#but in the end he can't resist jack and his advances
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angeloftuesdayy · 3 months ago
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Could you draw Sam and Jack kissing 🥺🥺 totally fine if not <3
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"a strong man could've maybe resisted a temptation this wrong.
but I never claimed to be strong."
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lesbianspeedy · 1 year ago
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Connor has called Ollie solely "dad" since Quiver why is he calling him "Ollie" now 😭😭😭
This is mean but I laughed out loud when Connor said Tim was the first person he talked about when he was figuring out being ace years ago. Lol. Lmao even. Tumblr really gaslit that poor writer into thinking Connor and Tim had an actual friendship with all their clamoring about him being with the wrong Bat huh. "Where were you?" GEE I didn't know you had to give daily updates to that one kid you teamed up a few times and had some friendly banter with. I love queer solidarity and the whole thing about us finding each other before we even know we're queer but. NO Connor would not have talks about his sexuality with Tim. Cmooooon you're telling me the first person he'd talk to about being ace wouldn't be Kyle "you can tell me if you're gay, Connor" Rayner?
At least that "this is just another thing me and Ollie don't have in common" anxiety is something already established. Like, that's basically the same thing he says to Roy when Roy takes him to that strip club even if it's an issue by Winick (do you ever stop to think about how unintentionally well laid out Connor being ace is and lose your mind a little bit?)
I'm just. Really sad about how Ollie and Connor's relationship is being presented to this new generation of readers. It's like we regressed to the time Ollie was dead, ya know? And I don't like Connor solely for his relationship with his dad, I want him to be a character on his own. But I can't help but being saddened by how he is losing his relationship with everyone that matters. For better or for worse, at least the new GA series is gonna have him interacting with his family (but what about Kyle, Eddie, Jansen and Moonday, ya know?)
The thing is that the story is good and I like its message. It just... Could be with any other character
im tempted to post this without an "answer" because its really well laid out and deserves to be a post on it's own. but i just rlly like ur points and want to interact with them so.
i think there were a few times between quiver and now where he interchangebly used dad and ollie but i get what you're saying, referring to him like hes estranged still was odd.
i totally agree, the idea of queer solidarity is important and should be shown, but i think this was a weird choice to go with. i think the most intimate (from my memory, i havent reread connor's run in a while) question connor ever asked tim was whether batman was his dad (at that time the answer was still no, as jack hadn't been killed yet). and that was only asked because connor was still his charmingly-awful-at-secret-identities-self. the part of their limited friendship that was interesting was the dynamic of new-sidekick-legacy meets new-main-legacy (for lack of a better descriptor), both struggling to uphold what they thought was expected of them. they never got to really advance from that stage of knowing each other to being at a place where they are friends out of costume, let alone discuss their SEXUALITIES.
i agree that the not being in common thing was a nice nod to past character complexities, though it felt slightly like it was the writer genuinely believing that to be true, and not just a rehash of connor's complicated feelings.
i know, its a weird stage we're at now, the resistence to fully accepting the connor that came from the end of his green arrow run, not just the beginning of it. by the end he had come to peace with being green arrow, and not being his father but that being okay. and that's not to say this is all the current writers fault (though williamson has done absolutely no favours with his writing), as winick and krul absolutely demolished any character connor had for their angst and whatever. (remember when connor aggressively yelled at mia for complaining about being stalked by zatanna without being told? or when after being turned into plastic and losing his memories he then decided he hated buddhism and oliver?). (not to mention the seperation from eddie jansen moonday kyle and. despite all of this complaining. tim cass and steph. winick set this precident and i will never forgive him)
i agree, it had good framework, and it couldve been a much more cohesive story if they. had just not used this friendship.
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marezablr · 9 months ago
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5 for the fic asks, good loser of course
5. What do you wish someone would ask you about [good loser]? Answer it now!
i just want someone to talk to me about that fic, and find out if they noticed some of the things i put into it? i put a lot of care into it, a lot of little details and choices. i did detailed outlining, so when i got reasonably far in, i was able to go back and revise my outline to try to make threads of continuity that built over the story. and i just want to talk about them, haha.
a sampling of just some of the concepts and subcurrents i put into this fic:
seventeen bending the rules
Four hours. It isn’t that long. Seventeen breaks Gohan’s watch during their basketball match, and Gohan keeps forgetting to get a new one.
“‘Four hours.’ You’re so full of shit,” Eighteen says.
17 was not ever truly sticking to the deal he made. gohan broke his watch. he frequently experienced dissociation, which means he couldn't keep a strong internal measure of time. worse, they frequently met indoors, so gohan was deprived of a major advantage (his skill in measuring time by the movement of the sun). 17 played with the time limit to test if gohan would notice and speak up about it.
18 knew, and she was furious about it. the whole situation was already triggering to her, and 18 (eng dub) likes people keeping their word. so 17 testing the boundaries there upset her.
he also at one point was like "i mean, you CAN still kill people. we can just hide that it's us. like a jack the ripper kind of thing." 17 never did (gohan was amusing enough for as long as the fight lasted) but he didn't have problems messing with the rules. to him, it was very funny that gohan was so devoted to keeping his part of the deal.
eighteen's problem with the deal
“I’ll sweeten the game. You like protecting these humans, right? I’ll promise not to kill anyone for a few days.” / Eighteen is suddenly right beside her partner. “What. You’re kidding.”
Eighteen’s lip curled. “You don’t even fight back.”
“You’re not even any fun like this. I don’t get what he’s thinking. And you’re so pathetic, you just let him do it.”
“You’re pathetic. This is happening because of you.”
“Stop! You're my brother. You’re not supposed to be like those men!”
i hope this one became clear by the end, but gohan was never able to have access to this information (by the time it came out, he was tipping into a dissociative rage), so i couldn't make it explicit.
i tried as best as i could to show that 18 was triggered because she had (in her forgotten prior life) dealt with threats of sexual abuse. that's why she didn't get truly mad until 17 offered not to kill humans (making it coercive). but because her brother is the only person she really has in the world, she turned around and decided to blame gohan for 'letting' it happen. all her anger and disgust towards gohan was displaced horror at 17 for becoming the kind of perpetrator who had, in memories she can't fully recall, hurt her.
bulma and consent
“Huh,” Bulma says. “So, can I look?” / He can’t resist a small grin. “Would anything stop you?”
Gohan is the oldest of only two part-human, part-Saiyan hybrids in the world. Data on his health and development, Bulma told him the first time she tried to get him to have a physical, could be a guide for Trunks’s future. If there are any risks or predispositions arising from their unique heritage, better to find it in Gohan so they’d have advanced warning for Trunks. / Well. He couldn’t say no when she put it like that.
She catches him for haircuts, sometimes. He’ll be by to help with one errand or another, and she’ll complain about the disaster of a hairstyle he’s created for himself. Then she’ll make him sit down and let her work.
“Please, Bulma,” Gohan says. “Don’t read it. Not until—unless Trunks is the only one left to fight. Let me have that.” / Her lips part for a question. Her brows shadow her eyes. If she asks, he can’t refuse, not with the weight he is asking her to take on for him. / Bulma withdraws her thumb. The folder closes. / “Okay,” she says. “Okay, Gohan. I promise.”
bulma functions as both mirror and contrast for 17. through gohan's interactions with bulma, we see how gohan has given up bodily autonomy in a lot of places in his life, not just through combat and agreeing to 17's game. he lets bulma give him physicals he doesn't really want and agrees to haircuts because she wants them. (you see a similar incident in when gohan doesn't want to be given fabric for free, but lets it happen because the shopkeeper insists, before slipping the money over anyway.)
this is a symptom of the way gohan has had a lot of his sense of ownership of his body and well-being eroded. it's not really his body. it's a body, and he's in it, and he uses it to serve others. that is what he has been taught since he was a child. this is how he can be "good." it is why refusing 17's deal is unacceptable to gohan. gohan doesn't believe he has a right to feel comfortable and safe in his body if, by sacrificing that comfort and safety, he can protect someone else.
so the interactions with bulma draw that parallel out. but the difference is that when the chips are down, bulma does take "no" for an answer. when gohan does advocate for himself—when he asserts the desire to not have what happened to him disclosed until he's ready for it—bulma listens.
imagery/motifs
there are a couple images/motifs that repeat in the story
muscle/sinew/blood/bone
gohan's internal narration evokes these at several points, most significantly in the opening passage about being good at losing. The quartet of words reduces gohan's body to an assemblage of parts. instead of his body being him, his body is an abstract tool that he uses to serve others. he often evokes those three images when he is trying to remind himself that it's just a body, so it's fine if he sacrifices it for others. the most particular use of it is the end of chapter four:
Later, staring up at a cracked mirrorball that no longer spins, Gohan tries to imagine what it would feel like to have your body and mind taken apart and remade to someone else’s design. To be normal one day, and something else the next, and to never be able to go back. He feels only the sinew and muscle stretched across his own bones, the blood running through them to the rhythm of his still-beating heart. All this body’s familiar aches.
here, gohan gets close to but fails to recognize that what happened to 17 also happened to him. his body and mind were taken apart and remade. he was normal one day, and something else the next, and he could never go back. the quartet of words, which have already been used to evoke how gohan uses his body as a tool, are meant to answer the question without gohan knowing he's answering it.
super saiyan/ki words vs android/energy words
toriyama handed me this one on a platter.
super saiyan is consistently evoked with fire, which is both a danger and protection against the cold. using fire for super saiyan is supposed to set up the 'lightning' imagery of gohan getting close to but never quite hitting ssj2. it also combines with evoking the oozaru/great ape, which gohan does at several points for himself and trunks. the great ape is specifically an evocation of saiyan culture, which gohan is disconnected from and cannot pass down to trunks. these both tie into the description of ki as being like a flame—they're all images around vibrancy and life.
the androids have blue eyes and no detectable ki. gohan refers to himself as using ki blasts, but he talks about the androids as using energy blasts. their eyes are always cold, and their bodies are always evoking an absence of heat. it is what makes the actual heat of their bodies so jarring to gohan: it's heat where his spiritual senses tell him there shouldn't be. it also lets their coldness juxtapose the flame that gohan was given by the people he loved (the anger from their deaths) that he then gives to trunks.
it stands as a final contrast to bulma's eyes, which are also blue, but they're a depth (the ocean) instead of a cold, cruel absence.
there are some other motifs that show up, but those are the big ticket ones!
gohan's use of language
harsh vs ornate language
Gohan clenches his fists until he feels blood. /vs/ Gohan stands in shattered concrete, still wreathed in the rage that Vegeta once believed would be the salvation of his people.
Faster than Gohan can react, Seventeen is in Gohan’s face and has his arm in hand. In a flare of gold, Gohan yanks out of Seventeen’s grip and away from him. /vs/ Super Saiyan catches on the rising wave of his ki and sears right through him, the beacon-bright apotheosis of a dead race.
gohan has read a lot of fancy books in his life, but most of the prose doesn't show that. in a lot of the scenes, especially the ones with the androids, gohan uses a lot of really direct, blunt language in his narration. but then these little flourishes of formality and poetry slip out.
i was interested in how gohan uses "ore" in future timeline but not in main timeline. i thought it would be interesting to understand it as gohan emulating the mannerisms of his dead heroes (most of the z-warriors are "ore" users) to try to keep them alive by embodying them. he's also just worn down, so even his internal narration is pretty worn down and to-the-point. but he still has this appreciation for life and beauty, and it comes out of him, especially for things he finds sacred (nature, the gift of super saiyan).
2. blunt, truncated vs flowing speech
“I don’t know,” Gohan says. “Maybe. I don’t keep track.” & “I’m not going to talk about this.” /vs/ “It’s good to be informed, Bulma. Weren’t you the one who said you wanted to see Frieza before he blew the planet up?”
similarly, gohan talks very differently to the androids vs anyone else. gohan's quite blunt, aggressive, and truncated with the androids. this is not his most natural speech pattern. when he talks to bulma, trunks, or even just other non-androids, he uses longer and more flowing sentences, because he is more at ease and in himself.
3. sparse sensory awareness in urban spaces/combat situations vs embodied sensory experience in natural spaces
He stays lying back on the sticky fake leather of the abandoned booth, muted lights above him and his cut up shirt on the ground at his side. /vs/ Then, Gohan inhales the wasteland winds, cool and clean and familiar. Then, his eyes set on the sapphire horizon and his bruised skin takes warmth from the morning sun. Birds call out for each other, for warning, for the pleasure of the song, and a wolf joins its howls to the chorus.
similarly, he is significantly more at ease and in his own body in the natural world vs the urban world. 17 and gohan both have "territories" in this fic: 17 will be a park ranger in another life, but growing up, he was a delinquent city boy. cities are his domain. gohan is a country boy and feels most at home in nature.
when gohan is with 17 and in urban spaces, gohan picks up on fewer sensory elements. he's less present in his body except as something to fight with and has much less appreciation for any beauty in the world around him. his sensory experience is pared down to whatever he has to take in to handle the active threat; any other details are extraneous distractions that could get him killed.
but when gohan is in nature, in his home territory, he allows in more sensory details. nature is where he feels most comfortable and at home, and it's a source of rejuvenation and strength for him, so he pays significantly more attention to what's happening in it. it's part of what makes chapter 4 so unique: it's the only time he meets 17 on his home turf.
the ghost quartet
while all the dead z fighters are "the sacred dead" to gohan, people whose deaths have an almost religious significance in his understanding of himself and his role in the world, gohan has four major ghosts that he evokes: piccolo, vegeta, krillin, and goku. each of them has a specific function.
gohan needs ghosts. gohan is someone very driven by his value system, and his value is very relational. he wants to be a good son, a good friend, a good student—in another timeline, a good brother, husband, father. being good in relation to others is extremely important to him. it's why he's so respectful to the elder he meets on the bus, and it's why he makes a point of bowing to 18 as his sparring partner, even though he doesn't respect her as a person. this is what keeps him in integrity with himself.
but in this timeline, most of the people he wants to be good in relation to are dead. all of the people he models himself after for heroism and bravery are gone. so he summons them up as ghosts, and all of them work differently.
piccolo: mentorship
Gohan recites a litany of dead friends, doesn’t let his fighting stance falter. Piccolo would never tolerate a lapse.
