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#but also my tav causes me too much pain with his abusive nature and so i have to have another character going
terrorbirb · 11 months
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I'm too inarticulate to make posts about how in BG3 playing an evil character, that is extremely morally reprehensible, is enjoyable in a gothic horror kind of way.
In video game form I think it's especially effective because you can see the better options in front of you. You can know the better outcomes. Yet, to experience this character's story you cannot choose them.
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mybg3notebook · 3 years
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Astarion and Power - Part 2
Disclaimer Game Version: All these analyses were made up to the game version v4.1.101.4425. As long as new content is added, and as long as I have free time for that, I will try to keep updating this information.
Additional disclaimers about meta-knowledge and interpretations in (post)
The number between brackets [] represents the topic-block related to (this post), which gathers as much evidence as I could get.
Astarion: abuser / victim
Disclaimer about interpretation victim/abuser: I’m not a fan of bringing the allegory to the plain explicit comparison with serious stuff from real life, but the fandom seems to focus a lot on this aspect and therefore I would like to share my opinion on it. This topic may be sensitive for some people. Be aware of it. 
If we are going to engage into the comparison abuser/victim, from the section (Backstory: Mortal Astarion) we can assume that mortal Astarion was developed as an abuser so far the facts we got from the game/interviews. There is little doubt about it with the bits of information we have in EA. Maybe the full game or a retcon of his past may change this in the future. 
As a vampire spawn, Astarion presents a duality abuser-victim that comes from the archetype of the “bad behaved victim”. 
(Squeezing him in the shoulder. You try to connect, to let him know he's not alone- but he twists like a snake.) “No, I don't need your pity. I don't need anything from you. Go back to your wet dreams and leave me be.''
As a slave under Cazador’s power, humiliated and physically and psychologically tortured, he becomes a victim. He displays many of the most common behaviours of traumatised survivors: dismissal of the actions he suffered (humiliation and cruelty), sensitivity or violent rejection of gestures of pity, paranoia (for the abuser to appear at any moment), reiterative dreams focused on the abuser or their tortures, pride that may reach into arrogance of having survived tough situations. Considering that survival mode is his default, he can turn any of these aspects into tools to manipulate any potential benefactor (he may care little about). As long as he has a protector, he would do anything at his disposal to keep pleasant and agreeable to that benefactor (this characteristic is a permanent, constant, and obvious trait in his character).
But he is not a mere victim, he is also an abuser. And this aspect has been studied in psychology and sociology: it’s not a surprise that a good amount of abusers were victims before. There is a psychological process that can make victims prone to harness as much power as they can in order to avoid the abuse, and in doing so they become abusers. The fact that they can inflict similar or the same trauma on someone else, shifts the power imbalance they had always perceived in their life: the ex victim—now abuser—finds psychological relief. They find a way to perceive themselves as not powerless anymore, and this process can cross limits, making them enjoy when causing the same torture they suffered before. This is the (extremely brief and simplified) process known as the transformation of victim to victimiser (in a general violence-related way, not necessarily focused on sexual abuse), which tends to affect, so far the statistics show, a group of victims. 
With this brief introduction of the topic from the real life (this is why I dislike so much these comparisons, serious stuff brought into a fantasy world always feels like dismissing the real life issue) we can understand that Astarion has acquired a twisted taste to enjoy the same torments he suffered on himself, but applied on creatures he considers lesser: animals and weak creatures [3,4,6,7,11]. There is pride in his survival [14]: he follows the philosophy: “if I could survive it, you could do it too, otherwise, you must perish”.
He enjoys humiliation [6,10], despite being one of the most sensitive aspects that could trigger a violent reaction in him when Tav tries to humiliate him (dialogue about the Bedchamber Master). He enjoys the power he can have over others, over their wills [11], and aspires to have the control of the tadpole, at first to be free of Cazador’s influence, but as long as the game progresses, his intentions become clearer: he wants to control the tadpole to become powerful: the most powerful vampire of Faerun and bend everyone’s will [12]. This aspect is also ironic and hypocritical since Astarion displays violent reactions against mind control or against any intervention of his mind, so it’s something that triggers him in particular (video here).
He also has a taste to enjoy cruelty on animals [4], maybe because of all the resentment he has against them for having been the only means to sustain himself (he is directing his cruelty and hatred to the wrong group of living creatures though). And he also finds entertainment in murder and bloodshed [2,3,13], just because of it, most probably because all these abuses are proofs that he is now “more powerful” than those suffering it. However, part of this could be explained due to the Dark Desires element of the vampirism, to be fair. But considering Astarion’s backstory, I would say that vampirism only deepens his already evil traits.
