#but i wanted to put this theory out there

[impactrueno]

it helps me to remember when i get sad about how annoyed lydia gets in s4 is that she’s fourteen at that point so she is ACTIVELY going through puberty. and we’re all kind of annoyed with the world at that point, even the people we love.

that's very true. she's also known him for years at that point, and he can be uhh a lot. he can't get away with displaying his huge flaws as often as he used to, lydia doesn't allow it, and when he DOES get away with it, the episode ends with lydia disappointed and even outright mad at him. Midnight Scum in particular is so hard to watch, you can see her losing respect for him as the episode progresses and...then it ends. episode over. beetlejuice is horrible, what did we expect?

but yeah season 4 is. whoof man.

sure, you can chalk up part of it to teenage hormones making her more irritable, but i really do think she's just like, at her limit sometimes. i can't blame her, i too want to strangle him a lot of the time and i'm not even the one putting up with his shit, babysitting him or having to deal with the consequences of HIS actions.

this isn't Critter Sitters anymore, she is simply not having it and she won't make a cute little excuse for him "oh he makes me laugh and eats bugs hee hee"

season 4 lydia reacting at his jokes like 😒🙄

she's probably heard that one a thousand times by now. beetlejuice is a static character; he doesn't change, he doesn't go through character development, he doesn't learn his lesson (outright refuses to) but lydia DOES change. and she will continue to change as she grows older. and i KNOW this is a sad theory but i can't help but think that, as she grows and moves forward, she's just...gonna leave him behind.

it'll be hard for her not to. not only is she starting to make her own life and will continue to get busier and busier and not having time to hang out with her ghoulish best friend...she's also maturing. something beetlejuice has never done, and seemingly never will. and as she grows more mature, those puns and pranks and hijinks will become less funny, and his lying, clinginess and refusal to grow will become more evident. season 4 has lydia expecting better of him and being let down, constantly. if it's exasperating for us imagine how it must be for her.

at what point does it become too much? how often has lydia sat and thought about this kind of thing? considering how intelligent and sensible she is for her age, probably more than a few times. this dead guy inadvertently saved this depressed little girl by becoming friends with her and giving her the confidence to be herself and make her own friends. does she know that though? beetlejuice does, he saw it when they showed him the reality in which lydia never meets him. but lydia has no idea (and he will never tell her) so sometimes i wonder if she's missing that key aspect of why he's so important in her life. it's possible she might've come to the same conclusion herself; but even then, these things can be hard to remember when you're having to, once more, clean up after him and the messes he gets them into because his chaotic impulses are always stronger than him. you can tell she's very tired of this. and she will become even more so as time passes.

best friends forever though.

...

...right?

[castiellesbian]

what is the el sol theory. there are so many theories around here

basicallyyyy. the production designer, jerry wanek, likes to do little symbolism with the props. one example is the different kinds of beer he puts in certain scenes. The brothers are often seen drinking Margiekugel, which is named after wanek's mother, so it's usually to denote family bonding. then there's el sol, which is often in scenes where something is wrong or reality isn't what it seems. the most notable instance of this is in 2x20 "what is and what should never be" where dean's "girlfriend" is an el sol model

(he's also drinking it in this episode when he mows the lawn for mary).

cut to the finale and dean is in heaven talking to bobby and they're drinking nasty beer because it's what dean would drink with john. and oh look at that--

it's the beer that symbolizes something is wrong. but that's weird because on the surface, everything is playing out like it's "okay," like it's fine dean is in heaven and bobby doesn't care that dean died at the age of 40.

so the el sol theory is that something IS wrong in the finale. it's not real, chuck won, the writers are sending us coded messages that this wasn't the finale they wanted, take your pick. i'm personally more of the opinion that if it DOES mean anything, it's that wanek thought the finale was stupid and used his shitty beer prop. obviously we will never know save there being a tell-all documentary released years from now (i can always hope lol) so in the end it will remain... a theory.

[lizardlicks]

i can not "this tbh" hard enough. Remember when Emma Watson gave a speech about bringing men into feminism because dismantling the patriarchy benefits everyone?? Remember that was in 2014??? Remember that it was actually working and actively recruiting men away from the manosphere, chan boards and subreddits with the promise that if they hated the game and it made them miserable, men didn't have to play it either?

You can thank a rad fem for the full 180 on that. And no, I'm not exaggerating, most of the movement leaders have gone on record saying that they actively worked to reframe their gender divisive ideology to make it more hip and cool sounding, then methodically went after the younger generation of queers who hadn't yet establised ties or absorbed any of the history-- specifically young wlw-- in the new and fast growing online communities on Twitter and Tumblr.

Radical Feminism is a hold over from the feminism of the 60's through the 80's. While the feminists of that day made massive strides for equality in the work place, it left behind vulnerable populations and didn't make very strong in-roads to cross collaboration, inclusivity, and diversity. It was already considered too ridgid and out of date by the 90's third wave feminist movement, and by the 2010's with the expansion of queer rights and queer visibility in online spaces, while still being at least mostly protected by anonymity, we were making huge in roads towards the idea that feminism was for everyone, and the ultimate antidote to patriarchal power structures. Conversation focused mostly on addressing those structures, how to undermine and dismantle them, how to empower the men in our lives to do that, and to support them in breaking away from it. It's where the idea of toxic masculinity came from: not that being male is toxic, but that there are ways of performing masculinity that are toxic, ways that are healthy and foster community and growth in their lives, and that men could still be manly men without the extra baggage attached. That our spouses, brothers and cousins could do it better than their father's did. That they could get therapy, have have help, and pass something better onto their sons.

I have a lot of cis male friends who I would have described as chest thumping manly men types back in the day, who sat down and had thoughtful conversations, who came out the other side staunchly feminist, far more aware and intentional, and brought that into their friend groups and work places.

If you want to know what happened? We stopped having that conversation. The rad fems were successful, they got into the heads of young fem queers and convinced them to put a wedge into their lives with men.

They even got into the heads of the transfems they hate! Do you know how many fresh hatched eggs I see to this day spouting anti-male propaganda that was originally handed down from TERFs? (Ladies, they're not going to welcome you into the non-existed Secret Inner Magical Sanctum of Womanhood no matter how loudly you scream about men sucking. They don't even do it for most cis women.)

And meanwhile the pewdiepies and Andrew Tates of the world never stopped talking to the men. Who did you think they were going to listen to after getting shut out and shut down?

And if you don't believe me, this blog has existed for over a decade. You can go back into the archive and view posts from 2012. Reblogged a LOT of feminist posts back then because there WERE a lot! Whole reams of queer and feminist theory were being drafted in real time between the people it affected most. You can see the shift especially in 2016 onwards in less and less as we quit being able to have those conversations without a rad fem jumping in and either shifting the narrative or distracting everyone with nonsense and sometimes vile accusations to shut it down completely.

This was calculated and intentional because a handful of people where very pissy that they weren't leading the direction of the conversation in the new online era anymore.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[literaryvein-reblogs]

Any advice for figuring out how to work on writing characters arguing?

I’m just curious and also I mistakenly derailed part of my writing over struggling to write a scene of characters starting an argument that was meant to escalate.

Writing Notes: Arguments

Arguing is full of tension.

Even benign conversations between friends so often belies subtextual personal agendas that are antagonistic or covertly full of anger or upset.

Honesty itself sometimes is the product of extreme tension and upset.

One’s resistance to telling the truth to another or admitting to oneself a truth can be excruciatingly tense and stressful, even between lovers.

SIDESTEPPING

You instantly create conflict in dialogue when you avoid “on the nose” responses.

On the nose means a direct response, sometimes even echoing the previous line.

You can avoid direct response:

With a statement that is unrelated to the prompting dialogue

By answering a question with a question

With a line of dialogue that is going to need some explanation

Also consider using silence:

“Are you ready to go, dear?” Bob asked. Sylvia said nothing.

Or use an action response:

“Are you ready to go, dear?” Bob asked. Sylvia picked up the mirror.

OPPOSING AGENDAS

Always know what each character wants in a given scene.

If a character in a scene is just taking up space, give him an agenda or get him out of there. Or cut the scene entirely.

Scenes require conflict or tension, even if it’s subtle.

Before you write the scene, note what each character wants.

Then spend a few moments playing with those motivations.

List 3 other possible motives for each of the characters, then mix and match to decide which ones will make for the best conflict.

It is also important to create tension among allies.

