#but if ur just a meh mercy and thats all you play. and you play overwatch a LOT but thats ALL you do????

[spywitch]

I know wah wah some ppl are casual and they can play however they want but even as a casual player myself I don’t understand how someone can be an overwatch one trick, especially like a mercy one trick. Like I get BORED, I play almost all the heroes at least a little because I get bored of my mains, or because counterpicking.

And like I get it its not fun playing something you suck at but I feel like some ppl get in the game and barely give the other heroes a try. Like theres no shame in being bad, for quite some time when we first started my friends and I would just play against the bots. Like just do that, play some mystery heroes so you’re forced to try everything, and then you naturally find which ones you like and which you don’t. Like I don’t see how “uwu I’m bad” is an excuse to just play mercy and dva. Plenty of the other heroes also don’t require good aim or anything, just need a little practice… like I feel like you’re missing out playing a game with 4 thousand heroes and only playing one or two. When ppl flex about having like 4 minutes each on 15 different heroes its sad to me lmao

[charmspoint]

THANK YOU FOR SAYING THAT ABT THE BSD MANGA ILY THANK YOU I FEEL LIKE MY OPINION IS FINALLY VALIDATED WHICH IS: BSD has turned meh. I have become indifferent towards the plot due to the fact there are no real stakes - I feel like the OP characters like Dazai will always have a solution with a deus ex machina feel to it, making it impossible for me to care. With the recent chaos happening in the manga (I too gave up on the manga a year or so ago!), I was baffled to find out I could no longer enjoy it. My memory is poor, and I can't really pinpoint it at the moment, but BSD just... doesn't engage me as it used to. Keep in mind I was an obsessive fan of it and analyzed it to the tiniest details, but all of my great love for the series has long died, sadly. But! I am glad to hear you feel similarly about it because, yes, the potential was there, but it got terribly wasted.

Bruh don't I feel it, me and @autumn-foxfire have like monthly bitch sessions about the state of bsd at this point. I was also super invested in it in initial arcs (Up until the guild arc ended) and then slowly started petering off only to drop it the first time around the hunting dogs introduction. Then after some time i was like okay ill go give it a second shot, came to the vampire arc went 'wow this is really fuckin stupid' and dropped it again. Idk will I pick it up again, maybe I'll just stick to being an anime only, even tho I also have problems with some adaptation things but that's BESIDES THE POINT.

Please click under for The Point

The thing about Kafka is: He's really good at coming up with interesting concepts and ideas and REALLY BAD at executing them in any sort of satisfying way. Like, when I say I only like bsd until the end of the guild arc, I don't mean it was perfect. It could have handled it's female cast better, it would have been fun to see more mafia and agency team ups besides soukoku and shin soukoku, I still don't get why shin soukoku is supposed to be a replacement in training since Dazai and Chuuya still work together perfectly and even if they hate each other they hate each other less than Akutagawa and Atsushi AND have way more experience fighting together but that once again is besides the point. The point being those arcs of bsd were SATISFYING. We got introduced to two organizations, seen them butt heads and then have them forced to work together against a common enemy. It's very simple but it's effective and it's satisfying.

And then the rats struck.

While up until then bsd wasn't perfect it was fun and had lovable characters and an interesting plot and engaging dynamics. Rats arc wasn't horrible per say, the idea of the cannibalization was really fun (Though I think Kafka should have used it to get rid of Mori, nobody fuckin likes Mori) but this is where we slowly get introduced to what I think are two main failings of Kafka's writing: That he's unable to handle characters properly and that he likes writing smart things but doesn't know how to write smart things.

Kafka has a very, very bad habit of INTRODUCING TOO MANY FUCKING CHARCTERS. Every arc is a new massive group with like a bunch of members, one of who may actually end up being fleshed out before they are inventiblely replaced by another large group or maybe two why the fuck not. The mafia and the guild left lasting impressions on me and I can still name all the main members but fuck me if i know a single rat aside from Fyodor (AND ILL GET TO FYODOR). Kafka feels like someone who's idea of rising conflict is 'introduce a bigger enemy each time' and it's just so annoying. Chapters and arcs end up centering around these groups of new characters while old characters, who we loved the manga for, just fall into obscurity. He almost had me in the hunting dogs arc by giving Yosano a backstory. I was so excited! I was like!!! finally development for the agency!!! But that barely went anywhere did it. I've talked about this with Foxy but it really feels like Kafka is just BORED of the og characters and is trying to silently sideline them for his new shiny characters. When's the last time we saw Chuuya again, you know, the ex partner of one of the series protagonists? The next predicted mafia head? Is he important? Foxy tells me Dazai's been sidelined too, fUCKIN DAZAI, for a good while I was sure Kafka liked Dazai a lot better than Atsuhi for protagonist and now he's getting sidelined. I know bsd is still really popular in japan but at this point i think it would have been more merciful for Kafka to just end bsd and start a new manga with new characters instead of doing whatever weird metamorphosis this is turning out to be.

