#but i still managed to get it wrong this time lol

[sonotcopingatall]

vacation gone wrong

sana x fem!reader

synopsis: you and sana, workaholic doctors, go on a vacation for a week. no phones, no surgeries, just the two of you. what could go wrong?

wc: 2.7k

warnings: i’d say none. it’s just really fluffy with chaos lol

it was supposed to be the perfect anniversary getaway.

sana, your brilliant and often frustratingly busy cardiothoracic surgeon wife, had been working her ass off for months. saving lives, performing surgeries, managing a department full of patients - she was damn good at it. but even she knew she needed a break. so, you’d both agreed: a week in a cozy, secluded cabin by a quiet lake. no phones, no surgeries, just you two, and maybe some wine and cuddling. a fucking dream, right?

you’d been married for five years now, which felt both like a lifetime and like it had all happened yesterday. both of you were workaholics, driven by the same damn passion for helping others. but this? this was about you two. about the break you both desperately needed.

but of course, the universe had other plans.

it started innocently enough. you and sana were driving through the winding mountain roads, music playing low in the background. you were laughing about something dumb - the kind of stupid, inside joke only long-term couples could understand. sana’s hand was resting on the gearshift, and you kept sneaking glances at her because, let’s be real, she was hot as hell, even after five years.

“can you believe we’ve been married for five years?” you ask, your voice dripping with affection.

sana smirks, eyes soft. “feels like just yesterday we were sitting in that little coffee shop, bitching about how insane our schedules were.”

you chuckle. “i remember you telling me you’d never have time for a relationship.”

“did i?” she laughs, glancing over at you, her eyes glinting mischievously. “i must’ve been lying.”

“damn right you were.” you poke her shoulder playfully, but just as you do, a sudden, bone-shaking screech fills the air, followed by the unmistakable sound of metal crunching. the car jerks to the side.

“hold on!” sana yells, her voice suddenly sharp and focused. she yanks the wheel to avoid a head-on collision with an out-of-control truck, its tire blown, veering into your lane.

your heart slams in your chest as sana wrestles with the wheel, your stomach flipping as the truck skids past. you blink, trying to regain your bearings, your pulse hammering.

“you good?” sana asks, voice tight, eyes scanning you. her hands are already checking the dashboard, her medical mind clicking into high gear.

you nod, trying to calm the hell down. “yeah, i’m fine. are you?”

“i’m good,” she mutters, still scanning the road. “i’m pulling over to check on them.”

you open your mouth to protest, to remind her that this was supposed to be vacation, but she’s already out of the car, her white coat flapping as she rushes to the truck. you can’t help but roll your eyes. “sana, seriously?”

you follow her anyway, because what else are you going do? you’re both doctors. you’ve seen your fair share of chaos. but when you see the truck driver, an elderly man sitting in his seat, looking a little dazed but otherwise fine, your worry shifts to something else entirely: a motorcycle zooming towards you from behind, clearly out of control.

you spin around, your stomach dropping. “sana! get down!”

but it’s too late. the bike rider is coming in too fast, and before you can even think, the rider crashes into a tree just a few feet from where sana is kneeling by the truck driver.

fuck.

sana’s on her feet before you can blink, already running toward the downed rider, her doctor instincts kicking in. you follow her, your own heart in your throat, your mind racing. the woman on the bike is unconscious but breathing, and sana’s hands are all business, checking for any injuries.

you try not to stare at her, but goddamn, you’re impressed. it’s always hot when she’s in “doctor mode,” but watching her save people like this? it’s next-level.

the next few hours blur together. you both take care of the elderly truck driver, call for an ambulance, and tend to the motorcycle rider, who thankfully wakes up, grumbling about how she’s going to be “so sore tomorrow.” you’re just glad she’s alive. by the time the paramedics arrive, you’re both covered in dirt and leaves, adrenaline still coursing through your veins.

you climb back into the car, still trying to catch your breath. “do you think we’ll actually make it to the cabin this time, or is that asking too much?”

sana glances at you, shaking her head and smirking. “you really think this is it? the universe’s done with us? babe, we’re not even close to being done yet.”

you laugh, but you both know she’s right. you’ve barely started the damn vacation and already the universe is giving you a full course of bullshit. but, as you glance over at her - tired but unshaken, a little dirt streaked across her cheek, but still radiant - you feel a surge of fondness. maybe this is it. maybe it’s not about the vacation. it’s about surviving this shitshow together.

the next day, after a restless night full of nightmares and whispered reassurances from your wife, you start the drive again. you’re both cautiously optimistic as you cruise through a forested section of the road, sunlight flickering through the trees.

but of course, just as you round a bend, there’s a loud cracking sound. a deer bolts out of the trees, eyes wide with terror, running straight into your path.

