#but i always need some time to actually write meta posts because I'm honestly fine just thinking about that stuff for myself

[midnightrings]

Siena and her opera performances - a short character study

So, I thought I might share a short little analysis of the operas Siena performed, as I’ve not seen anything like this on here before and I’ve spent some time digging into those operas for my fanfics.

I want to post a whole character analysis of Siena at some point, but the operas play an important part in highlighting Siena’s character and her relationship with Anthony, so I thought it might be interesting to dig a bit deeper into those performances. Especially when it comes to a character like her (who barely got any screentime), those few seconds of her performing make a nice addition and add some depth to her character and storyline.

I won't focus much on the opera Siena performs in episode 1 – Gluck’s Iphigénie en Tauride – as it's not as interesting as the other two, because there doesn’t seem to be much of a connection to Siena’s character or her relationship with Anthony per se. Unlike the other operas, the focus in this scene is clearly not on her – she’s mostly just in the background, with two very short closeups, so we see that it’s her that is performing on stage. There is a deleted scene between her and Anthony according to the published script of that episode:

However, while I think that deleted scenes and such can make for interesting footnotes during an analysis/interpretation, I don’t like taking them too much into consideration – after all, there might be a good reason why this was deleted.

So the actual scene we see doesn’t really highlight anything in regards to Siena’s characters besides the fact that she’s an opera singer and that this is one of the only times we see her wear some brighter colors – while she’s on stage, playing a character. The other two operas she performs in episode 3 and 4 are much more focused on her character and storyline, especially her performance of I Capuleti e i Montecchi in 1.03 – this is the only time we see her perform without any of the other cast members present.

However, that’s not the only difference between Iphigénie en Tauride and the other operas. I Capuleti e i Montecchi and Les contes d'Hoffmann are also anachronistic. Iphigénie en Tauride premiered 1779, while I Capuleti e i Montecchi premiered in 1830 and Les contes d'Hoffmann in 1881.

People tend to make fun of historical inaccuracies or dismiss them as mistakes, but most times, anachronism is on purpose. I think it’s safe to assume that everyone working on this has been aware that those operas would not premiere until decades after season 1. The operas were clearly chosen for a reason.

Les contes d'Hoffmann by Jacques Offenbach (1881)

Les contes d’Hoffmann (The Tales of Hoffmann) tells the story of Hoffmann, who choses to give up on love and devotes his life to art and poetry instead. It's based on three short stories by E. T. A. Hoffmann, and some are probably familiar with the movie, but just to roughly summarize (also because there’s some important differences): At the beginning of the story, a prima donna named Stella invites Hoffmann to a meeting in her dressing room after her performance. Before the meeting, Hoffmann recounts his past great loves to his students. The opera consists of three acts, each telling the story of one of Hoffmann’s previous loves. After recollecting his stories of heartbreak, The Muse can convince Hoffmann to give his love to her (poetry) instead of visiting Stella.

There are many parallels to Siena and her relationship with Anthony here. The most obvious one is the prima donna part – Stella represents Siena. While there might not be direct similarities within the story or between Anthony and Hoffmann, the ending to Hoffmann’s story is still in some parts similar to Anthony’s. The opera ends with Hoffmann declaring that he doesn’t want to love anymore – which sounds quite similar to what Anthony says at the end of season 1.

Siena is obviously not performing the entire opera – we only see her sing “Belle nuit, ô nuit d'amour” as the courtesan Giulietta – who tries to fool Hoffmann into falling in love with her.

Storytelling-wise, it obviously does not fit Siena’s story at this point – she is not trying to fool Anthony into falling in love with her, quite the opposite. Though it does work well as a juxtaposition, especially when we see Siena noticing Anthony’s stares and she slips out of her role. There’s a clear contrast here between her performing as a devious courtesan and looking almost flustered as a result of Anthony’s gaze.

And although Siena at that point doesn’t want to seduce Anthony in any way, the piece still beautifully represents the actual scene that takes places here: Anthony longingly staring at her the very moment he recognizes her voice – almost as if under a spell (a very horny spell). Even when Violet tries to distract him, he cannot help but look in Siena’s direction. He’s completely enthralled by her here – similarly to how Hoffmann was enthralled by Giulietta. And similarly, both relationships are doomed to end unhappily.

Adding onto that, this is also the only time that we see Siena on stage where she represents exactly who she is: a courtesan. During the other two performances, she’s wearing bright, pastel gowns – very different from her usual style. The costume she wears here is also different from her usual style, which is fairly plain otherwise – but it does highlight the role she plays within society.

I find it quite interesting that this is the only time we see Anthony and Siena interact with one another during one of her performances – and one of the only times we see them interact in public altogether. This scene clearly shows the class difference between them: Anthony attending a ball as the lord he is, while Siena performs for everyone else’s entertainment, playing a seductive courtesan. They are present at the same place, yet they can’t talk to one another – there is an invisible wall between them which is highlighted by the positions they take within that scene as well as the clothes they wear. Had Siena performed any other part of that opera, she would probably have worn a pretty gown and those differences would not nearly be as noticeable. But she’s performing as a courtesan and as a result, this might be the most visible representation of her and Anthony’s differences and main conflict.

Returning to the actual story of the opera: At the end, Hoffmann explains how his three previous loves – Olympia, Antonia and Giulietta – all represent Stella. They show different aspects of the prima donna: the musician, the young girl and the courtesan. As I said, Stella represents Siena, and so do all of the other characters. In this scene, we see her visually represented as the courtesan. The show highlights this several times, especially during episode 3 when she talks to Genevieve and then later visits the gentlemen’s club and is inviting Simon to join her the next evening. Her need to find a keeper that can protect her and provide for her plays an essential role within her storyline.

Then, she’s obviously also a musician – a good amount of her scenes consist of her performances, and her character is defined by those performances. And, in the end, she’s also a young girl – and the show ensures to highlight that part as well. Through showcasing her vulnerability and emotions, we can see that she is not that different from the other young women in the show, like Daphne and Marina. They are all young, dealing with heartbreak and making decisions to secure their future. And this is in my opinion what sets Bridgerton apart from other stories of its genre. Usually, a character like Siena would only be the musician and courtesan – either sidelined or vilified. The show humanizes her, however, by granting her screentime to show her pain and struggles and even, to some extent, her innocence – which is especially well done during her performance in 1.03.

I Capuleti e i Montecchi by Vincenzo Bellini (1830)

As you can probably guess by the title, I Capuleti e i Montecchi tells the story of Romeo and Juliet. I don’t think there’s a need to summarize the story, and I also think it’s pretty clear why this particular opera was chosen: Romeo and Juliet originated the star-crossed lovers trope – which is the exact trope Siena and Anthony would fall under.

There are many things I love about that scene – it’s just all around a brilliant scene, not just in relation to Siena’s character. Though I will obviously only focus on how it relates to her character here.

The aria Siena performs is “Oh! quante volte” – Juliet waiting for Romeo, begging for him to come for her. It’s quite emotional and allows for Siena’s character to express her own emotions throughout her performance.

First, I adore how beautifully this ties in with the next scene. For one, because it sets up the atmosphere and essence of Siena and Anthony’s relationship – the tragedy of it all. The scene with Anthony in Siena’s dressing room underlines how this is not meant to be a love story with a happy ending, and the performance right before that amplifies this. Their story is doomed to end unhappily. And, similar to Romeo and Juliet, it is not merely a tragic story about love – it’s a story about the dangers of defying societal norms and duties and your own identities within that society.

But the dressing room scene also shows the clear differences between both stories. When Anthony visits her, Siena choses to reject him. She might have been emotional during her performance, but when Anthony showed his face, Siena did not act based on emotions but was very much rational in her words and actions. Because Anthony is not Romeo, and Siena is also not Juliet.

I also love how this performance builds a beautiful contrast to Les contes d'Hoffmann. Instead of a courtesan, Siena is playing an ingenue, wearing a pretty gown and looking all around sweet and innocent.

As the opera is in Italian, Juliet is obviously called Giulietta – just like the courtesan from Les contes d'Hoffmann. I have no idea whether this has been an accident or was done on purpose, but it’s a wonderful parallel. In both operas, she’s playing two very different women who happen to share the same name.

It underlines the differences between both roles but also draws a connection – which is Siena’s character.

By society, Siena is seen as the Giulietta from Les contes d'Hoffmann: the courtesan whose intentions are dubious and malicious. When Siena performs as I Capuleti e i Montecchi’s Giulietta, we can see a more vulnerable side of her as she openly cries on stage. We see her heartbroken and emotional, letting her guard down completely for a moment. In the end, it’s merely a performance. But Siena uses this performance to allow herself vulnerability – a vulnerability she is not usually allowed.

Those different performances do an excellent job at showcasing Siena’s character and also her main conflict and the different roles she plays. The chosen operas add some wonderful depth and insight into her character and I absolutely love how the shows has implemented them.

