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goprandall · 6 years ago

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DC MASTERPOST >3

It’s no secret the DC universe is something of a DCpointment. There’s no cohesion in sotrylines, films are released at odd and illogical times and I decided to rewatch and give proper reviews.

MAN OF STEEL 2013 7/10

This film is something of an outlier on the DCEU, because it is not terrible.

The strengths of this film are defiantly the first act, I feel it was a clear and concise way to create backstory without the stereotypes of following him through childhood into adulthood, they did a great job of creating krypton and establishing an antagonist with a clear motive. I liked the jump straight into adult with flashbacks when confronted with items from his past, it allowed us to understand his past without saturating his journey all at once. Arguably the first arc of this film is completed here with Clark/kal discovering who he is and why he is here. The second arc of General Zod trying to bring back his people is still very well done, providing us more relevant backstory and shows logical actions from both sides of the fight nearing the end of the film. The biggest weakness of the film in my opinion is that it is 20 minutes too long. When superman destroys Zods ship killing the artificial children of krypton, I feel this arc was complete, although the after fight solely fought between SM and Zod does show us the struggle superman goes through becoming the last kryptonite in exaistance, this does not outweigh the pointless mass destruction this causes, on top of a already destroyed city. In my cut this would be disregarded.

Final thoughts of the film; my favourite part was the shot of ‘ALERT’ that slowly turns to ‘Toner empty’, a good transition and piece of direction. I’m giving this film 7/10, in my classification would make it a good Netflix film, one I’d be happy to watch but not pay money to solely see. It was a hard choice to not make it a 6 however, I rank wonder women as a 7, and this is more than equally as good, the only things preventing me from giving it a higher rank is it’s rewatchability. Personally I rarely would due to its lack of joy and humour, and overall darkness, not just in plot but also in cinematography and colour grading.

BATMAN V SUPERMAN 2016 6/10

Batman v superman had all the the ingredients to be the summer blockbuster, but as predicted it followed every DC film and tanked.

Their are some aspects of this film that are genuinely good, giving it a 6, one of those things is the first act of the film where we are introduced to Batman, although I didn’t personally feel the need for another origin story, the way this scene is directed especially with the earl sequence is fantastic, adding depth and differing from older versions of the same story. The other good thing about this film is the Batman fight scene, it is so well articulated and choreographed, i struggle to see how it fits within the wider film which is strangely badly directed, edited and in-cohesive.

Continuing from this idea, I feel the dream sequences are one of the leading problems for the in-cohesion of the film, the issue with these sequences is, if they are not well done it stops the audience trusting more daring scenes, ultimately taking you out of the story. Next, I feel another reason this doesn’t live up to its hype is, again, DCs continuous frenzy of oversaturating it’s film with characters. Here I argue Wonder women is not needed in the end fight, the fight could just have easily gone on sitbout her, or, if they had released wonder women before this film so we felt more engrossed in the character it wouldn’t been fine. However her and all the other justice league promo clips, should not have been in the film in the context they were as they’re a corporate shoehorn, promoting further projects. The other character I feel is unneeded is ‘Doomsday’, he’s quickly thrown in at the end of the film, and honesty an antigunist shown to us at the end of the film will never give the depth and fear of a hero fight, as a villain shown throughout the movie.

To me, Batman V Superman is a movie. Not a film, crafted and worked on to create a narrative for the audience, but a summer movie to get the kids out the house. The idea of having two meta humans as important as Batman and superman battling each other should boggle the mind, as the first avengers did for me or civil war for a closer comparison. But the difference with the MCU spectaculars is, they earned their right to blow people’s minds, DC is playing catch up and trying to get praise and awe without the hard work.

SUICIDE SQUAD 2016 3/10

Wow. This review has been hard to create and will most likely feature ideas from other reviews via podcasts and YouTube due to the fact this movie boggled my head in the sheer awfullness that ensued.

As always, I begin with the strengths of the film. In this instance it’s slight. I loved the aesthetics of the branding for the film, the colours, the neon animations, I loved it all. The mini descriptions in the film were funny and added to the VeRy little personalities of the characters. It is important to point out this clearly wasn’t present in the first edits of the film, but due to good feedback of later trailers that were released they were added, which is why this element of humour is the only of its kind that lands in the film.

