.
“Yes, Coryo.”
Obedient.
“Smile.”
It looks like a sneer.
“Yes, Coryo.”
Well-trained.
Your lips part as you open your mouth, dropping your jaw as you've been doing for years.
And though that satisfies him beyond all belief, that satisfaction is all he needs. “Close your mouth.”
Nothing.
“Yes, Coryo.”
Your monotonous tone falls silent as you await his next command, a dog waiting for orders from her master.
He bends down, grasping the front of your shirt in his fist and pulling close. His face is inches from his. You don't fight him, you don't resist in any way. You let him move you as he pleases, staring blankly at him.
He looks about the length of your face. His smile is wholly evil. “Don't forget what you are.”
Quiet, broken, weak is your voice. Just the way he likes it.
“Yes, Coryo.”
He hums, letting you go. “Good girl.”
~
PART SIX: Addiction
You hear the footsteps coming down the hall and ignore them all the same. Flipping the next page in your book, you sigh gently and pull your legs closer toward you. Just a couple more sentences is all you ask…
Your door opens without a knock, and you aren't surprised. This is his home, you are his pet. Why ask permission for something which belongs to him?
You force yourself to meet Coryo’s gaze, the exhaustion in your eyes clear. He's in the same clothes as before, though his hair is more relaxed and his shirt is looser, the top few buttons undone to let his chest peek from its hiding spot. With one last sigh, you close your book.
You slip off the bed, easing down to your knees. Letting your hands rest in your lap, you allow your jaw to drop open wide, ready to receive him as you push your tongue out over your bottom teeth.
He smirks lightly, his chuckle even lighter. “Down girl.” You close your mouth.
“How do you want me?”
He sighs gently, closing the door behind him and slowly walking inside. “Believe it or not,” he says, his voice gentle, “I'm not here for me, I'm here for you.”
You raise a brow, unimpressed and suspicious. “Why?”
Your attitude amuses him. He shrugs, taking a seat at the edge of your bed and looking down at you. It doesn't feel as condescending as it usually does. “Making up.”
Foolish hope sparks in your chest, but you don't let it show. “So you're not going through with it.”
“No, I am.” He hums, “But I can't have my pet neglected, now can I?”
You sigh, turning away from him. You don't know why you asked.
He pats the spot next to him. “Get back on the bed, my flower.”
You look down at your hands as you rub at your pinky. “Yes, Coryo.”
As you sit up, taking the spot next to him, he tuts gently. “Now, now. No need for that tonight,” he says, closing the gap between the both of you.
You look up at him, your attitude fully present still. “Yes, Coryo.”
He sighs. Coryo sets a hand on your knee, turning toward you. “You're upset,” he says. You scoff. “That's understandable. I upset you.”
You want to say something snarky, but you're on thin ice from today, and you don't need to make it thinner. You turn away, but he catches your gaze as he takes your chin with his crooked finger and turns you to face him again.
And you hate yourself for feeling cared for.
“Let me make it up to you.”
You hate the way you nearly melt. “You can make it up to me by letting them go.”
He hums, shrugging. “Or I can eat you out.” You feel like you might shake at the idea. When you don't speak, he raises his brows. “Unless you just want me to leave…”
He's manipulating you. You know he is. He's been doing it since the beginning. You'd think you had some sort of defense against him at this point, but he's had years of practice in bending you to his will, in getting you hooked on him.
He knows. He knows what you are.
You're feeding me poison.
And you give in. Because you've never been strong against him, not even for a moment. You give in because you're so addicted to him that you'd die without the taste of him on your tongue…
With a long sigh, you lay back against your pillows and spread your legs. His smile spread across his face in such a wicked way, self-satisfied and fully amused.
He sets a hand on your knee and shifts himself to kneel in front of you. He slowly pulls your panties down your legs and pushes your nightgown away, teasing you and increasing your still-there frustrations.
Yes, you've lost the ability to resist this man and his sexual prowess, but that doesn't mean you want to draw this out. It's shameful enough…
He knows this. That's why he does it.
His lips press to the inside of your knee, then further down your thigh, and then right back up. You huff silently, annoyed with his antics.
He gives you a disarming smile. “Come now, my flower,” he tuts. “I may be spoiling you but that doesn't mean we don't still have our manners.”
You lay your head back, sighing as you let your eyes shut. You lick your bottom lip. “Please, Coryo.”
He hums. “I am sure you can do far better than that.”
Maybe you should cry. Maybe if you cry, he'll think you're ugly and leave you to live back in your lonely home at Seven. He'll think you're too worthless to go back into the Games. You could sober up the hard way… He'll leave you be.
But you know Coriolanus, which means you know that would never happen. He'd tsk, tsk, tsk and tell you how perfect you look crying. He'd hold you down and fuck you and tell you to be a good girl and keep crying for him. And you would. You know would.
Besides, if he did cast you out, he would just choose someone else to take your place. Then he would do this to them.
Better you than someone else.
You look up at him, screwing your face into a self-pitying expression. Your voice is small and meek when you open your mouth.
“Please, Coryo,” you whisper, “I'm yours.”
Just the way he likes it.
