#but it's a very real thing that really happens to me

[valentinedagger]

July knows she likes women, but she doesn't really register this as bisexuality because she has had more important things to worry about than "what do i call my violent lust for boobies" for her entire adolescence. i've talked a few times about how counterintuitively restrictive this feels for me; i'm writing a protagonist whose personality and motivations are heavily influenced by her all-consuming lust for every halfway-attractive woman she sees on the street, but she also doesn't directly acknowledge these feelings to herself for a significant portion of the text. she's in a conservative paramilitary high-control group where her position is contingent on monogamously dating the general's nephew, and this has been the case since she was an actual child! it has some pretty heavy ramifications on her ability to conceptualize things like "openly identifying as bisexual" and "having desires that aren't kicked over to the shadowiest corner of her mind the millisecond they surface."

Cas is in a similar boat; they very clearly have multiple levels of Gender happening, but being in a conservative paramilitary high-control group since middle school puts the kibosh on any sort of personal gender exploration. their gender, as far as they are concerned, is "soldier;" their social role is entirely removed from sexuality and gender roles as they play out among "normal people," and Cas's feelings about gender and sex are put firmly in the "not allowed to think about it because those things aren't for me, period" box. even the only exposure they have to real-life trans people is someone whose transition cleaves very neatly to the True Transsexual narrative and is explicitly allowed because it makes him a more valuable asset to the military family he's trapped in. it's only once they're removed entirely from that context and put in a group of weird anti-government transgender agitators that they're even given language and epistemic frameworks that could allow them to see beyond the male/female binary.

fortunately, the intermission year upends the status quo entirely for both protagonists, so i can talk about all of this now without being infuriatingly vague or whatever.

I dislike the inclusion of a lot of modern Queer Rep Terminology in spec fic (fantasy more than sci fi) on basically aesthetic grounds. But also on to be slightly more principled about it, I feel like forcing the writers to actually describe their characters' identities and sexualities without recourse to a labelled bucket they can just slap and say 'yknow, this!' would be very artistically fruitful.

[keferon]

So I had ideas for Mecha Pilot AU while reading some of the things that other people have sent and those ideas turned into this!

Enjoy some Hot Rod shenanigans!

-=-=-=-=-=-=-=-=-=-=-=-=-

It starts when Hot Rod catches First Aid trying to smuggle a metal sheet out of the base. 

Well, no, it really started when the higher ups said that Jazz, allegedly, stole a half put together experimental mech unit. Which, Hot Rod would like to point out, makes absolutely no sense. Jazz is smart. If he was going to steal a mech, he’d wait until it was completely built and fully functional. No, there was something else going on and it had something to do with those strange upgrades that a few of the mechs got. Jazz had taken one look at them and booked it. 

Then immediately stole a half made mech that was completely covered in the stuff. 

All of this happening after he had been gone for months before mysteriously returning. 

Point is there’s something going on and it started with Jazz.

Presently, it has something to do with First Aid and the hunk of metal he’s carting around. 

The hunk of metal that looks like that strange upgraded plating. 

“Sooo…” Hot Rod says as he looks the other pilot over, “We stealing now?”

“No, I- this is- Vortex is up next for the-.”

“Nah man, you’re fine.” Hot Rod walks over to the back of the cart and places a hand on the metal. “I’m game for whatever we’re doing, I just want to know if we need to be sneaky.”

“It- what? We?”

“Yeah.” Hot Rod smiles and tilts his head to the side, like this was a given. “So, we stealing?”

First Aid gives him a look that’s a cross between befuddlement and scrutiny. It’s one he gets often, but the newer pilot seems well practiced with it. A solid eight out of ten honestly.

“This isn’t for profit.” First Aid says slowly. “And this isn’t for me.”

Hot Rod’s smile takes a slightly more feral edge. “Even better.”

_._._

Apparently Jazz has an alien robot boyfriend and the higher ups were using parts of his body for upgrades. 

Very morbid, but sadly not surprising.

They need to get as much of the original frame as possible back to Ratchet as that would make repairs easier. 

They’ve apparently been getting a lot of the pieces that had already been on other mechs through “collateral damage”.

First Aid had shrugged, “It’s not my fault if an upgraded mech gets between Vortex and a monster.”

The real tricky bits to get were the ones still on base and being tested. Which, for some reason, included an entire oversized thumb.

An oversized thumb he and First Aid are trying to sneak out from under Shockwave’s nose. 

“The rest of the hand was in random parts of the base.” Hot Rod mutters. “Why did the thumb need to be in such a secure area?”

“Complain louder. I don’t think the bugs heard you.” First Aid sasses in a hissed whisper. 

Hot Rod shivers at the reminder of Shockwave’s “helpers”. Knee high robots with four legs and a hexagonal face. They would’ve been cute had their singular yellow eye not reminded him of the eerie visage that is now the scientist's face. Shockwave used them to help in his work but to also keep an eye on his lab and the surrounding hallways. 

“Don’t even go there, Aid. You’ll end up jinxing-.”

His warning is interrupted by a faint skittering from around the next corner. 

“Crap crap crap crap crap crap crap.” Hot Rod looks around frantically before shoving himself, First Aid, and the thumb into the nearest door.

It turns out to be a closet. What kind of closet? Hot Rod doesn’t know and he refuses to find out. While it could be a normal supply closet, he’s not taking the chance that it could also be storage for strange and dubiously ethical experiments. 

So Hot Rod crams himself into the small space while keeping his eyes entirely focused on the door as he closes it. He and First Aid hold their breaths as the skittering of the bug gets louder, comes right in front of their hiding spot, then continues on without pause. 

They both let out sighs of relief and Hot Rod sets his forehead on the door. 

First Aid makes an inquiring hum. “There’s a vent in here. Think the thumb would fit?”

“Oh no.” Hot Rod says, face still against the door. “Do you have any idea how loud that would be? We aren’t dragging a large metal thumb through the metal vents and destroying our hearing with the echoing screeches.”

“Well, what do you propose we do then? Take it out the front door?”

_._._

“That never should have worked.” 

“You should never underestimate the power of looking like you know what you’re doing while carrying a box.”

“That never should have worked.”

Said large and long box holding the alien robot thumb sat innocently in the back seat of Hot Rod’s truck. 

_._._

“We need a movie for Rachet and Drift.”

Ratchet, who is helping Jazz repair Prowl, gives Hot Rod that “befuddled and scrutinizing” look that everyone seems to give him (A definite ten out of ten for Ratchet; truly a professional in giving out looks to others). “What?”

“Well, yeah! We’ve got Ratatouille for Jazz and Prowl. Aid and Vortex got a reverse Ratatouille-.”

“How’d you hear about that?” First Aid demands.

“Tailgate.” Hot Rod answers easily, then turns back to Ratchet to continue his previous thought. “So now we need to think of a movie for you and Drift!”

Ratchet’s eyes narrow in the unspoken promise of bad things to come. “No.”

Hot Rod, being the one who got a mech that catches on fire and made it work, takes Ratchet’s look as a challenge. He snaps his finger and points at the older man “I got it! ‘The Iron Giant’.”

Ratchet scoffs, rolls his eyes, and gets back to working in the alien robot’s arm. 

“What?” Jazz protests, while keeping his main focus on the internals of Prowl’s arm, “Iron Giant? Really? That’s a loose connection at best and you know it.”

“Oh? And do you have something better?” Hot Rod playfully challenges. 

“Dude, ‘Lilo and Stitch’ is right there.”

“How is that any better than mine?”

“Because War Crimes McGee here,” Jazz gestures to an amused looking Drift before getting back to his work, “is a better fit for Stitch than the Iron Giant any day of the week.”

Jazz may have a point, but while Hot Rod’s mom may have raised a fool, she definitely didn’t raise a quitter. 

“So Ratchet here tells Drift all about ohana and kicks off his character arc?”

“Not everything's one to one, Roddy. I’m not using Prowl to become the best chef is Paris. You just don’t want to admit I’m right.”

“I agree with Jazz.” First Aid cuts in. 

Hot Rod gives him a mock glare. “You’re just saying that so you won’t have to agree with me.”

First Aid shrugs. “True, but that doesn’t mean he’s wrong.”

“Children. The lot of you.” Ratchet grumbles. 

-=-=-=-=-=-=-=-=-=-=-=-=-

And yeah! Ideas was mostly ‘Hey, they could probably have Vortex get pieces of Prowl back since fights like that are bound to be very chaotic and Vortex would have no hang ups about attacking allies every now and then’

It went further as the idea of Hot Rod and First Aid trying to do spy things and be sneaky but somehow succeeding due to Shenanigans was too funny to pass up XD

Loving this AU so far and all the cool stuff people are making for it!

OMG THE CHILDREN ARE STEALING FROM THE BIG CORPORATION IM SO PROUD OF THEM~~

Also the way all these different plot lines are crossing each other and occasionally coming together is just so cool I love it

Like, yeah we have fucked up horror, we have space drama, we have Lilo and Stitch aaaaand we have option to combine them together. Also now there is Shockwave so all the guys have the "free angst" option I gues ahahah

[mywritersmind]

ALL’S FAIR IN LOVE AND WAR - LN4

↳ pt.4

summary : A week of not so secret flirting, drunken parties, and being surrounded by your best friends; it ends with a promise and a kiss.

og summary : Its the vacation of your dreams! With your best friends, rich men, live music, and flowing drinks, nothing can ruin it. Even if a certain Formula 1 driver (who seems to have an affinity for annoying you) is there every step of the sandy way.

listen up : suggestive comments!! kissing! language!! all done <33 thanks for all the love recently i truly love you all. final part pt.1 pt.2 pt.3

word count : 3324 + tiny bit of smau

⋆｡‧˚⋆

My feet are freezing but my torso is warm. My head hurts and when I move to sit up in bed, I'm yanked back down by a weight over my waist.

What? I eye the arm over me and trail it all the way to the man next to me. No.