Next I normally look into the storyline and the character arcs of the film, arguably my second favourite aspect to look for in a film. In suicide squad there is none, and there aren’t any. That sounds harsh, but the reality is there is no cohesive storyline, it follows no one character individually and the film darts back and fourth between every character, no matter the timeframe. Dean Dobbs (from adventures with dean and Bertie’s podcast) best describes this as ‘like playing a video game where someone is skipping every cutscene’ and this is absolutly true, especially when looking at the relationship of the joker and Harley Quinn. This film is so badly edited, As jack Howard describes, this film contains no scenes, it is obvious the whole film was rehashed and re-edited after the release of BVS (which crashed at the box office) and the final trailer was released, which was very different from the first few as it showed humour and action, and it is evident they cut out almost everything apart from these things. I would best describe it as many GoPrandall videos I have scrapped as I tend to forget to film opening sequencers and filler clips to show the progression of the story told apart from the action, and this is exactly how I felt about the editing of this film, they did the best with what they got but it wasn’t enough.

Although there was a lack of character arcs, this film had an ABUNDANT amount of characters to fill its shoes. This film crams as many famous faces in as many characters

As it can, because for some reason DC refuses to create stand alone films due to the catch up to the MCU that’s going on. We’ll start with the joker, or more exactly the 10 minuets of joker we got. Many scenes with the joker were so heavily edited, and deleted, it is hard to judge Jared Letos performance, because he didn’t have chance to give one. But, as a side note the hand on the mouth laugh is one of the WORST cinema moments I’ve experienced only closely beaten by ‘were bad guys it’s what we do’. Yuck. But we’ll finally look at the ‘suicide squad’, although looking at them it’s hard to identify why they are in this squad. We’ll start with reason no one on the team seems to have a reason to be there, aprt from deadshot, who had his daughters arc to think about. All the others just seem to around and don’t want to die and get out of prison. VERY good motives DC, you’ve outdone yourself this time. Next we can look at the abilities of this so called ‘meta human’ squad and how under utilised they really are, which could show why this film failed so badly. Firstly deadshot- ‘never misses a bullet- amazing at trick shots.’ Who in the film performs close quarter headshots, the same as the Seal team next to him, and in the film performs 1 trick shot. 1. That was in establishing scene right at the beginning, but he isn’t the only victim, we can look at Boomerang, my favourite character by far, with one the coolest abilities, who throws a total of:5 boomerangs and catches: 2. Let’s be honest Harely is there as the jokers Love Interest and to keep him in the film. We can also look at el deablo, the man that can shoot fire but refuses until he’s bullied for a whole minute. The worlds worst archaeologist who starts the entire battle, after BREAKING AN ANTIQUE immediatly after finding it (bravo) who if wasn’t attempted to be weaponised, would’ve skipped this whole mess. Slipknot, a man who could climb any wall or anything, who immediatly dies after climbing a wall, but don’t worry because they don’t even want you to worry about this due to the fact they don’t even intro him before he magically appears on the squad, hoping the audience will react ‘oh he’s going to be important!!! What a mystery man!!’. This is almost as bad as Katana, who adds nothing the story apart from a short intro and when she cries to her dead husband, at which point I began to cut my toenails, something I gave more of a shit about.

But, it is obvious I’m a teenage marvel fanboy just shitting on DC,and I hate when people complain without offering another viewpoint, therefore, to fix this, I would dedicate this film to the viewpoint of deadshot, giving him the character arc of changing with the goal of seeing his daughter- eliminate the extra characters- slipknot/katana and either dedicate more time to the joker and harley sub plot or eliminate entirely, NOT BOTH. With this, better editing around these eliminated plot points could make a more coherent story with more empathetic story arcs. I have a full idea for a plot but this is too long as it is.

WONDER WOMEN 2017 7/10

Wonder women is a refreshing instalment into the DCEU, showing they seem to e learning, but are still falling behind on some of the most basic hurdles.

Firstly, as always we’ll start off with the strengths of his film, firstly it is vividly important to recognise that this is the first major Superhero film to be directed, and sustain a heavy female cast. It does so fantastically and leaves me more excited for the next instalment now knowing female directors and stars now have evidence for an accomplished superhero movie, which arguably has outdone the past 2 major films. With this we see a brilliantly refreshing opening act with a subtle and bright, vibrant origin story.