“sana, fucking stop!” you shout as she slams on the brakes, your heart nearly leaping out of your chest as the car skids across the gravel. the deer bounds away, a blur of brown and panic. the car comes to a stop, just barely missing it.

you both exhale like you’ve been holding your breath the entire time. “okay, okay, that’s it,” you mutter, hands trembling. “i think we should just go home.”

“no.” sana’s tone is firm, eyes steely, even though you know she’s just as rattled as you are. “we’re fine. we’ve got this.”

you both know damn well that you’re far from fine, but you also know that neither of you will let this stop you.

by day three, the frustration has started to settle in. another near-miss, another car accident. it’s getting fucking ridiculous. you’ve almost come to terms with the fact that this vacation is cursed when another damn van suddenly swerves into your lane, sliding toward you at a terrifying speed.

“sana!” you scream, but you know she’s already on it. the car swerves, just barely missing the van, the side mirror of the van grazing your bumper. a few seconds later, the van skids into a ditch.

another. fucking. near-miss. you’ve both barely processed it when you pull over once more.

“okay, okay,” you mutter, voice a little raw. “maybe we’re just not supposed to have a vacation, huh?”

sana turns to you, her expression softening despite the exhaustion in her eyes. “maybe we’re just meant to be together. no matter what.”

she’s right. no matter how many times life throws a curveball, you two always come back to each other. and honestly? you wouldn’t have it any other way.

finally, on the fifth day, you both make it to the cabin. you’re bruised, battered, but somehow, more in love than ever. you’ve survived every crash, every disaster, because you had each other. the cabin door slams shut behind you, cutting off the chaos of the world.

and as you sit on the porch that evening, staring out at the peaceful lake, you feel the weight of the world finally lift. the chaos is over. for now, anyway.

“five years,” you murmur, your hand in hers as you both look up at the stars.

“five more, and five after that,” she whispers, her voice like a promise.

“maybe ten,” you grin, nudging her shoulder.

the universe can keep throwing bullshit your way, but you’ve got this. together. and that’s all that matters.

bonus scene: dinner at the lakeside restaurant

after what felt like an eternity of mishaps, you and sana finally settled into a quiet dinner at a lakeside restaurant. the space was warm, intimate, with soft lighting and the hum of conversation filling the air. you could almost forget the chaos of the past few days - the truck, the motorcycle, the deer, and everything in between. tonight, it was just the two of you, enjoying a peaceful moment.

“here’s to surviving the chaos,” you joke, raising your glass of wine and giving sana a playful grin.

she chuckles, her fingers brushing yours across the table. “yeah, but i’m not tempting fate again. let’s just enjoy this for once.”

you laugh, feeling the weight of everything you’ve been through lighten, even just a little. for a moment, it feels like the world outside doesn’t exist - you’re safe here, tucked away from the madness. but then, as if the universe has other plans, everything changes.

a loud, panicked shout breaks the calm: “someone help! my wife— she’s going into labor! oh, god, please, somebody help!”

without hesitation, you both stand up, instinctively moving toward the commotion. a man is pacing frantically between tables, his hands running through his hair as his wife bends over, clutching her stomach in pain. her face is pale, her breaths coming in shallow, jagged gasps.

without a word, you and sana exchange a look, both of you already in motion. there’s no hesitation in the way you move, no panic. you’ve been through this before - you know exactly what to do.

you approach the husband first, your voice calm but firm. “i’m a doctor. we’re going to help her. i need you to take a deep breath. you panicking isn’t going to help her right now.”

he nods shakily, his eyes wide with fear, but he tries to steady himself. “she wasn’t due yet. she’s only 28 weeks. i don’t know what to do.”

