#but i wholly admire scotts patience for these sorts of things.

[achillean-knight]

Also, oh my god new FNAF game?

[quarantineroulette]

Minor Disappointments’ Least Disappointing Releases of 2018

Preamble: I had a bit of a low (not Low, although that would’ve been preferable) period in 2018 that went on for several months. I didn’t really listen to music during that time, and so I missed out on a lot of things. I’m kind of too scatterbrained from holiday hysteria to really take in anything new. So these lists probably don’t designate “the best”, but they’re decent documents of what I wasn’t too distracted or down to take serious notice of.

Secondly, my own band released an album this year, and that occupied a large amount of time normally reserved for listening to other bands. I won’t rank it because I don’t want to be that conceited...but if you want to check it out for yourself, the highlights for me are “For the Rest to Rest”; “Open Up the Ways”; “Screen Test”; and “Suspend Disbelief”. One of my favorite reviews of it described our sound as being a “unique blend of post-punk, brit-pop, indie, and a little post-rock too.” and said we’re “one of the smartest bands to come out of Brooklyn in a very long time.” This is both why people should listen to it and also why they might not.

Thirdly, one of the things I listened to the most this year was Protomartyr’s Consolation EP, but I’m refraining from listing it as it’s not a full-length. That said, I think it’s as good as nearly anything I’ve heard this year, Protomartyr are the best and both of their live sets I caught were my favorite gigs of 2018. TLDR: Protomartyr = good. Most other things on this list = equally good but not Protomartyr. Let’s get started shall we?

10 Songs That Were Good: 

10) Neko Case & Mark Lanegan - Cures of the I-5 Corridor. How has a Neko Case / Mark Lanegan duet not existed until 2018?? No matter the year, something this gorgeous and heartbreaking is always worthy of making the cut.

9) Lana Del Rey - Mariners Apartment Complex . I remember Spencer Krug tweeting something kind of snarky about “Venice Bitch” a few months back, then deleting it, and damn well he should’ve because both that and “Mariners Apartment Complex” are blinders. “Venice” may be the most low-key epic ever, but the way “Mariners” takes hints of Leonard Cohen and Lee Hazlewood / Nancy Sinatra and places them in a pop context is perhaps even more admirable. It’s truly inspiring to hear mainstream music this nuanced.

8) Parquet Courts - Tenderness . I love the jaunty piano, and how Andrew Savage’s vocal take is simultaneously forceful and lax. But most of all I love how all its elements converge to create a sense of hard-won optimism.

7) Iceage - Thieves Like Us . Iceage do a swamp cabaret song and I just can’t love it enough.  

6) MGMT - Me and Michael . Yes, it’s ridiculously ‘80s, but you would have to be a very dour person to not smile whenever that opening synth riff kicks in.

5) Shame - One Rizla . Riff of the year. Hands down.

4) Bodega - Jack in Titanic . One of the great things about 2018 was witnessing Bodega’s success. To me, they’ve always been one of the few up-and-coming indie bands with the  charisma to be actual stars, and it’s been a joy seeing the rest of the world take note of this. From the moment I heard “Jack in Titanic”, I just knew it was destined to show up on a BBC Radio 6 A-or-B list at some point in the near future (and it did!). And yeah, they’re my good friends, but even if they were strangers I’d appreciate the smartness, melodic hooks, and sexiness all the same:

3) Preoccupations - Disarray . Click on that link because the song is really good, but be warned -- the vocal melody is never, ever going to leave you.

2) Protomartyr - Wheel of Fortune . This song has everything: a nerve-wracking stop and start guitar part, an at-once badass and terrifying refrain, Kelly Deal, and the exact sense of urgency that’s needed right now. Powerful, timely, and a rare example of a song that puts its guest star to highly effective use.

1) Janelle Monae - Make Me Feel . This song combines about five different Prince songs but Janelle Monae’s personality is so strong that the end result is something wholly her own. And if the song weren’t a blast on its own, the technicolor video is almost lethally fun: 

10 Albums That I Loved A Lot: 

10) Arctic Monkeys - Tranquility Base Hotel and Casino . I really loved this album but I’m ranking it as 10 just because it’s the Arctic Monkeys and I can’t believe I enjoyed anything they’ve produced *this* much -- especially a lounge album about a casino on the moon. I find Alex Turner overrated as a lyricist and cosplaying a Bad Seed isn’t endearing to me, but he obviously loves Scott Walker a lot so I guess he gets some sort of pass.