I practically throw his arm off me but he doesn’t wake up, just stirs a bit and tugs on the blanket. It moves down his bare chest to reveal his tanned abs.

I’m in my pajamas. My hair is knotted. My head is pounding. I hit Lando with a pillow.

“Norris!”

He groans, turning away from me and mumbling. Once he realizes the person yelling at him is in his bed, he blinks at me. “What could be so important that you’re waking me up by pillow?” His morning voice is deep and scratchy.

“What the fuck am I doing here!?” I remember going out. I don’t remember making my way into Lando’s bed!

He rolls his eyes then closes them. I hit him again, “Hey!”

“Lando!” I yell again, then my hand goes to my mouth and my eyes widen, “We didn’t…”

He looks genuinely offended, “Give me some credit, Pretty. You’d know.” His arms go to the back of his head, a slight smirk on his face.

I screw my face up, “You’re disgusting.”

“You’re the one who brought it up.” I hit him again, “Okay! Okay! You came here to get your purse but you were shit drunk and wouldn’t leave.”

Shit. “Oh.” I do not recall this at all. I cross my arms. “You couldn’t have slept on the couch?”

“You crashed my bed!” I remember him calling me beautiful.

I groan and stand up, pulling my hair up and finally spotting my purse. The floor is freezing and I can feel Lando’s eyes on me as I cross his room.

“You really don’t remember anything from last night?” I turn back so see him leant over the bed, the comforter dangerously low on his waist.

I turn back and pretend to look in my bag, “I don’t remember anything after my third shot and you dancing with that girl.” I know it’s the wrong thing to say right as it leaves my mouth.

“Oh… So you got drunk because you were jealous.” I don’t need to turn around to know he’s smirking.

“Goodbye Lando.” I make my way to the door.

“You’re not denying it!” He yells after me.

I shake my head and grab the door handle, “Truce, Norris. Don’t forget it!”

⋆༺

My friends and I meet for breakfast, gossiping about the locals and everything that happened last night. “You didn’t answer when I knocked this morning.” Rebecca looks at me while stirring her coffee.

“Hot night?” Alex teases as I make eye contact with Lily who’s smirking.

“I must have just been asleep…” My tone is less than convincing and me being late to breakfast didn’t help either. “You can’t freak out.”

I tell them about waking up next to Lando, their jaws dropped and their hands paused on utensils. Lily is the least shocked but definitely the most disappointed when I share that I didn’t have sex with him.

“Ok i’m officially freaking out!” Kika drops her fork, shaking her head as I prepare for the million questions they have for me.

⋆༺

LANDO

“Last day!” Pierre claps his hands together as we walk down the streets of turkey. The girls’ absence is very noticeable because my friends are fully attentive this morning.

“I’m sad.” Carlos sighs, “I don’t want to go back to real life.”

“I’m excited to go back!” Alex shrugs, looking around the white buildings, “I miss my cat.”

“I don’t know.” I say, “I've enjoyed this trip a lot. But I do need a break from you muppets.”

Charles hits my arm, “You only enjoyed it so much because you finally stopped toying around with Y/n.”

“Truth!” Pierre laughs, “I think you two are a great addition to the group. I mean you’re already in it but now everyone has a couple.

I eye him. “We’re not a couple. She barely likes me as it is.”

Carlos shakes his head, “Mate… She definitely likes you more than ‘barely’. Y/n may be strong willed but I've never seen her blush so much.”

I roll my eyes and pretend like that doesn’t make me like her more. “We’re friends. I think.”

“You think?” Charles raises a brow.

“I guess.” I say.

“Lando!” Carlos practically screams and slaps his hands down on my shoulders, “You need to ask her out.”

“I’m not asking her out! She’s scary as fuck.”

“Pussy.” Pierre and Alex cough at the same time as I side eye them.

“You’re just scared she’s gonna reject you.” Carlos says in my ear as I elbow him in the stomach, “Ow!”

“Fuck off and let’s go.”

⋆༺

YOU

I know he’s staring at me. I know he’s not trying to cover it up. I know he wants me to look back.

And I know I look good as hell.

“Norris!” Carlos calls from the water, “Come on!”

Lando doesn’t respond so I assume he shook his head because I don’t hear him getting up. I open my eyes and tilt my sunglasses down just as a smile breaks out on Lando’s face.

I suddenly understand the extent of why women fall at his feet. He’s got glasses on but his smile makes me want him to break my heart.

“Wanna go swim?”

I’m laying on my stomach so I rest my head against my warm arm and respond, “Go swim with Carlos.”

He rolls his eyes, “I don’t want to swim with Carlos.”

“Too bad. So sad.” I close my eyes again as I hear him mumble something under his breath.

“Wanna talk about your little jealously streak then?”

I sit up and face the water, “You’re one to talk.” He gives me a look to which I pull my sunglasses back on my head to fully look at him, “You gave that waiter a death glare!”

“He was being weird.”

I shake my head and laugh, “He was asking if I wanted parmesan!”

Lando does not look amused, playing around with his camera, “Parmesan is just where it starts…”

“So what? It’s cheese then asking to fuck me?”

He crosses his arms on the tanning chair, “Exactly.”

I breathe out, looking out at our friends in the water and the clear skies. “You shouldn’t care about that, Lando.”

“I can’t help it.” He shuffles around, snapping a few pictures as he nonchalantly says, “You looked good in my bed.”

I turn to him again, trying to actually see if he’s being serious but his face doesn’t crack into a smile. I’m speechless. And it’s embarrassing. “I- No.” I place my feet onto the sand and quickly stand, pulling off my sarong as I walk down the beach.

He follows me, of course he does.

“Don’t hide, Pretty. You blushing because of me is a lovely sight.” His fucking smile, god!

I’m frustrated that I can’t act cool around him all of the sudden, “Why don’t you look at the very beautiful ocean right in front of us!?”

He doesn’t even glance at the view, “I prefer you.”

My lips pull together in a thin line, “I can’t stand you.”

“I have a sneaking suspicion…” he steps forward and whispers, “that you can.”

I swallow and accidentally make eye contact with Lily who is smirking at us. I know they can’t hear what he’s saying but it still makes me nervous. “I’m sorry for last night.” It’s all I can think to say.

“I think we already established that it was no problem.” Right because he liked me in his bed! Kill me now. “Don't worry. We’ll have a redo soon enough.”

He starts walking away from me as I gasp, “A redo!? Lando what do you mean!?”

He starts walking backward, slowly. “One on both our terms? One with two sober attractive people?” He raises a brow.

I cross my arms but honestly want to laugh. I walk closer, “Keep dreaming, Norris.”

“It’s called manifesting, actually!” Is all he says before picking me up and slinging me over his shoulder. It takes me so off guard that I can’t help my scream.

“Lando!”

I can hear the smirk in his voice, his hands gripping my legs, “Scream my name, Pretty.”

⋆༺

LANDO

I’m looking at her again.

A little less admiring this time because i’m holding back a laugh as she tries to take Pierre down in a game of chicken.

She’s on Carlos’ shoulders while Charles has Pierre sat on his. Everyone is laughing around us as they watch the four.

I don’t even realize the man next to me until he clears her throat, “Hey man.” He’s american.

“Hi.” I think he’s going to ask for picture or something but then he looks up at Y/n and I get a sick sort of feeling that this is my karma for teasing her.

He looks back at me and gives me a cheesy grin, “I’m Nate.”

I nod slowly, “Hi Nate.”

“Mine telling me your friend's name?” Ok rude. He didn’t even ask for mine. I hate him.

“Carlos?” I blink, pointing to the man.

Nate laughs a bit awkwardly, “Nah man… The hot girl on his shoulders.”

“Oh.” I eye him, my disdain obvious, “That’s Y/n.”

“Y/n, huh? She single?” I give him a look to which he looks frightened at, His hand goes to my shoulder and I fight the urge to step back, “Shit! She’s not your girl, is she?”

“Um…” Everything in me wants to say yes. “No. No she’s not.”

He hums, “Right… I know that look. I’ll back off, I get it.” He’s grinning like he knows all my secrets, “Sorry to bother you.” I think he’s going to leave but he stops, “Man also- in my experience, it’s not a good sign, guys asking you about her.”

He leaves.

What the fuck? I finally get the girl to tolerate me and now everyone thinks I'm supposed to fall at her feet and beg her?

Yeah I'll do it.

⋆༺

YOU

The day has flown by, with the sun burning us one last time and our lunch at the best local place where the chef adores us. I’m sad to go. Even If we still have this last night.

Dinner is slow and quiet, we’re all pretty tired but comment on little things around us.

I’m in a long dark blue dress, my favorite for our last night. Lando’s next to me and by the end of our dinner, he rests his head on my shoulder. I say nothing because I like his closeness.

Kika clears her throat, “This was an amazing trip and I'm very glad I got to enjoy it with you lot. I’m very very thankful for everyone here, and how our little group operates.”

Pierre rubs her back, “I’m thankful for hotel beds. And mojitos and sunscreen.” I laugh as Alex starts.

“I’m grateful for fish and sunglasses.”

Lily shakes her head, “I’m thankful for my lovely friends and for all the amazing food we ate! Plus me beating Lando in golf.”

Lando groans next to me, “I’ll get you one day, Lil.”

I smile, “I’m grateful for the ocean! And boat rides and night swims.”

“I’m grateful for spas and books!” Alexandra joins in.

Charles smiles at her lovingly, “I’m thankful for friends and cooking classes.” God that seems like forever ago.

“I’m thankful for golf as well!” Carlos grins, “And wine.”

Rebecca laughs and squeezes his hand, “I’m grateful for morning yoga and sunsets.”

Lando doesn’t sit up when it’s his turn, just stays resting on my shoulder, “I’m thankful for my camera and all the pretty views I've captured.” His foot nudges mine.

I blink, looking down at him as he just stares forward. Kika grins and holds up her glass, “To us!” I join as we all hold up our respective drinks.

