#but canonically that's not true. i'm also pretty sure he's technically canonically still 11 in 3-
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oh-meow-swirls · 2 years ago
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wait in 3 nate doesn't have whapir or baku, just kittylumbus. kittylumbus can't absorb sleepiness seemingly. either a) baku just permanently made it so nate Literally Never Feels Sleepy (does not sound healthy-), b) kittylumbus does do that also, or c) nate is just past the need for sleep. idk which i prefer honestly-
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that1emowitch · 1 month ago
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here me out
AU where instead of doing the whole red hood thing, jason just stays with the all caste. he finally meets the batfam when the justice league is facing a threat and need the help of the all caste. could be pretty good angst, since it directly disproves every shitty thing bruce said about jay, and bruce realises that his son was alive like way later than in canon
also it's a crime that jayessence basically doesn't exist, there are 11 fics on ao3. i want jayessence and competent!jason pls
That'll be so interesting, ur right! I'm definitely gonna go read RHATO issues again so I refresh my memory (if there r any other issues with the all-caste story PLEASE lmk cuz i have a very tumultuous love/hate relationship with RHATO lol)
I think Jason would've been happier, with the All-Caste. Talia would've visited him when she could (let's make her a mom not a pedo), Ducra would've trained him in every single war form she knew, putting hum on a path to surpass even her
Essence and Jay would've been her top students (if u don't mind, could u pls give me a lil recap on what Essence's story is? I kinda got confused in that part. Was she banished? She's one of the Untitled, technically, is she not? I don't rmbr 😭)
But basically, Jayessence! I've never read a fic about it or written one, but I've always thought it was an interesting dynamic! It'd be fun to try writing it out. Maybe I'll make a happier AU, where Essence and Jason train together under Ducra, both of them named her heirs. That kinda makes them play-fight with each other which ends up with them kissing. Oh god Jason would be so smitten by her, he'd pretend to be annoyed but he knows she's a goddess, knows she could kill him in a blink, knows his blade could kill her—but they both choose to love. AAHHABSBSHS I'm dying
Then the Untitled attack.
I love Ducra so much, she's their BAMF Granny, so let's not kill her. Maybe instead, she is kidnapped, in hopes of getting Jason and Essence to surrender (They know these two could destroy them). And at the same time, the Untitled are also attacking JLA outposts, for a reason I'll come up with later. Bruce remembers, back when he trained under the League, Ra's mentioning evil beings of this type, immortal and unstoppable by all but the All-Caste. Hence they seek their help.
And with Ducra gone, Jason and Essence are in charge, and they have to meet with the JLA—with Batman, Superman, and WW, specifically.
Jason makes sure to cover himself completely. Puts white nose generators in his mask and chest plate to ward off Supes. Makes sure to double, triple check his voice modulator. He cannot risk them finding out his true identity.
Not when he's finally recovering from his past as Robin.
I'm imaging they work together for a while, with everyone noticing the Red Hood (would he still be called Red Hood, if he never returned to Gotham? Maybe? Maybe he was reclaiming it, as a way to heal himself instead of for getting revenge) basically everyone notices RH being antsy around Batman. The amount of effort he puts into concealing his identity, unlike the other members of All-Caste. His name being Joker’s old name, something deeply meaningful to Gothamites.
Batman thinks RH is a reformed Gotham villain, who he's dealt with before. He thinks that's why RH doesn't ever face him, doesn't look him in the eye. He feels bad for him, but is strangely proud (just feel like mentioning, the thing about Batman is, he cares SO MUCH. About everyone. He feels sorrow when they lose themselves to their insanity, feels guilt over it. And he feels pride when they bounce back, grow better, like Harley Quinn did.) Like, this man, this absolute machine, clearly well honed and trained, who seems more than capable of taking on the entire Justice League by himself. Clearly he has experience.
Essence helps Jason through it. Soothes him at night when he has panic attacks, because his Dad is two rooms away from him. Helps him cope. Helps him calm down.
Then one day in some battle, one of the Untitled fatally injures Jason, and Batman is the only one nearby. Batman takes a hasty decision, rips Jason's mask off to save him.