Piccolo would have never put up with him walking into enemy territory outmatched and uncertain without even having a contingency.
He puts his hands back in ready position, just like Piccolo taught him, to catch or deflect any strike.
Piccolo would have snapped at Gohan for the defiance, or maybe hit him with his eye lasers. Not that it ever stopped Gohan.
piccolo, as gohan's only active teacher (he learned from others but not directly in this timeline), is the person gohan calls on when reminding himself how he's supposed to act in a fight. piccolo tells him not to lower his guard, to stay strong and watch his back. gohan also evokes piccolo when he is trying to understand how he should act as a mentor to trunks. he evokes piccolo's memory to help himself stay sharp and so he can try to emulate the practicality and intelligence that piccolo modelled.
But it’s food. He shouldn’t be a spoiled brat about food.
Spoiled brat. You can still fight. Get up.
gohan also uses piccolo against himself subconsciously. without being aware of it, gohan uses piccolo calling him a "spoiled brat" to shame himself into doing things he doesn't want to.
2. krillin: compassion
He bends down to their level and smiles like his father and Krillin used to smile at him, like how Gohan used to wish all adults would.
Just hold on, Gohan, Krillin said to him. We can make it through this.
Placing his palms together, Gohan bows like Krillin taught him to on that long trip to Namek.
in this timeline, gohan has fought beside krillin more than anyone else. in both the saiyan and namek sagas, krillin looked out for gohan, including following him into every fight, even though krillin didn't want to join the battle. krillin never let gohan be alone and always showed courage in the face of horror.
gohan summons krillin's ghost much more rarely than vegeta and piccolo because while gohan uses vegeta and piccolo to scold himself into doing what he has to, krillin is a voice of compassion. when you are in a terrible situation and you can't leave, compassion can be agonizing, because it invites you to become in touch with your feelings. that means you have to feel the pain you're experiencing instead of shoving it aside.
but compassion also gives you the courage to keep going. and krillin's compassion is a virtue that gohan wants to show to others. it is a major value he holds onto.
3. vegeta: understanding
Ties are a weakness, Vegeta once told him, and Gohan should better guard himself against the danger they pose in battle. Gohan had disagreed with him then, vehemently. He still does, in most ways. / But these days, Gohan thinks he understands what Vegeta meant.
You’re too soft. How many times did Vegeta tell him that? Give your enemies even a hint of what they might use against you, and they will see you pay for it.
Once, Vegeta scolded him for not seeking outlets. You are Saiyan. Your blood needs battle as your stomach needs food.
Vegeta would call him pathetic right now. The idea is a comfort he takes with him as he cuts his thoughts adrift.
vegeta is a particularly strange case, because vegeta is someone gohan has fought beside, but he's also someone gohan has fought against. at several points, gohan evokes vegeta's ghost to argue with it: vegeta's ideology is something he can oppose to affirm his own values to himself.
but gohan is also experiencing a very strange kind of understanding of vegeta. early on, gohan calls up the memory of watching vegeta be tortured by frieza. gohan witnessed that, and he saw how frieza talked to vegeta. of all the ghosts gohan calls on, vegeta is the only one who understands what it’s like to be kept alive on the faux-affectionate whims of a monster you want so badly to beat—and you keep telling yourself you will, you keep saying you'll end it one day—but you are badly outclassed by them.
so even as vegeta is someone to argue against, vegeta is also the only person gohan can bear to think about in his deepest moments of shame. when gohan is sitting in the horror of the night club, the worst of the assaults, the one where 17 pushed the point so far that gohan could no longer pretend to himself that he was a contender and had to sit in the truth of being a victim—gohan could not bear to think of piccolo or krillin or goku. it would feel too shameful to imagine them seeing him like that.
but vegeta? vegeta knows what it's like. gohan doesn't experience shame when it comes to vegeta. he wants, so badly, for piccolo and goku and krillin to think well of him, but it's fine if vegeta sees his most shameful parts. so at that lowest moment, when he imagines vegeta calling him pathetic, he takes strength from it. one of his ghosts knows how this feels. and gohan has always seen the best in people, so he can imagine vegeta calling him pathetic when he lies down and gives up as proof that vegeta believes he is capable of keeping the fight going.
4. goku: the unreachable
“I think you’re taller than your dad now.” / “Not likely. My father was a giant.”
Three more days with his father would have meant everything.
And his father would have kept his word. Even if it was to a monster.
Then his father promised he would handle the rest.
His father walked him home.
It’s alright. He is Piccolo’s student. He is his father’s son.
Super Saiyan burns through him with a reckless heat that Piccolo would never have tolerated, that Krillin would have warned him about, Vegeta alone would have understood—and his father?—but it doesn’t matter: an android is a well of gravity, and not even Saiyan rage can escape its pull.
They killed them, and they don’t care, never have, and Gohan knows the real reason he’s the last one standing—it’d be boring, if they had no one left to play with—if he were stronger, he could have ended it, like his father would have, but there's only him left—
Gohan breathes like he saw Piccolo breathe. Like he used to put himself to sleep matching his breathing to the rise and fall of his father’s chest.
goku is the most sacred of all the sacred dead. he is three types of unreachability:
first, he is the unreachable ideal. gohan wears goku's clothing to try to take on his heroism. he repeatedly evokes goku's model of heroism, strength, and compassion as something he must strive towards. gohan strives to equal goku, but feels he falls short.
second, he is lost safety. as long as gohan's father was there, gohan knew he'd be safe. he is the safety of home and childhood, and he's the safety of a hero coming to save the day. in moments when gohan lets his guard down, he yearns for the safety he used to feel when goku was there.
finally, he is an inaccessible understanding. because goku is an unreachable ideal, there are things about his father he doesn't know. this gap leaves an ache.
Gohan stops, and he knows he does, knows it’s weak and open, that he should hide it—always the coward freezing when he needs to act—he just thought he could keep private at least that—
Gohan is a coward and a spoiled brat, and this is the best he has ever done protecting them.
What are you, a coward? Are you going to let all those people die for nothing? Get up!
but goku, like piccolo, also left a wound. in a moment of extreme desperation, goku called his son a coward to provoke him into fighting. he told him that if he didn't fight, it meant that everyone died for nothing.
like "spoiled brat," gohan calls up that wound from his father to shame himself into pushing through.
so yeah! those are a few things i put into the story. i could talk also about gohan as a bad teacher (he is doing his best, but he is modelling himself after piccolo, so he does things like starting trunks off with far too much time to try to meditate) or how gohan and 17 both enabled each other to not look at the assault for what it is (they both want to see him as a "contender," 17 because he doesn't understand what he's doing, gohan because he doesn't want to see himself as a victim), or probably lots of other things. i just... put a lot into this, and i love talking about it and seeing what people saw themselves! i tried to make it a story that would reward careful rereading.
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triviareads · 1 year ago
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ARC Review of It Had to Be a Duke by Vivienne Lorret
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Rating: 4/5 Heat Level: 3.5/5 Publication Date: November 28th
Premise:
When Verity Hartley lies about being betrothed to Magnus, Duke of Longhurst, she doesn't expect him to hear about it, much less show up and agree to go along with her scheme and pretend to be her betrothed for a week. Magnus is deeply unhappy about having to feign affection towards the daughter of the man that swindled him years ago, at least, until he gets to know Verity better...
Review:
This is the first book in Vivienne Lorret's new series, The Liar's Club, and the book did a good job of balancing the main plot with introducing a new cast of characters and setting up future couples. I'm particularly looking forward to the hot blond vicar (who Verity spied on while he was bathing naked, and later the man did try to court her but was rejected HARD lolol) getting his own romance.
I had a lot of fun reading this book. It featured classic Vivienne Lorret hijinks, complete with a spunky heroine, a grumpy hero, small-town shenanigans, and an old family mystery.
Verity is a messy gal— she definitely falls on the klutzy, quirky end of the spectrum but she was endearing enough, particularly in her moments of vulnerability, to make up for any over-the-top physical comedy (see: the time she fell out of a tree and ended up getting accidentally groped by the hero). A lot of her vulnerability stems from feeling like she's second best compared to her sisters, and even Magnus's sort-of betrothed. That being said, I appreciate that most of these women (barring Verity's nemesis) end up being solid friends who are very supportive of one another. I also liked how Vivienne portrayed Verity's claustrophobia and corresponding panic attacks— it's something I imagine a lot of modern readers can relate to.
Magnus is just the right amount of stern and grumpy to be endearing. Reading him slowly crack and come to terms with his attraction towards Verity was a joy to read. Really, my only (very minor) complaint is that for all the author went off about how biiiig and jacked and "swarthy" he was because he works the fields (since he can't afford a lot of workers), we never got a scene where he was actually laboring in the fields. Shirtless, preferably. But this mostly goes to show he's very duty-bound and intent on bringing his estate back to life, which is why he tries So Hard to resist Verity... until he doesn't, even as he continues to insist he's going to marry another woman for her dowry.
The second half of the book delves deeper into the mystery of exactly who swindled Magnus's father all those years ago, and it concludes in a way that sets up the rest of the series.
The sex:
Listen, because of how clumsy Verity is, I expected nothing less than a sex scene that's initiated by her basically falling on top of Magnus, and Vivienne absolutely delivered. Plus, I'm a sucker for a study scene. By the time they have sex, their feelings for each other have settled even if they're unwilling to admit it, so the sex itself is very tender with a dash of desperation.
Also, shoutout to Lady Hartley for providing a comprehensive sex education to her daughters, complete with sock puppets.
Overall:
This is a great historical romance for anyone looking for a light read that's sure to make you laugh, and also has solid sex scenes. I adored the easy (if unwilling at first) affection that grew between Magnus and Verity, as well as their banter, and I look forward to the following books in this series!
Thank you to Avon and Harper Voyager and NetGalley for an advanced copy of this book in exchange for my review.
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missmaywemeetagain · 2 years ago
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Pink Scarf - PART 18.2 (Elvis/Austin!Elvis x Reader)
Character/Fandom: Elvis - Elvis (2022)
Requested: kinda
(Read more here--Pink Scarf Series Masterlist!)
Prompt: You are part of Elvis Presley's coveted inner circle, and the currently-disgruntled wife of one of the members of Elvis' famous entourage, the Memphis Mafia. After Elvis' dynamite first performance in Vegas, you find yourself in deep water when his magnetism finally gets to you after all these years.  [ Fem!Reader ]
TW: Sex. SO MUCH ANGST. Medication/drug use/overdose. Dub con (sort of?). References to medical trauma, miscarriage, infertility. Blood. Cussing. Infidelity. Historical inaccuracies in the Vegas timeline. Priscilla doesn't exist in this timeline.  
Rating: Explicit/Mature (NSFW, 18+, so minors Do NOT Interact)        ||     Word Count: 16.3k (LOLOLOLOLOL)
A/N: Y'ALL, I'M SO SORRY, it's a monstrosity. I couldn't help it. There was just so much to be said while still in E's POV, so that's how we ended up here, over 16k. But we finally learn Elvis' BIG SECRET and experience the mighty fallout from that in his eyes, so hopefully it's worth it. This is my Thanksgiving gift to all of you, but you may want to pace yourselves. I feel like I had to rip my heart out a little bit to really get in E's headspace. Prepare yourselves emotionally. That's all I will say.
A quick note about the pictures...the first is actually from when he bought Graceland in March 1957 and it just works PERFECTLY for the beginning. I couldn't resist the pics from Red West's wedding in 1961, even though I know the timeline and the people don't match but the VIBES, the VIBES my friends, are oh so Jack and Reader's wedding so I just had to include them. The one for 1960 was taken the night of the Rollerdome. *sob*
If you so desire, you should now have the ability to tip my blog or different chapters in the story! Some of you have been asking about this, and of course, no one is obligated to do so! If you do choose to tip, thank you so much! I've never had anyone want to pay for my work before, so this is a big step towards my romance novelist dreams. 💜
Speaking of Thanksgiving, I am so FREAKIN' GRATEFUL for every single one of you babies, honeys, and lil' mamas supporting me out there, YOU ARE EXTRAORDINARY which is always evident but especially so when someone tried to steal PS last week and y'all went 'ride or die' for me instantly, without question, getting it taken down in record time. I didn't in a million years expect this kind of support and response for Pink Scarf, and your reactions, reblogs, messages, asks, and comments you've given me have been a blessing beyond expression. You all are the best community a writer could ask for! Thank you so much for your support. I am loving getting to know y'all better! I love every single reaction and comment and ask, and I'm sorry if I don't get back to them all as soon as I'd like but know that I love you all and am so excited to be making new friends! And a big "Hey, Y'all!" to our friends from Elvis Twitter, Elvis Discord, and Elvis Instagram--I see and appreciate you coming over to join us! 👀💋
If you feel so moved, please let me know what you think or how you're feeling (or send me asks)! I think I put everyone on the taglist who requested it, but please let me know if there are any issues or if I missed anyone. There seem to be some issues with tagging that I can't seem to fix, so please know I'm not leaving you out intentionally! Also, if you comment on a previous part that you want to be tagged, I might not always see it, so feel free to message me if I miss you!
