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phoenix-fell · 2 years

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Anti-Bumbleby criticisms answered with BB analysis - Big post

As expected, as Bumbleby gets more attention from the show, the anti-BB crowd have surfed in on their tidal wave of bitter lemons. So, I’d like to put my degree, job and training to use and compile my thoughts down in one place - a one-stop shop if you will - it’s long and will be largely unfiltered as I tackle the weirdest and most common criticisms and BB analysis. (I kinda miss Bumbleby analysis Megaposts, I might make one sometime to go alongside this as a point of reference as most I’ve seen end around Vol 6).

TIA for anyone who actually takes the time to read my ramblings and please feel free to give your thoughts/analysis and I’ll edit it in. FIRST EDIT - 8th Mar 2023 presenting labels and sexuality in Remnant - 4th from end.

Credentials: Double major 1st class grad in Literature and Creative Writing, specialising in fairy tales and WLW representation in media. Recipient of dissertation award exploring character psyche and the presentation of psychological themes. Literary critic, writer and content specialist.

Let’s start off with a cracker from Reddit!

“Why couldn’t the BB scenes be more of a background thing? Why do they need to focus on them like they’re a main plot or something?”

Is... Is it stuffy under all that homophobia? I could easily rhyme off a string of sarcastic quips like ‘gee, I wonder why, it’s almost like it’s important to the development of two of the main characters or something.’ But it’s so lost on some people that I’mma spell it out:

We’ve seen Blake and Yang’s trauma painted across the screen from ‘Burning the Candle’ when Yang first confesses her abandonment issues, to the White Fang / Adam arcs that gave us a picture of the abuse Blake has endured - not just as a Faunus, but from her partner (“Adam used to get into my head, make me feel small.”), right through to their separation that dealt with their respective issues with running away/being abandoned and the shared trauma which has tied them both together indefinitely. They’ve been apart, they’ve repaired their relationship, they’ve grown together. In a current volume that’s so inherently focused on character’s individual development, seeing Blake and Yang together was almost inevitable as they’ve been so completely involved in one another’s development throughout the entire series. This is without going into their fairy tale allusions that tie them together which I’ll go into further down or the references to Yin/Yang and numerous romantic tropes that show how integral they are to one another’s characters. Contrary to belief, it’s not romance for the sake of romance - in this instance, the romance very much strengthens their development individually.

Asides from all of this, it was decided from the very beginning that Yang would lose her arm (foreshadowed in the Yellow trailer). The moment they decided that Yang would lose her arm protecting Blake, was the moment a decision was made to invariably tie these two narratives together on a very fundamental level.

But also, don’t clown yourself into thinking you’re not a homophobe if you think any LGBT content belongs in the background whilst also rejoicing any onscreen developments between straight ships.

“If BB was meant to be a thing then they wouldn’t have had Sun as a romantic interest.”

Is there a universe where love triangles and bisexuals are a foreign concept?

But in all seriousness, I think that certain corners of fanbases seem to struggle with any concepts that are non-linear; something I often see with anime. By ‘linear’, I mean: love interest introduced > build up > canon > together forever. As opposed to ‘non-linear’; a character that goes on their own journey of discovery and, through which, has more than one interest and path over time and has the ability to change their mind. The show was never a ‘romance’ as a primary theme; it’s an action/adventure which has some romantic subplots. But to honest, Blake changing her mind shouldn’t really be this much of a shock to the fanbase given that our FIRST ever interaction with Blake, in her TRAILER, is her changing her mind about her partner (and first romantic interest) and deciding to pursue a new journey. A scene which is actually referred back to in the Season 6 opener when Blake uncouples the train and sees what she believes to be a hallucination of a hooded Adam on the opposite carriage, foreshadowing the importance of that original decision later in the series (“you didn’t leave scars, you just left me, alone”).

The arc that follows Blake thereafter is inherently tied to Adam (amongst other important themes), who is predominantly based off Gaston and the rose (or curse of the rose) from Beauty and the Beast. Blake and Yang are interchangeably alluded to as both Belle and the Beast throughout their character arcs from as early as the Red Trailer: “Black the beast descends from shadows / Yellow beauty burns gold.” and as recently as Blake describing Yang to the Hunter Mice in Vol. 9 Chapter 1. I can rhyme off these allusions until I’m blue, but again, I may save this for a master post.

The story that Blake is based on is a love triangle - she was never meant to have one set path from the beginning and romantic interests were always meant to play a huge part in Blake’s story/development; she was always going to have a romantic decision to make after conquering the curse / Gaston. Blake being haunted by her first romantic interest is foreshadowed in the ending of her trailer and first referenced in her conversation (with Yang) at Mountain Glen, and becomes an undeniable path of exploration once Yang loses her arm to Adam at the end of Volume 3. Let it be noted that Sun was present when Yang announced she was going to find Blake at the Battle of Beacon - a decision was made here for Yang to be the one to lose her arm protecting Blake, as was Adam’s poignant promise to take away everything Blake loves - “starting with [Yang]” or, otherwise, the solidifying of this romantic subplot. Which, again, is called back to with the infamous line: “What does she even see in you?” besides the obvious subtext, it’s setting the stage for these parallels between Adam and Yang, past and future, the previous love interest identifying something in Blake that used to be reserved for him, now directed towards Yang.

This season began with Blake declaring that Yang “seems scary, but isn’t”. Because, once Belle knows the Beast isn’t scary, she allows herself to fall in love (conveniently, this is said whilst walking through a fairy tale).

I could go into a big post about romantic foils and the ways in which Yang, Adam and Blake are all foils to each other but I might make a separate post instead for anyone new to the FNDM. Either way, I feel it’s worth mentioning as it’s Blake who directly compares Yang to a past love interest who was designed with semblances and characteristics that mirror each other. Point being, no one should be shocked that Blake has multiple interests given the character and fairy tale she’s based off and heavy allusions where Yang is concerned.

“Oh yeah, because Yang ‘literally purred at guys in their underwear’ Xiao Long and Blake ‘literally kissed a boy’ Belladonna are clearly bisexual because of [insert out of context reasons]” and “yes but Monty said...”

1. You mean... the one, and only one scene in 9 entire volumes where Yang shows any interest (albeit jokingly) in a guy, and the literal scene directly before she sees Blake from across the crowded room and proceeds to never express interest in men again? (Ignoring the very obvious implied trope here). And, in fact, only expresses interest in a woman from this point onwards? This is your frame of reference? Personally, I find it quite lovely that Yang’s perspective is never the same from the moment she sees Blake. Asides from this, while ‘bisexual’ is the label that these guys have gone with, Yang’s sexuality hasn’t been confirmed outside of being sapphic - it’s not outside the realm of possibility that she is, in all likelihood, lesbian. It’s important to note here that any young character expressing an interest in a man would not invalidate that same character being a lesbian. In fact, if we apply this to real life, it’s not uncommon for people not to realise that they’re queer immediately (I myself didn’t until I was 21). But in the opening episodes of the series especially, I’d very much chalk this up to writers exploring the characters.

2. As for Blake - there are, from what I remember, three kisses in the entire show so far. The one between Jaune and Pyrrha - on the lips after prolonged romantic allusions between the two (their romance is explicitly referenced by Nora - “practice what you preach, Pyrrha.” - almost fitting that it’s Nora to call out the Bees in Season 7 - A Night Off, no? Neat little parallel for y’all). The one between Ren and Nora after trying to work out the status of their romantic relationship - again, on the lips. And the one where Blake says goodbye (and thank you) to Sun by kissing him... On the cheek. (So hot, I know). Which is immediately followed up with Sun telling Neptune “it was never about that”. One of these is not like the other, can you guess which? I’ll wait.