And freezes.
That... that's his son. He looks older, more scarred, but thats... that's his SON!
(ALSO another addition: when they find Ducra she's like "uncuff me, and I'll show you just who Essence and Jason learnt from" BAMF!DUCRA FOR LIFEE)
Sorry for the rambling I just kept getting ideas and I kept writing lol
I promise I'll write this as a proper story as soon as I can, thanks so much for the ask! As usual, lmk in the comments if you'd like me to tag u in updates, also feel free to share any ideas u have! I'm just writing what yall want to read that makes me happy hehe
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zanzibarhamster · 1 year ago
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FORGOT THE NUMBERS UBh every oddly number
ALL RIGHT LET'S GO (character is big boss mentioned in another ask)
1. Why do you like or dislike this character?
big boss has a really compelling negative character arc and has a lot of grayness to him. he's a hero to some and a villain to others, and we get to watch the slider slowly go from one end of the other, which is not a kind of main character that you see a lot, especially in games. i think a lot of the discourse about him, including the insanely polar-opposite takes of dudebros who think he's a super cool anti-hero vs the queer fans who think he's an irredeemable psychopath from day 1, is because neither one is entirely wrong. also, the che guevara parallel really really works for that reason.
3. Least favorite canon thing about this character?
hayter's voice acting does not always land. sorry but it's true.
5. What's the first song that comes to mind when you think about them?
definitely kings by tribe society (spotify, lyrics)
7. What's something the fandom does when it comes to this character that you like?
i like how many artists reject the way his canon models are mostly hairless with a chiseled six-pack (bc lbr neither one of those makes sense for the character) and go some degree of bear with him. 10/10.
9. Could you be roommates with this character?
...my gut instinct was "no" but honestly he's lived in very tight quarters with other people for many years so he's probably a pretty mindful roommate. the downside is he also probably doesn't know how to function without a KP chart and will be more than a little bitchy if I don't stick to whatever day of the week i'm supposed to wash the floors. i could do worse.
11. Would you date this character?
absolutely the fuck not.
13. What's an emoji, an emoticon and/or any symbol that reminds you of this character or you think the character would use a lot?
he wouldn't use emojis even if he knew what they were and how to use them. but 📦 suits him for obvious reasons.
15. What's your favorite ship for this character? (Doesn't matter if it's canon or not.)
shocking absolutely everyone, bbkaz.
17. What's a ship for this character you don't hate but it's not your favorite that you're fine with?
not sure how to parse this question so i'm going to hype my other bb ships which are bbeva and bbroy. he's weak to a very specific type of person okay.
19. How about a relationship they have in canon that you don't like?
i don't really have this? i do wish we had more closure on his relationship with eva, the way i make sense of eva pining for him for the rest of her life while he barely even mentions her is that i hc that their last conversation was 1) about the twins, 2) went extremely badly, and 3) she feels guilty about how badly he took it while he just cut her out of his life and never looked back. but i wish we actually knew what happened.
21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?
not sure i have a favorite but my least favorite thing by far is to have him watch someone else fight. choreographing fight scenes is a pain in the ass already bc i tend to try to work within specific arts a character might know like judo or aikido instead of just doing it by vibes, and the last thing i need is to deal with a character that uses every single technical term for all of those techniques and provides running commentary on top of it.
23. Favorite picture of this character?
i'm on mobile but insert screenshot of when he is naked against the wall of a cell in portable ops here.
25. What was your first impression of this character? How about now?
mgs3 was the first game i played bc i was told to play in timeline order and my first impression was that he was kind of a dumbass but in an endearing way and his relationship with the boss was cute. which more or less still holds up as part of my opinion on him at that point on the timeline. it got more complicated.
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paintedrecs · 4 years ago
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Helloo i saw a tweet you made saying you recently watched a bunch of gay animes and i was wondering if you could perhaps make a list and post them on twitter? I'm always looking for anime to watch and i know your tastes align with mine. If it isn't too much of a bother perhaps? I hope you have loveky days!!!❤❤❤❤
Hey friend! I put off answering this, sorry, because my answers tend to be unnecessarily long and I was v tired when I got the original message. But if you’re still interested, here’s a lil rundown of some of what I’ve been watching/reading. In reference to this tweet, where I was watching a show that definitely isn’t gay but is kinda gay if you just squint the tiniest bit, which I’ve gotten used to doing.
