#but also bobby x johnny in spirit

[hideousvampire]

cobra aliens are here

unfortunately i dont have dutch and tommy ponies yet

[blackkudos]

Gil Scott-Heron

Gilbert Scott-Heron (April 1, 1949 – May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues".

His music, most notably on the albums Pieces of a Man and Winter in America in the early 1970s, influenced and foreshadowed later African-American music genres such as hip hop and neo soul. Scott-Heron is considered by many to be the first rapper/MC ever. His recording work received much critical acclaim, especially one of his best-known compositions, "The Revolution Will Not Be Televised". AllMusic's John Bush called him "one of the most important progenitors of rap music," stating that "his aggressive, no-nonsense street poetry inspired a legion of intelligent rappers while his engaging songwriting skills placed him square in the R&B charts later in his career."

Scott-Heron remained active until his death, and in 2010 released his first new album in 16 years, entitled I'm New Here. A memoir he had been working on for years up to the time of his death, The Last Holiday, was published posthumously in January 2012. Scott-Heron received a posthumous Grammy Lifetime Achievement Award in 2012. He also is included in the exhibits at the National Museum of African American History and Culture (NMAAHC) that officially opened on September 24, 2016, on the National Mall, and in an NMAAHC publication, Dream a World Anew.

Early years

Gil Scott-Heron was born in Chicago, Illinois. His mother, Bobbie Scott, was an opera singer who performed with the New York Oratorio Society. Scott-Heron's father, Gil Heron, nicknamed "The Black Arrow", was a Jamaican soccer player in the 1950s who became the first black man to play for Celtic Football Club in Glasgow. Gil's parents separated in his early childhood and he was sent to live with his maternal grandmother, Lillie Scott, in Jackson, Tennessee. When Scott-Heron was 12 years old, his grandmother died and he returned to live with his mother in The Bronx in New York City. He enrolled at DeWitt Clinton High School, but later transferred to The Fieldston School after impressing the head of the English department with one of his writings and earning a full scholarship. As one of five black students at the prestigious school, Scott-Heron was faced with alienation and a significant socioeconomic gap. During his admissions interview at Fieldston, an administrator asked him, "'How would you feel if you see one of your classmates go by in a limousine while you're walking up the hill from the subway?' And [he] said, 'Same way as you. Y'all can't afford no limousine. How do you feel?'" This type of intractable boldness would become a hallmark of Scott-Heron's later recordings.

After completing his secondary education, Scott-Heron decided to attend Lincoln University in Pennsylvania because Langston Hughes (his most important literary influence) was an alumnus. It was here that Scott-Heron met Brian Jackson with whom he formed the band Black & Blues. After about two years at Lincoln, Scott-Heron took a year off to write the novels The Vulture and The Nigger Factory. Scott-Heron was very heavily influenced by the Black Arts Movement. The Last Poets, a group associated with the Black Arts Movement performed at Lincoln in 1969 and Abiodun Oyewole of that Harlem group said Scott-Heron asked him after the performance, "Listen, can I start a group like you guys?" Scott-Heron returned to New York City, settling in Chelsea, Manhattan. The Vulture was published by the World Publishing Company in 1970 to positive reviews.

Although Scott-Heron never completed his undergraduate degree, he was admitted to the Writing Seminars at Johns Hopkins University, where he received an M.A. in creative writing in 1972. His master's thesis was titled Circle of Stone. Beginning in 1972, Scott-Heron taught literature and creative writing for several years as a full-time lecturer at Federal City College in Washington, D.C. while maintaining his music career.

Recording career

Scott-Heron began his recording career in 1970 with the LP Small Talk at 125th and Lenox. Bob Thiele of Flying Dutchman Records produced the album, and Scott-Heron was accompanied by Eddie Knowles and Charlie Saunders on conga and David Barnes on percussion and vocals. The album's 14 tracks dealt with themes such as the superficiality of television and mass consumerism, the hypocrisy of some would-be black revolutionaries, and white middle-class ignorance of the difficulties faced by inner-city residents. In the liner notes, Scott-Heron acknowledged as influences Richie Havens, John Coltrane, Otis Redding, Jose Feliciano, Billie Holiday, Langston Hughes, Malcolm X, Huey Newton, Nina Simone, and long-time collaborator Brian Jackson.

Scott-Heron's 1971 album Pieces of a Man used more conventional song structures than the loose, spoken-word feel of Small Talk. He was joined by Jackson, Johnny Pate as conductor, Ron Carter on bass and bass guitar, drummer Bernard "Pretty" Purdie, Burt Jones playing electric guitar, and Hubert Laws on flute and saxophone, with Thiele producing again. Scott-Heron's third album, Free Will, was released in 1972. Jackson, Purdie, Laws, Knowles, and Saunders all returned to play on Free Will and were joined by Jerry Jemmott playing bass, David Spinozza on guitar, and Horace Ott (arranger and conductor). Carter later said about Scott-Heron's voice: "He wasn't a great singer, but, with that voice, if he had whispered it would have been dynamic. It was a voice like you would have for Shakespeare."

1974 saw another LP collaboration with Brian Jackson, the critically acclaimed opus Winter in America, with Bob Adams on drums and Danny Bowens on bass. The album contained Scott-Heron's most cohesive material and featured more of Jackson's creative input than his previous albums had. Winter in America has been regarded by many critics as the two musicians' most artistic effort. The following year, Scott-Heron and Jackson released Midnight Band: The First Minute of a New Day. 1975 saw the release of the single "Johannesburg", a rallying cry to the issue of apartheid in South Africa. The song would be re-issued, in 12"-single form, together with "Waiting for the Axe to Fall" and "B-movie" in 1983.

A live album, It's Your World, followed in 1976 and a recording of spoken poetry, The Mind of Gil Scott-Heron, was released in 1978. Another success followed with the hit single "Angel Dust", which he recorded as a single with producer Malcolm Cecil. "Angel Dust" peaked at No. 15 on the R&B charts in 1978.

In 1979, Scott-Heron played at the No Nukes concerts at Madison Square Garden. The concerts were organized by Musicians United for Safe Energy to protest the use of nuclear energy following the Three Mile Island accident. Scott-Heron's song, "We Almost Lost Detroit" was included in the No Nukes album of concert highlights. It alluded to a previous nuclear power plant accident and was also the title of a book by John G. Fuller. Scott-Heron was a frequent critic of President Ronald Reagan and his conservative policies.

Scott-Heron recorded and released four albums during the 1980s: 1980 and Real Eyes (1980), Reflections (1981) and Moving Target (1982). In February 1982, Ron Holloway joined the ensemble to play tenor saxophone. He toured extensively with Scott-Heron and contributed to his next album, Moving Target the same year. His tenor accompaniment is a prominent feature of the songs "Fast Lane" and "Black History/The World". Holloway continued with Scott-Heron until the summer of 1989, when he left to join Dizzy Gillespie. Several years later, Scott-Heron would make cameo appearances on two of Ron Holloway's CDs; Scorcher (1996) and Groove Update (1998), both on the Fantasy/Milestone label.

Scott-Heron was dropped by Arista Records in 1985 and quit recording, though he continued to tour. The same year he helped compose and sang "Let Me See Your I.D." on the Artists United Against Apartheid album Sun City, containing the famous line, "The first time I heard there was trouble in the Middle East, I thought they were talking about Pittsburgh". The song compares racial tensions in the U.S. with those in apartheid-era South Africa, implying that the U.S. was not too far ahead in race relations. In 1993, he signed to TVT Records and released Spirits, an album that included the seminal track "'Message to the Messengers". The first track on the album criticized the rap artists of the day. Scott-Heron is known in many circles as "the Godfather of rap" and is widely considered to be one of the genre's founding fathers. Given the political consciousness that lies at the foundation of his work, he can also be called a founder of political rap. Message to the Messengers was a plea for the new generation of rappers to speak for change rather than perpetuate the current social situation, and to be more articulate and artistic. Regarding hip hop music in the 1990s, he said in an interview:

They need to study music. I played in several bands before I began my career as a poet. There's a big difference between putting words over some music, and blending those same words into the music. There's not a lot of humor. They use a lot of slang and colloquialisms, and you don't really see inside the person. Instead, you just get a lot of posturing.

Later years

Prison terms and more performing

In 2001, Scott-Heron was sentenced to one to three years imprisonment in a New York State prison for possession of cocaine. While out of jail in 2002, he appeared on the Blazing Arrow album by Blackalicious. He was released on parole in 2003, the year BBC TV broadcast the documentary Gil Scott-Heron: The Revolution Will Not Be Televised—Scott-Heron was arrested for possession of a crack pipe during the editing of the film in October 2003 and received a six-month prison sentence.

On July 5, 2006, Scott-Heron was sentenced to two to four years in a New York State prison for violating a plea deal on a drug-possession charge by leaving a drug rehabilitation center. He claimed that he left because the clinic refused to supply him with HIV medication. This story led to the presumption that the artist was HIV positive, subsequently confirmed in a 2008 interview. Originally sentenced to serve until July 13, 2009, he was paroled on May 23, 2007.

After his release, Scott-Heron began performing live again, starting with a show at SOB's restaurant and nightclub in New York on September 13, 2007. On stage, he stated that he and his musicians were working on a new album and that he had resumed writing a book titled The Last Holiday, previously on long-term hiatus, about Stevie Wonder and his successful attempt to have the birthday of Martin Luther King Jr. declared a federally recognized holiday in the United States.

Malik Al Nasir dedicated a collection of poetry to Scott-Heron titled Ordinary Guy that contained a foreword by Jalal Mansur Nuriddin of The Last Poets. Scott-Heron recorded one of the poems in Nasir's book entitled Black & Blue in 2006.

In April 2009, on BBC Radio 4, poet Lemn Sissay presented a half-hour documentary on Gil Scott-Heron entitled Pieces of a Man, having interviewed Gil Scott-Heron in New York a month earlier. Pieces of a Man was the first UK announcement from Scott-Heron of his forthcoming album and return to form. In November 2009, the BBC's Newsnight interviewed Scott-Heron for a feature titled The Legendary Godfather of Rap Returns. In 2009, a new Gil Scott-Heron website, gilscottheron.net, was launched with a new track "Where Did the Night Go" made available as a free download from the site.

In 2010, Scott-Heron was booked to perform in Tel Aviv, Israel, but this attracted criticism from pro-Palestinian activists, who stated: "Your performance in Israel would be the equivalent to having performed in Sun City during South Africa's apartheid era... We hope that you will not play apartheid Israel". Scott-Heron responded by canceling the performance.

I'm New Here

Scott-Heron released his album I'm New Here on independent label XL Recordings on February 9, 2010. Produced by XL label owner Richard Russell, I'm New Here was Scott-Heron's first studio album in 16 years. The pair started recording the album in 2007, with the majority of the record being recorded over the 12 months leading up to the release date with engineer Lawson White at Clinton Studios in New York. I'm New Here is 28 minutes long with 15 tracks; however, casual asides and observations collected during recording sessions are included as interludes.

The album attracted critical acclaim, with The Guardian's Jude Rogers declaring it one of the "best of the next decade", while some have called the record "reverent" and "intimate", due to Scott-Heron's half-sung, half-spoken delivery of his poetry. In a music review for public radio network NPR, Will Hermes stated: "Comeback records always worry me, especially when they're made by one of my heroes ... But I was haunted by this record ... He's made a record not without hope but which doesn't come with any easy or comforting answers. In that way, the man is clearly still committed to speaking the truth". Writing for music website Music OMH, Darren Lee provided a more mixed assessment of the album, describing it as rewarding and stunning, but he also states that the album's brevity prevents it "from being an unassailable masterpiece".

Scott-Heron described himself as a mere participant in an interview with The New Yorker:

This is Richard's CD. My only knowledge when I got to the studio was how he seemed to have wanted this for a long time. You're in a position to have somebody do something that they really want to do, and it was not something that would hurt me or damage me—why not? All the dreams you show up in are not your own.

The remix version of the album, We're New Here, was released in 2011, featuring production by English musician Jamie xx, who reworked material from the original album. Like the original album, We're New Here received critical acclaim.

In April 2014, XL Recordings announced a third album from the I'm New Here sessions, titled Nothing New. The album consists of stripped-down piano and vocal recordings and was released in conjunction with Record Store Day on April 19, 2014.

Death

Scott-Heron died on the afternoon of May 27, 2011, at St. Luke's Hospital, New York City, after becoming ill upon returning from a European trip. Scott-Heron had confirmed previous press speculation about his health, when he disclosed in a 2008 New York Magazine interview that he had been HIV-positive for several years, and that he had been previously hospitalized for pneumonia.

He was survived by his firstborn daughter, Raquiyah "Nia" Kelly Heron, from his relationship with Pat Kelly; his son Rumal Rackley, from his relationship with Lurma Rackley; daughter Gia Scott-Heron, from his marriage to Brenda Sykes; and daughter Chegianna Newton, who was 13 years old at the time of her father's death. He is also survived by his sister Gayle; brother Denis Heron, who once managed Scott-Heron; his uncle, Roy Heron; and nephew Terrance Kelly, an actor and rapper who performs as Mr. Cheeks, and who was a member of Lost Boyz.

Before his death, Scott-Heron had been in talks with Portuguese director Pedro Costa to participate in his film Horse Money as a screenwriter, composer and actor.

After Scott-Heron's death, Malik Al Nasir told The Guardian's Simon Hattenstone of the kindness that Scott-Heron had showed him throughout his adult life since meeting the poet back stage at a gig in Liverpool in 1984. The BBC World Service covered the story on their Outlook program with Matthew Bannister, which took the story global. It was subsequently covered in other media such as BBC Radio 4's Saturday Live, where jazz musician Al Jarreau paid tribute to Gil, and was mentioned the U.S. edition of Rolling Stone and The Huffington Post. Malik & the O.G's performed a tribute to Scott-Heron at the Liverpool International Music Festival in 2013 with jazz composer Orphy Robinson of The Jazz Warriors and Rod Youngs from Gil's band The Amnesia Express. Another tribute was performed at St. Georges Hall in Liverpool on August 27, 2015, called "The Revolution will be Live!", curated by Malik Al Nasir and Richard McGinnis for Yesternight Productions. The event featured Talib Kweli, Aswad, The Christians, Malik & the O.G's, Sophia Ben-Yousef and Cleveland Watkiss as well as DJ 2Kind and poet, actor, and radio DJ Craig Charles. The tribute was the opening event for 2015 Liverpool International Music Festival.

In response to Scott-Heron's death, Public Enemy's Chuck D stated "RIP GSH...and we do what we do and how we do because of you" on his Twitter account. His UK publisher, Jamie Byng, called him "one of the most inspiring people I've ever met". On hearing of the death, R&B singer Usher stated: "I just learned of the loss of a very important poet...R.I.P., Gil Scott-Heron. The revolution will be live!!". Richard Russell, who produced Scott-Heron's final studio album, called him a "father figure of sorts to me", while Eminem stated: "He influenced all of hip-hop". Lupe Fiasco wrote a poem about Scott-Heron that was published on his website.

Scott-Heron's memorial service was held at Riverside Church in New York City on June 2, 2011, where Kanye West performed "Lost in the World" and "Who Will Survive in America", two songs from West's album My Beautiful Dark Twisted Fantasy. The studio album version of West's "Who Will Survive in America" features a spoken-word excerpt by Scott-Heron. Scott-Heron is buried at Kensico Cemetery in Westchester County in New York.

Scott-Heron was honored posthumously in 2012 by the National Academy of Recording Arts and Sciences with a Grammy Lifetime Achievement Award. Charlotte Fox, member of the Washington, DC NARAS and president of Genesis Poets Music, nominated Scott-Heron for the award, while the letter of support came from Grammy award winner and Grammy Hall of Fame inductee Bill Withers.

Scott-Heron's memoir, The Last Holiday, was published in January 2012. In her review for the Los Angeles Times, professor of English and journalism Lynell George wrote:

The Last Holiday is as much about his life as it is about context, the theater of late 20th century America — from Jim Crow to the Reagan '80s and from Beale Street to 57th Street. The narrative is not, however, a rise-and-fall retelling of Scott-Heron's life and career. It doesn't connect all the dots. It moves off-the-beat, at its own speed ... This approach to revelation lends the book an episodic quality, like oral storytelling does. It winds around, it repeats itself.

