#but anyway heres this. here it is. i sure did write it. and now it exists. and now you can read it

[hard-core-super-star]

brought you together so nice [W.Maximoff + N.Romanoff]

pairing: dom!natasha romanoff x sub!reader x switch!wanda maximoff

summary: natasha takes care of you until wanda comes back. needless to say, the witch is more than happy about the arrangement you both came up with in her absence.

warnings: SMUT, MINORS DO NO INTERACT -> porn with very little plot but even more feelings; mommy + daddy kink; slightly more established dom/dub dynamics; a dash of pet play (as usual); bondage; gagging; soft domme nat + bratty wanda!!!!; vibrator use [R receiving]; praise + degradation + a dash of humiliation; hair pulling; spanking; aftercare

wordcount: 4.1k

a/n: well, well, well...guess who got too attached to another series? yup, me 😅 these two have taken up more of my mind than i originally thought so here is part three of this little series. i don't have a plan to make another full part, but i might mess around and write a few blurbs here and there. we'll see what happens. anyway, thank you for all your support, especially regarding this little series. i'm thinking of opening my requests back up until the start of the new year so keep an eye out for that ;) [commissions are still more than welcome, though!] okay, i'll stop rambling for now, hope you enjoy <3

* * * * * * *

Natasha could be sweet when she wanted to.

That was the first thing you learned after agreeing to become her and Wanda's submissive. 

The rules and details weren't too clear yet, the redhead promising to answer all your questions as soon as the Sokovian came back from her mission. Still, she did what she could to fill in the gaps of your knowledge, allowing you to ask her as many questions as you pleased before showing you, in great detail, what she meant.

Despite the cold exterior you'd learned to love, she was much softer with you than you'd ever imagined. Sure, she was still a mean domme at heart, but she wanted to show you heights of pleasure you'd never experienced before.

And she went to great lengths to guarantee it.

It quickly became clear to you how much she loved impact play. Even outside of play sessions, she would always come up behind you, landing a hard smack to your ass before pulling you into her arms. You didn't mind, even when she did it in front of the others.

(Although Tony did whistle at you guys once and promptly earned himself a punch to the stomach. He laughed it off but made sure to never tease the Widow about her behavior with you again.)

You knew there were a lot of things you didn't know or fully understand, but Natasha always seemed to find a way to make you feel more excited than nervous about it. It was almost funny how quickly her personality changed once she allowed you to see past her walls.

Sure, she was still a little mean and more than a little snarky (which is exactly how you liked her, if you were being honest) yet there was a softer, affectionate, side that started coming out more and more.

She told you it was simply because Wanda wasn't around and she wasn't allowed to "break you in" without her around. Maybe it was a silly excuse perfectly crafted to keep you on your toes, but you didn't really mind.

Well, except because you really missed Wanda.

Being without the witch was harder than you thought it would be, but the Widow kept you busy enough to forget the empty spot beside you in their bed.

Your bed.

That was the second thing Natasha made you learn. 

Yes, you were technically an addition to their relationship, but you weren't an outsider. You never were.

That was the third thing you learned.

Both Natasha and Wanda had their eyes on you from the very beginning. They loved each other, and their relationship made them happier than they could put into words, and yet they always felt something was missing. A third energy to keep them in check. To stop them from getting too rough, too mean with each other. To help remember how to be soft after spending so much time fighting with the world.

It was...strange, but you couldn't deny what they meant to you. The attraction you felt toward them had always been there and after Wanda opened that door...well, let's just say there was no going back.

You didn't understand how real that was until now.

Because somehow, someway, after carrying guilt you didn't even need to have in the first place, you were here.

You were theirs.

You were waking up in their bed with Natasha's arms wrapped tight around your waist.

A shudder ran down your body as the redhead's lips met your bare shoulder, peppering kisses across the skin. "Morning, detka. Sleep well?"

"Yeah," you reply as a smile forms on your face. "You're a fantastic cuddler."

"Shut up," she mumbles. There's a clear lack of annoyance in her words despite her attempts at sounding tough. "I don't know what you're talking about."

"Your grip on me begs to differ."

At your response, her hands move to grip your waist, her nails digging into your soft skin. The sensation makes you gasp, your back arching almost instantly. You can feel the redhead smiling against your skin. It hasn't been that long and she already knows your body better than you do.

"Sorry, were you saying something?" She says, taking advantage of your reactions to grind against your ass. "You seem a little distracted."

 It's a bit of a cruel game but it's one she loves to play with you. Truth be told, she loves playing with you, period. You're so different from Wanda, so much more responsive, more honest about your constant neediness.

"I don't know what you're talking about," you mumble, not so subtly grinding back against her.

Just because you were slowly learning the rules regarding your place didn't mean you didn't love pushing Natasha's buttons whenever you could. Which really only happened in the mornings and during aftercare. Those were the only two moments when the older woman allowed herself to be soft with you, to let you see behind the walls she'd expertly put up to keep everyone out. Everyone except you and Wanda, it seems.

Her voice remains low, straddling the border between a tease and a warning. "Is my good girl trying to be a brat?"

Your heart skips a beat at her words. At the mention of being her good girl. Of being hers.

After the rough beginning your relationship had, you never thought you'd be let into her heart in any way. And yet here you are. You're her good girl, her kitten, her darling submissive.

"No..." You trail off, trying to decide whether to behave or push her buttons a little more. Ultimately, your desire to be a little shit wins out. "...Daddy."

Natasha chuckles behind you, her hands moving from your hips and toward your breasts. She gives them a soft squeeze as her thumbs tease your hardening nipples. "Oh, kotenok, you woke up cheeky this morning, huh? You know what mouthing off like that will earn you, right?"

You do know. She's told you many, many times before, usually while she's praising you for being so good for her and drawing out orgasm after orgasm from your overstimulated body.

However, she's never actually acted out any of her warnings. It's a good thing, you know that, and yet you can't stop yourself from wanting to see what it will feel like. To explore what that kind of submission will do to you.

"Yes, Daddy. I know."

She hums before going right back to kissing across your shoulders, nipping at your skin just to get you to arch into her teasing hands. "I see...you want to be punished, don't you? Want Daddy to remind you of your place until there's nothing else inside your mind?"

You're about to reply when you're interrupted by F.R.I.D.A.Y. "Miss Romanoff, Miss Maximoff has asked me to notify you of her return."

Your cheeks flush, even though the disembodied voice can't see what exactly you're up to this morning. At the very least, F.R.I.D.A.Y. is a lot less nosy than Jarvis ever was. Although, if you're being honest, you liked him better before he turned into a robot.

"I'm assuming she'll be at the Medbay for a while?" The Widow replies, her mind no doubt full of the things she'll do to you to pass the time.

"Yes, it seems she'll be there for the next half hour."

"Good. Thank you, Friday."

The AI doesn't reply and you can practically imagine her making a swift exit out of the room, leaving you to face whatever it is that the redhead has come up with.

"y/n..." Natasha purrs, her breath hot against your ear. "I have an idea. Why don't we give Mommy a nice surprise, hmm? Don't you want to be her pretty welcome back gift?"

You're not sure what being Wanda's "welcome back gift" will entail, but you can't deny your curiosity about it. Especially since the witch has no idea what you and her girlfriend have been up to. You have no doubt she has her suspicions, she is a mind reader after all, but it'll still be nice to surprise her.

You agree before you even know what you're doing, and Natasha wastes no time in springing into action.

In a matter of minutes, you go from lying comfortably under the covers to being spread out on your back, your limbs tied to each corner of the bed. You're exposed, vulnerable, and you love every second of it.

Of course, Natasha isn't satisfied with that. No, to top off the pretty sight you make, she places a deep, dark red ball gag between your lips. You shouldn't be surprised since, after all, you did ask for it.

"There we go," the redhead hums appreciatively, her eyes taking in the beautiful sight. "Now, just sit tight, okay, detka? I'll be right back."

You whine instantly, but she pays no mind to you, quickly making her way out of the bedroom and going to look for Wanda. You're not exactly happy about being left alone yet, there's nothing you can do. All you can do is throw your head back in frustration and wait for your lovers to return.

You're not sure how much time goes by, although there's no doubt in your mind that Natasha does her best to draw out their return just to mess with you, but eventually, they make their way back to you.

The sound of the door opening makes you practically vibrate with excitement, your hips wiggling from side to side without thinking.

"Well, would you look at that," Wanda says as she steps further into the room. "Looks like someone was having fun without me."

Natasha follows her in, standing behind her and wrapping her arms around her waist. There's something so domestic about the action that makes your heart clench.

"I had to get her ready for you, darling," the redhead replies as her chin finds the other woman's shoulder. "She looks good, doesn't she?"

"She sure does. I take it you worked out your issues?"

"We came to an...agreement, yes. I couldn't let you have all the fun."

Wanda chuckles, the corners of her mouth quirking up into a fond smile. There's no mistaking the fire in her eyes, though, the desire simmering below the surface. "And you said I was crazy for wanting her to join us."

The Widow grumbles, clearly not quite ready to admit her girlfriend was right. "You're still not off the hook, you let her believe you cheated on me."

"When are you going to let that go?"

"I'm not sure, maybe you should make it up to me."

Natasha's eyes remain on you but Wanda turns around, silencing her girlfriend's complaints with a fiery kiss. All you can do is watch, feeling left out and far too involved at the same time. You're slowly getting used to their competitive antics.

Their kisses turn desperate in nothing short of a few seconds, leaving you far too desperate and needy while you squirm around on the bed. They take their sweet time getting back to you, though, instead letting their hands wander over each other's bodies.

You'd love to complain but you're still gagged so talking is pretty much impossible. More than that...you can't say you're not loving the view. It makes you feel a little dirty, like you're watching an intimate scene you shouldn't be, and it brings a rush unlike anything you've ever felt before.

They know, because of course they know, and your obvious arousal only motivates them to tease you.

Natasha moves first, expert hands reaching for the hem of Wanda's shirt and lifting it over her head in an instant. "I missed you."

"Are you talking to me or my boobs?" The witch replies with a perfectly raised eyebrow.

"I'm talking to all of you."

"Nice save, 'Tasha."

"Shut up."

There's something comforting about the scene in front of you, even as your frustration builds. You've been with them before, but it's different this time. You can feel the change in energy, the easy chemistry that flows between all of you now that Natasha isn't trying to push you away.

"Come on, I think we've teased our good girl long enough," Wanda says, taking the redhead's hand and leading her toward the bed. "Isn't that right, sweetheart? You're feeling a little frustrated, hmm?"

You nod desperately in response, tugging at the rope that holds you down. Your actions only make both of your lovers chuckle.

"Look at her, she's drenched and we haven't gotten started yet," Natasha comments, her eyes trailing up and down your body like a predator assessing its prey.

"I'm guessing this means training's going well."

"She's a quick learner. A bit bratty sometimes, though."

The way they talk about you as if you're not a part of the conversation has you clenching around pure air. It doesn't help that the Widow is so accurate in her assessment of you. You love being submissive, being under their control, but you can't deny how much fun it is to disobey. To push against the boundaries she's set for you, not to defy her but to tease her. Maybe even test her a little.

It's far too fun.

"Is that right, sweetheart?" Wanda asks, even though your body language makes it clear how correct Natasha is. "I thought you liked being our good girl. Because if you don't, well...you know what happens to naughty girls, don't you?"

Of course you know. It was one of the first things the redhead taught you. Sure, the rules and terms weren't too fleshed out yet since Natasha had wanted her girlfriend to be a part of the whole exchange, but she'd gone over most things with you. Rewards, punishments, hard limits, all that stuff.

You're unable to tell the witch that, though, thanks to the gag in your mouth. Your incoherent mumbles seem to entertain her for a few seconds while Natasha sneaks off toward their closet.

Wanda's chuckle cuts through the air. Your attempts at convincing her you've been good clearly amuse her. "I know, baby, I know you like being good. Otherwise, Nat wouldn't be so attached to you."

"I'm not attached," the redhead grumbles.

A month ago, her words would have made your heart drop into your stomach. Now, though, you know she's only playing a part. She has no problem telling you how she feels outside of a scene, but when you're playing, when you're being their pet, she's right back to being mean. Right back to degrading you and humiliating you until you're riding the edge of pleasure and pain.

"Keep telling yourself that, darling."

"Oh, I will."

Their banter is borderline comforting. You've loved spending time with Natasha, but this, being with them and seeing their personalities come together, this is where you thrive.

Well, it's not like you're doing much. Then again, they like you most when you're like this. Vulnerable, at their mercy, and so obviously loving every second of it.

Wanda climbs onto bed with you, crawling over your body until she's hovering over you with a gentle smile that steals all your worries away. "'Tasha's such a liar, isn't she, sweetheart? It's okay, let her act like she's the big bad."

You want to laugh, but it's a little hard when she's leaning down to pepper kisses all over your face. The action is far softer than what you were expecting and it makes your heart soar.