If you follow me on twitter, most of these proooobably won’t be new? But I talk about/RT things on a scattered basis, so maybe there are some you haven’t checked out yet. 
So, the canonical gay! I’m only going to list the ones I liked and/or remember most - my Quest For Gay Anime started two years ago, and I watched pretty much everything I could get my hands on, but at that point, there were only a few I loved enough to rewatch/buy/recommend. The list has gotten a little longer since then, unfortunately for my attention span and wallet.
(I’ll be honest, a lot of the really popular/older BL have too many consent issues for my tastes - I understand the context and all that, and no hate on anyone who loves stories that didn’t particularly appeal to me. But I’m including this note cause (a) if I don’t put a really well-known BL anime on this list that’s probably why (b) I’m gonna drop in a few that toe that line but I’ll try to include warnings where relevant.)
ANIME FAVES
DOUKYUSEI (Classmates)
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This is kinda where it all started. I saw a tweet going around with a trailer for a very soft, lovely movie about two boys falling in love, and I thought whaaaaat an actual gay story? Where they kiss? And I don’t have to just imagine it??
Still one of my top faves. It’s beautifully animated - like filming watercolors? It always makes me feel languid and happy. The story and characters are realistic, in a very kind, hopeful way, as these two navigate starting a relationship that neither of them expected. It’s available on Amazon video - I own a digital copy there, hah, as well as the physical blu-ray, because I watch it often enough to want both.
I also recommend the manga, although I’ve only recently discovered that apparently the story did not end after the first three volumes, so I can only recommend that far. (I’ve heard it, unfortunately, gets angstier, and it’s still incomplete? The first three volumes feel complete to me, so I’m happy to leave it there if so.) 
The movie pretty much covers the first manga volume - it’s a very accurate page-to-screen translation - and there’s some really wonderful relationship building and exploration of family dynamics in the next two volumes.
HITORIJIME MY HERO (My Very Own Hero)
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Another huge favorite that I have literally watched like 30 times at this point. Two gay couples, double the fun, although this pairing is by far my favorite.
I’ll direct you to my very long post on this topic for more information, but the short version is:
Warning: there is an age gap and student/teacher relationship, but it’s treated very thoughtfully and is directly addressed as part of the story. They have to navigate through how to make their relationship work (issues with friends, coworkers, society). And they didn’t meet as student/teacher - it’s a lot more complicated, with some fantastic family dynamics. There’s a lot of angst to Setagawa’s backstory that makes you really appreciate the happiness and love he finds with Kousuke & his whole family. (Many more details in my watch-this-anime post.)
The series is 12 episodes long, with a WONDERFUL (happy) ending that makes me cry LITERALLY EVERY SINGLE TIME. Gosh I love this show a lot. It packs some serious feels - I cry, I laugh, I cry again, but for happy reasons.
It’s from a manga, but I do not recommend the manga. The manga falls into a lot of the tropes that I personally don’t like; I think the anime does a much better job of tackling the complexity of their story and treating these two with the thoughtful nuance they deserve.
Can be found on Amazon; I bought the blu-ray, and it’s one of the exceedingly rare cases where I love both the sub and the dub. There are slight differences in translation that really makes it worth watching both.
GIVEN
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Wow, this one. Available on Crunchyroll, 11 episodes with a movie coming soon.
It’s newer to my list, and it’s really, really good. I’ve only read the first two volumes of the manga so far (with two more on preorder), because tbh I have trouble reading scanlations online and find it a lot more enjoyable to just wait for the official translations in paperback form.
So far the anime lines up pretty closely with the manga, so I do recommend both, although at this point I enjoy the anime more - partly because of some of the choices they make in rearranging/expanding scenes, and partly because it’s a story about a band, so it makes a huge difference to be able to actually hear the music.