As for referencing Monty - I could go on all day about this one, and the quote most notoriously used is ‘they’re a sisterhood’. Firstly, let me just say that I find it disturbing that anyone would use the show’s deceased creator as ammunition, whilst also disregarding his other comments on LGBT rep - specifically, ‘maybe there are LGBT characters there now / they’re just kids rn and figuring it out / it needs to be earned’. But also, it’s really disturbing and egotistical that anybody would pretend to know what Monty wanted better than the crew he handpicked, worked with, collaborated with and was friends with (special mention to the fact that his own brother is one of the cast). If you truly want to honour his legacy, then show respect to the people he put his trust in.

“I don’t have an issue with BB, but why does it always have to take away from Yang’s moments with Ruby?” / “All Yang’s feelings for her sister transferred to Blake.”

One from the hall of fame. The age old question of ‘can a girl have a romantic partner and still care about her family?’ I wish this wasn’t a serious question, but there are actual sides of the Fandom that seem to think that Yang’s forgotten about her sister that she raised because she has feelings for someone and that the sole purpose of Yang’s existence is to be her sister’s keeper.

I’mma address this on 3 fronts. 1 - Logistically, the episodes for RWBY, excluding the intros, are 15-20 mins long currently and typically oversee several different storylines particularly as the cast grows larger, leaving us with... What? About 5 minutes of team RWBY interactions? It’s not a lot of time to pack in character development, relationship development, plotline, strategy etc. so often if they’re wanting to develop more than one relationship, they will alternate between putting these themes in the background (such as the yellow in Blake’s sword, references from other characters etc.) and foreground, and some developments have to be shoulder-to-shoulder to fit them in. This isn’t an indicator of how much one character cares for one another and is more a demon created by people’s perception of how they ‘think’ a protective sister should act.

Additionally, it should be noted that Yang fawning over Ruby and not allowing her to develop other relationships outside of her sister, would actually offer us nothing from a development perspective for both Yang and Ruby’s characters and would, instead, steer these two strong female characters down a path of co-dependency.

2 - It feels like a very easy excuse for Anti-BB folk to throw out there, conveniently forgetting how great of a sister Yang actually is (contrary to the number of RWDE videos I’ve seen arguing otherwise, as this is an essay I could write in itself). These very often take isolated incidents out of context and conveniently forget important information like Yang 1. Literally sacrificing herself twice to protect her sister 2. Sacrificing her entire childhood to raise her sister and 3. Importantly, the fact that Ruby is her (self-sufficient) Team Leader needs to be factored into their dynamic, as Yang gives her space to find herself as a leader and steps in when her sister actually needs her - not when the audience thinks she does. People hear ‘protectiveness’ and seem to think that this should mean that Yang should be overbearing.

3 - Anyone who says this doesn’t have siblings. I have older and younger siblings and, having largely raised my younger sibling, I can safely say that I still love them even when I’m in a relationship. I also feel extremely secure in arguing/disagreeing with any of my siblings because I inherently know they will still be there at the end of the day - a sibling love goes deep (referencing ‘Fault’ from Volume 8). However, in a romantic relationship that is not established and very new... you will feel insecure, that’s normal, it doesn’t have the luxury of established stability that siblings do, and therefore you will overtly express more anxiety about this as a result. It’s a very strange concept that if you have a sibling, you need to give them all of your attention and ignore any love interests. Yang has gone through her own traumas, she has every right to care about others, heal herself, and have a life that isn’t defined by being a caretaker for her sister. ESPECIALLY as she already gave up her childhood to fulfil this role, unselfishly AND as the person she’s bonding with is best poised to understand Yang’s trauma. Yang as a character deserves to receive the love she constantly gives out. Again, this is a demon born from the fact that it either doesn’t reflect the relationship commentors have with their siblings, or the fact that they’re *imagining* how that relationship should be.

Bonus picture below: Yang putting aside her anguish for Summer Rose, who she considered to be her mother, to prioritise comforting her sister about that same loss.

“I hate BB shippers because they pass off BS interactions as platonic. BS made more sense, there was no build-up to BB until Vol 6 and they let the BS build-up go to waste to force BB.”

First off, there’s nothing wrong with BlackSun as a ship. Shipping shouldn’t be dictated by canonicity and people have the right to ship it and to their opinions. And while a few of these seem to have referenced BS, I don’t actually think that BS shippers are at fault for the hatred coming this way, but rather that the ship seems to get used as ammunition from the Anti-BB crowd - to summarise, Anti-BB and BS shippers are not synonymous. I personally don’t ship BS, but I do enjoy the debate and actually think that Sun is a very important part of Blake’s development and arc. There did seem to be some form of mutual attraction between Blake and Sun. Had they gone down that route, I wouldn’t have hated it, I just never felt excited by it, which seems to be a large consensus amongst BB fans. An appreciation whilst feeling there was a better alternative.

Believing all the development between Sun and Blake was ‘wasted’ is also very closed-minded given how much he helped Blake in the White Fang arc and also disregards the importance of their friendship. BS has the potential to be one of the best and most supportive friendships in the series, I stand by that.

That said, I don’t think it’s entirely wrong to acknowledge that a lot of (not all) interactions between BS were platonic from Blake’s pov while Sun’s feelings were more explicit. The only real hint I saw of Blake reciprocating was a blush at the Vytal festival. Maybe the dance at a stretch, but there’s hints at both BS and BB and I will fight you on it. Now, it might be a question of timing; Adam was still a prevalent threat during this time which will have been weighing on Blake given the resurgence of the White Fang, and is clear when Adam rocks up seeking vengeance in Volume 3. For this reason, I honestly think it would have been disingenuous to have explored Blake in a full relationship with anyone at this point given these loose ends, and Blake undergoes a lot of development over volumes 4-6 as a direct result of this.

Additionally, if BB didn’t begin until Volume 6 then that means that BS had 4-5 volumes to happen - 2 of which where they were in their own arc, separated from the main cast. It didn’t happen. What happens instead is Blake’s guilt over Yang weighs heavily on her while she deals with her arc and Sun helps her come to terms with this, ultimately redirecting her back to her team, and Yang, while Sun’s interactions with her become increasingly platonic from his side.

Lastly, the only way you don’t see build up for BB, is if you actively will yourself not to see build-up. If you replace Blake and Yang’s moments with Sun, I don’t feel there’d be any misunderstandings on how these moments are supposed to be interpreted. Take off the hetero goggles, and we’re cool.

But on a sidenote and personal pet peeve of mine, the cries of ‘BB is forced while BS had build-up’ will forever irritate me - BB has a slow burn, a full arc, developed from a friendship and partnership as well as several tropes and allusions without going into too much detail. BS, firstly, never ended up happening, but it starts when Sun runs past, winks at Blake, magically knows she’s a faunus, then proceeds to follow around a girl he doesn’t know for two days who, at his own admission, didn’t speak that whole time. But... BB is forced? I’d say it’s subjective, but logic defies when this is the barometer for a natural introduction of a romantic pair.