However, this film slowly returns to madness throughout the film when major plot holes appear, and the film making quality slowly deteriorates. Firstly, the iggest plot hole that has been so easily overlooked is the WW1 aspect. Given a World War Two film, having the Germans be the sole enemy is obvious and logical, however WW1 is not as simple as this and the use of Germans as the enemies is vaguely lazy. Also, as DC loves to do, it adds in extra characters and neglects to give them logical and coherent backstory and arcs. We only need to look at the ‘best marksman in the war’ who doesn’t fire a single shot, and continues not too all the way to the end of the film, showing no growth. The final plot hole is what draws it into the wider EU. The entirety of this film is showing Diana that the human race is bad and should be left alone, although when she defeats arias, this is meant to break this curse and peace seems to be restored. But, in BVS she claims to have stopped helping mankind because of their evils, neglecting Stalin, WW2 and the Vietnam war to name a few, but making a reappearance for- lex Luther. Wow.

Although in almost most of its entirety this was a pleasant watch, my personal issue stopped this at the third act when the final fight begins. To me the film returns to DCs favourite colour scheme of dark and clouded, and uses quite frankly some of the worst CGI I’ve seen recently, making me wonder why they didn’t at least try to incorporate real elements, such as Marvel, but this is still the best DC film after man of steel and I’m excited to see more female led and directed films come to screen.

JUSTICE LEAUGE 2016 5/10

This will be the shortest of the DC reviews, this is the film I’ve seen least of the lot and I feel I’ll need at least another viewing to get a full understanding. To premise this I fully understand Zack Snyder had personal issues leading him to leave and Joss take over, and this is in no way mocking him.

But I’ll dive in, maybe the fact I’m struggling to write this review tells me a lot about the movie. Wonder women was one of the only saving graces of this move, she was well understood and I feel her likeness as a character was well transferred from WW to JL. Contrary to this, I’m struggling to write about cyborg and flash, we were given next to no backstorys, although the flash’s was hinted at at least twice that I recall and what we were given were quite chaotic. Batman was a major letdown for me, coming down from BVS where he was a certified badass taking on superman, he turns into a wimp and hides for a majority of the film, quite evidently showing Ben affleck Clearly does not want to be there. I feel the overall plot of the film was almost underatsnvle, but had the taken the time to set up this storyline in previous films it would’ve been much better, this movie lacked the right to have all these characters on screen together. The characters had adequate screen time each, but contrary to its biggest rival ‘the avengers’ this really wasn’t that special, most of the characters had the same abilities, barring the flash, and the way the avengers films have shown all the characters working together simultaneously in cinematic mastery, you can see hints of Joss attempting this, but with a bad set up it’s an impossible task.

I conclude, not going into the issue with the CGi because I don’t have that much time.

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dentpx · 6 years ago

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1-21 minus the once u already got, BITCH!

OH MY GOD KJDFBDHFDF ABSOLUTELY RIDICULOUS. LOVE YOU AND PUTTING THIS UNDER A READ MORE!

1. What’s the most depressing movie you’ve ever watched?Definitely My Life As A Zucchini. It’s a really sweet claymation movie about children and found family that, while it still has a happy ending, made me cry so hard and still makes me cry whenever I rewatch it. It lost the Best Animated Feature Oscar to Zootopia in 2016, and it’s a robbery that has me reeling to this day. (It’s on Netflix right now, go watch it everyone!)

2. What’s the most disturbing movie you’ve ever watched?Ahh I haven’t seen a lot of horror movies so I guess Hereditary? It’s the most visually disturbing I’ve seen, at least. Rosemary’s Baby would probably take most psychologically disturbing.

3. An actor/actress you’ve seen in more than 8 movies? Name the movies.If I’m cheating; Emma Watson - Harry Potter films + Beauty and the BeastIf I’m not cheating; Jim Carrey - the Truman Show, the Mask, Dumb and Dumber, How The Grinch Stole Christmas, Ace Ventura: Pet Detective, Batman Forever, Liar Liar, A Series of Unfortunate Events, Man On The Moon, Ace Venture: When Nature Calls, The Cable Guy, etc. etc. I know this comes off like I’m a really big Jim Carrey stan, but I’m not, it’s my Dad…so I’ve seen a lot of his stuff lol.

4. A film you could watch on repeat for the rest of your life?Moulin Rouge! I liked this movie so much when I saw it that I watched it again the next day and again a week later. It’s a lot of fun, has a lot of hidden meaning, and is overall just a very good movie with a bangin’ sound track, and I will defend it until I die.

