#but goddamn fucking hell can you please have klavier do more things than just flirting with apollo in the next time
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the no spoiler rule in later ace attorney games is stupid because it never followed up on the gavin brothers, thalassa gramarye, locked beloved characters in the basement never to be seen again, etc etc etc but the missed potential that i havent been able to stop thinking about is that the phantom should have been callisto yew from investigations.
like. an assassin/spy from a foreign government? murdering the parent of a weird little girl and then framing said weird little girl for murder seven years later? who is a genius at disguising themselves as other people and worming their way into investigations?
like just change some stuff about the psychology profile of the phantom. like instead of having no readable emotion they force themselves to experience extreme emotions when putting on a front. like giggling uncontrollably. the way callisto yew does. idk it's not a very hard fix the opportunity was RIGHT there but they couldn't do that because theyre not allowed to acknowledge the investigations games existed ever.
#shut up pandora#ace attorney#ace attorney investigations#aai#callisto yew#dual destinies#the phantom#maybe that specific change is awkward but either way callisto yew could and SHOULD have been the phantom with very minor changes#ppl have escaped from jail before in ace attorney so why cant she#dual destinies was even directed by the same guy as the investigations games#if you wanna see what that guy can do when hes allowed to reference previous games look at aai2 objectively the best game in the franchise#but nope hes not allowed to acknowledge any of the past characters#like callisto yew im just more sad about the missed potential than anything#but goddamn fucking hell can you please have klavier do more things than just flirting with apollo in the next time#and please for the love of god i want to see franziska again
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innocent bones ch1
Summary: Apollo gets a wake-up call in a few ways. It’s okay, though--he’s got best-friend backup.
Link to AO3 in the notes.
Apollo’s first thought when his phone rings at some ungodly time in the middle of the night is fuck off. His second thought is oh my God oh no Clay, because he’s had a shit year and maybe it’s made him a bit paranoid and he’s Clay’s emergency medical contact. His third thought, as he toes the line of lucidity, is wait, that’s the ringtone I set for Klavier.
Fuck. If Klavier is calling him at this hour, it’s probably important.
He slaps haphazardly at his nightstand until he finds his phone and yanks it off the charger. He gives himself one last moment to squeeze his eyes shut against the ache of fatigue, then rallies enough to answer the call.
“Justice speaking.“
“...Hurts.”
Suddenly much more awake, Apollo sits bolt upright in bed. “What?”
“Herr Forehead,” Klavier says, in the most childish and petulant voice Apollo has ever heard out of him. To be fair, Apollo hasn’t heard him overtly childish all that many times, so that’s a low hurdle. It’s not much comfort. “Feel—feel sorry for me. I’m in pain.”
“You—what? Are you alright?”
“No.”
Apollo stares unseeingly into the darkness for a second until adrenaline overrides panic and he launches himself out of bed. He almost trips trying to keep his phone to his ear and disentangle the sheets around his legs at the same time. Light, where’s the light switch on his lamp? “Where are you? How bad is it?”
“It sucks,” Klavier whines. “An’ I’m all alone.”
“I’m coming to help. You’re gonna be fine. Are you—you sound really out of it. Did you hit your head? Are you drunk?”
Blood loss? he doesn’t ask. Don’t think about the worst-case scenario. Keep moving. He finds his keys and his wallet, tosses them over by his shoes near the door. No telling if he’ll need his bike or his bus card until he has more information.
“Drugs,” Klavier says, glumly. Apollo grits his teeth. Klavier is one of the most law-abiding people Apollo has ever met; there’s no way he took hardcore drugs of his own volition. Please don’t let it be roofies. Please don’t let him be stranded, injured and alone, in a place where somebody roofied him.
Clothes, clothes, Apollo needs to not get arrested for indecency the second he steps out the door. He yanks on the first pair of shorts he encounters. Shirt? He shoves a hand into his dresser blindly. It comes out clutching one of Clay’s old Sailor Moon shirts, faded and worn. Apollo wears it as a pajama shirt sometimes, but in public—fuck it. Klavier’s safety is worth the weird looks for being a grown man wearing a magical girl anime shirt in public. He’s not gonna dig around for an acceptable shirt at a time like this.
“Keep talking to me. What hurts?”
“My mouth.”
“Your mouth? What happened, do you remember?”