“BB is ‘queerbait’”

Let’s address the ‘Goliath’ in the room, shall we? ‘Queerbaiting’ gets thrown around like a reflex at the moment by pseudo-fans who I don’t believe actually know the gravity of their statements or the meaning behind the word. I often see this slur paired with BB being strung out to keep the shippers watching. Now, there’s an essay in itself that could exist in this section, but are people really still clowning themselves that a show that’s explicitly shown that it wants to have queer representation in the cast and foreground is ‘queerbaiting’ it’s audience? Even weirder for me is the part of the FNDM saying that it’ll be baiting if they make BB canon. Please stop this nonsense and do some research.

Now, one thing I would like to tackle is that, sadly, some will still see pairings on the show through heteronormative glasses, so let me use that here. If the pair were a m/f couple and had several seasons of development and increasingly intimate moments, there would be no doubt in anyone’s mind that 1. It was heading in the direction of canon and 2. That it was a slow burn romance that’s building to its’ climax. Interestingly, the show actually does use the hetero goggles to frame BB on several occasions by paralleling this budding romance with several straight ships such as Arkos and Renora. Why? Because this is a narrative technique often used by writers to frame LGBT romances to separate them from ‘just friendships’ and, let’s face it, use an unconscious heteronormative bias to their advantage.

“BB is badly written, they barely interacted in volumes 1-3 then didn’t speak for two volumes.”

Tickle me pink. Volumes 1-3 are a very strange reference point for ‘in-depth’ development between characters. Crumbs, sure. The odd scene, absolutely. But let’s be real here - the show started as a low budget web series with an onus on cool fighting scenes and, most importantly, the episodes were around 5 minutes long whilst entertaining teams RWBY and JNPR, the White Fang, the Vytal tournament and several other plots. Nobody particularly interacted much but the writers did the best they could with what they had and the rest is left to us, the audience, to interpret that relationships are developing off-screen. Though from a critique POV in the interest of fairness, I would say the current season is a breath of fresh air by re-focusing the plot on the central characters as I think the show can sometimes be guilty of taking on too many plotlines.

As for volumes 4-5, while they’re in different continents, it’s obvious that they’re prevalent in each other’s arcs. Whether it’s Yang admitting she’s struggling with Blake’s abandonment - in the same episode the first lesbian character is revealed confessing their feelings to Blake (sidenote, all of team RWBY left Yang, and it’s Blake she’s mad at, this was always meant to be framed differently to her other teammates and IMO the struggle they go through is meant to frame the characters coming to terms with the depth of what they mean to each other), the parallels of them both getting onto the ship (named ‘Pride’ - wink wink), or Blake actively struggling to talk about Yang, yet referencing it when Sun is hurt (“Not again!”) showing it’s at the forefront of her mind. All of which culminates in their reunion in the Vol 5 finale.

Is it the best writing ever? No, nothing’s perfect. But they do explicitly use parallels throughout the series to drive the narrative forward as a foreshadowing tool to strengthen subplots.

“Blake being bisexual makes no sense - she was interested in Sun, it just seems so out of the blue, she and Yang just seemed like friends to me.”

Funny, because she and Sun seemed like friends to me too.

There are so many things I wanted to fire back at this, from the insinuation that if a woman first shows interest in a man then it’s out of the blue that she’s bisexual now that she’s showing interest in a woman... Like, how do you think it happens for bisexuals IRL?! Did you want her to burst onto the scene in Volume 1, announce she likes men and women, and then express explicit simultaneous interest in both of them? Start a harem? Proposition a throuple?

This particular take amuses me most of all as someone who is very openly bisexual. Yes, she and Yang seemed like friends. Great friends, in fact. That hold hands and blush and want to spend all their time together. And check each other out when the other isn’t looking. And make excuses for casual physical contact and flirt and giggle like a couple of giddy teenagers. Just like me and my ‘best friend’ did, before I realised I was bi. I’m sure that a lot of people thought it came out of the blue for me too. Blake being oblivious to being bisexual until it becomes too obvious to ignore is actually a very realistic scenario.

Bonus headline - just because you don’t understand/identify with something, doesn’t mean that it’s not good representation or realistic. I feel it’s also important to mention Blake’s VA, Arryn Zech, is bisexual and has spoken numerous times on the matter. The reason I bring this up is because it’s clear that the way in which the bisexuality of her character is presented on the show is actually something that’s incredibly important to Arryn - because good representation is significant.

Presenting labels and sexuality on Remnant: A Theory and - “BB is a terrible representation of LGBT and your critique ignores the female and LGBT people that have spoken out against it.”

They say, to someone who is both female and LGBT. Credit to the Anon who charged into my inbox to accuse me of the above - hope you enjoy. Now, there’s a couple of things I’d like to cover before I go into how sexuality is perceived in-universe. The first is that if you use this argument against someone who is queer without seeing the belligerent hypocrisy of your statement, please check yourself as, clearly, you only care about LGBT voices on representation when it aligns with your own rhetoric and ready to dismiss any narrative to the contrary from that same community.

Secondly, the queer/LGBT community is a vast and vibrant community of *individuals* with their own opinions and own voices. I didn’t nominate anyone to speak on my behalf, just as I don’t speak on the behalf of the rest of the community. Moreover, any art is open to interpretation. My opinion does not override theirs, nor does their opinion erase my own. And, believe it or not, it’s quite possible to have two or more differing opinions within one community without being at war with one another. I respect their opinion, just as I hope they respect mine.

We clear? Great. Onto the analysis! Huge shoutout to @crimsonxe for the brilliant discussion and assistance with the analysis in the comments that helped me construct this section! You’re awesome.

Let’s dive in with the headline - Homophobia doesn’t appear to be an issue on Remnant and labels don’t appear to exist, in the sense that it doesn’t appear anywhere in-universe. Now just to pre-emptively disclaimer: this may change, but in 9 volumes and however many supplementary materials, we’ve not heard any labels or had any representation of this type of discrimination. If that changes, I’ll happily remove this.

So why is this important, you ask? Ultimately, when you take away the inherent ‘fear’ that a lot of the LGBT community face IRL along with prevalent ignorance towards the community and society’s insistence on labelling sexualities and gender identity, it creates a world divorced from our own and is, from a narrative point of view, a double-edged sword. On the one hand, it allows the characters to explore themselves in a non-discriminatory environment that is inherently more fluid and free, whilst the audience will inevitably want to compare that to their own experiences. But we can’t - not properly - due to the still very real stigma and discrimination that exists in our own world. Instead, what we see are characters who express an interest in other characters and find other ways to allude to their preferences or identity. A prime example of this would be May, canonically a trans character, who does not use this term in-world but instead says, “To the Marigolds that meant I wasn’t their son, and I made sure everyone knew I wasn’t their daughter.” This is a theme that is poignantly reflected in the accompanying media for the series - such as the books; for instance, Coco, canonically lesbian, referring to “breaking the hearts of many women.”

How does this tie into the relationship with Blake and Yang? Glad you asked. If you bear in mind that Remnant has a very fluid outlook on sexuality and more of a ‘love who you love’ ethos which is blind to gender norms, it immediately subverts the assumption that interactions between m/f are romantic while f/f are platonic. It’s an open field, if you will. BB is a steady build from partner/best friend (though I’d argue that at least Yang had an immediate attraction, with Blake figuring herself out) with interactions that become increasing more intimate. Eye rolls and jokes become winks and innuendo (“I love it when you’re feisty!”), nudges become intimate hugs (Burning the Candle), become hand-holding (it isn’t coincidence that these two have held hands more than any other pair in the series), becomes pining, blushing, forehead touches (BB and Renora - remember those parallels), which evolves into flirting and... More. And yes, some of their interactions will still resemble the friendship they built their foundations on. But in a world where labels don’t exist, that journey from friend-to-lover is much more subtle and embedded in a gentle upwards curve of increasing intimacy.