One of the danger points in fiction is when two friends, or people who are at least on the same side, have a talk about what’s going on. The trouble is there might not be any trouble between them. So much of the dialogue becomes a friendly chat.

This will violate Alfred Hitchcock’s axiom (Hitchcock once said that a good story is “life, with the dull parts taken out.”).

The fastest way to handle it is to make sure there is tension manifested from the start.

Create tension in at least one of the characters, preferably the viewpoint character.

Example: When you have Allison meeting Melissa, her college friend, for coffee, don’t have them sit down and start talking as if nothing’s wrong in the world. Put the trouble of the story into Allison’s mind and nervous system and make it an impediment to her conversation with Melissa. In Melissa, place something that might be in opposition to Allison’s needs. Allison needs to ask Melissa’s advice about a crumbling marriage. Maybe Melissa is full of news about her sister’s impending wedding to a wonderful man and gushes about the prospects.

Spend some time brainstorming about the ways two friends or allies can be at odds. Then weave those things into the dialogue.

DIALOGUE AS WEAPON

Look for places where you can use dialogue as a weapon, a means for your characters to charge ahead in order to get what they want.

Keep in mind that dialogue is action.

It’s a physical act used by characters to help them get what they want. If they don’t want anything in a scene, they shouldn’t be there.

Note that not all weapons are explosive. They can be small and sharp, too.

PARENT-ADULT-CHILD

A great tool for creating instant conflict in dialogue is the Parent-Adult-Child model, popularized in the book Games People Play by Eric Berne (1964). This school of psychology is called Transactional Analysis.

The theory holds that we tend to occupy roles in life and relationships.

The 3 primary roles are Parent, Adult, and Child (PAC):

The Parent - the seat of authority, the one who can “lay down the law.” S/he has the raw strength, from position or otherwise, to rule and then enforce his/her rulings.

The Adult - the objective one, the one who sees things rationally and is therefore the best one to analyze a situation. “Let’s be adult about this,” one might say in the midst of an argument.

The Child - not rational, and not with any real power. So what does s/he do? Reacts emotionally. Throws tantrums to try to get his/her way. Even an adult can do this. We’ve all seen clandestine videos that prove this point.

So it is a helpful thing to consider what role each character is assuming in a scene.

How do they see themselves? What is their actual role? (It may indeed be different than what they perceive it to be.)

Most important, how will they act in order to accomplish their goal in the scene?

Answering these questions can give you a way to shape your dialogue so there is constant tension and conflict throughout.

Also consider that the characters might change their roles (try something new) in order to get their way. Thus, this is a never-ending source of conflict possibilities and only takes a few moments to set up.

TIP ON DIALOGUE

Look at all of your dialogue exchanges, especially ones that run for a page or more.

Analyze what roles the characters think they’re inhabiting.

Rework the dialogue by getting each character to be more assertive in their claimed role. (Also note that a character can change roles as a matter of strategy. For example, if the Parent isn’t working, a character might switch to pouting like a Child in order to get his way.)

Sources: 1 2 ⚜ More: Writing Notes & References

Hope this helps with your writing!

[threeacttragedy]

Entry 9: The One Where You Choose Your Own Brazilian Adventure

My planned post – the “In Dedication of JVN” one where I fangirl over Jonathan Van Ness and what a fun and interesting piece of the Lukola puzzle he is – was derailed today because I was once again asked about Brazil. Well, more specifically, I was asked about whether I thought we were ever going to get those steamy, hopefully X-rated pictures, from Brazil. There’s pictures?!

In truth, I thought we’d collectively squeezed that grapefruit dry and left the rind somewhere between Italy and the Glamour Awards.

Alas, here I am writing about Brazil.

It’s funny because I’ve never thought much about Brazil. I know, I know! How could I possibly type those words without my nose growing six inches in front of my face? Well, it’s because it was always Australia that intrigued me. More on that later…

So why exactly do we believe there are pictures from Brazil? And, why do we think they are going to prove some kind of hot affair between Luke and Nicola? This theory is likely fueled by rumor; rumor born from how Luke and Nicola behaved towards each other while they were in Brazil.

I thought it would be fun to play a little game of “Choose Your Own Adventure” to determine if we’re ever going to see these alleged pictures. And, yes, I will be a very sarcastic bitch when doing this.

Before I start, though, I want to give a quick shout out to my dear friend, whom I shall call The-One-Who-Drops-Random-Pics-Into-Our-Group-Chat-and-Lets-Us-Sweat-Over-Them-for-Atleast-Three-Minutes-Before-Finally-Explaining-Them. She was a wealth of information about Brazil and even had a nice mother-daughter chat with me about the significance of a clean-shaven face (pardon me for never having dated a bearded man, which is odd because I find facial hair quite attractive).

Now, gather ‘round and I shall give you a little prologue to our adventure!

I’m sure most of you already know all about Brazil. In fact, many of you are probably self-described experts at this point. But, for those who are new here, let me go ahead and light the candles and set the ambiance for you. 

On May 19, Luke and Nicola were shuttled off to do their beach photoshoot in Brazil. You know, the one where Nicola was walking the dogs; Luke was strumming the guitar; Nicola was being all girlfriend-like fixing Luke’s jacket; Luke was gazing up at Nicola at the pub while she was touching his neck; and then there was that moment when we all thought they might kiss. Yeah, all that plus Luke’s scruffy face from the week prior suddenly appeared clean-shaven. Apparently, you can never be too “Casual” when you’re headed down south (pun intended – as was that Chappell Roan reference). And, about now is where I’ll “insert disclaimer that this is speculation only.”

The following day, we had the actual premiere. I’m not sure what those two were up to before the premiere but both were un-fucking-hinged by the time they made it to the red carpet. We had angel-face Nicola looking up at Luke like he had created the universe and Luke answering Nicola’s Little Red Riding Hood vibe with one sexy ass Big Bad Wolf persona. I mean, the bits and bobs that came out of Luke’s mouth that day! “There’s a carriage downstairs.” “I mean, in this heat, all I’m thinking about is when we didn’t have to wear clothes ‘cos that would be quite nice right now.” “I mean the show is proof that it is [okay to kiss your friends].” With Nicola whispering back, “This is true.” Then there was Luke taking that mic without taking his eyes off Nicola. We had Luke helping Nicola put on her bracelets because – God forbid! – she let go of him for 30 seconds to do it her fucking self. And, let’s not forget about the two of them holding on to each other behind that woman’s back (I’m sorry, I don’t recall her name and I’m too lazy to look it up – mainly, because I’m certain most of you don’t really care about that other woman).

We were also given snippets of Luke and Nicola at the premiere afterparty, looking like two people who, at a minimum, enjoyed each other’s company. They greeted fans outside the venue and, as they walked away together, Nicola seemingly put her hand on Luke’s lower back as if to guide him in the right direction (go ahead – let your imagination run wild – it’s a great opening for a FanFic).

Then, throw in the beach walk with the giant security guard; the interview where Nicola was wearing the fluffy pink skirt and the two of them talked about Chappell Roan’s “Kaleidoscope” (seriously, those two were listening to that song together?); Nicola couldn’t stop giggling about the “meat” of the Carriage Scene; and Luke appeared perhaps a smidge too interested in Nicola’s answer about what she looks for in a man (which fit perfectly into Luke’s “Like, how nice is it when someone notices, like, your kindness or your sense of humor?”). And, we can’t ignore them seemingly sharing a tea cup and Luke reaching for Nicola’s spoon after she’d sampled a dish. Don’t even get me started on over-analyzing Luke’s “manspread” that day.

Let’s also not forget about the rumor portion of this Brazilian escapade – because that is what fuels the sexy hot pictures theory and the central plot of our storied adventure.

Rumor has it Luke and Nicola spent a lot of time with each in Brazil.

By themselves.

In one or the other’s room.

On the beach.

By the pool.

There were also rumors of them making out in the hotel hallway.

The only evidence we have of any “alone time” are some pictures that were dumped on X of them dining together alone, without any other members of their team.

Now that the backdrop has been set, let’s go on my little adventure.

During the summer between my 7th and 8th grade years, I was bored out of my mind. I grew up in the countryside. No neighbors. No sidewalks. No cable! Just fields, wooded areas, and my two sisters, both of whom had no interest in entertaining me that summer. My mother suggested I read. After boredom had dug itself so far into my being that I was left with no choice but to read, I finally ventured over to the bookshelf and grabbed the thinnest book I could find. It was a “Choose Your Own Adventure.”