You were ready for a rougher training session, for a trial run meant to show you what you had been missing in the witch's absence. But this? This is really good too.

Wanda continues her loving assault on your skin, trailing kisses down your jaw and toward your neck. You tilt your head back in response, earning a soft giggle muffled against your skin, as she kisses and nibbles all up and down your throat. There's no doubt in your mind that she's littering your skin with hickies and noticeable marks, but you find you really don't mind it.

The witch steals your attention long enough for Natasha to gather a few supplies before making her way over to you. You feel her set a few things down next to you, but you don't get to see what they are. Not that you really mind considering how busy your mind is.

"Stop hogging her attention, that's not very fair."

"It's not my fault you left her so fuzzy-headed. Poor girl didn't even stand a chance, huh?"

You shake your head, a few muffled whines making their way out of you.

Natasha chuckles as she shifts onto her knees next to you. Her hands find their way between you and Wanda's bodies, teasing your skin as she explores the territory she's spent the past few days claiming.

"Oh, please. This is nothing. You should've seen the state she was in last night."

The reminder makes you squirm in your restraints, trying to get closer to them to no avail. You know how desperate you look, how absolutely needy you are, but you can't find it in yourself to care. This is what you had been waiting for. To be completely theirs. To surrender to them and accept everything they were willing to give you. Sure, it was intimidating and yet it felt incredibly right.

"Are you trying to make me jealous?" Wanda responds, working her way down your body, expertly avoiding the areas where her girlfriend is touching you.

"You deserve it. Wasn't this your fantasy?"

"Maybe. It was hers first, though. Isn't that right, detka?"

The change in topic makes you blush. It shouldn't be surprising to hear that the witch had already known about your feelings for her but it's still a little embarrassing. At least she seems to enjoy it.

You nod, your movements slightly frantic and no doubt fueled by the feeling of her lips on your flushed skin. She takes her time dragging her lips up and down your inner thighs as Natasha teases your hardening nipples.

"Such a good little slut. I bet you're already so fuzzy. Just want your cunt played with and nothing else." The redhead distracts you with her words, leaving you completely unprepared for Wanda's continued assault.

You don't hear the thrumming sound of the vibrator coming to life, but you sure feel it against your sensitive clit. Your whole body shudders in response as your hips buck in a desperate attempt to escape the overwhelming sensation.

Your reaction makes the witch laugh and she leans down to press a few more kisses to your thighs. "There you go, that's what I like to see."

Her words feel more like humiliation than praise and yet you can't find it in yourself to care. Not when it feels so good that it borders on painful.

"Excuse you, we were having a little chat." Natasha's tease is coupled with a firm grip in your hair as she tilts your head toward her. "I'll have to train you if you don't fix that attention span, pet."

"Be nice, Nat, it's not her fault she likes me more."

"God, you're such a brat, Maximoff." Her free hand leaves your body to land a sharp smack against Wanda's ass. "I'll put you in your place too, if I have to."

The witch hums in response, very clearly pushing herself back against the redhead's hand. "You know I'd enjoy it."

Natasha spanks her again and the sight has you bucking your hips faster as you search for more pleasure. You let out a string of whines, already feeling yourself on the edge of an orgasm. It's a little embarrassing how quickly you're reaching your limit but in your defense, you've been worked up ever since you woke up. You were bound to lose from the beginning.

"Don't tell me you want to cum already, sweetheart? We've barely gotten started."

You want to defend yourself, but your attempts are instant failures. Natasha seems to get off on how pathetic you sound, though.

"It's alright, kitten, why don't you go ahead and cum for me? Mommy hasn't earned her reward just yet."

Wanda opens her mouth to object but she doesn't get very far since the redhead goes right back to spanking her.

You're not used to seeing the witch in a slightly more submissive position. She always seem to straddle the border between being fully in control and immersed below Natasha's dominance. This change of pace is more than welcome, though.

The vibrator gets pushed harder against your sensitive clit and the pressure sends you over the edge almost instantly. You don't get a chance to warn them, all you can do is give in to the sudden pleasure as your body trembles beneath them.

They're both distracted by the sight of your orgasm crashing into you so suddenly. So beautifully.

"What a good girl," Natasha murmurs appreciatively. "You could learn a thing or two from her, Wands."

"Whatever." You miss the way the witch rolls her eyes since your eyes are more than a little blurry and there's a soft ringing in your ears. "It won't be my fault when she forgets her place, Daddy."

That earns her another spank, but she's too busy moving the vibrator away from your drenched cunt to care. You whine softly at the loss of contact even though you feel far too sensitive to take much more.

Apparently, you look as out of it as you feel because the older women take a few moments to let you catch your breath.

Wanda's hands gently stroke up and down your legs to keep you grounded while Natasha shifts closer, her hands reaching out to undo the ballgag. "How are you feeling, kotenok? Do you want to keep going?"

Your throat's a little dry, but you manage to form a reply. "I'm okay. Just need to catch my breath."

The Widow nods before reaching over to grab the bottled water on the nightstand. She helps you take a few sips of water while Wanda continues to caress your skin, both giving you as much time as you need to recover. It's such a small thing and yet it's a reminder of why you're so attached to them. Why you need them more and more with every day that goes by.

Your relationship with them might have had a bit of a rough start, but you couldn't imagine a better outcome. Couldn't imagine two better people to surrender your heart to.

"Someone's in a romantic mood," Wanda pipes up with a soft smile.

Her words cause an instant response in you and you feel your face grow warmer by the second. "Why are you in my mind right now?"

"Because your thoughts about me are so loud," she replies almost instantly. "Don't look so embarrassed, detka, I think it's cute."

"Shut up," you mumble, momentarily forgetting where you are and what you're in the middle of doing.

Wanda's smile turns slightly dark and her hand comes down against your thigh before you can even think about what you did wrong. "Where'd your manners go, huh?"

The sensation makes you shiver, but Natasha reaches a hand out to stop the witch from smacking your thigh again. "Time out, darling. I don't think we're quite ready to keep going."

You want to argue with her and yet you make no real effort to. As much as you might want to keep going, you can't deny how overwhelming it all was...and how desperate you are for some cuddles.

"Sorry," you mumble.

Wanda instantly shushes you as she uses her magic to undo the restraints keeping you tied down. "Nonsense, you have nothing to apologize for."

The second your limbs are free, Natasha's hands are on you again. This time, though, she merely maneuvers you onto your side so she's able to slide in behind you. The second her arms wrap around your waist, your shoulders let go of the tension they've been holding. 

Wanda wastes no time in joining the two of you, laying down in front of you and reaching up to play with your hair. "Just relax, we have all day to pick up where we left off."

"Don't rush her, little witch."

Natasha's words make you chuckle and you lean forward until you're practically buried in the witch's chest. "I'm okay, guys. I don't break easily."

A beat of silence goes by as they allow you to soak in the afterglow, in the feeling of their embrace.

But the Widow really can't help herself.

"Are you sure? Maybe we should test that out."

Her words are a tease, but none of you can deny your curiosity...or your arousal.

Needless to say, you spend most of the day tangled up in their bed.

Your bed.

With the two women who mean the absolute world to you.

[livelaughloveluffy]

Hi! I really enjoy your works!

Is there any way I could request a modern Ace x platonic younger sister? I guess modern or not doesn't matter too much. But basically his usually sweet, anxious younger sister hasn't been doing great with depression/anxiety, and he's noticed a little bit, silently keeping an eye on it, but doesn't think it's TOO too serious. But he's wrong because late one night he finds her hitting rock bottom. What that looks like is up to you. He gets scared, but wordlessly just kind of hugs her, holds her tight, she automatically clings to him and apolologizes, and he lets her know how much he and Sabo and Luffy and Dadan love her.

Self projecting the need for a comforting older brother figure like Ace.

Please don't write this one if you don't feel comfortable or don't want to! Have a good day 🩷

we need you here - portgas d. ace

a/n: i'm so glad you enjoy my writing!! thank you so much for your request!! i absolutely adore ace as a big brother, hopefully this is sort of what you had in mind!!

a/n: i was listening to my yearning playlist to write this and literally a more perfect song to go with this fic started playing and now i have to share it with you guys too because it works way too well. here's the song

tw - depression/mentions of self-harm

there's some hurt and some comfort here...

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some days we're better than others.. but most of the time you could barely keep your head above water. the constant onslaught battle of depression is pretty crippling, and it takes everything in you to just get through the day. not that most would be able to notice.

it's not like you were born depressed, how you long for the days were the world felt lighter, when the breeze blowing through the leaves of a tree was a wonder to revel in, rather than being so caught up in your own head, you can barely hold a conversation. while this change had come to your realization like a freight train, your brothers hadn't really picked up on it.

it's not because they didn't love you, you know they did, it's just that they were busy training to leave goa kingdom and conquer the sea. so to them, over the years you had just gotten more reserved. sure you didn't smile as much as you used to, or the way you used to, but it was hard for them to tell considering that they weren't even home for dinner half the time anyways.

•♡•

ace hadn't really noticed how bad it was until dadan had approached him one day before he, sabo, and luffy were going to their hideout, resting her hand on his shoulder, leaning down to softly whisper in his ear "can you ask your sister if she wants to join you guys? i'm a bit worried about her.. she hasn't come out of her room for a couple of days... she could use some sunlight.."

the freckled boy turned to dadan with his typical wide smile "yeah! i'll go ask her!"

•♡•

the voices were getting bad again. they were so loud, constantly taunting and jeering, laughing at your existence, reminding you of all you failures, faults, ugly personality traits, everything you hate about your body. it was suffocating. tears began to well up in your eyes. your skin started to itch for pain.

then a quite knock sounds against your door, then you hear ace's voice, warm and gently asking "we're going to head to our hideout, wanna going us angel?"

you muster all your strength to reply above a whisper "maybe another day, ace. i'm pretty tired."

and with that, you can barely hear the sound of his footsteps retreating before the voices are back, stronger than before.

•♡•

you had no idea how long you had been crying now. your eyes were swollen and sore from all your tears, fingernails bloody from constantly digging and itching at your skin, scratching it raw in various spots on your arms.

the voices in your head felt as if they were never-ending. the brief flashes of pain eased them... for minutes maybe, but they would still come back. they always came back.

•♡•

ace had just walked into the front door to dadan's eyes on him. "where is she?"

it took him a minute to realize that dadan was asking about you, "oh, she said she was tired and she didn't want to go today." and as he watched dadan's face sink, instantly filled with dread and worry, he knew he had to do something to ease her worries. "did she come out for dinner yet?" dadan lowered her head, softly shaking it side to side. "i'll go eat dinner with her in her room, okay?"

dadan could only muster a soft sigh before slowly nodding. ace had a way of making everything better somehow, she just had to trust that he would know what to do.

•♡•

you couldn't stop the tears from flowing in the same way that you couldn't stop the voices you heard. and the utter frustration at your own helplessness just made you even more upset, driving you to sob even more. breathing was now a struggle, as the tears also took all the air from your lungs with them. your hands were buried into your hair, gripping it tightly, as if ripping it out would give you some sort of silence.

you didn't hear ace's knock this time. didn't hear his soft voice call your nickname "angel? can i come in?". didn't hear his footsteps as he crossed the space of your room at record speed. you didn't even notice his presence until his arms were wrapped tightly around your body. dinner plates for the two of you, forgotten on the floor in front of your opened door. you didn't even hear them shatter.

even with his strong warm arms around your body, you couldn't will yourself to stop crying. in fact, it almost made the sobs worse. your face was sticky with sweat, snot, and tears. hair sticking to your face. ace didn't seem to mind though. he pulled your face close into his bare chest, it is only then that you hear his voice whispering in your ear "i'm so sorry. i'm sorry i didn't notice. i'm sorry i haven't been home. i'm here now, angel. i'm not going anywhere without you. we need you here, angel."

the desperation in his voice finally allowed you to move your body, wrapping your arms tightly around his waist. the tears still flowed, but they had slowed just a little, enough for you to choke out "ace.. i don't... i don't know what's wrong with me.. i don't want to be like this.. i hate this.."

his soft voice and the sound of his heartbeat filled your ears "i'm here for you, always. i'm not going anywhere. i love you no matter what, and we'll get through this together. i love you so much."

your eyes were heavy now that the crying had finally stopped, and you no longer had the energy to keep them open. the only thing you could hear as the sleep finally came to claim you was ace's voice in your ear, a constant stream of whispers of "i love you, i love you, i love you so much." on repeat.

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tags ♡: @3v37773 @irethepotato @dreamcastgirl99; want to join the taglist? click here!!

a/n: i lowkey had to hold back some tears writing this one 😭😭😭

a/n: enjoyed this fic? here's my masterlist!!

[unclassifiedaddict]

·`—THEY WERE STARS! I SAW THEM WITH MY OWN EYES

;; DAZAI x reader Headcanons & Imagines!