“BB is only happening because the horrible BB fans demanded it, the show caved and gave in to the toxic fanbase, it wasn’t planned from the beginning.”

I’ve seen this in so many places, like a broken record. I have no doubt that there are BB fans that are fanatical, and I’d never justify the behaviour of any so-called fan that resorts to death threats or violence in any way. I’m hoping this surely must be a minority that has, hopefully, shrunk over the years as the audience has matured. However, this also really isn’t how shows work...

As many have pointed out in recent weeks, the show would be a very different landscape altogether if CRWBY were, in fact, that easily swayed by fans; namely, I’m thinking of Clover/Qrow, Pyrrha, Penny etc. While I don’t doubt that show-makers pay attention to the fanbase where needed and where it’ll be beneficial (seeing how fans react to developments, if allusions are clear etc.), sending death threats or whatever is actually much more counterproductive than anything else. But also... You’re not on the crew, you’re not part of those discussions. I feel confident that Miles, Kiersi and Kerry aren’t writing BB content with a gun to their head.

Lastly, the ‘it wasn’t planned from the beginning’ war cry is a tale as old as time. Like Beauty and the Beast. (See what I did there?) Asides from the fact that 1. Yang and Blake were actually the first created out of the team, and made with each other in mind, regardless of in what context (check out the original character designs/concepts) 2. Even if it wasn’t planned from the beginning, what difference does it make? There are tonnes of examples where the writers have felt the chemistry between two characters as the story’s gone on and decided to put them together (case-in-point from outside the anime world.. Chandler and Monica from Friends). In fact, while some writers like to plan every element of their plot from the beginning, there’s a great many writers who allow the characters to steer the plot as they grow - especially arcs with romantic undertones. The series was made predominantly for the action - it’s not a romantic series, so if they didn’t plan it from the beginning that wouldn’t be unusual, especially given that the episodes of the first few volumes are literally 5-10 minutes long. But regardless of whether the romance of the two was planned or not planned, it does not make it any less meaningful.

But let’s be real, the issue at heart isn’t that they weren’t sucking face in the first 3 seasons, it’s that they thought Blake would be with a guy, and she chose a girl. To which I say... Get over your bruised ego, and move on.

“BB fans deserve the hate they get because of x, y, z and cos it has toxic shippers.”

And you’re... Not... Toxic? If you’re an Anti-BB shipper and go out of your way to stalk and comment on BB tags/accounts just to harass shippers etc, then are you any better than the toxic fans you supposedly hate? To me, following BB tags and looking at BB content whilst being an Anti-BB shipper is so weird, why you trying to hurt your own feelings?

Also, saying that innocent shippers who are just living their best life should bear the burden of the toxic FNDM, is literally the definition of tarring everyone with the same brush. Some of us just want to eat our crumbs in peace, and from our POV, you’re the toxic ones being disrespectful. Bonus point: others being toxic does not give you licence to be hateful to anyone you come across that doesn’t agree with you.

“I’m no longer watching the show cos it’s trying too hard to be ‘woke’”

This ain’t an airport, you don’t need to announce your departure. But since you are, if your issue is the gay representation in the show then wake up and look around... We’re everywhere. The show is literally just reflecting the diversity you see day-to-day; but you keep sipping that haterade, my dude, we’re here to stay.

#anti rwde #rwby analysis #bumbleby #rwby

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novacorpsrecruit · 3 months

Text

Theme: social media / modern media AU

Don’t Hate the Player by daynight (Ao3) @daynightinc (tumblr)

M | wc 6,373 | minor cw cut scene cyber sex (I read it at work 🫡)

Steve Harrington doesn't really play video games. Not his thing.

Somehow, however, he's ended up in an utterly delusional, one-sided relationship with an NPC.

This is so fucking unique I’m literally hanging it up Video Game Hall of Fame. Rochester, here I come. Steve is bullied into playing ‘Upside Down’ an 18+ MMORG, as Dustin tells him the most efficient way to get a hold of him is through [reads notes] the in-game messaging system. Sounds right. Steve gets enamored with the game, playing hours on end even without Dustin. And Steve finds Keswardia the Banished, an NPC merchant, that he can’t stop visiting.

I’ll be honest I fucking love video game lore. It’s one thing that sucks me into games so hard. The world building in this fic just for the video game is so good!! I want to eat it up. And the fact that Steve stumbles into Keswardia destroys me. Read it, you’ll get it.

Gareth the Matchmaker by Steviesbicrisis (Ao3) @steviesbicrisis (tumblr)

G | 15/16 chapters | no cw

Gareth is in charge of the Corroded Coffin official TikTok account, he's playing Fuck Marry Kill with the three random celebrities filters and trying to make the other guys join as well.

When it's Eddie's turn, he's having none of it until he sees the three celebrities on top of his head.

He has no clue who these people are, but the one in the middle? Eddie is sure he's going to marry him someday.

Eddie has yet to find out that the guy is none other than baseball player Steve Harrington, 1/3 of the "Ladykiller Trio", currently playing for the Yomiuri Giants. In Japan.

And when things get too complicated for Eddie's liking, thankfully he has Gareth on his side.

I honestly think this is the first time I’ve ever read a social media AU that’s only through images and with a complete story. There’s screenshots of the text messages, Instagram, news articles, TikTok’s. This is such a unique storytelling method and everyone is so in character, you forget that it’s not real screenshots. (I hardly ever read anything that’s incomplete but I made sure to hit subscribe when I first saw it was on Ao3.) It’s a WIP, but chapter 16 is supposed to be an epilogue, so even if you don’t like reading WIPs, I highly encourage this one!!

WHO IS EDDIE MUNSON FUCKING by beetlesandstars, witchjeons (ao3)

M | wc 2,445 | no cw

Summary: eddie: oh god

oh no god please no

FUCK

FUCK FCUK FUCK FCK FUCK

NOBODY LOOK NOBODY SCROLL UP

PLEASE

nancy: did you actually just sext the fucking group chat

eddie: so. like

Or, Eddie accidentally sends a sext to the group chat. Chaos ensues.

I fucking die reading this. This is an entire fic made of chat rooms and it’s so fUCKING funny I’m not even joking.

Eddie accidentally opens a can of worms when he sends the wrong message to the wrong chat and chaos ensues. All of their personalities fit so well in a modern setting and it feels like you’re snooping in someone’s phone. I really recommend anything that Jo writes that has chats (and in general)!

Eddie Munson/Hotdude Official Megatherad! By MixAddams (ao3) @mixsethaddams (tumblr)

T | wc 1,906 | cw Reddit simulation

Summary: The general public spent 30 years thinking nothing of Steve’s presence in pictures beyond him being ‘that one hot dude in the background’ because whatever, he was just another part of Corroded Coffin’s entourage.

Imagine the scramble on the band’s subreddit to reexamine every picture he’s ever been in when, the day gay marriage gets legalised in Indiana, Eddie posts a picture on Instagram of the two of them with the caption “Finally. We’ve been engaged since 1989.”