Also, as a comment aside, I like to highlight how all this characterisation defies the romantisation of the archetype of the “good victim”. A good victim is—explaining it briefly and oversimplified—the one who encourages to spread goodness, self-sacrifice; their pain is hidden and/or used to improve, tends to be a highly empathetic person in front of similar abuses they suffered. It’s the antipode of the “bad behaved victim.” Which is basically all what we see in Astarion: selfish, violent, whimsical, cruel, psychopath.
In conclusion, we can see Astarion as a vampire spawn who embodies the duality of Victim-Abuser. 
However I would like to note that this is not a char where we can see how the victim becomes an abuser exclusively. In Astarion’s case, it is even more twisted because in his past he was a victimiser. His character lies on a Schrodinger duality: he was an abuser when he was mortal, he is an abuser and a victim at the same time as a vampire spawn (his torments can be understood as poetic justice since Astarion embodied the—corrupt—Justice himself), and he aspires to retake his abuser position in the future (so far EA allowed us to see it or the description of his characters in Larian’s web page), enjoying all the potential that the power of the tadpole can give him to “bend the will of others''. 
Astarion’s story represents topics that should allow us to think about how abusers are created, how they could also be victims, and how victims are not always free of evilness. Astarion also embodies the concept of how far punishment makes sense, how you can punish the abuse if there is no justice, how to punish evilness when it’s placed to have control of the Justice itself. How could we understand the punishment of evil creatures when there is no repent but a deepening of their evil nature? And finally… Would any victim not desire for their abuser to have a punishment like Astarion’s? 
I like to think that Cazador also represents the “modern prison system”, where criminals are gathered in panoptic structures (in this case, Astarion’s mind), tortured in many ways, while society expects them to recover. There is also the concept of how and when recovery is not possible anymore, because let’s be honest, saving people from dark paths is not always possible. Real life psychopath, serial rapists, and a broad amount of creatures who revel in torture and murder are beyond salvation. If we consider Cazador and Astarion as mirrored figures, it makes us think about how much of all of his story is about the eternal cycle of violence and about evilness without salvation. Also, this reflection of one on the other makes us believe that if there is no salvation for Cazador, there shouldn't be salvation for Astarion either; if Astarion can be saved… Cazador should too (after all, we don’t know anything about Cazador’s story). So many things to think about.
All these aspects and topics to think about are what make Cazador-Astarion dynamics worth understanding with a realistic and dark perspective of evilness, without woobifying Astarion as sadly a big part of his fandom does. 
As a note of colour to finish this section, it’s interesting to re-read the paragraph I had written in the first part (Astarion and Power - Part 1) where I briefly described Cazador. If we replace Cazador by the word Astarion we will obtain a curious result:
>>>Astarion has a particular pleasure for control, especially the one related to people’s will (we can see this pleasure progresses over time, increasing it. His need for freedom turns slowly into wanting to have control on everyone, because with power he can do everything he wants to). He enjoys cruelty, humiliation, and torture (read the analysis post done (here), there are dozens of facts showing it). He enjoys playing psychologically with his victims. He also likes to give false hope, making his victims believe that there is hope, removing it right in front of them (the Arabella’s approvals about making her parents believe she is alive when she is not, Mayrina’s hope of reviving her husband).
There are so many questions left in the air: has Cazador imparted Justice? Is 200 years too long for a punishment? I don’t believe there is an easy answer here. First, because we are mixing serious real-life dynamics in a fantasy setup, with the twisted componen of vampirism (a fantasy element always considered an allegory of abuse, power, and rape) and second, despite the analogy is there, and the comparison can be done lightly, Astarion has a particular backstory, with a particular amount of meta-knowledge that makes those answers even more complicated. 
Astarion’s Pain and Shallowness
Back scars scene (full Datamining info)
A pair of videos that pjenn has posted about Astarion’s scars on his back (1) (2) shows that he needs help to read it since he can’t see it in reflective surfaces due to his vampire nature. We get from the narrator: 
* He might be sneering, but you can see pain in his eyes. He needs help, but doesn’t know how to ask. *
What we can infer from this is that Astarion, whether mortal or spawn, never asked for help, and if this is true, I’m confused. If he truly doesn’t know how to ask for help… what had been happening with all the previous interactions he had with Tav? Implicitly asking for help against Cazador? The only answer I have to explain why 25 hours of game with Astarion asking for help against Cazador are suddenly erased and now “he doesn’t know how to ask to”, is that all those 25 hrs are about manipulation. Not a true, honest, clean asking for help. There is not much to say about this scene since it’s entirely under work so far. 