Pleased, he presses another kiss to the inside of your thigh, and then lets the flat of his tongue lick along the seam of your pussy. A whimper slips from your lips at the feeling, and you let yourself fade into the pleasure.
You forget that this man is your captor, your master. You forget that he's the reason for your nightmares. You forget that he's dark, cruel, sadistic, that he does not truly care for you.
You lose yourself in the fantasy that he is a loving man who only wants to see you happy.
“Coryo,” you moan as he suckles eagerly at your clit, a man starved of his sweet wine. Coryo. Not Coriolanus. Not Snow. Your Coryo. Your gentle, loving Coryo. The man who held you when he wasn't forcing you to your knees and bidding you to be his good girl.
His fingers stroke inside of you, two long fingers curling with you as his tongue flicks at your clit. The stretch of his fingers is welcome, and you look down at his head nestled between your thighs. You whine at the feeling of his tongue, hungry and searching.
His dull nails dig into the flesh of your thigh. As his tongue delves inside of you with his lips suckling around you, you feel his nose press deliciously against the sensitive bundle of nerves, which aches for release.
Circling his head, your legs wrap around him and squeeze, the tension tightening in your belly as he works eagerly at your pleasure. You're helpless to him as sounds rise from your throat like a gentle hum. Again, you whisper his name, lost to the feeling of him. He grunts into you, your body warm with the vibration, with the warmth of his mouth, with the warmth of his hands on your thighs.
“Coryo,” you whimper as you feel your pleasure rising within you, tingling in your legs and in your toes. Your open-mouthed breaths make your throat dry, but it’s hard to focus on that when each breath you take fills your chest with more and more desire. “I’m so close,” you gasp. “Please, can I cum?”
Instead of answering, he just sucks harder on your clit, prying your thighs further apart as he licks you up. As that coil tightens in your belly, your legs tremble and almost fight against his grip keeping them apart. You grind your hips up to meet his face, he holds you down.
You know how he likes it—the grinding, the moaning, the pleading, the strength. And when the pleasure crashes down on you, your clit pulsing against each lick of his tongue as he continues to work you, you shut your eyes and let out the breathy moans he loves so much. Your chest is full of warmth.
I’m choking on this feeling I can’t help but swallow up.
“C-Coryo,” you mutter, the sensitivity becoming too much as your legs continue to tremble. You arch away from him, but he holds you tight and pulls you closer. He forces your legs apart still, not quite finished as he continues to suckle around your sensitive bud.
You gasp when he finally pulls away, satisfied with the taste of you. “What a good girl you are,” he murmurs, smiling almost wickedly—though you replace it with one full of love and care. One can only dream.
He crawls up your body, stalking like a predator as he leans in, his face inches from yours. You bring your hands up to his cheeks and pull him down to meet your lips, kissing him with all the passion you can muster. He cares, he cares, he cares.
He cares as he traces his tongue along the seam of your lips. He cares as he smooths his hand along your soft thigh. He cares as he brings your leg up against his side and grinds his hips against you. He cares as he digs his dull nails into your flesh like the claws of a lion. He cares as he sinks his teeth into your bottom lip like the fangs of a wolf.
He definitely cares as he brings a strong hand to your hair and tangles his fingers there with every intention of tugging you back to see your face. You whimper lightly, sinking into it and pretending the burn of your scalp is just the heat of your desire.
I made my choice and every night I’m wasted like there’s no tomorrow.
“You’re so pretty,” he smiles, and you fully understand the unspoken “like this” that follows his words but you choose to ignore it.
He kisses you again, this primal, devouring kiss you gladly mistake for ardor. He takes the bottom of your nightgown in his hand and pulls it up and over your head. You let him take it off of you. You let him strip you bare as his greedy hands smooth along the length of your body. Tentatively, not fully committed (you would be perfectly content with his lips on yours, kissing him forever under the illusion of simple intimacy), you pull at his belt. He undoes it and pulls it off entirely. You think he’ll toss it away, but it doesn’t.
“Open your mouth.”
Obediently, you do. He wraps the belt around your head, fitting it in your mouth as he loops it behind and pulls it tight. You nearly wince at the feeling, but he’s done worse. He unbuttons his pants, leaning down as he presses his lips to your neck. He kisses and sucks and nips at your throat, and you both let out deep moans that rumble in your chest when he presses inside of you.
You lean your head back, giving him more space to paint your neck in his claim. The taste of leather is strong on your tongue. Each breath you take is full of the earthy scent of his belt. You set your hands on his waist as he braces his fists on either side of your head. His thrusts are deep and rough. You feel his hips as he moves, his slender waist fits perfectly between your legs.
Your moans are muffled by his belt. As you dig your heels into his back, encouraging each thrust as he gives them, he grunts at the way you tighten around his cock. His hips snap into you with a greed that makes you crazy, that drives him wild. Taken by the pleasure, he grabbed the belt behind your head and pulled it in a way that made you look up at him.
His lips are plump from kissing you so roughly, his hair is loose and falling in delicate locks across his forehead, his breath fans gently across your own face. He looks pretty like this. Even with the predatory gaze in his eyes, he looks pretty. You want to kiss him but you don’t. You can’t.