—today's premise; in which, you—an expert yet daydreaming astronomer, spends the time together with a professional but lovely violinist wc; aprox. 400+ —heavy inspo from @ noristrun on insta! ⊹ˊˎ- STILL HERE? consider helping palestine! [ ★ ] [ ★ ]

A/N: I would like to state that I am not an astronomy student; nor am I violin player (anymore). But I've done some basic research on astronomy and also listened to samples to have a vague image of what I'm trying to portray here.ofc, it might as well be considered unrealistic but I've tried my best anyway </3 I've written this imagining a male reader but it can be fem if you want. this can also be taken as platonic/romantic BUT I've mainly written this for moreover platonic pairing.

not sure if I like this writing style but wanted to try!

‡`;· — DAZAI would play a darling song of classic whenever you and him shared a night of simple stargazing.

‡`;· — Though preferably a song with a hinge of jazz opera. A silk wave of sensational, smooth drama—The mixing between majors and minor notes played absolutely takes you aback from the sound. Just the complete way to put your thoughts at hand. Both soothing and controlled.

‡`;· — Its rhythm caught your interest in a mere instant. DAZAI softly smirking to himself once admiring that awestruck expression beginning to draw on your face; in which mesmerized from the sounds... A sense of pride within his veins.

‡`;· — Oh, and whenever you do indeed spend the night as such, sometimes you would go out of your way (and not notice) having rambles escape your lips in a hyper fury; recognizing some constellations and shortly explaining them to DAZAI. The tunes of his song slowly yet ever so expertly at once change to a much richer note with the intent to listen in your voice best.

‡`;· — SPEAKING OF WHICH! DAZAI would curiously ask you the best story behind each star you yapped talked about. None at all? That's totally fine. Perhaps that was only some opportunity of his to hear your vocals more.

‡`;· — At this point, if you payed enough attention to your pacing, he'd confused the lines of words as singing. Obviously, however, you were definitely off tempo from the instrument.

‡`;· — As if that would bother him—of course not. He wasn't sure if you can sing. But if you did, how delighted DAZAI would be! Oh, singing a song in harmony like the stars streaking across the big blank ink that is void. An elegant canvas in its alone.

‡`;· — While you really can't work on your studies like this, sometimes you'd prefer having to do much smaller things in related of said topic. All of your productivity is undeniably exhausting! Compared that to the outburst of stars consuming a dying planet.

‡`;· — Yet the sparks of bliss emitting from the tune of DAZAI's violin snaps you out of that trance. Now placing you back into the embrace of world's pleasures, changed by his tranquil melody.

‡`;· — Sometimes, if he ever does feel like it, DAZAI would attempt a cover of whatever instrumental you'd suggest. If possible, yes.

‡`;· — It's safe to say that DAZAI has you in a chokehold at this point. Well, his performance was simply splendid and rich with complete skill and talent. Matching the total mood of vibrant mystery behind stars, celestial bodies, the universe...

‡`;· — ...You couldn't help but wonder when would DAZAI's next concert performance be, all of the sudden. That is, if you even have the time to attend said event. Yet it's never wrong to imagine experiencing that feeling once more, no?

[girl-named-matty]

Little morning - Life after Hogwarts

synopsis ✧ Being a parent wasn't exactly easy and Sebastian found that out the hard way after the birth of his first son--who was now two-years-old and they were also expecting another. But regardless, he loved being a father. But the biggest problem with having a pregnant wife? A little toddler who just so happens to be a big mummy's boy that tries to wake her up at any chance he gets.

tags ✧ Fluff, tooth-rotting fluff, like so much fluff you guys. Talks of pregnancy and babies (ofc), toddlers (thats a warning in itself haha), marriage, just all the domestic cutesy stuff we all love. .

word count ✧ 1.6k

a/n ✧ Just some random cute idea I got and I have been ITCHING to write Seb and Matty as parents. You've probably seen my other posts about their kids when they are older but I really wanted to do some of the younger stuff as well because the baby fever is strong rn and I need a outlet LOL.🥺 Hope you enjoy! xoxo

Sebastian Sallow severely underestimated how difficult being a parent would be and just how much sleep he would lose by being one as well. Sure, he knew kids were difficult, and his wife had told him countless stories of the kids she had nannied or worked with who were difficult, but nothing could’ve prepared him for the real deal.

Little Eleazar was just past two years old by now, and yes, he was an abnormally well-behaved child; he still was a toddler, and well—toddlers did toddler things.

But despite the lack of sleep, the rough days, and the struggle of learning how to be a first-time parent, it was all worth it. They loved their little boy, and they loved him just the way he was.

And apparently it was “so worth” it enough that Matty was now pregnant with their second child. Or at least in Sebastian’s words, it was “so worth” having another. Matty had always wanted a couple of children, so she was up for having a second, but Sebastian was definitely the one who pushed the idea to have another.

Hence why she was now seven months pregnant and dealing with a toddler. But thankfully, Sebastian was a very hands-on and involved dad, and it made it all so much easier. He was an amazing husband and father. (She couldn’t lie and say that wasn’t the reason why she considered a second.)

It was nearing seven am when Sebastian, who was half asleep, heard the little pitter-patter of footsteps nearing the bedroom door. They had moved Ele into a different room a couple of months ago so he could get used to sleeping without Mum and Dad, especially once the new baby was around. But almost every morning, like clockwork, he managed to climb out of his crib and sneak off to Mum and Dad's room.

Sebastian, immediately knowing who it was, sat up and rubbed his eyes. The little footsteps stopped right at the door, which meant the door needed to be opened. Eleazar wasn’t quite tall enough to reach the door handle and turn it, so usually Sebastian would have to do it himself since he was the first one up.

He could practically hear his son pouting on the other side of the door, so he swung his legs over the side of the bed and stood up, trying to be as quiet as possible so as not to wake up Matty, who was still peacefully sleeping.

He walked over to the door before opening it, looking down at his son. “Well, good morning,” he said, his voice still gravelly.

Eleazar quickly put his hands up, babbling a little to let his dad know that he wanted to be picked up. Sebastian leaned down and grabbed the little boy up in his arms. “You’re two years old; you gotta start using your words, buddy.” He softly encouraged. But it seemed like Ele was too tired to speak anyway since he was rubbing his eyes the moment he was up in his father's arms.

Sebastian sat back down in bed, Eleazar placed in between him and Matty. “If you’re going to be here, you gotta go back to sleep.” He said, trailing his knuckle against his son's chubby cheeks. Of course, he was only saying this to try and get more sleep himself, but when did toddlers ever listen to anybody?

Instead, Eleazar turned around, seeing that his mother was in bed. “Mummy,” he babbled with a big smile, crawling over to where she was sleeping.

Sebastian’s heart almost jumped out of his chest as he had to quickly grab his son and pull him away from his mother in order for him not to wake her up. She definitely needed more sleep. “Wait, wait, no, we can’t go to Mummy right now, okay? Mummy is sleeping.” Sebastian tried to explain.

However, Eleazar did not like being told no. Especially when it came to his mummy. The corner of his lips curled down, forming a little frown, and by the way his little bottom lip quivered, Sebastian could quickly tell that he was going to start crying.

Panicking a little more, Sebastian quickly grabbed the little boy up in his arms. “Hey, hey, it's okay.” He soothed. “We just can’t wake up Mummy right now; she’s resting.”

He knew Eleazar couldn’t understand a lick of what he was saying, but he hoped the tone of his voice would help calm him down. “Mummy is very tired, and she has little brother or sister to deal with too, okay?” He continued. “I can assure you that definitely isn’t easy.” He half mumbled under his breath with a chuckle. But that was more for his own amusement than an explanation.

Ele didn’t cry, but he looked up at his father with his big blue eyes that he had inherited from his mother, a pout still on his face. “Mummy.” He repeated, this time more determined.

Sebastian sighed, shifting to where he was now lying down with the child in his arms. “Mummy is asleep. Which is what you should be doing right now too. You’re still so young to be waking up this early.”

“No.”

Sebastian sighed again. He hated the fact that usually one of the first five words for children was usually no. It was helpful when they could communicate what they wanted, but it also happened to become their favorite word very quickly. Saying no to everything mummy or daddy needed them to do.

“Yes.”

“Mm-hm.” Eleazar shook his head, clearly conveying that he was saying no.

“What am I going to do with you?” He chuckled, pinching his son's cheeks.

But luckily for the both of them, Matty shifted a little, signaling that she was indeed finally awake. Ele quickly looked behind him, seeing his mother begin to wake up. A big smile instantly appeared on his face, and he slipped out of his dad's arms and immediately crawled over to his mother. He was a big mummy’s boy and always wanted to be with her.

When Matty felt two little hands on her arms, she chuckled, opening her eyes. “Good morning, sweetheart,” she said sweetly, the sleep still obvious in her voice.

Eleazar immediately plopped his full body weight onto his mother, giving her a big hug. She laughed, giving him a hug back before sitting up. She looked over at Sebastian and then back down to her son. “Something tells me you’ve been giving your father a little bit of a hard time.” She said, poking her son's little tummy.

“I’ll say,” Sebastian muttered. “Little bugger tried to wake you up the moment he got into bed.”

Matty smiled. “He just loves his mummy,” she cooed, shifting little Ele so she could have him comfortably against her.

Raising a toddler and being pregnant definitely wasn’t easy, but to Matty, it was worth it in the long run. Not all mornings did she wake up as nicely as she did now, but these mornings definitely helped and made up for the bad days.

“Well, thank you for letting me sleep in a little longer.” She said to Sebastian before leaning in for a quick good morning kiss from him. Sebastian smiled into the kiss, enjoying the attention from his wife. Sometimes that was scarce between work and raising a baby, so he was always loving any attention he got from her.

Meanwhile, little Ele was looking at his mother's belly, still wondering what on earth was going on there. It started to frustrate him that he could no longer sit on his mummy’s lap, but he slightly understood the concept of having another new little sibling that was seemingly “in mummy’s tummy” and that it was a baby.

Matty looked down and chuckled. “Say hi to the baby, Ele.” She urged.

Eleazar didn’t say anything, but he did wave, thinking that his little brother or sister could see him do so. Matty giggled a little bit at her son's expression, and she leaned down to kiss him on the forehead. “In just a little bit you’ll have a new brother or sister, and it’s gonna be sooo fun,” she said.

“Sleepless nights and screaming babies are an interesting thing to consider fun.” Sebastian joked sarcastically.

“Remind me whose idea it was to have a second?” Matty said, raising her brow at her husband. She knew he was just joking, but she did like to poke fun at him because, after all, it was his idea to have another baby once Eleazar was a little older.

“It was mine, and I’ll totally own up to that.” He chuckled, pulling his wife close to him. “And I can’t wait to have another. Anything from you is a complete blessing, and I’m lucky to have you and our children.”

Matty smiled and leaned her head against his chest. She had married the right man, that’s for sure. And boy did she love him.

“I hope it’s a girl,” Sebastian mumbled into her neck.

“Don’t want another little boy?” She chuckled, looking at him with a raised brow.

Sebastian shrugged. “I’ll be happy either way. I just want a healthy baby. But since we have a boy already, I think it’d be nice to have a sweet little girl. Beautiful and intelligent, just like her mother.” He said, giving Matty a little squeeze.

“And here I thought you wanted a little mini-you.” Matty said.

“Oh trust me, I do.” Sebastian replied. “But who's to say that a little girl can’t be my mini-me? We can get into all sorts of trouble together.”

“Mhm, right. Not on my watch.” Matty joked with a laugh.

“Worth a shot.” Sebastian grinned.

I hope you all enjoyed this as much as I enjoyed writing it! Thank you so much for reading! 🥺❤️

[20001541]

Can't stop thinking about this from chapter 59. We see this panel when Toshi is telling Izuku all about the OFA vs AFO conflict.

What catches my attention is that last part: "we still don't know whether that was out of kindness or if it was to force his brother to submit." Because the tale of AFO giving his brother a quirk was passed down from previous OFA holders and the only reason why they know that is because of Yoichi assumingly who told Kudou and Bruce. So that means that this question that Toshi raises here, if it was out of kindness or a way to force submission, might've been first raised by Yoichi. Who until he died wasn't sure about his own brothers intentions when forcing a quirk upon him.

The kindness possibly being Yoichi thinking AFO just wants to help make him a little stronger when he's so weak physically and the submission is him just trying to force Yoichi to join his cause. We never get a true answer to this question, but I feel like you can come to your own conclusion through the content we're provided with. But ahhh the fact that Yoichi might've even raise this question says so much about how he views his own brother.

Truthfully, I think it's a bit of both based off of AFO's own dialogue from 193. He saw it as doing something good for his weak brother and it's a great gesture of benevolence in his eyes. As usually he doesn't give out quirks without a price and the only thing he's asking for here is brother to join him. Which is more than what he offers anyone else. He probably thinks Yoichi benefits more from this exchange than him as he's giving him a chance to be more than what he is currently.