I imagined this with Elvis in mind, but Austin!Elvis works here, too, whatever floats your boat! 
Apologies in advance if there are any grammatical errors or TW that I didn't catch. 
(I did start cross-posting Pink Scarf to my AO3 account, as well as my NEW Wattpad account. so if you are so inclined, you can check it out/support me over there with kudos and votes and whatnot!)
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(Elvis in March 1957, Graceland)
March 1957
Elvis parks in front of your house, his mind whirling with noise. He’s not exactly sure how he ended up here, but as soon as he’d gotten off that train, he knew he needed something that he couldn’t get from any of the guys or even his mama. So, he finds himself unexpectedly here.
Turning off the car, he seeks any sort of relief from the heartache he feels. He’s been holding it all in since the train stop in New Orleans, the one that sent the world crumbling under his feet, destroying the pretty picture he’d had for the future. But all that is gone now and here he sits, hands tapping on the steering wheel with nervous energy.
He nods to himself, finally leaping out of the car, and then he saunters down the walkway to the front door. The chime of the doorbell can be heard through the door, and he listens carefully, grateful to hear light footsteps from beyond.
When you open the door, it’s like he can breathe again for the first time since the train pulled away in New Orleans. You look surprised to see him, those big eyes of yours widening the slightest before you speak.
“Elvis, you’re home?” you ask with a hint of confusion, but overall, you seem pleased at finding him on your doorstep.
“Just got in, baby,” he says, that boyish smile curving up. He gathers you up into a big bear hug and instantly feels better as he breathes in the unique scent of your shampoo and lingering perfume. A scent that feels like home.
“And you came right here?” you ask, brow furrowing when he pulls away. He notices that you look a bit worn around the edges, darker circles rimming your eyes as if you haven’t been sleeping well.
You’re right to be confused. Of course, he hadn’t planned to see you right away. He’d planned to sweep June off her feet in New Orleans, wanting to show her Graceland immediately, the home he’d thought they’d share together for the rest of their lives. But all that had been dashed as soon as she’d blurted out that she was engaged to another man. Engaged. His June.
“I want to show ya something,” he blurts out instead of saying any of this. “It’s a surprise! Will ya come?” Oh, god, you have to come, he thinks. His heart might shatter if you don’t, though he’s not exactly sure why. You’re not his—you and Jack have been dating for nearly a year—so it’s not as though if you don’t come that it really means anything. Yet, still he hopes. He needs this. He needs to share this moment with someone he cares about.
Despite the fatigue in your eyes, you nod quickly, and then as if you can’t leave the house fast enough, you grab your purse and coat and shut the door behind you without a word.
He smiles gratefully, and relieved, he grabs your hand and practically skips to the car. Once he has you tucked in safely, he runs around the front of the Cadillac, jumps in, and peels away. It’s not too far of a drive, and he yammers on about the last few months he’s been away, the words flying out of him. You nod and ask all the right questions, but he notices that you are pensive, quieter than usual.
His verbal diarrhea halts for long enough for his brain to take into account that you don’t seem your usual self, and he asks, “Are you okay?”
You look down at your hands and then out the window, as if contemplating if and how much to share, which makes him a little nervous. Your fingers twist in your lap.
“Honestly? It’s been a hard few weeks, E,” you finally say, still unable to meet his eyes. “My nana passed last Tuesday.”
He’s mortified that he’d just been going on and on about himself and here you were dealing with such a loss. “Oh, darlin’, I’m so sorry. I-I didn’t know. I know how close you two were,” he says remorsefully, reaching his hand over to clasp one of yours.
You shake your head, sniffling back tears. “It’s okay, you’ve been away. There was no way for you to know. And I keep telling myself that she’s in a better place now, but that doesn’t really help all that much. I guess it still doesn’t seem real.”
He nods, because he can’t seem to think of anything to say that will make any of this better for you. “We can do this another time, baby, if you’re not feeling up to it,” he finally gets out.
“No, no. I need something to do instead of moping around the house. I’m worn from being sad and worrying about the rest of it. No, I’m glad you showed up, E. I can’t wait to see your surprise,” you add quickly, trying for a smile.
“The rest of it? What’re you so worried about, baby?” It’s obvious you don’t expect him to pick up on that because he sees the quick look of panic that flashes over your face at the question, so he’s quick to add, “I mean, you don’t hafta talk ‘bout it if ya don’t wanna, but I can tell somethin’ else is weighin’ on ya.”
“You could say that,” you sigh, raising your eyes to the roof and back down again. The twisting fingers are back. “God knows I haven’t been sleeping, and it’s giving me these terrible headaches.” You pinch the bridge of your nose for respite. “I…well, I’m not sure it’s a good idea to tell you, Elvis, because it’s about Jack, and I really don’t want him to think I’m running around telling everyone our business.”
A warning rush rolls over him at this because he suddenly and very desperately wants to know what has happened with Jack, and that is a dangerous game for all kinds of reasons, many of which he’s not ready to admit to himself.
“I swear and cross my heart I won’t say a word, if you wanna tell me,” he says instead, a little too eagerly, so he quickly adds, “If it’ll help ya feel better and all.”
He forces himself to watch the road and not you, but he can practically hear your mind whirring.
“Oh, fine, but not a word out of you to anyone, Elvis Presley, I mean it. I know how bad you are with secrets,” you glare at him.
“I promise, I promise!” he concedes, crossing his heart. “I swear on my mama!”
“Well, in the midst of all this with Nana, I found out that Jack was dating other women a while back while we were going together. Apparently, I thought we were exclusive, but he didn’t, and well…” you trail off bitterly.
Elvis has to bite his tongue and bite it hard because somehow this wasn’t what he expected, and oh, lord, he knows too much for comfort.
Thankfully, you take this as him listening intently, because you continue, “I know I shouldn’t be too mad at him. I suppose it’s an honest mistake, seeing as maybe we didn’t communicate clearly enough about where we stood with each other. But it was so obvious to me, and I don’t understand how it wasn’t obvious to him. It’s not like I was going around with other guys all the time! I know it was months ago, but damn if it doesn’t really sting. Part of me feels like such an idiot, you know? What else don’t I know about him and what he’s doing? It just makes it hard to trust him, even though he was truthful about it when I asked.” He can sense the conflict in you, as your voice fills and shakes with the emotion of your held-back tears.
His heart is beating fast now, and all he is seemingly able to do is nod furiously, as if agreeing vehemently with all you are saying. The problem is that Elvis is complicit in all this and you have no idea. You have no idea that he was the one who pushed the showgirls onto Jack when he came to visit him in Vegas in November. You have no idea that “dating” didn’t have much to do with it at all. And now he feels altogether shitty for being the one to put Jack in that position in the first place. He’d managed to spread his own unfaithfulness and debauchery right on over to Jack, and now you are the one paying for it.
Shit.
Although, knowing Jack, it’s also possible that there was other dating happening, too. Either way, Elvis knows he’s got to tread real careful here and needs to keep his trap shut.
But Elvis can’t stand that hurt look in your eyes when he dares to take his eyes off the road to glance at you. He hates how angry and sad you look, the blue-black circles under your eyes conveying your distress.
And his emotions feel complicated, too complicated for comfort. He suddenly wonders if he didn’t present Jack with those temptations on purpose because there is a very deep and selfish part of him that desperately wants you to kick Jack to the curb for this, and that terrible, selfish part of him wants you to finally see Elvis in the same way he sees you.
Maybe there’s a reason that things didn’t work out with June, that voice pokes at him hopefully.
Stop that shit right now.
All this is playing through his head and leaving him outwardly silent. He realizes he has to say something, anything, because you are waiting for him to do so.
“I-I’m sorry that happened, ‘specially finding out at the same time as all this with your Nana. W-What are you gonna do about Jack?” he says, trying not to gulp.
He watches your eyes narrow and then he quickly looks back at the road. He can feel you shift in your seat.
“I…well, right now, I wanna pummel his brains out, so I told him I need some space to figure out what I want to do. I just—I thought we…” you trail off dismally. “I don’t want to go through this again,” you add quietly.
Elvis knows you are talking about Ted. Stupid Teddy who stepped out and got Judy Cole knocked up and then left you brokenhearted in his wake. It still pisses him off, even though he knows he’s got no right to judge Ted, not now, not after all the foolin’ around he’s done.
But when it comes to you, he can’t help but be protective. It’s in his bones, the way he wants to take care of you. In fact, he wouldn’t mind punching Jack in the face right about now for hurting you like this. And he’s even more pissed at himself for his part in it all.
Elvis just wants you to be happy and to be with a man who deserves you, and deep down, he doesn’t know if that man is Jack, even though he loves Jack like a brother. But the real problem is he’s not sure if he thinks any man will ever be good enough for you.
But his brain is wary to dwell on the meaning of that, wanting to avoid anything else that feels uncomfortable, so instead, he lets the excitement of showing you his new home overshadow any other unwanted feelings he might be experiencing.
“Okay, baby, we’re almost there, so close your eyes,” he says excitedly, changing the subject abruptly, before pulling up the long drive.
“Alright, Elvis, this better be a big surprise with how hyped up you are,” you chuckle, letting the mood turn by doing as you are told.
“The biggest,” he breathes, sliding to a stop in front of the Colonial mansion. “Don’t open your eyes yet! I’ll come around!”
You wait until you hear the car door open and feel his hand take yours. He gently brings you out of the car to standing, an excited energy vibrating through him.
“Okay, darlin’, open!” he drawls dramatically.
You do, blinking out the early Spring sunlight. He watches your face light up as you take in the architecture.
“Oh my god, Elvis, it’s beautiful,” you say in awe. “Is it yours?”
“Yes, baby, it’ll be all mine very soon. And for Mama and Daddy, of course,” he adds hastily, as if you’d thought he’d abandon his parents.
“Of course,” you smile, looking at him with those pretty, though tired, eyes of yours. “Can we go inside?” you ask.
All he can do is nod excitedly. Elvis takes your hand, pulling you up the steps and past the huge white columns on either side. He can’t unlock the door fast enough, the keys rattling and shaking in his hands. Once inside, he pulls you through the house, mouth running a mile a minute about what he wants to do in each room, how he wants it to look.
Finally, you make it to the top level, the last room. “This is gonna be my bedroom,” he rambles on. “I’m gonna get the biggest bed you’ve ever seen in your life, made special.”
You gently pull your hand out of his, and he watches as you take a small pill bottle out of your purse and pop two of the pills before downing them dry. Aspirin, probably, for the headache you were talking about in the car.
“E, stop a minute,” you say. “This is all amazingly wonderful and beautiful, and I am so excited for you, but…well, what exactly am I doing here?” You look at him with curious and concerned eyes.
“I…uh…I…,” he stammers, unsure of what to say or how to say it, as it’s all been spinning inside for hours and hours. He looks away, unable to meet your eyes. He certainly doesn’t want to put any of his stuff onto you, not now, not after what you told him earlier. His hands fall to his sides, and he shakes them, wiggling his fingers like he does to come down after a show. It doesn’t help. There’s just too much emotion rolling through him all the sudden.
You step to him, first putting your hands on his shoulders, then you run them gently down his arms before grabbing his flailing hands, absorbing some of that wild energy. The feeling still manages to send little electric shocks through him, even after all this time. Only then does he finally still and dare to look at you.
“E, what’s wrong? You let me talk earlier, so why don’t you tell me what’s really going on?” you ask, your eyes searching his, open and concerned. He should’ve known you’d see right through him. Maybe that’s why you’re here, because he knew you’d understand, that you’d be able to tell he wasn’t okay when no one else cared to.
It takes a moment for him to gather his words as his emotions get in the way. Emotions he stoically hid from the guys the rest of the way to Memphis. Emotions he pushed down when he saw his mama because he just couldn’t bear to break her heart yet with the news. God, he’s spent so much time recently learning how to hide everything real about himself in order to become the man everyone wants him to be. But here, now, with you, it all begins to overflow.
“I-I-I told June to meet me in New Orleans. I-I w-w-was gonna bring her back here, to show her w-what I-I wanted to buy…for us,” he says, bouncing on his toes, tears welling and clouding his vision. He hates how it’s tearing him in two to say this.
You squeeze his hands, urging him to continue, and for you, he does.
“But when I-I got there, she was acting so strange. There w-wasn’t much time and, uh, she told me she’s engaged to someone else.” He blinks and the tears run over, finally spilling down his cheeks. Saying it out loud suddenly makes it feel all too real. His chest aches with betrayal, with loss.
You look at him with such care, though you do not look shocked at this news.
“Oh, I’m so sorry, E. I know you how much you loved her,” you say, squeezing his hands again gently.
‘Loved.’ As in past tense.
“Did you know?” he asks suddenly, stepping back, eyes narrowing suspiciously.
You take a conscious deep breath. “No, I didn’t. But she did call me a few times wondering where you were, if you were okay. She said she hadn’t heard from you in months…” you say awkwardly, petering off.