If you don’t know what a “Choose Your Own Adventure” book is, then you (and your children) are missing out. Basically, you play the role of the protagonist and make choices to determine the outcome of your story. Sometimes you make the right choice and survive; other times you make the wrong choice and get turned into a little mouse that may or may not be eaten by a cat.

Here we go.

As the protagonist of our story, you are:

THE EMPLOYEE

You’re an employee of the hotel Nicola and Luke stayed at while in Brazil. You have sworn to maintain the privacy of hotel guests; you’ve signed a non-disclosure agreement of sorts to protect the privacy of guests, especially since you have access to VIP areas. You can be a housekeeper, a watchman, a concierge, a seven-foot-tall security guard, whatever tickles your fancy. Doesn’t matter – you’re all bound by the same provisions to protect the privacy of the hotel’s guests. But, in this story, let’s say you’re the housekeeper because – what’s that old saying – the only person who knows everything going on in the house is the maid?

You’re cleaning Nicola’s room and you find lots of signs of a man being in the room. In fact, you find a coat that looks exactly like the one Luke was wearing the night of the premiere. Oh my. As you’re leaving, you see two people making out in the hallway – headed straight towards the room you’re just leaving!  It looks like Nicola and Luke. What do you do?

Choice A: Well, you’re a pervy housekeeper so you pull your phone out and start taking pictures. I mean, those two are so into each other, they don’t even notice. You then run and play show-and-tell with your friends because you can’t keep a damn secret. Unfortunately for you, that gossip spreads faster than lice in a preschool, and hotel management tracks your ass down because, guess what, your friends can’t keep a secret either. So, congratulations on being fired. You’re meeting with the lawyers is first thing in the morning. Oh, we also need your phone and the names of all your friends.

Choice B: You respect the privacy of Nicola and Luke and simply turn and walk the opposite direction. Taking photos of them never even crossed your mind! But, damn, what a good story to tell your bestie when you get home, even if you don’t have “receipts.”

THE VIP GUEST

You’re a random guest staying at the hotel. In fact, you’re a random VIP guest staying on the same floor as Nicola and Luke. When you checked in, you signed a non-disclosure agreement. I mean, you want your privacy protected, too! And, heck, NDAs are thrown out like candy these days. You’ve seen so many at this point, you don’t even bother to read them.

You take the elevator up to your floor and, as you step into the hallway, you’re confronted with – goddammit, there’s two motherfuckers all over each other! The guy is trying to slide his key into the door, but the woman’s dress is so awkwardly large, he can’t seem to find the right slot! You realize the people look a lot like those two stars from Bridgerton, and your best friend, Effie, is a huge fan! What do you do?

Choice A: You can’t believe Effie is missing out on this excitement so, of course, you pull your phone out and start taking pictures!! I mean, that NDA you signed didn’t even cross your mind three minutes later when you were forwarding the pictures to Effie! And, because you can’t control what Effie does, she forwards the pictures to all her Bridgie buddies. The next morning you awaken to find the pictures all over X. Oopsie. You feel slightly guilty, and a bit peeved at Effie – but only until you’ve had your morning coffee.

Choice B: You take people’s privacy very seriously. Well, maybe you don’t take it that seriously, but it would be too difficult to dig your phone out of your handbag to take pictures. And, to be honest, Effie is the huge fan, not you. Plus, it seems the guy finally got that door open and damn, based on the sounds of it, he's unlocked something magical. Oh well. You’ll call Effie in the morning to tell her your story, if you remember it.

THE RANDOM STRANGER

You’re a random stranger taking an evening stroll along the beach. You love the sound of the ocean. It’s so peaceful…the sound of the waves… Ugh, what is that noise?! It sounds like – shit, it is! – two people snogging in a cabana about 10 yards away from you. Wait a minute – is that? Yeah, you think it could be! I mean, you were just at the Bridgerton premiere last night! What do you do? Without hesitation, you pull out your phone!

Choice A: You creep behind an umbrella and zoom in as close as possible with your camera! I mean, shite! You can’t believe this! How long have you been filming?  Probably longer than necessary but who cares? Suddenly, you feel a presence behind you, perhaps a seven-foot-tall presence, and you slowly turn around. Fuck! Who’s this guy?! He takes your phone, drops it to the ground, and stomps on it, shattering its insides.  Asshole.  You bend down to pick up the phone, but the man taps your shoulder and shakes his head, “No.” Well, umm, yeah, I guess you best be leaving.

Choice B: You use your camera to zoom in on the couple. Snap! Snap! Snap! Then you get the FUCK OUT OF THERE! You tell yourself you don’t look suspicious at all, even though you’re practically running and your heart is about to pound its way out of your chest! Oh, thank God, you’ve made it to your car. You start it up and, like I said, YOU GET THE FUCK OUT OF THERE! You get home and take a look at the photos! Goldmine! So, should you drop them on X? Maybe be a little see-you-next-Tuesday and try to sell them to Nicola or Luke’s teams? But, hell, you don’t even know where to start with that! Or, should you just pocket them for your own pleasure? You tell me….

The End.

Yes, I am absolutely being a facetious little ass! The above scenarios were for (the most part) my own entertainment. I mean, there are so many situations where these alleged pictures could exist (these playful ones don’t even scratch the surface). But, do the pictures exist?

If we’re being logical here, you would think that, if anyone in the general public were in possession of these alleged sexy-time pictures of Luke and Nicola, or had seen them, it would be all over social media at this point. I mean, ALL OVER. So, what can we deduce from the fact that they aren’t?

That the pictures probably don’t exist. Don’t shoot the messenger! Seriously, watch where you point that thing!

But, let’s say pictures did exist. Who is the most likely person to dump them on, say, X? The hotel employee, the VIP guest, or the random stranger? I would place money on the random stranger, followed by the VIP guest. The hotel employee, who probably has the most access to VIP guests but the strongest legal barriers, would be the least likely to photo dump. What is the likelihood that someone from one of these three groups – for example, a random stranger – (a) had pictures of Luke and Nicola, (b) didn’t drop them on social media, and/or (c) didn’t share them with someone who dropped them on social media?

I’m all for a good conspiracy theory but I find this one to be a hard pill to swallow.

Maybe one person can act as a lockbox for this kind of secret, but when you start including more people, the ability to keep something (like illicit photographs of two celebrities) out of the public eye diminishes rapidly.

Remember what Benjamin Franklin said, “Three can keep a secret, if two of them are dead.”

Unfortunately, this quote is incredibly accurate. The general public cannot keep secrets.

If the pictures exist, they are most likely in the possession of Luke and/or Nicola’s team (of lawyers). So, unless they’re going to sneak them on to X for giggles (I mean, it’s been known to happen), you’re probably never going to see them – and that’s assuming they even exist.

However, if you’re the housekeeper from our first adventure and you happen to have some candid photographs you’re just dying to share, just find yourself a printer – one that cannot easily be linked back to you – and print them out. Then, “accidently” drop them at the feet of someone who knows exactly what they are, and then give them enough time to take their own photos of them and send them to their best friend’s brother’s sister-in-law’s third cousin’s wife’s neighbor, who could drop them on X for us. I mean, you should be golden with seven degrees of separation.

[cherrybr4t]

hoshi as your boyfriend (+18)

(sfw + nsfw)

warnings: first half is all FLUFF <3 nsfw part included too! dancer!hoshi, dancer!reader, fem reader, unprotected sex 😔, public sex, creampie, mirror sex, orgasm denial + edging, they r in luv! <3

boyfriend!soonyoung who’s the school’s infamous dance captain, while you’re a member of the dance club. that’s how the both of you met.

boyfriend!soonyoung who was known to be a dynamic ball of energy, but with you — he was so shy initially. thought you were too pretty to approach, thought you looked out of reach. took him a while to be able to be friends with you.

boyfriend!soonyoung finally had the balls to confess to you after working on a dance project with you for 2 months. impulsive 2am thoughts and a slip of the tongue while the both of you were slurping down cup noodles after practice.

“—so yeah jihoon wouldn’t stop making fun of me, especially about my crush on you and—”

“what?”

“…what did i say?”

boyfriend!soonyoung who’s superrr clingy. even if it’s a separate practice session for team projects within the dance club, he’s gonna be at yours. sitting at the back, the front, beside the mirrors — wherever. (and it makes the juniors/other members nervous as HELL)

boyfriend!soonyoung who gets pouty when you tell him not to show up all the time — “it intimidates the rest!” but he promises to not be noticed the next time; cue him going to your next practice in a ball cap and mask, sitting at the back corner.

boyfriend!soonyoung who is always willing to help and guide you patiently. (though he is always impatient and scary with the other team members) with you though — he can never lose his temper at you. every mistake you make causes him to giggle like you’re the cutest thing ever.