But also it's a way to force him to submit as it's done in a "you have no choice but to give in and join me manner." He doesn't care how much Yoichi fights him he's operating under the assumption that Yoichi will eventually give into him. The forcing of the quirk on him is to show it doesn't matter what Yoichi says or does, he's going to get what he wants in the end and there's nothing Yoichi can do about it.

That's what I think at least anyways. Could write more but I'll stop here for now. This whole post is going off the assumption that Yoichi did raise that question first of kindness or submission and I could be wrong in assuming that, but it makes things far more interesting if you think about it from that angle. As I doubt Kudou and Bruce would consider any type of kindness from AFO.

[in1-nutshell]

Hi, it's me again, could you write another story about Buddy Wonder Woman's daughter, about her friendship with John and Dhmian, about her misadventures and about her adaptation to the new modern world

Here are some shenanigans the trio have gotten themselves into!

Hope you enjoy!

Wonder Buddy and the Super Sons shenanigans

SFW, Platonic, Slight Familial, Amazonian reader

WONDER FAMILY

Damian, Jon, and Wonder Buddy were often referred to as the New Trinity by the older Leaguers.

Almost spitting images of their parents in looks and personality.

But they had a different bond than their parents had with each other.

They had a deep-rooted friendship that none of their parents would ever have with each other.

It showed in some of their child like shenanigans.

Exhibit A. The Roomba Incident.

Buddy was very cautious of all the new technology around her, having never seen anything like it on the island.

She had a particular grudge against Roombas after one went rouge (Luthor tech) in the Kent household and she had to fight it.

Lois came back home to a very clean home, a dirty Jon, a new Wayne tech Roomba, and Buddy making apology deserts.

It took forever to get Buddy to stop raising her sword at another Roomba’s.

Damian: “For the last time Buddy this is not going to kill you!” Buddy: “You said that last time and look what happened!” Jon: “Wait!” He flies to the fridge and pulls out a popsicle. Buddy looks at it curiously. Jon: “I’ll give you the popsicle if you put the sword down.” Buddy looks hesitantly before sheathing the sword. Jon chuckles as Buddy has a big smile on her face while eating it. Meanwhile in the Watchtower… Diana: “…Something just happened…” Bruce: “What?” Clark: “Diana?” Diana: “I do not know yet… but something is waiting for me on Earth.”

Which leads to Exhibit B: Sweets.

It surprised both boys how much of a sweet tooth Buddy had.

It was also one of the easiest ways to sway her to their side of an argument.

While she was fair mediator, giving her some of her sweets, she might rethink her previous thoughts.

But they use this power sparingly.

After the Christmas Light Incident, they know better than to let Buddy have too much sugar.

Her inner Amazonian takes the wheel and has enough energy to fight a speedster.

At the Wayne Manor. Daiman: “I told you to watch her! You know she’s still new and gets lost!” Jon: “In my defense, she was right behind me when I last saw her. She couldn’t have gone that far anyways.” A few minutes later… Buddy after 3 plates of cookies and 5 bottles of soda, has her sword out and is swinging maniacally at the test dummies. Buddy: “DEATH BEFORE DISHONOR!” Jon, Damian, Jason, Time, and Steph are behind a table acting as a barrack. Damian: “Which one of you imbeciles thought it was a good idea to give her sugar!” Steph: “To be fair, I’ve always wanted to see what a sugar high Amazon looked like.” Jon peaks over the table. Jon: “She’s still going strong. Dummy number 98 is gone.”

It took a couple hours for her sugar crash to start happening.

All high sugar items in the manor are now heavily guarded.

Even with Buddy’s little hiccups, she is still an extremely loyal friend.

She has gone out of her way to make sure her friends are safe and happy.

Whether it be during missions or as civilians.

The boys wouldn’t give anything up for their friend.

They would stand by her side without hesitation.

Because they knew she would do the same for them.

Jon is trying to talk a bully down. The bully snickers and goes to punch Jon before he notices a girl and boy behind the Kent. Both are glaring at him. If looks could kill, he’d be at the center of the earth by now. The bully leaves. Jon smiles: “I did it guys!” Damian: “Of course.” Buddy: “Didn’t have a single doubt!” Later on patrol… Buddy is carrying Damian in the air. Damian: “I had it handled!” Buddy rolls her eyes. Buddy: “Yes, because nothing says I have it handled than hanging by one’s fingertips with a broken leg.” Damian: “My leg is not broken.” Buddy raises an eyebrow. Buddy: “You want to test that theory?” Damian grumbles in response. Another while later… Some random guy is trying to hit on Buddy at school. Random guy: “How about I show you a good time?” Wonder, oblivious, Buddy: “Oh? What are you planning?” The guy gets closer and slides his arm around her shoulders. Buddy starts to glare at him. His face starts getting closer. THWACK! The guy is now unconscious on the ground. Buddy blinks at the sudden drop. Damian: “Tt.” Jon grabs her hand gently. Jon: “You okay?” Buddy: “I’m fine.” Damian: “How could you let him get so close?” You can easily flick him across the street.” Buddy: “I thought he wanted to be friends.” Damian just groans before grabbing her other hand and starts walking. Damian: “I hate both of you.” Buddy and Jon just laugh as they let their human friend drag them back to the Wayne manor.

[illbegottenfaith]

handwritten - theo nott x reader

yours and theo’s story as told through notes passed in class

a/n - came up with this quick idea to release some pent up creative energy while mulling over lucky pt 3. will prob make this an ongoing series for small ideas I can’t get fully fledged fics out of. easy to write, easy to read, enjoy!

tropes/warnings - fluff, a minor hinting at angst, newstudent!theo, estranged friends to lovers

word count - 1.5k

Monday, 10.07 am, Charms

Hey. You might want to pull your nose out of that disgusting textbook for once.

We’ve been over this. Just because you don’t understand something it doesn’t mean it’s disgusting. It’s very disrespectful.

What is disrespectful is you not paying attention to our year’s hottest new commodity - emphasis on the hot. I must say, he fills out that uniform quite nicely.

I’m sure he does.

C’mon, you’re not even a little bit curious? Just a peek?

Y/N? Hellooooooo? 

Oh my god. I know the guy.

???

What is he doing here? Last I heard he was being homeschooled.

Know him how??

We went to the same primary school. We were…friends.

Riiiight.

Don’t get any ideas. I haven’t seen him since I was ten. And he looked very, very different back then. Had a ratty sort of face. I can still kind of see it, actually.

Oh, Y/N, how could you say such awful things about his beautiful face! Oh dear, that bone structure…

Quiet, you. He’s really…grown. He’s so much taller now.

You know what you should do? You should offer to help him catch up.

On five years of school?

Oh, please, he was homeschooled. He had to have learnt some things. Who is he, anyway?

Theodore Nott.

Now that’s an Old Money name if I ever heard one.

Ivy. Be nice.

So? Is he? Old money, that is.

I…suppose so.

Are you sure you two were friends?

Yes. It’s been a while, that’s all. I just…wow. I can’t believe he’s here. Like, right there. I didn’t know if I’d ever see him again.

What happened?

He moved. I was starting at Hogwarts. We lost touch, it happens.

But now he’s back! Yay! Did you see those sinfully blue eyes of his?

Ivy, you have a boyfriend.

I know. Ivan agrees, by the way.

That he’s hot?

Yes.

He’s sitting on the other side of the room. When did you have time to discuss this??

Just now. Right in front of you. What did you think all that eyebrow-waggling was about?

I thought you were having a stroke. Merlin, the two of you are perfect for each other.

Don’t change the subject. He’s not gay, is he? Your friend? All the hot ones usually are.

I wouldn’t know, now, would I? I haven’t heard anything about him in years. Ivy, leave him alone. Please don’t harass the poor guy, sexually or otherwise. And quit it with the notes. He’ll notice.

How??? Has he got eyes on the back of his very nicely shaped head? He’s busy with Flitwick anyway.

Trust me, he’ll see. Nothing gets past Theodore Nott.

Monday, 2.15 pm, Potions

Well?????

Well, what?

The chat!!! Your chat!!!!!! With Mr. Theodore Nott!!!!!!!!

You have to quit it with the caffeine. You’re far too excitable after lunch.

The chat!!!!!!!!!!!!!!!!

It was fine. It was…nice.

Uh-huh.

He goes by Theo now.

Okay. I’ll pretend I care about that.

It was all very casual, very superficial. It was really just us exchanging pleasantries. Oh, right. He asked me to accompany him to Quidditch tryouts.

You??? But you hate Quidditch.

I know.

Please tell me you didn’t say that.

I didn't. I just said I didn’t know much about it.

And?

He said that didn’t matter. He just wanted me there for moral support.

Then what was with all the turning red halfway through? You looked like you were going to combust.

Was it that obvious?

Ivan had some pumpkin juice ready, just in case.

It was nothing. I just wasn’t expecting it, that’s all. He called me his good luck charm.

!!!!!!!!!!!!!!!!!!!

You’re going to rip a hole through the parchment.

AWWWWW

So?? Did you say yes??

I said I’d think about it.

BOOOOOOOO

Come on, Vee. He’s been flying since before he could walk. He always talked about joining the big leagues, you know. He knows everything there is to know about Quidditch, so of course he’ll make the team. And it’ll have nothing to do with me.

But he doesn’t even have any friends yet :(

That’s because he hasn’t talked to anyone yet.

Y’know, Romilda Vane wanted to know why he was talking to you of all people.

What’s that supposed to mean??

Eh, you know. You can be a little…snippy.

I am NOT snippy.

There it is. The snippiness.

Whatever. It’s all so pointless. Come Thursday evening, he’ll have joined the Quidditch team and he’ll be hanging out with, y’know, those people, and we’ll be ancient history. He’ll make plenty of friends. He just doesn’t know it yet.

Okay. If you say so. Also, at lunch, I finally tried that thing you’re always talking about, “applying myself,” and I found this article on his dad in the library. From 6 years ago.

Don’t you want to know what the article said?

You could have mentioned he was a death eater, you know.

I don’t care about that, by the way. You used to be friends and that’s good enough for me. But, Y/N, he was arrested six years ago. And you haven’t talked to Theo in six years. But there isn’t any kind of connection between those, is there?

Y/N?

Do not make me throw this at you. I know how you feel about paper cuts.

Tuesday, 3.03 pm, Defence Against the Dark Arts

Where’s your friend?

?

You know. Who you’re always passing notes with in class?

You noticed?

Hard not to. It makes you all fidgety and annoyed.

Yeah, well, Ivy’s an annoying person.

I’ll take your word for it. What do you have after this?

Transfiguration.

Wow. That’s one of the harder ones, isn’t it?

Er, depends on who you ask, I think.

Still brilliant as ever, then.

Shut up. I’m not half the swot I was in primary school. 

I never thought you were a swot. You were just…enthusiastic.

That’s sweet of you to say, Theo.

Huh. I thought I’d always be Teddy to you.

We’re not ten anymore, Theo. I can say your name perfectly now.

That’s good. So, have you thought about it?

Thought about what?

The Quidditch tryouts. You’re the only person I know here so you have to say yes.

I don’t know. Some of the girls look pretty interested in getting to know you.

What?

Nothing. I guess I could swing by for a short while.

That’s my girl.

Thursday, 8.37 pm, Common Room

SO?????

He got in. Obviously. Was there ever any doubt?

Did he run up to you? Did he hug you? Did he pick you up and spin you around???

Witch Weekly is a bad influence on you.

Details, please.

He hugged me. Kind of. Nearly tackled me, he was so excited.

you are SO his good luck charm!!!!!!

Friday, 11.17 am, Defence Against the Dark Arts

Witch Weekly?

It’s not mine. I’m holding it for a friend.

Right.

Really, I am. Ivy’s a fiend for these but she has this Charms test coming up that she absolutely cannot fail.

I believe you. ‘Top 6 Magical Contraceptives for the Modern Witch’ doesn’t sound like your kind of reading material.

I’m sorry, I didn’t mean to embarrass you. I was only having a little fun.

I’m not embarrassed. Are you embarrassed?

Erm, no, but you’re very red. Do you need to see the Healer?

I’m fine. It’s just hot. And no one calls Madam Pomfrey ‘the Healer,’ by the way.

Ah. I see.

Is there a point to all this? Did you need to ask something?

Oh, right. What are you up to on Saturday night?

Saturday? Dunno…wanted to take a crack at that Transfiguration essay.

Excellent. I’ll pick you up at 8.

Oh?

It’s nothing. A couple of the guys on the team wanted to celebrate with drinks at Hogsmeade. Everyone’s bringing someone, and I thought it would be nice if you came. Being my good luck charm, and all.

Oh, Theo, you probably don’t know this since you’re new and all, but going down to Hogsmeade is only permissible on certain weekends. And only start a couple of weeks into the term, so not yet.

Did you just -? Oh my god, you did. You laughed at me. You laughed at my note. Out loud. You’re lucky you’re in Slytherin, you know. Snape usually goes absolutely ballistic if anyone interrupts his lesson.