5. What’s the very first film you remember watching?The Rescuers. From Disney’s Animation Bronze Age, it certainly fits right in with Disney’s trend of darker and more implicitly grounded stories, and it holds a lot of nostalgia for me. I haven’t seen it in a while, but I used to watch it all the time as a kid. It was probably my second favorite movie, behind Robin Hood.

8. Which book would you like to see adapted into a film?This is a hard one because most of the books I want adapted have already been adapted! I suppose, and this is cheating, The Handmaid’s Tale. I want a movie with a female director and a female writer and Margaret Atwood as a consultant!

9. The most aesthetically pleasing movie you’ve ever watched?The Grand Budapest Hotel, easily.

10. What’s your favourite movie director?François Truffaut! I know that sounds pretentious but he’s genuinely one of my biggest inspirations, it’s really clear from his interviews that he understands film very deeply and I admire how he lived through the transition from black and white to color films. He was a great writer and a great director and it is truly a loss that he has passed.

11. Your favourite movie genre?I’m more partial to film movements than genres, but I do love a good drama.

12. A movie that holds a special place in your heart?Just, any Winnie the Pooh movie. I had a very personal connection to the books as a kid - I had a whole ass collection of ALL of A. A. Milne’s works for children that I must have read dozens of times, and I would always cry when I finished it, and the movies were no different. True story, when I went to go see the first part of Harry Potter and the Deathly Hollows in theaters, I almost debated skipping it to see the new Winnie the Pooh movie instead. I didn’t end up skipping Harry Potter, but I rented the Winnie the Pooh movie when it got released on Redbox, and I did still cry a ridiculous amount at the finish. Alllll through the credits.

13. Your favourite comedy film?Burn After Reading! I have no idea why people don’t like this movie, it is absolutely hilarious! Fun fact, the Coen brothers wrote this while they were writing No Country For Old Men to destress, which is about the most iconic thing I’ve ever heard.

14. A music video you would love to see developed into a film?Cheating but, hey, Gorillaz film! Please! Please oh my god I would go and see a Gorillaz movie SO hard!

15. A film everyone loves but you hate?Pacific Rim. I’m…still writing my Letterboxd review for this movie because I wanna make sure I don’t get anything wrong but I still want to express the level at which I didn’t really enjoy it. I think the plot got hyped up for me wayyy too much, because I felt that it was a competent mech/monster battle movie, but not so much a compelling action/adventure drama movie. Ehh. It looked very good, at least.

16. A film you love but everyone else hates?EVERYONE KNOWS THIS…..Batman vs. Superman: Dawn of Justice. It was a good movie and even if I won’t defend the DCEU on other stuff anymore I will always defend BvS on the grounds of it being a good fucking movie that got absolutely crucified for no damn reason.

17. Which cinematic universe would you like to live in?Harry Potter Cinematic Universe, baby! They made it into movies so it counts, I’m a wizard ‘Arry!

18. What’s your favourite biopic?Amadeus. I know it’s more fictionalized than some other biopics, but it’s really a stunning movie in every possible way. It’s honestly an incredible watch, especially for me, someone who is bad at and thus has an aversion towards History and heavily historically based movies lmao.

19. Mainstream movies or indie movies?Indie movies any day of the week. Mainstream movies always let me down and usually have a scandal involved. Indie movies let me down a lot less and usually look nicer and have better writing. The trade-off of less big names for higher quality is worth it.

20. Old movies or contemporary movies?This is really hard! I’m gonna say contemporary movies because more of my favorite films are more recent, UNLESS it’s something from the French New Wave in which case old movies win out.

21. A film with an amazing soundtrack?Juno or Lady Bird are both amazing movies in their own right, and they both have a fabulous sound track. Lady Bird’s sountrack is a little more varied than Juno’s, but it’s all good stuff.

#sorry everyone sjkfbhdfhdf #answered #tysm ily im cryin g #film.txt #mizcrackalackin

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spynotebook · 8 years ago

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We’ve run our 11 Best Single Issues Of The Year. Well now, Rich Johnston and the Bleeding Cool writers (not Jude) give you 11 collections and graphic novels to reflect on as we say good riddance to 2016 and welcome 2017 with nervous worry.

Eliot Cole

Doctor Who: A Matter Of Life And Death by George Mann, Emma Vieceli and Hi-Fi.