(Because of the formatting is infinitely clearer on desktop or tablets than on mobile)

I absolutely love this. This is literally peering into the Stranger Things universe in 2Kwhatever and peering into the mess that is Reddit and the Corroded Coffin fan base. This is so fucking brilliant I just !!!! Please read.

Seth tbh I don’t think I realized this was your fic I love your brain, I’m kissing your brain.

Consensual Catfishing by foresthearts (ao3)

M | wc 32,108 | cw miscommunication

Summary: When Eddie gets a message on instagram from an account claiming to be the famous pop-star Steve Harrington, he knows immediately it's a catfish. He's not dumb. The account has no pictures and people like Steve Harrington don't just randomly DM guys like Eddie.

Still. What would be the harm in letting it play out? It's not dangerous if he knows he's being catfished. No, if he knows about it, then it's basically like a fun little roleplay. No harm, no foul.

(Eddie is not, in fact, being catfished)

*slaps the screen of Ao3* This baby can fit so much into it! Mistaken identities, identity porn, mixed media, famous Steve, slightly less famous Eddie, podcasts, text messages, tumblr posts, and dungeons and dragons.

Eddie, a DM for a Dungeons and Dragons online podcast (vodcast? wtf do you call it when it’s a video series), gets a message from someone pretending to be his (slightly former) celebrity crush, Steve Harrington. Eddie goes along with it, joking about it on his show, and maybe he kind of falls in love with the catfisher…

While Steve Harrington finds out an internet celebrity is into him. He reaches out to the famous DM Eddie Munson in hopes he can get over his former relationship with his bandmate.

This Untitled modern AU by @steddiealltheway

G | ficlet sized | no cw

Summary: A wrong number leads to Steve making an unlikely friendship.

This fic rattled my brain so much, when I was searching for it I thought it was on Ao3/10K fic. I absolutely love this piece! Robin goes out on a date and Steve (lovingly) jokes that Robin is going out with a serial killer. Steve texts Robin’s new number, just to ensure she’s safe and not actually with a serial killer… only to find out that he has the wrong number. He creates a friendship with Not Robin (of course, after finding out Robin was indeed safe), and maybe he falls along the way, too.

Found God in a Tomato by beetlesandstars (ao3)

M | wc 5,725 | no cw

Summary: Eddie: just met the cutest guy on god’s green earth and i didn’t get his number

basically it’s over for me

Steve: Oh? Where?

Eddie: at this little coffee shop i like

i’ve never seen Tall Pretty Gorgeous here before though so. i will probably never see him again.

shoot me

Steve: Tall Pretty Gorgeous huh?

He must’ve been something

Eddie: YES Steve. he WAS

operative word being WAS!

i can’t believe i didn’t ask for his number

Steve: What’d he look like?

Eddie: oh, you know

his beauty was beyond compare

with flaming locks of chestnut hair

with suntanned skin and eyes of roasted beans…

his smile soft like summer rain

his voice was like a breath of spring

and i cannot be normal now, joleeeeene

I actually found this fic while searching for the above untitled tumblr fic (when I thought it was on Ao3) and stumbled upon another great Jo creation!

A text to the wrong number creates a friendship through sending songs back and forth (the best kind of friendship). And ugh!!!!! I just love this so much.

i couldn’t see (you were always right beside me) by oriscribes (Ao3)

T | wc 13,609 | cw they’re fucking idiots

Summary: Three hours later Steve logged off to get ready for his shift at the hospital. He was several levels higher and had finished the quests in Darkshore with the help of Greyhawk. He also had a friend listed in his friends list.

Greyhawk had said that being friends would let them be able to tell when the other was online so they could quest again. Steve really liked the sound of that. He didn’t have many friends his own age. He and Robin basically lived in each other’s pockets at work, but with Robin’s new girlfriend and their sleep schedules, they didn’t end up getting to hang out more than once a week.

A new friend sounded really nice, especially given that it was unlikely he would ever get along with his neighbors. The only resident Steve’s age on this floor was the neighbor he hated and that was very unlikely to change anytime soon.

Steve hated his neighbor. And then Dustin and the other kiddos left for college and Steve signed up for some online game called World of Warcraft. Which was how Steve met a Night Elf druid named Greyhawk.

Oh my god did we ask for more mistake identities because THIS FIC IS LOADED WITH THEM!!! I cannot stress how much I loved this fic. I just discovered it two weeks ago and it is embedded so deeply into my brain I just !!!!

Steve decides to join Dustin and the rest of the party on WoW, to bridge the distance college has created, but somehow never joins their party as he makes a new friend online. Steve uses WoW to relax from the real world of his stressful job at the hospital, the ongoing feud he has with his neighbor and his cat (Cowboy!!!!!!), and the constant nagging he gets from Dustin to meet his other older friend Eddie.

Eddie, on the other hand, found a newb on WoW and somehow adopted him as a new friend, helping him level up and teach him the game. If only friendships work out this well in real life, then maybe he could help his grumpy neighbor not be so … well… grumpy.

Please remember to leave kudos and comments on the fics you read/enjoyed! Support your writers 🖤

Prev fic rec: fics that fucked me up (so you should read them too)

#steddie #stranger things #eddie munson #steve harrington #steddie fic recs #fic recs #novacorpsrecruit fic recs #lmao I left my note to find the untitled tumblr fic so that tells you how much it rotted my brain

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thelioncourts · 2 months

Note

You may have answered this elsewhere, but what are some of your favorite Jam moments, either in videos or in print? :)

oh, god, there are so many. I'm going to forget all of them, but !

s1 interviews where they talked about texting each other pictures and sam had his photos on live and jacob thought it made him incredibly interesting and they would update each other as they got new fangs in the mail.

their zoom auditions that landed them the roles, the deciding factor really wasn't how they acted as lestat and louis, but how they interacted as themselves with one another.

their date to the vampire boutique to buy vampire things and they bought candles they were supposed to light together but sam, ever the forgetful husband, lit his way before jacob and jacob was Disappointed.

speaking of ever forgetful husband, the reddit q&a where jacob was like 'oh sam is trying to get into the writers room' like the husband that knows everything or when asked about their first scene and sam said one thing, then jacob corrected it, and sam commented back like 'oh yeah jacob is right.'

jacob's teeny tiny teasy pics of sam from sdcc 2022 before any of us knew just how much they were going to ruin us.