“Aw, shit,” he curses, running a hand through his greased hair. A wave of anger rolls through him, burning him from the inside, but as much as he wants to put it on June and her spiteful engagement, he knows the anger is mostly towards himself. He fucked up. He fucked around. And he’d expected June to just sit back and wait for him while he did it. He didn’t even make the time to call her.
And you know what he’s done. He can see it on your face. He looks down, unable to meet your eyes.
You don’t speak. You don’t lay into him or tell him he’s an asshole, although it might be better if you did. God knows he’s already thinking it. You just look at him with sadness and understanding and forgiveness, even though he doesn’t deserve it.
With that ache in his heart, he finally realizes that he couldn’t have loved June the way he said he did and then leave her hanging like that. But he did love her…at least, he had. They’d had such a beautiful summer together and he was sure he wanted to marry her, once his fame was settled. Three years, he’d told her.
Shit, I didn’t even make it six months, he thinks absently.
And then everything changed almost overnight. His fame exploded. There was Hollywood, then Vegas. And the girls, good god, there were so many beautiful girls who wanted him, needed him, who threw themselves at him. He’d been weak. He hated being alone. He couldn’t help it. It was just sex, he’d told himself, just a way to blow off steam as his world became smaller and smaller and nearly suffocated him. A thousand excuses run through his head, but in the end, it was his choice not to pick up the phone. It was his choice to screw around, to live this life.
It’s no wonder that June moved on, he thinks. I’m a first-rate asshole.
“Y/n, I messed it all up,” Elvis finally chokes out. The sob fully breaks the dam holding him together, the pressures of his fame and the realization hitting him like a truck: he is never going to be able to have that normal life with a wife and kids he’d once dreamed of. His knees buckle under the weight of all of it—his decisions, both good and bad, the fame he doesn’t know what to do with, the unexpected consequences of this privileged but isolating life he’s chosen.
He sinks to his knees, defeated, on the carpet of his future bedroom, the one he’ll probably never share with someone who loves him for who he truly is. Because he isn’t just Elvis Aron Presley anymore—he is “Elvis Presley,” the celebrity, the commodity, the fantasy.
While he relishes in the luxuries of it all, in being able to provide the life his family deserves, a small part of him cannot help but feel like he’s made a deal with the devil. That this talent he has been blessed with will also be the thing that damns him. He is overcome by the feeling that he’ll never know ever again if he is loved for who he really is, or if it is his fame and his image they love. And there is something about that that crushes his soul.
But he can’t say all this to you because it sounds dramatic and indulgent, and he knows there are very few people in this world who’d actually understand.  This is his cross to bear.
And yet you still comfort him. You are still here. “Oh, hon, I know. It’s okay, I know,” you say, kneeling down with him.
In the midst of all he’s achieved and gained these past few years, June is the representation of all that he stands to lose, all that he’s already lost. “She was my last chance, y/n. I’m never gonna be able to trust that a woman loves me for me and not for my fame after this. And I screwed it all up,” he says quietly, tears running freely. “I just feel so fucking alone.”
“Oh, that’s not true, Elvis, it’s not,” you say, pushing his hair out of his eyes. “You’ll find her, I know you will. And you have so many people who love you for just being you, not for the fancy cars or the mansion or the fame. You’ve got your family, you’ve got Jack and your true friends. And you’ve got me.”
The way you say it, so softly, yet so matter-of-fact hits him hard, so hard that his heart stops beating for a moment. If he wasn’t already kneeling, the honest way your tired yet beautiful eyes search his face might knock him right off his feet.
It’s you, it’s you, it’s always been you, he thinks suddenly. This is the feeling he was avoiding in the car. The feeling he’s been avoiding since he watched Jack kiss your cheek in the diner a year ago.
It takes his breath away. You take his breath away, you always have. He’s been enamored with you since you plowed into him all those years ago in the hallway at Humes High.
Suddenly, June is all but forgotten because you reach up, cupping his face in your cold little hands and wipe a tear off his cheek. He cannot help the way his eyelids flutter closed at the sensation of the pad of your thumb dragging softly across his face. His breathing, rapid from his cries is now labored for another reason entirely.
Opening his eyes slowly, he shouldn’t be shocked to see tears in yours, your grief and sorrow, not only for yourself, but for him, too, welling there, as if you are connected to him. In fact, Elvis feels like his brain is short-circuiting because you are too damn close and the tension in the room is suddenly so thick, he feels like he might suffocate.  
Every cell in his body feels on fire as you lean in closer and closer until your lips press against his forehead. You’ve never kissed him, not once in all these years, and this alone sends heat rushing through his young body. Then when you kiss his nose, and then one tear-stained cheek, he holds his breath, feeling like he might die from this chaste sensation.
Warning bells explode in his brain because suddenly he wants you more than anything in this world, always has. And now you are so close. This is Jack’s girl, he thinks, and she’s my dear friend. Don’t be an idiot.
But when you lean in to kiss his other cheek, you place your lips alarmingly close to his, his tears wet underneath your soft lips, and his body is on high alert as only a twenty-two-year-old’s could be. His heart flutters as you pull back just enough to look deeply into his eyes, tears shining in your own, and then you lean in once more.
This can’t be happening. This should not be happening, his mind screams, but then your lips are grazing his and all rational thought ceases to exist.
You taste so sweet.
Heat blooms through the ache in his chest, and in his disbelief, he freezes. Part of him wants to devour you whole, but he is terrified that if he moves, he might spook you and he cannot bear that.
His confusion is overridden when your hands, shaking but demanding, pull him closer. Your lips are soft and sure, and he cannot help but be swept away by them. He’s kissed so many girls, too many to count, all over the country, but not one has ever made him feel like this, like his heart is going to leap out of his damn chest.
But this is a betrayal of a monumental kind, for both of you. While he is no stranger to betrayal, he does not want this for you. As much as he wants you with every fiber of his being, he does not want to be the source of your regret or heartache. He’s already done enough in that regard already, though you don’t know it. Mustering up every ounce of his self-control, Elvis pulls out of your kiss.
“Y/n, baby, you don’t want this. I’m no good for you this way,” Elvis says in a hushed tone, his forehead resting against yours. “I-I can’t have you regretting me, I-I-I couldn’t bear it.”
You lean back the slightest bit, and he thinks you might be listening, reconsidering, making him feel mostly dismay but also a little relief. What he does not expect is for you to press your little pointer finger up against his lips, hushing him, as you stare into his eyes. It’s as though your soul is as weary and needy as his and it feels as though you see him, truly see him, which is a new feeling for him. This sends a welcoming shiver down his spine, and he knows that despite every scrap of logic and propriety he is trying to lean on, with you he is powerless.
When your finger drags down his lips, catching on the bottom one, it sends a bolt of pleasure straight to his groin. Yet still he resists (even though he wants more than anything to see where this is going), thinking you might realize your mistake, and this will all be over in an embarrassed, yet still salvageable, flash.
Instead, you very deliberately scoot closer, your knees bumping his on the carpet. You lean in again, your lips grazing his again with a yearning he cannot help but return in kind. It’s barely a kiss, but the intent is there and when you pull up, effectively opening your mouth to him, the way he can feel your warm breath mingling with his own has him struggling to control himself.
You are testing him, testing the waters, hesitant but somehow insistent at the same time. His long lashes flutter closed when your fingers brush his jaw then rake into his perfectly styled hair. But it’s when the tip of your tongue touches his, sending a hot shockwave through him, that he can stand it no longer and closes the gap between your mouths with a longing sigh.
Pressing his pliant lips to your yielding ones, he rolls his tongue softly but firmly against yours, earning him a quiet moan from you. This is like fuel on the fire, finally spurring him into action, and his hands fly to the back of your head, pulling you closer.
If there is one thing besides music that Elvis excels at and loves to do, it’s kissing. He plays with it the same way he plays a crowd, listening to you and adjusting his performance as necessary. The buzzy way it makes him feel, like every nerve is magnetic, is one of the only things in this world that is anything like how it feels for him to perform for an audience. He loves the way it makes him feel.
But kissing you is unlike anything Elvis has experienced before. It’s as though you are tuned to the exact same frequency, finding his rhythm immediately, adapting easily. The usual fumbling of people getting acquainted in this way does not seem to apply to the two of you, the ebb and flow so natural it’s as though you had done this with each other many times before.
But the passion of it stokes a fire that has been denied a long time. Intense heat crashes over him, sending tendrils of warmth through his limbs and deep into his belly. He drinks you in as deep as he can without being desperate, and oh how close he is to being desperate for you. His grief over June melts away the more he tastes you, and he wonders how he ever lived before having the taste of your lips on his.
It's all very dramatic and romantic, which he is both at heart. From just a few kisses, he suddenly knows that if he could kiss you and only you for the rest of his life, he would be a happy man indeed. This surprises him.
But what truly shocks him is when you lean so far into him that it pushes him over, his knees screaming a little, and he falls back into the wall with a thump. He scrambles backwards, maneuvering his long legs into a more comfortable seated position while you don’t even miss a beat or attempt to come up for air. And when you crawl into his lap, hoisting the flowing fabric of your dress up just enough so your warm, bare thighs are straddling his, his heart actually flies right out of his goddamned chest.
Speaking of which, you are currently running your hands down his, pulling his silky shirt up enough to dance your fingertips over his stomach. His breath hitches then hisses at that, his arms involuntarily encompassing you, large hands splaying across your back to draw you ever nearer.
And you go willingly, inching up his lap until you are straddling his hips. When you grind down into his lap, he thinks he might’ve died and gone to heaven, his blue eyes rolling back into his head with a low moan.
He'll admit he’s dreamed of this, fantasized about this, but nothing could truly prepare him for the reality of the way you are making him feel. A trickle of attraction that began six years ago is now a roaring river, and is so, so much more than anything he’s felt before with anyone else.
He doesn’t understand it. He loves women. He always falls in love too fast, enjoying the rapid descent into the madness of it all. There have only been a few that he feels were true, though every girl he’s with, he loves in his own way.
But you are not like any of them, not at all. With you, it has been slow, so gradual sometimes that he didn’t even realize it. A teenage crush turned into friendship, and within that has blossomed a love that he didn’t know he was capable of. It is not until this very instant that he realizes it truly for what it has become. He doesn’t just care for you. He loves you.
He is in love with you.
Fuck.
Realizing this as your hips begin to rock steadily over his crotch is not the best timing. He’s as hard as a rock, fighting both the swell of his physical need for you while wrestling with the emotional needs he’s quickly realizing at the same time.
If he didn’t love you, he might not care if this is just a quick fuck between friends, but he does care. And he’s worried about where this is coming from, likely your overall grief and your anger at Jack. No, he doesn’t like the messiness of that at all.
But another grind of your pelvis into his, coupled with your tongue down his throat has the physical quickly taking over any and all rational thought. He wants you, more than he’s ever wanted anyone. And he desperately wants to give you what you need, which based on the mewls escaping your lips, is a physical release, a connection.
God, he can feel the wet heat of your cunt now through your panties and his pants as you slide over his length, back and forth, again and again. He clings to you as your hands wind through his hair, burying his head in your neck, his lips taking in as much of your skin as he can. He revels in the scent of you, your perfume and your irresistible musk that is permeating the room. He is positively dizzy with it.
You are frantic in his lap now, chasing something he’s not entirely sure you’ve ever had. He knows about Ted, but he highly doubts Ted knew what to do with you. And with Jack, well, he’s not sure how far the two of you have gone, but he can only guess based on Jack’s recent actions and your desperation for no one to know that Ted had popped your cherry that you’ve been trying to be good and pure and wait.
But as you reach for his belt, pawing at him, for the first time in this whole event, he gets the distinct impression that you’re not sure what to do next, only that you are needy for something. And goddamn him, he is willing to give you what you need, but only if you really understand what it is you’re asking for.
“Wait, baby, just…wait,” Elvis pants, stilling your hips with one hand while grabbing the hand at his belt with the other. You whimper a little at the interruption, rolling your hips for emphasis, but despite the groan he can’t help, he’s having none of that.
“Baby, I need to know that you really want this,” he says, brushing your hair off your deliciously pink cheeks, your lips swollen from his kisses. He looks into your eyes, almost getting lost in them and forgetting what he set out to do. “You’re absolutely sure?”
“Yes,” you whisper, and then add, “Elvis, please,” in a begging tone that sets him completely aflame.
“Oh, damn, okay, baby, okay,” he breathes, barely able to contain himself with that. He’s only human, after all. He races to help you with his pants, pulling them over his hips and down his legs in record time, his erection springing free, precum already glistening the tip. You lift up on your knees, you move your panties aside, and touching the silky soft skin of his cock, you help him line up with your entrance. He can’t help but gasp at the feeling of your cool little fingers circling his shaft, losing it a little more when he feels how incredibly soaked you already are.
He can’t believe this is happening. It shouldn’t be happening. But all logic is gone from him, replaced by the sweetness of your mouth and the wetness of your pussy and his desperate need for whatever love you have to give him.
He watches as you bite your lip in concentration, your fingers digging into his shoulders as you try to take him in. You are incredibly tight around the sensitive tip of his cock, and he moans a little at the constriction. That’s when he knows for sure that no one else has touched you like this for a long time. You aren’t ready for him, not yet.
Reaching under your skirt, he deftly finds the delicate little bundle of nerves there and begins to work it ever so gently. He shifts his hips down, his cock regretfully released from your hold on it. Sliding his fingers through your folds (oh, god), he gently slips one finger into your tight heat, then two, allowing you to adjust around him before pumping them in and out. Your eyes go wide and you gasp with the intrusion, but then they flutter closed with a sigh, and then another, and another before your hips begin to rock again.