“To us!” We repeat and cheers, Lando’s head leaving my shoulder as he holds up his water.

“You know…” Pierre looks around at us, “I’m not very tired.”

Carlos grins and taps his finger against the table, “It’s our last night…”

Lily laughs and stands, “Beach bar!”

⋆༺

The thought of drinking makes me feel sick so I stick to water. Lando is nursing a drink but it’s the same one I've seen him with all night.

I catch his eye while he’s talking to the bartender, he smiles softly and makes his way over to me immediately.

“Hi.” Hi? I don’t think Lando’s ever said Hi to me.

“Hello…?”

He leans against the bar as the music gets louder, “Fun night?”

I nod, sipping my water as someone bumps into us. He drunkenly apologizes before Lando looks at me again, “Want to go for a walk?”

I find walking down the beach at night with Lando far too often… Not that i’m complaining.

His drink is gone and his shoes are in his hand as mine are in mine, “Accomplish everything you wanted to?”

“Accomplish?” I laugh, “Do you go to every vacation with a to-do list?”

He shrugs shyly, “Maybe a mental one. Like I knew I needed to jet ski. I didn’t know it would end up with an attempted drowning…”

I scoff and hit his arm, “I wish your dramatic ass did drown.”

He just grins, “You’re remarkably bad at lying.”

I shake my head, looking back at him, “It’s something about you… You call me out on everything.”

“Because it’s so easy to catch. Even if you’re joking… you bite your lip a bit. No matter the lie.”

I frown, “You notice things like that?”

He looks past me at the water, then back to me. His face is shaded but the moonlight helps see his features, “I notice a lot of things about you.”

“If you told me that a week ago… I would have laughed in your face.”

“It didn’t just start this week. You just avoided me at every chance you got before this trip, but you’re hard to miss.”

I’m walking backwards now, looking at his loose button down and his hand in his pocket, “Are you saying you watched me, Norris?”

“I don’t think you understand that you’re very interesting to watch.” I go to speak but he cuts me off, “And don’t you dare call me creep. I know you do it too.”

I smile, “I’m grateful for you, Lando.”

His brows raise, “Am I being pranked…?” He comes to a stop as I push his shoulder back.

“I am. You bug the good out of me.”

He sets down his shoes, the music and lights from the beach bar far away but still seen and heard softly. “I’m glad you think so.”

It surprises me when his hand goes to my waist, “What are you doing?” I say quickly.

“Humor me.” Is all he says as his other hand meets my waist for the second time. I move my arms to his shoulders, my hand behind his head.

“Do you dance with all your friends by moonlight?” We sway a bit together.

He smiles again, his eyes so bright even in the dark, “I can tell you in confidence that this is a Y/n special. But you hurt me a bit.”

I raise a brow, “What?”

“Friendzoned while thinking about kissing you isn’t a fun thing.” My heart rate starts up.

“You’re ridiculous.”

“Go out with me. When we get back.” I watch him talk so close to me, “No hostess forcing us together or shitty small talk. Come on, Pretty. For real.” He’s so beautiful and so nice and so funny.

“We don’t live close. Lando, you travel-”

“Fuck that. I’m asking you on a date in Monaco because I like you, a lot. If nothing else was in the way, what would you say?” He seems almost nervous and it makes me smile because he never shows this side of him.

“I would say yes.” I can’t help it. “But those things are very real and…”

“And?” He raises a brow, a smile replacing his nervous face.

I can’t help but smile, “And I like you. Maybe too much…” this makes his grin widen. “But still!”

“I can fly. I don’t know if you know this…” he leans in closer to whisper in my ear, “But I have some extra money.”

I pretend to push away but he holds me tight, “One date.”

He nods, repeating my words, “One date.”

“Our friends will freak out.”

“They’ll love it.”

“I know they will.” I shake my head, “I swear this was just a ploy to get us together.”

He laughs, “It worked, didn’t it?”

I laugh with him because he’s correct. I started this week with a bad attitude and a need for sun. I’m leaving it with a pretty boy and tanned skin.

“You still don’t know a lot about me.” We sway.

Lando shrugs, our faces extra close now, “I know you can talk for hours. I’ll listen.”

And I know he’s not lying.

“I’m annoying a lot of the time.”

He nods far too theatrically, “Trust me, I know!” I step on his foot but he just uses it as a way to bring me closer. I can hear his breathing and when I meet his eyes again, they’re soft and kind, “One more thing.”

“Go for it, Norris.” I’m whispering but I don’t know why.

There’s no one around, just the faint sound of music and waves crashing. “Can I kiss you?” It’s something so simple that I want to cry.

I smile, “You’re lucky you’re pretty, Norris.” He gives me a look, “Yes, Lando. You can kiss me anytime.”

And so he does.

⋆༺

LANDO

She smells like coconuts and tastes like mint. Her lips are soft against mine.

Our first kiss was on this beach, but it was different. It was hungry and intrigued. I was drunk and she was ethereal.

Now, she’s still beautiful but I'm not drunk. She’s soft. Does that make sense? It makes sense to me. She’s soft against me, his hands brush my neck and cheek, I can feel her smile against me.

Her kiss is something writers dream about and something I’ve imagined in a million different scenarios.

The start of this trip, my main goal was to tease and bug her until she broke. My goal now has been fulfilled with her promise of a real date and her kissing me like I actually mean something to her.

I like that I mean something to her.

She pulls back, her hands on my neck and in my hair, “You’re really beautiful too, you know.” Her lipgloss is smudged and her dress is getting wrinkled under my touch.

I take her in, every inch of her. I want to burn this moment in my brain forever. I haven’t stopped smiling for hours and it’s all because of her. “You’re amazing.”

She laughs, “You don’t have to one up my compliment.” I really didn’t mean to even try.

“I’m serious.” Her face tells me she understands suddenly, “Thank you, Y/n. You really are my favorite surprise this trip.”

She smiles, her hand on my chest, “I never believed our friends. They used to say how great we’d be together.”

“They’re geniuses and I owe them my life.” I shrug as she laughs my favorite laugh in the world: the one where I make her head drop and her teeth show.

“I’m sorry I ever was mean to you.”

“That’s alright…” I push back a strand of her hair, “Everyone needs a bit of foreplay.”

LANDONORRIS

landonorris DUMP FROM MARMARIS!! I miss it and I hate the rain.

username262 : TAN LANDO IS BACK

↳ username32 : he’s literally always tan i’m jealous

yourusername : 😊☀️

↳ landonorris :😋🫵

↳ username123 : what…?

username01 : who is the girl lando??

↳ username44 : his friend!! him and some drivers + girlfriends were on the trip

↳ username56 : interesting that they were the only single ones there…

pierregasly : let’s go back

charlesleclerc : alexandra is already planning another one (this time as a true couples trip)

↳ landonorris : WOAHHH SHHH

landofan4 : she’s sooo pretty istg how do these men pull these women!?

↳ username628 : they’re not even confirmed??

↳ username25 : trust me they will be in a month.

carlossainz : maybe you won’t suck at golf next time

↳ lilymunihe : not likely.

kikagomez : treat her poorly and i’ll punch you

↳ yourusername : punch him!

↳ landonorris : i haven’t even done anything?? and i wont!!!

maxfewtrell : thanks for the invite

alexalbon : I love the part of this dump where the only solo pics are of you and Y/n……..🤨🤨🤨🤨

↳ yourusername : funny alex my favorite part is the same thing😁😁😁

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye

[ventalizm]

fuck it here are my ninjago sexualities headcanons...

jay and nya are so bi coded. they're both openly bi. thats it

kai gives off massive pansexual vibes. he's so pan and has the craziest and absurdest rizz pickup lines and whenever he practices them in the monastery the other ninja eavesdrop on him and laugh and cringe in embarrassment

cole is openly gay. he soon realized he was never really into femininity and is a true masculinity lover

lloyd is aroace, especially after what happened with him and harumi. he feels very indifferent about relationships and thats so relatable

zane and pixal are asexual (like they're nindroids, i dont think borg nor dr julien would build in some weird ahh feature ima be real w u guys) and if they ever decided to procreate they'd build one together and it would be the most adorable thing ever (kinda like the robots movie)

sensei wu doesn't know what any of these terms mean and was left confused when the ninja tried explaining it to him. he just replied with "okay" and sipped his tea

if i have any more ideas i'll update this blog post :3

reminder these are all headcanons made by me and there's no right or wrong in creating headcanons!!! having different ones just shows how creative we as a fandom are. so chop chop, drop your own headcanons if you wanna!!!!

Some ppl from the Ninjago fandom NEED to see this

Cus like seriously ppl forget just because a characters sexuality isn’t confirmed it doesn’t automatically make them straight

[qqueenofhades]

hi I hope you don't mind but I would love to hear your long tired historian rant you mentioned in your tags on that one post, if you feel in the mood to share? (no pressure!)

(also thank you for existing, you do wonderful work and the world is a better place for you being in it)

Aha. Well. For context, the mention of said rant was in relation to this post:

Basically, this post struck a nerve because of how it exactly encapsulates the anti-intellectual, anti-academia, anti-historical, anti-reality thinking that is absolutely rampant in social media spaces, even and especially spaces that identify as leftist, liberal, or otherwise "superior" to the right wing when it comes to identifying fake news or misinformation. (Example A: anything ever written by a self-proclaimed leftist on Twitter.) We all know that there are huge problems with the American public school system (and the people writing this are almost always American) and the American practice of education in general, and that yes, there are many things that happened in the past (or y'know, the present!) that are not taught very well, or at all. But because the American public school system is so decentralized and largely autonomous, incredibly dependent on the temperament of local superintendents and/or school boards, taxation and funding, availability of teachers, requirement of useless standardized tests, etc., it is very difficult (if not outright impossible) to claim that this is the result of a Unified Grand Conspiracy To Not Teach Real History To The Youth In Order To Make Them Mindlessly Support Capitalism. That is the exact sort of deranged conspiratorial thinking that the right wing does and fits everything into a sinister narrative about how "They" are planning to keep you ignorant and therefore nothing harmful that you ever think or do is really your fault. It's not good.