And Mafuyu’s song is worth it. Wow. I listened to it on repeat for like two weeks after the episode first aired.
Uenoyama (the dark-haired stern-looking heart-of-gold character, I have a type), is my favorite. He is a MASSIVE disaster gay, and a lot of his scenes are absolutely hilarious. The dynamics between the characters aren’t what you’d expect - it’s amazing to watch the seemingly quiet Mafuyu come out of his shell and display his true personality - and there’s some really gritty, emotional material, too.
What’s fascinating about this one is that there are parallel stories going on about past loves and heartbreak, and how truly loving (and losing) someone doesn’t mean you can’t find happiness again.
(Warning and a spoiler: there is a suicide that happens before this story starts - Mafuyu’s ex-boyfriend - and while nothing about it is graphic, that event is central to Mafuyu’s story, so there are some weighty episodes. It ultimately leads to him meeting Uenoyama and joining the band. And finding himself again.) 
The movie’s gonna focus more on the secondary couple, but I’m still excited to see more of them! And...more angst, I imagine, but hopefully a lot more happiness as well.
SARAZANMAI
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Okay, fair warning: this show is weird.
I think if you’re familiar with Japanese folklore, particularly kappas, you might have a much better intro than I did, but considering the creator laughed about how much they got away with by hiding the weirder parts of the story during the initial pitch, I...am not sure about that.
It’s weird but I liked it a lot. I’m not even going to attempt to explain it in the space available here, but the wiki page has a decent summary if you’re curious before diving in.
The very, very condensed version is that the main characters are three middle school boys who get turned into kappas by the kappa prince, who sends them on missions to retrieve “dishes of hope” every episode. In the process, they learn more about themselves and each other, since each time they complete one of these missions, it results in one of their big secrets being spilled to the others.
I like the main trio (and there’s a gay subplot there, too, where one of the boys is in love with his best friend but doesn’t know how to tell him), but I started watching the show because of the “villains,” Reo and Mabu. They have a deeply angsty backstory that you don’t get to until the last couple episodes. Up until then, they have a transformation sequence every episode that ... yes, gets repetitive, Miraculous Ladybug-style, but I still sat and watched, entranced, every time.
One of the things I like about this anime is that while it is very, very gay, it’s not about being gay. It’s a fantasy story where several characters just happen to be gay. As much as I love romance (which the rest of these recs definitely have been), I like being able to see gay people (or kappas...) in different genres, just existing.
And if you can’t get into the show (11 episodes, available on Crunchyroll), there’s a spinoff manga about Reo and Mabu being disaster dads to a baby girl they find on a dish in the middle of the street. I think it’s a human AU (kinda?), but it’s super sweet and funny and I liked it a lot.
THE BETRAYAL KNOWS MY NAME
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Okay, so this was an early favorite, and I rewatched it recently and laughed a lot about how massively dramatic it is, but I don’t care, I’m still into it.
We’re skirting the edge of “canon gay” here, because you never get an on-screen kiss, and it’s technically a shoujo manga. But...it was at the top of a lot of BL lists when I was first hunting for good stuff to watch, and the relationship between Yuki and Luka is deeply romantic (and achingly piningly good) and central to the story.
The title’s linked to one of Luka’s frequent lines: “I will never betray you,” which he earnestly tells Yuki at every opportunity he gets. Luka is an extremely powerful demon, and Yuki is part of an immortal (via reincarnation) clan that hunts demons. But in Yuki’s past life, they fell in love.
Yuki was, at that point and in previous lives, a woman, but something changed this time around: he was reborn as a man, and without any of his memories.
Luka, who waited for Yuki to be reincarnated so they could be together again, still remembers and still loves him. But he keeps his devotion on Yuki’s terms, refusing to force the memory of a relationship that Yuki might have wanted to forget.
There’s one particularly great scene where the leader of Yuki’s clan asks Luka if anything has changed - if they can still rely on Luka to stay by Yuki’s side and be his protector. “They have the same soul,” Luka says. Gender doesn’t matter. He loves Yuki. He’ll always love Yuki. 