9) Moonface - This One’s of the Dancer and This One’s for the Dancer’s Bouquet . The only reason this isn’t ranked higher is because I haven’t been able to give it the attention it deserves. This is a concept album where some songs are sung from the pov of the Minotaur and others from Spencer Krug, and both these creatures are enigmatic are too enigmatic to be given mere surface reads. This all said, I’ve listened enough to glean that, as always, Spencer’s lyrics are awe-inspiring, the marimba is implemented well, the alternate version of “Heartbreaking Bravery” is excellent, and comparing and contrasting its themes with those found on Wolf Parade’s 2017 release Cry Cry Cry is a fun past time if you’re me or seven other people. Looking forward to delving deeper in 2019.

8) Janelle Monae - Dirty Computer . To be honest, I *was* a little disappointed in this. It’s not as cinematic or stylistically adventurous as Monae’s previous full-lengths, but I think Monae herself is extremely talented and I wish she was a much bigger star. Furthermore, when considered against the drek of the general pop landscape, this is still a bold, unpredictable, and intelligent pop record from a true enigma.

7) Luke Haines - I Sometimes Dream of Glue . Like “Kubla Khan” if it had been written after huffing a river full of glue, but instead of Xanadu it’s an English village full of miniature people having a orgy:

6) Parquet Courts - Wide Awake! . No other song better captures the frustrations and anxieties of living in NY in 2018 than “Almost Had to Start a Fight / In and Out of Patience”, and for that alone this album would make the year-end cut. But it also happens to be brilliant start to finish, with the two closing statements, in the form of “Death Will Bring Change” and “Tenderness” respectively, being among PC’s best.

5) Low - Double Negative .  Mimi Parker’s voice emerging from a sonic cocoon on “Fly” is one of the most gripping moments of Low’s fantastic career. This album challenged me the most in 2018, but it’s also one I frequently returned to, determined to crack its code.

4) Preoccupations - New Material . I suppose some would dismiss this as too trad. post-punk, but holy hell - these trad. post-punk songs have got some hooks! And there isn’t quite another singer like Matt Flegel, who somehow manages to channel Bowie and Mark Lanegan at the same time. I’ve listened to this so much that New Material already feels like a well-loved classic.

3) Gazelle Twin - Pastoral . I would argue that Pastoral is the closest anyone’s come to making something comparable to PJ Harvey’s Let England Shake. An electro-pagan examination of Britain’s heritage and history (and the whole Brexit thing) that manages to feel thorough despite only being 37 minutes long, Pastoral moves beyond being just “a record” and becomes something closer to contemporary art. Elizabeth Bernholz’s vocals, whether warped or unconstrained by processing, are remarkable throughout. A mash-up of folk traditions and modern beats that somehow works shockingly well:

2) Idles - Joy as an Act of Resistance . Boyfriend / bandmate James and I have discussed this album more than any other this year, and it’s been a pleasure hearing his love for it and forming my own appreciation of it in the process. What sealed it for me was James’ description of “Idles” as pagan, and how the band’s use of repetition and simple melodies (as well as their bacchanalian stage presence) created an air of ritualism. In their primalness, they even remind me of The Birthday Party - a “woke” Birthday Party, but a Birthday Party all the same. My favorite musical moment of the year may very well be Joe Talbot’s first shout of “UNITY!” in “Danny Nedelko”, primordial, raw, unpretentious, and completely punk. We *need* these guys right now:

1) Suede - The Blue Hour . There is a joke in the TV show 30 Rock in which Jack Donaghy -- Alec Baldwin’s network head character -- says he attended Harvard Business School, where he was voted “Most”. The Blue Hour could be considered “Most” -- it’s meant to be taken as one piece, it’s insanely grandiose and, like its predecessor Night Thoughts, listening to it makes everything in my life seem 18 times more dramatic and tragic. I don’t know how, but this bizarre mashup of Kate Bush, Jacques Brel, Pink Floyd, Scott Walk, Gregorian chanting, classic Suede, spell books and (of course) David Bowie somehow seems bizarrely in step with 2018. Seeing as this top three consists of albums that are arguably “pagan”, and folk horror’s representation in popular 2018 films like Hereditary, The Blue Hour feels accidentally on trend. It’s crazy to think that a band whose first release happened 25 years ago could still be relevant in 2018, but Suede somehow are so please give these dads a hand and then listen to The Blue Hour’s glorious closing trio of songs a lot, because boy are they “Most”.  