I’m sorry, I forgot what a stickler you were. I just - I didn’t think I’d miss it.

Please, Theo, forget the drinks. I cannot in good conscience stand by and let you break so many rules. You’ve been here less than a week!

Guess you’ll have to keep an eye on me. Make sure I stay out of trouble.

Exactly.

Great. See you Saturday at 8.

[calypsocolada]

THE MEAN ONE | i. yoichi

synopsis: you're against love, deemed the mean one of the school but someone seems to think differently... authors note: this was such a blast to write. getting the creative juices flowing. I'll attribute that to imogen heap and the fact i listened to the walk by imogen probably fifty times while writing this. anyways this is the final part in my little soccer trio series. i hope you all enjoy! wc: 5.2k cw: angst, fem reader, not proofread click here for my masterlist!

-----------------------------------------

You had a nickname in school. You’d heard it a few times from your friend's boyfriend, a few times in passing, maybe once or twice at a soccer game. The mean one. The mean friend. The mean girl. Mean. Sure… most people might’ve thought an assertive woman was a mean woman. But… to be honest… You were a bit mean. You had to be. For the longest time you’d been ignored. Your parents in and out of the house on work trips. They were busy people. Too busy for their mean little daughter. Not that they caused it or anything by practically treating you like a specter. You never wanted things to be like that at school. You never wanted to be walked all over and ignored. You were tired of feeling like a ghost. So when something was wrong, or your feelings were hurt you didn’t bottle them up like you did back at home. So sure… maybe your words came out a bit sharper than anticipated. Coupled with the fact that a scowl fits better on your face than a smile. 

To be honest it didn’t really bother you much. The people closest to you knew your heart.

What did bother you was a loud mouthed know-it-all ball kicker named Isagi Yoichi that would not or simply could not leave you alone. It was like he was addicted to raising your blood pressure. Addicted to hearing you huff and call him names. Genuinely you were starting to wonder if there was something really truly wrong with him. But also… you didn’t like to think about him too much so you chalked it up to him being an idiot with a death wish. 

“It’s just… you talk about him so passionately. One has to wonder.” Your friend cut in the middle of your Isagi rant. You stopped dead in your tracks, your friend bumping into you. You thought she was a safe person to talk to about him since all your other friends banned you from complaining about him. You turned, a possibly manic look in your eyes as your friend stepped back, amused fear on her face as she bumped into Nagi. He’d been walking silently behind your friend, blushing.They’d gotten together last week and had been inseparable since. To your dismay. You didn’t believe in love, let alone ever felt the feelings associated with crushing on someone. You weren’t sure you were even capable of that. So sure you and your pessimistic self probably weren't the best to be around right now for your friend who was practically glowing. 

“It’s true, Y/n.” Nagi yawned, throwing an arm around your friend. “One has to wonder.”

“Who the hell asked you, sloth?” You hissed, eyes sharp as Nagi pouted. Your friend gave you a look, ruffling Nagi’s hair. 

“Be nice. And if Isagi bugs you so much, stop talking to him.”

“He talks to me!” You threw your hands up dramatically. “He seeks me out!”

“He likes you.” Nagi adds as your eyes cut to his like daggers. He froze under your stare. “Or not?” He shrugged as you gathered yourself. 

“You’re no help.” You pointed at your friend as she blushed, giggling. 

“And you called me dramatic!” She called after you as you halfheartedly waved to her as you walked to your car. You spotted the devil himself pulling his soccer bag out of the back of his car. Your guys' assigned parking spots just happened to be directly next to each other so no matter what you had to see him at least twice a day. And then sometimes you had to go to his practices for student council purposes, to make sure the club was running smoothly and what not.

You fished your key’s from your bag as you approached your car, clicking the button to unlock your doors. Isagi straightened at the sound, glancing over his shoulder as his eyes landed on you. You paid him no mind as you neared your car. 

“Headed home?” He asked casually. You didn’t answer. Just pulled your trunk open and tossed your backpack inside. “Thought you were coming to practice?” He asked.

“I was there yesterday.” You argued then silently cursed yourself for answering.

“You were?” Isagi questioned, tilting his head to the side, black hair falling over his forehead.

“Yes.” You answered shortly, slamming your trunk shut. 

“Must’ve missed you.” He said, gently shutting his own trunk, his eyes glued to your every movement. You met his eyes and wrinkled your brows at him.

“What?” You huffed. A crooked smile fitted to his lips as he leisurely leaned against his trunk. 

“You come to the practices but never the actual games.”

“Why would I come to the games?” You ask as Isagi raises his brows.

“To see me in action.” He says as though it’s the most obvious thing in the world. You stared at him for a long moment. 

“Why the fuck would I wanna watch you in action?” You ask sharply as Isagi just laughs. There’s this thing about Isagi. No matter how annoyed or short you got with him it was like water off a duck's back. He never returned your anger, never bickered with you or huffed.

“Don’t you wanna see hard work pay off?”

“Your hardwork?” You ask as he nods his head and at that you shake your head. “Nope.”

“Come to a game.” Isagi asks as you shake your head. 

“No thanks.”

“Y/n… come on. Just one?”

“No.” You replied exasperatedly walking around towards the driver seat of your car as Isagi pushes off his car, following you.

“I’ll owe you.” He throws out as you pull your car door open.

“What?”

“I’ll owe you. Whatever you want in exchange for you coming to one of my games.” 

“Why the hell does it matter to you so much?” You hiss, turning around. Isagi looks at a loss for words for a moment.

“One game. That’s all I’m asking for.” He asks and there is this hopeful look in his eyes. You’d never been more confused in your life than this moment. Why did it matter to him if you came? 

“Did someone put you up to this?” You ask incredibly suspicious. Isagi shakes his head.

“No.”

“No?” You echo, your eyes insatiable as they dance across his face, trying and failing to read his expression. 

“No one put me up to anything.”

“Why ask me? We’re not friends. I don’t like you.”

“You don’t like me?” Isagi asks, a small knowing smirk on his lips.

“Isagi,” You cautioned as he scoffed out a laugh.

“It’s just one game. It won’t kill you. Plus I know your friend will be there, supporting Nagi.” Isagi points out as you scrunch up your face. 

“I don’t get you.”

“You don’t need to.” Isagi shrugs. “Just one game.” 

“Will you leave me alone for the rest of the school year if I go and watch you lose?” You ask sort of offhandedly with an exasperated sigh. You found yourself giving in. Isagi looks at you, there’s a strange expression on his face for a moment.

“You want that?” He asks and his voice is almost softlike, almost… hurt? But his expression changed in an instant and you wondered if you’d even heard him right in the first place. He laughed a breathy laugh, cocking his head to the side. “If that’s what you want then sure.” He sounded amused but he wasn’t meeting your eyes.

“Fine. One game.” You say cautiously, your face in a confused scowl.

“I’ll see you Friday night then.” He smirks, pushing off your car, tossing his soccer bag back over his shoulder. You watched him go, watching his wave down Nagi as they stalked off towards the field.

What the fuck just happened?

~

Friday came quickly. The week passed in a blur of cramming for tests and a whirlwind of student council projects. You barely had any time to think about your parking lot moment with Isagi. Him bargaining for you to come to one game. As your friend brushed and fixed her hair your mind wandered. It had tried to wander many times this week but you were able to block it out. Now that it was friday and barely half an hour before the game you couldn’t block it out anymore. You started thinking about Isagi. His motives. Did he want to embarrass you? 

Haha look who showed up to the game just cause I asked her!

Although you had a seemingly one sided dislike of the boy he was never outwardly cruel to you. In fact… you had always been the one starting things. You just… had a hard time believing someone would want to talk to you so goddamn much without a secret motive. As you pondered all this your friend pinched you. You yelped, rubbing your arm as she smirked at you.

“Why the sudden interest in coming to a game?” She asks as you shoot her a sharp look.

“There’s no interest, I’m just coming with you.” You shrugged. There was absolutely no way you were going to tell her about Isagi asking and you actually agreeing. 

“Right… So,” She turns you. “Did you hear about Rin and that new girl?” You couldn’t care less but you just shook your head as she rambled on about Rin Itoshi dating some girl who just moved to town a few months ago.

“Jealous?” You asked as your friend shook her head and smiled softly, a dreamy look in her eyes. She had Nagi, there was nothing for her to be jealous about. 

“Y/N?”

“Hm?” You hummed as you pulled your unruly hair back out of your face.

“Do you like anyone in school?” She asked, walking behind you and helping you braid your hair back out of your face. You scoffed a laugh and she tugged your hair slightly. “Don’t be like that. It’s not as embarrassing as you think it is.” She scolds you as you pout slightly. It was embarrassing. Saying you liked someone felt like a peak into your brain you just weren’t comfortable with letting happen. That and… you didn’t have a crush to mention anyways. 

“I don’t like anyone.” You say after a moment. “I’m the mean one remember.” You tease. Your friend must’ve heard something in your tone as she walks around to face you. 

“You aren’t mean. Did Nagi call you that recently? I told him to stop that shit.” She says protectively as you roll your eyes with a laugh.

“He hasn’t.” You amend. “But they all think so. And what do I care? That just means people will leave me be.”

“No one wants to be left alone all the time.” Your friend says, booping your nose, a small thing that has you cheering up a bit.

“I have friends. I have you. I’m good.” You wave her off, pushing to your feet. 

“That’s right, you have me.” She smirks. “Who cares about some ’know-it-all ball kicker’ you're obviously going to the game to watch.”

“You ruined a perfectly good moment.” You blush, pushing past her. “I’m not even dignifying that with a response.”

The game was just about starting by the time you and your friends arrived. You sat near the side of the field. You had watched plenty of practices. Watched drills and scrimmages and you never really considered yourself a sports person.

That’s because you’d never been to an actual live game.

“Come on! A fucking yellow flag!” You hissed, tossing your popcorn in anger. Your friend beside you looked at you with a mixture of horror and amusement. You ignored her. This other team was clearly getting special treatment from the referees. Every single thing the boys did seemed to earn them a flag. It was frustrating.

“They’re winning… by like a lot.” Your friend points out as you give her a sharp look.

“So what? Doesn’t change the fact that these refs are idiots!” You yell as a ref on the field turns, pouting. Your friend calls out sorry to him as you give him the death stare. 

“You’re way into this-”

“Hush,” You wave her off. Your eyes glued to Isagi as he sneaks up the side of the field, you watch him barely raise his head to Nagi who passes him the ball towards the left side of the goal. You grip your friend's arm hard as Isagi smashes the ball into the goal. You're on your feet in seconds as the crowd erupts in cheers, your poorly placed popcorn spilling onto the ground. You clap and cheer along with the crowd. They won 7-2. Your friend laughs hard at you, a knowing look in her eyes. 

Later you follow your friend as she pulls you through the crowd, the only time she lets go is when she spots Nagi. You watch as she takes off in a run, Nagi catching her midrun, spinning her around as she congratulates him. You watch them for a moment, a part of you feels strange. You watch your friend smile, you watch Nagi blush. Their secret moments on the crowded field. You swallowed something down, a sadness over something you didn’t understand. 

“I can’t believe it… you actually came.” A warm voice calls out to your right, you turn as Isagi pushes through the crowd over to you. His face is flushed from the game, hair pushed back off his forehead. He has this look on his face, a smile that makes your stomach twist. 

“I’m upholding my end of the deal.” You say back to him as he smiles, a soft laugh escaping him. You cross your hands defensively as something bubbles within you. “That was… a good game.”

“Just good? You seemed pretty passionate in those stands.” He smirks. You blush suddenly. Ah, he heard that. 

“Well… those refs were idiots. I stand by that.” You double down as he laughs again, fuller this time. He… had a nice laugh. A warm laugh that heated your insides. “And that final goal was… impressive. I guess.” You shrug, trying for nonchalant. 

“You guess?” Isagi echos, a beaming smile on his lips, it almost makes you smile. Almost. 

“Hey, Y/n!” Your friend calls out to you, you turn as she slams into you with a hug. “Nagi and I are gonna go get dinner. You can give her a ride home right, Isagi?” Your friend asks as you turn to her, brows furrowed, half formed curses on your lips.

“Yeah, that’s fine.” Isagi agrees easily. 

“Hey! What-”

“Great!” Your friend interrupts. “Thanks Isagi. We’ll talk later, Y/n.” Your friend beams, running towards Nagi.

“What the hell! Hey!” You call after her but she’s in Nagi’s embrace as they walk off towards the parking lot. “Bitch!” Isagi scoffs a laugh at that as you turn to him. 

“I don’t mind.” He says, his eyes easy on yours. What the hell! Your friend knew everything, knew you disliked this boy… most of the time. And she left you with him. Left you as his problem to deal with. What a traitor. 

“Forget it. I don’t live too far. I can walk.” You wave off. You weren’t anyone’s problem. You’d gone to Isagi’s house before, for student council purposes, and taking you home would be out of his way.