And Yuki, though he doesn’t remember loving Luka, begins to slowly, inevitably, fall in love again.
The anime is 24 episodes - while it doesn’t fully close out the story, it does have some closure, or at least a solid sense of an upcoming happy ending. (I own the DVD; I don’t think the show is currently available to watch online.)
There’s also a manga, which is beautifully illustrated, wow, the sheer level of detail in this blows me away. Which, unfortunately, was way too much work to maintain at that level and ultimately destroyed the author’s health, so the last few volumes get shorter and shorter and the story trickles to an unsatisfying conclusion.
I still love it a lot, though, and it’s another example of establishing a great relationship within the context of a much larger story - a sweeping, complicated fantasy epic.
HONORABLE MENTIONS
Those are my primary favorites, unless I’m forgetting anything (and for the purposes of this post, I’m leaving out things like Tiger & Bunny and Promare, which are very gay and embraced as such by the creators but also not something I’m comfortable including in a Definitely Canonically Gay, You Won’t Ever Be Disappointed By Future Reveals list). If I have the energy, I might make another post like this for those kinds of stories.
But there are a few others that I enjoyed, if not enough to buy copies of or collect merch for. These include:
No. 6
Dystopian, so definitely very dark and kind of visually disturbing in places (for instance, people rotting from mystery infections). There’s a central m/m romance and one kiss, but the ending is kind of an open one without a super happy conclusion. It doesn’t have high rewatch value for me - I’ve only ever watched it once and don’t really feel inclined to go back - but it's got good storytelling and is worth viewing. 
Kizuna Koi No Kara Sawagi (Much Ado About Nothing OVA)
That last bit of the title is important to get you to the correct OVA, since there are different variations of this story. It’s been a long time since I tried the main anime, but I did not like it - I had major issues with its story, particularly with the sexual assault plotline. I did, however, love the OVA and have recommended it to people as something that can be watched independently.
There's still a little dodgy content in it (as with a lot of things in the BL genre), but it's mostly a lovely established relationship story with a lot of bittersweet feels, with flashbacks to how the couple got together. 
It’s necessarily a "happy" story either, though, because they're in a loving, committed relationship in a society where they can't be open about that, and it takes a toll. They're doing their best to work through the difficulties together.
Ai no Kusabi 
SERIOUS WARNINGS FOR THIS ONE.
It's about a society with "Blondies" as the elite ruling class and dark-haired "Mongrels" from the slums. There's slavery, plus some serious sexual consent issues...which I found extra prevalent in the newer version (prettier animation but much more cringey on the content).
The 90s version has rougher animation but a more interesting story. The relationship is still not necessarily healthy, but it reads as a lot more of a forbidden love BDSM relationship.
Even so, the ending is SUPER unhappy. I cannot emphasize that enough. I was watching all these things on my own without any warnings, so this one hit me really hard, and I couldn't stop thinking about it for days after. I’m not sure if I'd watch it again, but I've had interesting conversations with others who did.
I guess what I liked about it is that it’s a very different kind of story - and like I said earlier, it’s nice to have variety in genres. As long as every story isn’t dark and tragic, it’s worthwhile to sometimes experience ones that are told well. And weirdly (since this is not something I would watch with my family) it reminded me to some extent of the movies I grew up with - the 80s and early 90s had a lot of dark sci-fi, and my family really loved watching them, so there’s something...nostalgic about how disturbing it is? Thanks parents. At least this one’s gay.
Gakuen Heaven
To pull us back from the darker content, here’s one that I guess was adapted from a dating computer game. As far as I can remember, it was pretty free of cw; fun but not as emotionally engaging as some of the others. It’s pretty much just a fluffy story about a boys’ school on an island with a mystery plot and a romance.
MANGA RECS
I sprinkled some manga recs alongside the relevant anime, but here are a few others that I’ve only experienced in book form. (I’ve got one on my nightstand right now that I need to read, but if it’s good I’ll just update this post I guess, I’ve put this reply off for long enough.)