Scott-Heron's estate

At the time of Scott-Heron's death, a will could not be found to determine the future of his estate. Additionally, Raquiyah Kelly-Heron filed papers in Manhattan, New York's Surrogate's Court in August 2013, claiming that Rumal Rackley is not Scott-Heron's son and should therefore be omitted from matters concerning the musician's estate.According to the Daily News website, Rackley, Kelly-Heron and two other sisters have been seeking a resolution to the issue of the management of Scott-Heron's estate, as Rackley stated in court papers that Scott-Heron prepared him to be the eventual administrator of the estate. Scott-Heron's 1994 album Spirits was dedicated to "my son Rumal and my daughters Nia and Gia", and in court papers Rackley added that Scott-Heron introduced me [Rackley] from the stage as his son."

In 2011, Rackley filed a suit against sister Gia Scott-Heron and her mother, Scott-Heron's first wife, Brenda Sykes, as he believed they had unfairly attained US$250,000 of Scott-Heron's money. The case was later settled for an undisclosed sum in early 2013; but the relationship between Rackley and Scott-Heron's two adult daughters already had become strained in the months after Gil's death. In her submission to the Surrogate's Court, Kelly-Heron states that a DNA test completed by Rackley in 2011—using DNA from Scott-Heron's brother—revealed that they "do not share a common male lineage", while Rackley has refused to undertake another DNA test since that time. A hearing to address Kelly-Heron's filing was scheduled for late August 2013, but by March 2016 further information on the matter was not publicly available. Rackley still serves as court-appointed administrator for the estate, and donated material to the Smithsonian's new National Museum of African American History and Culture for Scott-Heron to be included among the exhibits and displays when the museum opened in September 2016. In December 2018, the Surrogate Court ruled that Rumal Rackley and his half sisters are all legal heirs.

According to the Daily News website, Kelly-Heron and two other sisters have been seeking a resolution to the issue of the management of Scott-Heron's estate. The case was decided in December 2018 with a ruling issued in May 2019.

Influence and legacy

Scott-Heron's work has influenced writers, academics and musicians, from indie rockers to rappers. His work during the 1970s influenced and helped engender subsequent African-American music genres, such as hip hop and neo soul. He has been described by music writers as "the godfather of rap" and "the black Bob Dylan".

Chicago Tribune writer Greg Kot comments on Scott-Heron's collaborative work with Jackson:

Together they crafted jazz-influenced soul and funk that brought new depth and political consciousness to '70s music alongside Marvin Gaye and Stevie Wonder. In classic albums such as 'Winter in America' and 'From South Africa to South Carolina,' Scott-Heron took the news of the day and transformed it into social commentary, wicked satire, and proto-rap anthems. He updated his dispatches from the front lines of the inner city on tour, improvising lyrics with an improvisational daring that matched the jazz-soul swirl of the music".

Of Scott-Heron's influence on hip hop, Kot writes that he "presag[ed] hip-hop and infus[ed] soul and jazz with poetry, humor and pointed political commentary". Ben Sisario of The New York Times writes that "He [Scott-Heron] preferred to call himself a "bluesologist", drawing on the traditions of blues, jazz and Harlem renaissance poetics". Tris McCall of The Star-Ledger writes that "The arrangements on Gil Scott-Heron's early recordings were consistent with the conventions of jazz poetry – the movement that sought to bring the spontaneity of live performance to the reading of verse". A music writer later noted that "Scott-Heron's unique proto-rap style influenced a generation of hip-hop artists", while The Washington Post wrote that "Scott-Heron's work presaged not only conscious rap and poetry slams, but also acid jazz, particularly during his rewarding collaboration with composer-keyboardist-flutist Brian Jackson in the mid- and late '70s". The Observer's Sean O'Hagan discussed the significance of Scott-Heron's music with Brian Jackson, stating:

Together throughout the 1970s, Scott-Heron and Jackson made music that reflected the turbulence, uncertainty and increasing pessimism of the times, merging the soul and jazz traditions and drawing on an oral poetry tradition that reached back to the blues and forward to hip-hop. The music sounded by turns angry, defiant and regretful while Scott-Heron's lyrics possessed a satirical edge that set them apart from the militant soul of contemporaries such as Marvin Gaye and Curtis Mayfield.

Will Layman of PopMatters wrote about the significance of Scott-Heron's early musical work:

In the early 1970s, Gil Scott-Heron popped onto the scene as a soul poet with jazz leanings; not just another Bill Withers, but a political voice with a poet's skill. His spoken-voice work had punch and topicality. "The Revolution Will Not Be Televised" and "Johannesburg" were calls to action: Stokely Carmichael if he'd had the groove of Ray Charles. 'The Bottle' was a poignant story of the streets: Richard Wright as sung by a husky-voiced Marvin Gaye. To paraphrase Chuck D, Gil Scott-Heron's music was a kind of CNN for black neighborhoods, prefiguring hip-hop by several years. It grew from the Last Poets, but it also had the funky swing of Horace Silver or Herbie Hancock—or Otis Redding. Pieces of a Man and Winter in America (collaborations with Brian Jackson) were classics beyond category".

Scott-Heron's influence over hip hop is primarily exemplified by his definitive single "The Revolution Will Not Be Televised", sentiments from which have been explored by various rappers, including Aesop Rock, Talib Kweli and Common. In addition to his vocal style, Scott-Heron's indirect contributions to rap music extend to his and co-producer Jackson's compositions, which have been sampled by various hip-hop artists. "We Almost Lost Detroit" was sampled by Brand Nubian member Grand Puba ("Keep On"), Native Tongues duo Black Star ("Brown Skin Lady"), and MF Doom ("Camphor"). Additionally, Scott-Heron's 1980 song "A Legend in His Own Mind" was sampled on Mos Def's "Mr. Nigga", the opening lyrics from his 1978 recording "Angel Dust" were appropriated by rapper RBX on the 1996 song "Blunt Time" by Dr. Dre, and CeCe Peniston's 2000 song "My Boo" samples Scott-Heron's 1974 recording "The Bottle".

In addition to the Scott-Heron excerpt used in "Who Will Survive in America", Kanye West sampled Scott-Heron and Jackson's "Home is Where the Hatred Is" and "We Almost Lost Detroit" for the songs "My Way Home" and "The People", respectively, both of which are collaborative efforts with Common. Scott-Heron, in turn, acknowledged West's contributions, sampling the latter's 2007 single "Flashing Lights" on his final album, 2010's I'm New Here.

Scott-Heron admitted ambivalence regarding his association with rap, remarking in 2010 in an interview for the Daily Swarm: "I don't know if I can take the blame for [rap music]". As New York Times writer Sisario explained, he preferred the moniker of "bluesologist". Referring to reviews of his last album and references to him as the "godfather of rap", Scott-Heron said: "It's something that's aimed at the kids ... I have kids, so I listen to it. But I would not say it's aimed at me. I listen to the jazz station." In 2013, Chattanooga rapper Isaiah Rashad recorded an unofficial mixtape called Pieces of a Kid, which was greatly influenced by Heron's debut album Pieces of a Man.

Following Scott-Heron's funeral in 2011, a tribute from publisher, record company owner, poet, and music producer Malik Al Nasir was published on The Guardian's website, titled "Gil Scott-Heron saved my life".

In the 2018 film First Man, Scott-Heron is a minor character and is played by soul singer Leon Bridges.

He is one of eight significant people shown in mosaic at the 167th Street renovated subway station on the Grand Concourse in the Bronx that reopened in 2019.

[eddycurrents]

For the week of 9 April 2018

Quick Bits:

Animosity: Evolution #5 gets to the heart of the criminal enterprise undermining Wintermute’s authority, operating the black market, and what they’ve been trying to accomplish. This arc has definitely been interesting so far, showing that the animal organizations aren’t really all too different from their human counterparts.

| Published by AfterShock

Avengers #688 raises the stakes higher as we speed towards the conclusion of “No Surrender”. While the Challenger flips the table on the game, this issue takes its perspective from Quicksilver, setting up the next stage for his forthcoming Quicksilver: No Surrender limited series.

| Published by Marvel

Barbarella #5 tosses in some more weird science as Barbarella and Vix go prospecting for RUST.

| Published by Dynamite

Bloodshot Salvation #8 begins to marry up the timelines, such that the present is becoming the “soon” timeline that began in the first issue, as Bloodshot travels through the Deadside and we find out how he got tossed into the future. It’s interesting to see how Jeff Lemire’s non-linear threads have been playing out through the story.

| Published by Valiant

Brothers Dracul #1 reunites the team of Cullen Bunn and Mirko Colak, having recently completed the Unholy Grail series, here for an interesting take on the Vlad Tepes story and the Dracula myth. Bunn takes a different approach to the myth, rooting it in much of the recorded history of Vald, his family, and Wallachia under Ottoman rule and it results in a much more grounded story. At least for the first issue. The art from Colak, with colours by Maria Santaolalla, is also great.

| Published by AfterShock

Captain America #700 is Chris Samnee’s last issue on the series, and the last of his work at Marvel for the time being, and he sure does go out with a bang. Samnee and Mark Waid stitch up a conclusion to the Cap in the future arc, although there are some interesting ramifications of the story to unpack, including presenting an idea of the futility of hope. That’s probably bleaker than the creative team necessarily intended it to be read as.

| Published by Marvel

Champions #19 begins the next chapter in the team’s chronicles, with Jim Zub and Sean Izaakse taking over as the new creative team. The art from Izaakse and colourist Marcio Menyz is wonderful throughout, including some great character designs. It’s also interesting to see how Zub has the team approaching new recruits like Ironheart as they try to figure out how the new pieces fit.

| Published by Marvel

Cold War #3 dives into the past of two survivors this time, giving us a look into the history and personalities of LQ and Johnny. Even as the latter fights for relevance and control in the present, seemingly unable to accept the leadership of Vinh or her attempts to protect everyone remaining. Then Christopher Sebela drops another bomb on us as to the state of this future.

| Published by AfterShock

Crude #1 is an interesting beginning, setting up a bit of a mystery involving the death of the son of a former Russian agent, as he gets dragged back into a seedy, harsh existence to hunt down his son’s murderers. Steve Orlando begins this first issue mostly as set-up, flashing back through both Piotr and, his son, Kiril’s lives before getting us to the main plot and arrival at the setting, and source for the title.

| Published by Image / Skybound

The Dead Hand #1 is an impressive debut, capturing perfectly the intrigue and action of a Cold War thriller, matched with the bleakness of more modern interpretations of Russia and a twist that you’ll never see coming. Kyle Higgins’ Image outings tend to be wonderful reads, like COWL and Hadrian’s Wall, and this series seems no different so far. It’s also great to see Stephen Mooney providing the line art here, his style is perfectly suited to spy and thriller stories, especially as coloured here by Jordie Bellaire.

| Published by Image

Deadly Class #33 continues to tear everything down, blow everything up, or beat it into a bloody pulp. Nothing seems to be safe. Rick Remender and Wes Craig seem intent on putting everyone through the wringer, and Craig (with colours from Jordan Boyd) is reminding everyone why he’s one of the best artists working in comics today.

| Published by Image / Giant Generator

Doctor Strange #388 is another integral part of the Damnation event, diving into Strange’s possession and what’s going on with the other fallen heroes current plaguing Vegas at Mephisto’s behest. The story from Donny Cates is good, weird, and has Niko Henrichon at the very top of his game.

| Published by Marvel

Domino #1 is damn great. In some ways, it feels like old home week, as Gail Simone brings back some of the characters and stylistic quirks from her time writing Deadpool and Agent X, complete with the humour, action, and absurdity, but at the same time, this feels fresh. It’s not as over the top as the other two outings and it makes for what feels to me like a better story. It also makes the humour pop a bit more as it feels natural. Also, the art from David Baldeón and Jesus Aburtov is gorgeous. Baldeón surprised me with how great his art has become on Spirits of Vengeance and here he’s bringing it to an even higher level. This first issue is fun and comes very recommended.

| Published by Marvel

Dry County #2 sets up the mystery. After being embroiled in Janet’s life as a kind of sad sack saviour in the first issue, Lou gets his hopes dashed by her kidnapping this issue. If it follows traditional Miami Noir themes, I have my suspicions about it, but here Rich Tommaso plays it straight and uses it to start Lou down the path to find out what happened to her.

| Published by Image

Exiles #1 begins a gathering the team arc, as Blink is drafted back into the multiverse-saving business by the reappearance of the Tallus and the Unseen’s premonitions of the white fire of nothingness caused by the Time Eater. Saladin Ahmed does a great job of playing with Exiles history and Marvel ephemera in constructing this first issue, but the real star is the artwork. Javier Rodríguez is one of Marvel’s underrated talents who really should be heralded as a superstar. Here, he, Álvaro López, and Jordie Bellaire make this issue one of the most visually interesting on the stands, with great page layouts, interesting panel transitions, phenomenal use of page for storytelling effect, and unique character designs. This is a great start and I’m dying to see more.  

| Published by Marvel

Gideon Falls #2 continues a slow burn through the story, focusing on both Norton and Father Fred’s experiences with the black barn, and the world beyond them not believing their respective stories. It’s a common horror and mystery thread, but it’s still interesting how Jeff Lemire is framing the narrative and building the characters through the dialogue. Also, the art from Andrea Sorrentino and Dave Stewart continues to be amazing. 

| Published by Image

Ninja-K #6 plays with a number of the messes that have yet to be cleaned up across the Valiant universe. It’s interesting to see Christos Gage play with the toys, with visceral art from Juan José Ryp and Jordie Bellaire.

| Published by Valiant

No. 1 With a Bullet #6 is a brilliant end to what has been an excellent series. Jacob Semahn, Jorge Coello, and Jen Hickman have a story here that is relevant in today’s society obsessed with social media, and delves deep into what can happen when that obsession turns deadly and debilitating. There’s one last twist this issue and the art, especially as it simulates the current state of Nash’s eyesight, is amazing. I highly recommend this series.

| Published by Image

Oblivion Song #2 fleshes out a bit more what happened from Earth’s perspective on the day that parts of Philadelphia fell into Oblivion. It’s interesting to see it unfold, especially in relation to the two recent survivors who came back. It’s slow going, and there are oblique character moments, but it’s enthralling.

| Published by Image

The October Faction: Supernatural Dreams #2 sees the summoned demon wandering around, causing havoc, raising hell. Oh, and Geoff and Vivian get their butts handed to them.

| Published by IDW

Prism Stalker #2, like the first issue, is very, very strange. On the one hand, it’s presented and illustrated by Sloane Leong as this surrealist weird comic that almost defies classification. Kind of like some of the silent indie comics out there that are more experienced than “read”. On the other hand, the story Leong presents is fairly mundane, one of coming of age in what appears to be an oppressive alien society. I’m not really sure what to make of it still, but it has my attention.

| Published by Image

ROM & The Micronauts #4 gets the full band back together in our world as the final battle against Baron Karza and the Dire Wraiths looms on the horizon. Christos Gage waxes philosophical on physical and emotional change, and how love will find a way in strange cases, but what’s really pushing us towards the final battle is the promise of raising the Lovecraftian monstrosity at the heart of the Earth.

| Published by IDW

Sleepless #5 works further on the intrigue going on, revealing that some of the plots may not have been put into motion by who we may have be led to believe previously.

| Published by Image

Sword of Ages #3 has the crap hit the fan. Some of the political machinations come to a head and it’s all pretty glorious. Gabriel Rodríguez is telling an incredible story here, adapting Arthurian legend in a very unique way.

| Published by IDW

Teenage Mutant Ninja Turtles #81 is a densely packed narrative, picking up on the threads from the recently concluded Triceratons arc, the running undercurrent of Splinter’s ideas for the Foot Clan, while also spilling out the return of the Rat King after TMNT Universe #19. There’s a lot going on, but I’d argue that Kevin Eastman, Bobby Curnow, and Tom Waltz make it accessible and interesting. Aiding in that effort is phenomenal art from Dave Wachter and Ronda Pattison.

| Published by IDW

Thanos #18 concludes “Thanos Wins” and with it this chapter of the Mad Titan’s adventures (apart from a forthcoming annual in a couple of weeks). This issue is big and epic and has a very interesting ending. Donny Cates, Geoff Shaw, and Antonio Fabela have outdone themselves.