[duncanwrites]

Books I read in 2017, reviewed in 2 sentences or less.

Among other things, in 2017 I tried to read more books by authors from different eras other than our own. I also ended up putting down more books half-read than usual. I’m sure those two things say something about our year in anxiety.

But here’s what I finished and what I thought:

Birds of America - Lorrie Moore: This book contains some of the very finest short stories I've ever read. Every word, sentence and paragraph seems perfectly put together to draw out the real humanity of flawed people in a flawed world.

Wolf in White Van - John Darinelle: Among other qualities, I think Wolf in White Van has the best title of any book on this list: in the context of the novel itself it provides a perfect framing device that allows you to see the poetry of a dark twisted staircase of a story.

The Sympathizer - Viet Thanh Nguyen: If I talked to you about The Sympathizer this year, it probably came out as an excited rant about any number of things - its dark humor, brilliant structure, mind-bending narration - but I promise you that beneath the exuberance there's a genuinely stunning novel sort of unlike anything I've otherwise read.

The Shock Doctrine - Naomi Klein: I re-read this book to get ready for Trump, and it did help, but it also reminded me about how angry I still am about the war in Iraq and so many other things. Still my favorite book by one of the best political writers out there doing the work.

Hegemony How-To - Jonathan Matthew Smucker: Another pre-Trump read, I think Smuker's book is one of the most useful -- as in practically, real-life make your work better -- books on politics in a long time. My only complaints is that I didn’t have a chance to read it years earlier so I could have avoided a lot of the things Smucker describes so well.

Three Body Problem, The Dark Forest and Death's End - Liu Cixin: The first two novels of this trilogy I thought were some of the finest science fiction I've ever read: both grounded in real human suffering, sweepingly large in their approach to theory, and bringing out some exciting ideas. The third book dragged itself down with the darkness that already ran through the start of the series, but that shouldn't at all stop you from taking these on.

Snow Crash - Neal Stephenson: Another re-read, this is a classic science fiction novel that contains the kinds of themes and concepts that you begin to see everywhere around you once you finish it. Noticed a few more plot holes this time around.

The Diamond Age - Neal Stephenson: Set in the same world as Snow Crash, The Diamond Age never reaches the same wild intensity of the previous book, and is plotted more in the model of a shaggy dog story than a sci-fi thriller.

The Structure of Scientific Revolutions - Thomas Kuhn: A classic text, the Structure of Scientific Revolutions is the source of a lot of conventional wisdom that was revolutionary in the 70s when it was published. Maybe a bit more tedious that it needs to be.

Flight Behavior - Barbara Kingsolver: I think Barbara Kingsolver is a terrific novelist, and although this book moves quite slow through its paces (and is a bit stressful if you spend your days already thinking about climate change), the payoff towards the end is real. She does a lot, with a lot of heart.

The Mother of All Questions - Rebecca Solnit: Humane, withering, lyrical: Rebecca Solnit is one of the writers I most admire, and this is a really wonderful compilation of some of her best work on feminism, hope and politics.

In Dubious Battle - John Steinbeck: I love John Steinbeck as much as the next left-leaning American, but only up to a point. This is a rough book about Men doing Men Things, full of people named Mac and Doc who do a lot of fighting and dying and it's just not his finest work.

Native Speaker - Chang-rae Lee: I re-read this book for the first time in about 10 years, and found myself coming across passages that had still somehow stuck with me through all that time. I could recommend Native Speaker as one of the best novels about New York City, relationships and language all at once, and its the kind of thing that will bear re-reading again in the future.

Trauma Stewardship - Laura van Dernoot Lipsky: I dunno, this one just didn't work for me. It felt over-broad, attributing so many behaviors and outcomes to trauma to render the concept almost meaningless.

Moby-Dick - Herman Melville: An epic that earns its place in the canon, I gushed wide-eyed about Moby-Dick at strangers for several weeks/months. Chapters on chapters about whaling history, seeming diversions, pile in between portraits of personal and collective madness: so much of this book is not about the White Whale and yet all of it is at the same time.