“No.” Isagi shakes his head as he grabs his bag, tossing it over his shoulder. “It’s night time, Y/n, you can’t walk.”

“It’s out of your way though.” You point out and he gives you a look with a raised brow.

“So what?” He appealed.

“So… it’s a waste of gas.” You try to reason and he just laughs, shaking his head but when he goes to respond he’s interrupted. A girl from your class calls out to him. He turns as she beams up at him. You feel a twist in your gut at the interaction. She congratulates him on the win and blushes when he thanks her, a winning smile on his lips. The girl glances your direction, she blinks. 

“Y/n? I didn’t know you’d be here.” She greets as you shrug.

“Me neither.” You say as she looks between you and Isagi before looking you up and down. She pouts at something when she looks back at Isagi and when you turn to look at him he’s looking at you, a strange almost… soft expression on his face. You look away instantly.   

“Well… that last goal was something.” The girl directs the attention back to her as she reaches out, barely touching Isagi’s arm. “You’re really good at soccer, Isagi… you must practice a whole lot.” She bats her eyes and you're suddenly very aware that you don’t want to be a part of this conversation anymore. When she starts talking again you slowly slink away, weaving through the crowd back towards the parking lot, your knee jerk reaction winning. 

You couldn’t stand there another moment. For some reason that girl infuriated you. For some reason you felt warm and red and annoyed. These were feelings you didn’t understand and that freaked you out. When it came to fight or flight this time you chose flight. 

You passed the gate of the field and wrapped your arms closer to your body, shivering from the cold. You did not live close by whatsoever, it’d easily take you an hour to walk home. You supposed you could try and jog the whole way but who were you kidding, you read more than you moved. You pulled out your phone, looking through your contacts. Both your parents were out for the rest of the week. You couldn’t call your traitorous friend who caused all this in the first place and your other two friends you didn’t want to bother. You heaved a sigh. Walking it was…

“Y/n!” Isagi called, you heard his cleats slamming against the pavement as he searched for you. Embarrassment flooded your system and you were half tempted to duck and hide. But instead you stopped as he finally caught sight of you. A relieved sigh escaped his lips as he made his way to you, bobbing and weaving through the cars.

“You were seriously going to leave and walk home without saying anything?” He asked as you shrugged.

“You were… flirting so I thought i’d just-”

“Flirting?” Isagi echoes, shaking his head in a resolute way. “Not with her, no.” He leaves no room for discussion, no room for doubt in his steady tone.

“Oh I thought…” You trail off, clearing your throat, shivering from the cold. Isagi notices in an instant, pulling off his own jacket. He steps in your space, he’s taller than you, just barely. He throws the jacket over your shoulders, his hands still on the jacket as it’s on you. You two are close and when you tilt your head up your eyes meet his. There’s a spark of tension, it starts when he chances a touch. His hands just barely glide over your upper forearms, rubbing up and down to warm you. It ignites through you like a lit match, lighting you up from the point of contact all throughout your body. It makes you lightheaded and speechless, something you never were. You always had a quip, something to say, something to hide behind. But that spark, that fire had dismantled any coherent thought. It dulled your sharp tongue. 

“Come on, it’s cold out.” Isagi persuades softly and only when he pulls away do you find your wits. You blink a few times. How the hell does a short lingering touch have you in such a way? You blamed it on your lack of romance, you reasoned in a short amount of time that lack of attention clearly had you starving for any bone thrown your way.

Yeah.

Yeah. That’s it. You reasoned.

You followed Isagi, paused as he tossed his bag in the trunk and blushed when he opened the passenger door for you.

“I can open my own door.” You said but your words lacked their usual bite. 

“I know you can.” Isagi says. You slid inside and cringed at yourself. You wanted to smack yourself as your heart sped in your chest. You argue with this boy day after day but he gives you his jacket and suddenly you blush like a schoolgirl? You needed to get home quickly and also never speak to your friend ever again. Isagi jumps into the driver's seat, turning over his car as he fiddles with the heat. “Better?” He asks as you look at him sharply.

“It’s fine.” You answer curtly but if you sound annoyed he doesn’t pretend to notice. He smiles, putting the car in reverse as he backs out of the spot, one handed. You watch him and hate the fact that your eyes linger on his hands on the wheel. You tear your eyes away. What got you in this seat? Your friend left you… probably purposefully. You went to the game because Isagi asked? No, he made a deal… “I showed up to your game. Are you gonna hold up your side of the deal?” You asked. He promised not to talk to you the rest of the year and to be honest… you hoped he would because you felt something shift tonight. That strong feeling you claimed to feel for him for so long didn’t seem to fit anymore. That strong dislike was melting and the defensive measures built within you were reaching out pushing that wall back up with all its might. You couldn’t let him in. Your parents hated each other, they claimed it to be love. You had made a choice long ago that if that’s what love was then that’s not something you ever wanted to feel. Love was a sickness. You were lonely. It wasn’t going to be your cure. Some stupid boy wasn’t going to wreck you in one stupid night. This meant nothing. It couldn’t mean anything. As much as you didn’t want to be a ghost floating about life… you weren’t exactly ready to be seen like that. 

“The deal, huh?” Isagi asks lightheartedly. “And what was that again?”

“You’ll leave me alone… for the rest of the year.” You answer, your eyes flicking to the side of his face. He’s amused, you can see it in the curve of his mouth. He drums his fingers on the wheel.

“Ah. That…” He trails off. “You know… I seem to recall a little clause in that deal.”

“Hm?” 

“Well… when you made the deal you specifically said I’d have to stop talking with you if you came along and…”

“And?”

“Watch me lose.” He says, turning onto a main street. You furrowed your brows… that’s right… you did say that. Isagi stops at a red light, looking over at you. “Clearly… I didn’t lose.”

“That… that’s silly.” You shake your head, meeting his smirking look. “I just added that part to be a bitch, clearly.”

“Regardless of intention I don’t need to hold up my side of the deal, Y/n.”

“What? Y-you can’t just decide that! I came to the game and I stayed the whole time.” You argued back only half joking.

“Staying the entire time wasn’t a part of the deal. Now you're just adding things.” Isagi bantered as you huffed in your seat. All that prior spiraling out about love was put on hold, you had a bit of your mojo back.

“My choice words about losing was a caveat, a warning. That’s all. It wasn’t a part of the deal.”

“Ah… trying to use fancy words to confuse the jock, that’s below you.” Isagi jests, shaking his head as a bark of laughter escapes your lips. 

“I defined the word in the same sentence, Isagi.” You refuted.

“I’m sorry, this is out of your hands, Y/n. I’ve decided not to uphold my end.”

“You’re a man without honor!” You groaned, slumping in your chair. Isagi glances over at you, your eyes meet for a second before he descends into that same warm laughter like before. You watch him unashamedly, feel that same warmth bloom inside you. You can’t look away, can’t look away from his soft jawline, his bobbing adam's apple. He meets your eyes again as he pulls into your driveway, all the lights in your house are out, your home like a haunted house on the hill, no warmth. Isagi looks out at it.

“Your parents' home?” He asks in the quiet of the car.

“They’re on work trips.” You answer, he rolls his eyes back to you. You feel the weight of his stare, feel the warmth again and again and wonder if it’s going to burn you and leave scars. Would he trace your scars? You flinched at that thought. 

“When will they be back?”

“Next week sometime… I… I’m not actually sure.” You try for a lighthearted tone but your laugh falls flat as Isagi’s eyes search your face for answers you wouldn’t give willingly. 

“Y/n?” 

“Hm?” You hum and when you meet his eyes you suck in a breath at the intimateness of the moment. 

“Do you… really dislike me? Because…” Isagi asks and you hold your breath.

“Because?” You prompt. Isagi turns a bit in his seat, to face you better.

“Nagi thinks you mean it. That you hate me. That I’m… ruining my chance.”

“Your chance?” You can’t help but echo the words and watch Isagi’s face flush like back on the field as he shifts slightly uncomfortable in his seat. 

“Do I have one, Y/n? Or do you really hate me… It’s hard to tell sometimes.”

“Don’t worry about it.” You sigh, staring out at your empty house. “I know I can be mean.”

“You’re not mean, Y/n. I think you just don’t want too many people poking around your life.” Isagi points out and suddenly and dizzyingly you realize… maybe it’d be okay for Isagi to… poke around your life in his own words.

“Right,” You nod your head, tucking your hair back out of your face.

“So? Y/n do I have a chance with you? Because… I would really fucking like one.” A fierce blush spreads across your face at his words. 

“Why? Why would you want that?” You ask, insecure and shaken.

“I like you. I like talking with you. I think you're incredibly smart and driven. You’re pretty… really really pretty. And scary too.” He laughs. “Most of the guys at school are terrified of you.”

“For good reason.” You reckon, voice shaky from his confession.

“I’m glad they stay away from you. I don’t want the competition.” He says and his words pull a laugh from you as you meet his eyes again. 

“You don’t seem like the kind of guy to shy from a little competition.” You return as he shrugs.

“I said I didn’t want the competition, not that I’d shy away from you. When it comes to you I’d participate and I’d win. It’s what I do.” He smirks. You can’t help but roll your eyes. 

“What an ego.” You sigh. 

“You don’t have to answer me right now. Or ever if that’s what you decide.” He turns off the car. “Come on, I’ll walk you to your door.” You push open the door and he meets you around the front of his car. When you turn he stops you, a gentle hand on your forearm. You pause and he steps close to you, reaching. For a dizzying moment you think he’s going to make a move. But with a gentle hand he pulls the sides of his jacket that you're wearing together and he zips it up for you. You swallow dryly, eyes drifting shamelessly to his lips. You wanted him to kiss you. You want to kiss him. So damn badly. “My jacket looks good on you.” He smiles and you want to hit him because the flip your heart does is almost painful.

“You’re gonna freeze.” You reply.

“That’s a problem… What should I do?” He asks, a smirk on his lips. You meet his eyes. “Maybe you should share the warmth?” You think maybe you stopped breathing a while ago. 

“Maybe you should take some.” You force out. He looks in your eyes, his eyes dipping to your lips, they stay there for a few seconds.

“Can I kiss you?”

“Please.” You reply in an instant and in another instant he’s leaning into your space, invading it with permission. One of his hands is sliding around your hip, he’s tugging you a step closer. Your hands are useless at your sides. You’ve never been kissed before. You didn’t know what to do. But Isagi made up for the lack of experience. His fingers spread apart in the small of your back as his other hand reached and softly cupped your face. He slid the pad of his thumb across your bottom lip and licked his own. You sucked in a breath. This moment all hands and shared breaths. “I don't…. Know what to do with my hands.” You whisper in the small dwindling space between your lips. He pauses, a hair's breadth away from your lips and you almost regret talking and pausing the moment. But he pulls back just a bit and he guides your cold hands with his warm hands up towards his neck. 

“Wrap your arms around me.” He speaks and his breath ghosts over your lips. Your arms wrap around his neck and he ducks down slightly, his hands slide over your hips as he doesn’t waste another second dipping his head and meeting your lips with his own. It’s a soft press at first. But that desperate hunger takes over and you're kissing as though he’d just arrived back from world war one. He’s pulling you impossibly closer; he's kissing you with a fervent need that makes you weak in the knees. He’s backing you up until the backs of your legs bump into his car and then he’s pulling you up and placing you on the hood of his car so the kiss isn’t interrupted for even a single moment. You shiver at the heightened moment, your skin hot beneath his warm jacket. “This means I have a chance, right?” He asks against your lips, eliciting a laugh as he kisses and kisses you again and again. “God… I have to get you inside.” He groans against your lips and you know he’s saying that because you're shivering from the cold. You miss the warmth of his kisses when he pulls back and pulls you from the hood of his car. “Come on.” He guides you to the front door. You fish your keys out and pause, turning back towards him. 

“You have a chance. If that wasn’t completely obvious.” You say and Isagi’s serious face softens. His hands are on you again, he’s pulling you in and you decide if thoughts of love make you spiral you’ll let this be something else. 