| Published by Marvel

Vs. #3 gets a look at the ruling class in this world, trying to figure out why Flynn’s ratings remain high despite him continuing to suffer losses. It’s a little dry, but it does set up some further conflict between Flynn and Devi, and continues to draw some beautiful art from Esad Ribić.

| Published by Image

X-Men Blue #25 gives us a main story with Magneto’s confrontation of Miss Sinister and her allies, while Polaris and the other remaining X-Men lick their wounds in Madripoor. There’s also a back-up that serves as a bridge between the “Poison X” and Venomized stories for the original five and Venom, with some really nice art by Mike Perkins and Andy Troy.

| Published by Marvel

X-Men Red #3 gives some more oblique hints at what’s really going on, as anti-mutant hysteria begins reaching critical mass and attacks, protests, and riots begin to spill over. Tom Taylor is aptly using parallels to current events across America and the world here and it makes it a bit scarier.

| Published by Marvel

Other Highlights: Algeria is Beautiful Like America, The Archies #6, Astonisher #6, The Beauty #21, Ben Reilly: The Scarlet Spider #17, The Despicable Deadpool #298, DuckTales #8, Eternal Empire #8, Falcon #7, Ghost Money #9, James Bond: Casino Royale, Minky Woodcock: The Girl Who Handcuffed Houdini #4, Old Man Logan #38, Planets of the Apes: Ursus #4, Resident Alien: An Alien in New York #1, Rick Veitch’s The One #3, Rose #10, Shock, Spider-Man vs. Deadpool #31, Star Wars: Darth Vader #14, Star Wars: Thrawn #3, Tomb Raider: Survivor’s Crusade #4, The Unbeatable Squirrel Girl #31, Venomized #2

Recommended Collections: Aliens/Predator/Prometheus: Fire & Stone, Cable - Volume 2: Newer Mutants, Clover Honey, Coyotes - Volume 1, Deadpool vs. Old Man Logan, DuckTales: Mysteries and Mallards, Family Trade - Volume 1, Jean Grey - Volume 2: Final Fight, Lazarus X+66, Peter Parker: The Spectacular Spider-Man - Volume 2: Most Wanted, Rock Candy Mountain - Volume 2, Spider-Man/Deadpool - Volume 5: Arms Race, TMNT/Usagi Yojimbo - Expanded Edition, Transformers: Till All Are One - Volume 3, The Unbelievable Gwenpool - Volume 5: Lost in the Plot, Underwhere

d. emerson eddy tried to make a souffle a few days ago. It fell.

[moscarific]

Dear Purim Gifts Creator

Dear Followers, this is a half-finished letter but I wanted to turn in my sign-up form. I’ll reblog when it’s all done on the extreme off-chance that anyone cares. 

Hi! And thank you!

I have never done this exchange before, but in a flurry of what might be terrible decisions (and a significant Yuletide hangover) I am going for it. Despite being new to this particular shindig, I am a certified Fandom Grandparent at this point. I will be grateful and excited for whatever you create for me, and I will love that we have shared fandoms that we connect on. Most of my favorite gift fanworks have been the gifts I didn’t expect to receive and couldn’t have come up with myself. Basically, give me gifts that you enjoyed creating (and avoid my DNWs) and I will be thrilled.

Let’s get the DNWs out of the way first. 

No pregnancy, no childbirth, no babies or little kids - this is very nearly a bulletproof squick. 

Please don’t center my gifts around romantic/sexual pairings that I didn’t explicitly request. Crossovers are the exception - go wild with the crack pairings if you cross over two or more of my fandoms.

For fic, no AUs that change the setting or time period of canon (e.g. no Star Trek coffeeshop AUs, no Schitt’s Creek in space), although this is fine for graphics. 

Please do not depict canonically cis male characters as trans women. I am here for your nonbinary/genderqueer/genderfluid/agender headcanons, though.

Please do not depict characters as Jewish unless they are Jewish canonically (or gray-canonically; see individual character prompts below). Writing non-Jewish characters participating in Jewish traditions or rituals alongside Jewish characters is great, though!

Please don’t create crossovers with fandoms I didn’t request. In other words, bring me all of your West Wing/X-Men/B99 shenanigans, but don’t throw She-Ra or Spider-man in there.

I like many more things than I dislike! 

This is intended as an off-the-wall exchange, so be as goofy as you like. Bring on your most ridiculous tropes (tentacles! sex pollen! fake dating! Q made them do it!) and feel free to cross over any and all of my requested fandoms. 

I do not require porn, but I do enjoy it: oral sex, eroticized hands, drag/gender play, shower sex, public/outdoor sex. 

I am Jewish and will be really excited about gifts that explore Jewish themes in a thoughtful and creative way.

I am queer, a lot of the characters I’m requesting are queer, and I will be really excited about gifts that explore how queerness intersects with Judaism and/or female identity.

Please be nerdy about contemporary American and/or world politics, if that appeals to you.

Most of the fandoms I’m requesting have strong themes of found family/logical family, and I will enjoy gifts that explore those themes.

Individual fandoms and character requests!

I am equally excited to receive gifts in any of the fandoms I’ve requested! For each one, I’ll list characters, the criteria under which they fit in with the spirit of Purim Gifts (woman, Jewish, and/or persecuted by an evil vizier), and a brief description of why I want to receive gifts about them. If all my gifts are about one character in one fandom, that’s great; if each gift is about a different person in a different fandom, that’s also great. Create what you know and go with what inspires you.

Brooklyn Nine-Nine

Rosa Diaz (woman) - I love that Rosa has a tough exterior but is warm and cuddly inside. She’s the most fun when she’s letting her guard down a little. I don’t ship her with anyone in particular, although I would not be opposed to an Adrian Pimento reunion or a crossover romance with Stevie Budd. I love her friendships with Jake and with Amy.

Amy Santiago (woman) - I enjoy Amy’s fussiness and anal-retentiveness, especially when it’s played for laughs, but my favorite Amy is drunk Amy. She and Jake are clearly meant to be, although I don’t really want to read porn of them. I enjoy her friendships with Rosa and with Holt.

Crooked Media RPF

Jon Lovett (Jewish) - I would love to receive gifts that explore and celebrate Lovett’s Jewishness. How does his background inform his political and/or moral views? How is his Jewishness figuring into his upcoming wedding? That wedding can stick to canon/real life and be Lovett/Ronan, or give me Lovett/Favreau or Lovett/Tommy or Lovett/Favreau/Tommy.

Schitt’s Creek

Stevie Budd (woman) - Stevie is hilariously deadpan and aloof to hide the fact that she’s a marshmallow who finds most people endearing, especially the Roses. I love her friendships with both David and Johnny, and I’d enjoy seeing her learn about Judaism through them. I also feel like there’s unfinished Stevie/David business and a great deal of room for a Stevie/Rosa Diaz crossover. Or tell me about her relationship with the aunt she inherited the motel from.

Alexis Rose (woman, Jewish, persecuted by evil vizier) - You have a chance at the Purim Gifts trifecta on this one, since Alexis’s misadventures in Saudi Arabia suggest she might have actually been persecuted by an evil vizier at some point. I love Alexis’s moments of stealthy competence - she’s a pretty good receptionist and great at foiling shoplifters - her warm relationship with David, and the way her relationship with Moira develops throughout the show. She and Ted belong together, but I also lowkey ship her with Twyla.

David Rose (Jewish) - There are zero things I don’t love about David, so it is hard to reduce my feelings to a few sentences. His romance with Patrick is one of the sweetest things I have seen on television, and I also feel like he has unfinished romantic business with Stevie. I am also very much auditioning crossover fic with Bobby Drake here. His relationships with all of his family members are distinct and interesting, and would be a good avenue into exploring his Jewish identity.

Star Trek: The Next Generation

Deanna Troi (woman) - One of my main takeaways from recent rewatch activities is that Counselor Troi is secretly a badass, and Marina Sirtis’s extraordinary acting skills got swallowed up too often by poor writing. Bring me stories about Troi smacking down oppression with her skills and ingenuity! I have a little headcanon about her getting recruited by Section 31 post-series. Troi/Riker, Troi/Worf, or Troi/femslash of your choice would all please me.

Worf (Jewish) - Worf’s adoptive human parents, the Rozhenkos, are coded Jewish. Did Worf convert at some point in his childhood? Did he become a Bar Mitzvah? What Jewish traditions or rituals are still meaningful to him? How does his Jewish upbringing intersect with his Klingon identity? I ship Worf/Dax a lot, Worf/Troi is also great, and I would enjoy seeing his non-romantic relationships with Martok, Data, or Odo explored.

Star Trek: Deep Space Nine

Worf (Jewish) - see ST:TNG above.

Jadzia Dax (woman) - Well, close enough to being a woman to count for the purposes of this challenge, although she’s solidly in the genderqueer space no matter how you interpret it. Which is one of the things I’d love to see explored. She’s also an eight-layer jawbreaker of coping mechanisms and habits, and it’s always interesting when those break down or get challenged. How does she respond to finding out about Worf’s Jewish background, and how do they celebrate that together? I’m a little bored with Jadzia/Lenara and have no time for Jadzia/Bashir but would enjoy Jadzia/Kira or Jadzia/Leeta, as well as her friendships with Ben Sisko or Odo.

The West Wing

Toby Ziegler (Jewish) - I love how the show explores Toby’s Judaism, and especially how it shapes his ethics. Solve one of the show’s biggest problems by explaining how Toby’s Jewish ethics led him to leak the information about the military spacecraft! Explore Toby’s process as a writer! Do something fun with him and CJ, either romantically or as friends! 

X-Men Comics

[coming soon]

[visceralcalum]

Pilot - Part 1

Word Count - 1881

Pairing - Dean x OC 

Warnings - language, blood, death, basically everything supernatural offers

A/N Here you go, I’m gonna give it a shot with this and see how it goes. This one is mostly prologue and the start of the pilot.  Please leave comments or send them to me privately if you want! I’m not great at this, honestly no clue how this works since i’m used to ao3, comments are definitely welcome! If you wanna get tagged, also please ask! If part 2 is uploaded I’ll edit this post and put the link in the bottom :)

Prologue She stretched on her toes, attempting to get the last remnant of the white walls with the thick brush. She cringed when her arm came in contact with the wet paint. She’ll have to redo that section for a perfect porcelain finish, she thought as she dipped her brush in the tub lying a few centimeters away from her feet. With a steady hand, she brought the bristles down the wall, watching them leave a trail of red behind, hiding the faint marks left from the posters of her Johnny Depp phase. She did a double coat on that section as she remembered how she would stay awake attempting to differentiate the shades of brown in his eyes.

As she stepped back, she twirled around the room as the old sheets protecting her carpet from paint spill, wrapped around her ankles. She glanced, letting her eyes jump of the four walls, remembering the many photographs she had stored on them. There was her high school graduation photo, where she was smiling at her grandmother instead of the lens. One of her old best friends stood next to her, showing the camera her diploma with a sly smile, as the tassels of her cap fell on her face, visibly annoying her. Then there was the photograph of her family on a beach somewhere in Spain when she was just a baby that sat on her dresser, and above her desk she used to have the photographs from her photography phase from freshman year.

And then there was the one that used to hang next to her window, the one with the broken frame. It was her most recent picture, and with recent, she meant about 5 years old. A picture of her and the Winchester brothers.

The boy on the left was about 17 years old when the picture was taken, he was slightly taller than the other guy and he was wearing a plaid t-shirt. The boy, Sam, would be, what, 22 years right now? She counted on her fingers. Yeah, 22. That would make Dean, the other boy, 26 at this moment. Dean was leaning against the car behind them, a 67’ Chevrolet Impala. He was laughing at some cheesy joke she just told him.

It’s been two years since she last saw either of them, mainly because Sam went to Stanford, and she also left for college while Dean stayed with his dad, John.

Sam  tried to keep in touch for a while, but it faded away when he started dating some girl he never told her about. She and Dean hadn’t spoken since the night she left.

She freed her ankles from the old sheets and dipped the brush in the tub and started painting again, thinking about the night when everything went to shit. She stood there with her hand wrapped around the doorknob waiting for him to speak up and ask her to stay. After what seemed like years he spoke, “So, this is it?”. He asked it if as everything that’s ever happened between them never existed. She psychically could feel her heart throb, and not in a good way.

After swallowing the lump in her dry throat, she opened her mouth. “I guess so.” “You know I didn’t want it to end this way.” he said as she heard his footsteps walk across the dark brown wood floors she’d grown accustomed to. She felt his presence too close to her and she sucked in a breath.

“I should probably go then.” “It almost feels like you want things to end, and that you’re leaving.” he said bitterly. “That’s where you’re wrong!” she shot back, letting go of the knob and turning around. “How so?” he said. He didn’t realize how fucked up this situation was, or maybe he just didn’t want to believe it. “You haven’t gave me an ounce of your time since I’ve came back to Bobby’s and it’s like you brush of my presence every time I’m with you. I don’t know what your problem is, but it seems you most definitely wanted things to end and it’s easier just to say that then play games with me.” she said, raising her voice and squeezing her hands into fists.

He stood there, watching her with his flashy green eyes and his arms folded across his chest. “C’mon Princess, you know that’s not true.” “Don’t call me princess.” “Elizabeth, you’re overreacting, just calm down.” It was the first time in months he said her full name which meant he finally realized he really fucked up this time. “I’m not overreacting, I’m done.” she semi-shouted and turned back around and went to open the door when he grabbed her wrist. “Don’t leave me like Sam did.” He whispered. If she looked in his eyes, she could see tears forming, but she avoided making any eye contact. She pulled herself free from his grip and gave him one last glare.

“Bye, Dean.” He tried calling her every day for the next month, leaving voicemails and text messages, before he eventually gave up and left her alone. After that she moved back in with her grandmother and went to college. She tried to forget about her so called ‘old life’, the life she had when she was living with the Winchester family, but how can you try to live a normal life when you know there is nothing normal about it? When you know about all the things that bump in the night? Liz had seen it all. From ghouls to vampires to wendigo’s. It was all real, and she tried to live a normal, apple-pie life.

That was a total lie, even after she went to college she was still hunting. Nothing big, small cases around her campus and her hometown. Ghosts usually, nothing she couldn’t handle alone. If something bigger, like a nasty demon or crazy rugaru, she’d call Bobby. Bobby Singer was an old man who basically adopted the Winchester boys and even her when her parents died and her grandmother couldn’t take care of her anymore when she was younger. He’d help her out. But it was their secret, he promised he wouldn’t tell Dean or John how she was or where she was.

It was summer break, meaning she could finally leave her college for a good six weeks and move back in with her grandmother. She decided to paint the walls of her old room, giving it a fresh, new look. She looked at the walls she painted red and nodded. She put the lit back on the paint and threw the brush on the sheets before walking downstairs, just in time to see her grandmother struggling to stand up.

She walked over and helped her. “Thought you needed a hand.” Liz said. “Where ya need to go?” she asked. “The kitchen table.” Her granny said and Liz helped her. “I still think you should buy a walker.” Liz said. “You know I’m too stubborn for that. Wait ‘till I break my hip.”  She snorted.

“I found you a case, by the way.” Her grandma said when Liz helped her sit down. Liz frowned. “You found me a case?” She repeated and her grandma nodded. “Yeah, Jericho. Not far from here.”

Liz watched her grandma reaching for the newspaper and gave it her. She looked at the circled article. “Boy went missing. He isn’t the first one. Thought you might like it. It’s better than being stuck with me for six weeks.” She said. A smile formed on her wrinkled face. Liz took a moment to read the article before nodding. “Yeah, sure. Sounds like a case. I’ll look into it.”

And after a night full of research, she decided to check it out.

Pilot

It was around 2am when she arrived at the Sylvania bridge in Jericho. It wasn’t a long ride, Jericho was about 30 minutes from Santa Ana, where her grandma lived, she just wanted to make sure this was really a case and needed to be prepared for whatever she walked into.

She found an article about a woman who lost both her children in a freaky bathtub accident, and then thrown herself off the bridge. So, this seemed like as good a lead as any. Elizabeth parked her car and started walking along the bridge, looking for answers. It was cold, and at this point she’d wished she’d stayed with her grandma, instead of going on a hunt blind, but whatever. It was a good waste of time. She was totally off guard when a woman in a white dress suddenly appeared in front of her. Before Liz could even lift her arm to grab her gun, the lady in white already threw her over the side of the bridge.