OUR DINING TABLE
Unlike a lot of the other manga I’ve read, this is a single volume, which means it has a nice, solid conclusion that wraps everything up wonderfully and doesn’t leave you any room to worry that the author will insert unnecessary drama down the line. (That’s an issue, ok? It happens a lot.)
A very soft, sweet romance that’s actually a lot more about building family - which is something that hugely appeals to me. Highly recommend. Loved it, bought it, will definitely reread it. I’d love to see it eventually made into a movie, like Doukyusei.
MY BROTHER’S HUSBAND
This is a hefty book - I ordered it after seeing a joke-tweet about the live action adaptation (which I haven’t been able to find to watch online). I was surprised by the size of the book but even more (pleasantly!) surprised by its contents. I’m not familiar with the author’s other works, although I’ve heard this is the uh....softest and sweetest of his writing. It’s honestly way more uplifting and healing than I was expecting.
Again, it’s largely about family: a quiet, very private Japanese dad dealing with a visit from his deceased (estranged) twin’s extroverted and cheery Canadian husband. This could go down some very dark paths, but it really doesn’t...there are some smatterings of homophobia mixed in, since that’s sort of the point, but there’s a lot of wonderful self-discovery and building new family bonds.
OUR DREAMS AT DUSK
Oh man. This series. Irene Koh (Legend of Korra comics illustrator) recommended it on twitter, and I picked up the first volume from my library and then could not stop. All four volumes are now out in official translations, and they’re so, so good.
These are definitely on the more realistic side - less of an idealized, prejudice-free view of the world, with more of an accurate picture of what it’s like to be not-straight in Japan.
And I phrase it that way because there’s a lot of variety in the characters in these books. The main character is gay - just coming to terms with the fact that he is, because life would be so much easier if he didn’t have a crush on the hot guy at school.
Content warning: it gets so bad at school, in fact, that he starts out the book planning to commit suicide. It’s dark. But it gets much better, and by the final volume he’s grown so much in his confidence and sense of self-worth - because he becomes a part of a community of other people who teach him that it’s okay to be himself.
And all the other storylines are wonderful. Some of the other characters you get to know include a trans guy, an ace woman, two girls who (spoilers!) get married in the fourth volume, and a much older gay guy who’s been with his partner for several decades.
It’s not a fluffy story - there’s some really tough material throughout, and people aren’t always nice, even the ones you really, really want to be - but they also learn and work hard at communicating with each other. I think these are pretty extraordinary books. Beautiful and heartbreaking but also deeply affirming.
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traincat · 6 years ago
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Correct me if I'm wrong, but was not Flash having an abusive father a retcon that happened many years later after his debut? I remember you ask about whatever Flash being a bully was a retcon too, so I wonder if its the same case for his father. Perhaps is the reason why MCU decided to avoid any hint that Flash' father might be abusive.
Okay, this is a little messy, but from my point of view the answer is yes and no, or rather, it’s kind of half a retcon, if that. It’s a retcon that, with a little connecting the dots, we can make not a retcon. A retcon, by technical definition, is a piece of canon that retroactively rewrites the continuity that came before it. “The Alicia Masters that Johnny Storm married was a Skrull all along!” is a retcon, because before that piece of information was introduced, the Alicia Masters that Johnny Storm married was just Alicia Masters, regular human woman. A piece of information that reveals something about a character’s backstory or circumstances that just never came up before but doesn’t actually contradict anything, on the other hand, is not a retcon. 
This... falls in between those two things.