Mirror scene (full Datamining info)
This scene is mostly about vanity and, again, manipulation. 
He doesn't remember the colour of his eyes, and he barely remembers his face. As a vampire, he can‘t see his projection nor cast shadows. He explicitly says that he misses vanity, and even though it may be an honest loss he feels, he doesn’t miss the opportunity to use this moment as another hook to throw at Tav to keep them under his control as well as testing how deep his charm has reached Tav (If Tav shows appreciation, Astarion knows he keeps them under his thumb).
This scene basically shows that, even though evil characters/abusers also suffer (maybe the game would make us reflect eventually about Cazador’s pain?), and Astarion is stating his pain for losing things he appreciated: petty vanity (he can’t see himself in a mirror) and his memories (he has no memory of the colour of his eyes and his face is vague), he is still using all these moments to keep on working on his survival manipulation:
“(Vanity) is an indulgence, I’ll grant you that, but a weakness? A well-presented face can open a lot of doors.”
He has a personal drama, as he stated it at first, and the focus of all his conversation is always about how what he lost was a means for an end too. 
If Tav is the one engaging into being his Mirror, Astarion engages to appraise the reach of his presence in Tav. If Tav simply states it’s a decent face, Astarion will push the engagement for that appraisal. If you mock him about his age and skin, he won’t be offended (after all the moment is not meaningful for him, it’s shallow), and he would insist on a proper praise, because he is trying to taste the ground. 
The moment was meant to be used, and Astarion did it. It was not special to him:
"Mirrors are not much use, but being reflected in someone's else's eyes? I could do much worse.
If we do not derail the conversation in the funny moments where you can mock his beauty, age and skin, we keep gathering more information about what Astarion values the most:
Tav: “Is it all what you want? shallow praise?” Astarion: "Hardly, there is also gold, sex, revenge, quite the list, really. But failing any of those, I will always settle for shallow praise."
There is another option in this scene where Tav says that vanity is a reasonable price for vampire powers, but for once, Astarion is not so eager about this power, because it comes with Cazador. He knows that the price is way much bigger. 
Tav: “Vanity is a small price to pay to have vampire powers”. Astarion: "To you. To me it's just another thing that Cazador took from me".
The only moment when you can get a more emotional reaction is when you mock him about age/beauty/skin. That is how shallow this scene is. If you are a githyanki and your compliments are a list of raw facts about his persona, even if they are good or bad, Astarion can’t appraise Tav with that, and gets frustrated. 
Personally I think this scene has little value per se beyond the comedy, and even less value in terms of lore when you have Disguise spell available for so many characters. Anyone can disguise themselves as Astarion and he would finally see what he looks like… so… more reasons to show how cheap and shallow this scene is. Maybe that was the intention. Maybe it needs more work since, after all, it’s datamining info. There is not much to say about this scene since it’s entirely under work so far. 
The concept of Redemption/endings 
Among the (Datamined information) we have a set of gems under the name of Drunk bear (1) (2) (3) scenes, which speak more about Astarion and his relationship with Cazador and Power.
Tav: “You can start over. You can be better than what he made you.”
Ast: “Exactly. I can be better than him. Stronger, more powerful, more- oh, you meant “be kinder”? Pet bunnies, that sort of thing? I’ve no objection to being nice, of course. Once I have the power to bend others to my will.
T: “You think power lets you do anything free from consequences?”
A: “Well… yes. You can’t look at the world and tell me I’m wrong.”
T: “The strong have a duty to protect the weak”
A: “They’re doing a piss poor job, then. The strong had two centuries to pluck me from torture, but no one came. No, it was the mind flayers that rescued me. They gave me a gift: the strength to take my own freedom. I’m embracing this power- you should too.”
T: “You are free now. That’s what matters.”
A: “Is it? What good is freedom if I'm always watching in the shadows? No. I will be safe when I'm powerful enough to grind cazador into the dust. Powerful enough to do whatever the hell I want.”
T: “Power corrupts. You’d do well to remember that.”
A: “Oh I hope so. A little corruption sounds fun. I spent centuries as the victim of a corrupt man. It was the mind flayers that plucked me away from that.”