“you’re so cute baby,”

you pout “i’m sorry baby… i can’t seem to get this even though i’ve done it like - 20 times.”

“it’s okay baby, you’re doing so well. doing better than dino even.”

you tilt your head…”that’s impossible”

“i’ll happily watch you practice it a 100 times angel,”

boyfriend!soonyoung who’s your biggest supporter. he’s your biggest fan. after every performance, he never fails to gift you the biggest & most dramatic bouquet of flowers with a little tiger plushie in the middle. with the longest heartfelt letter sealed in a tiger print envelope.

boyfriend!soonyoung who feels so lucky to have you. because if you think he’s dramatic? you’re even MORE dramatic. customised tiger gifts for him, an even bigger bouquet of flowers for him, and the cutest love letter he has pinned on his board at home.

boyfriend!soonyoung who is always your biggest defender. anytime he hears people talking shit about you — he’s immediate to thrash things out with them. always reminds people how hardworking you are, and loves to talk about you to everyone he knows.

“she’s the prettiest, kindest, purest soul i’ve ever met. and have you seen her dance? swear she’s better than me.”

“she’s the best. i don’t know how i got so lucky to love someone like her.”

boyfriend!soonyoung who loves using not only words of affirmation, he loves his quality time with you, he loves feeling your touch all the time, and he’s the best at acts of service.

“i love you baby. i’ll never get tired of telling you how amazing you are. i’m so happy we got to exist in the same universe timeline, like—” *him rambling and getting distracted by the theories about different universe timelines*

*him always planning the most thought out dates — full day itinerary; at the zoo, pottery dates, etc. but he loves spending his down time with you too — sitting at home, putting on animal print face masks together, doing feet baths together.*

he always needs to hold your hand — doesn’t want to lose you in the crowd (though the crowd on tuesdays at the mall seems to be…bleak). hugs with him lasts at least 10 minutes at a time, and naps with him end up with him hugging you like a koala bear on a tree.

hungry at 2am? he’s at your door within 15 with your favourite late night snack. on your period? he’s got a full care pack covered. late for class? he’s already sitting in your lecture hall; attendance marked for you, taking down notes for you.

nsfw version here!

boyfriend!soonyoung who found out he had a thing for exhibitionism one night while the both of you were practicing late in the dance studio.

you were practicing your moves, concentration at a 100% while looking at yourself in the mirror. and he couldn’t help but feel a little turned out by how hard you were dancing. sweaty, flushed and so so pretty.

the song switches — and you snap your head towards soonyoung. he walks towards you in beat with the sensual song, before wrapping his arms around you from behind.

“follow my guide baby,” he sways, holding onto you so tight. he traces your arms, interlocking both hands with you — flowing with the music while his eyes never left yours in the mirror.

“you’re so sexy baby. love the way you move,” he breathes down your neck, eyes shutting for less than a second before he focuses on you again.

you hum, hips moving against his crotch as you feel yourself get heated up as the song progresses. “learned it all from you baby,” your giggle snaps him out of his deep reverie.

“getting bold now are we?”

boyfriend!soonyoung loves how you’re always down to explore new boundaries with him. he knows the deep trust goes both ways, and he’s grateful.

boyfriend!soonyoung loves when you get all needy for him. it’s usually him being all clingy and like a baby when it comes to you. you’re his safe space. so when he sees you being all wide eyed and desperate for him — it turns him on to no end.

he’s a menace. when it comes to fucking you, he’s double the menace. gets off on you being his needy little angel. no one would ever guess what goes on behind closed doors when it comes to him.

he’s edged you for the past 30 minutes, your juices tainting the dance floor that’s only seen blood sweat and tears of the dancers. his smile is sinister, is relishing in the fact that he’s holding the key to your heaven gates at the moment.

loves to have you in front of him sitting right in front of the mirror. the big and wide mirror capturing the indecent act. your legs wide open for him as his fingers alternate between rubbing messily and harshly on your clit, and plunging deep into your his cunt.

wants you to come undone on his fingers and torture alone.

but he’s selfish, only wants to achieve what he’d set to do so earlier. and it’s for you to cum on his cock. he sits on the floor with his pretty cock out in the open, and has you in the same position, except now you’re sitting on his cock — deep inside you. all still facing the mirror where his gaze is locked on every move you make.

“that’s it baby, ride my cock like you fucking mean it yeah?”

“training you to have strong legs baby, you need them to continue to dance amazingly right?”

you cry out at the overstimulation, you want nothing but to cum. every hit his cock makes chokes you and you don’t recognise the girl in the mirror anymore — so wrecked on your boyfriend’s cock.

“tell me what you need pretty girl,” soonyoung teases as he leans back on his hands, enjoying the view in the mirror, hiding how fucked out he feels. how he is so close to cumming right inside of you this very moment. but he’s holding back. he’s got better control than that anyways.

“need to—need to cum nowww soonie, please baby,” tears pricking at the corner of your eyes as you continue to ride him, pace faltering as you feel your legs getting tired.

“if you can cum like that, be my guest baby. cum.” he shrugs, and you notice the glint in his devilish gaze through the mirror. you groan, legs giving out on you and you resort to grinding slowly.

“need you to—need you to help me,” you pout, if acting cute won’t get you what you want, you don’t know what else to try.

“baby needs my help? can’t cum on her own? aw baby.” he pouts back at you, and you want so badly to snap at him at his tone but you know better than to do so.

“on your knees, face the mirror. won’t tell you twice.” and all energy resurfaces as you scurry to go on all fours, looking at how desperate you appear through the mirror — your reflection mocking you.

soonyoung grunts in approval. slides his cock right back into you, and thanks the heavens for you. for being able to take you like this. swears you look like an angel even being so fucked out on the dance floor, back being blown out.

“so fucking pretty like this baby, how do you always look so fucking beautiful,” he snaps his hips so deep into you with a certain tempo, and you feel like you’re ascending to heaven each time he fucks his cock into you.

his fingers reach forward to smack your puffy clit, using the tip of his fingers to rub messily, finally deciding to let his angel cum.

“c-can’t—gonna cum—i’m gonna cum gonna cum” you cry out with a hoarse throat with actual tears running down your flushed cheeks this time. your hands reach back to grab onto his biceps, nails plunging in, and it drives him crazy.

“you can cum baby, cum on your fucking cock—cream it baby let me feel you—” you clench around him so tight he lets out a string of ‘fucks’. you fall forward, face flat — cheeks pressed on the dance floor, letting your body do the job of releasing the past hour of edging. all tension let loose, you moan out his name so beautifully as you cream and choke his cock with your cunt.

“fuck fuck fuck baby, gonna cum too. gonna cum inside you pretty, fuuuuuck—” his grip on your hips tighten as he releases his creamy load inside of you. airy moans leaving his chest as he lets his cock paint your cunt as his.

he slows down his thrusts, letting the mixture of your releases mix together slowly. you both slowly relish in the moment of your bodies connecting, feeling nothing but love left.

boyfriend!soonyoung who’s always taking care of you — including after care! loves praising you non stop, leaving trails of kisses everywhere. post-nut clarity hits differently for him — where he always tells himself that he wants to be yours forever.

boyfriend!soonyoung who’s not only the best boyfriend, the best lover but also your best friend and the one person you’re most thankful for in the world ! <3

a/n: haha…was in a hoshi mood…<3 GAH. i hope u guys liked it ! typed this all in one go while thinking abt hoshi n him being the bestest boy ever.

[scentedluminarysoul]

Yeah, gotta say as well, I'm not super excited to post new chapters sometimes. Like, I get comments, and it's great, some frequent flyers. But only on day one or two, rarely later. And then I just. Tend to forget honestly. Life goes on. And I think, maybe people just don't care.

But then I get a new comment, whether it be a newcomer or "an old friend" who's rereading, and I immediately want to publish more to get their opinions

But man. Even when I ask what people thought? Barely anyone says. I want to hear what you loved, what you didn't, what theories you have!

And I think this is in part due to creative work being reduced to "content". It's content people consume and then go to the next piece of content. People don't engage with fandom anymore. I'm old, I've been in fandom for 20 years, and it was so different back then. Now I have people just telling me to update, or asking why character X did Y. Dear readers: that's for you to ponder.