First off, Harrison Thompson is in a total of 13 comic issues altogether. That’s really not a lot -- Flash himself is in 574 comics, according to the Marvel Wiki. Harrison Thompson’s first appearance is in the B story of Amazing Spider-Man #372, titled Punch... Counter-Punch, where Peter and Flash years later revisit their boxing max from Amazing Spider-Man #8, albeit in a much friendlier manner. Now, note that this is several hundred issues after Flash’s introduction to the pages of Spider-Man, during which his father has never been mentioned before in either positive or negative light. The boxing match is just window dressing for the real point of the story, though, which involves Flash encouraging Peter to engage with his parents, Richard and Mary Parker, who had at that point in canon seemingly returned from the dead/the gulag. (“Richard and Mary” were actually robots, but that part doesn’t matter here. I love that I get to write that sentence.) Flash then launches into a recollection of his own father, who he describes as serious, intelligent, uninterested in athletics, and disapproving of Flash’s own interests in sports and his average grades. When Peter asks if Flash made up with his own father, Flash says he died:
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Now, we know this is not true -- Harrison Thompson appears in Untold Tales of Spider-Man #19, published in 1997, a good four years after Amazing Spider-Man #372. Untold Tales of Spider-Man is a series from the ‘90s that bulked out the content of Peter’s high school years, considering that he’s only in high school in the original Amazing Spider-Man run for a grand total of 28 issues, and focused on Peter, Betty Brant, and Peter’s high school classmates. It’s a series I mostly find boring, I’ll be entirely honest, although I like some of the Flash, Liz, and Betty content. Untold Tales of Spider-Man #19 is technically the first time Harrison Thompson actually physically appears in a Spider-Man scene, being present in the book instead of in another character’s recollection. 
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Harrison Thompson here has been reinvented as a Forest Hills police officer who, in this issue at least, is portrayed as a generally friendly fellow. Literally two months after this was published, Spectacular Spider-Man #-1 was published. Written by J.M. “stories about child abuse” DeMatteis, it begged the following: “how can we add more childhood trauma to the Spider-Man cast?” and “fuck the police.”
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This comic, which I believe is the third ever appearance of Harrison Thompson within Marvel comics although I might be missing another Untold Spider-Man bit, keeps Harrison Thompson as a cop, but whereas in Untold Spider-Man he seemed an okay enough guy, Spectacular Spider-Man #-1′s depiction of him is an abusive drunk who emotionally terrorizes his family and beats his son. 
So we’ve got a weird little evolution here from intellectual snob who in his son’s eyes looked down on him for not sharing his more cerebral interests -> seemingly genial neighborhood cop -> violently abusive father. Now the second two don’t actually rule each other out: Harrison Thompson could certainly have put on a good face for the community while abusing his family at home. This is, after all, not uncommon behavior for abusers, who can often keep up a very charming act within their larger communities. (J.M. DeMatteis writes a lot of abusive father stories, and he does it very well.) So it’s really only the first story that’s the problem, continuity-wise. 
The Marvel wiki lists Harrison’s appearance in Amazing Spider-Man #372 as a “false recollection”, which is, I think, an interesting way of putting it. Now I said this was in my opinion half a retcon at best, and I consider it that because of something I noted above: Harrison Thompson never actually physically appears in this issue. Flash talks about him, but the problem with that is a very simple characterization rule: characters lie. Almost every character in a large body of canon, at some point or another, for whatever reason, is going to lie. “False recollection” can mean a lot of things, and “lie to your best friend to encourage him to get close again with his own parents” and “say your dad is dead because you kind of wish he was” are not outside the realm of possibility. I think this would be a very different case if Harrison Thompson had physically appeared as Flash describes him initially on the page, or if the issue had even contained a proper flashback scene instead of Flash speaking over some vague images. But that’s not the case, and when all you have is one character’s words there’s always the chance that their recollections are either untrue or unreliable.
Now, I can make this messier. In Amazing Spider-Man #372, Flash tells Peter his dad died before Flash ever met Peter. This is complicated two ways: first, as established later by Untold Spider-Man #19, Peter had met Flash’s dad, so he would’ve known in ASM #372 that Flash’s dad couldn’t possibly have died before Peter and Flash ever met. (Flash would also have had to be very young, younger than he’s depicted even in ASM #372, for his dad to have died before he and Peter met.) Worse yet, in Webspinners #9, which also takes place when Peter and Flash are still in high school, Peter as Spider-Man witnesses, without Flash’s knowledge, an incident where Flash is being punished and verbally abused by his father. (It’s also implied he witnesses Harrison hitting Flash via sound effect, but that’s not directly on panel.)