"most fulfilling partnership...cREATIVE partnership"

when they got out to the main sdcc 2022 panel and sam was so nervous and jacob gentle started rubbing his back and they looked at each other and sam put a hand on jacob's thigh and AHHH

sticker shop date

l.a. date where they went to universal

walks along the beach in san diego

meeting in the rehearsal room all masked up and whatnot

eric's "the only difference between these two and their characters is that I've never seen these two fight"

jacob saying that sam's hair is really cool when it's put up

sam on ep2 of the iwtv podcast saying that when he met jacob he knew it would be really easy to fall in love with him...

jacob's one interview where he said that the coffin was comfortable when there were two people in it and associating sam's bday with valentine's day

jacob crying as hard as he did during the s1 finale because not only was it the acting, but it was also the acknowledgement that he would be losing this with sam in some way

prague dinner dates every single night........

taking delainey paddleboating in prague

the entire s2 finale reunion and how the mics were cut so they could have that moment, how they didn't really discuss it, how they just know each other as they do and it was them, and it was real

the tv insider jenga game where jacob was like 'what's my favorite snack?' and asking sam and then going 'why am I asking you?' but sam still answered anyway

when they walked up to each other at the s2 premiere for the first time (don't talk to me about it)

the entire s2 premiere, I am not allowed to Speak

the 92ny screening and every teasing little interaction they had on that stage, GOD

the interview where they talked about their dinner in prague and sam chose it as his last meal if he could choose one, even though he didn't like the food that much, but --

how sam said that filming s1ep5 it was so hard to see jacob as he was but jacob tried to alleviate his problems with it and so they have fun videos of jacob spinning and also sam took home his prosthetic eye

the locket bailey made with both sam and jacob's pictures in it and she showed sam and he was like 'oH MY GOD CUTE'

seine river walk, my beloved

clubbing in paris that I'm legally not allowed to talk about

swapping contacts, like who does that, why

sam saying that there's no one he would rather be nude and bleeding with

the paleyfest 2022 interview where bailey was talking about how sweet they are and jacob made the CUTEST face and then was like 'sam. are we best friends?' in the most giggly way and sam was just. so fond, so 'yeah, we're best friends'

in jacob's interview with autumn where she was like 'I tried to get sam to sing when...' and jacob just. fully knowing 'he's not going to do that' in the most deadpan way

the s2 premiere cute interview clips where jacob just goes and lays down and stares at sam (?????)

jacob talking about (during s2) how grateful he was to film with sam and how it felt like home and it was comfortable

the video with delainey where they go through several of the episodes and analyze scenes and they spent way too long giggling about bdsm and just reminiscing

the way any and everyone talks about them, it's so not normal (compliment)

I'm sure there are hundreds more, I'll add to it as I think of things

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am-i-the-asshole-official · 6 months

Note

am I the asshole for backing out of dm-ing for a campaign?

🤖⚡ <- so I can find it later

characters in story (fake names)

me (17m)

cory (19x)

sara (19f)

gray (21x)

I was recently invited to a DND campaign by some people I'm friends/acquaintances with on discord.

For some context, this campaign would be mostly played by first-timers, had a little under ten people, and was mostly comprised of adults. It's a cyberpunk universe extremely different from the standard dnd story, with expansive lore and worldbuilding.

Cory, a friend-of-a-friend suggested I join as I'm a creative and they were interested in seeing me participate. Shortly after I joined they expressed a want for a DM, which I offered to be. I've DM'ed twice before, but only for small groups with standard stories. I assumed that's what this would be, then I was pinged with around 10 multi page google docs, reddit posts, etc. And then around five more people joined.

I invited my friend Gray who has more experience in DND than anyone there, and they joined. Gray doesn't know the group besides Sara briefly, but was happy to participate since they liked the plot synopsis I sent them.

Gray was routinely ignored by everyone except me whenever they talked, and were often railroaded by Cory during character creation anytime they were given the time of day.

I messaged Gray apologizing for it after it happened twice, explained I wasn't close with most of them, etc. Gray was sympathetic and agreed to stay since they had faith in me DMing and the story.

Today I woke up to multiple cases of Gray being ignored. In another server I told Gray I was unsure of my DMing skills, which they understood and suggested I drop out if needbe. I agreed with this. I planned to do it in a day or two,

But this evening I was pinged by Cory suggesting we start the campaign in a week, which is something I absolutely cannot do.

I put my foot down and explained that as a junior in highschool I don't have the time or energy to read thousands of words, write a plot for a couple sessions, and organize the maps for the sessions. I apologized for promising to DM, then dropping out.

Cory was understanding, but Sara, a close friend who knows me a lot more, began saying things like "We need to find someone to DM or all hope is lost" (I am paraphrasing) which caught me off guard. I asked if I could still remain in the server since I really enjoyed the plot and Cory said "If people are okay with it."

I'm honestly pretty hurt by that. To think these people were only going to allow my company if I managed the entire thing is pretty hurtful, but then again I did volunteer. The entire campaign was Cory's idea, so I'm still pretty taken aback they were expecting someone else to DM period. Gray has suggested they and I do a campaign independently which I'd love, but I still feel like I failed Gray and Sara by not delivering the dungeon master I promised.

TLDR, I offered to DM for a group I'm not very close with before realizing it was more than I could handle, and dropped out without much notice.

AITA?

What are these acronyms?

#aita #am i the asshole

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moodbroads · 2 months

Text

it honestly feels like people who hate furries and therians

1- dont do their research and just go from word of mouth to word of mouth (god i hate mob mentality)

2- dont accept difference or being unique and want to stick to the 'normal' steryotype that everyone is forced apon

3- think people need consent for looking at you apparently..?

4- think everyone in the community obsessed with sex/sexual things/kinks and never a minor (the person in the video looked about teenage age, just a bit lanky and most likley a minor themselves.)

5- goes all 'k.'/one word mode when theyve been corrected for some reason instead of accepting theyre wrong (though most people do that- i know i have a few times, and its a pretty bad habit people should correct as it leads to a more toxic environment and ruining relationships)

6- cyberbullying reminder time!! :3 -All states have criminal laws that might apply to bullying behaviors, including cyberbullying. -Most states expressly include electronic forms of harassment in their statutes. -Cyberbullying can lead to criminal charges, jail time, device confiscation, and restitution to victims (CA) -Some states allow schools to discipline students for off-campus behavior that disrupts the learning environment

7- think people arent allowed to have fun and run around when theyre over the age of 5, and think babies come out of the womb walking on 2 legs apparently

8- think that having some sort of animal as apart of your identity automatically makes you go feral and run off into the woods to never act like a human again (though i would absolutely love that, it just isnt true lolol)

9- think humans are aliens from a different planet/universe entirely and arent all related mammals that just happen to evolve sentience over millions of years

10- think its a active ravanging criminal gang of zoophiles, rapists, pedophiles, and more for some reason?? like- wouldnt furries and therians not exist if that really was the case? (plus, only the bad eggs get popular due to drama so people see the community in another light then at other times, other then that the communities are pretty quiet if you arent in them yourself.)

atleast i got a laugh outta this one lolol

this isnt 'hate response' as it wasnt my video/post or intention anyways- i just wanted to get this out there that: reddit bad!11!!!! >:((( (even though its filled with even more creeps then the whole entire therian community itself)

#non goofy goof #yeah thats just as a therian reddit for you #therian community #therianthropy #therian #theriotype #alterhuman #nonhuman #otherkin #otherhearted #alterhumanity #reddit

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ratlesshonret · 10 months

Text

Song Analysis - And Then is Heard No More

Part 0 - The Part You Skip if You Just Want the Analysis

Hi! Its me again! Last time I analyzed Children of the City, and someone requested an analysis of And Then is Heard No More, which I've actually already written in the past.

With that said, this entire analysis was posted on Reddit about a month ago, and I'm simply reposting it here for a new audience. If there's any formatting errors from the copy-paste action, please let me know.

Part 1 - Analysis of Lyrics

If you don't already know, this song is about Philip from Library of Ruina. Its his Character Song. I assume you did know, but this is just so we're all on the same page.