A small scream escaped her mouth, before landing in the ice cold water. Thanks to a huge area of mud and slop that broke her fall, she didn’t break anything. She spit out some of the mud in her mouth. “Yeah, that wasn’t a smart move.” She said to herself and pulled herself up, and that was when she heard voices on the bridge, it sounded like two men having an argument. Fantastic, if the spirit just threw her of a bridge, she can only imagine what it would do to some screaming idiots.

Elizabeth stood there for a moment, not moving and eavesdropping on the men, instead of making herself known. “Don’t talk about her like that!” the one man seethed at the other. Some more inaudible worlds, followed by the revving of an engine and one man asking “Who’s driving your car?”

Oh shit.

She looked up to see the two men jump from the bridge, one of them catching himself on the side of the bridge, the other landing not far from her. Liz grabbed her gun from her back and glanced over at the man, who was covered in mud and god knows what else, just like herself.

That was when she saw the unmistakable green eyes. “Dean?” Dean stared at her for a moment, before he realized that she was really there and not some hallucination. “Elizabeth?” he said with a quivering voice. “The one and only.” She said.

Was this really how their first conversation after two years would be? Covered in mud and sarcastic comments? Dean pulled himself up and grabbed her shoulders. “Are you okay? What are you doing down here? Are you hurt?” he asked worried, checking her skin for any injuries. “I’m fine. I was on a hunt. What are you doing here?” she asked, crossing her arms.

“Looking for dad. It’s a long story. You went hunting, alone? Bobby told me you’d quit hunting! Are you insane?” Dean asked. He sounded like my dad. “Jee, Dean, nice to see you too.” She rolled her eyes. Then, she heard a voice coming from the bridge. “Dean? Dean!”

Elizabeth looked up, recognizing that voice immediately. “Is that Sam?” she asked. Dean nodded. “Yeah. As I said, it’s a long story.”

“Hey! Are you alright?” Sam shouted again. Dean lifted up his arm and gave him an A-OK sign. “I’m super. Actually, I’m fantastic. You’ll never guess who I found down here!” he yelled back.

Part 2

[tube-thoughts-blog]

Vol. 13

zero stars - terrible, 1/2 a star - dull, 1 star - folly, 1 1/2 stars - lacking, 2 stars - fair, 2 1/2 stars - decent, 3 stars - terrific

--- "Studs":

*Personality matters little to these early 1990s bimbos on this dating game show

*They want a guy with a "wild side" (code for douchebag)

*One of their potential hunks is wearing dress shirt, tie, and shorts. 90s ensemble

*The women can't decide if the second hunk is a beefcake or a 6 foot tall bowling pin

*The guy in shorts is called a mix between John Wayne and a mime. John Wayne is nothing like a mime. Stoic, maybe. John Wayne would punch out a mime, if ever bothered by one.

*Shorts hunk dissed his date because he saw his hero Bobby Brown in an elevator

*Not much else to say about these bland dates between California girls and Midwest boys

close to 2 stars

----------------

--- Tori Amos on MTV's Loveline:

*After the bummer of hearing about Tori's abuse hotline, we have a Gen X'er call in tot alk about how his girlfriend accidentally ripped out his penis piercing and he's afraid to go to the doctor

*A guy, with his back to the camera while wearing an airbrush painted t-shirt that reads: "Boo Hoo!", has a problem with his girlfriend not wanting to look at him during oral sex. I can't see his face, but I don't even want to look at him, period.

*A guy, w/ a butt-cut hairstyle and a flannel shirt, is down cause his first love "dogged" him and broke his heart after taking his cherry. Now, he can't score with new chicks.

*Tori calls him a pussy. Not really, but, basically.

*We get a pierced nipples question via 90s internet video live feed

*A guy calls in with a weird obsession about bear feet. Oh, bare feet. Well, that's not too weird. Many weirdos have that.

*Tori thinks he should work at a shoe shop. It didn't work for Al Bundy. He hates women and their feet.

*Talk about how having kids is a cockblock to getting dates

*The set for LoveLine is very 90s with a coffee shop lounge feel and couches along with a big screen that's multiple screens attached together.

*Tori doesn't want her lover thinking about the girls on "Friends" while she's making love to them.

*Tori reminds me of a psycho chick who'd try to sacrifice a dove, for some weird symbolic reason, while she was in the throes of passion.

*A girl had two affairs. One of them with an "indivijiBILL" (what it sounded like she said). Now she don't know who da baby daddy. Call Maury, in a few years, he do dem dna baby daddy tests.

*LoveLine has a cappuccino bar on the set. It's for people who are ashamed of looking at another person when talking about sex. A sort of hipster confession booth.

*One guy is nervous about his girlfriend dressing up like Wonder Woman during sex

2 stars

----------------------

--- TV CARNAGE:

*Great Acting Is Great Acting, Especially With Titties: Do you wanna see my horribly disfigured chest or not?* 2 stars

*How To Commit Social Suicide: "Be expressive and let it rip." Air piano. Not flatulence.* between 2 & 2 1/2 stars

*Microwave Brain: Hasselhoff stresses over poodle poo.* 1 star

*Mighty Fine Man: It's a lust thang.* close to 2 stars

*Shoplifting Is Fun!: Johnny 5's cousin robot is a hood.* close to 2 1/2 stars

---------------

"Dance Party USA, 1980s NEW WAVE DANCING AND HAIR!" *In the 80s, cool kids did weird things like wear their shoes on their hands.*         2 1/2 stars

Rescue 911 w/ William Shatner: Boy vs. Gasoline Volcano *The re-enactments on Rescue 911 & Unsolved Mysteries are perfect time capsules for thelate 1980s & early 1990s.* 2 1/2 stars

A Haunting: Phantom Room *"Instead of holy water, highly flammable liquid is used, and if it ignites, it's a sign that a spirit is present." Gee, I wonder if it will ignite... A junkie overdose is angry and needs to be evicted from a suburban garage. Destination America is supposed to be a postcard network for American life, I'm thinking. America, where ordinary life happenings can psych a family out so much their lives begin falling apart and they blame the results on the supernatural.* 2 stars

USA Saturday Nightmares: The Dummy (1982) *Ventriloquist dolls are creepy, but it's hard to consider them actually scary. That is unless they're sliding butcher knives underneath the bedroom door. This comes from an era of really good & inventive horror shorts.*                         between 2 1/2 and 3 stars

Ripley's Believe It Or Not!: episode 2 (1985) *Surgeons remove two toes, from the feet of a Chinese man, fitting them as a makeshift pincer in place of a missing hand. Believe that.* 2 1/2 stars

"Wild Man of Navidad" (2007) *No country for old bigfoot. Some might see the wild man itself as undercooked, but the greasy hicksploitation sticks to the ribs better'n chicken fried steak & gravy.* close to 3 stars

X Files: Roland *From beyond a cryo-frozen genius controls his autistic twin to complete his groundbreaking scientific work.* between 2 1/2 & 3 stars

--- Phone Losers:

*Politically Correct Portraits: or "wrong side first" photos.* close to 2 1/2 stars

*Bank Customers - Take A Running Jump: "If they told you to jump off a bridge" they being Bank of America and you being British or George Reeves Superman* 1 1/2 stars

*Pauly Shore Screws Up Another Vacation: MTV's The Weasel turns a pleasure cruise into a slave-ship passage for Laura Winslow & the mom from Family Matters.* close to 2 1/2 stars

*Radio Shack Prayer Is Evil: For a decade or more it's been against their religion to have any customers and they also have a do not resuscitate order upon going out of business.* 2 1/2 stars

*Yard Sale Competitor: it's a cut throat business using a $5 "as is" weed-whacker.* 3 stars

---------------

--- USA Cartoon Express, Revisited:

*The Real Ghostbusters - Citizen Ghost: I forgot that the voice of Peter Venkman, on Ghostbusters, is likely the voice of Garfield on his cartoon. Which is funny because the live action characters are voiced by the same guy, too, as we all know.

*Commercial for Crocodile Mile slip n' slide.

*Old foggies stink in an Andy Warhold art style BubbleTape commercial. Those were great.

*In a cyberpunk future tween boys battle it out with a b.b. ammo board game shooter called "Crossfire." I remember plenty of show & tell days where Crossfire was the shit.

*I like the little march the Ghostbusters do during their ticker tape parade

*Kids can't cut loose in the supermarket or the museum, but they can in this Discovery Zone kids play park commercial. Soulless corporate slime-pit, McDonald's has replaced most of these. Now, miserable single moms take their poor brats there and change their dirty diapers on the same tables kids eat their McNuggets on. Fuck society and industry.

*Get a Bart Simpson squeek toy at Burger King

*Rappin' Lego-Maniac ad

*Mouse Trap, from Milton Bradley, where a cartoon alley cat shows up to present kids with one of the most contraption filled board games ever

*An awesome ad where Jesse the body Ventura sells WWF action figures. I wish grown men were still allowed to play with action figures

*Cadillacs & Dinosaurs - Rogue: I forgot about this well animated show with some adult sensibilities that also combines two really cool things. those being the title of the show.

*Cartoon Express where Mr. T. hangs out with the Grape Ape and Pac Man

*"Your gym teacher irons his underwear" adults are weird, chew BubbleTape

*Garfield fruit snacks. You could sell anything with a cartoon spokesman and kids who pitch a fit to their parents in the grocery store if they can't have it, once they see it.

*Shout & Shoot 2 water gun helmet. Voice activated water fights. I'm sure it didn't tear up after the first day. Water and electronics go together so well... I remember when having water fights, in the backyard, seemed so important that toy companies had to keep up with the arms race we kids were racing towards.

*Barney has built a fake time machine from the year 2000 and almost tricks Fred out of his Coco Pebbles. I preferred Fruity.

*One thing missing from watching these cartoons is a bowl of Fruity Pebbles, Lucky Charms, or Cap'n Crunch beside me on the living room floor.

*Marvel's X-Men, for the Sega Genesis, "Welcome to the Next Level."

*If kids ruled the world they'd play b'ball like Michael Jordan, their big brothers would suck up to them, they'd get a billion dollars & have a sports agent, and they'd always eat at McDonalds. "Duh!"

*"In A Minute" USA Network 1989 presents kids trying out tongue twisters like "Fuzzy Wuzzy was a bear..." I'm unlocking weird memories of things that I had forgotten like this cute little animated station break from USA that's somewhere in the long lost toy chest recess of my sad adult brain.

*Teenage Mutant Turtles - Enter the Rat King: If April O'Neil were real she would try to further her news career by exposing the Turtles to the world.

*Take a chill pill or stick anchioves in your ears, kids, instead of doing drugs. Partnership for a Drug Free America and stick figure drawn kids.

*2XL battery operated, cassette controlled "intelligent" 80s style robot from Tiger toy electronics. He makes Teddy Rupskin look like Neil Degrasse Tyson (whatever his name is)

*A kid with a bald spot and a beard is tired of stuffy adult dining places and demands to be taken to Chuck E. Cheese

*Dance Party USA, the weekday dance party on "America's favorite network, USA."

*The Dark Knight collection. A kid has every Batman gadget a kid could ask for and his own personal Batcave. I would have killed to have my own personal Batcave when I was 8

*"Tetris & batteries included" Gameboy. Cool teens hanging out in shop class, on the basketball court, everwhere playing their handheld Nintendo "Power to go."

*Captain N, The Game Master - Metroid Sweet Metroid: N, The Game Master is a character from Nintendo's past that they'd like to forget and not celebrate. Same with Lou Albano's version of Mario and the more goofy, talking version of Link from cartoons & CDi games.

*King Hippo's nipples, Eggplant's head, and Mother Brain's lips are all very obscene looking.

*Beetlejuice action figures. Those were some of the better, more weird toys.

*Call a 1 800 number to get a 60 minute vhs tape of Bigfoot monster truck action.

*Crest "Sparklemania" obviously is putting drugs in the toothpaste, because kids are freaking out and taking magical trips through the night sky with animated globs of Crest gel.

*'Milk does a body good' ad. You know the one where the kid grows up to be buff because he or she drank milk. I wonder if they show similar ones to young cows. "Yo, I'm a calf and I'm taking govt. provided hormones so that I can grow up to be a great-big dairy cow!" That was sort of a lame joke. Almost Carlos Mencia bad.

*The Cartoon Express travels away off into the distance to Bruce Springsteen's house. No, kidding. They kept mentioning that that's where it was heading.

3 stars for the Saturday Morning cartoons, 3 stars for the retro ads, and 3 stars for USA network's Cartoon Express bumpers

-----------------------------

The Greatest American Hero: Fire Man *Everyone's favorite marinara, on the show, Michael Pare, gets put put on a hot stove for a bum wrap. The main thing that doesn't hold up, about this episode, is the very dated fire special fx.* close to 3 stars

Gerhard Reinke's America: Arizona *Painted desert highways with a pistol & a singing Billy bass GPS by Gerhard's side.* 2 stars

--- Commander USA's Groovie Movies: Man with the Synthetic Brain

*From beneath a shopping mall in New Jersey, Commander USA. HA! Great location for a hero lair in the 1980s.

*The commander comes out in a trench coat, with his costume underneath. I like it. It's a sleazy way for a hero to dress. He's always smoking a cigar, too. Nice man's man touch.

*He's talking about those hopeful, yet melancholy days after the New Year is rung in. He explains how Auld Lang Syne means 'old long since' in Irish or old English.

*After the commander uses his kazoo to open up the psychotronic movie screen, we get to our flick

*This one stars an old school horror icon, John Carradine, & a Mickey Mouse Club teen from Swiss Family Robinson

*And the groovie movie is photographed in "Chill-O-Rama"

*I know the movie will ultimately be supbar, but I still get good feelings & goose pimple giddy, with nostalgia, watching these old basic cable & UHF B movie features

*A zombie(?) chokes out a hooker(?) & her pusher(?) in an alley. Her death face was so overacted & funny to look at.

*Mickey Mouse Club guy is the detective on the case of the zombie murders. He has gotten worse, actually, as an actor since his days riding ostriches & fighting pirates on tropical islands in Swiss Family Robinson.

*He's also a part of the Danny Bonaduche class of child actors who didn't age well. He looks like he's been through hell. This is the early to mid 70s & his Disney days were just in the 60s, maybe late 50s, I'm thinking. Wow.

*There's a cryptic letter & a head in a box (a killed detective's). I'm guessing this killer is a pre-cursor to the Zodiac & Kevin Spacey in SEVEN.

*"Get your hot roasted peanuts" as a candy striped apron wearing salesman proclaims on an early 20th century hazy memory of beach life on an eastern seaboard boardwalk in a Planters honey roasted peanuts ad.

*The coo coo bird builds a time machine to steal the kids CoCo Puffs. This is the second time machine related cereal theft by cartoon spokesman commercial that I've seen in 24 hrs

*Lee Press On Nails. In 18 colors. Don't nails just make life more difficult? Even if I were a crossdresser, I wouldn't wear nails.

*An 80s mallrat girl thinks her mom was wrong about her big earrings, but mom was right about something (nervous energy) StayFree Maxi Pads for those heavy flow days. Thanks, mom. Now, stop coming in to my room to stare at my Kip Winger poster. He's my man, bitch!

*"Exorcism at Midnight" on USA Saturday Nightmares (looks awesome) & ugly as a man Sandra Bernhardt on Alfred Hitchcock Presents (would still watch it).

*There's nothing to look forward to watching on Saturday night, anymore. Svengoolie, maybe, but he plays the same tame Universal horror & Hammer horror movies that we've all seen way too many times. His act is stale too, but he's likeable, I guess, if you're a babyboom viewer.

*Sophia Loren, her story, on the Nabisco family theater Sunday afternoon on USA. No thanks. I'd leave that to the early birds. I'd still be sleeping off my USA Saturday Nightmares.

*John Carradine is a doctor under suspicion because one patient that he was the coroner over, years earlier & called one of the first casualties of Vietnam, is up & walking around again, out there, killing. It's obvious that Carradine is a mad doctor, because he has a bubbling test tube, for odd unexplained reasons, but the detective hasn't seen enough low grade sci fi & horror to know this is an ominous sign.