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Now, I never know what to feel about this Webspinners story, canonicity-wise. For one, I think it’s not the best characterization for Spider-Man to see anyone he knows, whether or not he especially likes them, being abused and to do nothing to halt that abuse, although that would be a much more complicated story that a three-parter about Peter accidentally ending up with three prom dates doesn’t really have room to cover. For another, it gives Peter a very intimate look at Flash’s personal life that would surely recontextualize some things for him, but of course none of that is reflected in the college years because those stories weren’t written with this incident in mind. Peter finding out about Flash’s abusive home life in high school is, for me, the bit that most shoddily fits in here, though we do know that by the time they’re in their late 20s Peter is aware of things:
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(Venom (2011) #5)
So if we’re putting it all together, with the assumption that, in order to keep all of the canon here cohesive (a very difficult thing to do with any long-running superhero comic), we’d have to view the ASM #372 story under the light that not only was Flash lying, but he was lying badly, and Peter knew he was lying, and they were just not talking about it. It’s messy, sure, and it’s not perfect, but “one character is lying for an agenda, other character knows and doesn’t confront him over it” isn’t out of the realm of possibility, if I wanted to make that argument.
Ultimately, for me, here’s the thing: Harrison Thompson is present in 13 issues. That’s is such an incredibly small part of a huge body of canon, but 11 of those issues have huge consequences for Flash Thompson. The two issues before DeMatteis introduced Harrison Thompson as a violently abusive man are a recollection that could easily be a lie -- a shoddy one, admittedly, but people tell shoddy lies all the time, so why shouldn’t fictional characters -- and an issue that, while it does not portray him as an abusive father, it doesn’t contradict it, either. Everything after that is relatively consistent in depicting Flash’s father as abusive throughout his childhood. You could consider Spectacular Spider-Man #-1 and subsequent stories are a retcon of Amazing Spider-Man #372, but you could also noodle your way around into making it work within the body of canon as I have done above. It’s really up to how the individual reader here wants to look at it. And even if someone does choose to view it as a retcon, it’s not a big one; it changes almost nothing about the canon that existed beforehand where Flash Thompson isn’t concerned, and there’s nothing in his story up until that point that would explicitly rule out him being an abused child. I will say, between the two stories, “my dad and I never got along because he was too nerdy to understand my athletic passions” is pretty sorry competition for the latter backstory that was created for Flash, which does a lot to inform his past actions as a character, from his high school bully status to his military enlistment which, as the sliding timescale moves the decade the Spidey Fivesome were in college together forward, we can no longer attribute to the draft. It also offers him something in common with many of the other major members of Peter’s supporting cast: like Flash, Mary Jane and Harry were also abused by their fathers. (Who in Marvel comics wasn’t? Peter. Peter Parker was not.) 
All that aside, I doubt that when Spider-Man: Homecoming’s creative team was conceiving their version of Flash Thompson that they chose to omit any mention of his abusive father in homage to Amazing Spider-Man #372′s B story, especially after they reimagined Flash as a nerd himself. “If he were smarter, his father wouldn’t beat him” would become a, uh, troubling implication if anyone involved in the movie were to make that claim. Which they won’t, because I would bet a lot of money that they didn’t think about it that much. This is the film that cut any mention of Uncle Ben’s death because it would be a “downer” -- they weren’t going to introduce an abusive homelife for one of Peter’s classmates. And that’s not even my issue, as much as I appreciate The Amazing Spider-Man (2012)’s oblique reference in the hallway scene where Flash says “it feels better, right?” after Peter slams him against the lockers. Addressing Flash Thompson’s childhood isn’t something that’s going to make or break a Spider-Man adaptation for me, although ideally it’s something I would like to see handled with care and sympathy. My issue is that you have a character who, in the source material, has consistently been depicted as the victim of childhood abuse from 1997 onwards, and instead chose to make that character an affluent nerd and the butt of a joke that, if it had happened to the original Flash Thompson in high school, surely would have had serious consequences for him when Peter steals and wrecks his car. I just found it an uncomfortable, knowing Flash’s comics backstory. (And as someone who’s had their car stolen, I’m not exactly sure how grand theft auto is supposed to be funny.) I’m sure the movie could’ve shoved more sports car time in there some other way. 
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