So I think in part it's also the erosion of good TV shows, actually. Used to be we had 22-24 episodes and the story unfolded slowly, questions left unanswered. Now? Shows drop all episodes at once, and only 6 of them, so we gotta speedrun, and we better explain everything every five minutes for the people on their phones.

Anyway, sorry, rambling.

Point is:

Tell an author that you liked their story!

If you're shy, or don't speak the language, that's fine! I have regulars who only comment emojis, or who comment in their native language (Spanish, Russian), or run their comment through translate to post in English.

It's fine! Emojis show emotion. And translators exist!

Just please, as a writer, I beg of you:

Comment.

Don't lock yourselves away, discussing a fic. If you like it, let the author know!

A friend of mine also spent so much time and effort plotting out a huge event in their fic, the grand finale, 30k+ words over multiple chapters, and they received barely any feedback. They were so bummed out and almost quit and deleted. They were depressed about it. And it was so good! You could tell they put so much soul into it to make it perfect. It just sucks when people don't say anything.

I often lack the energy for a long comment, so I'll just drop a short one. "I loved it! Thank you for writing!" and sometimes I go back later and leave a longer one when I have the spoons. But I want to leave something, because I know how it is

Because here's the other thing: fanfics aren't social media. You can still comment on fics that are finished and years old. I've seen people write new chapters on abandoned fics because of a single new comment!

Fandom creators provide fanworks for free. We put our heart and soul and whole pussy into it. And all we ask for in return is a little bit of appreciation

I apologize again for the rant

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[saras-almanac]

So I’ve been sitting on my feelings about the BuckTommy breakup and handling of it for a while, trying to get my thoughts in order. And after a while of thinking on it—and the recent Lou interview dropping making me feel like my feelings are valid—kind of made me want to just blurt them all out and hope for the best. So this is that.

Ultimately the entire handling of the BuckTommy breakup feels cruel. And not just cruel in an intentional way, but cruel in a casually, not even given any thought cruelty, which is worse sometimes. And to be honest, I think that’s part of why I’ve been struggling with it so much. (That and the echoes of Magicians season 4, which if you know you know).

What I mean by cruelty is just the lack of any real effort or care put into this storyline, one that they had previously been handled with so much care and concern and were praised (rightly so) for at the time. It’s the way they introduce this Tommy as Abby’s ex thing, which makes hardly any sense at all, but also feels cruel in the intention of laughing at the invisible string of fate theory between them. It’s they way that they’re 6 months anniversary and not only have they not talked about this, but Buck (Evan Buckley) didn’t get him a gift that feels cruel because that feels so wildly out of character for him. It’s the way they had the break up play into some bisexual stereotypes at best and inherently biphobic at worst by having Maddie suggest Abby turned him gay or that Buck needs to “explore” things to figure out what he wants or that Buck “Doesn’t know what pond to jump back into” of it all. (Not to mention the comments from OS about wanting Buck to fuck—which I’m not getting into because I didn’t read it and as a bisexual woman, don’t feel the need to go and try to find something that might upset me more.)

All those reasons are why the breakup itself is cruel to the characters, but it’s also cruel to those of us watching, and especially to anyone and everyone who loved and/or related to the character of Tommy, who we see walk away much much worse off than when we found him. It’s the way the story (intentionally or not) is framing it like a romcom break up – make up – pining storyline which they apparently are not doing according to interviews. It’s the way they didn’t give any sort of closure to Tommy for the character or for the audience.

There’s a reason that people lose themselves in stories—it’s because they follow certain rules and contracts. It’s expected that stories do not match up to real life because while things don’t have bigger meanings in life or they don’t work out according to plan, in stories, everything happens for a reason. Because that’s the whole point of what you’re consuming. And along with that, emotional moments are meant to feel cathartic in a way, at least eventually, because you were able to see the bigger picture, to feel the finality to things, and to really understand what’s being said and what’s happening. This breakup does none of that and actually seems to have been included and rushed for shock value and that to me, is just shitty, lazy writing.

If you were going to break them up and have no desire for any sort of reunion or closure, why not make it intentional? Tommy could be the one who wants marriage and kids and settling down and Buck internally freaks out because theoretically he wants that but maybe it’s too soon and as much as Tommy loves Buck, he’s not going to wait around and hope that Buck feels the same for him because he’s been hurt too many times like that. Or Tommy could be leaving for another state because he’s no longer going to be a firefighter or needs to go for family reasons or gets a job at a different station that he applied for ages ago and he has everything all set up and isn’t going to ask Buck to leave his entire life for Tommy, so they decide to breakup even if it hurts both of them. In either of those cases, it’s sad and devastating, but at least there would be some closure to it and understanding of it for both the characters and the audience and some peace knowing that at least these two are going to be moving toward happiness in whatever way that means for them.

Instead, what we have, is a hail-mary last-second breakup that comes out of nowhere and feels abrupt and crappy in the way we leave Tommy specifically because we might never see him again. And that is the crux of the issue. Because the way this was written, the understanding is that they are going to get back together or reunion or at least have that final closure conversation—because that’s what happens in stories. We see this type of surprise breakups, breakups where they issue is they love each other too much and are afraid to go further (Athena/Bobby and Maddie/Chimney to name two examples we saw in universe) only to eventually fight to be together and realize that if they don’t take a chance they might never know how amazing it is. So the fact that it’s set up to follow this same path while nearly every interview is telling the opposite, again demonstrates that casual cruelty as well as an inherent failure on the writing. If you have to go in interview and explain what it is you wrote or are telling, then you have failed as a writer. It’s really as simple as that.

This breakup doesn’t feel set up or foreshadowed, it just feels like they added it on because they didn’t want to do anything more with it? And that feels incredibly crappy as a decision to so many people who related to Buck and Tommy and them coming out later in life and all those other things. I’m rambling and on my phone and feeling a lot of things that I can’t fully express right now, but the long and short of it: If this was always intended to be the final time we see Tommy, this breakup is even crueler than intended.

[xclowniex]

I always find it weird, that when leftists get called out on antisemitism, often times for specifically believing and spewing antisemitic conspiracy theories, instead of taking ownership, reflecting and doing better to keep antisemitism out of their criticism of Israel, which is very achievable, they opt for the route of using another antisemitic conspiracy theory to plead their innocence.

Instead of them actually participating in antisemitism, there must be this (((zionist))) lobby controlling jews to accuse anyone of being antisemitic as soon as they say anything bad about Israel.

When in reality, whilst the line can be blurred at times, there is a difference between valid and genuine criticism of Israel and just being straight up antisemitic.

David Hirsh wrote in his book, Contemporary Left Antisemitism, that he calls it the Ken Livingstone affect, names after Livingstone, who favors this method of reaction when called out for being antisemitic.

His particular offense is one common with leftist antisemites. That hitler and Nazis as a whole, were zionists and supported zionism until they simply just "went mad" and killed 6 million jews.

However that has never been the case. It was based on a 1932 proposed policy that Hitler wanted to bring in. And the motivation for the policy certainly wasn't because he supported jewish self determination, the core belief of zionism which all branches stem from.

Hitler supported jews moving to at the time, British mandated Palestine because he hated jews and thought we were ruining Europe. He never supported jewish self determination, he just wanted us gone.

Killing as many jews as possible with the goal of killing every jew, was not hitler just "going mad" for no real reason. It is only the next logical step after wanting to expell all jews.

You also cannot deny the antizionist framework that hitler was inspired by, the protocols of elder zion.

The protocols is a book written by some of the first antizionists. The book was fake notes from the real first zionist meeting and is infamous for being essentially the antisemitic book. These antizionists did not care for palestinians whatsoever. They were white supremists to put it bluntly. To the first antizionists, if jews had our own country, it would be a lot harder to kill us.

Hitler was greatly inspired by the protocols with his attitudes towards jews.

But instead of recognizing that they might have been partaking in antisemitism and learning what I explained above and making sure to only have genuine criticisms of israel, it is much easier for people to double down with the Ken Livingstone affect and be more antisemitic by believing in and propagating yet another antisemitic conspiracy theory that jews are weaponzing jewish trauma en masse to silence people critiquing israel.

[mellonhead58]

A Mathematician's Lament

I've put the introduction below the cut. I think it's worth reading if nothing else.