He breath stutters in his throat after a particular thrust, and your eyes flutter shut as you moan at the feeling. He continues to fuck into you, like it’s the last time. There’s nothing gentle about it, nothing sweet or nice or careful. He fucks you to his own need, but knows you well enough that it would fill you with so much pleasure that it doesn’t matter if he does it for him.
And he knows you well enough that the lack of care he has in his thrusts fills you with so much longing that he doesn’t need physical pain to be sadistic.
He pulls out of you suddenly, his breath coming out in hot puffs as he leans back on his haunches. “Turn around,” he orders, though his voice is quieter—there’s no real need to bark with you.
Anyway you want me, baby, that’s the way you got me.
You do as you’re told, ignoring the discomfort in the loss of him inside of you as you sit up and move as quickly as you can with the sluggish nature of your desire for him mixing with your depletion. As soon as you’ve turned around, he doesn’t care to give you time to adjust to the new position before he’s grabbing the belt again, wrapping it around his fist, and taking your hip in his other hand as he shoves his cock into you once again.
You go to hang your head, the feeling too great, but you’re stopped by his grip of the belt. Setting the quickened pace at the beginning, he fucks into you fast and rough. The sound of his skin smacking against yours fills the room. A light sheen of sweat coats your body as the heat fills you inside and out. His name is muffled on your lips, but his grunts are clear in the air.
His hand on your waist circles around as he presses his fingers to your still-sensitive clit. He rubs fast circles against it, building you up, up, up. You can’t help but whine, you can’t help but feed his hunger as he fills you with pleasure. Your legs tremble, and with his skill, it isn’t long until he hurls you into your second orgasm.
You throw your head back and moan, the sound rough with your desperation. But he doesn’t stop. He isn’t finished. He fucks your sensitive cunt. His eyes flutter at the tightening of your cunt.
You feel so weak, tired from the exertion but not fully satisfied until you’ve given him all that he needs. You’ve been with this man for years and the conditioning settled in a long time ago.
I’ll be yours.
So, yes, he keeps going and keeps going and keeps going. He takes you on your back, he takes you on your hands and knees, he takes you against the wall (front and back), he takes you in his lap, and he never stops each time until you’ve come apart in his hands. Pent up with so much stress and spurred on by the fatigue in your eyes, he lasts through it all.
You don’t know how long you’ve been going by this point. All you know is the rhythm of his hips thrusting in and out and in and out as he pushes you down into the bed with your ass pulled up against his hips and your face buried in a pillow. His hands push against your back, keeping you down still. You can hear his breath, heavy with his own nearing exertion. His thrusts are beginning to lose their rhythm, becoming more and more desperate with his nearing release.
You can hardly keep your eyes open. All your breaths have been reduced to shallow whimpers, and as his finger presses against your clit again, a mewl slips from your throat as it pleads for relief and release alike. You hear him begin to curse under his breath, his thrusts rougher though not as steady. And he presses you further still as he moves closer, seeking his relief as it gets so close, he can taste it.
And, because you know him just as well as he knows you, you tip him over the edge as you let your lips part. Your voice is small and meek and whiny, a needy little cry that he hears because he craves it. “Coryo.”
“Oh, fuck,” he growls.
He fucks you hard in the first few seconds that he spills into you, his cum hot and plentiful as he moves himself farther against you as if he could go deeper still. And as his fingers flick at your clit, you accompany his needy moan with your own as you cum as well. You’re blinded by the feeling, left mewling as your eyes well with tired tears. It’s almost uncomfortable and you wince slightly when he presses a little too deep into you.
Coryo lingers there, his breath evening into a steadier rhythm as he eases off of you. You take in a full breath as he pulls out of you, closing your eyes and going limp against the sheets. Your body is so heavy, full of the exhaustion that has haunted you for years, exhaustion that comes with belonging to Coriolanus Snow. You wish you could slow down, take a breath, but whatever Snow wants, Snow gets.
My story’s gonna end with me dead from your poison.
Coryo runs a hand through his hair, letting out a long sigh. He picks your nightgown up from the floor and wipes the both of you clean with the smallest modicum of care. You feel his knuckles brush against your shoulder and you shiver as he lets it graze gently along your spine. He stops it at the dip of your back.
Coryo turns off your bedside lamp, crawling into the bed as he shifts behind you, a gentle hand falling to your side as he pulls you into his body. And you actually find comfort in his arms as he pulls you closely to his body. His head rests in the crook of your neck, your body is pulled flush against his. His warmth seeps into your skin and you let your eyes flutter shut as he pulls the covers over your bodies.
And for a moment, everything is perfect. For a moment, you trick yourself into believing that this man can be capable of love.
But you feel his arms tightening around you until your lungs are so tight that it’s nearly impossible to breathe. You feel his nails, eager and greedy, digging into your flesh, and you wince at the terrible sting of them. He pulls you closer, not just seeking your warmth, but seeking full control and possession over something that already belongs to him. You silence your whimper.
I’m drowning in poison. I keep fillin’ my glass but it’s always hollow, full of poison.
When you can get past the pain of his embrace, you manage to lull yourself to sleep. You rest in his clutch and indulge in the false security of his empty arms.