“They stole my teeth,” Klavier says, woefully, and that finally makes Apollo pause, balanced on one foot to pull a sock on the other.
“Your—your teeth?”
“Took ‘em—took ‘em right out. With knives. Now my mouth’s full of holes. It hurts, Herr Forehead.”
An image is cementing itself, slowly but surely, out of the fog of panic and lethargy in Apollo’s mind. He lowers his foot. “Who took your teeth?”
“Teeth doctor.”
“Did...did you get teeth taken out? By a dentist or—?”
“Yeah! Wis’om teeth. They stole them.”
Apollo slumps back against his door like a puppet with his strings cut, and sinks to the ground. He doesn’t know whether to laugh or cry. “Oh my God, Klavier. Start with that next time.”
“Next time?” Klavier sounds genuinely befuddled. “But they’re already gone.”
“I thought you had been roofied or mugged or something,” Apollo says. He settles on laughter, and it comes out hysterical. “God. Don’t do that to me. I’m too young to have a heart attack.”
“Don’t do what? What’d I do?”
“You scared the shit out of me.” Apollo draws his knees up to his chest and leans on them, trying to take deep breaths. Klavier is okay. He’s not bleeding in an alleyway behind some bar. He’s not about to be assaulted. He’s only stoned on painkillers. “You owe me for this one. I was halfway out the door.”
“I didn’t mean to scare you.” There’s a rustling noise on the other end of the line. Klavier’s voice is soft and contrite. “I just wanted to talk to you.”
“That’s fine,” Apollo says. “We’re fine. I’m not mad. Well, maybe a little bit. Just—goddamn. Okay. Talking. I can talk. Wait. You’re home, aren’t you? You’re not wandering the city like this?”
He’s hyperaware of his own heartbeat, still too loud and too fast. That was a hell of a wake-up call. Apollo has more than enough trouble getting to sleep on a normal night. There’s no way he’s knocking out any time soon after this—might as well keep Klavier entertained if he’s going to be awake the rest of the night anyway.
“Yeah!” Klavier says, perking up again. “I’m home. Oh, but—Vongole is gone.”
“Gone?” Apollo frowns. “Where’d she go?”
“Sebastian took her.”
“What for?”
“He said I prob’ly shouldn’t walk her tonight,” Klavier says, despondently. “I miss her. She’s a good dog.”
“She is a good dog,” Apollo agrees. He scratches a hand through his bedhead and tries not to yawn. “But you’ll get to see her again soon. I’m sure Prosecutor Debeste will give her back tomorrow.”
“But I want her now.”
Apollo doesn’t have a rebuttal to that. God only knows how many times he sprawled next to Vongole on the floor while Mr. Gavin was out of the office, complaining about the trials of law school. She’s a good listener. Always knows when someone needs a hug. She’d make a good therapy dog if she didn’t have so much energy. It’s no wonder Klavier wants her back when he’s this miserable.
“Sorry, man.”
Klavier sighs melodramatically. “Can’t believe he left me and took my dog. I think he likes her better than me.”
“Can you blame him?” Apollo says, wryly. He realizes his mistake right as Klavier makes a quiet, wounded noise.
“...No.”
“Joke,” Apollo blurts out. Fuck. Of course Klavier is too out of it for their normal banter. “I’m joking. That was a joke. I didn’t mean—“
“It’s okay, Herr F—“
“Of course he doesn’t like your dog better than you. Don’t be stupid. That was a really shitty joke for me to make, and I didn’t mean it at all.”
Klavier laughs, weakly. “Right, sure.”
“You’re—ridiculously likeable.” It spills out of Apollo’s mouth before he can stop himself. But why should he stop himself? It’s the middle of the night and Klavier’s fucked up on painkillers and Apollo was an asshole. He can part with some kind words to make up for it. It’s the right thing to do, probably. God, he’s tired. “And a good person. Everybody likes you just fine.”
After a few beats of silence save for the shudder of Klavier’s breath across the line, Klavier asks, half-joking, “Even you?”
Apollo rolls his eyes. “No, I’m talking to you at three AM while you’re high as a kite on anesthetics because I hate you.” Another beat. “That was another joke. Just to be extremely clear.”
“You like me?” Klavier asks, so damn hopefully that Apollo doesn’t have it in him to pretend otherwise.
“Yeah.”