*Why did action or fight scenes in the 60s/70s think that karate chops to the neck were believable knock out blows? It'd be more annoying than anything. Painful, sure, but not enough to put a man down. They just look so funny.

*Gloriously unselfaware Twix commercial with a street of kids breaking into a marching band parade over Twix. Much better than the Right Twix vs. Left Twix candy factory ads of today Too self aware like most modern ad companies. It makes the product even more unlikeable

*Square 80s ladies have a roundtable discussion about "So Fine" conditioning mist

*The effects designs, on the movie, are so low budget. The Frankenstein electric chair is made of chords attached to a silver construction worker's helmet.

*Commander USA pokes fun at the mad science hat contraption during his segment.

*Computer graphics medieval dystopia commercial ends with the freedom of the mind that is an exploding volcano & the Scientology best seller ‘Dianetics.’

*Shades wearing Bears QB, McMahon, thinks he's cool, but he's a crybaby when his hoagie doesn't have Miracle Whip mayo. A janitor hears his cries and throws a hail mary of mayo.

*Fergie, Letterman, Tom Cruise, Vanna White, Dr. Seuss, Whitney Houston, Michael Jackson wearing a Groucho Marx disguise. They're all the most interesting people of 1986 according to People Magazine. Such a more innocent time. Don't forget Crocodile Dundee, he was fascinating to 80s yuppies as well. Not a joke. He's also on the cover.

*The 80s had this hazy, maudlin, feel good vibe to even Dimetapp & Metamucil ads.

*Just a sleazy undead crook strangling slutty women in seedy hotels kinda Saturday afternoon movie for the kids, you know.

*Cheerios helps a white knight save a princess from a black knight in a musical ad. Uplifting. Cheerios ads are so depressing now & always about a middle age guy's health & cholesterol.

*Nothing says Mexican like white people singing about & eating Mexican Velveeta cheese.

*’Airwolf’ is high tech & kicks butt. this was already a popular rerun show here in the mid 80s.

*An overtanned blonde bimbo shows up from France saying she heard her father speak to her telepathically while she was in a voodoo sleep trance. Her father was John Carradine & he was just murdered by a zombie. She tells this to Mickey Mouse detective while he over-acts.

*Ah, there's another mad scientist who looks like a dimestore Vincent Price. I guess they couldn't get Vincent for the flick. He's the real villain.

*Commander USA noticed the bimbo & the zombie too.

*"It's hard to hide the kid inside." Talkin' 'bout Santa & his love for oreo cookies

*The honey nut Cheerios bee almost gets murdered by cowboy Black Bart. Just wait, Bee, soon with pesticides we'll make ye extinct.

*A kid pulls home a box of Tide detergent, for mom, through a picturesque 80s suburb. More of that 80s is just like the 50s, according to tv & advertising, theme of the 80s.

*70s thought that frantically playing a pipe organ & bongos meant great suspense music. It didn't & doesn't.

*Wacky 80s robots run on ENERGIZER "It Doo Run Run Run"

*This film can't make up its mind if it wants to be a detective tale, a zombie creeper, a serial killer slasher, a mad science flick, a voodoo or telepathy thriller, a heist / crime picture, or a hostages on the road movie.*

*Commander predicts, via crystal ball, that the Red Sox will almost win the 87 world series and that Vanna White will be nominated to the Supreme Court.

*Commander had his hand pal, Lefty, rammed down his tights during the most tense scene of the movie. A snowy chase through the mountains with killer in hot pursuit.

*Carefree panty liners for a fresher zebra striped bikini

*An aged Lorne Greene talks about Ron Reagan's cutbacks to medicare & how they're costing the sick & poor elderly thousands of dollars.

*Timelapse female zombie transformation with horrid makeup, but forgivable during the finale in the mad science lab.

*Her zombie voice is laughable & terrible. Why is she even talking? zombies don't talk, well, trioxin or Return of the Living Dead ones do, but whatever, Braiiiins... She doesn't say that, but I guess she had to act. Vanity, maybe. Idiotic script, more likely.

*We end with zombie lady crying & taking an antidote while zombie henchman dies licking goo off the floor. Mickey Mouse detective was too late to make any kind of difference.

*Commander USA closes things out by teasing Mickey Mouse cop about his poor acting.

close to 2 stars for the movie, close to 2 1/2 stars for the ads, & more than 2 1/2 stars for the commander

-------------------

Look Around You: Sport *Thank you for showing us your balls. Now try to get it in the hole.* close to 2 1/2 stars

Viper: Wheels of Fire *Crooked, corporate Bryan Cranston character. A revolutionary Tesla type battery with a deadly bidding war going on for it. A reclusive Howard Hughes industrialist/inventor. Long lost prototype Batmobile style car colored fire engine red. A creepy Albino hitman.* between 2 1/2 & 3 stars

Manimal: Breath of the Dragon *Martial arts began by studying animals. Ancient man popped a National Geographic tape into his VCR to do so.* more than 2 1/2 stars

Robocop the series: Ghosts of War *A ragtag group of Universal Soldiers seek vengeance against an evil general who now works for O.C.P. They include a hobo wolfman, a black G.I. Joe (friend from Murphy's childhood), an Asian Joan of Arc, a Indian computer-wiz who dresses like Rick Moranis in Spaceballs. The show tries to force Punky Brewster into scenes, again. She's annoying & unnecessary.* 2 stars

--- Everything Is Terrible:

*Enhance Your Memory With Murderous Bloodlust: American Psycho Patrick Bateman has a poor poker face.* 3 stars

*Going For It!: Commies skateboard. So, like you want them to be more free than you, brah!? Didn't think so, dude.* close to 2 stars

*So You Moved To Paducah...: Only thing to do here is to visit the Quilters Society of America museum again & again & again.* 3 stars

*Rush Limbaugh Sure Is Funny: Comedy night at Jabba the Hutt's palace.* 1 star

*The Lil' Singing Demon Baby!: The spawn of Lucifer is a little boy version of Shirley Temple. Of course he would arrive on earth in Branson, Missouri.*              3 stars

-------------------------

Cannon group presents America 3000 (1986) *The one thing Road Warrior needed was Wonder Years style narration. I think the members of No Ma'am (Al Bundy's woman hating group) saw this movie instead of Mad Max: Fury Road. That's why they were so upset. Much more reverse sexism here.* 3 thousand stars

Rescue 911 w/ William Shatner: Softball Hit *A little girl gets a head injury, has a seizure, then precious seconds tick away in the era before cell phones because I guess there were no payphones on this little league sports field. Youth sports injuries weren't taken as serious in this era either. It was the whole "Walk it off" time period. So maybe that's why 911 wasn't called sooner.* 2 stars

--- Memory Hole:

*Death Of Strength: Guillotine of greatness, in a garage, captured on camcorder.* 1 star

*See The Macaroni: String theory or unsatisfactory service.* 2 stars

*The Ballad Of Tony Jones: "Mommy, what does doomed mean?" It means what happens when you destroy your white trash girlfriend's ceiling after sitting your fat ass in her sex swing.* 3 stars

*Piglet: You reap what you sow (noun).* close to 3 stars

*Just Do It Adult Diaper: Is that a swoosh on your bottom or do you need changing?* close to 2 stars

----------------------

--- MTV's Oddville (1997?)

*MTV had to Gen-x up Beyond Vaudeville, from its public access days, & put a pretty co-host with Frank to take the attention away from his weird, silent (often violent) sidekick.

*Nancy Giles is a nice lady, but not the most interesting guest. She's like PBS news hosts. Respectable, but not entertaining. She thinks talking about how weird the sidekick is & being a fan of Howard Stern will get her over. She does an imitation of a cat choking on a hairball. That's odd enough, I guess.

*Mr. Stanless Steel is a meathead who lifts 600lbs slightly off the ground using only one finger. Impressive, yet also idiotic.

*"Mind over matter," he says as he squeezes an unopen can to smithereens. Mind, remember, not steroids. He rocks about the floor trying to look intimidating & deep.

*Very confusing Levis jeans commercial. It starts off with a cowboy hat wearing Gen X hip dude driving the desert listening to yodeling from Mars Attacks & Slim Whitman. He stops at a local western watering hole where a hipster black dude is a turntables mixing dj. He passes him a stuffed dinosaur before the black dude gets on a greyhound leaving town. Bus stops in the big city, but a new girl gets off holding the dino. A European model looks at her as she walks on. The model is ordering a hotdog from a vendor. What any of that had to do with jeans, other than the close ups of asses, is beyond me.

*Self aware commercial whore Dennis Miller is on a fake talk show ad interviewing the cgi M&Ms. Miller lost all his Hollywood street cred when he started hangin’ out on Fox News. He doesn’t give a shit about being a shitlib so he lost his Hollywood friends.

*Epic cgi ad for the Playstation classic Final Fantasy 7.

*Phil Hartman isn't murdered yet in this college class lecture ad about collect calls.

*The clerk at Footlocker is having a hard time believing that Joe Namath is making an NFL comeback in a nike ad

*It's Virtual Insanity, the music video, when Chris Rock hosts the Video Music Awards

*I think it was the one where Puff Daddy teamed with Sting to make an annoying, overplayed song even worse.

*"The world's fastest painter" comes out & does a Bob Ross quickie while rambling in a Polish accent.

*A black guy in black & yellow stripes, including his Dr. Seuss Hat, comes out to pop & lock dance to Salt & Pepa's "Push It"

*Igia hair removal system ad where the device damages your skin cells, but it's cool 'cause no more chin whiskers for mom

*Technology... multimedia... CD-Rom software games... "You need Art Institute."

*Not Carl Winslow, but close, says "Open a box. Any box." Make it a Blockbuster Night

*"Talk to the hand." quote & hand motion from slumming it actor Timothy Dalton in a movie with Fran Drescher. The days where the general public had to endure her are long gone. Not counting easily avoided reruns of The Nanny

*On an snowy special ops mission (I'm sure those happen often) "Be all that you can be" (including maimed or killed) in the Army (after that, who knows? possibly a homeless vet)

*"What is Mtn. Dew?" from this ad, I take it has something to do with a green drink that makes you scream hysterically while performing idiotic x-treme sports

*A small woman, with a shaved head, comes out doing yoga to industrial techno. Followed by very late & nervous applause.

*A little girl comes out blowing up a balloon using only her nose.

*A generic alternative rock band, like the countless others on MTV at the time, comes out to perform. They don't hold a candle to any of the weird musical acts from the Beyond Vaudeville days.

*Guests are having a dance party. This show is as edgy, or as interesting for that matter, as Snick's "All That" of the same time period. Lame, as Gen-X would say.

*Well, MTV took a quirky public access show & stripped all the life out of it to make it another corporate product.

1 star for the Odd, 1 1/2 stars for most of the ads (thanks to M&M's & Miller), between 1 1/2 & 2 stars for the guests

----------------------

"The Summer of Rave 1989" BBC *In Margaret Thatcher's England, a new era of hippies & yuppies collide.*

3 stars

"Lost Purity" (video mixtape) *Adjust the tracking on your squeam.* between 2 1/2 & 3 stars

--- Found Footage Fest:

*Life Is For Living: Safety first or kiss leisure goodbye.* 3 stars

*Michael Finney's Spencer Gifts Speech: Hack comedy & gag novelty.* close to 3 stars

*Silent Partners - Shoplifting: If you see somebody walk into your store, become overly suspicious.* 2 1/2 stars

*VCR Games: Make haste & pray constantly that you don't have a Klingon overlord or be forced to endure Rich Little's awful family fun night comedy.* 3 stars

*Uh-Huh!: Either the Kenny Loggins or the Ray Stevens of polite Christian pop comedy & a fan of wearing tan leotards while juggling foam balls.* 3 stars

------------------------

Rescue 911 w/ Shatner: Accidental Hanging *Darwin Awards & wasting time dialing for help. Or hero boy with a hatchet.*

2 stars

A Haunting: Echoes of the Past *A New England family move into a historic Civil War era home. Soon they are bothered by faeries claiming to live in under a tree in the backyard who also claim to have died in a fire. The family are aided by a team of pretentious Wiccans in sending all the home's spirits to a magical place in the west called the "Summer Lands."* between 2 & 2 1/2 stars

Gerhard Reinke's America: Quebec, Canada *"Beaver fever, catch it." "Be patient." "My God, it's magnificent." (A platypus.)* 3 stars

Kingdom Hospital: Ep. 11 *Doctors without borders & tuned into a different frequency.* 2 1/2 stars

Farscape: Hidden Memory *Espionage & clouded minds in a Nazi style experimentation lab. Followed by a Caesarean--section for a baby battleship. Farewell to a sweet-lipped deus ex machina (sorta deus...)* close to 3 stars

Forever Knight: False Witness *Sleazier than a white lie.* 2 1/2 stars

Penn & Teller - Bullshit!: Ghostbusters *Begin by having come to a conclusion that ghosts exists no matter what you find to prove different, soak the scene with sepia or nightvision, get out the pseudo scientific gear & have it activated with its nonsensical readings of supposed supernatural phenomena, & the bullshit has long since already began.* 3 stars

Jake Byrd on Black Friday *Great deals is gravy.* close to 3 stars

Classic Comedy Central: The Buttafuoco Song *I really really wish I never heard of...* either 1 star for Joey or 3 for Comedy Central

WCW Superstars on Politically Incorrect w/ Bill Maher (1999?) *A lot of aggression taken out in a discussion forum.* either 1 star or close to 2 stars

VH1 Classic Pop Up Video: Alanis Morissette - "You Learn" *The video took 23 hours to film in 10 degree weather. The video is 4 minutes long. Her hair (dreadlocks) took 5 hours to style. A number of jacket changes were used by Alanis in the video. The theme: who knows if any of us get any wiser during the average lifetime.* 2 1/2 stars w/ pop ups 2 stars w/out (I forgot how much I like her voice, pretty face & lyrics & easy to digest, for the most part, music. Mood & opinion on her music are subject to change. I have, in the past, wanted to poke my eyeballs & eardrums out when her "Ironic" video came on MTV for the 1000th time.)

Public Access TV: "Robin's Safe Sex Lesson - Dental Dam Use" *The setting is the height of the AIDS epidemic. Sexually active folk are still confused to the spread of disease & the practice of safe sex. A sex worker, possibly, has her ownlocal city tv show to inform them how to snip an ordinary condom into use for performing oral sex on a female so as to not spread infectious diseases. She almost is a trainwreck but not enough for any legit comedy, only curiosity.* 2 stars (3 for the info for the time)

"Sam Kinison - Family Entertainment Hour" *This might be comedy blasphemy, but Larry the Cable Guy is as popular as Sam Kinison was. Both have a similar rowdiness & offensiveness in the connect with their audience. Larry, however, has neither a spine nor a soul.* between 2 1/2 & 3 stars

Literal Videos: Air Supply - Making Love Out of Nothing at All *"I don't want to seem them naked." I don't want to hear their soft rock.* 2 1/2 stars literal or 1 star actual

---- SCTV - Midnight Special:

*An all white (never seen before) scat singing choir conducted by Eugene Levy To see them live in concert, "Phone your nearest Republican." HA!

*Rick Moranis impersonates a cranky David Brinkley editorial.

*David Thomas & Catherine O'Hara are phone commercial lawyers (& possibly married lawyers) not helping an arguing married couple out very much in their disputes.

*Rick Moranis impersonates a radio dj becoming a video vj in this transitional time period between radio music & video music outlets.

*Followed by a Talking Heads video "Once in a Lifetime"

*A very politically incorrect (when you still could be before the p.c. police) & somewhat funny live feed from a Japanese parody vj

*Followed by a cool music video by hip & quirky Japanese band The Plastics. So, that does in a way cancel out the casual racism.

*SCTV starts the tech war between Japan & the U.S. in a funny skit.

*The real enemy, however, is Russian t.v. and Good Day Moscow

*Exploitation a plenty in a fake ad for a late night pajama party t.v. show on SCTV

*John Candy is the Hugh Hefner smoking jacket wearing host of the all girl pajama party Complete with creepy guy climbing in the window using a ladder. ha

*Candy tries to explain the show is empowering to women, but a prudish sexologist hijacks the feed to talk about how it's sexist.