A musician wakes from a terrible nightmare. In his dream he finds himself in a society where music education has been made mandatory. “We are helping our students become more competitive in an increasingly sound-filled world.” Educators, school systems, and the state are put in charge of this vital project. Studies are commissioned, committees are formed, and decisions are made— all without the advice or participation of a single working musician or composer. Since musicians are known to set down their ideas in the form of sheet music, these curious black dots and lines must constitute the “language of music.” It is imperative that students become fluent in this language if they are to attain any degree of musical competence; indeed, it would be ludicrous to expect a child to sing a song or play an instrument without having a thorough grounding in music notation and theory. Playing and listening to music, let alone composing an original piece, are considered very advanced topics and are generally put off until college, and more often graduate school. As for the primary and secondary schools, their mission is to train students to use this language— to jiggle symbols around according to a fixed set of rules: “Music class is where we take out our staff paper, our teacher puts some notes on the board, and we copy them or transpose them into a different key. We have to make sure to get the clefs and key signatures right, and our teacher is very picky about making sure we fill in our quarter-notes completely. One time we had a chromatic scale problem and I did it right, but the teacher gave me no credit because I had the stems pointing the wrong way.” In their wisdom, educators soon realize that even very young children can be given this kind of musical instruction. In fact it is considered quite shameful if one’s third-grader hasn’t completely memorized his circle of fifths. “I’ll have to get my son a music tutor. He simply won’t apply himself to his music homework. He says it’s boring. He just sits there staring out the window, humming tunes to himself and making up silly songs.” In the higher grades the pressure is really on. After all, the students must be prepared for the standardized tests and college admissions exams. Students must take courses in Scales and Modes, Meter, Harmony, and Counterpoint. “It’s a lot for them to learn, but later in college when they finally get to hear all this stuff, they’ll really appreciate all the work they did in high school.” Of course, not many students actually go on to concentrate in music, so only a few will ever get to hear the sounds that the black dots represent. Nevertheless, it is important that every member of society be able to recognize a modulation or a fugal passage, regardless of the fact that they will never hear one. “To tell you the truth, most students just aren’t very good at music. They are bored in class, their skills are terrible, and their homework is barely legible. Most of them couldn’t care less about how important music is in today’s world; they just want to take the minimum number of music courses and be done with it. I guess there are just music people and non-music people. I had this one kid, though, man was she sensational! Her sheets were impeccable— every note in the right place, perfect calligraphy, sharps, flats, just beautiful. She’s going to make one hell of a musician someday.”

Waking up in a cold sweat, the musician realizes, gratefully, that it was all just a crazy dream. “Of course!” he reassures himself, “No society would ever reduce such a beautiful and meaningful art form to something so mindless and trivial; no culture could be so cruel to its children as to deprive them of such a natural, satisfying means of human expression. How absurd!” Meanwhile, on the other side of town, a painter has just awakened from a similar nightmare…

I was surprised to find myself in a regular school classroom— no easels, no tubes of paint. “Oh we don’t actually apply paint until high school,” I was told by the students. “In seventh grade we mostly study colors and applicators.” They showed me a worksheet. On one side were swatches of color with blank spaces next to them. They were told to write in the names. “I like painting,” one of them remarked, “they tell me what to do and I do it. It’s easy!” After class I spoke with the teacher. “So your students don’t actually do any painting?” I asked. “Well, next year they take Pre-Paint-by-Numbers. That prepares them for the main Paint-by-Numbers sequence in high school. So they’ll get to use what they’ve learned here and apply it to real-life painting situations— dipping the brush into paint, wiping it off, stuff like that. Of course we track our students by ability. The really excellent painters— the ones who know their colors and brushes backwards and forwards— they get to the actual painting a little sooner, and some of them even take the Advanced Placement classes for college credit. But mostly we’re just trying to give these kids a good foundation in what painting is all about, so when they get out there in the real world and paint their kitchen they don’t make a total mess of it.” “Um, these high school classes you mentioned…” “You mean Paint-by-Numbers? We’re seeing much higher enrollments lately. I think it’s mostly coming from parents wanting to make sure their kid gets into a good college. Nothing looks better than Advanced Paint-by-Numbers on a high school transcript.” “Why do colleges care if you can fill in numbered regions with the corresponding color?” “Oh, well, you know, it shows clear-headed logical thinking. And of course if a student is planning to major in one of the visual sciences, like fashion or interior decorating, then it’s really a good idea to get your painting requirements out of the way in high school.” “I see. And when do students get to paint freely, on a blank canvas?” “You sound like one of my professors! They were always going on about expressing yourself and your feelings and things like that—really way-out-there abstract stuff. I’ve got a degree in Painting myself, but I’ve never really worked much with blank canvasses. I just use the Paint-by-Numbers kits supplied by the school board.”

pardon the wall of text, tumblr cries and hits itself every time it hears the word "formatting".

I didn't wanna derail the other post but I still wanna spread some love for my favourite subject...

Reblog if you've ever felt genuine joy or excitement from doing and/or thinking about math

[buddiebeginz]

For everyone hoping and or expecting there to be something huge in the mid season finale on Thursday and who will feel let down and upset if there's not I wanted to point out some things.

First of all Tim just came back in s7 and it was a shortened season. I know we all had issues with how that season was handled but I also think Tim had a lot to figure out for having just come back to show. He was bringing 911 to a new network had only 10 eps to tell the entire seasons stories in. It was also a rather important season considering it was where they finally had Buck come out and where the pieces were finally being put into motion for Buddie to happen eventually (like in episode 704).

But I also think a lot of stuff Tim wanted to do in s7 he didn't get to and instead carried it over to s8 where he felt he had more time. The majority of 8a was spent closing out storylines that started in s7. What people have to realize is that a lot of this likely would have been the second half of season 7 had that been a full season. Now going into 8b I expect to see more focus put on Eddie's coming out and more movement towards Buddie happening.

None of this means that the mid season finale will necessarily be a huge ep or have a nde or have Eddie come out or Buddie kiss or anything like that. This ep may be pretty similar to the one we saw last week especially because like some have pointed out Tim and the others may have been expecting 809 to be the mid season finale not 808. And besides that 911's mid season finales have rarely been these huge events. Those were usually saved for other eps.

---------------------------------

S1 -

shortened season - no mid season finale

no real NDE's although you could say the plane disaster was one for Bobby

S2 -

210 - mid season finale - It's revealed that Chim's friend is Doug

*2b*

211/212/213 - Chim begins/ Doug attacks Chim and takes Maddie

217 - Shannon dies car accident

218 - Buck NDE truck bombing

S3 -

302/303 - Buck and Chris NDE tsunami

308 - Hen NDE car accident (a few eps before mid season finale)

Bobby radiation exposure 309 (one ep before mid season finale)

310 - mid season ep - Michael cancer diagnosis

*3b*

314 - dispatch center/Maddie held hostage

315 - Eddie NDE well

317 - Athena NDE r*pist

S4 -

shortened season because of Covid no mid season finale

405 - Buck NDE fire

409 - Albert NDE car accident

413/414 - Eddie NDE shooting

S5 -

506 - Buddie kidnapping

508 - Hospital (where David worked) fire

510 - mid season ep Eddie leaves the 118

*5b*

513 - Eddie breakdown

516 - dispatch fire

517 - Hen/Chim - NDE - jonah

S6 -

Mid season ep - Bobby's sponsor dying

*6b*

610/611 - Buck NDE lightning strike

618 - 118 NDE bridge collapse

S7 -

shortened season - no mid season finale

701-703 - Bathena NDE - cruise ship disaster

708-710 Bathena NDE - Cartel/Fire

S8 -

802/803 - Athena NDE plane emergency

805 - Denny NDE

---------------------------------

Looking at the way 911 has structured it's seasons in the past it's far more likely that if we're going to get a nde for Buddie or one of them we're going to get it later in the season and not at the mid season. We could get a more surprising moment like we've seen in the past like with Eddie leaving the 118 but like I said before I think it's highly probable that 808 wasn't meant to even be the season finale so a more shocking or surprising moments might not even be until 809 when the show comes back.

I just really think we all need to take a look how the show operates and prepare ourselves so we're not too let down. Also as much as I love coming up with theories and love listening to theories everyone else comes up with I feel like it's become a habit lately in our fandom for some people to get everyone excited and expecting certain things from the show. Then when the show doesn't deliver every single episode people are left feeling angry. This isn't just the fault of the people talking about their theories it's a fandom issue in general I think. I wish our fandom would just be more realistic going into each ep and not so quick to turn on the show if expectations aren't met immediately.