[mewtillidae]

with imposter1998 finally over after a short accidental but much needed hiatus, let me just say uh, FUCKING THANK YOU? LIKE WOW? i did not expect you guys to participate and theorize and interact as much as you did, quite frankly i think you guys put more thought into this objectively silly idea than i did lmao

never before in all my internet years have i encountered such a fun, sweet, supportive online fandom. for imposter1998 and for daily kremy as a whole, the support i got from the many like-minded nerds on here was crazy. the tags and comments were plentiful and inconceivably kind, there was daily kremy FANART, @papa-goose-ollie got the whadda hell is a grapefruit one printed on a fucking MUG. shits crazy. but like truly everything about this has been awesome and i dont think i could thank each and every one of you enough :)

however, i think daily kremy ends here for now. made it to 150, i think thats respectable, but yknowwwww interests change and whatnot. however, you can guarantee I'll be back once new eps come out!

anyway enough sap do you guys wanna laugh at me for how horribly shambled together this whole game was behind the scenes (more under cut)

so this whole game was meant to last exactly 1 week, and conclude the day before Halloween. that sure didn't end up happening. probably because I "planned" this all over the course of like THREE DAYS. the extent of my planning was a single sheet of a4 paper and a barebones notes app doc

THE TYPOS WERENT INTENTIONAL. IT WAS SO FUNNY AND EMBARRASSING EVERYTIME SOMEONE MADE A COMMENT LIKE "Aha! Another typo! It's all coming together now guys!" LIKE NOOOO STOP LOOKING AT ME DONT PERCIEVE ME PLEASE😭😭😭😭 it was absolutely on me though, adding that tag mentioning them. it was supposed to be a joke at my own expense and people rightfully took it as a hint, oops <\3

all the puzzles were from my own noggin 👍 but very inspired by a few escape room boardgames like EXIT that I've played before. i also didnt know a solitaire cipher was even a thing. i thought i was being smart when the REAL smart thing to do would've been, uh, a singular google search.

and lastly, in the spirit of daily kremy, everything was made at like 2 am the day prior to posting and i totally winged it everytime. as in i had no clear idea what I'd write, just a bullet point to work off of. work ethic? never heard of her.

no comment on the ending! but you guys are super smart im sure you can have fun thinking abt it :)

[cursed2soul]

I loved you dangerously

hello sorry for being so inactive! I’ve been busy with school and everything :(

pov : You loved him dangerously.

Genre : angst / comfort

tw : reader dies

interesting plot twist

Never have you dared to even think for a second that you could be Gojo Satoru’s love. Gojo Satoru does not love. At least that’s what he’s shown to you. He is kind to anyone but you. Can 2 souls really be happy at the end of the day?

All his teasing, all his jokes and even a playful wink was enough to send you butterflies. How can you even dream of being by his side? Ever since the star plasma vessel mission, he’s never opened his heart deeply anymore. Not even to you.

What did it even mean to risk your life for someone? How can you even tell? You would do anything, as ridiculous as it may sound - Gojo Satoru is the strongest. He does not need your life. He is the law, truth and justice of this world.

“I think I have feelings for you” I spoke to him

the air between us froze. I looked up at him as he smiled awkwardly

“…don’t be offended y/n…I do not reciprocate such feelings…” gojo awkwardly responded back

Of course. Gojo Satoru does not love. He never says sorry, that is not in his vocabulary. How can you expect him to love you back? How can you even expect him to say “sorry, I do not reciprocate your feelings” as much as it would sting less than the words he spewed out.

These feelings are dead. They shouldn’t exist.

“…Y/n…” gojo found you, dying at your mission that was assigned to you, he holds your dying body. What is that look in his eyes, can you at least cry for me? If I even dare to hope you do.

I look into his crystal blue eyes. How peaceful does my body feel right now? For 17 stabs in my stomach it sure felt painless.

“..I’m sorry for not being able to say this before…I love you too” Gojo spoke silently… “…don’t die y/n…y/n…”

My eyes widened…before I let out a small smile. “I know Satoru…I know”

“…say…it’s the 28th October right?” I spoke

Gojo nods

….………

“Well then…be careful…something big may happen in 3 days” I spoke as I drew my final breath leaving gojo confused…

The air felt thin. I never saw the broad daylight again. Sakuras covered the ground as I opened my eyes in a bed of sakuras. I feel no pain. But…a sick feeling left here.

“ahahaha… y/n died? That’s unfortunate I was thinking she could be of big use in 3 days…why did you kill her?” A playful voice spoke out..patchface. Blue hair.

“Don’t be ridiculous, she’s useless now anyways” Jogo spoke “just carry out the initial plan we had for Shibuya, October 31st…remember..what we are doing”

Yes, as sick minded as I was…Gojo Satoru, would you really think I would allow myself to die in vain when we have never had a single romantic moment together? Yes. I love you……

Dangerously enough that I want you to die with me

But I also love you enough to also spark hope that you will survive…if you even want to take my warning well, you might live or please…die and come with me.

Yes, I love you. Dangerously enough that I want others to kill you so you die with me

author note : yes! The reader is insane in this. The reader does team up with kenjaku and his team for the shibuya incident.. 👀. My next fic will be more for a comfort one! Hopefully I’ll have time to write it :D

[oonajaeadira]

wip wednesday whenever.

LOL. You know, I was surprised when @moonlitbirdie tagged me. I was really starting to believe people forgot I used to write things and it brought me a fair amount of joy to be tagged.

And then @grogusmum. And @the-blind-assassin-12. And now @insomniamamma. I know you probably don't mean it this way, but it feels like the lot of you just invited me to tea for an intervention to say "YOU GOT THIS. JUST WRITE ANYTHING. WE DON'T CARE WHAT. REJOIN THE PARTY."

I love it here.

Anyway, thank you, friends. I'm taking it as an encouragement. <3

I'm about to get my feet swept out from under my ass by the General tonight, so let's have some fluffy Fink x Farrah before I lose myself completely to Roman lust and longing....

There’d been two full moons since Farrah came to the island and she adjusted fast to their strange way of life. She wasn’t as hard driven by hunger as some of the other animals and gained from their talks that was because food had been more scarce where she was from and she was patient when it came to waiting for meals. Fish and shellfish had already been a big part of her diet. 

So she must have come from another island…but Fink couldn’t be sure. Anytime he’d ask more about it, she’d change the subject or go quiet. And she was very very good at being quiet. Probably had to learn that with fur like hers. It’s a wonder she made it to maturity without proper camouflage. Silence and speed would be her only options.

Except when she laughed. She laughed loud and high, almost a cry when she was really going. Farrah was easy to amuse and he made sure to do so whenever he had the chance. He wanted to see her happy and settled here. With him.

And he just liked to hear her laugh. Nobody laughed at his jokes like she did.

“That is the look of a lovelorn fox,” Paddler dryly declared one day, turning away to scrape away at a massive trunk with his crooked incisors. Fink had just cracked a joke at a squirrel’s expense–and not a clever one either, something about the size of nuts–and Farrah had laughed before bounding off after a butterfly. The beaver’s remark made Fink realize that he was wearing a dopey grin and he shook it off, but not before Paddler added, “Be direct. Build her a dam to show how you feel.”

“I’m not going to give her a dam.”

“Ha! Very good! I see what you did there. But I’m telling you, fine fellow. We may be swimming among the trees as a pike in the waters of the river, but the ladies still love a good bit of worked wood. You have that home–a good design, said because, as you will remember it is mine–but a little riverside palace of her own? Eh? What a treat.”

Fink rolled his eyes, playing cavalier. “It’s not like that. We’re–” over in the near clearing, Farrah’s fur sparkled white in the sinking sun, her head tilting side to side as she watched two butterflies dancing, trying to pick up on their whispers, quiet and still….and beautiful. “--friends.”

“Ha!” Paddler choked on a laugh. “You fool no one, sir. Just give her a treasure and be done with it. I’m telling you a dam always does the job, but I suppose you must do as your ilk do.” 

“Is that why there's no Mrs. Paddler?”

“Oh ho! I have had my salacious share of affairs, I assure you. My dams are well-given and wide spread. I am focusing on other projects at the moment,” he boasted with a grand gesture towards his gnarled tree, and turned back to his gnawing.

--That Awooo Inside You, Pt. 2.

tagging: @brandyllyn @littlemisspascal @nicolethered @missredherring @something-tofightfor

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[tozettastone]

There are several reasons I shan't continue with this one in particular (narrative reasons that you can probably see if you read it!) but I did say I would post it when I had written anything. Heads up, there's a little violence in this.

-----

Three universes away from the long war, Kurosaki Ichigo is alone.

He's a god now, for all the good that does anyone. The god-king of empty hueco mundo, the last remaining world: immortal, eternal, and all alone.

The wind howls across the stark desert landscape.

(If a man howls along with the wind in the desert, and there's not a single soul to hear anything ever again, does it really make a sound? When there is nothing else, you might as well consider philosophy.)

Tonight he pauses, mid-step, on the side of a sand dune.

He feels something outside himself. It's... pulling at him.

That's novel enough on its own. All he has here is a well of power, achieved too late to save anyone who matters, the endless cold desert, and memories of the lost worlds.

It's all he's had for years now.

He turns towards the tugging, head down, eyes distant.

Something, he thinks, still needs him.

...Someone?

He clenches and unclenches his fists. The idea that there's still someone out there who needs him, who he hasn't totally failed yet — it itches at him like an incubus. It's heady, potent, seductive.

Kurosaki Ichigo whirls, kicking up sand in his haste to answer the call.

For the first time in decades, he tears open a garganta and it actually goes somewhere new.

The feeling pulls him on.

--

Thirty minutes (and also infinity) earlier —

Technically speaking, you can summon stuff from outside the three worlds. Nobody does it, because inviting a horror from outside of spacetime to please come in and make itself at home is considered... er, highly inadvisable. And also, Kisuke guesses — and this is really secondary at this point in his life, given the state of Soul Society — because it's technically punishable in seireitei by summary obliteration from the reincarnation cycle.

But mostly it's that inviting in an alien abomination never improves circumstances.

The current situation has deteriorated so badly that Kisuke is willing to trade his little life, such as it is, for outside assistance. All his reading (of the books that survived, anyway) suggests that not only will outsiders accept sacrifices, but they also understand the concept of a contract.

He's pretty sure — pretty sure — that the design he's writing on the floor of what was once the Central 46 deliberation hall is a coherent contract in this new syllabary. Pretty sure.

Almost definitely.

...Probably.

"You sure about this?" Shinji wonders, from his slouch against the far wall. He's standing on some of the rubble they pushed to its outer walls. His hands are in the pockets of his long black coat, but Sakanade is in easy reach.

"Yes," Kisuke lies with easy confidence. He glances over his shoulder. Shinji's just as scarred as he is now. He's more subdued after the loss of the rest of the Vizards. They've all had their losses. "How long do you think we have?"

He rolls his shoulders. Sighs. "...Minutes, still, at least. Aizen loves messing around with Ichigo."

And, neither of them says, but both of them know, Kurosaki Ichigo is the only one who can still stand up to him for more than a minute at a time. Currently, he's out there backed up by Ishida and Nelliel, but they truly are just backup, there to make barriers and cause a big distraction if Ichigo goes down.

This is not the team Kisuke would have put on barrier duty, once upon a time. Hachi, Tessai, young Orihime even...

But now it's an arrancar and a quincy fighting the shinigami war. And Ichigo. Always Ichigo.

Because... that's who's left.

"You've got no time at all if he figures out your shitty idea is a suicide technique," Shinji reminds him, clicking his tongue.

That's true.

"It might not be a suicide technique," he says lightly. That thought makes his stomach turn, because either way he's giving himself up to whatever outsider can meet his terms. It's probably for the best if it just kills him.

"Uh-huh," says Shinji, like he's thinking exactly what Kisuke is thinking.

Kisuke goes back to his contract. He's pretty sure of it, but there's a lot of his own blood mixed in with the ink, and he's gotten lightheaded now. He compares it to his crumpled diagram carefully.

He's as sure as he can be that he's got it right. They are as ready as they will ever be to beg help off an alien deity.

"It looks right," he says finally.

Shinji straightens up. "Showtime?"

It's hard to read anything from his face, and it's not just the scars. They've all lost a hell of a lot, and Shinji's clearly braced for this one with the kind of grim skill that comes from practice: shut down, stone-faced, dead-eyed.

Kisuke has never been more grateful for how hard his remaining friends have become. Right now he thinks he could do anything, say anything, and it would break upon Shinji like a wave on a cliffside and fall away, leaving him untouched and indifferent.

This is it. Kisuke has risked his life plenty of times, but he's never just ...given it up before. This is the moment at which everything he is, has been, everything he has the potential to ever become, this is what it's worth: just one spell.

It comes down to his pale and trembling hands, smeared with ink and blood, pressed down to the design he's drawn on the floor.

He looks at Shinji and he meets his dark eyes and laughs. It sounds a bit like a broken hinge.

"Showtime," he agrees.

His reiatsu swells. He looks down and pretends he can't see Shinji close his eyes.

Then the design begins to glow, and he throws his call out into the great and terrible emptiness beyond the universe he knows, and then he can't see much of anything at all.

But he sure feels it when someone answers.

--

Now—

Ichigo blinks into being again in the middle of a fight. For a second he's confused, baffled — there has been nobody left to fight in his empty world for decades. Only him, and his hideously advanced regeneration, and the endless, screaming desert wind.

He's standing in a clear blue sky.

In that second of confusion, Aizen — Aizen? — stabs him, straight through the chest, and he can hear someone screaming his name.

It's the scream that gets him, if he's honest. The sword barely registers. But the voice... the voice is sharp and desperate and full of rage and horror and all that emotion is aimed directly at him, at Kurosaki Ichigo, long-abandoned little god. How long has it been, he thinks hazily, since he's heard his own name in someone else's voice? How long has it been since someone who valued him cried out for him?