“I like you, too,” Klavier says, happily. Apollo’s heart thumps traitorously hard against his ribcage. He’s too exhausted to deal with his own pining right now. It’s not fair that Klavier can do this to him out of nowhere. He’s not even trying to flirt right now. He’s just a naturally affectionate person and it’s destroying Apollo. “I wish you were here. I wish Vongole or Sebastian was here. I’m bored and lonely and my mouth hurts.”
“I know, bud.”
“What am I supposed to do?”
“Sleep?” Apollo suggests. Klavier makes a dismissive sound. “Uh. Watch something on Netflix? Or whatever rock stars watch their movies and shit on these days.”
“I start falling asleep when I try to watch anything and then I have nightmares ‘cause my mouth hurts.”
That sounds like it will be a problem no matter what Klavier does to occupy himself. “Do you have more painkillers?”
“I... forgot where I put them. And how many to take.”
“Find them and read the bottle, then.”
“Print’s too small.”
“...Are you so drugged up you can’t focus on text?”
“No, but they made me take my contacts out before they stole my teeth, and—“
Klavier wears contacts? Apollo opens his mouth to ask about it, but there’s an abrupt series of loud noises on the other end of the call. Loud, brief knocking, the thud of a door closing, the jingle of metal on metal.
“Sebastian!” Klavier cheers. Apollo hears a distant curse and thumping. “You came back!”
A voice, muffled and indistinct. The intonation lilts into a question.
“Herr Forehead,” Klavier answers, matter-of-factly.
“Oh, good grief. Give that here.”
“No, don’t—!“
“Hello?” Prosecutor Debeste says, his voice clear and focused now. It has the polite edge of professionality. “Mr. Justice, I presume?”
“That’s right,” Apollo says. He feels kind of weird about talking to somebody from the Prosecutor’s Office who isn’t Klavier while he’s on the floor, hair a bird’s nest, wearing a Sailor Moon shirt and one sock. Yeah, Prosecutor Debeste can’t see that or anything, but it’s the principle of the matter. “Hi. Um.”
“Sorry about the trouble. I hope he hasn’t kept you up too long.”
“Uh, no.”
“Sebastian,” Klavier wails, in the background. “Give it baaack!”
“Are you staying with him right now?”
“Yes. Why do you ask?”
“Well, I just. To be honest, he made it sound like you stole his dog and ditched him.”
“Of course he did,” Prosecutor Debeste says, exasperatedly. Klavier whines, barely audible to the receiver. Vongole barks happily in response. “I’ve been here all night. I only took Vongole out for a bit to do her business and run around—she hasn’t been able to sleep either, not with Klavier this wound up. Don’t worry, he has someone keeping an eye on him.”
“That’s, um. Good to hear.”
“I can take care of things from here, so I’ll let you get some rest. Klavier can get in touch with you again in the morning if you need anything from him.”
“Sure, I guess.”
“Goodnight, Mr. Justice. Thanks for keeping him company for a while. Klavier, say good night—“
“But we were talking—!“
The line goes dead.
Apollo takes his phone away from his ear and just looks at it. He thinks maybe he should process the last thirty minutes. His mind chases itself in loops instead. After a minute, he presses the heel of his free hand against his eyes, trying to massage out the exhaustion headache that’s starting to set in. Fuck. He still doesn’t know if he can sleep. What’s Clay always trying to tell him, about resting and keeping your eyes closed for a while being better than not sleeping at all? Can’t be any worse, at least. He might as well give it a shot. He settles back into the sheets, long cold by now, and tries to relax.
A street—not dark, but dim, maybe, with the hazy glow of a setting sun in the evening. The shadows are long and the light is golden. It catches on the leaves of trees in the park, turns them ethereal with shining halos.
I’ve been here before, Apollo thinks, then, that’s absurd, it’s the park, of course I’ve been here before.
Another golden halo, beside him on the park bench. Klavier’s hair catching the sunlight it so often seems to be spun from. Klavier’s blinding smile as he laughs at something Apollo just said, something already forgotten. Déjà vu strikes Apollo again. He does remember being here, remembers the way Klavier turns to him with a conversational parry, smirking, words balancing perfectly on the bizarre line they walk between sharp and friendly.
That’s what he remembers. That’s not what happens this time. What happens this time is:
Klavier’s smile goes soft and warm, an affectionate curl of his lips, and he says, “I like you, too.”
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