I 100% believe Eddie is going to come out and Buddie is happening. I've been watching the show for years and things have never been as close to Buddie canon as they are now but that doesn't mean it will happen instantly. Everything that's being shown and said (in interviews) is telling us that the show is playing the long game. We have to be patient and wait for them to get there, which I know can be really frustrating, trust me I've been waiting for Buddie's love story to be canon for what feels like forever. I think we will see more movement in Eddie and Buddie's story this season but maybe not this episode coming.

----

I also think it's important that we show our love for the show and the people who work on it more. I feel like a lot of the stuff I see out of our fandom lately is pretty negative. I'm not saying it's not warranted or that I don't do my own share too (I was talking just the other day on twitter about my issues with Athena's storylines) but I also can't help to think of how Oliver and Ryan and the others must feel. Imagine working really hard on something and then going online to see how the audience feels about it and the predominate reaction is about how awful the episode was. I definitely believe it's possible to love 911 (and any media really) and still be critical of it at times but I also think sometimes our fandom focuses too much on what we're not getting from the show and less on what we are.

We are incredibly lucky to have two amazing actors who put such love and care into playing Buck and Eddie and who have always been supportive of our ship. We're lucky that pretty much everyone involved with 911 (minus maybe KR) seems to be supportive of Buddie happening because trust me that's not common among a lot of other non canon queer ships. We're lucky that Buck has finally come out and that all signs are pointing towards Eddie coming out too. We're lucky that the show is even still on the air because it was seriously on the brink of being canceled before abc picked it up. If it had been not only would we have no chance of Buddie but Buck would never have come out and both men would have ended their run on the show with those lackluster partners. And speaking of lackluster partners we're lucky that Tim got rid of Tommy. I know he could have done it sooner but he also could have kept him around longer. I think some of you need to realize that making Buddie a reality is still a risk for the show and for abc. Having another main come out is still risky but they seem ready to take the risk.

Sorry this post got so long. I just had a lot of thoughts with the new ep coming and seeing everyone already prepared to be upset about it. Let's just go into this ep with limited expectations and be happy we get to go into a hiatus for the first time in a while without b/t being a thing. Thanks if you taken the time to read all of this. ❤️

[the-main-daine]

Life Series Character Renders:

Featuring Martyn, Mumbo and Pearl

(I actually have quite a lot to say about two of these this time.)

Martyn:

Human.... ish. Hear me out on this one:

So Martyn has this fascinating background lore to the Life Series called Watcher/Eyes and Ears Lore. I'm quietly obsessed with this.

I love watching his lore streams after every series, and have come up with a few theories on my own: His thumbnails are always fully illustrated, so his character has a canon 'look' for every season, which I think is just, deeply cool.

But in his lore, there's also this space between SMPs, where the Watchers kind of... hold people until they can be used again. And since Martyn is the protagonist of the very cool story he's writing, I got it in my head that in this space between, Martyn isn't QUITE human. Maybe he was at one point.

Maybe he never was, I don't know.

But alongside all the cracks and stuff that have started to show up on his body; there's seams along the joints, and light shining within, as he starts to become more befitting as a vessel.

A vessel for what? No idea. I probably won't be drawing all those seams in any fanart comics of the series themselves - I imagine they get covered up when he's sent out into the world to interact with others in various SMPs - but I thought the idea was too cool not to draw at least once.

As a past winner, he gets his crown, and the burning eye of Mars by his name.

Mumbo:

Vampire Mumbo!

I know he doesn't have the grey streak in his life series skin but I love it too much I'm keeping it forever.

It makes him look so much more threatening and serious than he is.

Poor Mumbo. I was really rooting for you buddy. Better luck next series!

At least he still does damage with those End Crystals.

Pearl:

A lunar moth

As a winner, she gets her crown, and she gets her moon.

I'm not going to lie I want that lunar moth hoodie more than anything.

I had a lot of fun with Pearl: Her skin design is so simple (Well, maybe not this season, but usually) that it leaves so much room to interpret it. She's always going around with dogs, making her wolfish would've been really easy, but I think Moth suits her more.

There's a lot of mythology with moths being a little off kilter, mad, or leading people to madness that I think fits with Pearl's tendency to be a little bit of a loose canon, wild and unpredictable. Like a moth's flight patterns.

Red Hood Pearl had to put in an appearance here, especially with how it's sort of creeping to overtake her in Wild Life this season, and she just gets so earnestly threatening when she's on a red life despite still being all smiles and all laughs.

Unlike Gem or Cleo, I think there's an edge to Pearlie Pop on red that just reminds me of a horror monster, in the best, best, best way.

I haven't figured out heights but she's also the tallest.

[wretchedwitchpussy]

Thoughts on new WWDITS episode 6x07:

•Guidor is a red herring and I'm pretty sure we saw Nandor give up on her during the post credits scene when he saw Jerry at the door because we've seen previously whenever there's a little bit of resistance to his rebound loneliness relationships he tends to give up immediately. He literally said, "Fuck it," and gave up immediately when he was met with the smallest amount of resistance in the form of Jerry.

•We have seen that Nandor is routinely out of touch with his feelings especially when he's coping. He will actively say one thing because he's trying to convince himself of that thing, even though he feels another way. I believe that he doesn't actually think that humans are replaceable, because Guillermo is proof to the contrary. The amount of times that he has protected, stayed loyal to, saved Guillermo says that he doesn't believe that.

•I'm buying into the whole "Guillermo not being fully transformed means that he's an EV" theory and I'm pretty sure that's why Colin punched the shit out of him. Colin is the embodiment of milk toast. We've literally never once seen Colin angry EVER. Except once. EXCEPT when he was having an EV-off with Evie. I think Guillermo is feeding off of others' emotions (which emotion I'm not sure?? Possibly respect or admiration? We've seen EVs feed off of a variety of different emotions) and Colin got really fucking angry because he sensed competition, like he did with Evie. I don't think Guillermo knows he's feeding though, obviously, because I think we would see a lot more of the office staff fatigued/tired if he was trying to actively feed. Though I don't know why Colin wouldn't have picked up on it like he did with Evie—something something Van Helsing blood something something Colin is still a new EV because he was just born so he's not as good at sussing out competition yet?????

•The reason I think Guillermo is feeding off of admiration or something similar like respect is because we've seen that the office staff react positively to people putting others down. When Guillermo makes fun of Colin during their bit in the conference room, the room swells with "oooohs" and laughter. I think they admire Guillermo in this moment. Cue Colin punch. The next time, Guillermo is trying to talk to the office about mental health and be a "hero" for Colin, trying to give him some grace. I would imagine this would evoke a lot of admiration or respect again, since he's trying to be kind to Colin and very publicly offer him help. Cue another beatdown from Colin.

•I think that this would also fall neatly into Guillermo's arc of always having wanted respect and admiration from others. He's always wanted to feel like someone worthy of that.

•I don't exactly know how that would really work though in continuing his arc because I feel like I would rather have him find out that he needs self-respect and self admiration before finding that another people? But that's the best I got.

•Lazlo is most definitely going to turn Sean and probably Charmaine into vampires or learn something about mortality in the process if he doesn't

•Basically Paul Simms when I catch you. Paul when I fucking GET you.

•Add your thoughts

[ultramaga]

I think feminism is a conspiracy theory, and say so because I used to read it and it has the same mentality of extreme fundamentalists et al.

"The First Sex", for example, was popular with feminists and sold as feminist and applauded by them and it appears in feminist libraries.

It claims that all human beings were female, and that worked forever, and then somehow an evil mutant was born who was inferior in every way, and despite no advantage and many disadvantages, it conquered all women every where...

Despite no means of travel or communication.

This is insanity.

Nazism success was due to emotive argument. The claim Jews are both inferior and superior is obviously absurd to a logical person, so Nazism did everything it could to keep people in a high state of emotions, unable to think rationally, then those that kept their minds were executed.

Patriarchy is a self contradiction.

But it gets worse. Because either feminism can change things or it cannot.

It had sixty years to demonstrate one functional independent female nation.

There's not so much as a village.

If anything, put feminists in survival situations, and they just start bickering and blaming men.

Where are the Feminists doing amazing.. anything? Their art is ugly, their songs are screeches, they invented nothing, they simply march into the work of others and claim credit, and when the movies and games they infiltrate collapse, it's because

EVEN FEMINISTS CAN'T STAND THEM.

And all I have to do when I want a reminder of the Total Feminist Failure is look at porn.