(Whoosh. That was very calm and reasonable of me. For the rest of this post, please just picture Captain Holt "apparently that's a trigger for me" dot gif.)

Also: even in public school, and despite the Republicans' best efforts, there are plenty of opportunities to study complex or "controversial" subjects. For example, I spend a week every June grading AP Euro History exams with a lot of other educators in a giant windowless steel box (woo-hoo, fun times!) Every year, there are questions on the exam about women's rights, imperialism and exploitation, slavery/race relations, the development of capitalism and the current economic model, religion and science, the history of labor, and other topics that would be considered "controversial" if you're an idiot. This is an exam taken by high school students in all grades from across the country, and there are also AP World History and APUSH (US history) exams every year which are doubtless making an effort to address similar themes. This is an advanced program, yes, but it's widely available to many schools and is not a result of a sinister plot to keep the youth from discovering the truth. Also: you live in an era of absolutely unprecedented access to information. Put down the ChatGPT bullshit generator and visit a goddamn public library. Or even open Wikipedia. The tools are there for you to start educating yourself and they are so easy to find!!!!!

The "Historians Are Hiding The Truth!!!" narrative becomes even more ridiculous in university-level or professional academic historical-study spaces, especially when historical educators and associations (such as the American Historical Association) have been at the forefront of pushing back against right-wing efforts to censor history, punish teachers, and remove culture-war subjects from classrooms. Also as someone who has advanced degrees in history, has taught/worked in several universities in different countries, writes and publishes historical research, and otherwise participates professionally in the field: trust me, we aren't "hiding" shit. There are vigorous debates and disagreements on various bogglingly obscure subjects and points of clarification and so forth, but that doesn't mean we're not talking about them (trust me, we're often talking about them too much). If you're issuing confident blanket statements about how "historians are conspiring to hide x," you're an idiot.

This also has dangerous repercussions in the field of, say, politics and civics, where a lot of absolutely braindead Online Leftists have spent the last four years posting deranged nonsense on social media and then, whenever they're called out on it for that not actually being how anything works at all, whining that "I was never taught this!!!" (And yet, it somehow never actually changes their perspective or their theories....) They whine about how "they didn't know this" and it was someone else's fault, they make up total fantasy about what the Biden administration did or should have done and now are still happy about Trump coming back because "It will teach the Democrats a lesson!!!" and otherwise accelerating us oh-so-quickly down that slippery slippery fascism slope. Their weaponized ignorance and their magical fantasies about what "should" have happened often come back to this same learned helplessness, where it's everyone else's fault (especially Capitalism's) that they're total wankers. Look: I'm not a goddamn fan of capitalism either. But we all grew up in this same system, and some of us aren't raving idiots, so at some point, you have to take the tiniest modicum of personal responsibility for the information you seek out, the content you consume, the opinions you propagate, and the people you surround yourself with. Shocking.

I've said it before and I'll say it again, Online Leftists are actively and unrepentantly enabling American fascism and should be treated in the same way as we treat MAGA when it comes to deciding what is good or worthwhile information. This is because their entire political philosophy (insofar as their beliefs can be dignified with the term) is based on the "make shit up and remove it from any basic empirical references, grounding in reality, or 'should I run the most basic Google search and see if I'm completely talking out of my ass in a distorted social media echo chamber? Nah I'm good' " technique. This is, as the original tweet above references, trying to retcon sheer malicious laziness and stupidity into grand ideological theories about how it's actually "better" that they don't know a damn thing and won't shut up. It's your evil history teacher's fault, or "academics are all rich and elitist" (ask any academic-precariat person like me and we will laugh hollowly and then throw monkey poop at you), or "They" wouldn't let you learn this, or on and on. Even in our terrible, awful, no-good very-bad timeline, there are still ample tools to educate yourself, to learn how to filter out bad information and junk news, and otherwise gird yourself even a little for the even-more-massive assault on empirical reality that we are about to experience in the next four years (ugh). I suggest you take advantage of them.

[qu0thther4ven]

Shifting Success ♡

Last night before going to bed I did a meditation on youtube and felt pretty good about it. I had tried it once the night before and it gave me crazy dreams which I associate positively with shifting. Last night I had another crazy dream. At some point during the dream I became lucid, however because the dream was so scary I didn't want to try to shift through it so I just woke up instead.

Scary dreams tend to stay in my mind, but lucid dreams always make me feel really powerful so after lucid dreaming I decided I would shift. I was sort of half asleep at the time but felt very confident that I could do it, so I just decided I would, said so, and went back to sleep.

The bad thing is that I didn't really decide where I wanted to shift to and instead because I had been thinking about that bizzare dream I had just before I wound up becoming aware of this strange reality that was like sort of related to the dream that I had just had.

Because I had lucid dreamt just before shifting I can say with complete certainty that they are entirely different things. They felt so so different, my dreams can get pretty realistic too but it's not like actual living. However shifting very much is actually living. It was such an odd experience honestly.

I woke up and I knew that I was like actually awake and not just in a dream again. I was in a bedroom that I knew distinctly was mine but was nothing like my cr room. Two of my siblings were in the room and they were the same age as me which was super weird since in my cr we are all pretty scattered age wise.

Some of the things that really confirmed it for me were my memories, comfort, and perspective. When I looked around the room I remembered random things about the items in there just like I would in my cr. The best example was when I was talking to my siblings and gathering clothes to change out of my pajamas and I distinctly remember looking through the underwear drawer of all places and looking for one of those pairs with like the day of the week on it of all things.

The fact that I not only knew that I had those without ever seeing them but also that while I was looking my mind wandered to a memory of when I went shopping with my friends and we all thought it would be funny to buy those and so we did. My mind wandering like that is something that happens to me a lot in my cr but never in my dreams.

Another thing that really struck me was the perspective. Real life as we know it is lived through first person on a day to day basis. Often in my dreams the perspective will shift rather like a tv show or movie. I can't remember a dream that I have ever had, lucid or not, where the perspective didn't shift or things didn't distort oddly. But that didn't happen to me at all, it was all real and tangible and first person the whole time.

Anyway this is getting way too long but I hope it's helped someone. After almost five years of trying (i know crazy right) I have shifted. Was it to where I wanted? no. Did I decide to come back as soon as I recognized what was going on cause I got scared? yes! but I still did it. And now I know that I am capable, and that's all I really need.

[perfectsunlight]

[32] ENOUGH

warnings: therapy sessions, overwhelming emotions, family conflict, intense feelings of isolation and public scrutiny.

JULY 2018

the therapist’s office felt too bright, almost too sterile, with white walls that seemed to reflect every thought jennie was trying to push down. she sat on the edge of a plush couch, her hands folded tightly in her lap, the weight of her secret pressing harder than ever. she couldn’t even look at the therapist—some stranger who was supposed to help her sort through the mess of emotions she couldn’t afford to acknowledge.

jennie had agreed to come here because her manager insisted. it wasn’t for her, though—it was for the image. “you’re under a lot of pressure, jennie. it’s okay to talk about it,” they had nagged. but she wasn’t here for herself. she was here because someone had told her to be. across from her, the therapist—a woman in her late 40s with kind eyes—sat quietly, her notepad resting on her lap. she wasn’t asking anything intrusive yet, only waiting for jennie to open up. 

but she couldn’t.

“jennie,” the therapist smiled, her voice warm and steady, “i understand that things have been moving very fast for you since your debut. how are you feeling about everything that’s happening right now?” the idol stiffened at the mention of blackpink. the group’s rise to fame had been overwhelming, every step met with more pressure, more eyes on her. she wanted to say something, but the words felt trapped in her throat. this wasn’t about being a star—it was about the other part of her life, the one she had to keep hidden.

"everything’s fine," jennie replied, her voice flat, distant. "it’s just a lot to handle sometimes." the therapist simply nodded, her expression calm. "i can imagine. you’re balancing so much. what’s been the hardest part for you?"

jennie’s mind raced. the hardest part? where could she even begin? she was living a double life, caught between the woman the world saw and the woman she had to hide. she was expected to be jennie kim, the idol, the one who smiled for the cameras and smiled through the pain. but what the cameras didn’t know was that there was another life—a life she couldn’t talk about. the one where she was a mother.

her chest tightened as the thought crossed her mind. her daughter. her ivory. her baby girl, who she had to keep from the world. no one can know. no one could ever know. 

the secrecy suffocated her.

"i’m just tired," the rapper replied, her voice barely above a whisper. “all the time, it feels like i’m pretending. i’m not allowed to be real. there’s always this pressure to be perfect. to be this person for everyone, but no one knows the real me.”

the therapist leaned in slightly, sensing the vulnerability behind the idol’s words. “that sounds really exhausting. can you tell me more about what you mean by ‘pretending’?” jennie let out a breath, but no words came. she didn’t know where to start. how could she explain the tension in her chest, the constant guilt, the way her heart ached every time she had to leave her daughter behind? she couldn’t even say she was a mother. she had to keep that part of herself locked away.

“it just all feels fake.” the idol had answered, her voice tinged with a frustration she couldn’t quite name. “like everyone wants me to be this one thing. they expect me to be perfect all the time. it’s like i have to be this persona, and if i show any cracks, everything will fall apart.”

jennie’s slender fingers gripped the edge of the couch, her knuckles shades of her daughter’s name from the pressure. she didn’t dare look at the therapist, afraid that if she did, she might reveal too much. she had to hold herself together—even here, she had to be jennie kim, the image the world adored, the person they thought they knew.

the therapist, quiet and patient, let the silence stretch between them. she understood—jennie didn’t need advice or platitudes right now. she needed someone to hear her, someone to acknowledge the struggle that came with the life she had chosen.

the idol finally spoke again after a few beats of silence, her words a soft confession, her voice breaking slightly with the weight of what she wasn’t saying. “there’s always someone who wants something from me. always someone who wants to use me. nothing feels real, nothing feels genuine.”

the therapist nodded slowly, leaning back into her leather chair but maintaining her focus. “that sounds incredibly isolating. to feel like you have to keep everything locked inside, and not be able to share your true self with anyone.”

the idol’s gaze dropped to her hands, now fidgeting nervously. she didn’t want to share her true self. she couldn’t share it. she couldn’t risk it. the truth, the part of her that was real, wasn’t something the world could ever accept. 

it was too dangerous. too fragile. 