[crimeronan]

On the topic of How Do You Handle XYZ Comment, I've always wondered how you handle terrible responses on your toh takes. Like I know the toh fandom doesn't lack piss on the poor reading comprehension and they also really enjoy wildly out of touch takes, but I've never seen any comments on your princess luz stuff of that nature. I'm sure they must be there but maybe I'm too early? But anyway, how do you tend to deal with the "acktually shipping luz and Hunter is incest" and the "ur not a real lesbian because putting amity in a poly ship is lesbian erasure" and the "as a white person kinda sus you make the poc woman an empress" kind of responses? Ones that are technically not hate and maybe if you squint could be from people who aren't inherently trying to do bad but just lack the maturity needed to engage with the internet at large?

this ask made me giggle. honestly, i haven't received as much pushback as you might expect! way less pushback than i expected. in the princess AU, i've gotten a LOT more "this is actually too grotesque for me to stomach" comments than "this is problematic" comments, which is fine. horror-thriller isn't for everyone, those comments do not upset me.

i have had a Few run-ins with bad faith people, whom i mostly block. there's one prolific commenter in toh tumblr fandom who would repeatedly write angry essays on my humor meta posts -- essays that were all about how belos is too evil to be sympathetic and/or about how hunter is a soft gentle boy who shouldn't be jokingly referred to as evil. then they'd go "i can't help my active and conscious decision to type a bunch of rude fucking words and then my active and conscious decision to send those rude fucking words because i'm autistic :(((" around the fourth or fifth time this happened, i was fucking done with that nonsense and finally blocked them. shoulda done it after the first comment tbh!! no more autism exceptions.

as for the rest of it, my main management strategy is to simply.... preempt the bad faith comments?

i had a LOT more unpleasant and conflict-filled fandom experiences when i was in the raven cycle fandom. that was my first exposure to "you can't ship multi-gender polycules if anyone involved is gay" and "queerplatonic het relationships are just heteronormativity shipping that you're trying to get away with." having dealt with those takes before, i've found a few different ways to disarm bad faith readers before they get started.

first is to be super open and honest about my interests. i talk about what i find compelling in different relationships All The Damn Time. it's really hard for anyone to accuse me of only wanting hunter to fuck amity if they've seen, like.... anything i've said about hunter and amity.

same with hunter and luz. the only negative reactions i've really gotten to how they're written in the princess AU is like.... two people being squicked by camila thinking they're romantically involved. i REALLY expected more pushback on the touchyfeely bed sharing stuff, but from what i remember, there's never been Any....? not even from people who consider them siblings.

i expected a lot of pushback on how mean hunter and amity are to each other, since it's taken So much farther than the canon. but it turns out that there's a very large overlap between people who like dark horror AUs and people who like hunter and amity murdering each other. (in a fluffy fic i don't think this characterization would fly Nearly as easily.)

i find that being funny really disarms people, too. when you look at any of my toh meta posts that could be controversial, they're basically all funny. people are a lot more willing to listen to what you have to say if you make them laugh, and it's harder for them to get angry at you.

and then the last thing is that i think i'm in sort of a privileged position in toh fandom. i've written a lot of controversial subjects and relationships and characterizations.... but i've also written some WILDLY popular mainstream fic. and people who like the mainstream fic don't really want to beef with me about differing niche opinions, bc there's a level of respect there. which they might not have for a writer they don't like.

but anyway. when things Do happen, i almost always just block and move on. there are so many people here who get what i'm talking about that there's no need for me to try to convert people who don't, you know??

[coldflasher]

for the wip ask game. 7 and 11 and 17 x

7. do you outline before writing? if so, what’s your outlining process like?

i have honestly got out of the habit of outlining which is very bad, this is why i keep struggling and getting stuck because i am someone who NEEDS an outline, but instead i've been just coming up with random scenes on the fly which works fine until i run out and then i end up sitting there like the fish in bags from finding nemo like 'now what, genius'

but my outlining process is basically just 'sit down and brainstorm, stare at various different beat sheets and story methods and try not to go insane'

also i have to outline by hand, that is very important. don't know why but it all has to be hand written.

11. are there some wips that you just don’t think you’ll ever finish? 

much as i hate to admit it, and prefer to live in denial land where i'm convinced that every wip will one day get the ending it deserves, there are plenty of them that will more than likely never see the light of day 😭 the most notable one that comes to mind is that at one point i was planning to do another sequel to aftermath, that giant 500k s1 rewrite i did where barry and len were dating from before barry even became the flash. i have maybe 20-30k of a direct sequel to that that's basically a mashup of s5 and s6, where barry vanishes in crisis and then in a moment of desperation and poor decision making, len sends their adopted son back to try and prevent crisis from ever happening, only for them to discover that him travelling back is what causes crisis in the first place.

i genuinely LOVE that fic and what i wrote for it, but i feel like i've kind of moved on from those versions of the characters and grown so much as a writer and there are just so many things i don't like about the original fic that spawned it that i just. don't see myself ever finishing it, unfortunately. i feel like aftermath is a very stark contrast in my writing journey bc it was basically the last thing i wrote before doing my writing degree so there's such a huge difference in how i wrote and the whole vibe of it. i'll always be fond of aftermath but also im moderately embarrassed by it as well, so yeah. but maybe i will post snippets one day or something, because i genuinely LOVED the dynamic i wrote between michael and len, it was so fucking fun.

also i once wrote a fic where coldflash get whammied by a meta and, under the effects of what is essentially a metahuman love spell, decide to literally run off to vegas and get married and team flash have to hunt them down and try to stop it. this one feels like a crime because i have like 90% of it written so i would just have to finish and then edit it BUT i wrote it so long ago (we're talking like 2017) that to get it to a state i'd be happy with, i'd probably have to rewrite it in its entirety, so. never say never though cos now i'm thinking about it...

17. what do you do to motivate yourself to write? 

i honestly have been struggling with this forever BUT im doing camp nanowrimo right now and it's actually been so motivating. i'm fighting for my life here bc i lost the last three nano events i did, capping out at like 35k each, after a previously unbroken streak of almost a decade, but this time i was like COME HELL OR HIGH WATER I REFUSE TO FAIL THIS TIME. i'm like 3k behind, but it's fine, probably... rocks back and forth in a dark room

thank youu!

[hiccstridshipper19]

Oh wow what an answer! I love that you put all this time and thought into it. I'm really glad this gave you the opportunity to write and process your thoughts on something so emotional, so absolutely do NOT apologize for taking all the space you need.

Similarly, I also binged the whole season in one day (actually half of season 1 and then season 2, I tried to not binge but it's just not my style) and finished at almost 2 am. I was so in shock I did not sleep.

I see a lot of people defending Aziraphale saying he doesn't deserve hate, but I actually have not seen anyone directing hate at him. Honestly, it never once occurred to me that any of this isn't how it should be. I felt that it was tragically beautiful, hitting the most rightfully painful spot of how angst comes. I'm not sure if this makes sense, maybe I'm just too much of an angst enjoyer 😅 When the ending was approaching and things started going south, I knew there isn't enough time left in the episode for a reconciliation scene (unless we have another episode or something, which there isn't). And even though my head was screaming "NOOOONONONOOONOO", somewhere in the back of my mind I was also like, "yeah, it just HAS to be this way. Of course it does."

Anyway, I also took to the internet immediately after and got scrolling, reading every meta post I can find. It took me a bit of time to settle back down from my state of internally-shrieking-24/7, and I'm only just starting to feel my brain return. I agree with a lot of the posts I'm reading explaining the whole situation. Honestly, these people put it into words better than I ever could. They reminded me of all the little bits and moments where I picked up something not quite smooth in Aziraphale and Crowley's dynamic, but didn't have the time to give it space while binge watching (I really should give not-binging a try shouldn't I? It all went by so fast that I didn't get to savor the experience of each episode and its own sort of Feel. Having seen the finale, I will never be able to take my mind off of it again whenever thinking about the other parts, whereas if I'd given myself time to breathe between each episode, I could've had more chances to enjoy the happy stuff before the finale inevitably puts a whole twist on it all).

It was very easy for me to understand why Aziraphale would choose heaven, since he's always been, at least verbally, fiercely on that side, which he believes to be fundamentally good. He seems to have never stopped denying being away from the side of heaven/goodness. I've seen several posts going in-depth about the different philosophies Crowley and Aziraphale have regarding the system and what their solution to all this should be, and you did a wonderful job as well sorting out how the two perceives each other and their relationship. These are all really good points and very well put discussions. For me myself, I can very much relate to Aziraphale here, the struggle of still choosing to align with something despite clearly knowing it isn't all good, simply because there are some parts that are still believed to be salvageable, and that others are just not seeing those bits. Yes there are flaws and there are toxic people around, but steer clear of those people and we'll be fine! So it makes total sense to me that of course Aziraphale would take up the offering to fix things, since "I must do good and be righteous" is at his core, and what he believes to be also at the core of heaven's operations.

Now I am a bit hung up on the part where Aziraphale originally was not going to accept the proposition unless he can be with Crowley, but Crowley isn't going, and Aziraphale went ahead with it anyway. Yeah I'm not really seeing that. Perhaps it's just a heat-of-the-moment kind of thing because he was so upset, and he almost, ALMOST, stayed.

So that's where I'm at for now, 48 hours into recovery. I can't say I'm normal yet, and I don't know how long, if ever, when I will be again. I'm just gonna have to live with it until it becomes the new normal. I'm not usually the type to write meta-analyses, so I'm not sure if any of this is actually good input. Yours or anyone's further discussion is always welcomed! Would love to message about this as well. I do hope we can all tough through this and live to see season 3, whenever that is. I think I'm at an okay place with all the logic behind the storyline, it's just all So. Damn. Emotional, and that's the main part I'm grappling with.

And yeah, Neil really got the jump on us calling it "quiet, gentle, and romantic". 🖕(affectionate)

Hiya! I've been following your blog for a while and can't help but notice that we share at least two fandoms. As a fellow suffering soul at the mercy of GO's season 2 finale, how are you doing?

First of all, know this ask made me smile and thank you so much for asking that. It's not every day in fandom life that we get a finale as heartbreaking and devastating as that and I love the people who have asked me how I'm doing about it. I love that this is a fandom where we're all supporting each other through all the heavy emotions.