So far we see in this scene, Astarion reinforces his evilness, his desire for power, not just enough to save himself from Cazador’s claws, but to control other people, even though mind control is a triggering effect when it affects his own will. I believe in this interaction we see the contrast of the story that Astarion narrates mainly: the abuser who found a more powerful abuser. We shouldn’t forget he comes from a past where he was a corrupt magistrate. These words have almost a hypocrite meaning here. Astarion was a magistrate, by definition, someone who held power and should have helped those in despair, but he was corrupt and did not care. When he became a spawn, he ended up on the other side of the imbalanced power. He was the one asking for a powerful entity to help him, and none came, suffering a similar fate of despair than those who sought in him the concept of Justice and Power Used For Fairness. Like Astarion’s victims found freedom when a twisted creature like Cazador was incorporated into this situation, Astarion was free when the Mind flayers saved him from Cazador. 
I will not repeat this again: Astarion, so far in Early Access, looks like the story that could explain why Cazador is who he is. These scenes bring once more, another of the many proofs along the game where we see that Astarion has not learnt anything from his torment, he has not improved, he has turned into a more twisted and evil man than he was when he was a mortal magistrate, and there is no intentions to become a little more sympathetic. 
This brings me to think that, at least in EA, glimpses of future paths for Astarion may all be related to different degrees of evilness. 
First of all, we need to remember that Astarion is an evil character, and if we assume that what Sven said in several interviews doesn’t change, Larian is going to break the style this worked in bg1 and bg2, not making big shifting of the alignment in companions. For this reason I think these endings would entitle variations of evilness.
Astarion keeps repeating over and over his opinion about power as the only means to have access to his freedom. And as long the game evolves, he began to reinforce the importance of having power to “do whatever he wants”. Considering his tastes (how much he enjoys cruelty and bloodshed) we can agree that Astarion “doing whatever he wants” is not a good thing for Faerûn. He finds murdering a fine show, an entertainment. Certainly Astarion is a child of Bhaal in his fullest. 
He even mocks Tav when they comment about looking for self-improvement. “I can be better than him. Stronger, more powerful, more- oh, you meant “be kinder”? (...) Once I have the power to bend others to my will.” This is Cazador speaking. 
So, considering these details, I would suggest (predict is a too strong a word for this) that we have chances to three different kinds of endings and their variations:
The first one, screaming in all what Astarion does: Astarion becomes a full vampire and ends up as the next Cazador. If his approval is high (or some hidden requirement is met) he can turn his lover into another full vampire. If these requirements are not met, in a spawn, repeating the cycle that Astarion suffered but now, on Tav. 
The second one could be with Astarion killing Cazador remaining as a spawn and an agent of chaos and bloodshed. Maybe his relationship with Tav may help to have certain control on him (since we had seen that Astarion so far has been asking permission to kill npcs when the situation arises, so the MC could be turning into a master of choice.)
The third one, finding the cure of Vampirism, and letting Astarion continue with his life of evil corrupted magister. 
Some people ask about the possibility of a Redemption arc. I hardly see it (especially if I keep in mind how bg1 and bg2 worked, they never offered a “real” redemption arc, just small shifts here and there.)
Redemption could be acquired, according to these fans, using two mechanics. 
Astarion feels compassion out of the blue. He starts to have guilt for his past sins and develops empathy, despising cruelty. How? Who knows, so far in EA it has not been seen even once a hint, a scene, a bit of meta-knowledge in that direction. Honestly, so far we’ve seen, this option seems impossible to me, because Astarion has tons of chances to use the meta-knowledge of his approvals and disapprovals to show regret and empathy, and never happened. His character was always focused on himself, his vanity, his pain, his entertainment (which implies constant approval of cruel actions and torments and humiliation to others, especially the weak ones), his survival. If there is a character more far away from empathy right now in EA, it is Astarion. How do you start a redemption arc without the character showing compassion? No way.
Cure Vampirism. Vampirism is a curse, and therefore in the Forgotten Realm can be cured. But this, under no circumstances, can be considered a redemption arc. There is no redemption at all. The curse is lifted, and Astarion can return to be the same cruel magister he was before. No arc about remorse and empathy. 
His character is the story of an abuser who found a greater abuser and became a victim of the latter, seeking to return to his previous power position but stronger. Despite suffering this abuse, that could be understood as poetic justice (more like accidental justice) at certain point, he never developed empathy for those sharing his conditions. In fact, he cares little to inflict on others what he has exactly suffered. I hardly believe there is something else going on “in layers” in him at the moment, since the meta-knowledge provided by the approval/disapproval shows otherwise. My point is, I see little material here showing change. But again, this is EA.
We can see how this exact detail is managed with Shadowheart, from her we know even less than with Astarion because her memory was erased, but so far, we know she has some soft spots that were never shown explicitly, so Tav is oblivious to this information while the player knows it. 
This post was written on April 2021.  → For more Astarion: Analysis Series Index
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