I don’t have quite as much to say here as I did in my “lack of words” on A-Force #4, but I find this Eighth Doctor collection just the lovely example of (a) comics and (b) what could’ve been with the best of all the doctors. George Mann’s stories are each self contained, following the fantastic journey of Josie, and how she becomes part of Eight’s life. Each story was a book, and was self contained, but lends well to the whole. I wrote 3 sentences on George Mann’s awesome plotting (and such), and having a good take on 8 but they amounted to that word, “awesome.” Emma Vieceli’s trademarked panelling design compel you through this beautifully, I could genuinely read pencils of this quality on anything. Ms. Vieceli is surely meant for the greatest of things. Do yourself a favour and check out Titan’s Eighth Doctor Collection.

Jeremy Konrad

The Fix Vol.1-Where Beagles Dare by Nick Spencer, Lieber, Ryan Hill, and Nic J Shaw

I actually was starting to feel a little burnt out by Image this year. Quite a few of their series were blending together and felt to be covering quite a bit of the same ground. That all changed when I picked up The Fix. This series, with its dry, sarcastic humor and panels that you have to study to catch every little gag in the details very quickly became one of my favorites. And I mean, Pretzels. How can you not love a dog like Pretzels??? Every issue gets better and better, and hopefully it runs for a very long time.

Hannah Means-Shannon

Aleister & Adolf by Douglas Rushkoff, Michael Avon Oeming, and Nate Piekos

This book has been an outlier on many press radars, but it’s one of those densely crafted, significant works that hopefully will be the gift that keeps on giving, showing comic creators and fans what new directions in the medium can be taken. Written by powerhouse social critic Douglas Rushkoff and drawn by the endlessly original Michael Avon Oeming the book tracks a fictional account of Aleister Crowley’s media wars with Adolf Hitler based on a few key historical facts. It follows the life of a young military reporter assigned to Crowley through the course of “sigil” developments, like the swastika by the Nazis and V for Victory by Churchill in the war over human minds during WWII. Rushkoff’s characterization, research, and narrative framing devices, combined with Oeming’s emotive and often highly symbolic artwork make sure this book has something significant to say about the ongoing role of symbolism and propaganda in the way we see the world around us. It might just remind you of the dangers and the positive powers of belief and focus to influence any struggle, even on an international level. Aleister & Adolf may be about the second World War, but it’s highly relevant to our times and makes for a thought-provoking, and at times disturbing, read.

Joe Glass

The Wicked + The Divine Deluxe Hardcover by Kieron Gillen, Jamie McKelvie, Matthew Wilson and Clayton Cowles.

I mean, just look at it.

Let’s not even go into the story or anything yet, just take in this huge, black, hot foiled beauty! You can read comics on your train to work looking like you’re reading out of some mystic grimoire of mystery!

Plus, it contains Kieron Gillen, Jamie McKelvie, Matthew Wilson and Clayton Cowles’ incredible series of pop stars as gods and the hard price of fame (it kinda kills you in the end, which 2016 proved in force really, didn’t it?). Collecting the first two story arcs, plus loads of behind the scenes materials and a good chunk of Gillen’s breakdowns of the book, it makes for the absolute best purchase for fans of the series.

And it just looks sexy as hell on a book shelf!

Abdulkareem Baba Aminu

Huck by Mark Millar and Rafael Albuquerque.

Surprising myself, and after a great deal of thought, I have picked Huck Vol. 1 by Mark Millar and Rafael Albuquerque as the best graphic novel/collection for 2016. I started reading the monthly issues, up to the second, and I somehow fell off. But I did know I’d catch up on the trade when it gets released. And boy was I glad I waited. The story, collected, had a pace that was missing during its monthly run, and the character development proved to be near-perfect. Early comparisons to Superman did no justice to the story of a small town resident who’s revealed to have some truly awesome powers, of course with disastrous results. The art – oh, boy the art – is beautiful, aided by perfect colours and it sets the tone the right way. There’s almost a Spielberg-ian sense of wonder and adventure to the tale, enough to make me ignore the irritation that is an editing error which portrayed a factual kidnapping of schoolgirls by insurgents as having happened in East Africa, when the stated Sambisa Forest is in Nigeria, in West Africa. You could say it was personal for me. That aside – and I truly enjoy most of the Millarworld books – Huck is my absolute favorite.