I'm... I'm okay. Mostly. Probably. I think?

If you don't mind, I'm just genuinely gonna tell you how I feel about it. (Edit from the future, this got long, I'm so sorry lol) I went into this season expecting quiet, gentle, and romantic, and therefore, on that first watch-through, I was looking for quiet, gentle, and romantic. I didn't know what the season was going to be about other than that. I thought I was looking for the ways in which Crowley and Aziraphale were growing closer, and they did! But in that, I didn't know I was also supposed to be looking at the ways that they weren't communicating. I didn't know I was supposed to be looking at all the ways they clearly haven't healed from their traumas.

And so, when we got to that scene in the end, I was incredibly confused by Aziraphale. Crowley has always been my favorite character in this story, I relate to him most and I feel I always understand him. So I pretty quickly got his side of things. But Aziraphale... it just felt out of nowhere (and a little bit, it was. The Metatron really did just kinda show up and offer Az all of that) and it felt like I'd been betrayed a bit.

I thought Aziraphale had learned better about all of this at the end of season 1. That Crowley doesn't need to be an angel, he doesn't need to change. That Heaven is just as bad as Hell. That Heaven isn't exactly a system one person can just... fix. And for the first 5 episodes of this new season, I didn't recognize him struggling with any of this in the present day. He was happy and in love and he was okay with moving on.

And I was so confused why he was considering this, especially after seeing Crowley's reaction. And then after the kiss, Aziraphale still didn't really want to go to Heaven, he was gonna turn back. And he didn't because the Metatron rushed him. He went too fast. And I was so pained by it. Michael Sheen just ripped me apart with how he portrayed all the emotions Aziraphale was feeling. The microexpressions moved so fast it felt like I couldn't hold on to any one emotion any better than he could.

And so my heart was broken for Crowley, and I was confused and betrayed by Aziraphale. But I binged the entire season in one night, it was early morning when I finished it. I was tired, and I watched the season not actually knowing what I should have been looking for. And so I knew that it wasn't that Aziraphale was suddenly a bad character or something. I'm quite shocked by the people hating on Aziraphale's character. My first thought after I finished the season was literally, "I missed something. It's not Aziraphale's fault that I don't understand where that came from. I'm gonna have to rewatch this entire season when I'm more rested and watch it much slower. I'm gonna have to read all the meta written by people who still love and understand Aziraphale after this."

And that's what I did. I haven't rewatched the season yet, but I have been reading a lot of meta about Aziraphale's character written by people who genuinely seem to understand him. It highlighted a lot of things I'd missed the first time. The parallel between Lindsay and Nina and Heaven and Aziraphale. The fear that Aziraphale has been living in ever since Job, where he thinks he's crossed the line and deserves to fall. How his greatest temptation, in the eyes of Heaven, wasn't the food or giving away his sword, or lying. It was his relationship with Crowley.

I didn't realize how the purpose of the creation of the universe scene was that Aziraphale saw how happy Crowley was. And that he's willing to risk everything, his freedom and his beautiful life in the bookshop so that Crowley can be happy like that again. Because Aziraphale spent 6,000 years watching Crowley reject his own kind nature, his own impulse to do good, for the fear of Hell's punishment. It's not exactly that Aziraphale wants to change Crowley. It's that if Crowley was an angel, he could go back to freely being nice, and doing good. They could be together because there wouldn't be the threat of the Other Side coming for them and ripping them apart.

Aziraphale doesn't want to change Crowley. He loves Crowley. But he is still scared of what Heaven thinks of it. Heaven still thinks that angels and demons can't be together because they're on opposite sides. And the powers greater than them who believe this will always try to rip them apart.

He just wants a better world for Crowley. He wants Crowley happy and safe. Is this the way to do it, no. I think Crowley is right that Aziraphale can't change Heaven. I think Crowley is probably scared out of his mind right now that Aziraphale is going back into the lion's den. Because Crowley watched for 6,000 years as Aziraphale was manipulated by Heaven, he saw how scared his angel was. And now he's going back under some misguided understanding that it'll be different this time.

I think that's what Crowley was thinking about in the car in the end credits. I think it was part "I can't believe he chose Heaven over me, because he wants to fix Heaven FOR me, the idiot." and part "He's gonna be manipulated again. And when he realizes it, he's gonna be so scared."

All Crowley wants in this world is for Aziraphale to be okay. Wants him to be free and safe. Free to eat whatever he wants without guilt. Free to do good because he wants to, not because he's had his orders. Free to dance with a demon. Free to be an us. Because he watched Aziraphle be scared of these things for millennia. He watched his angel think he deserved to be a demon for it. And he doesn't. And now Aziraphale's gone back to a place where there is no food, he won't have the opportunity to do clever good deeds in human's lives (he'll be running heaven), and Crowley simply can't follow him back there.

But then, I also believe the metas that have noticed that both plans are unsustainable. Aziraphale won't be able to change the system. And Crowley couldn't keep them running forever. They'll have to find the secret third option to be free to be together safely for eternity, and that's what season 3 is gonna be about.

So, to circle back to your question, I'm not okay lol. But I will be. I believe that this is one of the best stories ever told, and the more I understand Aziraphale and Crowley's characters, the more the ending makes sense, and the more intrigued I am about what else I might have missed that I'll need to rewatch to figure out. The kiss still breaks my heart, but I wouldn't change a thing about it because it makes sense and it played out perfectly for their situations and who they are. It's beautiful in a heartbreaking way.

And I do have a sense of peace about all of it. Even when I had just finished the episode, I knew it was all going to be okay because that divorce was literally about how much they love each other. Crowley loves Aziraphale unconditionally. Neither of them have much experience with that. So Aziraphale struggles to accept it, and he's scared to show it back because what if it costs them everything. But Crowley doesn't struggle like that. He's been left behind on earth, for now. But I have no doubt that as soon as his angel needs him, he'll be there.

Aziraphale will probably say he's sorry. And Crowley's just gonna give him a hug, tell him he loves him, that he's not gonna say I forgive you because neither of them need forgiveness. Not anymore.

It actually feels really good having written all this out like this, I've not talked about good omens much, even though I've been reblogging a lot. I'd love to talk to you more about all of it, if you want. And of course, I want to ask you how are YOU doing? What are your thoughts on all of this? How are you holding up? My ask box and my messages are always open!

[inevitably-johnlocked]

Hello Steph,

First of all, I love your blog. You're just the sweetest. I am really glad that I found your blog.

I have a few questions I want your opinions on. I am working on a Johnlock fic of my own and I kind of wish for it to be acknowledged. In order to do so, do I have to add sex scenes or anything to lure in readers and make things " interesting ". I have a hard time writing porn if the characters are in a bumpy patch with each other. And I also I personally find the idea of being attracted to or having sex with an unknown person uncomfortable at best and nauseating at worst, no matter how attractive they may be, so writing sex scenes can be hard for me mentally.

Do you think it will make my story lose a large chunk of readers ?

I noticed a rather common pattern is that E and M rated fics with sex scenes often have a lot more views than fics of other categories. I don't know if this is universal or not but it's something I have noticed.

I am a bit worried that my story won't get noticed much due to my inability to write lots of sex scenes. Should I be worried?

I know the purpose of writing fanfic is for your own entertainment but I also want others to read and enjoy it.

I have read popular fics of the fandom with lots of sex scenes and I would often wonder how people can write them so easily. It just doesn't come naturally for me.

Do you think there's something wrong with me or something?

Hey Nonny!

First of all, i am SO sorry for the delay in a reply to this... I drafted it and then completely lost it, and I scrolled down far enough and found it again, so my bad, I never meant to ignore you. Plus I just never felt my original response was good enough so I'm glad I'm doing better today to give you something I hope will help you feel better.

First of all: DON'T WRITE WHAT MAKES YOU UNCOMFORTABLE. PLEASE!! No (decent) reader would want to know that an author was unhappy writing their work, and oftentimes, that will come across in your writing as well; YOU may not catch it, but your betas and readers will, and honestly, writing should be something you ENJOY doing, and something that makes you happy.

Second: Don't write for other people. You should be writing the story because YOU have a story you want to tell. "Popular" fics got popular on luck firstly, and then word of mouth second. Don't write a story with the expectation of it becoming popular. I used to do this with my meta and my fanart... once I let go of trying to do what other people wanted or expected of me, and did my own thing, it shows in your work, and in the end it should be a pleasurable experience. Your Hobby that you're doing in your free time and not getting paid for should NOT feel like work.

Third: you do not need to include smut to be "popular". A lot of my fave fics have little-to-no smut in them. I've read 100K of T rated stories before. A lot of people love the LOVE more than the smut, and there's a huge audience for that. I personally love the buildup and the romance, the tender moments, and any smut as an epilogue is just fine in my books. But, fiction is subjective and is always based on individual preferences. Of course there are people who ONLY read E rated fics. And I know a LOT more people, actually, who are ALWAYS on the lookout for softer G,T, and M rated works because either they, like me, prefer the romance and buildup, or aren't comfy with sex at all.

So no, there is NOTHING wrong with you, at all. Write your story how YOU want to tell it. Sometimes, leaving things to the imagination is "hotter" than the descriptive stuff itself, in my opinion. A lot of us have good imaginations and can fill in the blanks, LOL.