But your rest is short-lived. Because halfway through the night, he wakes. Coryo opens his eyes and loosens his hold on you. You rouse from your own sleep but you stay perfectly still with closed eyes and steady breath. He lets go of you completely, getting out of the bed and leaving the room with silent steps. He has work to do.
I’m sick of the poison.
Once the door is closed, you’re left cold and alone. You curl up in on yourself, turning your head into the pillow as you feel the dam break. And like an idiot, you cry into your pillow. Your chest stutters with all the pain and weariness and hopelessness you carry with you through the day, through the night. You let it out, but it never seems to fade. And as the fatigue takes over once more, you let it take you into a sleepless kind of sleep where your nightmare of holding love in your hands plays in your mind over and over and over again.
Wish I had something to live for tomorrow.
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Coriolanus Snow taglist: @the-nerdy-goddess Tag yourself here...
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murdrdocs · 26 days ago
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mega stockholm syndrome; dubcon; extremely implied/detailed coercion; reader is called “good girl” once w/ NEGAN SMITH
"come on, don't be shy. let me in there."
the tip of negan's cock nudges against your entrance, unable to slip in just yet due to the tension you're holding throughout your entire body. you could continue to put up a fight, close your legs and push him out of the way. you know he'll leave you alone, at least in this regard, but non compliance doesn't fly with negan. you've learned that it's better to get it over with and deal with the guilt and distaste in your mouth later.
except, you don't think there'll be any of that this time.
it's shameful for you to admit it, even to yourself, but you want this. for possibly the first time since being here, you want to feel negan glide his cock into you. you want to feel him through the thin barrier of a miraculously not expired condom. maybe you even want to feel him without the condom, something you've never thought you would ever want in a world like this.
with a forced exhale, you loosen your entire body and negan takes the chance he's given.
"there we go," he drags over every single syllable until he sounds like he's cooing. "there she is." he easily slides in, his eyes watching you take each agonizing inch of him.
you don't mean to let these sounds slip out of your mouth, you're just trying to breathe through it, but your breaths take on a pleasurable lilt, gentle whines and moans slipping out amongst the air.
negan grins, big and proud down at you, and you want to hate the look, the predator glint in his eyes, the cockiness shining off of his teeth. but something about it all makes pride bloom in your chest.
it only multiplies when he tells you, sincerely you think, "i'm proud of you, sweetheart. getting better and better everytime." because you know he's right.
you are getting better and better.
you're getting better at all of this. better at fitting him in, an action that was so foreign in the beginning that it felt like an intrusion. you know that it was, all of this was an intrusion, it should feel uncomfortable but day by day it becomes more and more secure. you're becoming better at being here with the saviors, more acquainted with violence and hostility that poured from every single pore of every single person in this place. you're becoming better at being his, better at being there for him. better at knowing what your job is.
and it's this. plain and simple. 
you remember hershel used to say everyone had their jobs. you remember maggie and beth using different iterations of the mantra to keep themselves going. you picked it up then, reminding yourself that everyone has their jobs while you were living in the quaint community you all had created, and lost, in the prison.
now, you use it to keep yourself afloat with the saviors. everyone has their jobs, yours just happens to be completely untraditional.
negan won't tell you that this is what he has you for. he likes to paint himself as morally superior in that way, acting as if you had a choice, acting as if you chose to be his little lapdog. he acts as if you do more than pleasure him when he pleases. according to his self-deluded words, you boosted morale—a reminder to everyone that life did have its pleasures, even in times like these. you think you're a reminder to the saviors that only negan could have his cake and eat it, too. and he eats it as much as he wants.
but you also know you're a warning to your group that no one is safe, and everything can be swept out from under them in a moments notice if they chose not to comply.
so compliance is what you have to do. it’s just coming to you naturally now, blending the line between compliance and sheer want. you don’t know what this is now.
when negan throws your legs over his shoulders and leans closer to you, you don't curl away from his body. when his free hand slinks up your stomach and rests over your tits, you don't feel uncomfortable. you feel the opposite when he sandwiches your nipple between his thumb and pointer finger, almost painfully tweaking the bud between his rough hands.
maybe this is some sick way for you to cope, or maybe you just genuinely want this. giving into your base bodily desires, arching your back and pushing your cunt further towards negan, trying to get him to give you more without having to ask for it, for verbally requesting him to use you would not only be too humiliating for you to come back from, but it would let negan know that you don't exactly hate him as much as you claim. or, at least, you don't hate all of him as much as you claim.
negan's lips part as if he's going to say something, but then he stops. you think he's going to make you tell him just how much you like this. you worry he's going to make you beg for an orgasm, and you'll either have to tuck your tail between your legs and leave here without getting off, or do as he says to get what you want. but he doesn't.
he nudges the tip of your nose with his, and for a moment you think he's going to kiss you and cross into territory that hasn't been explored yet. but he doesn't.
he may be intruding within you, but he doesn't go too far, and it's truly the bare minimum but it does something to you.
you move your leg from negan's shoulders and wrap it around his waist, making the choice to pull him closer to you.
the smile negan gives you is so big and full of so much pride that you can't help but feel a little bit of pride for yourself, too.