*John Candy is back again, this time as a sportsman in an ammo ad. He sports a beard & hunts ducks. Hmmm... He remains likeable while other bearded duckhunters that I won't mention still remain hateable. Much focus is put on the cleavage of his buxom buddy that he's hunting with. She's female.

*A punk dyke delivery chick brings pizza & starts a catfight which the sexologist reveals is more of Candy's libido problems.

*Thankfully, the "menopausal" femi-nazi is interrupted by a male chauvinist fan of the pajama party.

*It's bedtime & Candy has to toss the old geezer, kicking & screaming, out the window.

*Al's Garage "Anytime At All." He has a naughty pinup calendar & he smokes cigars.

*Feminists have protest signs outside SCTV's studio & chase Candy to his limo

*Poindexter, investigative reporter (played by Eugene Levy) gets up close & a little too personal exploring singles bars.

*Monster Chiller Horror Theater with a howling Count Floyd

*The featured flick is Bloodsucking Monkeys from West Mifland, Pennsylvania

*Wink, wink. There's no movie. But Count promises that it was scary & describes it. It's just as good as Alien, he claims.

*Great White North wants to talk about Nasa's tools & beer, ay.

*SCTV has Hitchcock presents in late night. So, they're like MeTV or AntennaTV on current cable.

*A parody of Kirk Douglas in "Lust for Life" in the SCTV vault classic "Lust for Paint"

*Catherine O'Hara shows off some sexy cleavage & gets offered to be painted nude as she plays a bar beauty of the 19th century. The mom from Home Alone was sexy back in the day.

*Fish Police. An early reality show that's just as absurd as the 90s hit COPS.

*France was filled with great artists in the 19th century & possibly they were all gay according to SCTV

*Harold Raimis cameo as a waiter.

*Rick Moranis sells ridiculous logos.

*John Candy is an angry Babe Ruth in the wrong time period. Candy lost out on the role to Goodman years later. Not really, but really.

*Candy does a decent Hitchcock impersonation as well. Also Curly Howard.

3 stars

------------------------

"Let's Paint TV's Last Cable Access Show" 2008 *A weirdo in a dirty & disheveled business suit runs a treadmill while horribly painting, taking live prank calls, & talking to a Swedish barmaid mixing things up in a blender.* between 1 1/2 & 2 stars

--- TV Carnage:

*I Hate My Kids: Brats are birth control. The only time Fox News will ever be pro choice.*  2 stars

*Lurking Danger: The fish land right in the boat & land you right in the hospital. Tonight, in our Lurking Danger special report. This is CNN.* 2 stars

*Making The Grade: Solve my equation, again, & I'll slit your throat.* 2 1/2 stars

*Phonebooth Funnys!: Coed improv in tight spaces. It's not what you think, you pervert.*  either 1 star or close to 2 1/2 stars

*Reaching For The Light: Orgy of the first class.* 2 stars

-------------

Mystery Science Theater 3000 - K19: Hangar 18 *Having NASA accidentally cause a UFO to crash, in the desert, is "the best thing since sliced computer" only it hurts the UFO denying crooked President's chances for re-election & they'll need a shady coverup.* between 2 1/2 & 3 stars w/ riffing & 2 w/out

"Ten Forward Crank Calls" *"Brain cells are sucked into a blackhole" & four letter words fly into the phone lines for a chubby Star Trek fan's Trekkie talk show.* 1 star

Beavis & Butthead: Sausage - Riddles Are Abound Tonight *"The Seminiferous Tube-loidial Buttnoids have left my pants" or "turds can see in the dark, like bats."* 2 1/2 stars w/ riff 2 w/out

--- Monstervision w/ Joe Bob Briggs: Wes Craven's Deadly Friend (1986):

*Joe Bob says this flick is the Breakfast Club version of Bride of Frankenstein

*Drive-In Totals... 6 dead bodies... 7 gallons blood (some spurting w/ 3 bloody noses)... exploding head.. head disguised as basketball... exploding robot... father charbroiling..gratuitous brain surgery... incest fu...

*Joe Bob wants to get biblical w/ Krisy Swanson but thinks better of it because of Alan Thicke

*You know that you're in for a horror funride when the first on screen creature (robot) attack is against a sleazy redneck

*80s robots were great. This one even sees in Sega CD vision. All pixelated.

*In my opinion, this flick is also like Zapped meets Frankenhooker

*It's a wacky neighborhood when the old bat from Throw Mama from the Train is a shotgun wielding crazy lady living behind a locked fence.

*A robot's first reaction to seeing douchebags on dirtbikes is to vice grip their testicles. Can we unleash robots on Rob Dyrdek's Fantasy Factory?

*The schmaltzy TNT voiceover for drama guy lays the sap on thick for TNT's big network premier for Gilbert Grape.

*Rockapella sing us a Folgers "Best part of wakin' up" mornin' tune. I can't drink the coffee for the vomit in my mouth.

*Snuggles, the fabric softener bear, is taking a stroll through a forest filled with cute animals. Real animals. Snuggles is a nightmare creature created out of industrial chemicals & soulless corporate greed. He's unnatural. An abomination of cuddliness.

*Joe Bob hates cute robots, Star Trek conventions, & Little House on the Prairie.

*The "Stand your ground" law triumphs again & the robot menace is toasted, for now.

*Quirky "life is ugly, you betcha" comedy approaching horror Fargo on TNT is sponsored by SEARS & no irony is seen in that. I don't think, by TNT or SEARS.

*Sprint commercial featuring Fall scenery. This episode of Monstervision is late 90s. The late 90s had a real Autumn vibe to a lot of things. Dawson's Creek, Scream & I Know What You Did Last Summer, Marcy Playground's Sex & Candy, Duncan Sheik, Eagle Eye Cherry, GooGoo Dolls, Buffy the Vampire Slayer, Charmed, "Sunny Came Home," "Where Have All the Cowboys Gone," Jewel, Barenaked Ladies, Halloween H20... All of 'em & many more

*Firefighters prefer Yukon sport utility vehicles & the Energizer Bunny outruns a Hummer filled with a reject A-Team. Absurdity & the beginning of America's obsession with big ass family tanks that would dominate the roads post-2000

*Hope Floats on VHS. Turds float too. & the turd that is Hope Floats on VHS is out there floating around at plenty of 50 something year old women yardsales across the the cowboy states of America

*"Mom's like you choose Jiff" & dad's like Bob Villa choose tools from SEARS. Don't not be how corporate America assumes you to be. Buy these creamy peanut dips & wrenches

*Burt Reynolds must have been buddies w/ Ted Turner. Ted sure had his movies played alot on TBS & TNT. Burt was popular. No doubt. Burt even had alot of generic made for TNT movies in the late 90s. I can understand the demand for Smoky & the Bandit & others, but not the made for TNT shit.

*Jack Palance in a western version of A Christmas Carol. Another made for TNT movie. & Lifetime + Hallmark have made me hate made for tv Christmas movies, but how could you not like the idea of a forgotten Jack Palance Christmas flick?

*The parents from Happy Days are slumming in a collect calls commercial.

*Paul Hogan was still an action comedy hero in the late 90s. Only he was doing it in Subaru ads. This one he's in disguise / drag wearing the mask of a woman. Unintentionally creepy.

*Essence of Emeril... Emeril Live... I'll never get the fascination w/ over the top food chefs & their tv shows.

*Grace Jones in an ad for TBS Superstation's 15 nights of Bond movies. I guess she was easy to get being a D-list celebrity & all after the 80s.

*Paul Reiser is in a bookstore explaining internet for new users / dummies using AT&T Worldnet. At least it's not an ad for America Online.

*Joe Bob says TNT censors won't allow exploding heads by basketball decapitation because idiots in Florida will try it & congress will go crazy.

*Hendrix has only one burning desire. Let him stand next to your Pontiac Sunfire. He doesn't really want to do that. He's dead, like Kristy Swanson, in this Monstervision movie. But in this soulless & artsy Pontiac commercial where yuppies are escaping a cityscape dystopia in their Sunfire, listening to Hendrix, he does.

*NFL moms of big, mean linebackers sure are funny. Thanks, Campbell's chunk soups ads for making me endure the meaty veggie soupy sacky mommy comedy.

*There's a "Bob Fest" in Colorado every year, where all Bobs in the world can attend. Bob Dole will be there. Bring your Pentax film camera.

*"Relax, Go Nuts" with Planters & a wacky beaver on a camping trip. I hope some idiot saw this & lost a finger or two trying to feed a Planters peanut to a beaver or a badger.

*"Rowdy" Roddy Piper is on the set of Burt's old guy cop action made for TNT tv movie. He's talking about the need for aspirin on the set, for the old guys, in this sneak peek.

*Joe Bob wants to know why Kristy Swanson is looking more supermodel than zombie

*The shoot first ask questions later cops put an end to cyborg/undead Kristy Swanson's reign of terror.

2 1/2 stars for the confused flick close to 3 for Joe Bob & between 1 1/2 & 2 for TNT & their ads

--------------------------

Classic Comedy Central: Penn Jillette promotes Earth Girls Are Easy *He makes it seem like it wouldn't be a waste of an afternoon.* close to 3 stars

Fred Olen Ray's "Cyclone" 1987 *Everyone's favorite genre movie mad scientist, Jeffrey Combs (Re-Animator), was working on a super-motorcycle more high tech than an F-16 jet. When he's assassinated, on a punk rock dance floor, via a tech conspiracy, his 80s blonde bombshell girlfriend has to take over safeguarding the project from falling into the wrong hands. The whole thing drips with so much 80s goodness, one would swear it was a modern day homage.* close to 3 stars

Flaccid Ego Psychic Reading Call In Show *"This is not a bodega, honey." There's a correlation between how far someone's head is tilted back as they're talking & the amount of shit that they give. The further back, the less shit given.* either zero or 2 1/2 stars (for a second)

"Amok Assault Video" *"An open keyhole policy" to mass hypnosis & mass halitosis.* close to 3 stars

Rescue 911 w/ Shatner: Brave Dog vs. Rattlesnake *The dog, Lady, was a terrible actress during the re-enactments. She did well during the fight with the snake, but she broke character & smiled too much during the vet E.R. part .She needs to take acting lessons from Shatner.*

2 stars

Penn & Teller Bullshit!: Self Helpless *There's a sucker "re-born" every minute.* 3 stars

Jake Byrd Goes Tea Bagging *"We're a little Tea Party, short & stout, when we get all steamed up hear us shout 'No more taxes, get the immigrant out!'"* 2 1/2 stars

--- Phone Losers:

*Tenants From Hell - Striking Oil: Crude & deluded.* close to 2 1/2 stars

*Carlito the Perverted Janitor - Bank Customers: Good loan agents love to kiss & tell.* 2 1/2 stars

*Home Security - Hidden Cameras: I don't want home security watching over me while I pee.* close to 2 1/2 stars

*Homeowners Association - Naked People: Old, black couples don't have sex. Yeah, right.* 2 1/2 stars

---------------------

Goth Public Access Channel (youtube) *"It's no fun being dead. Enough has been said." So why the morbid fixation?*

1 star

--- USA Up All Night w/ Rhonda Shear: Jason Takes Manhattan & Fortress of Amerikkka

*Rhonda is in an S&M shop with a gimp.

*Louis Gossett Jr. is an Olympic coach in a USA original movie. He's not the first actor that I would think of for a role like that. But maybe he's the most badass.

*Painful rectal burning? Admit you have it & get Preparation H. Doctors' orders.

*Trading erotic voicemails with "Girls of Paradise" seems like a one way street. A horny moron calls in a 1 800 number to nervously drool over his love for T & A, the voice model makes only one recording for any & every guy who calls in.

*Go back in time to when you weren't old & too feeble to open the mayo jar. If you believe that & buy our pain relieving cream, we also have ocean front property in [insert cliche dry state here]

*Couch fishin for loose change to buy extra Pop Tarts. Not me, the guy in the Kellogg's ad

*Pacific Blue, USA networks lame bicycle beach cops show from the late 90s. They recognize how boring being a beach cop must be, so they spice it up with a special west coast loco gangbangers episode.

*Big Easy. A sleazy, but probably all too tame show about New Orleans on USA network. Can't think of original programming? Exploit a city's reputation.

*Rhonda has an oversized spiked dog collar put on a poindexter

*Win a Nintendo 64 block party (sounds like it could have been fun) via Kellogg's & Kmart

*A kid in a "No Fear" t-shirt visits his square dad's Rent-A-Center style store in an ad

*Don't talk to your kids about the dangers of sniffing to get high, & wind up feeding soup to your newly vegetable loved one. I always preferred that trippy drowning anti-sniffing ad from the same time period.

*"Had a hard day?" "Talk to some of the most exotic women in the world." the world = Tampa, Florida. Some of the most exotic = ordinary skanks.

*What does chomping into a Nestle's Crunch sound like? This ad swears it sounds like a pink Cadillac convertible, filled with lightbulbs, falling off of a tall building. I think Elvis just cried. Not sure which he cried for: the pink Cadillac or the candy bar.

*Private eye James Belushi is following around split personality Linda Blair who hired him to follow herself around. Looks sleazy & potentially good.

*Rhonda dons kinky boots, leather, & a gay man's biker's hat in a black & white moving photo hanging on the wall. Sounded like maybe Velvet Underground was playing in the background as well.

*It's okay to be like your mom. You're closer to 40 than 20 & it has a sickly brown colored candy coating. Oh, what am I talking about, you ask, it's Advil.

*If you ever see a whitebread goodlooking man or woman sitting on a New England beach or pier during a windy day, do not approach. They may look harmless, but they're usually filming an embarrassing human condition commercial.

*Diamond studded sex handcuffs. Nice. But why is Rhonda being so camera shy? Was she burntout with the show by this point, five or six years into its run.

*Bill Cosby's former tv wife, the one that he doesn't cheat on by serving PM cold medicine to ugly white women, is in an argument with her much better looking & non-raping actual husband about Pop-Secret popcorn.

*Cable in the classroom provides a parent's guide to the information superhighway that is cable tv

*"Someone out there knows what I'm going through." somewhere out there in psychic phone network mystery world that is

*Bonkers for Babies! & Animal Bloopers on Zoo Life Video. Jack Hanna (the animal guy from Carson, Leno, Letterman) believes that "Animals Do Feel Love." They also have a funny bone, and it's used for more than just Chinese medicine.

*Zipper crotches on leather lingerie wearing limbless & headless mannequins & more Rhonda voice-over work

*Archie Bunker's real life son died from drugs. Maybe he should have spent more time with him instead of arguing with Meathead.

*Rhonda finally makes an on camera appearance with poindexter in the adult video section of the sex shoppe

*"Virtual reality bites" have a Butterfinger Blast. Blood sugar induced hallucinations?

* 1 800 number for a TimeLife coffee table book on "how To fix" home remodeling & repairs. For only 3 easy payments of 9.99. Pretty steep if you think in 20tens terms & how easy it is to just go online & find the same info, but this is 1996 or 7, here, in the ad.

*Going back in time from 97 to 92, Rhonda is at the WBF World Fitness Expo doing a bit of cute jogging in place.

*Rhonda sings the theme song from Fortress of Amerikkka.

*Rhonda tells fat jokes about Roseanne. Roseanne probably hated Rhonda. Tom Arnold probably loved her.

*Rhonda flirts with a WBF bodybuilder / foreign accent guy whose thighs are bigger than Rhonda's waist

*Rhonda gets the bodybuilding champ to take off his shirt. He probably was having a panic attack just by wearing it anyway. Meatheads & shirts don't get along.

*Rhonda's hormones are out of whack here & the bodybuilders' steroid use as well.

*An Amazon chick shows up to tell how this fitness expo ain't no beauty pageant

*A mullet-haired meathead talks about bringing rock & roll fire into his bodybuilding expo routine. Thankfully, rock & roll died a long time before this. It's just corpse abuse.

*Rhonda tries to find out how much moolah an 80s-RickJames-pimp-looking black Hercules has won from the competition. He pulls out a check from his fanny pack. Fanny packs are very manly.

*World's Strongest Samoan pauses from picking up sedans to lift Rhonda up into the air by her butt

*Troma presents Fortress of Amerikkka!: In the cruel absurdity of Amerikkka, human life is worthless.