In fact, here are some fave fics of mine to help inspire you:

G,T, & M-Rated Johnlock for Newcomers Pt. 1 (Under 5K)

G,T, & M-Rated Johnlock for Newcomers Pt. 2 (5K-20K)

T-RATED Pt. 1: Friends To Lovers Fics || [MOBILE LINK]

T-Rated Fics Pt. 2 (October 2018) (LONG POST) || MOBILE POST

T-Rated Fics Pt. 3

Smut-Free Fics Over 50K (Aug 2019)

LOOK how many lists I have!!! THERE IS AN AUDIENCE. People WANT the soft fics!!! GIVE US THE SOFT FICS!!

All that said, Nonny... if / when you do write your fic, please let me know. I would love to boost it for you <3 It's the least I can do <3

Take care Nonny, and sorry again for the delay. Please remember to write what you want to read, and other people will love you for it :)

[redxblueihateloveyou]

Hey i really love your blog!!! I just plucked the courage to actually send u an ask fhdjhd but GOSH i love your video edits and your gifs and your meta article posts, you're so articulate and you can explain/describe moments in a way that makes me go "oh wow, i cant believe i haven't seen it that way before!!" Haha ANYWAYS i'm just here to say that i completely agree with what all u said, Free creators might do a lil fanservice here and there for the 25 ships that exists within the fandom's circle, but rinharu's storyline is clearly the most romantic one! And i'd argue it's the one closest to being canon esp after part 1, i mean the fact that they put such an explosive emotional outburst right at the end of the second to the last movie means a lot. It's like reinforcing the fact that this series has always been about them, and everything that has happened only happened either because they met or they grew appart and miss eachother. I kinda feel like maybe.. juust maayyybe there's a chance KA wants to make the ship canon, since it's the last movie and they want to end it on a highnote maybe (bcs honestly i think the only reason they've been holding back is purely bcs of the merch sales, since they don't have a problem showing a wholesome lesbian love story in kobayashi maid dragon) butt i could be wrong, maybe i'm just overly optimistic and delusional, they could somehow ruin it and give an ending that panders to all the ships again 😅🥲, but at least there's a clear-cut guarantee that part 2 would dedicate a large portion of it fixing rin and haru's fight!!! Oohh how can i wait another 6 months now!!😭😭 (sorry for the long ask btw!! 🙏🙇‍♀️🙇‍♀️)

OMG thank you so so much!! For watching my vids too! ❤️❤️❤️ It really means a lot to me! Ahhhh wow, thats the longest ask I've ever recieved! 😍 I'm trying to explain myself so hard lol I'm glad its appreciated, bc sometimes I'm like "I don't fucking know how to say this" xD

Well, you know me, I only care for one ship, which is the only one with confirmed info that they're both actually gay and have mutual feelings for each other. There are some other ships in free! I'm fine with (those do not include Rin or Haru in them xD), but I just mostly don't care, bc after reading all the stuff, you can see that in some of those to one the other one is actually like his second option, which I just do not like. Others I just don't even see, bc again to me who witnessed great close male friendships and having two sisters who I'm very close to, I just do not see anything romantic in that.

It's not just Free! tbh, it's like any sports anime these days. They see two guys walking together, it's a ship. And like no one cares if they're just bros. Like I'd get i they did some fanservice fanservice, but like I never saw anyone in Free! crossing the line the way rinharu do. I can without thinking much name you 10 rh moments that no matter how hard you think can't be explain as being bros, but can't name one when it comes to others. I just find some ppl shipping everyone with everyone weird sometimes. It's like western fans see like some eastern actors or singers slap each other ass lovingly and they're like "oh they're fucking" I'm like "yeah, ofc all 500 of them, you're absolutely right". And Free! doesn't do anything even like that, I just do not get sometimes like what moment even brought on some ships. I'm genuinely confused. Albert and Haru? You fucking fell from a sakura tree or smth? I'm...

I'm especially confused when it comes to guys, whose character type is who I call "I only want this one and if I can't have it, then I'm ok" xD. It just always surprised me, when they try to pair up them with someone else, it's like a complete ooc.

I'm also not into this whole "well, if there are gays in this anime, than everyone there is gay". I'm like... huh. It's like with KNB and MDZS I had same feeling. It's like you have already couples there who are canon/borderline canon, why do you need another 10 who don't even interact or just don't even go there? I'm always so confused in those situations. Or like wangxian is married and some are like "no, I actually don't like it, let me write a fic when they're with other ppl". Lan Zhan... being in love or having sex with someone else? Yeah, that's not Lan Zhan, dude, you're writing about someone else. Might as well change the name at this point.

But last time I went to twitter someone had a thread about how if they make s4 of Free! they should mainly explore there Momo's angst (and no, it wasn't a joke), so I'm already like, I'm just.. nothing will surprise me no more. But I'm forever gonna be confused.

Yeah, I eel you about "going there". I mean seeing part of it, it just kinda cemented my confusion, bc I do not get how it can be considered platonic. We were just discussing since yesterday with @freeseafirefly how I now even more perplexed and do not understand how they will resolve it without going into relationship territory. It's just our point here is that like... no one forced them to go there (I mean its not like this whole fandom has some wild expectations or anything already), we were waiting or our usual friendship and swimming and maybe tiny conflict about struggles of pro-careers and some usual rh implications (maybe all the rh gay in dramas as always). Not some pure fanfiction coming to life here haha.

Like why I'm laughing is bc I twice used in my "fics" bringing up him leaving Haru as a force to push the confession, bc there's no way if he adresses this it won't lead to this. And now we not only have this (bc Haru just basically layed it out there), but an actual scene of him playing on their feelings for each other and a literal image of Rin leaving and "taking Haru's heart with him" to the point when he's for the first time in his life openly crying on the ground. And it's not like this scene can be interpreted as anything else, the whole fandom talks same, bc the whole fight was just about them, what Haru said was just about them, there's a literal boom of his heart getting out of his chest, before he falls and now he's heartless.

So our question is like... why go there?

It's like some say that they might still resolve it with "they're special to each other" and swimming, but still like we already knew that, there was no reason to go that far is what I'm saying. And to think that it was planned since forever giving the clues is like... ???

The whole spoon theme also throw me on the loop because like, lets be honest, it's wedding themed. And that part of the interview about part 2 there also made me go...?????? Because I mean, huh?

This is just all in all very interesting turn of events to say the least. I do not see the point of all of this if its not what I think it is, esp after seeing tweets like "even I see a rh wedding and I'm mh T_T". It's just all very unsubtle, that's why we're confused.

Like who knows, maybe we'll really by some magic turn of events get lucky and they really decided that since its the ending, it's okay to go for it. But I also don't wanna to hype myself much, I'm already really happy with it, just bc again, this scene already proves all of my points.

And yeah, I'm sure they'll pander to everyone, bc it's the end and etc and we have to handle everything on the good note and there's a whole line of ppl who's obsessed with us, esp with Haru xD, but like bromance pandering and romance pandering are different things, you know *wiggles eyebrows* and u know who always gets the second one.

[mrs-nate-humphrey]

This is totally cool, lol! That's why I tagged you, I like different perspectives 🥰 and I adore lesbian Jenny

I've been thinking a lot about Jenny's character and sexuality lately since I'm in the middle of rewatching the show. I totally agree that she's attracted to women and most times she pursues guys it's mainly to increase social status and not because of genuine interest. Nate always felt different to me, though. Like, the two times she really pursues him is in season 2, when she's being homeschooled and trying to make it as a designer, and the end of season 3, which is after the whole Damien drama and she's just looking for someone who cares about her and respects her (I know you said once that it doesn't even feel romantic here, which I also agree with, poor girl just needs a connection). I do really see how it can be interrupted as comphet, though. Like she feels like she's supposed to be attracted to Nate because who wouldn't be?

I think the reason why I lean the other way is probably just projection. Jenny's been my favourite GG character since I first watched the show when I was 12, partly because I relate a lot to her, and since I'm bisexual... Add that plus the fact that I totally have had a crush on Nate and of course I'm gonna ship them. I've been relating to Jenny even more this time around cause I dropped out of school this year, so her season 2 arc really hit close to me. So this made my jenate feelings come back tenfold and also made me that much madder at Rufus, lol. I just wanted to go through the screen and shake his shoulders like "There are other paths than the one you want your daughter to have, not everyone has to go through life like society expects you to let your daughter carve out her own unconventional path you fucking idiot!" Luckily my parents have been way more supportive.

Mainly I just see Jenny as bi with a strong lean towards women, but I like to think about lesbian Jenny, too. It wouldn't exactly be the first time I had contradicting headcanons.

I don't know I just think it's really cool that different people can have such different interpretations of the same character. I think that's what's so interesting about fiction, to see how we view things differently depending on how we view and relate to things based on our own experiences. Tumblr can be so focused on hating people who disagree with you, but I like following people with different opinions, it helps me understand people better.

Yeah, I'm glad you tagged me!! back in November, some anons were mean to me about shipping Jenate (me??? who literally does not even - anyway) and ever since then I've been trying extra to ensure that Jenate shippers feel welcome on my blog - you may already know this, because I've brought it up before, but I'm saying it here to let you know that every time you tag me in your Jenate edits I get so happy that you're sharing something you're so passionate about with me!! I'm also a big believer of like........ making the content you want to see (a big part of why I even learnt to gif is because nobody was giffing Dan & Nate, and I was like...... that's the content I need, so if it's not already existing, I'm gonna make it happen!) so regardless of my feelings it's always so cool to see the way you conceptualise JN + their feelings re: each other, and your choice of scenes + lyrics (??? I'm not actually familiar with where you got the words for your edits, they're likely songs I haven't heard, haha) is just so interesting & good!