He watches you in your ecstasy, taking in every delectable reaction he can and committing it to memory. The way your brow scrunches and your mouth falls open into a little O. The feel of your thighs clenching around his hand as he massages and fingers your dripping pussy. Those alluring little breathy moans escaping your lips. Every part of you has him completely mesmerized and he knows it. He knows his mouth is agape and he is moaning softly right along with you. He is so aroused just by watching you, he feels like he could come without you even touching him.
“E, I need more…I need you,” you breathe with your eyes closed and brow concentrated, and oh sweet lord, those might be the best words in the English language with the way they come out of your mouth.
He is utterly unable to deny you this. He can’t even speak, he just pulls his fingers out of you, lifts your hips, and maneuvers his cock back to the place it wants to be most. And you are more ready for him now, your tightness yielding much more easily around the sensitive tip of him.
It’s in that moment, as you sink down ever-so-slowly onto him and he is enveloped by your wet heat, that Elvis realizes he is utterly ruined for any other woman, ever. They cannot and will not ever hold a candle to you. He should’ve known before. He should’ve stopped this while he still could. But as you finally settle in his lap, taking him in completely, your fingers relaxing and your eyes bright and glassy, he knows he is well and truly fucked in every way.
He kisses you deeply again and again, memorizing your mouth, as you begin to raise and lower yourself on his cock. You feel so good, so completely perfect, it’s as if you were made just for him. He is drunk on you, hands wandering your body, finding what makes you keen, and he’s unable to get enough of you.
But you are so needy and ready that unfortunately it doesn’t take very long of you riding him and him playing with your clit for you to begin falling apart at the seams. Based on your surprised gasps, he’s not sure you’ve ever come before, so he does his best to help you get there while holding on to his own release for dear life. You begin to shudder around him, clenching his length, and with a strangled moan you hit your peak. It’s the most beautiful thing he’s ever seen, the way you are coming undone on top of him, around him, your eyelashes fluttering closed and then popping open, all wild-eyed and rosy cheeked as the hushed sound of his name falls out of your perfect mouth.
He's so fucking enraptured that his orgasm hits harder and faster than expected, chasing yours almost immediately, not giving him time to pull out like he should have. But he can’t bring himself to care because it’s all you. All he’s ever wanted or needed—it’s you.
Oh, sweet Christ, I love you, I love you, I love you, he chants in his mind as he follows you over the edge.
He clings to you, head pressed into your breasts as he pulses hard into your warmth with a grunt, then stays there as he comes down from the high. And then you are both gasping in the silence, and there is an air of disbelief that fills the room that the two of you just did that, together.
This is making love, he realizes suddenly. It must be, considering the incredibly overwhelming feelings he has for you that are pouring through him in unreasonable amounts. He never wants to let you go, not ever.
He pulls back enough to kiss you tenderly, lingering a little too long. There is a sinking, nearly unbearable feeling that this may never happen again, and it threatens to break him, so he pushes it as far away as it will go.
You press your forehead to his, silent, you still enveloping him as he eventually begins to soften inside you. Neither of you rushes to move. He cannot read what you are thinking and that makes him nervous.
“Are you okay?” he finally whispers, his thumb grazing your cheek.
You nod but say nothing.
“Okay, baby.”
You both sit there a while, simmering in what you have done, and he wishes you would say something, say anything at all to let him know what is going on in that head of yours. But you are quiet, unreadable.
Finally, you remove yourself from his lap and stumble your way into the ensuite bathroom to clean up.
Elvis runs a hand down his face, wiping away the mixture of salty tears and sweat that has collected there. He uses his handkerchief to wipe himself off and then puts himself back together. Blissed out in his refraction, he is so full of love for you that he almost can’t stand it. He thought he’d known love before, and perhaps he did, but this realization of love for you is so big that he doesn’t know what to do with it. God, he feels like with you by his side, he could conquer the damn world.
But you’re not his girl.
Fuck. Shit. Fucking shit.
His head falls back onto the wall with a thump.
Somehow, he’s both on top of the world and completely buried by it at the same time. You interrupt his thoughts, coming back in quietly and falling, exhausted, into his arms. He takes off his coat and puts it on top of you both. He can’t help but pull you closer, up into his lap, so your head rests against his chest. This is where you are supposed to be, he can’t help but think.
He knows the two of you need to talk about this. While he has been having his epiphany, he has absolutely no idea what you are thinking. He has no clue if you feel anything even close to what he feels for you. It is possible that all of this was just some sort of revenge on Jack, and that breaks his heart a little. And even if you did do it for that reason, you chose him. You felt safe enough with him to choose him.
But something deep inside him tells him it isn’t just that, not with the way you kissed him, not with the way he felt like his damn soul was connecting with yours. That deep connection he’s always felt to you, it can’t possibly be one-way.
But what if it is? a worried little voice creeps in.
He wants to ask you, but he looks down and sees you passed out on his chest. Fatigue begins to hit him, as he hasn’t slept in over a day.
It’s not long before he, too, falls into an exhausted slumber.
*
He’s not sure how long you sleep, but when he wakes, the sun has moved and the room is nearly dark. Disoriented, it takes a moment for him to realize that it’s you in his arms, and when he remembers why, his cheeks flame with heat.
Oh. Oh.
Drowsy, he rubs his eyes with one hand, trying to wake up. As the memories of your lovemaking resurface, his heart beats faster, and he knows the moment you wake you will both have to face what you’ve done. You’ll have to decide what comes next. And more than anything, the hopeful little voice inside him realizes that he wants to share this all with you—that’s why it is you he brought to Graceland today, and why it was so important to him that you like it.
“Y/n, honey, wake up,” he says quietly, not wanting to shock you awake, but you don’t even stir. He shifts under you, hoping that might get you moving, but you just lie there.
“Hey, baby, it’s time to wake up,” he says at full voice now, but you remain still, too still, and silent.
His heart starts to pound. Something isn’t right.
“Y/n! Honey, I need you to wake up!” He is getting frantic now, his hand gently tapping your face, which feels too cold. But still, you do not wake.
“Fuck. Fuck! Y/n, wake up!” He shakes you. Panic and confusion roll over him as he tries to figure out why you are knocked out. His sleep-addled brain runs through what happened before you both fell asleep, before you made love.
Her headache, he thinks. She took pills for her headache.
He had thought they were aspirin, but as he frantically rummages through her purse, pulling out the little prescription bottle, he reads “Percodan, one tablet every 6 hours for pain and sleep relief” on the label.
Elvis swears you took two tablets, not one, way too much for a girl your size. You hadn’t read the bottle.
Shit.
Having been in Hollywood, he knows that this happens. People overdose from taking these narcotics, usually to get high, but he knows that you did it on accident. Based on how full the bottle is, he’s guessing that you maybe hadn’t even taken the meds before today.
Regardless, he’s not taking any chances with you. There’s no phone hooked up at the house, so with his adrenaline now working overtime, he lifts your unconscious form and quickly carries you to the car. He peals out, driving to Baptist Memorial Hospital as fast as he possibly can.
The those few hours are some of the most terrifying of his life.
He bites every nail down to the quick in that waiting room, pacing there as your family sits, equally worried. He can’t help but feel that they are judging him for letting this happen, even though it was an accident.
He can’t bring himself to call Jack.
Guilt eats away at him, even though he knows he had no idea about the pills, but if he hadn’t fallen asleep, maybe he would’ve realized sooner that something was wrong. Part of him feels like this is punishment for his sins, for what he let happen in the house. He prays and prays to God, harder than he’s ever prayed before.
Please, God, I love her. I can’t lose her. Do what you want to me, just let her be okay.
His prayers work.
You wake up. The doctors say you are going to make a full recovery. His heart nearly explodes with relief.
He offers to stay while your family goes home to get some rest. It is past visiting hours, but being Memphis’ own superstar, the nurses take pity on him and let him stay, as long as he doesn’t keep you awake.
When you finally stir, it’s the middle of the night.
“E—Elvis?” you croak. “What happened? Where am I?”
He sits up straight and leans forward to take your cold little hand in his. “Y/n! Oh, baby, you took too many of your headache pills and I couldn’t wake you up. You scared the hell outta me. You’re in the hospital, but you’re gonna be okay,” he whispers, squeezing your hand.
“Wake me up? Why—why was I asleep?” your brow furrows in confusion.
His heart drops into his stomach, dread like ice in his veins. He doesn’t want to ask, but he knows he must:
“What’s the last thing you remember, honey?”
Obviously still groggy, you close your eyes for a moment to think. “Um, I remember you picked me up and took me to…to your new house,” you say, then your eyes pop open, “You were showing me your beautiful new house, and then my headache got really bad, so I took some of my pills, and then…” You stop, looking at him blankly. “And after that, I don’t remember. You said I fell asleep?”
Oh, God, no. No, no, no. He feels like he’s going to vomit.
The force of his dread hits him like a tsunami as he runs through what happened in his head again. You took the pills first and then he told you about June and then you kissed him.
But you don’t remember. You don’t remember because you were accidentally fucking high.
“Elvis, are you okay? You look like you’ve seen a ghost,” you say.
“Sorry, baby, I-I-I was just really worried about you, is all. I-I guess it’s all kinda hittin’ me at o-once, now that you’re o-o-okay,” he says, unable to keep his voice from shaking, unable to keep from stuttering through the half-truth.
“Please, go get some rest, E. I’ll be fine. I’m so tired, I feel like I could sleep for days…” you say, drowsily, eyes fluttering closed.
“Okay, okay, baby, I will…Get some rest,” he says, kissing you on the top of your head as you drift back into slumber.
In a panicked daze, he manages to make it down the hallway and to the men’s room before his stomach rolls and he is violently sick into the toilet.
Oh, sweet Lord, he took advantage of you. You were drugged and didn’t know what you were doing, and he had sex with you.
He vomits again, tears running down his face.
I didn’t know, I didn’t know, I wouldn’t have ever let it happen if I’d known! I would never hurt her! the reasonable part of his brain cries out.
Shame eats at him from deep inside, cutting him. He deserves it.
How could he do this? How could he let this happen?
I should’ve known. I should’ve known the moment she kissed me that she wasn’t in her right mind.
But he didn’t, and what the hell does that say about him? He’s fucking selfish and he took something from you that you weren’t in your right mind to give.
He dry heaves, wanting desperately to expel his regret but knowing that he never will, not until the day he dies.
And what’s even worse is that he is still left with the fact that he is desperately in love with you. You don’t remember what, up until a few minutes ago, was one of the most amazing moments of his young life. You can’t share that with him. And that makes him feel even more selfish because the last thing he should be thinking of is his own damn feelings.
Sitting there on the cold floor, he tries to convince himself it’s for the best. It’s much less complicated for you this way. For you, there was no betrayal. For you, making love with him can never be a mistake you once made in a moment of anger and desperation. For you, there is only the love of friendship between you two.
Yes, it’s better this way, he thinks. He can carry the burden for both of you. He deserves to.
Because he knows he cannot give you what you need. He cannot be there for you, day in and day out, holding you tight and keeping you safe. Especially not now. Not after what he’s done.
He has to lock this away. You can never know, not ever. He must protect you from this and from his guilt. He knows you wouldn’t be able to look at him if you knew.
Oh, God. Please forgive me.
He can’t stop crying. He has to stop crying because he has to go out there and he has to look fine. He has to be fine, for your sake. You’re alive and going to be okay, and it’s that which he latches onto as a mantra in order to slide into the persona that has made his name.  
He manages to make it to the car without losing it again, as the dawn starts to break on another day. He can’t bring himself to go home; he can’t look his mother in the eye right now. So, he drives aimlessly, for hours, his sins eating away at him until he finds himself at the church.
He waits for Reverend Hamill in a pew, his thoughts dark and churning. This is just the straw that broke him, for he knows that since his fame began two years ago, he has fallen so very far. He has been self-centered and vain. He has fornicated and broken hearts and caused pain to those he claimed to love, all in the name of this new life of his. And he’s pushed his friends to do the same. His stupid, selfish actions have had a ripple effect that has completely ruined lives.
Not only had he driven June away and into the arms of another man, he’d played with your life and Jack’s as well. If he hadn’t pushed Jack to cheat, you would never have needed those pills in the first place. You almost died because he didn’t want to be alone in his debauchery, and he knows that some sick part of him pushed Jack to it because he wanted to sabotage your relationship.
Then he realizes that, on top of all that, he did another incredibly selfish and stupid thing. He came inside you, which means that you could be pregnant. And that would ruin you completely, and you wouldn’t even know why, you wouldn’t understand. He would do the right thing, of course, and maybe, someday, you would learn to forgive him, but it would ruin you all in the process.
Oh, Lord. Oh, Jesus.
He thinks he might vomit again.
When the Reverend emerges, he looks surprised to find Elvis sitting there.
“Pastor, I am the most miserable man you’ve ever seen. I am doing the things you taught me not to, and I’m not doing the things you said I should,” he sobs, “Please, please pray for me.”
“Oh, son…come in,” Reverend Hamill says.
Deflated, consumed, and heavy with his guilt and the repercussions of his actions, he follows the pastor into his office. He can’t bring himself to admit what he’s done, to admit how horrible he is. He just cannot get the words out. Instead, he weeps and prays, over and over, the Reverend praying with him.
