#but for now it’s just so. bland. zero motivation to do anything fandom related and this feels so odd
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been feeling v frustrated n a little scared recently bc I’ve genuinely had no desire whatsoever to write fics lately and. I’m not used to that. maybe it’s burnout?? I’ve experienced it with different things but never fic writing so it just feels really weird and oddly disappointing ☹️
#I was thinking that maybe it’s the Prozac but#I’ve been writing other things lately without problem#it’s just fics and I’m not used to that at all :(#or maybe it’s bc I’m making myself feel obligated to write things I’m just not#too interested in at the moment#like I HATE when I make polls and then don’t wanna do the top choice akdjdkd#I don’t even wanna write any choice that I listed!!!!!#I have a twilight zone okkotsu#idea that’s been floating around my head#so I might write that first to get into the groove of writing security guard aizawa#but for now it’s just so. bland. zero motivation to do anything fandom related and this feels so odd#I finished my work for the week so maybe I’ll try writing tomorrow then#if my nail polish doesn’t come early wkdjdkf#okay gn I feel sooo sick for some reason idk I think it’s motion sickness#—in store chit chat! 🍫
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I don’t normally do this, but I’m going to take a moment to gush about Re:Creators and why I think anyone who is a creator of art should watch it, while also not-so-subtly grumbling about the reception it’s gotten. I’ll try to remain as spoiler-free as possible.
First I want to talk about my grievances so it doesn't seem like I’m incapable of seeing the flaws of the series. Although, if you’ve read any reviews about it, nothing I say will be new info.
Pacing: The biggest issue I had was with the pacing of the series. Unlike some, I don’t think the story could have been told in 12 or 13 episodes. Doing so would have made the large cast seem extremely unwieldy and would have sacrificed characterization. However, it seemed very obvious in the middle part that they struggled with pacing.
For example, I practically marathoned the series, but when I saw the preview for the next episode was a hot springs episode I stopped watching for the night, convinced that an episode like that probably wouldn’t lend much to the plot (I was right). The hot springs episode was probably by far the largest annoyance, but there were many many scenes that could have been trimmed for fat. After Mamika left, almost any scene in the bad guy’s camp had me reaching for my phone to scroll through tumblr. Those scenes lacked depth after the moral compass Mamika was gone. They mostly amounted to getting a small glimpse of a new baddy and Altair brooding and being maniacal.
Altair’s Power: Which brings me to my second biggest gripe, Altair. I love her concept. The reason for her infinite power shows that the showrunners have their pulse to fandom. I know people harp on her because she’s basically a Hatsune Miku rip-off (which, if you’re pissy about characters in this show being similar to existing characters and franchises BOI do I have bad news for you about the entire concept of this show), but I don’t think that is where her weaknesses stem from.
Part of Altair’s being is that she in infinite, almost god-like in her own right. In the universe of Re:Creators this powerset makes perfect sense and plays well into the big questions the show is asking. However, the showrunners need to remember for as meta as Re:Creators is, it is still a show. Having Altair being a walking Deus Ex Machina and coming up with a new power to perfectly counter the heroes every time is dull and gives zero constraints to her. Basically, I mean there wasn’t an ending I could see our heroes beating Altair with her infinite number of reality-bending scores. That unknown is nice for some people, but for me, it just made me afraid they were going to pull out some power of friendship bullshit at the eleventh hour.
Altair’s Motivations: I think I’m in a small camp, but I LOVE Altair’s dialogue. In the beginning, she seems like a very complicated character, the kind of wickedly smart villain that happens once in a blue moon, the kind that makes you go, “Well, they aren’t wrong, but they’re going about it all wrong.” Unfortunately, this part of her characterization gets severely played down in the second half. She turns more into a one-note villain that means nothing to defeat. In addition, since we see so much less of her in the second half it makes her resolution mean less imo (I say this and someone who cried the whole time). I adore her speech at the end. I think it was a nice callback to the line she had said only an episode or so earlier:
“Clever logic is a slave to emotion.”