“you don’t have to do anything right now. we’ve got this,” you assure him, your hand on his shoulder for a moment before you move toward the woman. “ma’am, i’m here to help. my name’s dr. y/n, and this is dr. sana. we’re going to keep you and your baby safe, okay?”

she nods but doesn’t speak, her breath quickening. another contraction hits, and she cries out, her grip tightening around the edge of the table. her husband’s face is stricken with helplessness, but sana is already beside the woman, her hands moving quickly, checking her pulse, assessing her condition.

“ma’am, i need you to focus on your breathing,” sana says gently, her tone soothing but authoritative. “in through your nose, out through your mouth. let’s take it slow. you’re doing great.”

the woman nods, trying to follow the rhythm. her face is twisted in pain, and her hands are gripping the table, knuckles white. you step in, kneeling beside her, offering her a soft smile to help keep her calm.

“you’re doing great,” you repeat, squeezing her hand. “just breathe with me. in through your nose, out through your mouth. focus on me.”

her eyes meet yours, full of fear. “please, is my baby going to be okay?”

“yes, we’re going to make sure you both are okay,” you reassure her, glancing up at sana, who’s already keeping an eye on the woman’s vitals. her expression is controlled, but you can see the urgency in her movements.

the husband steps forward, his face twisted with anxiety. “i don’t understand… she wasn’t supposed to go into labor yet! what do we do?”

sana glances up at you, her eyes narrowing in thought. “we don’t have iv fluids here, but there’s a first aid kit in the car. i’ll grab it. it’s not much, but it could help stabilize her for now.”

the husband’s eyes widen with disbelief. “a first aid kit? what good is that going to do? my wife’s in labor early!”

sana remains calm, her voice reassuring. “it’s not ideal, but it’s what we’ve got. i’ll be right back. stay with her.”

you nod at her, giving her hand a quick squeeze. “we’ve got this,” you say to the husband, keeping your tone firm but supportive. “we just need to keep her calm, keep her breathing.”

sana rushes out the door, and you stay by the woman’s side, speaking gently as another contraction hits. “you’re doing great. just breathe with me. in, out. keep your focus. we’re here with you.”

her grip on the table loosens slightly as she follows your instructions. she winces with the pain but nods. “it hurts so much…”

“i know, but you’re strong,” you reply, your voice steady. “you’re doing everything right. stay with me.”

the husband is still holding her hand, his own face tight with fear. “we’re going to be okay,” he mutters under his breath, trying to steady himself as much as he’s trying to steady his wife.

minutes pass, and the tension in the air is suffocating. the restaurant has gone silent, all eyes on the small drama unfolding in the corner. you glance toward the door, willing the paramedics to arrive. “the paramedics are coming,” you murmur to the woman. “they’ll be here soon. you’re doing great.”

another contraction hits, and she gasps in pain. the time feels like it’s moving slower now, the seconds stretching endlessly.

just then, the door bursts open, and sana rushes back in, the first aid kit in her hands. without missing a beat, she snaps on a pair of gloves, moving toward the woman with expert precision. you meet her gaze for a split second, and in that moment, everything falls into place. this is where you both excel - in these moments, when everything is on the line.

“check her cervix,” sana says, already preparing to assist. “we need to know how far along she is.”

you grab the gloves from her, moving into position immediately. the woman winces as you gently check, and you nod, your voice steady. “she’s two centimeters dilated. early labor, but still manageable for now.”

sana checks the woman’s vitals. “her pulse is stable for now, but these contractions are getting closer together. we need to keep her calm, and we need paramedics here fast.”

the husband’s anxiety spikes again. “but they’re not here yet! i called them forever ago! where are they?”