2 stars for the sex shoppe, 2 stars for the ads, 1 star for the body building expo, 2 1/2 stars for Rhonda, either 1 or close to 2 1/2 stars for Jason 8 (for the countless time on basic cable & mostly bloodless), & more than 2 1/2 stars for Amerikkka!

-----------------------

Troma presents "Lust For Freedom" *Troma tries their hand at the exploitation genre staple of women in a private prison hell. Highlights include a big mean looking Indian with a scarred face that drives around a black van across the desert & kidnaps women for the prison. He's like something out of a Jim Morrison song & he looks like the creepy brother of Bob from Twin Peaks. Another trashy fun part of the movie involves prison lady badasses in wrestling matches to the death. Plus there's an 80s hard rock soundtrack including the song "Rock You To Hell."* 3 stars

Beavis & Butthead: Sugartooth - Sold My Fortune *The boys mistake the word fortune for futon, and ponder why selling a futon would cause so many fights at the Sugartooth concert. Also, Beavis is intimidated by Urkel's size.* close to 3 stars with riffing 2 w/out

Kung Fu: Sun & Cloud Shadow *The path of peace is blocked by a mountain.* close to 3 stars

From Dusk Till Dawn: Place Of Dead Roads *The last stop before hell is a cafe, belonging to a cartel, serving plenty of coochie.* 2 1/2 stars

Public Access TV Gold - Don't You Want To Save Our Planet? *Fast Times Sean Penn look-a-like is for real about his love for his fellow parasite man. Vocal solo.* 3 stars

--- Dead Comics Society --- Commercial Breaks (1991):

*McHale's Navy every weeknight at 5 on the Comedy Channel. In color too. Antenna tv or MeTV shows this too, but in black & white.

*An ad for Billy Crystal's City Slickers. One of comedy's own was a blockbuster star still at this point.

*Coast bar soap ad where a "Thinking Man" bronze statue takes a refreshing bath in the rain.

*As seen on tv "No More Runs" panty hose w/ smart nylon. Run a nail file or a chainsaw right down the leg. Do not attempt while wearing, ladies

*Plenty of Stand Up comedy back in the day on comedy channels. Robin Williams, Jerry Seinfeld, Paul Poundstone, Howie Mandel, Carlin, pretty much all of the recognizable faces. And not just a weekend special like Comedy Central, these days. Stand up comedy was pretty much the face of the network.

*Jack Benny is creeped out by a kid wearing an ole timey clown mask. He's speechless, or once. Another show too old for current Comedy Central. One day Southpark will be on a TVLand type network & kids will get a weird feeling seeing how antique it looks. Much like seeing this clip of Jack Benny would make Comedy Central's current audience feel.

*KC Bold is like fireworks in one's mouth. It's important to always see the inventor of the baked beans or the bbq sauce or the George Foreman grill to know that the product / meal will be satisfactory. Did George actually invent that sidways waffle iron & grease trough?

*Devry with their 9 locations, in 1991, will teach you the tech knowledge that you need to succeed. Having a neatly trimmed little mustache is up to you.

*Ah, hah hah! The classic & unintentionally funny Suzanne Summers "Thigh Master" ad. She is so smiley while squeezing her crotch muscles. & just like the "Shake Weight," seeing a guy use it is just as amusingly awkward.

*Two Drink Minimum. A self aware title for another all stand up comedy show on the network. This one only has B to C list comics like 'The Amazing Jonathan"

*Alan King's "Inside the Comedy Mind" w/ such guests as the eccentric Steven Wright. We're too post-modern for something like this now. Inside the comedy mind? How lame, turn it on Louis CK's FX show or bring up a FunnyOrDie video. Alan King's "Inside the Comedy Mind" is no Zack Galifianakis' "Between Two Ferns." #hastag #hipster

*A middle America housewife is tired of having tried every diet from the "celebrity" to the "grapefruit." Her doctor finally puts her on some Medifast diet (we know it worked because obesity was cured & Medifast is currently the largest corporate brand of all time). She makes up for the weight loss by wearing oversized glasses & a lady business suit with shoulderpads larger than a NFL linebacker's.

*One of those classic scrolling certificate degrees from home ads. Learn everything from "gun repair" (only in America) or vcr repair (hopefully whoever took that is retired by now & not jobless).

*Short Attention Span Theater hosted by a very young Jon Stewart. This was before talking to cabinet secretaries & skewering political mishaps, for close to two decades, sucked all the life out of him.

*The very vintage Steve Allen Show weekdays on the Comedy Channel. Another show that deserves to still be on a classic channel somewhere. This clip had one of the first tv appearances of Elvis. How many viewers of current culture even care about or know whoElvis is, much less Steve Allen? Very few.

more than 2 1/2 stars

------------------------------

"V The Hot One" ---xxx--- (1977) *An example of how the fantasy in pornography is so different from reality: Valerie "V" asks her husband if he's ever been with a whore. (she's curious about whores) He says that he was with many when he was younger. (He then tells a digusting experience.) She's even more curious. (In reality the woman would be furious or detested with him.) Here, Valerie has spent a lifetime giving in to her whorish impulses.* 2 1/2(maybe classic)

"Tickle the Ivories w/ Janis Wolfe (Bad Public Access Show) *A very plain (& refreshingly un-self-aware) woman plays piano & reads psalms.* 1 star

"Topless Anti-Fashion" (DDTV San Francisco Public Access 1995) *A Lil' Kim look-a-like exposes painted nipples in what seems like a real life version of something Damon Wayans would parody on In Living Color.* 2 stars

Jake Byrd: Sara Palin Superfan (2008) *Bend over & grab your Arab ankles (Hussein Obama) or love Alaskan beaver (Palin Power).*  3 stars

Mr. Plinkett's Cop Dog Review *Put a dog on the cover of the dvd & dumb parents will rent it for their kids. Even though the dog commits suicide halfway in & becomes a ghost dog.* 0 for Cop Dog & 3 for Plinkett

"Best of The New Tom Green Show" (2003) *Short lived talk show that captured the same kind of crappy hip young adult audience NBC's Jimmy Fallon would a decade later. Also another attempt by MTV to tame & market a cult & avant garde artist (idiot?) to the American public (about as successful as his first MTV show in 1999 & his box office bomb of a movie "Freddy Got Fingered" 2001?).* 2 stars

Robin Williams - Improv with The Second City *Robin could improve any "hellhole."* close to 2 1/2 (would be more if it were recorded professionally instead of by an audience member, in the back row, with a cheap camcorder)

"Satarded Satanic Panic" (youtube) *Before she became a high priestess in the corporate church of the global economy, Oprah bought in to the goofy fearmongering going on in the Reagan years. Either a nutbag or a decoy evangelical pretending to be a reformed participant in a unbelievably ridiculous occult sacrifice story has Oprah taking his side over the more logical minded, yet still pretentious within his constitutional religious rights, devil-worshipper.* 1 star

Penn & Teller Bullshit!: Alien Abductions & End of the World *These crazies are actual doctors & best selling authors. Meanwhile, I'm not prepping for doomsday & I have no repressed memories of being probed. On top of that, I'm flat broke & live off of a diet of mostly beans while hardly leaving my house. I'm not paranoid, just lazy & unmotivated. I'd rather not survive an apocalypse or fly away w/ little green men.* 3 stars

Weird Al Yankovic: Headline News *Tru Al TV presents World's Dumbest Musical (Criminals).* close to 3 stars

Uncharted Zone: Ken Manning - Gulf Breeze UFO *Lookin' for a lost shaker of Martian salt.* between 2 & 2 1/2 stars

5 Dollar Wrestling: Next 5 Dollar Wrestling Superstar, Jimmy the Snake Roberts *DDT stands for "drop dead twice."* close to 3 stars

Vh1 Classic Pop Up Video: Latoya Jackson - Heart Don't Lie *The black sheep of the Jacksons in a video all about puppy love.* close to 2 stars w/ pop ups & 1/2 a star w/out

"Pauly's Totally Buff Special" *MTV's "The Weasel" Pauly Shore butchers the English/Spanish/human language drooling the international language of love (lust) over California bimbos.* either 1 star or close to 2 1/2 stars (for an idiot time capsule)

"Alien Lust" ---xxx--- 1985 *"A story of bizarro desires!" Nothing too out of this world, except for maybe the corny cartoon alien penis monster sex scene finale.* close to 2 stars or mostly 1/2 a star

X Files: The Erlenmeyer Flask *The hybrids fall from Olympus. The finale of the "Deep Throat" story arc.*

3 stars

Tales from the Crypt: Collection Completed *Grumpy bulldog M. Emmett Walsh begins his retirement by outcrazying his animal hoarding, eccentric wife when he uses taxidermy on all her beloved pets.* 3 stars

Harvey Keitel in "Corrupt" *"The public seek the police in order to be punished for their illicit desires." Johnny Rotten & Harvey make a cerebral odd couple.* close to 3 stars

[blackkudos]

Gil Scott-Heron

Gilbert (Gil) Scott-Heron (April 1, 1949 – May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues". His music, most notably on Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul. In fact, Scott-Heron himself is considered by many to be the first rapper/MC ever, a recognition also shared by fellow American MC Coke La Rock.

Scott-Heron remained active until his death, and in 2010 released his first new album in 16 years, entitled I'm New Here. A memoir he had been working on for years up to the time of his death, The Last Holiday, was published posthumously in January 2012.

His recording work received much critical acclaim, especially one of his best-known compositions "The Revolution Will Not Be Televised". Gil Scott-Heron received a Grammy Lifetime Achievement Award in 2012. He also is included in the exhibits at the National Museum of African American History and Culture that officially opened on Sept. 24, 2016 on the National Mall, and in an NMAAHC publication, Dream a World Anew. During the museum's opening ceremonies, the Sylvan Theater on the monument grounds was temporarily named the Gil Scott-Heron stage.

Early years

Gil Scott-Heron was born in Chicago, Illinois. His mother, Bobbie Scott-Heron, was an opera singer who performed with the New York Oratorio Society. Scott-Heron's father, Gil Heron, nicknamed "The Black Arrow", was a Jamaican football player in the 1950s who became the first black man to play for Celtic Football Club in Glasgow. Gil's parents separated in his early childhood and he was sent to live with his maternal grandmother, Lillie Scott, in Jackson, Tennessee. When Scott-Heron was 12 years old, his grandmother died and he returned to live with his mother in The Bronx in New York City. He enrolled at DeWitt Clinton High School, but later transferred to The Fieldston School after impressing the head of the English department with one of his writings and earning a full scholarship. As one of five black students at the prestigious school, Scott-Heron was faced with alienation and a significant socioeconomic gap. During his admissions interview at Fieldston, an administrator asked him, "'How would you feel if you see one of your classmates go by in a limousine while you're walking up the hill from the subway?' And [he] said, 'Same way as you. Y'all can't afford no limousine. How do you feel?'" This type of intractable boldness would become a hallmark of Scott-Heron's later recordings.

After completing his secondary education, Scott-Heron enrolled at Lincoln University in Pennsylvania because Langston Hughes (his most important literary influence) was an alumnus. It was here that Scott-Heron met Brian Jackson with whom he formed the band Black & Blues. After about two years at Lincoln, Scott-Heron took a year off to write the novels The Vulture and The Nigger Factory. Scott-Heron was very heavily influenced by the Black Arts Movement. The Last Poets, a group associated with the Black Arts Movement performed at Lincoln in 1969 and Abiodun Oyewole of that Harlem group said Scott-Heron asked him after the performance, "Listen, can I start a group like you guys?" Scott-Heron returned to New York City, settling in Chelsea, Manhattan. The Vulture was published by the World Publishing Company in 1970 to positive reviews.

Although Scott-Heron never completed his undergraduate degree, he was admitted to the Writing Seminars at Johns Hopkins University, where he received an M.A. in creative writing in 1972. His master's thesis was titled Circle of Stone. Beginning in 1972, Scott-Heron taught literature and creative writing for several years as a full-time lecturer at Federal City College in Washington, D.C. while maintaining his music career.

Recording career

Scott-Heron began his recording career in 1970 with the LP Small Talk at 125th and Lenox. Bob Thiele of Flying Dutchman Records produced the album, and Scott-Heron was accompanied by Eddie Knowles and Charlie Saunders on conga and David Barnes on percussion and vocals. The album's 14 tracks dealt with themes such as the superficiality of television and mass consumerism, the hypocrisy of some would-be black revolutionaries, and white middle-class ignorance of the difficulties faced by inner-city residents. In the liner notes, Scott-Heron acknowledged as influences Richie Havens, John Coltrane, Otis Redding, Jose Feliciano, Billie Holiday, Langston Hughes, Malcolm X, Huey Newton, Nina Simone, and long-time collaborator Brian Jackson.

Scott-Heron's 1971 album Pieces of a Man used more conventional song structures than the loose, spoken-word feel of Small Talk. He was joined by Jackson, Johnny Pate as conductor, Ron Carter on bass and bass guitar, drummer Bernard "Pretty" Purdie, Burt Jones playing electric guitar, and Hubert Laws on flute and saxophone, with Thiele producing again. Scott-Heron's third album, Free Will, was released in 1972. Jackson, Purdie, Laws, Knowles, and Saunders all returned to play on Free Will and were joined by Jerry Jemmott playing bass, David Spinozza on guitar, and Horace Ott (arranger and conductor). Carter later said about Scott-Heron's voice, "He wasn't a great singer, but, with that voice, if he had whispered it would have been dynamic. It was a voice like you would have for Shakespeare."

1974 saw another LP collaboration with Brian Jackson, the critically acclaimed opus Winter in America, with Bob Adams on drums and Danny Bowens on bass. The album contained Scott-Heron's most cohesive material and featured more of Jackson's creative input than his previous albums had. Winter in America has been regarded by many critics as the two musicians' most artistic effort. The following year, Scott-Heron and Jackson released Midnight Band: The First Minute of a New Day. 1975 saw the release of the single "Johannesburg", a rallying cry to the issue of apartheid in South Africa. The song would be re-issued, in 12"-single form, together with "Waiting for the Axe to Fall" and "B-movie" in 1983.

A live album, It's Your World, followed in 1976 and a recording of spoken poetry, The Mind of Gil Scott-Heron, was released in 1979. Another success followed with the hit single "Angel Dust", which he recorded as a single with producer Malcolm Cecil. "Angel Dust" peaked at No. 15 on the R&B charts in 1978.

In 1979, Scott-Heron played at the No Nukes concerts at Madison Square Garden. The concerts were organized by Musicians United for Safe Energy to protest the use of nuclear energy following the Three Mile Island accident. Scott-Heron's song, "We Almost Lost Detroit" was included in the No Nukes album of concert highlights. It alluded to a previous nuclear power plant accident and was also the title of a book by John G. Fuller. Scott-Heron was a frequent critic of President Ronald Reagan and his conservative policies.

Scott-Heron recorded and released four albums during the 1980s: 1980 and Real Eyes (1980), Reflections (1981) and Moving Target (1982). In February 1982, Ron Holloway joined the ensemble to play tenor saxophone. He toured extensively with Scott-Heron and contributed to his next album, Moving Target the same year. His tenor accompaniment is a prominent feature of the songs "Fast Lane" and "Black History/The World". Holloway continued with Scott-Heron until the summer of 1989, when he left to join Dizzy Gillespie. Several years later, Scott-Heron would make cameo appearances on two of Ron Holloway's CDs; Scorcher (1996) and Groove Update (1998), both on the Fantasy/Milestone label.

Scott-Heron was dropped by Arista Records in 1985 and quit recording, though he continued to tour. The same year he helped compose and sang "Let Me See Your I.D." on the Artists United Against Apartheid album Sun City, containing the famous line, "The first time I heard there was trouble in the Middle East, I thought they were talking about Pittsburgh". The song compares racial tensions in the U.S. with those in apartheid-era South Africa, implying that the U.S. was not too far ahead in race relations. In 1993, he signed to TVT Records and released Spirits, an album that included the seminal track "'Message to the Messengers". The first track on the album criticized the rap artists of the day. Scott-Heron is known in many circles as "the Godfather of rap" and is widely considered to be one of the genre's founding fathers. Given the political consciousness that lies at the foundation of his work, he can also be called a founder of political rap. Message to the Messengers was a plea for the new generation of rappers to speak for change rather than perpetuate the current social situation, and to be more articulate and artistic. Regarding hip hop music in the 1990s, he said in an interview:

They need to study music. I played in several bands before I began my career as a poet. There's a big difference between putting words over some music, and blending those same words into the music. There's not a lot of humor. They use a lot of slang and colloquialisms, and you don't really see inside the person. Instead, you just get a lot of posturing.