OH my full Jenny & Nate feelings are a lot more complicated than just comphet on Jenny's part. I feel like..... neither of them was romantically/sexually into each other? and that is kind of the appeal to me? I've always interpreted Nate's interest in Jenny during the s2 arc as sort of like - everything in his life is so unstable and undetermined, and here is Jenny who is so clear on who she is and what she wants, and he admires and respects that, and he wants to be there for her and support her, so when she kisses him he just sort of lets her take their dynamic wherever she wants to? that is very much the vibe I got. You already know how I feel about lesbian Jenny, I mean, you quoted my meta right back at me :'))

but I DO agree with you that Nate is different from the other guys to Jenny. JN have this really specific kind of honesty to them - well, when Jenny wasn't spiralling and trying to get power and acting out, and when the writers actually cared? I still think that NJ had the potential to be a SOLID dynamic but the writers made it sorta unhealthy on the show :(( - but I've spoken abt moments like in seventeen candles and the empire strikes jack before, where they're both able to be emotionally vulnerable around each other in ways we don't see them be with anyone else. I've even compared that to what I like about Derena, whom everyone knows I ship in every possible way, haha. But there's something about characters who trust each other and allow themselves to be honest with each other in ways that they wouldn't otherwise EVER be - especially with characters like Jenny & Nate who have spent so long trying to seem fine and okay even when they're really not.

I honestly really like the idea of queerplatonic Jenate - they're life partners, they're each other's rock, they're each other's person - but it's not romantic OR sexual - and for Nate & Jenny, whose adolescence has involved navigating other people sexualising them so much + not having the best track record with romantic relationships - for them, I feel being qpps gets REALLY interesting, because you get all the perks of a relationship without the romantic/sexual obligations? (obligations isn't the best word, but i don't know what else to use here? LOL) and that's something i love to explore.

I feel like book Jenny was bi! The way she gushed about Nate, whom she canonically had a crush on, and the way she gushed about Serena were EXACTLY the same. Also YES I love multiple headcanons always, it's a lot of fun seeing people explore that!!! I know people who have aroace readings of Jenny, or aro lesbian / ace lesbian readings of her, and I find that really cool, too!

I also definitely get you about relating to Jenny a lot, and feeling that kind of connection. It's similar to how I feel about Dan, and .... explains a lot of my contradicting dair views, actually. A few years ago I had a seriously intense crush on a girl who was... a lot like Blair, in many ways. I spent a ridiculous amount of time writing poetry about her, etc etc, but I never actually acted on it. If she'd fabricated schemes that involved us kissing, though..... I don't know. I don't think I would've denied it if I'd felt like I actually had a chance. I think we just had a case of bad timing, & I like to think in another universe, maybe we were actually together for a bit. I'm glad that your parents are supportive of you and better than Rufus! <3

I think that's what's so interesting about fiction, to see how we view things differently depending on how we view and relate to things based on our own experiences <- THIS exactly! this is a big part of why that "proship" is in my bio. like this is exactly what it means to me and how I conceptualise & understand it!!! Like you, I also like engaging with people who have different understandings and opinions of the characters -> it definitely helps you make new friends you would otherwise not meet by staying in your bubble, & from a fandom point of view, it also helps you develop a more nuanced understanding of a character. Some of the best written Jenny Humphrey I've read was in Jenate fics - and I've had people who don't even ship Blenny tell me they liked the way I wrote Jenny in my post canon blennyfic, so... idk. it's loving Jenny hours - each and every single iteration of Jenny!!!

[maglors-anion-gap]

Friday, May, September for fic asks!

[from this ask game] friday - most self indulgent fic:

I think the most self-indulgent fic that I've written is actually one I haven't posted yet. I'm working on some tolkien secret santa advent calendar prompts (which I'll be releasing in the coming week-ish) that center on transmasc!russingon. It's not exactly a unique headcanon (arofili has some lovely transmasc content for them) but I'm transmasculine and it's something I enjoy. I actually wish more people would write trans narratives in fandom! Don't be hesitant! I've never seen someone totally screw the pooch (except out of deliberate malice); you'll do better than you expect the first time around; there are always people happy to answer questions. I know lots of people have steered clear of trans fic because some people have incredibly strong opinions about what is transphobic or not or what the best way to write a trans character is, and honestly, it's what kept me from wanting to write trans characters (and I'm trans!!! the irony). If you do some research, ask some questions, and engage in good faith, you're doing fine.

may - fic I regret posting:

eurgh. Um so I think I regret something about literally every fic I've written. Actually, even though I love russingon I have Major Anxieties about posting anything russingon. I'm not going to name names or link or anything bc I think gossip is pretty rude, but there was a piece of meta that went around maybe two years ago? It had a lot of insightful things to say (I actually wish I'd saved the link because it was pretty good), but at the end the op alleged that the fandom fixation on russingon was fetishistic. In general, accusations of fetishism made me really hesitant to write russingon because I really don't want hate in my inbox, and I was really scared I was playing into like, bad characterization or stereotypes or something? Which is so fucking stupid because I'm transmasc and I'm literally dating another man (fellas is it fetishistic to gay-love another dude?). But it gave me mega-gender-upset because the Age Old Internet Accusation that transmascs get hit with a lot is that we're basically just creepy "fujoshis" or whatever. I don't think that was op's intent but. Anyway, I wish people were more careful about how they turn their personal complaints ("fingon needs more characterization," or "I don't like fic drabbles that focus on maedhros' recovery in hithlum") and make them into sweeping claims about the state of fandom.

that was a long anxiety-dump to say I sometimes regret posting Where the Spirit Meets the Bones, which is the Bad Russingon Fan trifecta of Unholy Smut, Maedhros Man-Pain, and Taylor Swift lyric inspo.

september - comment that warms my heart:

I went through all my AO3 comments for this, there are so many lovely ones but the one that jumped out at me was something undercat said on Turning Shadows into Shapes: "I saw this linked again on tumblr a week ago or so and came back to reread this, and it's just as good as I remembered!"

I'm always happy when something I write withstands the test of a re-read :)

[beatriceeagle]

I think my TV meta ask reported an error so I'm going to repeat my questions, feel free to ignore any of them! 1) I love Looking for Alaska the book, and whilst I'm not worried about the TV show as an adaptation, I am worried about it being good... should I watch it? 2) Are you excited for Bojack Season 6? 3) How do you feel about Agents of Shield as a TV show that's constantly changing? I'll never forget their pivot in season 1! 4) SPORTS NIGHT! Why do I love Dan Rydell so much?

I don’t think I could love a meta ask more unless it included Farscape. This is phenomenal.

1

The highlight is that the Looking for Alaska adaptation is good and you should watch it. To get deeper, without getting spoilery, I’ve heard a lot of people say that it improves upon the book, which I don’t exactly agree with. What Looking for Alaska is is a very smart adaptation.

Basically, Looking for Alaska, the book, pulls off a thematic trick using its limited point of view. Miles spends the first two-thirds of the book wildly idealizing Alaska, and often very much in the dark about the exact specifics of her relationship with Jake, but also with Takumi and even the Colonel. Then when the turn comes, that becomes the point: Miles might have loved Alaska, but the Alaska in his head was never the real Alaska, and that means that he can never really understand what happened.

We spend a lot of time hearing Miles’ very precocious, pretentious narration, and also Alaska’s precocious, pretentious dialogue, and a lot of that has seeped into the culture as being the book, as if there’s no deconstruction happening. But there is! Miles is a little bit self-deluding, and Alaska is almost always putting on a front, and neither of their words can ever be fully trusted. This is a book about a guy who never really knew a girl.

The writers of the series, I think, wisely realized that that dynamic was going to be incredibly difficult to replicate on-screen. No matter what they did, viewers were going to get an objective look at Alaska, and the time constraints of television (ironically, the fact that they had to fill out more time) meant that they would have to go outside of Miles’ perspective. So they ditched that idea entirely, and instead dedicated themselves to expanding wherever they possibly could. We get so much more Alaska than the book gives us. She is more real than she possibly could have been in the pages, because we get to see her, not Miles’ view of her. But we also get much, much more of the Colonel, more of Sara, more of Takumi and Lara, more of the Eagle and the Old Man. And it’s wonderful! Some of the show’s most incredible scenes are between characters who are neither Miles nor Alaska.

But it does undercut the theme, somewhat. (Especially when combined with some other adaptation decisions that I won’t get into, because they are spoilery.) Looking for Alaska, the series, gives up some thematic impact in favor of a great deal of character richness, and it’s absolutely the right call for the series, given its format, and given the context in which it was released. But it was a trade, and I think it should be acknowledged.

(The other thing the show does that I think is necessary from an adaptation standpoint, but makes for a kind of weird viewing experience, is that it adds a whole plotline to the middle of the series that doesn’t exist in the book. I do think that this was necessary, because there’s not a lot of structure to the middle of Looking for Alaska, and while that’s fine for a book, a series needs a plot with some kind of forward momentum to hang itself on. But the problem is that the inevitable arc of the book means that this new plotline has nowhere to go, and it ends up just sort of fizzling out, once the book plot takes over.)

Anyway: Looking for Alaska. Very good show, very good music, exceptional performance from Denny Love. Definitely check it out if you loved the book.

2

I am very excited for BoJack season 6! I’m just waiting to watch it with my sister. I have hope that, since this is a planned final season, it’ll give the writers space to move the characters forward, and actually give people like Diane some measure of peace, and people like BoJack some measure of atonement.