“i don’t know who i’m supposed to be anymore,” jennie whispered, her voice barely audible. “i don’t know how to be everything they want me to be. and still be me.”

there was a pause, and the therapist gave her the space to gather her thoughts, even if the words felt impossible to say. jennie had spent so many months—years, really—burying parts of herself. she couldn’t even let herself believe she could be anything other than the image she had crafted. even now, sitting in a therapist's office, she couldn’t speak the truth about who she was beneath all the layers.

the therapist spoke again, her voice quiet but insistent. “well, it sounds like you're carrying a heavy burden. you don’t have to bear it alone. is there anyone in your life who makes you feel seen? someone who knows the real you?”

jennie wanted to laugh in her face and just walk out the door, the absurdity of the question hitting her like ice in her veins. who could ever understand this? who could understand her?

her eyes flicked to the woman who sat waiting, her gentle expression a stark contrast to the ocean of thoughts drowning in the idol's mind. the question had unintentionally struck a nerve. of course, there was no one. not in the way the therapist meant. 

no one could understand the weight of the mask jennie had to wear. no one could see past the glossy surface of the public persona, the polished image that was expected of her. and even if someone tried to see me, would they even care?

jennie’s fingers curled tighter around the fabric of her jacket. “no,” she said, the word escaping her like a cold, sharp breath. “no one knows me. not really.”

she didn’t even believe it herself. not completely. it was easier to lie, easier to convince herself that she was better off this way—alone in her truth, because the alternative was too terrifying. to be seen, to be known by anyone, meant the possibility of being rejected, of being abandoned by the very people who adored the version of her they had created in their minds.

the therapist sat back a little, not pushing her further, but giving jennie the space to breathe, to consider her words. the silence in the room felt heavy now, almost suffocating.

the idol cleared her throat, fighting back the lump in her throat. her gaze dropped to her hands, which were twisting and folding in her lap, betraying her anxiety. she had to get out of here. she had to escape from this room, from the vulnerability that was creeping in, inch by inch.

“i don’t know how to be me,” jennie muttered under her breath, the words barely audible. “i don’t even know who that is anymore.”

as if on queue, the timer went off, signaling the end of their time together. jennie felt a rush of relief surge through her chest. it was as if the weight she’d been carrying for the past hour finally lifted, and for the first time that day, she could breathe. she didn’t even bother with pleasantries as she stood up. "thank you," she muttered almost automatically, her voice a little hoarse. she wasn’t sure if it was gratitude or just a desperate need to escape the room, but either way, she was out of there as soon as the words left her lips.

as she hurried down the hallway to the parking lot, the rest of the world seemed to fade into a dull hum. she didn’t want to think about the things they’d discussed. she didn’t want to process the way the conversation had unraveled parts of her she wasn’t ready to face. all she wanted was to be home, to be with ivory. the little girl who somehow made everything feel right, even if only for a while.

when she stepped through the door, jieun was there, but jennie barely spared her a glance. her mind was already on ivory. her heart, which had been tight all through the session, began to loosen at the thought of holding her daughter.

“i’ll be with her,” the idol said quietly, her tone flat. jieun, sensing her need for space, gave a soft nod and stepped back, leaving her daughter to retreat into the quiet of their home.

jennie’s pace quickened as she made her way down the hallway. she opened the door to ivory’s room softly, and there the little girl was, sitting on her little rug, her tiny hands putting bows on kuma. at the sight of her, the idol felt the first wave of peace she’d had all day.

ivory looked up and saw her mother, her brown eyes lighting up with pure, unfiltered joy. “mommy?” she said in surprise, her head tilting to the side, a grin spreading across her face. 

the idol’s own face softened, though there was a tightness still lingering in her chest. she didn’t answer with words. instead, she moved to the floor and immediately pulled ivory into her arms, her heartbeat slowing as she pressed her daughter against her. jane’s little body fit perfectly in jennie’s arms, a familiar weight she could never grow tired of.

they didn’t need to talk. jennie didn’t want to talk. there was no need for anything else at that moment. she just needed to hold her daughter, to feel her warm breath against her neck, to know that, for a little while, she didn’t have to be anything other than here.

jane nestled against her, sighing contentedly, her small hands reaching up to trace her mother’s face, as though memorizing the shape of it. jennie closed her eyes, breathing in the scent of baby lotion and something uniquely ivory.

for a while, the room was quiet, the only sound was the soft rhythm of their breathing. ivory shifted in her mother’s arms, her face nuzzling into jennie’s shoulder, and jennie tightened her hold, as if trying to shield her from everything—everything outside of this room, outside of this moment.

it didn’t matter that the world was still waiting for her, that the pressures, the expectations, the fear—everything—was still looming. in this little bubble, with her daughter in her arms, none of that mattered. she could almost forget it all.

she could just be jennie, the mother. the most important title in her life.

as the hours slipped by, the idol found herself reluctant to move, reluctant to even speak. she just wanted to stay like this, to hold her daughter close and pretend that the rest of the world didn’t exist. the way ivory’s tiny fingers curled into her sleeve, the way she let out soft giggles as jennie kissed her head, made her heart swell.

and for that fleeting moment, that brief escape from everything else, jennie allowed herself to believe that this was enough.

—

OCTOBER 2025

the office space was painted in dark, muted colors, the kind designed to be calming. dark blues and greens lined the walls, interrupted only by a row of shelves filled with books and puzzles. a small table in the corner held crayons and coloring sheets, their cheerful appearance clashing with the suffocating weight jane felt pressing against her tiny chest.

she didn’t want to be here. the only reason she agreed was because jennie had asked her to. however, ivory was starting to question why in the world she agreed to it.

the therapist was a kind-looking woman with dark eyes and a soothing voice. she sat across from her, the wall behind her littered with framed awards and certifications. ivory couldn’t remember her name—ms. something—but it didn’t matter. the woman was just another stranger, someone who didn’t understand.

“hi, jane,” she said, her voice warm like honey. she opened one of her notepads and grabbed a sleek looking pen from her drawer. “it’s so nice to meet you. your grandma and your mom told me a lot about you.”

the eleven year old glanced at the therapist in slight annoyance, then quickly averted her gaze to the patterned rug beneath her shoes. it felt safer to stare there, at the swirling blues and whites, than to meet the woman’s kind, probing eyes.

she didn’t want to be here. matter of fact, she had no idea why both her grandmother and mother thought this was a good idea. the therapist paused for a beat, giving her space, then continued.

 “they said you’ve been feeling a little sad lately. that you’ve been missing your mom a lot when she’s away. is that true?”

jane’s fingers gripped the hem of her grey oversized sweater. it was a gift from her mother. a one of one vintage designer piece. she didn’t remember exactly what brand, all she cared about was that it was from her mom. she wanted to laugh at the question, to stand up and just walk out already.

of course she missed her. she missed her every single day that jennie was gone, every moment she had to pretend she was like every other kid when her life was anything but.

but how could she explain it? how could she look at this stranger and tell her the truth? that her mom wasn’t just some busy woman working long hours, but jennie kim—the jennie kim? that her absence wasn’t just because of an ordinary job, but because of cameras and flashing lights and a career that consumed her whole world?

so she stayed quiet.

the therapist tilted her head slightly, her expression patient and encouraging. “it’s okay if it’s hard to talk about. you don’t have to say anything if you’re not ready.”

the young girl’s throat tightened as the therapist’s words hung in the air. she clenched her jaw and stared harder at the patterned rug, as if the swirling shapes could somehow anchor her, stop the storm of emotions from bubbling over.

the room was too quiet. the kind of quiet that made everything feel louder—the hum of the air conditioning, the subtle creak of the chair as she shifted, even her own heartbeat pounding in her ears.

“i…” jane started, her voice barely a whisper. but the words caught in her throat. she could feel the therapist’s eyes on her, gentle but expectant, like she was waiting for her to find the words to continue.

the silence stretched on, unbearable. her slender fingers twisted the hem of her sweater tighter, the soft fabric biting into her palms. she thought of her mom—her amazing, beautiful mom—smiling at her from the screen, her voice like sunshine when she called from some faraway hotel room. jane hated how much she craved those moments, the rare ones where her mother felt like just her mother.

but they weren’t alone moments. not really. there were always fans, schedules, cameras. always someone else demanding a piece of her mom.

jane swallowed hard. she couldn’t say any of that. couldn’t say how much it hurt to share her mom with the world. to feel like she was competing with millions of strangers for her attention.

“i’m fine.” the young kim whispered, giving a firm nod of her head. the therapist didn’t react right away. she just nodded in reply, her smile small and understanding, like she knew the young girl wasn’t fine but wouldn’t push her to admit it. 

“sometimes it helps to draw or write about how you’re feeling,” she said, sliding a blank sheet of paper and a box of crayons across the table. “no one has to see it. it’s just for you.”

jane’s eyes flicked to the paper. her hands didn’t move. she hated how everyone kept asking her to “express her feelings” like it would magically fix everything. the young girl gave the therapist a look, one that definitely meant jane knew what the older woman was trying to do. when the therapist realized the girl wasn’t going to take the bait, she leaned back slightly. 