“stay with her,” you say firmly, offering him reassurance. “the paramedics will be here any second now. we’re doing everything we can. focus on your wife. she needs you now more than ever.”

as if on cue, the paramedics rush in, taking control immediately. one of them quickly kneels beside you, and you brief him on the situation. “she’s preterm, two centimeters dilated, contractions coming every few minutes. we’ve kept her stable, but she needs to be in a neonatal unit.”

the paramedics work quickly, moving with practiced efficiency. you glance at sana, and the briefest smile passes between you. together, you’ve done what you can, and now it’s out of your hands.

as the woman is wheeled out, her husband still holding her hand, she looks up at you, her voice barely above a whisper. “thank you. thank you so much.”

you squeeze her hand gently. “you’re going to be okay. we’ve got you.”

as the paramedics disappear with the woman, you and sana stand in the quiet, watching them go. the weight of the situation lifts just a little as you turn to her.

“well,” you say, your voice quieter now, “i think that was our adrenaline for the night.”

sana chuckles, a tired smile on her face. “i swear, you thrive on chaos.”

you shrug with a grin. “guess it comes with the job.”

but as the adrenaline fades, the exhaustion sets in. you take a deep breath and, with a quick glance at sana, you both rip the gloves off, tossing them into the nearby trash bin. you take a moment to catch your breath, before sitting back down at the table. the world is starting to slow, but you still feel the adrenaline coursing through you. the meal is cold, the wine forgotten, but it doesn’t matter. you look at sana, and in her eyes, you find a quiet comfort.

“even after all of that,” she says softly, “i wouldn’t want to be anywhere else, or do this with anyone else.”

you smile, squeezing her hand across the table. “me neither. no matter what happens, we’ve got this.”

and in that quiet moment, as the restaurant resumes its hum, you both find peace in the shared understanding that no matter the chaos, you’re always ready to face it - side by side.

[creamflix]

choso x reader; no implied reader gender. angst, limited superficial comfort. established relationship. implied (past) choso x yuki. choso is half-human who does not understand social cues, but could be read as gaslighting/manipulation? lol. based on a true incident :pensive: — masterlist here ☆

being with choso was like getting to see the world through brand-new eyes. the way he marveled at even the simplest things — a cup of coffee, a sunset, a song — lit up your life in ways you never expected. he’d sit there, wide-eyed, eager to learn and feel, and you were there for it all, guiding him through the maze of human experience. it felt special, something unique to you both, a bond deepened by moments only you could share.

so when that song came on, the one that was supposed to be yours, it was like a rush of warmth, like another page added to the story you were writing together. the melody swept you up, reminding you of quiet nights, gentle laughter, and whispered promises that you thought belonged only to you and him.

but then, out of nowhere, he smiled, that soft, almost bashful look he always gave you when he was remembering something dear.

“you know, yuki played this for me the first time,” he said, voice light, as if he’d just shared a fond memory.

the words crashed over you, your chest tightening as if the air had been sucked from the room. yuki played this?

the image of her, casual, confident, teaching him the meaning behind this song flashed unbidden in your mind, and suddenly, the song you thought was yours didn’t feel like it anymore.

you tried to keep the smile on your face, the one he loved, the one he looked for whenever he felt unsure. but the hurt simmered under your skin, an ache spreading through you that he couldn’t possibly understand. you swallowed hard, feeling your pulse in your throat.

“yuki introduced you to it?”

choso nodded, oblivious to the turmoil brewing within you, still wearing that innocent smile. “yeah… she thought it suited me.” he chuckled softly, completely unaware of the weight behind your question. “she said it reminded her of family. guess that’s why i thought of you when i heard it again.”

family.

the word rang hollow as it slipped from his mouth, the meaning of it different than it should’ve been. you wanted to feel special to him, to have your own corner of his heart.

but now it felt like you were picking up pieces of memories he’d already formed with someone else.

“oh,” you managed, voice low, trying to sound casual even as the words scraped out. “i thought it… i thought it was our song.”

he tilted his head, brows knitting in that familiar look of confusion. “it is, isn’t it?” he asked, his gaze warm and unassuming. “i mean, it makes me think of you now.”

you forced a smile, but something about his innocence cut even deeper. he didn’t realize what it meant, didn’t understand that he was treading over something you’d thought belonged to just the two of you. to him, it was just a song, another piece of his experience, while to you, it was part of your connection, a bridge between your worlds.