Do the candles look forward to being used? Enjoy bidding adieu, adieu? Every word I have saved for you came out wrong Afterwards, so I spoke no more

(credit to tumblr user tearychildren for helping me analyze this verse)

In the first two lines of the song, Philip is wanting to be reassured. He's looking for solace, for comfort, attempting to convince himself that his life was worth it. The metaphor, with candles looking forward to being used, is meant to represent humanity. If I were to translate, I'd say he's asking, "Do people look forward to burning out and doing nothing, before dying?"

Philip wants to know he didn't waste his life. He wants to be told that all there is to life is burning out immediately. Because if he was told there's more to life, he might not be able to handle it. He wants reassurance, to be told that this is the fate of everyone.

The latter two lines refer to Philip's co-worker Yuna. In the Unstable Book of the Crying Children, Philip details a failed love confession to Yuna, which is almost certainly what this verse is about. When his confession didn't work, he likely internalized it as him just saying something wrong, and thus he decided to "speak no evil."

Would you say That someone who had every intention to be brave Was a coward?

This line speaks to several things. The first, and most obvious, is that Philip wants to know if he has been a coward. He wants to know if all his fleeing and denying of the facts makes him cowardly, even if he intended to be brave.

And this details a theme of his whole arc: Philip wants to be a hero, but he can't be one.

The second thing this line speaks about is the Project Moon universe's general question of, "Do the thoughts/intentions behind your actions matter, or the actions themselves?" Is it enough to have just wanted to be brave? Or do you need to act the part, as well?

In my opinion, Philip was a coward. He made attempts not to be, but they all fell short, sometimes for reasons in his control and sometimes for not. And I don't think his "intention to be brave" is enough to absolve him of that.

Must be great being you Power comes as second nature Must feel amazing to be longed for, longed for

Philip has this trend of blaming everything but himself. This verse starts the detailing of the dichotomy in his mind, which leads to immense hypocrisy. Philip sees himself as inherently weak, and due to this, he doesn't feel like he can be held to the same standards as everyone else. He can deflect people's criticisms of him by just playing the, "I'm weak, I couldn't have done anything" card.

It also appears Philip believes in "inherent ability." That someone can be born better than another person. But he doesn't take this idea to its logical extreme.

If other people are born better than him, and thus Philip is the only one doing the noble climb to be strong, then why isn't he strong? If he thought it through, he'd know the answer: he isn't trying hard enough. He just expects his heroic opportunity to be handed to him.

Philip almost seems to think he's the only one who has to work for his success, despite him being basically given a position that many people could only dream of.

But there's a reason he doesn't take this idea to its extreme. Because in its current state, it acts as a shield. If other people are inherently better than him, then he doesn't need to be held to their standards. He enjoys having the ability to just block out blame by using weaponized incompetence.

(I opened my eyes) Cemented excuses to my lash-line So I could see no more

At the very least, in the end, Philip seems to admit that he's just making excuses. At every turn, he finds reasons that he couldn't have done more. In every situation, he manages to blame someone other than himself for what happened. But deep down, he knows that his friend's deaths and the killing of three other people he went to for help is his fault.

In Philip's foolish quest for vengeance and heroism, he got three innocent people killed.

And this is where I want to detail the second part of this dichotomy. Philip claims everyone is better than him, sure, but he also thinks he's some legendary hero. He uses this idea that he's some heroic figure to ignore the guilt for his actions.

If he's able to go into the Library with Wedge Office and strike down the ones who killed his colleagues, then it'd all be worth it. That was probably his rationale for dragging those three into the library with him. If he can get vengeance, he'll be the hero. And if the people of Wedge Office have to die, then he'll make that sacrifice if he can get his epic final battle.

And in this battle... if he dies, he doesn't need to worry anymore. And if he wins, he'll be a hero.

Which is why he gets neither.

Philip has to face reality. He isn't a hero. He isn't just some unfairly tortured soul, waiting for his chance to be written down as a legend in the history books. At the end of the day... he's just Philip.

Not to say he doesn't try! In the Philip fight during the Wedge Office Reception, he is very powerful, and fully intends to destroy the Library or die trying. For once in his life, he is determined to do something, which is why he's able to manifest EGO. His desire to be a hero, his desire to win, creates a sword and wings with which to fight with.

As one last aside, let's talk about Philip's EGO. He has a flaming sword, which is very traditional for heroes. The knight holding a flaming sword over a dragon's head, that kind of thing. But he also has burning, melting wings. Which calls back to the tale of Icarus, who in his excitement to finally fly, went to close to the sun and had his wings melted.

Just like Icarus, Philip, in his excitement to finally be the hero, brought three people to their deaths and compounded his own guilt because of some selfish desire to avenge his friends. That was his, "fly too close to the sun."

So which home should someone as weak as I go? (And which sky should I aim for when I've only been low?) I have only been low

Yet again, Philip is pointing out how weak he is. He wants a place to belong, a place to go, now that his friends are all dead. And he also seems to be continuing to avoid blame. He can't aim very high, because he's so pathetic that he'd just fail anything too hard. He doesn't need to try and aim higher, because he has already decided he isn't capable of anything. It shields him from the guilt of not doing enough.

Day and night, your ghosts continue to haunt me Tell me who to be

This references the scene at the 8 o'Clock Circus, where Philip distorts. When he is shown his own visions of his colleagues, they do nothing but blame him for his actions, and in some cases, his inaction.

We get a front-seat look into what Philip thinks they'd say to him.

Both of them are cruel. But he doesn't want to hear it. As they criticize him, he covers his ears and closes his eyes, not wanting to confront the fact that he made the wrong choice.

But he has to confront it. It's impossible not to. Which is why he ends up distorting.

If I went with you, will there be happily ever afters? Sipping on tea I steeped together, together

At this point, Philip seems to wish he had just died with his friends. He wants to know if he'd be happier in whatever afterlife that exists if he hadn't just continued to make a fool out of himself. Its definitely sad, how Philip just seems resigned to the idea of death at this point.

He just wants to have tea with them again.

(Read me a story of a hero born knowing the all) Read me a book of me So I could hear no more

Finally, we get to the last verse. Philip wants to know what his book says. Or, more accurately, he wants to think that when he dies, his book will be about how heroic he was. About how he was born as some tragic figure, who overcame all the negativity in his life and became a legend.

But of course, his actual book is mostly just about the times he was a coward and refused to face reality.

Not only does he want to think his book would be about his heroism, he doesn't want to hear different. He wants someone to tell him how amazing he was, until he can't hear any of the negative things other people have to say. He wants to ignore reality for his petty hero fantasy.

Philip is a hypocrite.

He's simultaneously too weak to try anything, and too heroic to be criticized.

He admits how cowardly he is, and then desires to be told he's a brave hero.

Philip is maybe a prime example of cognitive dissonance.

Part 2 - Summary

Despite all of this... I can't bring myself to hate Philip. He's cowardly, hypocritical, ignores any criticism, hides in his own fantasies, and uses his incompetence as a shield to block anything he doesn't want to hear. But I don't hate him.

Honestly, I think most people would act how he did in his situation.

I understand running for your life. And I understand the survivor's guilt that comes with that.

And revenge is just a natural human desire.

In terms of his actions, which I think is what matters, his gravest sin is dragging three innocent people into his revenge quest.

And Then Is Heard No More is, in essence, both Philip explaining how he got to where he is, and wanting to be told he didn't make any mistakes. Even in the end, he's too cowardly to own up to them.

Because that's who Philip is.