“do you want to tell me about your mom?”

that question hit harder than it should have. jane’s chest tightened, and her lips pressed into a thin line. “what about her?” she finally scoffed, her voice a bit sharper than she intended to. she could feel the irritation bubbling up inside her, the urge to push back, to defend the one part of her life that was supposed to be her own. as if this therapist even knew who her mother was. jane could already call it from a mile away—the polite, clinical smile on the woman’s face, the soft, empathetic tone. 

but it was all fake, wasn’t it?

jennie had probably used one of her four (and yes, she had counted) fake names when signing jane up for this session. four. because there was no way anyone could know who jennie kim really was—not even a therapist. not in a place like this. not in this life jane had to pretend to lead.

the therapist, not flinching at the sudden shift in jane’s tone, asked again, “what’s she like?”

it was a loaded question, at least to the young girl it was. what was jennie kim like? to the world, she was untouchable—charismatic, talented, adored by millions. she was the kind of person people wrote songs about, the kind of person who could command a room with just a glance. but to ivory, jennie was a puzzle, one she couldn’t quite figure out. 

her mom, who could light up her entire world in one moment and then disappear from it the next.

she thought of the sweater she was wearing, the way her mother had handed it to her with a bright smile, saying, “this reminded me of you.” she thought of the lullabies jennie used to sing when she was younger, of the way her mom’s hugs felt like the safest place in the world.

but she also thought of the canceled birthdays, the missed school plays, the empty chair at dinner. she thought of how every time jennie said, “i’ll be home soon,” jane stopped believing it a little more.

ivory’s throat burned, feeling like shards of glass in her windpipe. she hesitated, her voice trembling a bit more than she had planned. 

“she’s busy.”

the therapist’s head tilted slightly, her expression softening. “that must be hard. when someone you care about is busy a lot.”

jane felt the lump in her throat grow, the tightness in her chest spreading like a burning wildfire. she wanted to scream at the woman to stop, to leave her alone, to stop digging at things she didn’t want to talk about. but instead, she forced her voice to stay steady. “i’m used to it.”

the therapist paused, watching her carefully. “you must be very strong to handle that,” she said gently.

jane’s hands relaxed slightly at the words, but only for a moment. they didn’t feel like a compliment. they felt like a reminder—one she didn’t need. being strong wasn’t a choice. it was just something she had to be.

the session dragged on, filled with more questions jane didn’t want to answer and silences she couldn’t fill. by the end of it, she was exhausted, her body heavy with emotions she still didn’t know how to name.

jieun picked her up after the session, her usual warm smile in place as she waved from the car. jane slid into the passenger seat, her silence as thick as the tension in her chest. she felt jieun’s eyes on her along with the unspoken questions hanging in the air.

“how was it?” the older woman finally asked, her voice light but careful. jane stared out the window, watching the world blur past. “it was fine,” she muttered. the words were flat, stripped of anything that might invite more questions.

her grandmother didn’t press her, but as they pulled into the driveway and parked, she turned to the smaller girl with a softness that made the girl’s chest ache. “do you want to go back next week? you don’t have to if it’s too much.”

jane hesitated, her fingers curling around the strap of her backpack. the weight of the question pressed down on her. did she want to go back? did she want to sit in that room again, feeling like she was being pried open? did she want to pretend that someone else’s words could fix the cracks that had already run so deep?

“no,” she said finally, her voice quiet, even as her chest tightened further. “i don’t want to go back.”

jieun nodded, her expression unreadable. she didn’t argue, didn’t try to convince jane otherwise. “okay,” she said softly. “that’s okay.”

but as they walked into the house and ivory retreated to her room, she couldn’t shake the hollowness that had settled inside her. she dropped her bag to the floor and sat on the edge of her bed, staring at the cracks in the ceiling. the session had left her drained, not relieved. the therapist’s words echoed in her mind, the attempt at comfort ringing hollow.

"you must be very strong."

strong wasn’t enough. pretending to be strong didn’t make the loneliness go away, didn’t fill the spaces where words failed, didn’t erase the ache that came from being so close to someone and yet feeling so far away.

this wasn’t going to work, she knew that now. she couldn’t keep doing this—couldn’t keep sitting in rooms with people who wanted her to explain the things she barely understood herself. no one’s words were going to fix it.

no one’s reassurances were going to be enough. no matter how many fancy degrees or framed certificates they had hanging on their walls, they didn’t have the answers she needed. they couldn’t untangle the mess inside her head or quiet the ache in her chest. every question felt like a spotlight on something she wanted to keep in the dark, every answer she gave felt like handing over a piece of herself she wasn’t ready to share.

ivory sat on the edge of her bed, her hands gripping the comforter as if it might anchor her. the house was quiet, the kind of silence that pressed in on her and made her feel smaller. she thought of her grandmother downstairs, probably pretending not to worry, probably thinking about what to tell her mother later. for now she’d be giving her space, because that’s what jieun always did.

but space wasn’t what jane wanted. not really. what she wanted wasn’t something she could name, and it definitely wasn’t something anyone could give her. it wasn’t something she’d find in a therapist’s office, no matter how soft their voice or kind their eyes were.

her chest felt tight again, like it might collapse in on itself. she pressed her palms flat against her legs, grounding herself, but the weight of everything she was carrying still felt like too much.

this wasn’t going to work. jane had always known, deep down, that it wouldn’t. and now, staring at the cracks in her ceiling, she let that truth settle over her like a blanket. no one could fix this for her.

and no one’s words—not a therapist’s, not jieun’s—were ever going to be enough.

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CLOSED.

[abuddyforeveryseason]

You know, I feel the same way about superhero stories as OP does about vampires. It's usually pretty annoying when a zombie story gets all meta and has characters go around talking about how "this is just like my survival fantasy animes", but it's also iffy when everyone just pretends they never heard about zombie apocalypse stories, and refuses to even say the world "zombie". Sure, they're "walkers", or "shamblers" or whatever.

And the meta thing's not really an issue with stories where someone gets a superpower. In fact, it's really welcome. Because there's both this immediate contrast (real superpowers aren't like the ones in the comics!) and a handy justification for a lot of the characters (I've seen superhero stories my whole life, so I want to act out my own, too.)

I think the reason for that is, even though superhero stories precede zombie apocalypse ones for a few years, the genre is less calcified as one single thing. That's not to say I don't like zombie stories, but they feel less diverse when it comes to setting.

When a ficitonal character has a superpower, it's just something that's happened to them. They might think they're in a superhero story because they've read many before, but that's not necessarily the case. They might turn out to be Ben 10 or Danny Phantom, but they might also be Brightburn or Inuyashiki. They might even just be Alex Mack. Something different happened to each of these characters, and they're trying to fit the "superhuman abilities" peg into the "crime-fighting hero" hole with varying degrees of success.

Zombie stories, on the other hand, work by a different set of rules. Even if they're not just Dawn of the Dead. Planet Terror is a very different story from The Last of Us, and they're both different from Zombie Strippers or Fido, but despite the rules in these stories not being the same, they're pretty much about the same thing happening, and the consequences are similar, even if the tones aren't.

I can't really think of a way of making a zombie story that changes the foundations of the genre the way metahuman stories do, while still being identifiable as a zombie story. But that might just be a "me" problem.

Zombie fiction has a problem, which is that in the real world, zombie fiction exists.

So you have two basic approaches: either you have the protagonists and general public say "what's happening, why are the dead rising, I got bit but I'm going to be fine", or you have the protagonists say "this is so weird, it's just like in all that zombie fiction!"

These are both annoying in their own way, but I find the latter approach to be more deeply irritating, personally, the kind of meta that's just lazy and overdone in spite of not having been done all that often.

This is a problem that notably doesn't exist in most other genres. People go to look up vampires on their computer all the time, and they say "wait, the legends are true??", and the vampire says "I did like like our depiction in Nosferatu very much". This is totally fine, the legends bled into popular culture or whatever. But zombie fiction is among those that can't do this, because it's a different kind of story, and there's no hiding it, no covering it up. If zombies were in any way real there would be mandatory training on how to kill them and CDC warnings and structural responses, which does substantially take away from the genre.

Now, would I read a zombie story that took place in a world where zombie outbreaks were a semi-regular occurrence with policies and procedures and discourse and training? Yeah, I guess, if it was well-written. But most of the long-running zombie stories get there eventually, once all the survivors have been doing the survival thing, and I can think of a few examples. It's hard to get right, much harder than the "what is happening, what is this" sort of story.

[redishsunflowers]

this is all my personal opinion as a somewhat new arcane enjoyer.

act 3 of arcane really ruined it all for me. one of the things that makes me love shows so much is when they make me just feel so so much. and arcane did this so well, especially in s1. act 1 and 2 of s2 also did this very well, tho not even close to as well as s1 in my opinion.

i felt sad about isha's death, but i don't really care about jinx's. this isn't bc i cared more abt isha than jinx, a million percent no, this is bc it didnt feel liek there was any weight to it. we saw a very small clip of vi sobbing then, boom, she's almost fine???? her humming powder's lullaby isn't enough, i need to see her grieve. jinx literally completely gave up because of isha's death. vi wasn't even close to being in the same position as jinx but that was still her sister. her sister whom she tried so hard to protect and get back and finally got her back. it just didn't feel real. and on top of that, everyone thinks she's not actually dead. i wish they showed the "proof" of that later or something because i needed that grieving period from vi.

i felt so strongly about jayvik and their whole dynamic snd ending this season. in act 2 i felt that the writing for caitvi wasn't as good as it was in s1 and act 1 but then it just pissed me off at the end. i kinda liked the fact that they were in a cell when they had sex lol but i feel like it was weird timing and also could be a weird setting. but what rlly got me was the fact they don't fucking talk. they dont talk it out. one of the bjggest reasons i love jayvik is because of their lines too eachother. theyre so devestating and beautiful and thats what we got with caitvi before act 2. i was hoping they would talk about alllll the problems they were having because they were having a lot but, either they didn't or we just didn't see it. the resolution to jayvik was so satisfying because we got to know all of their closing thoughts and emotions. we didn't get to see cait apologizing or vi talking abt jinx and it just felt so emotionless.

im really sad they got rid of all the political stuff. i feel like the first step to doing that was putting vi in an enforcer outfit but with that i thought theyd explore into it and the trauma around it even more. but they didnt at all. they put more of the oppressed into the oppressors outfits and called it "fighting against a greater evil" i think thats a fine thing to happen but not if you throw away the whole conversation about politics you were having beforehand. i felt enger towards the piltover people and council just because they were a part of the oppressive regime. after s1 i felt like they tried to act like those ppl were never in the wrong. they swept it all under the rug.

it really just felt like there wasn't a clear conclusion. what happened to zaun and piltover? the scene of sevika sitting at the table isn't enough (don't get me started on sevika I MISS HER). what happened to the firelights?? everyone says ekko lost everything but like do we know what happened to the tree or to the firelights??? i wanted to see the progress the two cities made and how PILTOVER compensated for their actions.

thats it ig, im rlly trying to be happy abt the ending and to do that i have to think abt jayvik bc theyre the only perfect ending in my eyes and i miss caitvi i miss them

[unwashedunsatisfiedmeowmeow]

fanboy!Noah x idol!MC

"My personal hater" visual novel AU in which Noah is your most loyal fan.