“yeah,” you whispered, more to yourself than to him, “but it’s not… it’s not the same.”

choso blinked, concern flickering in his eyes as he noticed the strain in your voice. “what’s wrong?” he asked, leaning closer, his expression open, worried. “did i… did i say something bad?”

you wanted to say yes, to tell him that this hurt, that it felt like sharing something you could never get back.

but then you saw his face, that wide-eyed sincerity that had always drawn you to him, and you couldn’t bring yourself to lay it all out.

he wouldn’t understand.

how could he? he was trying so hard, learning to open himself up, and here you were, tangled in feelings he couldn’t yet grasp.

“no, it’s…” you forced a laugh, hating the way it sounded hollow, even to your own ears. “it’s fine, choso. i just… i thought it was different.”

he reached for your hand, his grip gentle as his thumb traced comforting circles along your skin. “i only think of you when i hear it now,” he said, earnestly. “doesn’t that make it ours?”

your throat tightened, a bitterness you couldn’t name rising in your chest. he didn’t get it, and maybe he never would.

this wasn’t about a song, not really — it was about feeling like part of him in a way that no one else could touch. but he didn’t understand why it mattered so much, didn’t understand what it was like to feel like an afterthought in someone else’s memories.

you swallowed, brushing your thumb over his hand in return, forcing yourself to smile, to meet his gaze even though it felt like you were cracking.

“yeah,” you lied, trying to smooth out the hurt with words you didn’t quite believe, “i guess that makes it ours.”

but as the song continued, filling the silence between you, it didn’t feel like it was yours at all. instead, it felt like something you’d borrowed, a memory that didn’t truly belong to you.

and as you sat there, feeling the weight of everything left unsaid, you realized this wound wasn’t one he could ever heal.

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[rosenclaws]

Hi!! I’d love to see you do the prompt “Don’t tell me you love me unless you mean it.” with Logan! Was thinking of the reader who’s so self loathing of her own powers opening up for the first time towards Logan 🥺

warnings: angst/fluff, Logan has interesting teaching methods lol

600 follower drabble masterlist

wc: 1.2k

a/n: So this also...turned into more than a drabble oops. I got carried away I can't help it asdflk;h. Anyways I totally got inspired by ATLA for some of the logan pep talk if u can tell lol.

The mansion was so lonely. It shouldn't be but it is. Especially for you. Brought here as a child you grew up here. You were excited, hopeful that maybe you could start a new life here. But then your powers went haywire.

Just when you thought things could be different your emotions got the better of you. Fire raged through the mansion and you couldn't stop it. The more you panicked the worst it got.

When the flames were put out all you could see was the destruction that ravaged the once spotless mansion. It was an accident. Charles knew it and so did everyone else but that didn't stop the whispers, the fear. You never wanted this.

You did all you could to suppress your powers for years. Leaving the school and never looking back. Years passed and you managed to live a quite life. You went to work and went home. It was a lonely life but you couldn't hurt anyone so it you learned to live it.

Then one day you got a letter from Charles. It was a matter of such importance that you had no choice but to return. It was weird being back.

It was in the dead of the night that you found yourself alone. Just as you remembered. This time wandering through the halls of the mansion. Your fingers traced the familiar paintings and furniture. A frown coming over your face as you trace the faint scorch marks that still remain.

"So those were you." A deep voice startles you.

You feel a light flame escape your fingertips as you shove you cross your arms and hide your hands away. There stands Logan with a cigar in his mouth. You breathe a sigh of relief as you lower your arms.

"Sorry, didn't meant to scare you." He holds out his cigar and you roll your eyes. He's been trying to get you to use your powers, to light his damn cigars because he's too lazy to reach into his own pocket.

"Come on, just a little flame." He says with a smirk.

"Can I help you Logan?" Though you're glaring he can see that small smile.

You and Logan were unlikely friends as you put it. The two of you understood each other. Understood the want to hide away. Don't get close and you won't get hurt. Even with that mantra somehow you were each others exception.

Maybe it was stupid but having Logan was nice. He was nice in his own weird way. Looked out for you, joked with you on the rare occasion. Plus he was easy on the eyes, but you don't let yourself go there. Love...it's just not meant for you. You don't do love and neither does Logan. Even if you want it, even if sometimes he finds his way into your dreams.