3

I think that being the kind of show that was a different show every season was the smartest choice that Agents of SHIELD ever made. (The least smartest choice that Agents of SHIELD ever made was “Fitz and Simmons can never be together for more than six episodes at a time,” even if it has led to several individually successful story arcs.) It makes the show infinitely adaptable, so for instance, if they kill off their lead character thinking that the show is ending, and then suddenly get renewed for two (!!!) more seasons, it’s very easy for them to bring the actor back without walking back the story they’ve told; the show is capable of going to almost any place or time, and pulling on almost any trope of sci-fi or fantasy.

It also makes the show really interesting. One of the problems with season one of Agents of SHIELD was that the MCU is this giant world, full of lots of different settings and genres, and in comparison, AoS felt bland. The genre it was taking on (sci-fi procedural) isn’t inherently boring, but it wasn’t a particularly fresh take on the idea, and the visual trappings of the setting were incredibly sterile. But post-Hydra reveal—and especially post-season four—AoS is like the MCU in a microcosm. It can be anything! It can do a season in the future, a season in space, a season in a computer simulation. It can do pulpy action and messy comedy and gorgeous, lyrical sci-fi.

And also, it manages to do something that’s incredibly difficult (even The Good Place didn’t quite manage to get the hang of it until literally just this last episode) which is to rewrite the characters’ realities over and over without losing track of their character progressions. So, for instance, Fitz has been regular Fitz, and then he’s had his entire reality rewritten by the Framework and become the Doctor, and then he married Jemma and died, and then we reset to cryo!Fitz. And throughout all of that, the show has always been very clear about where the current Fitz is emotionally, and how all of the past and alternate versions of him affect his mental state—but also how he is distinct from any past or alternate versions of himself. And they do this while carrying on actual physical trauma from season 2; if you pay attention, Fitz still briefly loses words when he gets stressed. (As someone who takes a medication that makes me forget words easily, this is my ACTUAL FAVORITE THING on television.) The end result is that you actually know more about Fitz from seeing his reality rewritten so many times—and he still has a coherent character arc.

Of course the downside of this constant shifting is that sometimes AoS will find something that really works for it, and then leave it behind. Like, over the course of seasons three to six, they built up a lot of texture and a deep bench of characters to the space setting, and I would probably say, at this point, that Space AoS is my favorite version of AoS. But the latter half of season six ditched that setting almost entirely, and it’s not clear to what extent we’ll be going back there at all for season seven. Similarly, Fitz’s character arc remains coherent, but I’m not sure the current version of it is my favorite version of it.

But at the end of the day, I think that’s a fair trade for a show that’ll change Daisy’s name halfway through and stick with it, you know?

4

Well, I don’t know why you love Dan Rydell, but after putting a great deal of thought into this over many years, I can tell you why I love Dan Rydell: He is, setting aside some baseline Sorkin patronization, a legitimately great guy, going through a legitimately tough time.

Like, in the grand scheme of things, there are a lot of people who have it a lot worse than Dan Rydell, but one of the cool things about Sports Night is that the narrative is genuinely engaged with that fact: It’s aware of Dan’s privilege, and it makes Dan aware of his privilege, in a way that future Sorkin properties never really manage to do. Think of “The Apology”: “No rich white guy ever got anywhere with me comparing himself to Rosa Parks.” Think of Bobbi Bernstein, a woman who Dan calls crazy until she proves that she was right. Think of “The Quality of Mercy at 29K,” an episode that’s basically all about turning Dan’s privilege inside out.

What makes Dan likeable is that the show is aware of his privilege, it points his privilege out to him, and he learns. When Isaac calls him out, he’s immediately contrite. When he sees someone in need in his office, he overcomes his immediate reaction and tries to help. And when he realizes his error with Bobbi, he grants her an immediate, complete, and sincere apology.

The thing is, Dan wants so desperately to be a good guy, and it’s just really hard not to like someone who is trying so hard. He’s incredibly good to his friends, and honestly, I think the turning point is “Mary Pat Shelby.” You give Dan and Natalie’s scene in “Mary Pat Shelby” to a halfway decent actor, and how do you not come out of that scene loving Dan? This incredibly unselfish, incredibly well-pitched moment where, while everyone else is freaking out and trying to get something out of Natalie, Dan just says, “No, I’m not going to tell you what to do, I’m just going to tell you that I am behind you a million percent.” How do you not love that person?

But the other thing is that Josh Charles is not a halfway decent actor, Josh Charles is a phenomenal actor, so actually the turning point isn’t “Mary Pat Shelby.” It’s the speech in “The Apology.” The speech in “The Apology” isn’t  Sorkin’s best writing—“high as a paper kite” is a choice—and honestly, that scene is a lot to ask any actor to take on. Performed competently, it would be kind of embarrassing.

Charles fucking impales himself on that monologue. He leaves blood and guts on the anchor desk. And he somehow does it without overacting? It is a very subtle, precisely-balanced act of self-dismemberment.

What I’m saying is that right from the very beginning, Dan opens himself up to the viewer, and we see all his vulnerabilities, all the ugly, painful pieces of him that make him. And because Charles is a really, really good actor, it’s all very believable, and it’s all very magnetic—you’re drawn to it. And he does it all while being so likeable, and so good.

So of course people love Dan Rydell. He’s generous, he learns and apologizes, he tries incredibly hard, he’s got level 25 charisma, and he’s an open book of emotion—not to the people in his life, but to the viewer.

(Hey, while you’re here, have a link to an amazing Dan Rydell vid!)

Send me meta prompts to distract me from my migraine! (Yes, I still have a migraine.)

[eyesontheskyline]

(about the whole fic writer asks, except those answered now) the story specific ones have to be about 'but if you really hold me tight' - I love all your cxg fics and it's the longest one :D) it's just I'm thinking of getting back to writing and since you're of my favorites authors out there now i'd love to get some insight. kudos for being cool about it!

Hello!  Okay first of all thank you so much, that is a ridiculously big compliment and my face hurts.  And yes yes yes you should definitely write if you feel like writing - just go for it!  If you have any specific questions or you want a pep talk or whatever, message any time :) 

Okay I’m gonna put these under a Read More because wall of text.

2) What fandoms do you write for and do you have a particular favourite if you write for more than one?Right now only Crazy Ex Girlfriend.  I wrote for Criminal Minds under a different name then had a gap of several years.  I’m pretty far removed from CM now but I can safely say writing for CXG has been a nicer experience community wise (partly a smaller fandom thing and I suspect partly a demographic thing), and there’s more established character stuff to work with because all the character development isn’t like…  Crammed in the five minutes they have to work with either side of the crime solving.

3) Do you prefer writing OC’s or reader inserts? Explain your answer.I don’t really do either, but reader inserts are kind of a squick of mine honestly, so I’m gonna say OCs.  I’ve only written OC kids though.

4) What is your favourite genre to write for?I am not entirely sure what this means…  Fic genre?  Original media genre?  I have only ever written romance or friendship stuff for TV shows, an odd balance of fluff and angst?

5) If you had to choose a favourite out of all of your multi chaptered stories, which would it be and why?Mmm let the sun inside has a special place in my heart because it was the thing that got me back into writing after a really long gap and turned out pretty much how I wanted it to.  Writing it was just a very intense ‘I am writing again and my brain is on fire’ experience for me.

7) When is your preferred time to write?I would love to have a less dysfunctional answer to this, but probably between 1 and 4am unfortunately?  That can’t be a thing on work nights because I get up at 6.30.  If I can get myself on a roll early afternoon in a coffee shop though, that’s a better feeling.  Just… Less common than ‘the rest of the world around me is asleep and my brain just woke up’.

8) Where do you take your inspiration from?Oh everywhere.  The media I write fic about.  The stories I read.  My life, my friends.  The world.

9) In but if you really hold me tight, what’s your favourite scene that you wrote?Oh god I really don’t know.  This story is really hard for me to have perspective on because of the ridiculously time pressured way I wrote and published it.  I’m probably proudest of chapter 12, where they discuss the ‘do we want a baby’ question properly, because that just…  Is an important conversation that you don’t really see in media?  I’m not sure it’s the best writing in the story, but I’m glad I didn’t chicken out of it.  I also enjoyed writing Rebecca meeting Plimpton Senior in chapter 19, because that feels like an opportunity the show missed and I will never see enough versions of it in fic honestly.  (Do you have a favourite?)

10) In but if you really hold me tight, why did you decide to end it like that? Did you have an alternative ending in mind?That one was pretty much always going to end where it did – just because of the format, it was always going to end in a fluffy happy place around midnight on the 1st of January 2021. The last chapter was going to be longer originally, with more characters getting a moment, but it was just getting kind of unfocused – Rebecca POV can handle tone shifts pretty well I think because of the way her brain is wired, but at some point it all just got a bit messy so I pared it back.  I think I’m pleased with how it turned out, but the chaos of writing it is still fresh enough that it’s hard to tell!

11) Have you ever amended a story due to criticisms you’ve received after posting it?Nah, but I’ve fixed typos (thank you @what-the-elle-n!)

13) Who is your least favourite character to write for? Why?I find Valencia and Paula pretty difficult.  I love them, but I struggle.