(art by me)

So imagine that you're a popular idol who got famous not so long ago. You've been working towards this goal of yours for quite a time before you were finally aknowleged by the masses. You're very grateful for that and now you're using this popularity by working even harder! You make music after music after clip after clip and so on...

Eventually you grow tired. It was a matter of time when this will happen and deep down you knew that will happen sooner or later... But it appeared in such a problematic time. Live concerts, shooting music videos for your released songs as well as recording new songs to keep the fans "well fed"... To say that you were fucked in the ass by work (metaphorically) would be an underestimation at this point.

Despite having a big crew of professionals from different fields managing a lot of the tasks for you - it's still not enough to make you breathe out with ease. You're always on the verge of crashing out and running away for good. Things have gotten so bad that you start to regret becoming an idol - the only dream job you once thought was right for you.

One day you go back home as usual from a long day of work. You enter an elevator with a person in it without even looking at who it was. You didn't give a fuck at this point. And of course you looked like a mess. Not that cheerful and cute bbg you pretend to be for your hungry fans.

It was plain oversized clothes, medical mask, greasy hair and a tired look you had. You were spacing out and ready to sleep in that damn elevator as usual.

What an irony that the guy who was obviously your fan - wasn't noticed by you. But he on the other hand - recognized you right away, even if you didn't look your best. However instead of talking to you, Noah just stood there dumbfounded. His idol, the one he supported from the very start was in the same elevator as him!!!

"HOLY SHIT!!! FUCK, IS IT REALLY MC?! OH MY GOOOODDD!!!"

He is legit your first fan ever. He supported you with evverything he could support you with. Words of encouragement, binge listening to all your songs on repeat. He was even creating new accounts for that reason alone, so the platform you're releasing your songs in will promote them to other people. He also donated you fat coins whenever you decided to stream and to talk to your fans. Noah was the first one to buy all of your merch and wearing it (if it was possible).

Basically he was and still is your one and only true fan. He doesn't mind being called a simp by his friends and close ones either. After all, your music saved his life when he was really depressed and was planning on committing suicide. You will always be his cute little angel whether you like it or not.

Back to the elevator scene though:

Noah's breath hitched and he couldn't look away from you. For the first time in his life he saw you in real life! AND IT WAS ALONE IN THE ELEVATOR WITH HIM! Not in the fan meeting like he thought it would happen too?!

"It has to be fate. We're meant for each other! I knew we will meet sooner or later MC~"

Although he was itching to just tap your shoulder, feeling a little bit of your body and ask for an autograph with selfie, but he behaved himself. Why? Because Noah knows where you live now. It would be wasteful, to throw the chance of pretending to meet you naturally just for these temporary things.

He will save these requests of his for later, when you will be deep into the relationship with him.

Thanks for reading my AU drabble of Noah fanboy! Bye!

[kittymizuki]

there's so much around lion that's so wildly compelling about sisterhood, family, and identity, etc. but one of the things that make me crazy is the idea of lion as a fictional construct made by readers who want to see sayo with love, but also being unable to wholly decide what would most make sayo happy bc so many parts of herself are rooted in pain. lion is literally someone who exists to show sayo that she deserved better, deserved comfort, love, everything else - that it wasn't her fault, and that even in this "perfect" world, terrible things happen. the parents are still greedy and cruel. kinzo is still a terrible person. ep7 in this context truly feels like it's written by ppl on the outside of the story who actually chose to engage and understand, and a love letter to real life readers who did so.

a big thing i consider with lion is not having to have the 'pressure' of needing to specify and that creating a 'better' dynamic in the family, but they also still have to use the name given to them by kinzo. further considering that there's a major point of the care and love will shows for lion that is blatantly intended to transcend any idea of 'gender' or 'cisheteronormativity' makes it obvious to me! lion is essentially "this is a version of sayo who never had to 'choose' which is both a good and a bad thing, as within that context, this is a 'nuclear family' kind of set-up. by being denied the option/potential of fully exploring gender identity, they take on the role of the 'ideal child', which itself is rather tragic."

i think it's also meaningful to consider that lion is still androgynous and disconnected from the idea of 'masculine gender' without any of their 'tragedy' having happened. when given the option, they choose to live outside of 'maleness', outside of that specific idea, wanting to live without the struggle of having to specify or be assumed bc of how crushing and stressful that could be.

i really feel like it's relevant to consider that they were lying to sayo when they said it was only due to the 'incident' that she experienced that they had to perform the gender reassignment surgery? to me it would make a lot more sense that the reality of this intersex child would be easier to hide! if she was already intersex, then it's genuinely easy to consider. i think, broadly, lion was given to natsuhi as a 'baby boy' before everything happened. since she tried to kill the baby so young, it's so simple to see how these realities could have been ignored, but even then, what if natsuhi did realize this child was 'improper' or had a 'broken body'? what if, for so many things.

the idea of maleness and malehood is strangling to sayo. yes, she wants to 'fit in', but she also always truly wanted to see herself as a girl. she envisioned so many versions of herself that were the 'women' she wanted to be or wanted to grow up to be. she was never a 'proper' girl, even when she was a tiny child. she was always bad at cleaning, bad at cooking, bad at succeeding, too small, too 'stupid' according to all the girls around her. kanon exists as her dysphoria - dysphoria that in ep6 is 'killed' for the sake of saving loved ones. letting go of the mask of kanon bc her self-loathinh isn't who she wishes to be. i think further, it's important to think about how kanon exists bc sayo feels she has no 'right' to her own dysphoria unless she makes herself a 'male' alter ego to shove that into, to have some slight justification for how broken her body makes her feel. lion truly feels like an intersex child negotiating acceptable gender presentation bc being a boy is too painful and they can't assert their identity as a girl, so they opt for this middle ground that feels like a compromise between the two.

sayo has always 'been' a girl and 'seen herself' as a girl! but she is now portrayed as a failure of a girl bc of her 'broken' body and i think the intersex and trans girl readings can be interwoven into one very strong narrative. her being trans is amplified with the idea of her having intersex subtext bc she was raised thinking it could be possible, maybe, for her to live as a girl, before realizing she can only be a girl in this bird cage. now that she's a teenager, it's obvious that she's not a proper girl. if she leaves rokkenjima, the spell of her womanhood is broken and she'll have nothing. what matters is the present in which she exists and that her body 'fails' to meet the ideals of womanhood. this is vital in the context of natsuhi as well - natsuhi isn't a trans woman, but we can also see this sense of how womanhood and being degendered for her failures within that are important to her narrative and also sayo's! and in this context, sayo has always been 'out' and 'accepted', so her issue is less 'i'll never be a girl'. rather, her struggle is about how she's being taught that to be a girl is suffering and that she's doomed to tragedy for wanting. constantly realizing and thinking about all the things about the girls that people want and think of them, and realizing there was something about her body that denied her what she wanted.

i think it's a vital reality that intersex people are inherently connected with trans women, as the issue (at the end of the day) is having a body that 'fails' to meet the expectations of cissexist and bioessentialist dynamics so i love to think about this...

[claraweems]

There hasn't been any filler. No fluff. Nothing to give the characters deeper personality or even just the usual amount of flavor text for the world around us. I was never able to run up to my LI and just... Chat. They never react when you approach unless there's in a conversation with someone else. It feels very disconnected, disjointed.

A specific example for me was the Neve x Lucanis thing. I knew it was going to happen from spoilers, but it just... Happened. In one scene he's talking about making a pie because she likes it and then in his next personal scene he's lamenting that she specifically is one of the few people he has left.

Huh?

When did all that happen? If I hadn't seen the spoilers I would be monumentally confused. There was no flirting! Was it because I never took him with me on quests? I never saw love letters left out, they were never hanging out together. I took Neve with me nearly the entire game and she never said a thing! No one else is talking about it, like the crew chatting or gossip queen Harding.

Another example was Hardings personal quest line. We're told there are some missing dwarves and we need to go look. Next thing we know she's possessed by her own rage? Or a Titan's rage or something? Did I miss something? I really liked the visuals in that quest and the scene itself but... Again. It went from 0 to 100 real fast. I don't need to be spoonfed details, I promise, but this one felt like I blacked out the lead up. Did I completely miss a middle quest somewhere? Did I just not pay attention to some dialogue? And then afterwards she's just chilling in her room like it didn't happen.

This feels like exactly the same stuff that's happened to TV and movies in recent years. I haven't watched enough to see it myself but by all accounts we're losing the filler and the fleshing out and the exploration and just getting exposition and climax. I've been scouring every corner of every map. I'm at nearly 60 hours, midway through Act 2. How have I found so much, but yet witnessed so little?