It resurrects something in him. It's like his heart skips a beat, takes a moment to blink.

(Of course, Ichigo's heartbeat never actually skips. You can keep time by the steady thump of his immortal heart. His pulse is a metronome.)

He needs to do something about that voice. It's upset, so he's upset.

Triage. His brain arranges its priorities.

1. Aizen has stabbed him. He doesn't like this.

2. The voice is upset. This is upsetting him.

3. He doesn't know where he is, but it is not the desert. He likes this.

Ichigo wrenches the sword out of his chest in a spray of blood and pale, bubbling fluids. The wound bubbles white, hideously, and hisses into the cool reishi-rich air as it closes up.

Aizen's dark eyes go wide, but he hasn't got time to react. Ichigo keeps his grip on his blade, lunges forward, and cups the man's head in one hand. The skull disappears in the blast of a cero, and then Ichigo has the seconds he needs to obliterate the rest of him. That's the trick of it, you see: the regeneration offered by the hogyoku works only if there's something from which to regenerate — a charred bone, a lock of hair, a smear of blood.

In seconds all that's left is destruction.

That's point one taken care of.

Ichigo stops hovering in the sky, lands on a half-collapsed roof, and turns towards the echoes of the voice that screamed his name.

It's a tall, pale figure, dark haired and sharp eyed, and —

Ishida? he thinks. His brain stalls out.

"Ish... Ishida?"

"Kurosaki," he says, staring. "...He stabbed you."

Ichigo slides his hands over his own collarbone, his chest — the massive ragged slit in his shihakusho, wet with blood — and opens it, showing off the patched skin beneath. In a few hours, it won't even scar.

"Ishida," he repeats, unable to move past the fact of his being right — right there? Alive? Alive?

He stumbles closer to him, hand outstretched, and Ishida eyes him warily but he doesn't whip out his bow or run away, so Ichigo puts both hands right on his face, one each side of his jaw. He he presses his index fingers to the stems of his glasses feeling the cool metal and warm skin.

He's warm.

Ishida is warm. This is a human body, with a familiar human spirit inside it. They're both battered, but he knows them. He knows Ishida Uryu. He knows...

"Kurosaki," says Ishida, glowering out from between Ichigo's hands. His voice is a little slurred under Ichigo's compressing grip. "What the hell are you doing?"

Ichigo throws caution to the wind and hugs him, which goes about as well as can be expected: Ishida struggles, flopping like a fish on a line to show his displeasure, but he doesn't actually work very hard to dislodge Ichigo. He positively reeks of old sweat, acrid smoke, rust and the ugly meaty smell of healing injuries. Ichigo thinks he probably hasn't washed his hair in weeks.

He crams his face into his neck and breathes in like a crazy person. This is the best thing that's ever happened to him, maybe?

"Kuro — Ichigo! Unhand me!"

"Ishida," he gasps, clutching him. "Ishida, Ishida, Ishida." Like a chant. He might be rocking them a little.

This is when Ishida stops struggling. It's like something flicks on in his head, and the tension in his spine and shoulders changes its quality completely.

"Have you lost your mind?" he demands. He sounds like he's actually considering this possibility. His hands come up under Ichigo's arms, and very stiffly he attempts to hug back. "Kurosaki? Your reiatsu feels... different," Ishida mutters.

There's the world's most awkward squeeze, because apparently killing mass murdering wannabe-gods gets Ichigo enough credit with Ishida to rate physical affection — at least as long as he thinks he's on the edge of having some kind of psychiatric problem about it.

It feels so good. Ichigo might sob a little.

"Kurosaki. Answer me."

Ichigo makes a noise to show he's listening. He does not let go. He thinks about what he wants to say and settles on: "Yeah, yeah, I'm here. Where are we? What's going on?"

Ishida makes a much less positive noise in response to these questions.

Hoofbeats sound. That's... out of place.

"Ichigo!" cries a vaguely familiar voice, high and sweet and ringing like a struck bell. "We did it! Group hug!"

"What? No!" yowls Ishida, but of course it's way too late for that.

He can't dodge with Ichigo clinging to him like a limpet, and Ichigo doesn't even try, so Nelliel collides with them both. She is in her resurreccion form, a tall tangle of tumbling green hair and fur and hooves. She sends them both staggering with her mass. But her limbs are strong, and she pulls both of them into her instead of letting them fall.

Ichigo braces himself against Nel's side, shuddering. Ishida is pressed — smushed, really — against his front, and Nel is right there crowding her big warm-furred body into them.

"Stop it! Let — me — go!"

Ishida manages to shove Ichigo away, and then he uses an advanced movement technique to stage an immediate and unnecessarily dramatic tactical retreat.

"Eh? But you let him hug you!"

"He was acting weird!" Ishida accuses, pointing. "I thought he was going to cry!"

I am going to cry, Ichigo thinks. His eyes have been stinging since he first put his face in Ishida's gross sweaty neck. He blinks rapidly.

Nel, who allegedly lacks a heart but who has more emotional range in her right horn than Ishida does in his entire body, coos and encloses him in her arms, effortlessly pulling him off his feet. "You did it, Ichigo! Don't cry! We won!"

She spins around with him clutched to her, goat-antelope hooves clattering deftly over the rubble underfoot. "We won! We won!"

"We won," he repeats.

Yeah, he guesses they did, if she means he killed Aizen in the last five minutes.

But the thing is, for Ichigo... Aizen has been dead for thirty to forty years. Ichigo would know. He killed him.

Nel has been gone for even longer than that. In his memory, Aizen cut her hands off and gave her to one of the other espada to kill, to punish her disloyalty.

And Ishida...

He was Ichigo's cousin. And Ichigo never knew it, not until Aizen had already collapsed Soul Society and destabilised the living world. Not until after he was dead.

(He'll never forget how Ryuken told him. He was wreathed in cigarette smoke and leaning against the wall of the hospital, dry-eyed, icy and vicious in his grief: Your mother, your sisters, and now my son... he was your maternal cousin, did you know? No. I see you did not. It seems you have a rare talent for getting your family killed, Kurosaki.)

Ichigo looks around. They're standing amid the high-reishi rubble of what looks very much like Soul Society. It's a damaged, blown up Soul Society, with its pale towers sagging and broken stone tumbling across the cracked ground, but it's unmistakably Soul Society.

And to add to this mystery, the tugging of something outside of himself is still ongoing, drawing him off to the north. Ichigo looks that way, brows furrowed. He feels almost compelled to get moving in that direction. There's something there that's his.

"They must be finished with their spell by now," Ishida says, adjusting his glasses, which were left askew during the hugs.

Ichigo doesn't want to let go of Nel — he still kind of wants to go and grab Ishida, actually — but he needs to start moving. There's something there. He has to.

As he looks over the broken cityscape, memories come to him like riverbed silt, disturbed, rising to the surface of murky water.

Hey, he thinks suddenly. What's Ichigo doing here?

He squeezes his eyes abruptly shut.

He's here because he was meant to distract Aizen while Kisuke cast some kind of mega-kido, some crazy high-risk summoning, drawn out in blood in the old assembly hall.

And he's just killed Aizen because... the spell worked. And he's here and not over there because this body is an Ichigo body.

Kisuke tried to something and trick it into doing what he wanted, and now he's got... Ichigo?

The memories integrate with a horrific lurch. It's been decades since he last vomited anything, but for a second he feels like he really might. (It's been nine months, here.) Ichigo no longer needs to eat because he's immortal. He's a lowercase-g god. He's alone in Hueco Mundo and if he could die he'd be dead by now. (Ichigo used to be hungry all the time, here, but now they always have enough supplies. They stockpiled for so many more people than they now have.)

"Kurosaki?"

He opens his eyes. Looks at Ishida.

"...Let's go see Kisuke," he says slowly. He starts walking. It satisfies the relentless pull towards that call, at least.

Ichigo is not sure what Shinji and Kisuke were trying to summon, or if he's the really answer they were expecting.

"Do you think we can have a victory party?" Nel asks, tapping her lip.

"With who?" Ishida wonders. "You and Grimmjow? I'd rather get stuck in Kurosaki's octopus arms again."

Nel shoots him a look. "Grimmjow does his part. ... Mostly. He'll be sorry to have missed this, I think."

Grimmjow, Ichigo knows, is recovering from getting run through, with his usual bad grace. Unlike Ichigo, he isn't an immortal with instant regeneration powers.

"Yuzu," Ichigo suggests, in a lightning strike of memory. He's seared by it: Yuzu, beautiful and haunted, alone in the living world with no father and no mother and no twin. Ichigo hasn't been able to see her in a while, because her safety consists in her anonymity, but he can see her now. He can see her today, probably — he can pass through a garganta to the living world and crash her afternoon lectures and smoosh his face into her hair and hug her until her ribs creak.

He has so much living family here — a sister and a cousin he hasn't got killed. It seems like a tremendous wealth of family associations, suddenly.

...They're not really his, exactly. They're... this other Ichigo's. He lost his — Aizen killed Yuzu, eventually.

I am me, dumbass, he thinks to himself, in a confusing series of echoes and ripples.

Well. Fine then. Maybe they are his. No take backs, Local Ichigo.

I'm the same person!

Yeah, he's... giving himself a headache.

He's still integrating, he guesses. But he remembers the important things. Karin is dead. A building got dropped right on her during a hollow attack in Karakura. Horrific, but fast. In his world it was Szayelaporro who took both of them, hell-bent on dissecting his perfect rare quincy specimens.

There's something viscerally satisfying about the way his sister's name makes Ishida brighten. "That would be better."

"Ah, Yuzu-chan," coos Nel. "Your sister, right? She seems sweet."

"Yeah. My sister." He has a sister.

They pick up the pace by mutual consent. There's an equal mix of sonido, shunpo and hirenkyaku between them, but despite the minor differences, they all do pretty much the same thing.

When they get to the assembly hall — a place that no doubt had a real name when Soul Society's government used to gather here, which Ichigo of course cannot remember for love or money — its missing wall is covered by a huge, glittering barrier.

Shinji looks up as they approach, squinting through the barrier. His eyes are hooded beneath his sharp fringe.

His face is not as Ichigo remembers it from decades ago (which is to say he, uh, has a face, and not just a grizzly red topography of valleys and bumps where it got cut off) but also exactly as he remembers it from this morning.

The headache isn't going away.

"You're back early," he draws. It's an understatement. It's strange that they're back at all, probably. Ichigo privately marvels at hearing Shinji's drawling cynical voice and distinctive Kansai dialect again. "What happened?"

"Aizen's dead!" Nel crows, leaping right up to the barrier. "Ichigo killed him. Obliterated his entire body."

She sounds like a proud big sister. Accordingly, she slings one arm around Ichigo's shoulders and draws him in to her side. She's taller than him in her resurreccion. It's easy to fit under her arm, and he really, really likes the solid weight of it over his shoulders.

... He really misses being touched. It's so easy to sink into Nel. Her weird furry goat-ribs rise and fall against his side.

"You were trying to summon something. You got me, I think," Ichigo elaborates, throwing her arm off.

Something unnamable passes behind Shinji's eyes. For a moment they change, distinctly hollow, and then he settles back on his hips, long limbs folded.

"Ichigo, huh?" he asks, voice low and hostile.

"Don't be like that. It's still Ichigo," Nelliel says cheerfully. She pushes him towards Shinji. Ichigo leans back against her just to avoid slamming into the barrier. "Just smell him. It's just... extra Ichigo!"

"Extra Ichigo?" Ishida repeats. "Is that a good thing...?"

"Hey," says Ichigo, mildly.

Shinji eyes her. He declines to 'smell him'. "I'll take your word on it," he decides, finally.

"I need to come in," Ichigo says. Whatever it is he's drawn to, it's in the room with Shinji. He has to get to it. The closer he gets the more he needs it.

Shinji does not look like he wants to relent, but his barrier cracks like glass and falls in a rain of glittering reishi shards anyway.

Ichigo springs forward and past him.

Then he lays eyes on Kisuke and it feels like the whole world takes a breath around him.

He's hunched over his rusty-smelling ink design on the floor, pale-faced and leaking reiatsu. He looks terrible, exhausted and trembling. Ichigo knows in an instant what the design means.

It's god-knowledge, buried in his hindbrain.

He's never thought of himself in these terms before, but it's all here in the ink and blood, laid out before him and sealed with a sacrifice.

Ichigo knows he is is only a little god. But he's one who answers prayers.

"Yo, geta-boshi," he says, and drifts inexorably forward to sit before him.

I've been reading all those early half finished Bleach time travel/alternative universe fics about dimension hopping Ichigo going to a new time or dimension to fix the Aizen problem

I think I will write one, but not like in a way where I'm going to finish it at all; I think I am just going to stick my nose in my phone and write until I run out of steam. It's just, like, enrichment in my enclosure. There are so many possible ways to do it. Maybe I'll write 3. 😤

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end