All he can whimper out is, “Please, please forgive me for my sins. Please.” He’s not sure if he’s asking the minister or God or both. He only knows he cannot live with himself for hurting you, even if you don’t know it.
After over an hour of this, by the grace of God, he finally calms some. His entire body and soul aches.
But he knows what he has to do now. He understands the deal he has made.
It doesn’t matter what he wants or needs. You being okay is all that matters. He has to make sure you’re taken care of. He has to make sure that you are happy.
In the days and weeks and months that follow, Elvis pretends he is having the time of his life, becoming every bit the budding superstar that the country insists that he is now. Sometimes, he even believes it; sometimes, he even forgets. Though every time he sees you, his heart breaks a little more, his love for you permeating him to the core.
But he knows he can’t have you. He knows he doesn’t deserve you.
Instead, he plants seeds in Jack’s ear. “You love her, don’t ya, Jacky Boy? When are ya gonna make an honest woman of her?” He pushes Jack to fully commit to you. He even goes with Jack to buy the ring, though he stops himself from paying for it. Jack has his pride, after all.
Instead, he throws himself into work, grateful for the grueling cycle of touring and recording and appearances and acting. He throws himself into fixing up Graceland for his family, building a life of extravagance that he never could’ve dreamed of.
And, God help him, he starts seeing other girls. He leans into the image of the playboy they all want him to be. He dates and he fucks, thinking that maybe, just maybe, one of these girls will make him forget the perfect way you fit into him, forget the way your face looked when you came undone around him. That maybe one of them will come close to the wonder that is you. That they will help him forget his past sins by cutting new ones. He cannot seem to help but do the sinful things he swore he wouldn’t do, lest he drown in his sorrows, but the girls help keep him from the one thing that is off limits: You.
When Jack finally pops the question in the summer, and you accept immediately, he can barely keep himself together. He convinces himself this is the right thing, that he is happy for the both of you as he stares into the night sky knowing deep in his soul that it should be him. He reminds himself that this is the deal, this is what he wanted, to see you happy and taken care of.
And he will damn himself for your salvation every time.
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December 28th, 1957, Graceland
Oh, God, what have I done?
The moment you appear down the aisle, looking ever the most beautiful, blushing bride, every part of him aches with love for you. He’d thought that by giving you the life you dreamed of, the life you needed, that it would be enough to let you go. But as Elvis stands by Jack’s side at the altar, he realizes that no matter what has happened, no matter what he has done, he is always going to love you and it’s never not going to hurt, especially not after this.
Not after the quick look you shoot him as you step up to meet Jack, your pretty, wide eyes full of excitement and emotion. Not after seeing you all in white and wishing to God that it was him marrying you right now. Not after he keeps his peace after the minister asks if there’s a reason these two should not be married.
He somehow manages to keep himself from openly weeping during the ceremony by biting the inside of his cheek repeatedly but still finds himself caught in your radiance more than once and must force himself to look away. During the wedding pictures, he cannot help but maneuver himself close to you to press a lingering kiss to your cheek, to be memorialized for all time on film. The press of his soft lips into your warm cheek sends that tell-tale shiver through him, one that drives in the fact that he still loves you. He gives himself this tiny thing, and no one questions it because they all know you are close friends, and a congratulatory cheek kiss on your wedding day is not strange.
Discretely, he makes sure to let the photographer know he wants copies of the pictures, with the excuse that he is paying for them and wants to make sure they are perfect. This, too, is not questioned, as if it is the most normal thing in the world.
To torture himself even more, he offers Graceland up for the reception. These are his two best friends, after all, now cleaved together in holy matrimony for the rest of their lives. No expense should be spared because they deserve all the happiness in the world.
And they do, he reminds himself throughout the day. They do deserve all the happiness in the world.
At least if you are with Jack, he thinks, he still has you in his life. He can still see those beautiful, wide eyes whenever he wants without question or suspicion.
He clings to this.
Even so, he feels as though he is being sucked into a riptide. It seems fated that his life is going in a much different direction than the newlyweds. The draft notice he received a week ago confirms this, weighing heavy on his heart and feeing like a nail in the coffin of his hopes and dreams.
God is testing him, he thinks. It is all a very clear and stark reminder that where he goes, you cannot follow. He cannot help but feel that God is punishing him for his sins by taking him away from the fame he has just settled into to, taking him from the people he loves and the things he loves to do. He wants to lament that it isn’t fair, but part of him knows that he deserves this, too, for what he’s done and for what he’s done to you.
And perhaps God works in mysterious ways, as while he is loathe to leave his parents and his career and his fans, he cannot help the small part of him that is relieved he doesn’t have to watch you and Jack in your newlywedded bliss for the next two years. It’s the only upshot to this entire disaster.
But he won’t let his sorrow overshadow your big day. With a smile plastered on his face, he gives a charming and loving speech of how wonderful it is to see his two best friends find such happiness with each other. He only stutters once or twice, which comes across as endearing rather than damning. But the thing is, even though he is miserable, he is still happy for you two. He wants more than anything for you to have everything you’ve ever wanted and more, and if that is with Jack, then so be it.
The only time he truly falters is during the dance.
Your little sister (who at 18 is not so little anymore), Rosie, as the Maid of Honor, dances with Jack, while he, the Best Man, dances with you. The moment he touches you, sparks fly through him and down his spine, and he cannot help but pull you in a little too close, even though everyone is looking. His large hand wraps around your smaller one and the other clings to your waist.
The thing is, you do not react to this at all, not outwardly, anyway. You let him hold you and press his cheek against your temple. You let him breathe in your scent and lean into you, as if memorizing everything about you. You let his hands contract, pulling you in closer. You let him lead because it’s like somehow you know, in your soul, that he needs this, even if you’re not exactly sure why.
And for that he is grateful. He is grateful as he takes in every bit of you, committing you to memory, knowing that soon that is all he will have of you. All you will be is a memory, imprinted on his heart, for the rest of time.
When the song comes to an end, he leans back slowly, his eyes searching your face for any recognition, any understanding of his plight, any feelings of your own that might linger in your subconscious. You stare back at him openly for a moment, and for a second he thinks he sees a glimmer of something in your eyes, but then Jack is pulling you away and the moment is gone.
As the party continues into the night, he feels like he is suffocating and escapes upstairs to his room. And as people know not to enter his bedroom without express permission, he feels safe to let out the shaking sob he’s been holding back for hours.
He’s not sure how long he cries before a tap at the door startles him into motion, frantically wiping at his face.
“Bewbie, sweet boy, can I come in? It’s just me,” his mama’s voice echoes through the door.
“Yeah, Mama, come in,” he croaks out, wiping his nose on the back of his hand. While he is relieved that it’s her and not one of the guys, or God forbid, you, he still doesn’t know how he’s going to explain the state he’s in.
His mama comes in quietly, shutting the door quickly behind her. She looks him over and in one fell swoop seems to understand, even though he’s said nothing, even though he’s spent months perfecting his nonchalantness for the world, what is going on.
But a mother knows.
His mama sits next to him on the edge of the bed, putting her arm comfortingly around his broad shoulders. “Oh, my wittle baby, it’s her, isn’t it? Our beautiful y/n. You love her,” she says, less of a question and more stating a fact.
That does him in, the way his secret is exposed so easily by his mama. It terrifies him that she knows him so well, and terrifies him that if she knows this, what else does she know? There’s no point in denying anything, so he curls into her like a child and lets go of it all, the tears streaming once again down his cheeks as his body shakes with quiet sobs.
His mama has always loved you, taking quickly to your genial ways and how you always made time to spend with her. Maybe she suspected something from the start, he doesn’t know, but she doesn’t judge or scold him now.
“H-hurts so bad, Satnin,” he hiccups out. And it does, now that he’s letting it. It feels like his heart is being ripped from his chest.
“I know, baby, I know,” she coos, rubbing his back. He can sense all the questions she wants to ask but doesn’t.
“I-I-I couldn’t…I-I ain’t w-w-what she needs or wants, Mama,” he stutters out. It’s as close as he’s willing to get to telling her the truth.
“It takes a brave man to let the girl he loves marry another, when he knows that’s what she wants, though I can’t say I wish it didn’t work out the other way,” his mama tuts.
“Y-you knew?”
“Course I knew, Bewbie. A mother always knows. To be fair, I been watchin’ the way ya look at that girl for the past few years and it didn’t take much t’put it all together, baby,” she says. “But the question is, does she know?”
He stills and stays silent for a moment, before answering truthfully, “I don’t know, Mama. I don’t think so.”
“Hmm,” she tuts, “I’m gonna trust you had good reason for lettin’ that wonderful girl go without tellin’ her how ya feel?”
His heart constricts, causing him to doubt his choices, but he can’t explain how he nearly killed you with his terrible decisions. He certainly can’t tell his mama that he made love to you when you weren’t yourself, no matter that it was you came on to him. And he knows his mama would balk if he told her how much he doesn’t deserve your love because of his sins.
“It’s better this way, Mama,” he says quietly, sitting up and staring at his hands. “And she’s happy, both she and Jack.”
His mama nods, resigned. “Alright, my sweet baby, puttin’ your friends’ happiness before your own…I know ya made the choice ya thought was best,” she says, wiping his face and pinching his cheeks, “but ya get yourself cleaned up now ‘n go be at least a ‘lil happy for your friends, okay?” She leaves the obvious unsaid—that he’s leaving to film in a few days and straight from there, it’ll be into the Army, so this will be one of the last times he can spend with them.
He nods. “O-okay, Satnin.”
And with that, he does as he’s told.
*
And then, in a blink of an eye, she’s gone. His mama is gone and his world fully collapses and it’s all his fault.
You are the only one who saves him from being completely swallowed in the blackness of his despair, and he’s not in his right mind to think or care how that looks. All he knows is you’re there when he needs you the most. You’re there to get him through the absolute worst of it before they send him a world away, and then, he loses you, too.
He loses everything that means anything to him—his mama, you, his career—and he wonders how long God will continue to punish him for his misdeeds, until he can’t bring himself to care much anymore about anything at all.
Germany feels like a cold fog that clouds his brain, even when he brings his Daddy and Dodger and Red over to live with him off base. In his haze, he writes Anita promises he wishes he could keep but deep down knows he won’t. Then, he turns around and does all the things he shouldn’t do because he can and what does it even matter if it’s all lost anyway? He takes the pills they give him to keep him awake in the field, and those make him feel pretty good, for a time anyway, and then he starts taking other pills they give him to bring him down after. In his off time, he screws and tries to forget the life he used to know.
And in those horrible quiet hours when he lies awake, trying to sleep when even the pills won’t let him, trying to escape and can’t, he thinks of you. He thinks of his love for you and your hold over him even now, a world away, and when he’s extra lonely, he imagines you on top of him, writhing and beautiful. And when he comes undone, there’s nothing left but a gaping hole in his heart and a mess in his hand.
*
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March 1960
Elvis bites his nails to the quick on the long journey home. It’s not just because of the planes and the exhaustion and not knowing if he’ll ever get back to being “Elvis Presley,” but he knows he’ll be seeing you in a matter of hours. Not years or months or weeks, but hours.
And he thinks that maybe he is finally over you, that maybe he’s healed enough from everything and that he’s on his way to start something new, something fresh.
But, God, somehow you are more beautiful now than before, but you act so strange around him, and his heart wants to leap and implode all at once. Somehow everything has changed…but you, you still own his heart.
Once he discovers your pregnancy, he is over the moon for you because he can sense how badly you want this. He doesn’t care that the baby is Jack’s—he loves it more than anything because he loves you and seeing you so happy brings him true joy for the first time in a long, long time.
His career is taking off again, his new image impressing those who denounced him a few years ago, and he already has appearances and recordings and films lined up to go. Life feels…almost good, like maybe he’s finally paid his karmic debt.
Then you almost bleed to death in his arms.
His terrified confession of love is spoken in an act of desperation, a singular hope that if you know he loves you, you won’t be able to go, that the string of fate that draws you both together cannot be broken, that he can somehow will you back to life with the power of his love.
He begs God, begs as he’s never begged before, an inner wail of blood-soaked prayer that does not cease as he rides with your near-lifeless form to the hospital, nor when he calls Jack and your parents, nor as paces the waiting room.
Singularly focused on his pleas to God, he doesn’t even realize he’s covered in your blood until Charlie and Jerry arrive shortly after the ambulance and look at him in shock.
“Jesus, EP,” Charlie gasps quietly, taking in the macabre scene, “We need to get you changed and cleaned up before Jack gets here.”
That’s when he looks down and sees your life’s blood staining his pants, his shirt, his arms, his hands. God, it’s even under my nails, he thinks as he watches his hands shake, feeling utterly disconnected from his body.
He’s frozen, unable to move, repeating his prayers again and again, until Charlie whisks him away and has to physically help him strip down and wash the blood from his body in the bathroom. As he watches the pink-tinged water swirl down the drain, he cannot bear the thought that maybe it’s the last thing he has of you, these stains, and that maybe he’s truly lost you.
He just got you back. He can’t lose you. He won’t.
No, his inner mantra of prayer doesn’t cease until he is absolutely sure you are going to be okay.
Though “okay” is relative, he learns quickly. You have a long recovery ahead of you, the surgeons say, wiping their sweating brows, and the next few days will be crucial. The baby is gone, and the doctors say that more tests need to be done once you are well to see if that is even an option in the future.
He is heartbroken for you, and for Jack. But you are alive. You are alive.