And that’s what I think defines Altair as a character. She is someone who has so much despair and anger, but she justifies it with logic and simplicity. And in the end, it’s also what becomes her end. The problem is, we don’t get to see the illogical and emotional side of her often enough. Clever audience members can infer it, but this pivotal part of her character isn’t given the spotlight it needed to avoid the finale feeling OOC of her to most.
Now that we’ve gotten those out of the way, I’m free to gush and rant as much as I please! First I want to address some common critiques I’ve seen on the series:
Sota: One of the most common issues people bring up is the blandness of the “main character” Sota, or rather, the audience insert. I won’t say he is not that, but for vastly different reasons than I think others would slap that “warning” on him.
Many people are quick to label Re:Creators and reverse-isekai show. Again, I won’t argue with the genre label, but I do think that out of all the genres and themes within the series, isekai is actually pretty insignificant. Re:Creators at its core is not about “what would you do if anime characters came to the REAL WORLD,” moreover it is tackling questions about the essence of creation, media and our relation to it. So how does this relate to Sota?
I think Sota is often written off as just a “self-insert” character because that is a staple of the isekai genre, the genre that I propose is not actually that prevalent, I estimate the same with Sota. Sota is passive, yes, but he also has his own story arc and despite him saying that he is only the narrator, I think the story of Re:Creators is really all about his struggle as an artist, something I think many audience members can relate to, making him their insert. It’s not because he’s Kirito and is amazing at everything, but rather his struggles mirror our own, much more so than the larger-than-life Creations.
(Also, I don’t stand for any BS about him being a Deus Ex Machina in the final battle. He followed Re:Creators inner world logic despite it being ‘cheating’. No foul.)
The scene in episode 9 with Sota and Magane is what I showed other people to get them into the show, to show this human character break down, hear some hard truths and get back up. Also, the fact that he was able to bring you-know-who back in the final battle shows that while he feels immense guilt, he doesn’t shy away from it. He could have very easily let his own guilt make him soften his final product, but no, he wanted something real and tangible, not something to make him feel better. To me, that shows his depth as a character.
This post here also encapsulated how I feel about Sota’s character.
Exposition: Another common critique I see is about the amount of dialogue and exposition in the series. Maybe it’s just the DM and lore-junkie in me, but I’ve never minded a lot of exposition and in Re:Creators I LOVED it. Even Meteor’s long-winded explanations. I liked them because the through them the show was promoting difficult questions, the kind that would have my old existentialism professor jumping with glee. I’ve debated sending him this series for his next film class actually, but I don’t want him to know I’m anime trash.
I think a lot of people take issue with the exposition because of its often theoretical in nature. Naturally, the audience wants some payoff for these big ideas any rarely gets any. Unfortunately, that’s how philosophy rolls, yo. But if you’re someone like me who finds joy in pondering about multiple-world theory, film tropes and subversion and meta, this show scratches an itch you didn’t know you had.
I know that shows like this that don’t give you all the answers, that are subtle in the execution often get ragged on for their supposedly “poor writing,” often are snubbed, but that doesn’t make me appreciate them any less.
Now the things that I love unabashedly:
Music: Hiroyuki Sawano. Those no other reason I fucking need. Even though Aldanoah Zero turned out to be a big dumpster fire, you bet your ass I have the whole soundtrack on my iPod. Those OSTs are some of my main background music fodder for writing. There’s nothing quite like Sawano’s music that can convey hype with such a heroic and hopeful feeling
Theme: This is a story that touches on a lot of issues, artist block, feelings of inadequacy, working together creatively and above all, the power of imagination. I love that this series shows there is no shame in the real emotional connections we have when interacting with media. I also goes out of its way to show the power and value the audience brings to creations. It is a hopeful story that I think many of us can relate to.
I saw this line in another post, but I want to repeat it here; If you are a creator, an artist, a writer, a crafter, cosplayer, anything, this show is for you. It will show you how special and how important you are, how your contributions are valued and how you should continue to create despite hardships. It is a story that needed to be told, it is an important story.
Thank you for reading my babble. Talk ReCre to me!
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