"Nope." He gestures for you to follow him so you do. Walking quietly through the halls until he leads you outside. A chill washes over you step outside.

"Just a little light for me sweetheart?" Okay the first time was charming but now it's getting annoying.

"Will you quit it." You snap. Logan raises an eyebrow and you sigh. Sitting down on a bench and looking down at your hands.

"You know I don't use my powers anymore."

"I know."

"So why do you keep asking?" He shrugs and sits down next to you.

"Because, I think you're being ridiculous."

"Excuse me?" You scoff. You clench your fists as you glare at Logan.

"So what you burned some wood big deal. That really all it takes for you to run?"

You're hurt and confused where the hell this is coming from. You thought he'd understand you but clearly you were wrong.

"You know what Logan fuck you." You hiss as you stand up.

Logan grabs your wrist before you can walk away and in a fit of anger you push him away. Flames coming out of your hand and hitting him square in the chest. You gasp as his flannel catches fire. Without thinking you press your hand and kill the flame.

"Logan I-"

"Stop." He grabs your wrist and points to an empty fire pit.

"Light it."

"Logan I can't."

"Yes you can sweetheart," He tilts your head towards him. Looking at you with a sparkle in his eye.

"Trust yourself." You take a deep breath and send a fireball into the pit, lighting it up.

Your hand tingles as you use your powers for the first time in a long time. You wait for the other shoe to drop. For the fire to rage past what it's meant to be but it never does. Slowly you hold your hand out focus, the fire slowly gets smaller until it's snuffed out. You stare at your hand in awe. Control. You had control.

"Fire is destruction." Logan interlaces your fingers with his. He's got this smile that you've never really seen before.

"But it's also life, it's beautiful. You're beautiful." You bite your lip as he squeezes your hand. There's a fear that you'll burn him without thinking but he heals. You can't hurt him.

"Why are you helping me?" Why does he care this much? He didn't have to do this, you're not a student and yet here he is. Pushing you past your worries.

"I..." Logan tries to find the words. You're right he doesn't do this but he did for you because, well because..."I love you sweetheart."

Your eyes cloud with tears as you take in his words. He doesn't mean it can he? I mean, it's does he understand what that means. What it means to love you.

“Don’t tell me you love me unless you mean it. Please." You don't think you could handle it. He's already got your heart and it won't take much to crush it.

"Are you doubting me? I'm over a hundred years old I know what love feels like." Logan brushes your lips with his thumb, he's not great with words but he knows what he feels. No one can tell him any different.

Your eyes flutter shut as he kisses you. He smells like cigar smoke and he tastes like honey. The kiss a little rough, you can tell he's trying to hold back. To be gentle which he's not always great at. You pout when he breaks the kiss, already wanting more.

"Later." He promises after noticing the look on your face.

You walk back through the mansion hand in hand. It's better at this hour, no prying eyes and whispers. For now it's just you and him. Though something does cross your mind as you reach your room.

"Did you...Were you trying to make me mad on purpose?" He smirks and pulls out another cigar from somewhere.

"It worked didn't it?" Unbelievable.

"You're an idiot Logan, what if I couldn't control it? What if I burned down the mansion, again?!" Logan rolls his eyes and kisses you again. Pushing you against the door. Your thoughts turn to mush as he kisses your neck.

"You aren't the monster you think you are." He whispers and you freeze. His words hitting you like a brick. Logan knows what it's like to be a monster, a weapon. He's the monster if anything. But you? You could never be. Not in his eyes.

Before he leaves he hands you his cigar. You shake your head and laugh. Holding out your hand you produce a small flame and he lights his cigar.

"Was all this just so I could give you a light?" You ask teasingly. Logan chuckles and presses another kiss to your cheek.

"Absolutely." As much as you want to invite him in your room, you decide to wait. Rushing anything with Logan is the last thing you want. You want the time to be together. A good fire needs to grow before it becomes a roar.

"Goodnight Logan."

"Goodnight sweetheart."