Lamar and Red have to physically drag him from the hospital in the morning to get him ready and put him on the train to Florida for Frank Sinatra’s special, which is the very last thing he wants to do. But it is absolutely pivotal in his career comeback, so he tells Rosie in no uncertain terms that she is to keep him posted about her sister and any developments.
As he showers and packs, exhaustion seeping into his bones, it suddenly hits him that he told you he loved you, and it’s likely there will be fallout from that. It makes him incredibly worried, and he is even more loathe to leave until he knows where he stands with you. It’s possible you won’t even want to see him again.
Or it’s possible she loves you, too, a little voice hopes. But he knows better than to feed that monster. You don’t love him, not like that, and it’s selfish of him to even consider at a time like this.
“It’ll take your mind off things, EP,” Jerry tries to convince him, seeing his trepidation, prodding him along to get on the train. “And it’ll give y/n and Jack and her family time to get situated.”
The message is clear. Elvis is not in the inner circle of your life, not anymore, not as he wants to be. This fact is both sobering and cutting at the same time. It reminds him yet again that where he goes, you cannot follow, and where you go, he is not always welcome or needed.
He nods solemnly, thinking he finally understands, yet again, the terms of his deal with God. You live and he keeps his distance, he keeps his sins from tainting you. You live and he lets you go.
He pops a couple of pills, brought over from Germany, to wake him up, to get him in the performing mindset, to rev him up to being THE Elvis Presley. “Anything she needs, anything at all, comes to me,” he tells Jerry, “Hospital bills, recovery costs…and I want the best doctors helping her figure out her pregnancy issues. Oh, and send flowers, every day.”
Jerry nods, eyes observant and keen. “Of course, EP. Anything for y/n and Jack.”
Yes, anything for you.
*
You don’t remember a thing from that night, he learns from Rosie, and most of him thinks it’s for the best. But a small, egotistical part of him thinks bitterly that you certainly have a knack for forgetting anything monumental that happens between the two of you.
But he is busy. So busy, in fact, that he barely has time to think of you at all after that.
Except half the songs he chooses for his comeback album have something to do with you, which he only consciously realizes when he steps up to the mic to sing. And just as he thought of you the night of the talent show, he thinks of you now, singing about the girl of his best friend and how it feels so right being with you. He pours his hopes and dreams and frustrations and sorrows right into that album.
Perhaps it will cleanse him of needing you. Perhaps it’ll help him let you go.
When you find out that children are likely not in the cards for you and Jack, he sends more flowers, every day for a week. Jack is devastated and practically begs to come out to Hollywood to escape the sadness, so he agrees.
Anything for his friend, right?
He takes care of you from afar. He takes care of everything. Anything you could possibly want or need is yours. But he keeps his distance.
That is the bargain.
He falters at Christmas, almost letting his grief and yours ruin everything. He swears that you feel something for him, that maybe your impulse to be with him was not entirely driven by the drugs all those years ago. That maybe you do somehow remember his confession. Part of him swears if he had let it happen, you would’ve been his once again.
But you are not his, you never really were.
And while he knows this on a logical level, the more he is away, the more he fills his days with mindless movie making and wooing his costars and taking pills that bring him up and more that pull him down, the more he lets himself imagine you are his. From a distance, he can take care of you. From a distance and in the deep recesses of his mind, you belong to him and him alone.
“Elvis Presley” becomes a household name, now with a clean-cut image, alluring to both housewives and teenagers alike. His fame and wealth grow, and so does his isolation and loneliness. So does the need for the pills and to bring the rest of the guys into it all with him. Even Jack.
Especially Jack.
But he doesn’t like to think about why that is.
He manages to destroy his relationship with Anita along the way. He loved her, in his way, he really did. But she was not you. Neither is Ann, though he thinks for a moment that she may be the answer to his prayers, but in the end, he screws that up, too.
As the years drag on, he thinks he finally understands why he sabotages every relationship he’s ever had—it’s you—none of them are YOU. So he flits from fling to fling without ever truly landing because all he really wants is your love. But he doesn’t deserve it, he never has.
He knows this as he watches Jack descend into alcohol and drugs and women, and a small, horrible part of him wants Jack to self-destruct, and even though he knows this hurts you, he is too selfish to stop it. And the guilt of this, coupled with the downturn in his career, pushes him to self-destruct, too.
Still, he keeps his distance. When he’s home, he tries not to shoot you too many lingering glances. He reins himself in, most of the time, but in moments of weakness, he allows himself to get too close. He catches you alone, he makes a pass. But because you are you, you always rebuke him with a laugh. Silly Elvis, ever the jokester.
But sometimes, in the dark of night, in your beautiful, wide eyes, he sees something else. That deeper connection that drew you together in the first place, mixed with a heat he has only seen once or twice. And it is that which keeps his hope alive.
In an attempt to bury it and fill the hole in his heart, he almost marries, but in the end, he can’t go through with it. He’s wildly unhappy and dissatisfied, and it’s not until he finally gains some control over his career again that things take a turn for the better. He finally starts to clean up his act. He seeks knowledge and spiritual clarity. He finally finds his passion for music and performing again after nearly a decade.
But it’s too late for Jack. He managed to drag Jack to hell and while he made it back, Jack has not. And you are miserable because of it. This breaks his heart.
He tried to give you everything you wanted and needed by stepping back to let Jack do so. He kept his distance. He did what he’d promised God, and yet life still destroyed your dreams.
Jack no longer makes you happy. Jack is no longer the man who can give you what you need.
And suddenly Elvis wonders if he was wrong all along. That perhaps he wasn’t the man you needed then, but he is now. Perhaps his sins have been forgiven. Perhaps the more he pushes you away, the worse things become for both of you because you are indeed supposed to be together.
You are his. You’ve always been his.
So, riding high from his first Vegas performance, he finally allows himself to pursue you. He pushes away a decade and a half of guilt and shame and lets his charm and confidence entice you. He lets the sparks fly between you, finally free after all this time, and more intense than ever. To his gleeful surprise, you accept him willingly, if not a bit hesitantly.
Maybe it is just sex, he thinks at first, this carnal need he has for you, but he knows better. As soon as he tastes you after all these years, he knows he can never let you go again. As soon as he coaxes, then watches you come undone again and again, he realizes that still, after all this time, this is it for him. You are it. You always have been. And he will do anything to keep you, to make sure you know that you are his.
He thinks you might remember it all after that first night, but you don’t, not right away. He senses your fear to let go, to let yourself have him, to have this affair. He knows you want this to be only sex. And maybe it is for you, at first.
But he will have you. He doesn’t care how many mountains he must move or what he has to do to convince you to stay, but he loves you more than anything in the world and he’s not willing to part with you, not anymore.
It’s true that his fame, wealth, and influence have spoiled him into always getting what he desires. Of course, what he truly desires always has been you. Now unlocked, his love and want and need for you is insatiable, and he will do anything to keep it that way.
Anything for you. Anything but letting you go.
*
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As the blackout of his rage starts to dissipate and he comes to, he assumes that his friends are holding him back from quite literally killing the disheveled and beaten man who used to be his best friend, and he watches with deep satisfaction as you slap the shit out of your husband.
He also feels the immense guilt of letting it get this far, of not knowing just how bad Jack was to you, and his part in all of it.
But when you vomit and promptly fall to an unconscious heap on the ground, his fear is what overshadows his rage and guilt. Something is wrong, he knows it.
Not again, not again, not again.
Triggered by your history, Elvis, with untold strength, wrenches himself from the four men holding him down and clamors to your side, everyone else forgotten.
Pulling your limp body into his lap, he screams for someone to call the doctor. His heart pounds so hard he thinks he might need one, too.
Please God, please God, please God. Not now, not after all we’ve been through.
That deep-seeded, old shame creeps back in as he rocks you: This is your fault. Your selfishness did this. You destroyed Jack, he took it out on her, and you’ve put her at risk, yet again. You are a scourge on this woman you claim to love so much. A pestilence.
He’s getting lost in this fearful despair, and then Jerry’s voice in his ear snaps him back: “EP. EP! You have to let her go, man. The doctor is here.” Jerry pulls his arms off her as the doctor examines her.
Elvis’ fingers go straight to his mouth, his obsessive habit of biting his nails taking over as he watches the doctor carefully.
The doctor looks up, taking in the scene. He looks at Elvis, then at Jack bleeding against the wall, and purses his lips. “Will somebody tell me what happened to this young lady?”
“There was an incident…” Jerry begins diplomatically.
“Her husband slammed his fist into her face!” Sandy yells over him, furious, earning scathing looks from the entourage. They knew better than to give details, knowing to keep things close to the chest and avoid any legal issues, to protect him at all costs.
“Sandy!” Jerry admonishes her.
“No, it’s okay, Jer,” Elvis says firmly, waving him off. “I’m sure the doctor knows to be discreet.”
The doctor looks up at his hovering, intimidating form, and says nothing for a moment. “I know this isn’t what you want to hear, but I need to get her to a hospital and stabilized as soon as possible. She needs x-rays. It’s likely she has a serious concussion, Mr. Presley.”
The men start to argue, knowing that as soon as she leaves this room, a whole host of problems could fall down on them, but that’s the last thing he cares about right now. All that matters is you.
Elvis holds up his hand and everyone goes silent. “Do what you need to do, Doc. Anything she needs.”
The doctor nods and asks that someone phone for an ambulance.
Elvis looks up and sees that the men cleared the room at some point, leaving only the major players. Jack still sits, leaning on the wall next to Red, his face battered and bloody, watching the doctor. Elvis can’t tell if Jack is sorry or not. Elvis walks towards Jack, his anger tempered only by his concern for you.
“EP!” Jerry says in a warning tone, signaling for the men to flank him.
“I’m fine,” he commands, crouching at Jack’s side.
Jack flinches.
“Are you proud of yourself, Jacky Boy? Are you satisfied, seeing her laid out on the ground like that? Is this what you wanted?” he hisses.
Jack says nothing. He sees the tears in Jack’s eyes, the regret through the pain, and for a second, Elvis almost sees the man he used to know in there.
“Hmm,” he tuts, looking over his friend with disgust, shaking his head. “I’ll deal with you later. And you, too,” he says, with a low, deadly calm, pointedly to Red. Then he rises easily from the floor, his attention on the men with the stretcher who just entered the suite.
“It’s never enough with you, EP, you selfish motherfucker. The man who gets everything he wants, no matter how many lives he has to destroy to get it. The rules never apply to you, do they? Dammit, you coulda had anyone, anyone! Why did it have to be y/n?” Jack spits out mournfully from behind him.
Shame snakes through him, through the anger that continues to boil under just the surface, covering the sorrow that flows under that. There is truth in Jack’s words, he knows that, even though he wants to deny it.
“How long, Elvis?”
He supposes he owes Jack that much, though he doesn’t even turn his head.
“Opening night.”
“No, you bastard. How long have you been in love with my wife?”
The room goes silent yet again.
Elvis turns around, but he cannot bring himself to look Jack in the eyes for a moment. A lifetime of memories flashes through his head, of times much better than this, of times when they had each other’s backs. Ultimately, he knows what Jack has become is partially his fault. Ultimately, he knows it was wrong of him to want you when you weren’t his, wrong to have sex with you, even before the debacle of you and the pills. It was wrong of him to manipulate Jack into marrying you.
As much as he hates Jack right now, he once loved him, and still, he betrayed him.
Jack chuckles darkly, “That fucking long, huh?”
Elvis finally looks Jack in the eyes but says nothing. Nothing he can say will make any of this less of a fiasco. Nothing he can say with make it right, no matter how much he wants to jump in to defend himself, to tell Jack he saw you first, to tell him he wanted you first, to fucking explain that you’re his goddamn soulmate and he’s had to watch you be with someone else for almost two fucking decades.
“Ahhh, and she didn’t even know, did she?” A hint of a smile plays on Jack’s bloodied lips. “Didn’t even give the King the time of day! Well, at least I got that goin’ for me,” he laughs.  
His brow furrows as he fumes, and he steps towards Jack again. Lamar puts himself between the two men.
“It’s fine, Lamar, let him at me. What do I have to lose now anyways?” Jack laughs, which turn suddenly to sobs, “You were my brother. I gave up my life for you! I loved you, man!”
The words cut Elvis to the bone, flooding his fury with more guilt.
“And I love her,” Jack sobs.
“You don’t fucking love her,” Elvis says, infuriated, pushing past Lamar to grab Jack’s chin, wrenching his head to look at you being put on the stretcher. “You hurt her. You been hurtin’ her. And Jack, if she dies, I don’t care what brotherly love was between you and me—I will fucking kill you,” he says, low and vehement in Jack’s ear, for only him to hear.
He pulls back to stare Jack in the eye, to let him know just how serious he is, to make sure he understands that through the pain and the alcohol and whatever pills he might be on.
Jack blinks through his tears and nods his head once, shakily.
Elvis releases him.
Then he steps in behind you, still unconscious, on the stretcher as they take you out of the penthouse and to the elevator.
“EP, I really don’t think it’s a good idea to…” Charlie starts, hustling behind him.
He turns, seeing the stares of the men who have given him their lives to stand by his side. Some of them are befuddled, some understanding and resigned, some even a little suspicious after tonight’s events.
“I don’t give two shits if it’s a good idea or not, I’m goin’ with her. Anyone wanna argue with me about it?” he says impatiently, shooting up an eyebrow.
No one does.