14) How did you come up with the title - You can ask about multiple stories.(Since it says multiple and since I only have 3 currently…)  Everything I’ve published for CXG so far has had song lyric titles – mostly because I am not good at poetic turns of phrase, and I like lyricists who are.  (I’m also not a particularly romantic person, and I like lyricists who are!)

let the sun inside is from Ribcage by elbow.  The full line is ‘I wanted to explode – to pull my ribs apart and let the sun inside’, which feels to me like that feeling of having bottled everything up for so long that you just can’t feel anything anymore until you kind of break down and come out the other side?  And Rebecca = sunshine, so.  That is basically the premise of the story, so that was a stroke of luck.

the landing light is from K2 by elbow (I swear I listen to other music, they just have words that really lend themselves to fanfic titles lol).  I have a whole meta thing written to publish alongside the last chapter about why this song for this story, but basically the line is ‘Dickhead’s done a runner and he’s wondering if anyone cares – is the landing light on?’ which is just someone far from home feeling a bit stupid and homesick and wondering if there’s anybody waiting at home for him.  And of course Nathaniel comes home to a totally miserable situation and there Rebecca is.

but if you really hold me tight…  It had to be a lyric from a Christmas song, preferably one Frank Sinatra sang at some point, because that was the playlist I started listening to in mid-October while outlining this madness.  So it’s from Let It Snow, obviously, although that exact line is not in that version, ssshhhhhh (he sings ‘but if you’ll only hold me tight’).  I chose it because R&N being a team and getting through stuff together in a mostly-fluff-but-not-entirely way was kind of what I was aiming for, and it just felt like it fit.

15) If you write OC’s, how do you decide on their names?I kind of have an OC coming up in a story I’m writing now, and I just… Knew who named them, and tried to choose a name those people would choose.  I don’t really do OCs much in fic, but in not-fic (it’s been a while!) I try to go for a name that (1) means something, and importantly (2) I can imagine their parents having named them.

16) How did you come up with the idea for but if you really hold me tight?So a writer I used to read a lot from the Criminal Minds fandom did a Christmas fic a couple of years in a row – one short, mostly fluffy chapter for each day from the 1st-25th of December.  So that was the plan.  Except as soon as I started outlining it, I knew I couldn’t write an entire month fluffy and problem-free for these two (for anyone, but especially these two), so short and fluffy didn’t stick!

17) Post a line from a WIP that you’re working on.“I’ve gotten better at a lot of things since you’ve been away, but my self-deception skills have taken a real hit.”

18) Do you have any abandoned WIP’s? What made you abandon them?Yeah, I abandoned a few Criminal Minds fics.  I still feel bad about them actually – I get comments on them occasionally. (On the offchance anyone reading this is someone who feels nervous about commenting on old stories – these delight me in ways you cannot imagine.)  I ran out of steam in a lot of ways – I started them without any real idea where I was going and wrote myself into a corner, mostly, but also I was starting to really struggle to write unprompted.  I am not the most mentally well person, and I just got my brain into this spirally tangle where I thought nobody wanted to read anything they hadn’t asked for, so I filled a lot of prompts but couldn’t convince myself to write anything else.  It feels really weird to think about that now, which I guess is a good sign…

19) Are there any stories that you’ve written that you’d really love to do a sequel to?I toy with following the emotional arc of S4 but following let the sun inside sometimes – that was the plan, when I originally finished it and was panicking that I would never get another idea.  Also, but if you really hold me tight created a world of warm domesticity for R&N that I felt really sad leaving behind, so I would probably like to write in the timeline again.  And the landing light might get a oneshot sequel, depending on whether I end it the way I think I’m going to or the way I was originally planning to…

20) Are there any stories that you wished you’d ended differently?No, not in this fandom.  I’ve only written two endings though!  I’ve ended on some real cheeseball final lines in the past though.

21) Tell me about another writer(s) who you admire? What is it about them that you admire?@heartbash, who can do plot and slow-burn in a way my impatient ass will never be capable of.  @justwanted2dance who deserves a million flame emojis and writes BDSM stuff in a way that makes my anxious brain comfy enough to enjoy it (literally nobody else has achieved this).  @pictureofsoph1sticatedgrace who writes the loveliest fluff and is a badass individual.  @notbang and @anthropologicalhands and @catty-words and @akisazame and @romansuzume who write beautifully and can do those poetic turns of phrase I am not good at.  I’ve got to be forgetting someone but wowww there is so much talent and creativity in this lil room.  So many people to be inspired by.

22) Do you have a story that you look back on and cringe when you reread it?God yes, but not in this fandom.  It’s fine, 19 or 20 year old me, you were learning.

23) Do you prefer listening to music when you’re writing or do you need silence?Silence.  Or like white noise or the Hufflepuff Common Room 10 hour ASMR video on youtube or something lol.  Anything with words just ruins me – my attention span is laughable.

25) Have you ever cried whilst writing a story?Ha yes actually, but I’m really not entirely sure why.  Sometimes my brain is just a really weird place to be.

26) Which part of but if you really hold me tight was the hardest to write?It depends how you measure hardest, I guess.  Several of the smut scenes just said ‘[insert sex]’ for the longest time, sometimes with descriptions?  So like ‘[insert feelingsy sex]’ or whatever lol.  In terms of getting voices right (like to the point of still being unsure whether it’s any good), this gurl group chapter.  

27) Do you make a general outline for your stories or do you just go with the flow?It really depends.  Usually I know roughly where I’m going and how I’m getting there and that’s good enough for me, but my NaNo fic got an outline because of the format and timescale. And I’m planning a thing with an actual plot arc (gasp!) so that’s getting an outline, in the hope of making it look vaguely romance novel shaped.  Basically it depends on the length of the thing for me, and how plotty it is.

28) What is something you wished you’d known before you started posting fanfiction?Writing advice: if you’re struggling to move past a particular point, the thing you need to change is probably a few lines back.  It’s rarely the last line that painted you into the corner. If you think something needs to come out, paste it into an outtakes document – you might want to put it somewhere else later, or salvage lines from it or whatever, and it’s just easier to let go if you’re not actually hitting delete.

Posting advice: remember fandom is community – everyone is here because they love the thing you love.  They’re gonna be excited there’s a new story to read, and they’re rooting for you!  (Write the thing!)

29) Do you have a story that you feel doesn’t get as much love as you’d like?Nahh I mean, it’s a smaallll fandom.

30) In contrast to 29 is there a story which gets lots of love which you kinda eye roll at?Again, smaaalll.  (Also I try not to publicly eye roll at things other people love even if they are my things – there’s nothing quite like loving a song just for the band to be like ‘ugh I fucking hate that song’, so I always try to keep that in mind.)

31) Send me a fic recommendation and I’ll post it for my followers to see! (The asker is to send the rec not the answerer)You did not send me a rec!  Feel free to send me one now!  In fact, open call, everyone send me fic recs, even if I’ve definitely read them.

32) Are any of your characters based on real people?Mm no I don’t do OCs.

33) What’s the biggest compliment you’ve gotten?I mean, I enjoyed hearing that someone read my story in the corner at a party lol, especially because it was a chapter I was pretty pleased with and nervous about.  Also any time anybody says something I wrote is a headcanon or ‘this should have happened in the show’ is a glittery feeling. When somebody notices a little clue or detail that isn’t obvious, it makes me ridiculously happy.  Humans reading my thing then saying something about it is still crazy, so, yeah.

34) What’s the harshest criticism you’ve gotten?Story time: my old fandom has this one character who has a lot of pretty hardcore stans.  I mostly dislike the word stan but like…  Yeah.  So anyway, I got an email saying I had a new comment on my ficlet collection (keeping in mind I was in my ‘very unhealthy relationship with feedback’ stage at this point), and clicked on it all happy, and all it said was ‘I didn’t read this because another comment said it doesn’t contain enough *stanned character* and you really should warn people upfront that he isn’t gonna be in it, I’m glad I didn’t waste my time on it’.  Which was just…  A bizarre comment.  Like, commenting to say you didn’t read the thing is weird in itself, but also you list the characters who are in the thing, not all the ones who aren’t?? Anyway, I then went on my tumblr and I had several anon messages that were just straight up hate along the same lines and…  Yeah.  The Criminal Minds fandom was a strange place. On a related note, have I told you today that I love you, CXG people?  I love you.

35) Do you share your story ideas with anyone else or do you keep them close to your chest?I am basically always up with talking stuff through with people.

36) Can you give us a spoiler for one of your WIP’s?This is actually difficult to do right now.  There’s a baby?

37) What’s the funniest story you’ve written?I mean, I made myself laugh a couple of times in my festive fic, but I’m more of a ‘this one line is funny’ writer than a ‘this story is funny’ writer.  I’m too angsty!

38) If you could collab with any other writer on here, who would it be? (Perhaps this question will inspire some collabs!) If you’re shy, don’t tag the blog, just name it.This question is faaar too terrifying.  I’ve actually never collabed with anyone, I’d love to though.

39) Do you prefer first, second or third person?Third.  I think because I’ve only written for TV shows, no matter how closely you’re following one character, if you’re seeing them on a screen, you’re in third person.  So it’s just an extra struggle to make that jump to another POV for me.  I have written my not-fanfic mostly in first though, and I’ve read some lovely fic in first and second.  I’m just not good at it.

40) Do people know you write fanfiction?One person.

41) What’s your favourite minor character you’ve written?Hmmmm who is minor, really?  I find AJ difficult but fun.

43) Has anyone ever guessed the plot twist of one of your fics before you posted it?I don’t write anything plotty enough for this to be a thing!

44) What is the last line you wrote?“Mm, because you know how irresistible your weird old timey voices are.”

45) What spurs you on during the writing process?I want people to read the thing, honestly.  It’s a ‘reach out my lonely haaand’ moment with a little less melodrama.  I want it to be out in the world doing what it’s meant to do.  I also want it to be finished so I can read it – I get a very particular kind of happy feeling from reading a good sentence I wrote.

46) I really loved but if you really hold me tight. If you were ever to do a sequel, what do you think might happen in it?Lol it felt really weird to type that in there when you didn’t actually say it directly, but you said all so here we are!  I’m just gonna take that compliment even though I wrote it…  When I started coming to the end of writing that story, I started to feel really sad about leaving behind the warm domestic feel of it, so if I ever feel more domestic fluff coming on, probably it’ll be set after that.  