"oh?" he says, slowly letting his tongue glide over his bottom lip. he pulls back, taking your other leg and pulling it into the same position. he grips your hips and drives into you with long, deep strokes, praising you the entire time, calling you a good girl, telling you just how proud he is, telling you that he knew you would start to fit in here.
when he makes you come, it's to the sound of his cock slipping in and out of you and his voice—something that once evoked fear in you from the moment he had you on your knees in that introductory lineup that changed so much of your life, but now something that creates an inciting fear. a sort of fear that has you wanting to crawl back to him.
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aibafiles · 4 months ago
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Esperanto in Metaphor: ReFantazio
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Not long ago I saw this this tweet pointing out that the in-game language in Metaphor is Esperanto (written in another script) and I decided to investigate for myself! The vocal tracks are in Esperanto as well, but I want to focus on the text here since I don't have a great ear for it. (The quoted tweet also points out that you can rearrange the title to get an Esperanto phrase - I think it would be more accurately spelled "Metafore Fantazio," or "metaphorically fantasy"!)
For the unfamiliar, Esperanto is the world's most widely spoken constructed language, developed in the late 19th century with the aim of being an easy to learn secondary language that could act as a bridge between speakers of other languages. While its vocabulary and grammar are largely derived from various European language families, it has speakers worldwide, including a sizeable number in Japan. Given the relationship between Metaphor's world and our own, I think it's a cool choice to take a constructed secondary language and make it the in-universe primary language—not to mention the game's themes of uniting different people with a language intended to do just that.
I studied Esperanto myself for some time 9 years ago, though I've forgotten most of it, so I'm very rusty. That said, I was able to sit down and parse one particular block of text that the game provides a translation for, and use that to read the rest! I'm slowly combing through the demo and translating any legible text, and I wanted to share some of the interesting details I found. If any Esperantists see this and want to weigh in, please do! There's plenty I may not remember or be aware of.
Continued under the cut, including content from the demo:
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Let's start with the text the game translates for us! Here's what the VO/subtitles say:
O Great Seeker, bearer of fantasy empowered... Hear my wish, and come forth from thy epoch of glory to grant me thy guidance.
Here's the "deciphered" Esperanto:
Ho, granda serĉanto, kiu vivas en epoko de gloro, kiu enkarnigas la povon de fantazio. Bonvolu disdoni al li vian gvidadon.
And here's a more "direct" translation:
O Great Seeker, who lives in an epoch of glory, who embodies the power of fantasy. Please grant him thy guidance.
Not too much different of note here other than the pronoun usage—in Esperanto, the speaker explicitly uses "he," likely referring to the protagonist. I suspect that the English is actually translated from the Japanese line, which is ambiguous, so they made an educated guess here. But, since this is the same speaker who narrates awakening cutscenes and new bonds, it makes sense that they're calling to the Seeker on his behalf!
This is a point I'm unsure about, but from my understanding, "granda" (here translated as "great") typically refers to size, so it seems like an odd word choice to me—but it's possible there are connotations I'm not aware of.
After some poking around I stumbled across some text on the background of the name entry screen that reads "signaro" (character set), followed by the whole Latin alphabet on the next line.
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"But Batts!" you may say. "Esperanto doesn't use QWXY! What about the diacritics!"
Well. There aren't any! There are 6 characters with diacritic marks used in Esperanto (ĉ, ĝ, ĥ, ĵ, ŝ, and ŭ), and since our character set doesn't use any of them, we have to make some educated guesses about which one it is at any given time. This is mostly a non-issue since they're real, existing words, but it does make it a bit trickier at points, and relates to another problem I'll get to in a bit. (There are a select few instances where I've seen diacritic marks on handwritten text or shop names, but there are still far fewer than there should be.)
That said, there is also some plain English text using this script as well, so the game does make use of those extra letters, such as the Memorandum UI - scrolling books have titles like "Marine," "Royal Capital," "100 Mystery of Ningen (humans)," and "Melancholia Gen" (?), plus cute notes in the background like "I want to read slowly" and "already read very good."
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Anyway, this diacritic ambiguity bugged me for a bit when I started translating some text with "Euchronia" in it, like the above "Regno de Eŭcronio - Dezerto de Tradia." The Esperanto "C" and "Ĉ" are always pronounced "ts" and "ch" respectively, so the pronunciation here is a bit awkward either way, as both characters are meant to precede a vowel. A more natural pronunciation in line with both the Japanese and English would be "Eŭkronio," a spelling I found once in the body of the contract our protagonist signs to join the army, and never again. Alas.
I noticed a few interesting details while translating place names - the "Trad" in "Grand Trad" (Granda Tradicio) means "tradition" - and many locations are labeled on the map that I don't think are mentioned in the demo's runtime - Oceana to the west is named, but also of note are Kalendulo ("marigold," maybe "Calendula" in English) to the east, the Hulkenmont mountains surrounding that region, and the "Malnova Insularo" (old archipelago) to the south.
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(Screenshot grabbed from justonegamr on Youtube.)
Lots of fun stuff going on with these posters - the big propaganda poster says "Mi volas vin por homoj" - "I want you for humans!" The poster immediately to its right and the one with the light-haired paripus are both wanted posters with rewards of 50,000 and 7,000 respectively, and the former has a somewhat legible name - Mikelan something (?). There's also quite a bit of illegible text that I'll need to boot up the game to stare at, textures willing.