Your fingers slowly unlace as he walks away. You don't want him to go, fearing that this is just a one off night. There's no way you can have control so easily but then he looks back at you. He's got this look on his face that makes you feel like everything is going to be alright and for once you believe it.

[rey-jake-therapist]

I have talked a couple of times about the huge parallels that exist between Hannigram (Hannibal Lecter and Will Graham, from the NBC show not the movie) and Haladriel (Galadriel and Sauron, The Rings of Power), and for me there are still the fictional relationships that are the closest in terms of narrative, despite the first being m/m and the second m/f. I have been told : Penny Dreadful, Vanessa and Dracula, but to be honest I found this relationship way too rushed, and totally ruined by the shitty ending of the show.

Besides, Dracula lied so much to Vanessa it was actually hard to say if his feelings for her were genuine or not. He had a nice speech though. Maybe on a second rewatch I'd have a different opinion, but it didn't really work for me. I didn't give a damn about this Dracula guy, while I do feel a lot for Hannibal and Sauron despite their undeniable evilness.

No, it's still Hannigram and Haladriel to me. The ships's names even both start with a H, isn't it a sign lol

Hannibal, Will, Galadriel, and Sauron are all very complex characters. Anyone who attempts to put these characters in a box and just see them as "entirely good" and "entirely evil" are, sorry, wrong.

Hannibal and Sauron get nowhere near to be redeemed in their story because they always commit to evil and feel unapologetic about it (Hannibal especially, while Sauron has a short "repentance phase". But since it's more motivated by the fear of the Valar's judgements than by a real, genuine desire to atone, he's easily drawn back to his old evil ways). They're both considered to be personifications of evil, for that matter.

Hannibal and Sauron are both capable of seeming extremely charming and deceive everybody who meets them into believing that they're "normal". I would say that Hannibal's an even better deceiver than Sauron is. They're also both control freaks who play 5D chess in real time. The rare times they lose control, it's almost always related to Will/Galadriel.

Hannibal and Sauron don't care about anybody and have no issues killing anyone who's in their way, except for Will/Galadriel.

Will and Galadriel are supposedly on "the good side", but in Hannibal and Sauron, respectively, they find the reflection of their own inner darkness.

Will and Galadriel are different from everybody else. They're respected in their respective field, but their differences make them loners, and seen as potentially dangerous by their peers.

Season 1 of both shows starts with exactly the same concept : Hannibal murders people and eats them, but for the world, including Will, he's just a respected psychiatrist. He befriends Will because he feels what Will would have probably always denied if he hadn't met him : that Will likes to kill, because it makes him feel powerful. Unlike Hannibal, he needs to feel that his victim "deserved" it, he won't just kill indifferently. Sauron pretends to be Halbrand, a regular mortal man, befriends Galadriel, and is drawn to her light but also to the darkness he can feel in her.

Hannibal is supposed to help Will find a murderer who's no other than himself. Halbrand is supposed to help Galadriel find Sauron, who's also no other than himself.

Both Hannigram and Haladriel have a clear push and pull dynamics through the seasons.

Will ends up realizing that Hannibal is the Chesapeake ripper, the murderer he was chasing, just like Galadriel finds out that Halbrand is Sauron at the end of season 1.

Will and Galadriel have an intense desire to kill Hannibal/Sauron, while being irresistibly drawn to him.

When he realizes that Will's close to find who he really is, Hannibal gets Will thrown in jail for the crimes he himself committed thanks to planted evidence and manipulation. Sauron somehow manages to instill the doubt in Elrond's head that Galadriel is not free of his influence, while manipulating Celebrimbor into believing that he was cast aside by her (and Gil-Galad) once they didn't need him anymore.

Hannibal acts all innocent when Will openly accuses him of being the Chesapeake ripper, just like Sauron plays innocent when referring to the fact that Galadriel cast him out once she found out who he was (the main difference is that Galadriel never accused Halbrand of being Sauron in front of Celebrimbor).

Talking of Elrond, I can see a parallel between him telling Galadriel "he (Sauron) never left" when she tells him she can't let him in again, and Bedelia du Maurier telling Will "Can't live with him, can't live without him, is that what this is?"