Porn is almost entirely run by women, to the point of it being obnoxious eg Twitch, where genuine female gamers were pushed out by the porn makers, and men are looking elsewhere for game streaming.

That's not even touching on the Feminists here who are endlessly denouncing male sexuality whilst horny posting about being vored by a pack of werewolves.

what women hear when I criticize femininity: this woman is so stupid and should be treated like the baby she is by not allowing her to make decisions

what I actually mean: the desire for male validation is beneath you

what women hear when I criticize dating/marrying men: these dumb hoes are too dick-addicted to make proper decisions

what I actually mean: the desire for male validation is beneath you

[multi-fandom-imagine]

➤𝚂𝚝𝚛𝚎𝚜𝚜 𝚁𝚎𝚕𝚒𝚎𝚏 || Gregory House ||

A/n: taking my friend's advice....I did it @angelltheninth

Warnings: Messy blow job, cum swallowing.

"Still hurts?"

Snapping out of his haze, House scoffed as his hand tightened around the paper weight debating on if he should smash it against his hand of not. "I'm fine."

Rolling your eyes you stepped into his office locking the door then closed the blinds so people wouldn't be able to see what you were about to do.

"What are you doing."

Turning around to face the man, you plastered a smile on your face with your hand on your hips."I'm going to suck your dick."

"What?"

"Didn't you hear? Blow jobs really help with the chronic pain."

House raised an eyebrow, intrigued by your bold suggestion. A slow, wicked grin spread across his face. "Is that so? Well, far be it from me to ignore medical advice," he quipped, his voice low and husky with growing desire.

Relaxing into his seat, House narrowed his eyes for a moment keeping his gaze on you. "By all means, put your theory to the test."

House's dark eyes smoldered up at you, filled with challenge and unmistakable want as he watched you slip to your knees.One hand tangle in your hair, gently guiding your head downwards. "Don't keep a sick man waiting," he taunted playfully, his other hand kneading his knee.

A small smile formed on your lips as you unzipped his pants freeing his erection, your hands slowly wrapping around his shaft.

House let out a low groan, his head falling back against the pillow as Brooke's warm mouth enveloped him. The dual sensations of her soft lips and clever tongue sent jolts of pleasure radiating through his body, momentarily dulling the ever-present ache in his leg.

"Fuck, just like that," he grunted, his fingers tightening their grip in your hair. House's hips twitched involuntarily, seeking more of your exquisite touch. He could feel the tension draining from his muscles, replaced by a different kind of heat building low in his gut.

"Such a good girl," House praised roughly, his voice strained with barely restrained lust.

Glancing up at him, a slow smile tugged at your lips as you let your lips wrap around the tip of his cock your tongue gliding across the slit as you slowly jerked him off.

House's breath hitched as your tongue swirled around the sensitive head of his cock, teasing him mercilessly. The wet heat of your mouth combined with the slick glide of her hand had him throbbing with need.

"Christ," he panted, his hips rocking subtly into your touch. "If you keep this up, I won't last long enough to properly appreciate your... thorough examination."

Despite his words, House made no move to stop your ministrations. If anything, his grip on your hair tightened, encouraging you to take him deeper. The obscene sounds of your sucking filled the room, mingling with House's guttural moans of pleasure.

"You're playing with fire here," he warned, his voice a low, seductive growl.

Letting out a soft hum around his shaft you took more of his cock into your mouth, your tongue gliding down letting your saliva coat him more encouraging him to let go.

House couldn't hold back a deep, animalistic groan as you took him deeper, the vibrations of your hum sending shockwaves of ecstasy through his core. His grip on your hair became almost painful as he fought the urge to thrust into the welcoming heat of your throat.

"That's it, baby," he urged, his voice rough with desire. "Take it all. Fuck, your mouth feels incredible."

The wet, obscene sounds of your slurping and sucking filled the air, spurring House on. He could feel the pressure building at the base of his spine, his balls drawing tight as his release approached rapidly.

"I'm getting close," House warned through gritted teeth, torn between the desperate need for completion and the selfish desire to prolong this blissful moment. "If you don't want me to come in your mouth, you'd better stop now."

Slowly pulling your mouth off his cock, you let your mouth suck the tip. His dick coated with your saliva as a grin formed on your lips. "I want you too Greg."

Your voice dipped taking his cock back into your mouth.

House let out a strangled moan as your words washed over him, your voice dripping with sultry invitation. The sight of you grinning up at him, his cock glistening with your saliva, nearly undid him right then and there.

"Greedy little minx," he growled approvingly, his hips surging upward as you took him back into the wet haven of your mouth. "You want my cum that badly, huh?"

House tangled both hands in your hair now, setting a steady rhythm as he guided your movements. The obscene slurping noises grew louder, punctuated by his increasingly erratic grunts and moans.

"Fuck, I'm gonna... I'm coming!" he announced, his voice rising in pitch as the coil of tension in his groin finally snapped.

You let out a moan tasting him as he finally released in your mouth. Your hand tightening around his shaft doing your best to swallow his cum.

House threw his head back with a guttural cry of ecstasy as his orgasm crashed over him, wave after wave of intense pleasure radiating out from his core. His hips jerked erratically, spurting thick ropes of cum directly down your eager throat.

"Oh fuck yes, just like that," he panted harshly, as he rode out the aftershocks. The sensation of you swallowing around him, coaxing every last drop from his spasming shaft, was indescribably erotic. He gazed down at you with hooded, satisfied eyes, admiring the debauched picture you made - lips swollen, cheeks flushed, a few stray drops of his essence clinging to your chin.

As the haze of lust began to clear, House slumped back against the chair, chest heaving. He looked down at you with heavy-lidded eyes, a satisfied smirk playing at the corners of his mouth. "Well, well. Looks like you were right about those oral benefits for chronic pain."

Standing up, your fingers ran through your hair fixing it as you let your tongue glide across your lips grasping his chin. "Next time you're in pain House, just let me know and I'll be happy to help."

"Will do."

[nthspecialll]

A lot of blame is put on John for being a negligent father to Jack, but would any of the other gang members have reacted differently had they been the father?

This is assuming John is already the father of Jack, which… he is. Javier joined too late to be a possibility and Bill is implied to be gay, so I don’t believe it’s realistic that any other person could’ve been—but I think it’s an interesting thought.

This isn’t a theory, I just want to see your thoughts on the other gang members. Personally, while John was absent during Jack’s infancy, I don’t think any of the other men would’ve acted differently despite their ribbing (besides Arthur). I don’t think the issue of being a poor father is specifically John’s, but a shared trait amongst all the men in the gang.

I actually think Javier would make a good father. He shows a lot of love for his family, literally starting a whole revolution because they got mistreated, fleeing a country for them, so on and so forth, and he mourns having lost them, suddenly having a child would give him a new family, someone new to fight for and he would fight for them. He also loves to fish and is eager to share his tricks with Arthur, so there is a bonding moment idea.

Bill.... Bad father I think, would be protective and would probably love but I don't think he would know how to handle being a father and would end up in some way fucking it up.

Dutch would love his child like he loves Jack, he loves them because he is expected to love them and it heightens people's idea of him. Aka he loves them not as an individual but as their use to him, but when that is he would be a great father.

Hosea... Depends. He is a big lover, we know that, but in the past he was a big menace and he was unable to break his criminal ways, he would steal and he would kill and he believed it to be right. While he would absolutely love the child, he would be a danger to it like John was to Jack. If it was old man Hosea however, fantastic dad, amazing advice, good balance of protective and loving.

Charles (unrealistic due to timing but we just talking how they would react to being a father in this envioment) quite similar to Hosea. Noshir hints at Charles having been quite a violent man in the past, like with the newly dropped bomb that he did something probably very bad to his father or his interview at the New York Comic Con stating that Charles is seeking redemption. That kind of man, I would be careful, very careful, especially considering that he was a lone wolf so I don't know how present Charles would be. The Charles we know in game though? He wants a family, he would be a good father and I think he would be amazing at teaching his child all nessesary life skills.

Micah, watch out for the daddy issues. Would likely raise his child like he was raised, Micah Bell Jr Jr or something, life of crime with no mercy and the wheel keeps rolling.

Sean, I don't think he would know how to act. He shows great love to Jack but I think the idea of having his own would be very confusing to him and it would take a long adjustment period.

Lenny would be a great father and would make sure that his kid knew how to handle racist remarks by making them the smartest person in the god damn county, loving man who would protect both child and mother.

That is what I believe just looking at how they talk about their families, how they act around Jack and so on, but we will never know.