Later years

Prison terms and more performing

In 2001, Scott-Heron was sentenced to one to three years imprisonment in a New York State prison for possession of cocaine. While out of jail in 2002, he appeared on the Blazing Arrow album by Blackalicious. He was released on parole in 2003, the year BBC TV broadcast the documentary Gil Scott-Heron: The Revolution Will Not Be Televised—Scott-Heron was arrested for possession of a crack pipe during the editing of the film in October 2003 and received a six-month prison sentence.

On July 5, 2006, Scott-Heron was sentenced to two to four years in a New York State prison for violating a plea deal on a drug-possession charge by leaving a drug rehabilitation center. He claimed that he left because the clinic refused to supply him with HIV medication. This story led to the presumption that the artist was HIV positive, subsequently confirmed in a 2008 interview. Originally sentenced to serve until July 13, 2009, he was paroled on May 23, 2007.

After his release, Scott-Heron began performing live again, starting with a show at SOB's restaurant and nightclub in New York on September 13, 2007. On stage, he stated that he and his musicians were working on a new album and that he had resumed writing a book titled The Last Holiday, previously on long-term hiatus, about Stevie Wonder and his successful attempt to have the birthday of Martin Luther King Jr. declared a federally recognized holiday in the United States.

Malik Al Nasir dedicated a collection of poetry to Scott-Heron titled Ordinary Guy that contained a foreword by Jalal Mansur Nuriddin of The Last Poets. Scott-Heron recorded one of the poems in Nasir's book entitled Black & Blue in 2006.

In April 2009 on BBC Radio 4, poet Lemn Sissay presented a half-hour documentary on Gil Scott-Heron entitled Pieces of a Man, having interviewed Gil Scott-Heron in New York a month earlier. Pieces of a Man was the first UK announcement from Scott-Heron of his forthcoming album and return to form. In November 2009, the BBC's Newsnight interviewed Scott-Heron for a feature titled The Legendary Godfather of Rap Returns. In 2009, a new Gil Scott-Heron website, gilscottheron.net, was launched with a new track "Where Did the Night Go" made available as a free download from the site.

In 2010 Scott-Heron was booked to perform in Tel Aviv, Israel, but this attracted criticism from pro-Palestinian activists, who stated: "Your performance in Israel would be the equivalent to having performed in Sun City during South Africa's apartheid era... We hope that you will not play apartheid Israel". Scott-Heron responded by canceling the performance.

I'm New Here

Scott-Heron released his album I'm New Here on independent label XL Recordings on February 9, 2010. Produced by XL label owner Richard Russell, I'm New Here was Scott-Heron's first studio album in 16 years. The pair started recording the album in 2007, with the majority of the record being recorded over the 12 months leading up to the release date with engineer Lawson White at Clinton Studios in New York. I'm New Here is 28 minutes long with 15 tracks; however, casual asides and observations collected during recording sessions are included as interludes.

The album attracted critical acclaim, with The Guardian's Jude Rogers declaring it one of the "best of the next decade", while some have called the record "reverent" and "intimate", due to Scott-Heron's half-sung, half-spoken delivery of his poetry. In a music review for public radio network NPR, Will Hermes stated: "Comeback records always worry me, especially when they're made by one of my heroes ... But I was haunted by this record ... He's made a record not without hope but which doesn't come with any easy or comforting answers. In that way, the man is clearly still committed to speaking the truth". Writing for music website Music OMH, Darren Lee provided a more mixed assessment of the album, describing it as rewarding and stunning, but he also states that the album's brevity prevents it "from being an unassailable masterpiece".

Scott-Heron described himself as a mere participant in an interview with The New Yorker:

This is Richard's CD. My only knowledge when I got to the studio was how he seemed to have wanted this for a long time. You're in a position to have somebody do something that they really want to do, and it was not something that would hurt me or damage me—why not? All the dreams you show up in are not your own.

The remix version of the album, We're New Here, was released in 2011, featuring production by English musician Jamie xx, who reworked material from the original album. Like the original album, We're New Here received critical acclaim.

In April 2014, XL Recordings announced a third album from the I'm New Here sessions, titled Nothing New. The album consists of stripped-down piano and vocal recordings and was released in conjunction with Record Store Day on April 19, 2014.

Death

Scott-Heron died on the afternoon of May 27, 2011, at St. Luke's Hospital, New York City, after becoming ill upon returning from a European trip. Scott-Heron had confirmed previous press speculation about his health, when he disclosed in a 2008 New York Magazine interview that he had been HIV-positive for several years, and that he had been previously hospitalized for pneumonia. As of May 2015, the cause of Scott-Heron's death was not announced.

He is survived by his firstborn daughter, Raquiyah "Nia" Kelly Heron, from his relationship with Pat Kelly; his son Rumal Rackley, from his relationship with Lurma Rackley; daughter Gia Scott-Heron, from his marriage to Brenda Sykes; and daughter Chegianna Newton, who was 13 years old at the time of her father's death. He is also survived by his sister Gayle; brother Denis Heron, who once managed Scott-Heron; his uncle, Roy Heron; and nephew Terrance Kelly, an actor and rapper who performs as Mr. Cheeks, and who was a member of Lost Boyz.

Before his death, Scott-Heron had been in talks with Portuguese director Pedro Costa to participate in his film Horse Money as a screenwriter, composer and actor.

After Scott-Heron's death Malik Al Nasir told his story to The Guardian's Simon Hattenstone of the kindness that Scott-Heron had showed Malik throughout his adult life since meeting the poet back stage at a gig in Liverpool in 1984. The BBC World Service covered the story on their Outlook program with Matthew Bannister, which took the story global. It was subsequently covered in many other mediums such as BBC Radio 4's Saturday Live, where jazz musician Al Jarreau paid tribute to Gil, and was mentioned the U.S. edition of Rolling Stone and The Huffington Post. Malik & the O.G's performed a tribute to Scott-Heron at the Liverpool International Music Festival in 2013 with jazz composer Orphy Robinson of The Jazz Warriors and Rod Youngs from Gil's band The Amnesia Express. Another tribute was performed at St. Georges Hall in Liverpool on August 27, 2015, called "The Revolution will be Live!", curated by Malik Al Nasir and Richard McGinnis for Yesternight Productions. The event featured Talib Kweli, Aswad, The Christians, Malik & the O.G's, Sophia Ben-Yousef and Cleveland Watkiss as well as DJ 2Kind and poet, actor, and radio DJ Craig Charles. The tribute was the opening event for 2015 Liverpool International Music Festival.

In response to Scott-Heron's death, Public Enemy's Chuck D stated "RIP GSH...and we do what we do and how we do because of you" on his Twitter account. His UK publisher, Jamie Byng, called him "one of the most inspiring people I've ever met". On hearing of the death, R&B singer Usher stated: "I just learned of the loss of a very important poet...R.I.P., Gil Scott-Heron. The revolution will be live!!". Richard Russell, who produced Scott-Heron's final studio album, called him a "father figure of sorts to me", while Eminem stated: "He influenced all of hip-hop". Lupe Fiasco wrote a poem about Scott-Heron that was published on his website.

Scott-Heron's memorial service was held at Riverside Church in New York City on June 2, 2011, where Kanye West performed "Lost in the World" and "Who Will Survive in America", two songs from West's album My Beautiful Dark Twisted Fantasy. The studio album version of West's "Who Will Survive in America" features a spoken-word excerpt by Scott-Heron. Scott-Heron is buried at Kensico Cemetery in Westchester County in New York.

Scott-Heron was honored posthumously in 2012 by the National Academy of Recording Arts and Sciences with a Grammy Lifetime Achievement Award. Charlotte Fox, member of the Washington, DC NARAS and president of Genesis Poets Music, nominated Scott-Heron for the award, while the letter of support came from Grammy award winner and Grammy Hall of Fame inductee Bill Withers.

Scott-Heron's memoir, The Last Holiday, was released in January 2012. In her review for the Los Angeles Times, professor of English and journalism Lynell George wrote:

The Last Holiday is as much about his life as it is about context, the theater of late 20th century America — from Jim Crow to the Reagan '80s and from Beale Street to 57th Street. The narrative is not, however, a rise-and-fall retelling of Scott-Heron's life and career. It doesn't connect all the dots. It moves off-the-beat, at its own speed ... This approach to revelation lends the book an episodic quality, like oral storytelling does. It winds around, it repeats itself.

Scott-Heron's estate

At the time of Scott-Heron's death, a will could not be found to determine the future of his estate. Additionally, Raquiyah Kelly-Heron filed papers in Manhattan, New York's Surrogate's Court in August 2013, claiming that Rumal Rackley is not Scott-Heron's son and should therefore be omitted from matters concerning the musician's estate. According to the Daily News website, Rackley, Kelly-Heron and two other sisters have been seeking a resolution to the issue of the management of Scott-Heron's estate, as Rackley stated in court papers that Scott-Heron prepared him to be the eventual administrator of the estate. Scott-Heron's 1994 album Spirits was dedicated to "my son Rumal and my daughters Nia and Gia", and in court papers Rackley added that Scott-Heron introduced me [Rackley] from the stage as his son." .

In 2011 Rackley filed a suit against sister Gia Scott-Heron and her mother, Scott-Heron's first wife, Brenda Sykes, as he believed they had unfairly attained US$250,000 of Scott-Heron's money. The case was later settled for an undisclosed sum in early 2013; but the relationship between Rackley and Scott-Heron's two adult daughters already had become strained in the months after Gil's death. In her submission to the Surrogate's Court, Kelly-Heron states that a DNA test completed by Rackley in 2011—using DNA from Scott-Heron's brother—revealed that they "do not share a common male lineage", while Rackley has refused to undertake another DNA test since that time. A hearing to address Kelly-Heron's filing was scheduled for late August 2013, but, As of March 2016, further information on the matter is not publicly available. However, Rackley still serves as court-appointed administrator for the estate, and donated material to the Smithsonian's new National Museum of African American History and Culture for Scott-Heron to be included among the exhibits and displays when the museum opened in September 2016.

According to the Daily News website, Kelly-Heron and two other sisters have been seeking a resolution to the issue of the management of Scott-Heron's estate. During the time Scott-Heron's 1994 album Spirits was being produced, he was living in Brooklyn, New York, with Nia and her mother.

Influence

Scott-Heron's work has influenced writers, academics and musicians, from indie rockers to rappers. His work during the 1970s influenced and helped engender subsequent African-American music genres, such as hip hop and neo soul. He has been described by music writers as "the godfather of rap" and "the black Bob Dylan".

Chicago Tribune writer Greg Kot comments on Scott-Heron's collaborative work with Jackson:

Together they crafted jazz-influenced soul and funk that brought new depth and political consciousness to '70s music alongside Marvin Gaye and Stevie Wonder. In classic albums such as 'Winter in America' and 'From South Africa to South Carolina,' Scott-Heron took the news of the day and transformed it into social commentary, wicked satire, and proto-rap anthems. He updated his dispatches from the front lines of the inner city on tour, improvising lyrics with an improvisational daring that matched the jazz-soul swirl of the music".

Of Scott-Heron's influence on hip hop, Kot writes that he "presag[ed] hip-hop and infus[ed] soul and jazz with poetry, humor and pointed political commentary". Ben Sisario of The New York Times writes that "He [Scott-Heron] preferred to call himself a "bluesologist", drawing on the traditions of blues, jazz and Harlem renaissance poetics". Tris McCall of The Star-Ledger writes that "The arrangements on Gil Scott-Heron's early recordings were consistent with the conventions of jazz poetry – the movement that sought to bring the spontaneity of live performance to the reading of verse". A music writer later noted that "Scott-Heron's unique proto-rap style influenced a generation of hip-hop artists", while The Washington Post wrote that "Scott-Heron's work presaged not only conscious rap and poetry slams, but also acid jazz, particularly during his rewarding collaboration with composer-keyboardist-flutist Brian Jackson in the mid- and late '70s". The Observer's Sean O'Hagan discussed the significance of Scott-Heron's music with Brian Jackson, stating:

Together throughout the 1970s, Scott-Heron and Jackson made music that reflected the turbulence, uncertainty and increasing pessimism of the times, merging the soul and jazz traditions and drawing on an oral poetry tradition that reached back to the blues and forward to hip-hop. The music sounded by turns angry, defiant and regretful while Scott-Heron's lyrics possessed a satirical edge that set them apart from the militant soul of contemporaries such as Marvin Gaye and Curtis Mayfield.

Will Layman of PopMatters wrote about the significance of Scott-Heron's early musical work:

In the early 1970s, Gil Scott-Heron popped onto the scene as a soul poet with jazz leanings; not just another Bill Withers, but a political voice with a poet's skill. His spoken-voice work had punch and topicality. "The Revolution Will Not Be Televised" and "Johannesburg" were calls to action: Stokely Carmichael if he'd had the groove of Ray Charles. 'The Bottle' was a poignant story of the streets: Richard Wright as sung by a husky-voiced Marvin Gaye. To paraphrase Chuck D, Gil Scott-Heron's music was a kind of CNN for black neighborhoods, prefiguring hip-hop by several years. It grew from the Last Poets, but it also had the funky swing of Horace Silver or Herbie Hancock—or Otis Redding. Pieces of a Man and Winter in America (collaborations with Brian Jackson) were classics beyond category".

Scott-Heron's influence over hip hop is primarily exemplified by his definitive single "The Revolution Will Not Be Televised", sentiments from which have been explored by various rappers, including Aesop Rock, Talib Kweli and Common. In addition to his vocal style, Scott-Heron's indirect contributions to rap music extend to his and co-producer Jackson's compositions, which have been sampled by various hip-hop artists. "We Almost Lost Detroit" was sampled by Brand Nubian member Grand Puba ("Keep On"), Native Tongues duo Black Star ("Brown Skin Lady"), and MF Doom ("Camphor"). Additionally, Scott-Heron's 1980 song "A Legend in His Own Mind" was sampled on Mos Def's "Mr. Nigga", the opening lyrics from his 1978 recording "Angel Dust" were appropriated by rapper RBX on the 1996 song "Blunt Time" by Dr. Dre, and CeCe Peniston's 2000 song "My Boo" samples Scott-Heron's 1974 recording "The Bottle".

In addition to the Scott-Heron excerpt used in "Who Will Survive in America", Kanye West sampled Scott-Heron and Jackson's "Home is Where the Hatred Is" and "We Almost Lost Detroit" for the songs "My Way Home" and "The People", respectively, both of which are collaborative efforts with Common. Scott-Heron, in turn, acknowledged West's contributions, sampling the latter's 2007 single "Flashing Lights" on his final album, 2010's I'm New Here.

Scott-Heron admitted ambivalence regarding his association with rap, remarking in 2010 in an interview for the Daily Swarm: "I don't know if I can take the blame for [rap music]". As New York Times writer Sisario explained, he preferred the moniker of "bluesologist". Referring to reviews of his last album and references to him as the "godfather of rap", Scott-Heron said: "It's something that's aimed at the kids ... I have kids, so I listen to it. But I would not say it's aimed at me. I listen to the jazz station." In 2013, Chattanooga rapper Isaiah Rashad recorded an unofficial mixtape called Pieces of a Kid, which was greatly influenced by Heron's debut album Pieces of a Man.

Following Scott-Heron's funeral in 2011, a tribute from publisher, record company owner, poet, and music producer Abdul Malik Al Nasir was published on The Guardian's website, titled "Gil Scott-Heron saved my life".

Filmography

Saturday Night Live, musical guest, December 13, 1975.

Black Wax (1982). Directed by Robert Mugge.

5 Sides of a Coin (2004). Directed by Paul Kell

The Revolution Will Not Be Televised (2005). Directed by Don Letts for BBC.

Word Up (2005). Directed by Malik Al Nasir for Fore-Word Press.

The Paris Concert (2007).

Tales of the Amnesia Express Live at the Town & Country.

Wikipedia