I think I've finally distilled down the main why I feel so disappointed in Veilguard (despite enjoying the gameplay and the visuals tremendously)

In all the other games, in every encounter with each faction, you're given enough space and information to ask questions. "Why are you like this?" "What the FUCK?" Every single group you encounter in Dragon Age. The Dalish. The Orzammar Dwarves. The Qunari. The Chantry. The Templars. The apostates. The Orlesians. The Fereldan nobility. Circle Mages. And on and on and on... Nobody is sacred. Everyone has something to question and chew on for good or ill. In this one I just don't feel it. There isn't enough space or information to ask questions. The writers are capable. We know they are. But for some reason they have essentially said "we do not trust players not to misunderstand us anymore".

[beemovieerotica]

Considering that you're the most high-profile Pirates of the Caribbean fan on this site, I would love to hear your ranking of the movies.

stopppp you're making me blussshhh ok my ranking is literally just just the order the films were released lmao

curse of the black pearl. the og. script is watertight. pacing and flow of it are really just flawless. it's got a wonderful classic storytelling arc, they had plenty of time to cook.

dead man's chest. starting to get quirky with it, and it's fun. WEIRD villainsss. kraken attack. leaning fully into pirate mythology. the world is OPENING UP. film is still fairly tight with some diversions. yess god.

at world's end. a little messy with a lot of moving pieces, but fuck, it's a fitting conclusion. beautiful. crying. TRAGEDY!!! parallels. foils. went out with a bang, there are some things i would've changed, but overall a good feast. [SEVERE DROP IN OPINION]

on stranger tides. very different. they've lost the plot. jack sparrow was never meant to be a main character, he's a trickster who played off the main love story (will and elizabeth) and if you want him to step into the main role, he needs to be capable of change or slip into a different archetype (reformed trickster). they kept him silly and drunk and it's getting tiresome. he can't carry the film. blackbeard is...alright. nothing hits the same as the sheer cosmic villainy of the calypso/davy jones romance that tore the world apart, but like, i won't hold that against them. the jack and angelica content is fun. love barb. fountain of youth is genuinely a great concept for a pirate movie.

dead men tell no tales. the new younger characters suck, let's be real. flat as cardboard. they retconned the lore of the trilogy to try to make all this work - not saying that lore is unbreakable and you can't ever do that - but what they put in its place isn't even interesting. young jack sparrow is bad. the mystic lady is bad. salazar is a step up from blackbeard, i love a ghost man. henry turner would never fucking join the royal navy. what's even happening here. thank you for coming to my ted talk.

[realitythroughthelensoffiction]

Good Omens: on fate and reality

In season 1 of Good Omens, The Nice and Accurate Prophecies of Agnes Nutter, Witch play a vital role in helping to avert the Apocalypse. Anathema dedicated her life to understanding Agnes's prophecies and thereby helping to fulfill them. But in the final episode of season 1, when the package with the follow-up collection of prophecies arrives, she decides to burn them, because she does no longer want to live her life according to the writings of her ancestor.

This is interpreted by many as Anathema taking her fate in her own hands instead of subjugating herself to something that was foretold. But the fact that she burns the prophecies instead of studying them does not necessarily mean that she changed her fate. It is entirely possible that her life will still take the road that Agnes foresaw for her. Agnes probably even predicted the burning of the new prophecies.

The only difference is that now, Anathema knows that all the decisions she makes are of her own free will, while otherwise she would have always wondered what she did because she wanted it and what she did only because Agnes had prophesied it.

A further indication that people acting according to their free will does not contradict the idea of fate is God's Ineffable Plan itself. At the end of season 1, when the Apocalypse has just been averted, Crowley asks Aziraphale: "What if the Allmighty planned it like this all along? From the very beginning?" Aziraphale agrees that this might very well be possible.

So even though all the people involved made their own free choices, they could still have been acting according to a plan God laid out very long ago.

Conclusion No. 1: Free will and fate are not mutually exclusive.

However, it seems that some things can be altered. Adam as the Antichrist has the power to bend reality. He uses it to change the fact that Satan is his father and to bring back people from the dead, for example Lesley. When Aziraphale expresses doubt about Mr. Young really being Adam's father, Crowley says: "It is. It is now. And it always was. He did it."

So Adam did not only change reality for the present and the future, but also for the past. He was able to make things that had already happened undone.

Conclusion No. 2: In the Good Omens universe, reality can be altered, even retroactively.

And the ability to change reality does not seem to be limited to Adam. Another example, as Goldfarb Styrt (cf. p. 127; cited below) points out, is Crowley being able to get himself and his Bentley through the burning M25, while Hastur gets discorporated. Crowley simply imagines that everything is fine, and by imagining it, it becomes real. Goldfarb Styrt (cf. p. 123, pp. 126-127; cited below) also suggests that it might be the individual's interpretation of reality that matters.

That sounds really fitting to me. Because the Bentley is burning, no matter how Crowley imagines otherwise, and it explodes as soon as Crowley isn't concentrating on keeping it together anymore. And, as @indigovigilance mentions in this post, the people who witnessed the incidents during the attempted Armageddon, like Atlantis rising from the sea, still remember them, even after Adam undid everything again.

But Crowley and the humans interpret the aforementioned events in a different way than you would expect, and their interpretations have an impact.

In any case, reality and the ways in which it can be altered are important themes in season 1 of Good Omens. And season 2 contains hints that they might play a big role in the finale as well. The most prominent example of these hints is the recurring mention of the Book of Life.

I will go into more detail about the Book of Life in my next post, but the important bit for now is that by erasing someone's name from it, you create a version of reality in which "they will never have existed". So the Book of Life is another tool to effectively alter reality.

Conclusion No. 3: Reality and the possibilities to alter it are important themes in Good Omens and will be relevant to plot of the finale.

That's it for now. What are your thoughts on fate and reality in Good Omens?

Work cited: Goldfarb Styrt, Philip: Sola Fide. Ineffability, Good Omens, and the Reformation. In: Giannini, Erin and Taylor, Amanda (Eds.): Deciphering Good Omens. Nice and Accurate Essays on the Novel and Television Series, pp. 120-132.

@kimberleyjean

[l-in-the-light]

About Trafalgar Law and his vitiligo

Feel free to ignore this post if you so wish, but I chose to speak up on this matter. I have seen so many fanarts that portray Law with his white skin patches, often looking like a dalmatian and it bothers me. Are you all aware that animal-like patterns for vitiligo are considered insulting? And you all might look at me weirdly now and ask "how can something so cute/wholesome/unique possibly be bothersome to anyone?!" Read further on your own risk, slight tmi.

Law's disease is of course fictional. Visually it looks the closest to vitiligo, but it has a lot in common with autoimmune skin diseases as well. I happen to know how it's like to live with a skin disease. Meds for my condition aren't really for curing anything, they just make the symptoms dimnish, but in return they leave white patches on my skin that are resistant to tanning for a long while (also those meds are very dangerous for your kidneys apparently if used too often, as a side note). Why would anyone use them? Well, because it's a hereditary skin condition: it never goes away and there's no way to cure it, those meds are literally the only thing that does anything. I just get lucky whenever symptoms aren't visible for some time until they inevitably come back anyway. And believe me, this isn't "wholesome", "cute" or "unique" to have discolored skin patches. You all probably have no idea (why would you have anyway, it's natural that you don't) how it's like in summer, when you go on a bus or tram, you wear a t-shirt because it's freaking hot and you can't hide under the clothes or you risk melting or fainting. And people see your discolored skin or red patches on your skin. You know how they react? They stare at your hands/arms and then they move away. That's the default reaction whenever your skin looks unusual. People would rather move away, just in case it's something contagious. They will also stare, a lot, and you can feel it's judgemental, even though my condition is in no way my own fault (or anyone else's who also has it), thank you very much.

That being said, I doubt Law would be happy parading openly with white patches visible on his skin. Most people wouldn't realize that's it's just a leftover from his old, cured disease. They would simply assume what people always assume: that it's something contagious. Evidence below, if you need it:

And Law's reaction to their reaction:

He doesn't look very happy, of course.

People would isolate him, avoid him and *stare* disrespectfully at him like he's a weird specimen, at best. Law would quickly learn to hide it under his clothes, long sleeves, long pants, gloves etc. No one truly wants to attract negative attention like this, especially not someone who already went through a lot of traumatic experiences, like Law. And sure, as a child he didn't really hide it:

But take into account those are the clothes he was wearing ever since Flevance happened. He didn't have any other clothes. As soon as he's accepted as part of Doflamingo's family he starts to wear different ones, and he covers up the spots on his arms by wearing long sleeves:

And oh boy, I can totally relate to that.

Sure, in ideal world, no one would assume Law has a disease just because his skin is discolored. But we're not living in ideal world. Some people, just like me, have hereditary skin conditions and feel bothered by fanarts that exoticize skin disease or skin disorder. Yeah sure, why does it matter, Law is a fictional character with fictional disease, right? But vitiligo is very similar to this and is a real condition which is part of life of real people. Those aren't freckles that are just cute and make you look unique (and some people might have freckles and still hate the extra attention drawn towards it, and it's valid if they feel like that!).

Just wanted to get that off my chest. I don't need sympathy for my disease, this is not why I wrote this post. I just wish people would realize that by drawing a vitiligo Law they're toying with a lot of emotional baggage there, please treat it respectfully. Maybe one day the world will be wholesome enough to think of it as normal (normal, not fetishized, ugly, contagious or exotic!), but I assure you it still doesn't. If you think it's just a "me" thing, check out this blog: https://www.tumblr.com/vitiligo-is-not-a-trend/765530242896003072 and many other posts of theirs. Not everyone with skin conditions might react the same way, but keep in mind people with actual vitiligo and skin diseases can and often will be really sensitive about it, and for a good reason.

Yes, that being said I also think it's wholesome if Luffy accepts vitiligo spots on Law easily like it's not a big deal, especially in comparison to the rest of the world which would fear him instead. It's definitely something Luffy would do. But that's completely different from fetishizing it. Please, you're stepping on a thin line here, tumblr.