At the end of season 2, Hannibal stabs Will when he realizes he conspired with Jack Crawford to have him arrested (= he realizes he can't have Will even if Will is tempted). What do we get at the end of TROP S2 ? same thing, basically : Galadriel keeps on resisting him, so Sauron stabs her, literally leaving his mark (the wound) on her. In both cases, there's a clear erotic subtext.

In season 3, Hannibal tries to start a new life with a new partner, Bedelia du Maurier, but it doesn't work. He's visibly miserable and thinks about Will all the time. Sauron in season 2 does the same with Celebrimbor and a bit with Mirdania, who's basically a Galadriel stand-in. The partnership with Celebrimbor doesn't work as well as it did with Galadriel, and he's dead-eyed, most of the time.

Hannibal finally gets himself arrested so Will always knows where he is (in reaction to Will's claim that he never wants to think of him again, and doesn't want to know where he is). The parallel to that could be the bond that Sauron may have created between him and Galadriel, when he stabbed her with Morgoth's crown. Hannibal and Sauron both want to make sure that Will/Galadriel will never get rid of them.

Will finds himself a nice albeit quite bland wife, who's got a kid that Will treats as his own. I can't *not* see Molly as Will's Celeborn ;)

While being supposedly "happy" with his new quiet life, Will can't resist the temptation to leave this life to organize Hannibal's escape from jail, arguing that he can help him find another killer, the Red Dragon. It's quite obvious that at this point, Will just wants an excuse to spend time with Hannibal, as he has now fully embraced his "dark side". Season 3 ends with Will jumping off a cliff and dragging Hannibal with him in a desperate attempt to have them both killed.

I wouldn't be very surprised if we got a similar scenario in season 3 of TROP, especially if the theory that Galadriel and Sauron are now bound is revealed accurate... Maybe it's just wishful thinking, but it doesn't seem that far-fetched to me that Galadriel would still be attracted to Sauron in season 3.

[oyeicher]

And this person really can't take a hint.

UNINTENTIONAL LOVE STORY EP 4

[aeymii]

Sometimes, you just gotta sit back and draw this a-hole✨

[doyoulikethis-vocaloid-song]

It would be so funny if you collabed with a vocaloid producer to launch a song through these polls. I'd be interested to see if people would click that they've heard it before anyways, and what the verdict percentages would be

This would be EXTREMELY funny, just in case any producers wanna hmu 😏 hehe

[spasikonik]

an edek themed collage 🪲

[puppyeared]

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

[icewindandboringhorror]

........creachure

[gu6chan]

maybe its sample bias but i think it's kinda funny how most people I've seen who've played drakengard because of nier are making ending e THE endgoal and more often than not the main if not only reason they're playing the game at all and when they finally get it they're like "this is it the single most impactful, greatest moment of all gaming. im wiping tears from my eyes this is it" and then you see the drakengard fans who've played drakengard because they like drakengard and you ask them about ending e and they're like "eh. it was okay, i guess"

[in-newjersey]

I know this is so inconsequential in the scheme of things but hey that's why I'm putting it on the one-fandom sideblog but I'll be honest, I'm rather disappointed about this

[padfootastic]

the worst thing is when like. someone on the internet hasn’t done anything wrong, is a perfectly pleasant person, but their vibes are utterly rancid to u. can’t escape them bc theyre on ur feed 84372 times a day and u feel very very weird blocking someone who’s literally not even looked in ur direction lmao

[kat-of-the-night]

This will be comprehensive to only a select few people but the reason why Dragon Age: Origins objectively rules and stands out from its sequels is because it somehow manages to perfectly capture the vibe of Jim Henson’s The Storyteller (1988).

The fantasy politics of Inquisition were okay but what about when there was just a random tree spirit who only spoke in rhymes for no discernible reason? Peak storytelling. Bring the poet-tree back.

[youarentamaybeyoureayes]

still not over rina so i dug in my camera roll to find some of my s4 predictions from a year ago because i have nowhere else to post these lol (warning, most of these are pessimistic as hell because i had very little trust in tim and s4 kept me up at night until the very moment i pressed play)

[florida3exclamationpoints]

Hello you know what time it is time for a work update no one cares about except maybe Catherine and Beth my beloveds