Here is where I noticed an occasional problem with the text in this game: some of these posters include words that should have diacritic marks, but instead the characters are gone entirely or replaced with a space. For instance, the poster with the face that appears twice on the bottom row reads "Ser a peto - i tiu viro" where it should say "Serĉa peto - ĉi tiu viro" (Search request - this man). I spent so long wondering what "Dan ero" meant on the poster with the red "no" sign before I realized it was meant to be "Danĝero" (Danger).
This extends to some other parts of the game, such as the world map title ("Unuiĝinta Reĝlando de Eŭcronio" written as "unui inta re lando de e cronio," which is how I knew it was a plain C oops), and the giant statue in More's study covered in archetype names, some of which are missing characters.
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I suspect that at some point in the process, these characters couldn't be properly encoded and got lost before making it into the game. Most of the UI text seems to be intact, and this only affects graphic text as far as I've seen. Luckily, we can usually use context to guess at what they should be.
There's a ton more that I'm still hunting down and translating, so if you'd like to see it, you can check out my spreadsheet here! I'm hoping to keep updating it as I play through the full game, and I may make some more posts if I encounter any particularly interesting details. A few more tidbits before I go:
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This appears to be an annual calendar - number 1 is at the top and it circles around to 12, and then the inner circle runs from 1-30, likely representing the weeks.
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Various graffiti found around Sunshade Row that reads:
Ĉi tio estis infero (this was hell)
Malbela elda (nasty/ugly elda)
Merdo (shit)
And in the words of our favorite tooth...
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Elbe venontfoje! (Maybe next time!)
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neversetyoufree · 4 months ago
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Looking back, I wonder how much of Vanitas's choice in this scene is tied to the fact that he was given a choice in the first place.
So much of Vanitas's character is centered around the theme of self-determination (and the lack thereof). He is absolutely deprived of any control over his body and/or destiny at many of the key points in his life, and nowadays he's always desperately grasping at what few shards of self-determination he does have. This is why he freaks out when Roland talks about him being "under the vampires' power" in mémoire 15. It's why he's hung up on the idea of freedom as isolation from others' influence. It's why his main response to being triggered is to do something crazy and cause a scene; it puts him in control of the situation.
All that to say, when Luna destroys Moreau's lab and agrees to take Misha away, Vanitas must be desperate to feel some form of in-control, but I do not think he expects to be given any choice in what happens to him next. He's been conditioned not to expect that despite how much he wants it.
Vanitas certainly doesn't have much agency in how he lives his life as a child, as no kid gets to pick their parents or circumstances, and Vani has it especially rough with the death of his mother hanging over his head. Then his father dies protecting him, and he dies in a situation in which Vanitas is utterly powerless. Horror erupts into his life out of nowhere, and his dad throws himself in front of some fangs, and there's nothing Vanitas can do but watch it happen.
Next there's Vanitas's brief time training as a chasseur, which is one part of his history we know little about, so it's hard for me to say how free his choice was. He may have been pressured into joining, as we know the Chassuers aren't above pushy/manipulative recruitment of children (Astolfo), but I could also see his choice to hunt vampires made as a trauma response to the powerlessness of the vampire attack he survived. "I was powerless, so I'll claim the power to enact violence and make sure they can't hurt me or others again."
Then Vanitas is abducted by Doctor Moreau, which strips him of his agency just about as awfully as anything possibly could.
Vanitas the test subject has no bodily autonomy. He is poked and prodded and experimented on, because his body is an object of science to Moreau, not the vessel of a person with rights or self-determination. His only big active choices during his captivity are the choice to not run away for fear of somebody else suffering and the choice to volunteer in Mikhail's place. The only choices he can make are the choices to stay and throw himself even deeper into his own violation. Even his relationship with Misha is something that just kind of Happens to him. The kid is a force of nature that Moreau dumps on him without his say.
(This isn't Mikhail's fault, as Misha is just a child that wants affection, but having a needy, vulnerable little brother figure suddenly dropped on him in the midst of all that horror couldn't have made Vanitas feel less out of control).
Then Vanitas's torment by Moreau hits its climax, and Vanitas is told that not only has his body been violated by way of pain and torture—even his basic humanity has been and will be stripped from him. He now feels the disgust of having the blood of something he hates inside of him without his consent. And he's about to be killed, turned into a mindless husk of a "living key" instead of a person.
And that's when Luna shows up. This mysterious, incredibly powerful being appears and wreaks havoc on Moreau's lab like an avenging angel, and it agrees to Mikhail's request to take "us" along with it. Everything in Vanitas's life so far has taught him that he is powerless in the face of others' great power. Horrible shit just keeps happening to him forever, and this monstrous person sounds like they've just agreed to carry him off on Mikhail's request without a word of input from him. Of course he doesn't expect to be given a choice.
But he is.
Luna scoops up Mikhail, then they turn to Vanitas and ask if he would like to come along with them as well. After months or years of absolutely all of his autonomy and power being stripped away from him, the most powerful being Vanitas has ever encountered stops and gives him a choice about what he'd like to do next. They give him the option to go off on his own and decide his own fate rather than go along with them. And that's why Vanitas doesn't run away.