It’s good it’s the middle of the night, otherwise he would’ve caused a huge scene at the hospital. But the nurses and doctors seem to gather by his demeanor that now is not the time for autographs. Instead of putting them in the waiting room, they set up an empty room at the end of the hall for the lot of them, a gruff old nurse warning them they best be quiet and not wake any of the patients before she closes the door on them.
And for the third time in his life, he waits to know your fate.
He waits for you, just as he’s been waiting for you for the last 18 years.
He waits and he prays, though this time, he makes no bargains with God.
He stills when the doctor finally comes to tell him that, yes, you do have a concussion and though you will likely experience symptoms as you recover, you should recover fully. He feels like the weight of the world has been lifted from his shoulders.
When the doctor leads him and him alone back to your room, the doctor mentions the other symptoms you’ll likely experience and that you might have issues with your memory leading up to the event. Elvis cannot help but chuckle at that.
“Oh, I’m betting she will,” he says under his breath, though this time, he thinks it might be best after what you went through tonight.
He sits by your side in the quiet, dimmed room, and is taken aback by the angry bruising already spreading over your beautiful face. His fury at Jack swells through him once more, followed immediately by sadness. You look so innocent and fragile lying there. Suddenly, he feels afraid to touch you, as though you might break.
So, he waits. He waits for you to wake and he prays. He thinks of the lifetime he’s had without you and the life he wants with you going forward. And this time, he knows he won’t be leaving your side for anyone or anything.
But his secrets still lay heavy and dark on his heart. There are those things he cannot tell you of that day at Graceland so long ago, and the things he still cannot bring himself to admit to, like his confession of love as you almost died in his arms and his meddling in your life. He doesn’t want to tell you how all of it has led to you lying here in this hospital, hurt and fragile but somehow still his, he hopes.
He doesn’t know what he’s going to do about it yet, so for now he just waits for you to come back to him.
He’s been too rough with you, he thinks, in his quest to show you how you are his. Pushing you too hard to keep up with his rockstar lifestyle and his insatiable need for you sexually has not been good for you. You’re exhausted, not eating, and have been on an emotional rollercoaster for days, and he was too consumed by his own selfishness to listen, so much so that he almost drove you away. The hurt, the feeling of pure panic that shot through him when you said you were leaving was enough to bring him to his knees, but of course, he could not tell you that. He couldn’t show you that weakness. Instead, he’d covered it with anger and passion, fucking you into submission.
He realizes his dominance, while fun in the bedroom, is perhaps masking his true feelings. He has told you in so many words how desperate he is for you, how he wants you to be with him, to let him take care of you, how he is yours, that he needs you. But in truth, he is afraid. Afraid that you don’t and never will feel the same towards him as he does towards you. That it is only his coercion, manipulation, and his sexual prowess that keeps you here with him. No matter how much you say you are his and that you will stay as he fucks it out of you, he’s not convinced that you’ll feel the same in the light of day, of your own accord.
Lord, the way you said you needed him tonight flashed him right back to that first time with you at Graceland. The time you don’t remember. He is putty in your hands now, just as he was then. But that need of yours was only sexual. If it is truly just sex for you and you are only staying for that…well, that scares him and makes him want to hold onto you so tightly that you can’t leave even if you wanted to.
If you don’t ever feel that same pull inside your heart, in your soul, that he has for you, he’s not sure what he will do.
Gone is the bravado and confidence gleaned from years of being Elvis Presley. Instead, he sits here at your bedside feeling stripped to his core: a nervous, stuttering boy with a funny name who loves you more than life itself. He is that boy who picked your books up off the ground, the one who you calmed backstage with your sweetness and wit. For you and you alone, he is just Elvis. And he’s worried he won’t recover if you don’t ever grow to love him.
Anxiety courses through him, a throbbing pulse that serves to remind him that for all he has and is in this world, he is still only a man. And you are the girl who has comforted him through some of his worst moments, yet now after all this time he’s still terrified to let you truly see him. If he lets you in, you will see him for all that he is and all the terrible parts of himself he’s ashamed of: his selfishness and possessiveness, his overindulgence, his obsessive tendencies, his goddamned vanity and ego. His secrets. If you know the things he’s kept from you, he’s not sure you’ll ever forgive him. Certainly, you could not love him.
His heart aches at that thought, flooding him with despair. He needs you so badly that he cannot bear to risk showing you everything; however, a deep part of him wants to flay himself bare to you, to expose himself in a way that he has never done before, not with anyone.
Elvis puts his head on the bed near your hand. He is going to be gentler with you, especially after tonight. He will prove to you that he is worthy of your love, that this is so much more than just sex. He’s going to take care of you and give you the life you’ve always deserved.
God has humbled him once again tonight, and he knows he must do better.
He loves you so deeply he can hardly breathe.
So, he waits. He prays.
And he hopes that one day, you will love him, too.
*
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ma-gic-gay · 4 years ago
Note
TW: kidnapping (mentions), murder (mentioned, not gone into detail of), torture (again, just mentioned, not gone into detail of), sexual assault, hospital
He kissed her. With his crusty ass, never before heard of Chapstick, lips, he kissed her.
Oh, if only murder was legal.
"I'm so sorry he did that to you, Carly," he says, hugging her closer to him. "If I could, I'd kill him right now. I promise you. And I promise you, he will never be able to get near you or hurt you again. As long as I'm alive."
His blood boils as she continues, "I'm not sure if I can stand. He kicked me with steel toed boots."
How the fuck does someone feel like doing that? How does one get inspired to rape someone, to do something like this, traumatize them so severely?
"Do you want me to carry you out and into my car?" Jason offers and she nods, so that's what they do. The pair earn a few glances but everyone can sense he's not in the mood for questions, whatsoever, so no one asks any and they get into his car.
"Chase, he's going to ask me to recount what happened, right? Leave no detail out?"
"You won't have to answer any question that makes you uncomfortable or that you don't want to. Just tell me you don't want to answer it and he'll move on. I'll make him."
"You're not looking me in the eye," she notes. "Why not?"
"I don't know," he answers truthfully.
"Look me in the eye, Jason, and tell me everything's going to be okay," Carly requests and he does. He finally looks her in the eyes and it fills him with sadness and love and anger. Sadness because she's crying and because he can see the marks where she was slapped, where she was injured, where the duct tape was. Love because, well, that's just how they always are. Anger because of what Cyrus did to her. How Cyrus hurt her and only got mad he was caught. How much worse it could've been for her.
"Everything's going to be okay," he says, for both of their sakes before putting the seatbelt over himself and driving to the hospital. Yet again, he says screw you to traffic signs and speeds; she's clearly in bad shape.
Oh, Cyrus is going to die. Whether it be by his gun (preferable), or by someone else's, that bastard is going to die for doing this to her.
They get into GH, him carrying her still, and encounter Elizabeth. Hopefully Carly's not in the mood for a fight. "Jason? Carly? What's wrong?"
"Oh, I'm fine and dandy, Elizabeth. Just wanted to see your smiling face," Carly says sarcastically. Looks like she's still in the mood for a fight, even traumatized. "Can we get an ER bed for me and a doctor?"
"Yeah, sure," the younger agrees, leading them to a bed. "What kind of doctor do you need?"
"Just get me Dr. Finn. And Britt, god help me," the blonde instructs and Elizabeth's eyes widen. She knows. "What are you staring at, Lizzie?"
Scoffing, Elizabeth leaves before fighting her. Thank god. This would be a really fucking inconvenient time for it. She'd definitely lash out and say something stupid. "I know, I know, I shouldn't have picked a fight. Just couldn't resist."
"Well, the fight didn't happen, so you're good on that front," Jason half chuckles, putting her down on the bed carefully.
"What are you thinking about?"
"Nothing, just worried about you."
"Every time I close my eyes, it's like I'm back in that room and Cyrus is making out with me all over again and I felt so disgusted but he looked like he was having fun. Like I was a prize he had won, or like he was getting joy out of kidnapping me, like raping me would be the most fun he'd had in years," Carly says, sobbing almost silently through her words.. "And I can feel his lips against mine and it makes me sick because I don't want him within 100 feet of me, forget about kissing me."
"If I could, I would take this away from you. The pain and the everything you're going through. You don't deserve this," he informs her, brushing away her tears with his fingertips.
Anger and heartache are all he feels right now, seeing the normally so strong and passionate woman beside him breaking down and in pain. It's a painful thing for him to watch, even more painful for him to know Cyrus is going to probably live. Sadly. Sick bastard will probably not even be put in solitary.
He can't push down his emotions today, not with this. It's not great, but at the same time, it's not the worst.
"His lips were so crusty," she describes. "Like he'd never heard of Chapstick in his life. He clearly liked me, I could tell that, but he started stripping me while he was kissing me and I kept saying no, I tried to pull him off of me, but I wasn't able to. After he called you, it only got worse. It was like he was obsessed with me or something and so he kept going on and on about how I was his or whatever, how you would die if you tried to save me. That part scared me more than what he was doing, that he thought he was going to kill you."
"He wasn't able to. He won't be able to kill me, or live a life out of a solitary confinement maximum security prison ever. I promise you," Jason swears and she smiles.
"It felt like I was going to die there. Like the world was ending and I'd never get to see anyone I cared about again. I'd never get to get into another fight, or hug you again, or do something stupid and impulsive that you'd have to fix," Carly sobs quietly, "and I hated that thought. I know you don't like it when I do stupid things," he nods his agreement, smiling slightly, "but we all know that I'll do it again. And I, I kept thinking about you and the kids. Donna shouldn't grow up without a mother and I can't leave the rest of them without one. I thought about how you said you couldn't live with yourself if he killed me and how I wouldn't want you to suffer."
"We don't need to think like that, Carly. We're alive."
"Yeah, I know, but I don't think I'm able to close my eyes or stop talking because I feel like he's kissing me again and I'm in that room again. Not to mention, it killed the good memories we have in that room," she says and he pulls her in for yet another hug.
She, however, has a different idea and kisses him. Confused, he kisses back. No clue what inspired that, but now they're kissing. Again.
"Mr. Morgan, Mrs. Corinthos, would now be a good time for questioning?" Chase asks, awkwardly shifting his weight.
"Yeah, as good a time as any," Carly agrees as they abruptly end the kiss.
They've got to talk about that later.
"Alright, great. So, Mrs. Corinthos, where were you when you were kidnapped?"
"The Metro Court. I had been called in because we were sort a staff member and so I filled in. I was on my way out when I was kidnapped."
"And how exactly were you taken?"
"Against my will," she cracks, "by some dude who grabbed me and gagged me before putting me in the back of his truck."
That dude is dying too, the second Jason sees him.
"When you got there, did you know that Cyrus had taken you?"
"I figured."
"Did Cyrus assault you?"
"Yes. He, um, he slapped me across the face repeatedly because I rejected his advances and kicked me with boots," Carly says, beginning to sob again. "And if you're asking for sexually, yes. He kissed me, made out with me, and tried to have sex with me, after I said no, after I'd told him to get off of me. He jacked off in front of me with his hands and managed to get one of his fingers in me too. Cyrus stripped me down to my underwear and was probably going to take that off when Jason showed up."
Bastard, he thinks while even Jason is tearing up. It takes a lot to make him cry, much less she'd a tear, so everyone in the room can sense just how serious it is.
"Mrs. Corinthos, can you please describe what you went through to me, in detail?"
"Didn't I just do that?" Carly scoffs before whispering, "I can't answer this, I can't relive this. Not right now, at least. I just can't."
"It's best if we-"
"She said she can't relive it right now. Can you blame her?" Jason asks, glaring at Chase. "Move onto your next question, detective."
"That's really it. You two enjoy your evening. I'll be in touch soon."
Chase leaves and Carly breaks down again, sobbing loudly and worrying him even more than he's already worried for her. Which is really saying something, considering that he's about as worried as one can get.
Finn enters, with Britt not far behind him. "Sorry we took so long, I see my idiot brother pushed you too far. I'm sorry for him," Finn greets, earning a smile out of them all.
"Thanks," Carly accepts before changing the topic to medical things. "My legs are killing me, and I'm in physical pain practically everywhere. Cyrus slapped me, kicked me, punched me everywhere he could find skin. He, uh, he also jerked himself off in front of me and then managed to get a finger inside of me, so I need to make absolutely sure I'm not pregnant."
Everyone does a double take at that, Jason's hands balling into fists. Oh, the things he's going to put Cyrus through if he ever sees the light of day again. The tortures and violent attacks and emotional turmoil.
He's not a bad person, but he is fantasizing about killing one.
At the same time, right now, Carly needs him. More than anything, that's what she needs right now. And if she needs him, he's there for her.
"Alright. Well, do you mind if we take you up for some x-ray's? It'll only be for a few minutes and if you like, we can sedate you," Finn offers. "So you can sleep without dreaming of what just happened to you."
"If you want to be sedated, I can run all my tests while you are," Britt offers. "They're non-invasive, but it's always an option."
"Jason, what do you think?"
"If I were you, I'd go with the sedation," he offers up his advice.
"I'll take the sedative then, please."
They agree and have her sign some medical consent form before administering the sedative and taking her up for her exams.
Which leaves Jason alone with all the time until the sedative wears off, which he's been informed is two hours, to think and plan and think some more.
He should probably call her kids, let them know what's going on, but he's not sure if that's what she'd want right now.
So he doesn't, and he simply sits and thinks.
To be continued later in life when I'm not sleep deprived (well lol we can hope so it'll be continued tomorrow)
._.
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