47) Here’s a fic title - insert a made up title. What would this story be about?You did not insert a made up title!  Although insert a made up title has potential for Rebecca hounding everyone she knows to help her title a song she wrote.

48) What’s your favourite trope to write?Is ‘let’s have an actual conversation about this’ a trope because that’s my brand so far!  I haven’t written anything particularly tropey, I don’t think, although the pull of ‘omg there was only one bed’ is strong right now!

49) Can you remember the first fic you read? What was it about?Yes!  It was a Criminal Minds fic, Hotch/Prentiss, canon compliant (ish) missing scenes kind of deal.  I can’t remember the first CXG fic I read, which is ridiculous because it was a lot more recent.  I started writing CXG fic before I started looking for it, because I hadn’t been inspired to write in so long that I didn’t want to scare myself away.  I read some before publishing, but I can’t remember where I started.

50) If you could write only angst, fluff or smut for the rest of your writing life, which would it be and why?I can only dream of being mentally stable enough to have a consistent answer to this lol.  Angst comes more naturally to me, but writing angsty characters into happy situations is one of the ways I make sense of the world, so…  Fluff, maybe, as long as I can keep the characters screwed up, because they just…  Are.  And like, same.

[kane-and-griffin]

I'm really sad about something I don't understand and was hoping you could explain. Why do people block without giving a reason to? I don't why it first seems like it's all going so well then the next you're blocked and you don't know why or what you did or said wrong? It's happened twice now and to say it hurts is an understatement.

Oh, my precious Kabby babies.  Circle up, it’s time for some firm butgentle life advice from Mom. 

First of all, unless I personally am the person who blocked you (whichI’m obviously not since we’re having this conversation!), in a very real sensethe short answer to this question is that you know I can’t actually answer thisquestion.  You’re asking me to tell youwhy a person I don’t know did a thing for which I have no context, and forwhich there could be a thousand reasons. So in a concrete, specific sense, my answer is: I do not know.

However.

(You knew there was going to be a however.)

Social media is a deeply personal avenue for self-expression and it’s also aworld where many of us spend a great deal of our time, which means that we havethe full and free right to customize it into exactly what we want it tobe.  The things that you post are personal reflections of you, which is  why it bums you out when someone mutes or blocks or doesn’t followback; it feels on some level like a personalrejection.  But the space you curate is also a personal reflection of you.  You have the rightto post anything you want and other people have the right to choose not to seeit.  Both of those rights are equal, eventhough you’re only on one side so naturally the other one feels like it’s insome way “wrong.”  

I’m speaking with zero context for what your preexisting relationship withthese people was beforehand (like obviously if it was a close friend and theyblocked you out of nowhere, you’re going to have to sort that out with themdirectly, I can’t advise you there), but it’s important to remember that theremay be no “right” and wrong” in this scenario.  It’s fully possible forboth of these things to peacefully coexist at the same time:

1) your absolute right to feel a little bit rejected and hurt that astranger on the internet made the choice that they didn’t want your socialmedia sphere to overlap with their social media sphere,

and

2) that other person’s absolute right to say “if something or someone makesme feel even the tiniest bit ‘nope’ I am purging it out of this space so it isexactly what I want and need it to be.” 

They don’t need to have a reason.  That sucks, when you’re on the receiving end of it, which all of us have been - it truly and genuinely sucks - but it’s also reality.  One of the hard truths that incidents like this make us sometimes have toface - and we don’t want to face these things, because they can feel reallyicky and vulnerable and ping all the little gremlins in our brain  - is this:

nobody on the internet owes you their time or attention foranything you do or say.

This sounds mean and brutal, and I don’t mean it to be, because you know mom loves you, but it’s incrediblyimportant, so I’m going to say it again to make sure that if nothing else, thisgets through:

nobody on the internet owes you their time or attention foranything you do or say.

The celebs you stan don’t owe you a response to your tweet, justbecause you want one.  The people you tag in meta don’t owe you rebloggingit to continue having that conversation with you forever, just because you wantto prove you’re right.  The fans of the fic you write for your mostpopular ship don’t owe you crossing over to give you hits on yourrare-pair fic if they don’t feel like it.  Nobody owes you a certainnumber of followers, nobody owes you a response to every anon you send them,nobody owes you finishing that fic you like in time for them to read it whenthey feel like reading it.  We owe each other one thing and one thingonly: basic human decency.  That’s it.  Everything else is freelyoffered to the world, and freely taken by the people who want it.  It’snot a transactional exchange.  If you make art or write fic and you put itout there into the world, you’ve done a cool thing, and whether it gets tenhits or thousands it was still worth doing.  There will be people whoaren’t interested, but if you get hung up on feeling rejected by that, it willparalyze you.

Social media is personal. That’s unavoidable.  It’s an extension of ourselves.  When someone is cruel to you or to one ofyour friends on the internet, even if it’s an anonymous stranger, it feelsshitty.  When you express an opinionabout something and a ton of people reblog it and the tags are full of “OMG YESTHISSSSS”, it feels great.  We all experiencethat in different ways.  Society has always selected arbitrary measures for young girls and women tolive up to in order to feel like they’re popular or they’re approved by thecool kids, and right now it’s things like “how many followers do you have” and “didyou get an RT from a celebrity” and “how many likes on your posts”.  So ona primal level, maybe having someone you thought was a friend block you on Twitter or Tumblr hits you in the same deep coreplace as having the cool kids not come to your birthday party.  That feeling is super real!  It brings upalllllll that deep stuff we try to hide and pretend that we’re aboveexperiencing, but we all have those squishy vulnerable inner selves that justneed the cool kids to like us and we feel bad when they don’t.  

I had this exact conversation with my therapist a few weeks ago when she wasgiving me a hard time because my book has 60 reviews on Amazon, of which likethe majority are 5 stars with two negative ones, and I have both the negativeones like memorized.  And she was like “CLAIRE.  WHAT THE HELL.  WHY DO YOU DO THIS?  58 POSITIVE AND YOU CANNOT QUOTE A SINGLEONE.  TWO SHITTY ONES AND YOU KNOW THEMVERBATIM.  THAT IS NOT HEALTHY BEHAVIOR.”  And I was like “… . okay fine when youput it that way, yes I do sound like a crazy person.”  So like my advice to you – advice which I havejust proven I am absolute garbage at taking myself, so like I may have justeroded my own credibility in my efforts to help – is to remember that you probablyhave a lot more than two followers so honestly this is probably not a badcollective ratio, and there may be lots of people who are very interested inwhat you have to say but you’ve focused a lot of your energy on these two people andit’s worth giving some thought as to why that is.

My question for you is this: what is the net negative impact of having thesetwo people block you on social media? Like in an actual, concrete way, separate from those sort of core gut “Ifeel unloved in this moment” feelings, what is the effect on your life?  You might be surprised.  It might be zero.  In which case, let yourself feel thosefeelings, experience them as valid, and then breathe through them and move onand keep on doin’ you. 

I’m pushing backon you a little bit here very gently because it feels, reading this anon, likeyou’ve made a determination of hurtful intent on the part of the person whoblocked you, or at the very least a certainty that this choice that made wasabout you and not about them.  That the fact that things seemed to be going fine and then they blocked you means you were somehow intentionally misled or mistreated.  Be really, really, really carefulabout deciding the cool girl didn’t come to your birthday party because she’s abitch who wanted to make you feel terrible and is sitting somewhere cackling atthe thought of your sad lil’ face waiting by the front door; maybe she didn’tcome to your birthday party because she has depression and it’s hard for her toleave the house sometimes and she knew your party would be loud and wild and crazyand too much for her brain to handle right now. Be careful about presuming negative intent with no proof it exists.  The internet makes this so easy, the internetconditions us for this, and itconditions us to respond in kind. The worst thing you could do here is to, like,make a callout post or subtweet in the hopes that it will get back to them andthey’ll feel bad, or to sic your other followers onto them, because that turnsthis into a situation that really doeshave a right and wrong; and since you don’t know if they were trying to makeyou feel shitty, or just went on a big block/mute purge to whittle their listdown for mental health reasons that are totally their own, once things escalateyou can’t put the horse back in the barn. It’s too late.  Now it’s A Thing,when maybe it never really needed to be A Thing.  And in almost all situations for almost allpeople in almost all ways, Kabby Mom’s advice is going to be, “please thinkcarefully before you make this A Thing.”

This got long, I’ve been having a lot of thoughts lately about theconversations I’m always having with fandom folks the way we let social mediapermeate and shape our sense of self, in good ways and bad, so I apologize formy verbosity but also not really because that’s how things roll over in KabbyMom’s Advice Corner.  But I will sum upin bullet points for those of you who have been skimming, to bring you up tospeed:

Everyone has the right to curate their own social media spacehowever they see fit, and they don’t have to explain their reasons.

They aren’t obligated to include you in that space even if you want themto.

None of that is an objective measure of your worth as a person or a signthat you should stop being you on the internet.

Your feelings of rejection come from a real place and you get to feelthem, as long as

You are striving to move through them without permitting them to paralyzeyou, and finally

You never use someone else’s choice to curate their social media sphere as ajustification for treating them like crap.

Focus on your positive interactions instead of negative ones – your friends,creating stuff and putting it out into the universe – whether it be art, fic,opinions, a podcast, gifsets, crackposts, whatever – and your social mediaworld will be a better place.

In the immortal words of the great Michael J. Fox, “What other people thinkof me is none of my business.”