These are the images that flash through Vanitas's head right before he gets up and runs to Luna:
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These moments are what inform Vanitas's choice. The memories of his father's death and Moreau's final experiment on him—his two most awful moments of abject helplessness.
When Vanitas runs to Luna and accepts their offer, these moments are what he's running from. He's fleeing from his inability to do anything or control his fate. He's running from a life of stolen agency. He's running toward the one adult who actually stopped and gave him a choice about what he'd like to do next.
Vanitas chooses Luna because they, despite having the power to kill or subdue him, give him the freedom to choose to accompany them in the first place. He's drawn to them not for protection, but as an escape to a life where he gets to keep making choices and grasp some agency.
Luna is the savior that gives Vanitas his freedom and autonomy back after it's stolen by Moreau. That's why it's so tragic that Vanitas carries their Mark in the present day. It's undeniable proof that, in their right mind or not, some version of Luna violated the fundamental trust and gift of autonomy that brought Vanitas into their family in the first place.
Luna's bite, both the physical violation and the transformation into inhumanity that it brings, is yet another way that Vanitas is stripped of all control of his body and fate.
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purplewitch6666 · 3 months ago
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Rhysand's SA of Feyre UTM is real, and the way it is brushed aside is hard to reconcile. So let's talk about it (inspired by an amazing fanart of Feysand UTM).
1. "Drink, you'll need it." "No." "Drink."
The faerie wine is a way to control Feyre, stripping her of her ability to resist or even fully remember the SA she endures. By forcing her to drink against her will, Rhysand takes away her awareness and her consent, putting her in a position where she can't defend herself, can't remember, and can't even process the trauma of what is happening to her. The fact that she loses entire chunks of time under the influence of the wine, along with his mind manipulation, is incredibly dark. He exploits her vulnerability in the worst possible way, taking advantage of her defenseless state to make her an object of display and control.
And the blackouts likely make it easier for her to excuse his actions later because she can't fully recall the details—her memories of the abuse are fragmented, which makes it hard for her to confront the reality of what happened. By removing her memories of the trauma, Rhysand essentially robs her of the ability to even begin healing from it, which is both abusive and manipulative on a profound level. That line where Feyre admits to looking forward to the faerie wine is heartbreaking and reveals the depth of her trauma and desperation. She's so overwhelmed, so physically and mentally trapped UTM, that she starts viewing the wine as a reprieve.
When Feyre clings to the chance of escape, even if it means blackout oblivion, it's clear she's developed a trauma response—a desperate coping mechanism to endure her circumstances. She craves that brief numbness, however forced, to escape the horror of her reality, even though the wine also strips her of her autonomy and memories. This moment does not show her acceptance of what is happening to her, but rather how deeply damaged Feyre is, to the point where the very thing that is hurting her becomes something she grasps onto for a sense of relief.
She's left with only the tools of her abuser, clinging to the one thing that allows her to survive, even if it means blacking out parts of herself. And that's one of the saddest aspects—she's forced to use the very method of her exploitation as her survival mechanism, and it reveals how utterly trapped she feels. It's incredibly troubling to see this suffering reframed as some sort of prelude to romance, especially when her trauma responses, like craving the oblivion of the wine, go unaddressed later.
2. "From the neck down, I was a heathen god's plaything."
Dressing her up like that is another layer of control and degradation. Rhysand doesn't just make her a spectacle, he strips away her agency and autonomy in how she presents herself, reducing her to an object—"a heathen god's plaything." It is a costume designed to sexualize and dehumanize her, reinforcing his control while robbing her of any in how she looks or is perceived. Feyre is reduced to a pawn in his game, forced into a role where her dignity is actively stripped away. And that lack of choice over her appearance isn't a small detail—it shows how calculated his cruelty is, how every element is crafted to control and humiliate her while leaving her feeling exposed, objectified, and powerless.
Fast-forward to the Court of Nightmares, and it's disturbing to see Feyre wear a similar costume with Rhysand's approval and guidance. In ACOMAF, it's framed as Feyre's choice, as part of a scheme they're in together, but the undertone is still there—that her body, her appearance, and her sense of self are manipulated to play into Rhysand's strategy. While she consents this time, her "consent" is given within a framework that echoes her previous trauma, with Rhysand guiding her actions in a place where she once felt utterly degraded. This creates a troubling dynamic, as she's stepping back into a role of objectification and sexualization, one she didn't initially choose. It's like Feyre is reenacting her trauma in the name of strategy, and Rhysand, rather than considering the impact of such an act, almost seems to encourage it.
The narrative attempts to pass this off as empowering, but it feels unsettlingly manipulative. Feyre is using her own trauma against herself in a sense, allowing herself to be dressed up, touched, and paraded in a way that directly mirrors her exploitation UTM. Rhysand's involvement in this scheme blurs the line between a partnership and a twisted repetition of his control over her. What's especially disquieting is that it’s framed as something clever, as if allowing herself to be objectified is her best option, which glosses over the ways this echoes her previous abuse. The lack of self-reflection or deeper acknowledgment from Rhysand about how disturbing this could be for her is another glaring omission. It's treated as if the past doesn't matter, as if she can simply step back into this role and play along.