Direct Action - L. A. Kauffman: Direct Action is deftly written, insightful in its analyses and one of the best practical histories of contemporary organizing I've read. Hugely recommend for anyone trying to get a handle on What to Do Now.

What is Populism? - Jan Werner-Muller: I put this book next to The Shock Doctrine, Hegemony How To and Direct Action as one of the crucial books to read about Trump and the moment we're in. A book that covers the things that really need saying about Populism, but with the good sense to be brief, approachable and clear.

Bad Feminist - Roxane Gay: I am late coming to this book of essays, but I was thoroughly won over from the very start, because Gay has this way with short, direct but vulnerable language that makes her polemical points land with so much more intensity. I can't quite put my finger on it, but her manner of writing is so special, and she uses it to say such necessary things.

Istanbul - Orhan Pamuk: Let's just say this book is an acquired taste: you need some ready familiarity with Istanbul and a lot of patience for detailed personal stories and obscure asides in service of a memoir with a small focus. I quite like Istanbul and admire the literary goals of the book but didn't quite have the patience needed to really enjoy this throughout.

Dune - Frank Herbert: Apparently some people still haven’t read this book? They really should.

The Thing Around Your Neck - Chimamanda Ngozi Adichie: A book of short stories that are all elegant windows into the lives of people who are coping with distance, displacement and dread. They cover a lot of the thematic territory she addresses in other books, but with little experiments in style and structure that usually work.

Fear City - Kim Phillips-Fine: I've been waiting for years for someone to write the history of the New York City Financial Crisis that we all need, and I just don't think this book is it. It ended up being a sort of surface level history of a handfull elites involved in the crisis that never dove into the depths I hoped for.

Isaac's Storm - Erik Larson: I didn't always care for Larson's potboiler narrative style but I think the 1900 Galveston Hurricane is interesting and important and I'm glad someone wrote a book that lots of people could read about it.

What I Talk About When I Talk About Running - Hakuri Murakami: Since I read this (all at once, on a beach), I've been drifting back to certain points of it that just seem to stick with me. It's only in part a book about running, but also about writing, and I quite like both of those things.

Quicksilver - Neal Stephenson: Apparently there are 8 more books in this series. I'm not going to read them.

A Little Life - Hanya Yanagihara: I can't remember the last time I was quite this obsessed with a book, to the point of being driven to read into inappropriate hours of the morning and setting aside other obligations to make time for it. I also can't remember a book so devastating and frustrating to read, that puts its characters and readers through so much trauma and then describe in claustrophobic detail how it curtails their experiences of joy and success. There's nothing like it, and you need to experience it to understand.

The Fifth Season - NK Jemisin: I didn't love this book as much as everyone else I know who has read it. The story is clearly brilliant conceptually, but something about the melodrama in the writing style just kept getting in the way for me.

Radio Free Vermont - Bill McKibben: A Monkeywrench Gang for the modern age, but with less weird macho nonsense, and a better sense of humor.

Waiting - Ha Jin: What I most admired about this book was the ascetic, unadorned language that the author uses to follow a simple but elementally powerful plot line. You do end up waiting a lot as a reader, but there's much to observe as you do.

I Know Why the Caged Bird Sings - Maya Angelou: You don't need me to tell you that Maya Angelou knows how to write exceptional sentences. Instead, you should read some of them and learn the real power of a well-placed metaphor, or how you honor the half-formed, overpowering complexity of a child's feelings.

The Interpreter of Maladies - Jhumpa Lahiri: I've lost track of how many times I've read these short stories, but they destroy me pretty much every time.

Rules for Revolutionaries - Becky Bond and Zack Exley: There's some useful stuff in here.

The Lowland - Jhumpa Lahiri: This was the first novel of Jhumpa Lahiri's that I had ever read, and I just don't feel like she was able to stretch her voice -- which is so concise, spare and evocative -- to meet the scale of this novel.

The Great Gatsby - F. Scott Fitzgerald: One of the greatest books of all time, a perfect picture of the spiritual depravity of money and consumption.

Frankenstein - Mary Shelley: It turns out this book is very little like the pop culture Frankenstein myth -- there is only a glancing mention of dead bodies, the monster is articulate and an almost wholly private terror. Instead it's a nested doll of stories about nature, knowledge and spiritual purpose. Consider Phlebas - Iain M. Banks: A perfectly fine pulpy space opera. I’ll probably read more of the Culture books at some point.