Marilyn Weiss

Nameless City by Faith Erin Hicks

I was so excited for this graphic novel to be released, it was easily one of the highlights of my reading this year. We meet Kaidu, a recent arrival to the Nameless City, and son of the latest ruling clan, Dao. As he trains to become a warrior, his adventurous nature drives him into the city, where he meets up with the lovable, street wise Rat. Hicks did an amazing job creating a detailed world that I would love to explore and get lost in. I can tell that there are so many stories hiding within the city, just waiting to be told. I would gladly hand this book to any fan of comics, be they young or old. The sequel, The Stone Heart will be out in April 2017.

Rich Johnston

Patience by Dan Clowes

I’m a sucker for a post-modern time travel story. See my love for least year’s There’s No Time Like The Present by Paul Rainey. And Dan Clowes gives us actual plottage with Patience. A story of rags to – well not exactly riches, but a different state of being, as the newly pregnant young Patience is murdered, a series of events that destroys her partner, Jack. It’s his attempts to “put right what once went wrong” and the calamitous consequences of his actions, digging his own grave – or Patience’s – deeper and deeper that drive this book forward. Or backwards. Which means you’ll have to reread it the moment you finish for that Sixth Sense experience. But for all that it’s the attitude of Jack, the anti-Hollywood hero that sets this apart, refusing to follow the obvious tropes or experiencing triumphs – or disasters as he may be expected to.

And the devil is always in the details. Clowes has always had a style that grabs the eye, gives it direction and pulls it forward, the narrator grip in full effect. Here every object in every panel could have serious significance that you will need that second – or third reading to pick up on it.

Toward a Hot Jew by Miriam Libicki

You know those overnight sensations who have been working hard at the craft for decades? That’s Miriam Libicki. In something that resembles the missing link between Marjane Satrapi and Joe Sacco, her autobiographical work exploring her Jewish identity, attractiveness and the reaction of those around her, whether as a Israeli soldier or a professor of art, this collection of a decade’s work jumps from illustrated essay to comic book panels, exploring the medium, the tools to create the work and express inner neurosis as beautifully – and as ugly – as possible.

Black Dog: The Dreams of Paul Nash by Dave McKean

Art about art – Dave McKean creating a comic about war artist Paul Nash, and how that artist turned the worst extremes of humanity into art that illuminated the mind. And then how it affected the young Dave McKean, and how his work has existed in relation to that of Paul’s. This is a giant standing on the shoulder of another giant and between them they can see so much about us. An incredibly moving masterpiece, and stands alongside McKean’s Cages, as an exploration of the effect of art on both the viewer and the artist themselves. Psychologically complex and using the very strictures of comic book panels, speech, character positions to demonstrate so much of what we are.

Rolling Blackouts by Sarah Glidden

Another example of comic book journalism, Sarah Glidden takes a trip to the Middle East with an eye on America’s influence on the region, travelling through Syria, Iraq and Turkey. But its also an examination of journalism itself, as Sarah is accompanying two “proper journalists” as they look at the effect of the Iraq War and of its refugees, so it also becomes a procedural for the profession as well – especially when they are joined by a friend and a US soldier who served in Iraq. And it suddenly gets a whole lot more awkward. Something that is made more palatable by Sarah’s soft watercolors, a different look than we might have otherwise expected.

Everyone has a story to tell. It turns out that’s as much true of the journalists as it is those they report on.

Clean Room Vol 1: Immaculate Conception by Gail Simone, Jon Davis-Hunt and Quinton Winter.

For some reason I never find The Walking Dead comic as gross as I do the TV show. I occasionally wondered if that was a creative choice of the limitations of the medium? Well, Clean Room answered that. It really is something very nasty indeed. Writer Gail Simone has rarely been given the chance to operate at this level. And she choosing the tack of making the people far scarier than the Entities that are meant to be threatening them, in terms of the moral choices they hold. Jon Davis-Hunt’s choices of style are also a surprise, eschewing the darkness for something brighter, more visible and cleaner. This is horror with the strip lighting turned up and refusing to blink.

It also takes suicide head on, as something fuelling the survivors, and as psychological as that is, the comic is never afraid to shlock-horror out, embracing that aspect rather than being embarrassed about it. It’s the combination of both approaches that elevates this title above the norm and makes it something special. And the way it buolds from issue only helps the trade paperback – even if you are denied the pain of waiting from month to month for cliffhangers to resolve.

Buy this for the Scientologist in your life. And then get Gail Simone to write Crossed.

Bleeding Cool’s 11 Favourite Graphic Novels/Collections Of 2016

#IFTTT #Feedly

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