Introducing new characters isn't a bad thing of course, but bsd has become mcdonalds of new characters. They are cheap and disposable. I can't feel anything for them because I know nine times out of ten they'll barely make any impact and they'll disappear as soon as the new group slides in. When adding new characters you should do so while knowing what role those characters will play in your plot, what will they bring. If a character is just there to waffle around until they get shoved away they should probably be cut because they are wasting time and space. AND YOU SHOULDN'T SIDE LINE YOUR CORE CAST FOR UR SHINY NEW CHARACTERS YOU'LL GET BORED OF IN COUPLE OF ARCS ANYWAY, ARE YOU A TODDLER???

I still think that bsd could have been SO much better if instead of focusing on the next big evil group they just focused on shifting tension between the agency and the mafia. I mean they've had to team up for the guild and then they immediately got thrown into the cannibalization. It would have been interesting to see them pull against and pull towards those ties made during the guild arc when they are forcefully pitted against each other again (and decide that killing mori would be in everyone's best interest). Instead we got, idk I already forgot what the rats arc ended up being about, atsushi and aku team up again yadda yadda yadda, Chuuya gets done dirty and never recovers, Fyodor ruins Dazai

SO ABOUT FYODOR. As I said, Kafka strikes me as someone who REALLY likes to write geniuses and who wants people to think he's super smart but also has no idea how to show his work. At first this was okay. We had Dazai and Ranpo who were very good at pushing the plot along and sometimes you'd get explained how they got to that conclusion and sometimes you didn't but it usually wasn't a big deal. But then the writing became more and more and more of 'well he's smart so he figured it out so just trust me' without actually explaining anything and as you said, it ended up feeling boring, unengaging and very deus ex machina. You know what Kafka's writing reminds me off? That video about how Sherlock is so happy to stroke itself to how smart they look while never showing their work, you know the one. Kafka likes writing smart characters but doesn't actually know how to write smart characters so instead of giving us reasons and clues and explanations to how they come to some conclusion, how they predicted or planned or whatever, he just goes 'oh well they are super smart so they figured it out'. I don't think I need to explained why this is bad, annoying and unengaging writing. This is why i say Fyodor ruined Dazai for me, Dazai was fine as a genius but then they had to pit him against Fyodor who's another genius and things just got ridiculous. You know how in that sherlock video the guy points out the one scene that encapsulates every irritating thing about sherlocks writing. This had been it for me and BSD (thank you Foxy for helping me find the panels)

THATS NOT HOW CODES WORK, THATS NOT HOW ANYTHING WORKS, THEY WOULD JUST BE COMING UP WITH TWO DIFFERENT SETS OF CODES HERE. Even if they were both smart enough to remember every conversation in detail, how on earth are they supposed to 'guess out' what the other means. How are they supposed to confirm or deny that's what a certain word means in a way that can be understood, how can they even guess what the word the other guessed is IF THEY ARE BOTH TALKING IN CODE. KAFKA'S ANSWER: THEY'RE MONSTERS, THEY ARE JUST THAT SMART, NO NEED TO EXPLAIN IT BECAUSE THEY ARE JUST THAT SMART AND THAT'S YOUR SOLUTION AND THAT'S BULLSHIT. This scene broke bsd in half for me and honestly made me dislike Dazai for a long time (I got better), but it honestly shows so well how Kafka wanted to make his characters so smart he actually made his manga really fuckin stupid, ruining very good and interesting concept he had started with.

In the end, Kafka writes how I wrote when I was 15. With no idea where the plot is headed, adding new characters and situations whenever it strikes his fancy whether they work for the story or not, ending up just flopping around plot holes and fizzled out character arcs and boring ass writing. And that's fine for a 15yr old writing fanfiction. It's not fine for a presumably grown ass published author of a relatively popular manga.

Thank you for coming to my Ted Talk.