3. "As soon as his finger left my skin, the paint fixed itself."
Rhysand deliberately puts Feyre in degrading positions, like having her sit on his lap or by his feet, dance between his legs, turning her into a kind of possession to flaunt in front of everyone. That sort of physical control and forced closeness is a form of SA, plain and simple, and it is deeply violating for Feyre. But let's talk about the non-consensual touching that Rhysand engages in that is frequently excused because it is on Feyre's waist and sides. Let's look at this scene when Rhysand demonstrates how the magical ink on Feyre's body works:
I braced myself as he ran a finger along my shoulder, smearing the paint. As soon as his finger left my skin, the paint fixed itself, returning the design to its original form. "The dress itself won’t mar it, and neither will your movements," he said, his face close to mine. His teeth were far too near to my throat. "And I’ll remember precisely where my hands have been. But if anyone else touches you—let’s say a certain High Lord who enjoys springtime—I’ll know."
What is particularly alarming about this is Rhysand's ability to fix the ink that he smudges with ease. This suggests that he might be touching Feyre anywhere on her body without leaving a trace, only choosing to smear the ink in a way that is minimal and non-incriminating as a deliberate tactic to create an illusion of consent and innocence to ensure that Feyre believes he isn't crossing any boundaries, while the reality is far more sinister. Since Feyre is blacking out each night, she has no way of knowing the extent of his actions.
This creates a disturbing dynamic where Feyre is left questioning her own experiences. The boundaries Rhysand establishes through selective touching serve to confuse and trap her, making it easier for him to maintain control. The knowledge that he could be touching her inappropriately without her knowing adds a layer of psychological torment. It underscores his power over her autonomy and reinforces the idea that she is never truly safe from him. The smudged ink is merely another tool of deception, allowing Rhysand to manipulate her perception of what is happening to her body.
4. "I spent my days sleeping off the faerie wine... to escape the humiliation I endured."
Yes, this line is important because it reveals just how deeply broken Feyre feels UTM, using sleep to escape the horror and humiliation forced upon her by Rhysand. Her days blur together in a haze of faerie wine and sleep, a desperate attempt to shut out the reality of what she is enduring. Sleeping through the pain, drinking away the humiliation—these are raw trauma responses, the signs of someone who feels so trapped and powerless that unconsciousness becomes her only refuge. It's not a choice born out of comfort or peace, it's survival, an act of shutting down just to endure the next day.
This level of psychological exhaustion—using sleep to escape humiliation—shows the depths of what Rhysand's SA does to her. Each day, she wakes to a fresh cycle of abuse and trauma, so she retreats in the only way left to her: shutting her mind and body down. Even without full memories, a part of her mind understands the darkness she is facing and tries to find any means of survival. Yet, that's the last we see of Feyre's trauma responses to her SA by Rhysand.
In ACOMAF, we see Rhysand haunted by nightmares of his SA by Amarantha. His distress is severe enough that Feyre even helps him through one of these episodes when she is staying with him at the Townhouse. It's clear that his trauma around the abuse he suffered under Amarantha is still raw and unresolved. But it raises an unsettling question: why does Feyre no longer seem to exhibit any nightmares or trauma responses tied specifically to her SA by Rhysand?
Feyre's lack of nightmares surrounding her experiences with Rhysand, especially given her coping mechanism of sleeping off the humiliation, feels absurd. It implies a troubling erasure of her trauma, suggesting that either she is suppressing these experiences or the narrative chooses not to engage with them. Instead, we see her nightmares focus on other parts of her trauma UTM—like the faeries she killed to save Tamlin—but the specific horror of being abused by Rhysand is conspicuously absent.
5. "Don't get me started on what you did to me Under the Mountain."
When Feyre tries to bring up her SA in ACOMAF, it's dismissed with barely any meaningful confrontation or healing process. Rhysand's near-breakdown and avoidance make it seem like his feelings take priority over Feyre's trauma—a strange and uncomfortable narrative choice. Feyre deserves closure, and readers do too. It's painful to see the story shift to make him the hero without ever fully grappling with that past harm. The lack of acknowledgment or accountability not only undermines Feyre's agency but also misses the chance to explore the complex journey from trauma to healing.
What's even more disturbing is how Feyre's SA by Rhysand is recontextualized to excuse his behavior as somehow protective or necessary. It creates a twisted narrative where his cruel choices are somehow reframed as noble or sacrificial, without ever allowing Feyre her rightful anger or trauma over that experience. The absence of a real, open discussion about this later on in the series—one where Feyre's trauma isn't overshadowed by Rhysand's guilt or anger or avoidance—is a glaring gap.
In failing to fully address the impact of Rhysand's SA on Feyre, the narrative ultimately deprives her—and the readers—of the resolution and healing that her trauma demands. The fact that her suffering is left unexplored while his is highlighted skews the focus, suggesting that his redemption and guilt matter more than her recovery. This imbalance not only erases her experience but distorts her journey from survival to empowerment. A truly powerful narrative would allow her to confront him and reclaim her voice, addressing the harm he inflicted.
There's so much more to unpack here that I'm sure I'm missing—like the nightmare fuel that is Chapter 54. Anything else you guys would add?
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