Part 3 - Final Part

So yeah, that's And Then is Heard No More. I like this song, and I like Philip. I hope you all enjoyed this copy-pasted analysis.

#project mili #mili #library of ruina #philip lor #and then is heard no more

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junespriince · 3 months

Text

Aita?

Boss won't fire me, but is actively trying to kill me more than the speed force is.

Me, the Flash (29yo m) have been not only forced by my boss, Buttman(old as dirt, m) to keep the job my uncle had but to also expect me to not slack in my other jobs outside of this one.

I've lost so much in this unfortunate, and down right inhumane treatment because I'm a speedster and "balance needs to be kept, the justice league needs a speedster, Flash. It's basics universe lore that was given to you as a child." Like, I know jackass, you made me memorize it if I wanted to go on young justice league missions, a school inside of child labor this man was a monster then as he is now.

He won't take the time to learn I'm not like my uncle before me, he treats me like I'm a child because me and Cy, (28, m) are the youngest in the league right now!

I have loss my time dealing with this bullshit, my job before I moved in with my hubby I had to moved to my boss terf because it's cheaper (I wonder why.), my patience for putting up this clearly unhealthy and unjust treatment towards me (dating your boss son is technically a bad business practices, BUT I WASN'T WORKING FOR HIM TO BEGIN WITH, I was dating my old boss, duh, an even horrible practice but I like my men in power what can I say.), and my temper for dealing with a horrible and stubborn man, broadman I know you're reading this, this is why you have a hard time connecting with your kids, if i was your kid I'd runaway too with my handsome best friend.

Anyways, today he had a mission that was stupid. His plans got me almost killed and when I brought it up to him, he had the nerve to say to me "well if you stopped talking on your phone during the debrief, you would have survived it better." First of all, I listen and follow his plan to the T, all my i's were dotted and my t's were crossed, his plan just sucked and I know knew it did because he told auntie Wonder Woman about it and agreed it sucked, and also I WAS TEXTING YOUR SON MY HUBBY THAT I WAS GONNA BE LATE FOR OUR ANNIVERSARY YOU TRIED TO KILL ME ON! So I let him have it. I told him this: "I don't understand this beef we have, it's been years and you were there for our wedding happy to see him happy, so why do you hate me? It's not for any reason I hate you for. You fired your son took HIS Mantle away, fight him over a little thing what wasn't a big deal at the time to him getting angry you replaced him with another kid entirely because you suck at communicating he assumes he failed you somewhere down the line after years of undermining him, you and fans from that comic issue got side kid killed, that started ANOTHER riff because you didn't tell him and when he found out he tried to kill the joker which you stopped and saved the man who murdered your, at the time, youngest child while all you did was mope around and felt sorry for yourself, add another year of shit before now finally fixing your relationship with him and all you got on me is being there for your son and not being the most nicest to you. Grow up."

A few of our teammates told me I was an asshole for saying that to him, Wonder Woman and Green Arrow gave me a pat on the back and some lunch, and when I told this to my husband after finally getting back barely to make up for a crappy anniversary that I probably shouldn't have gotten onto him like that, but I don't see it.

So, reddit, with an unbiased option (I have seen the merch and ao3 tags, I know how much you freaks love this man. Or Superman, which sir, he dated your wife to get back at you years ago the fuck you took up for him for? Get a back bone.) am I the asshole?

Edit: I just think bastardman is homophobic.

Batman's edit: I'm not homophobic, my son could have done better than you is all.

Edit, edit: this is why Selina leaves you at the alter.

Batman's edit edit: this is why your parents beat you.

Edit edit edit: I'd tell you to suck my dick, but I don't want to fuel the freaks of ao3 to write us more, would rather have Kyle kiss me before this.

Batman 4x edit: come to the e meeting room. Now.

Edit 4x: fuck off old man, you can't tell me what to do.

Oracle: children, in my office, now.

Batman: yes ma'am...

Wally: yes ma'am...

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myteavsricochet · 4 months

Text

Latest fanfics read, part 6

(Part. 1) (Part. 2) (Part. 3) (Part. 4) (Part 5)

I Keep My Mouth Shut Tight (Cause I Don't Want To Lose What's Not Even Mine)

"Being affectionate, he has always used certain pet names with me. He’s called me sweetheart since we met, and I have used several in turn. That night he used a new one... I realised that he had woken me, saying it was time to take another dose of medicine. It was the way he said it, though: “Baby, I need you to wake up for me...” I am only slightly ashamed to admit that I whined pathetically at him calling me that, but he seemed to take it as protest that I didn’t want to wake, and not for what it really was—me absolutely losing my mind over that word coming out of his mouth and being directed at me. The cherry on top of it all was when he kissed me on the forehead and my brain promptly stopped working completely."

OR: At hit wits end, Henry decides to turn to reddit to ask the internet if his roommate likes him back, or if he's going insane. Then Nora intervenes.

Additional tags: Social Media, Ask reddit, Cute, Short & Sweet, Silly, Sharing a bad, Didn't know they were dating, Cuddling & Snuggling

It's Not a Secret

Henry is a boring person.

This is an objective fact. It’s been such a constant in his life that it hardly bothers him. He prefers the mundane. Thrives under routine. Tolerates many things poorly: surprise parties, capsaicin, loud noises.

Another objective fact: Henry loves Alex. Alex is not boring at all.

Unfortunately, everyone else in Henry’s life seems to think that a bore like him is incapable of a relationship like theirs— and, more distressingly, that this must mean that Alex simply doesn’t exist.

Or: Five times that no one believed that Henry and Alex were an item, and one time that they all did.

Additional Tags: Alternate Universe, Director of Finance Henry Fox, tattoo artist alex claremont-diaz, Opposites Attract, Not actually a secret relationship, Misunderstandings, Developing Relationship, Sexual Content

in sickness and in health

Henry has a rather nasty cold, but June had her appendix removed, which means she wins. Because of her victory in the unwell olympics, Henry will stay in Texas while Alex flies to New York to visit his sister and the rest of their chosen family, something Henry desperately tries not to resent.

Additional tags: Slice of life, Sickfic, Married life

The Room Where It Happens

caged, Alex who he had never thought would be his, making himself at home, in a place Henry hasn’t thought of as home since his father died. It was simply a place he lived. His home was now sitting on the edge of the bed and pulling off his socks.

----

Or, a trio of firsts.

Additional Tags: Canon Compliant, Post-Canon, Pre-Canon, Anal Sex, Anal Fingering, First Time Bottoming, Angst, But not like Alex/Henry angst, Lonely Henry angst, Praise Kink

the way it is suddenly there, total and complete

As Alex falls in love with David, Henry falls even more impossibly in love with him, and their little family.

Or: Over the first year of their new life together, Alex fully commits to being a dog dad. Henry is his captive audience.

When I Get Going

“On a scale of one to ten,” Henry says softly, stepping closer to him and lowering his voice in a way that has Alex’s pulse jumping in his throat, his entire body aching to respond, “how far gone are you right now? One being ‘I could easily hold a conversation with the Queen’ and ten being ‘I’m genuinely surprised nobody’s noticed yet’.” Alex grits his teeth, but even the reminder of Henry’s nefarious grandmother can’t quell the arousal burning hotly in his stomach.

“Six,” he hisses, embarrassed and turned on, every molecule of him straining to reach out and pull Henry into something that will start off as a kiss, and end as anything but.

“Let me know when you get to eight,” Henry says firmly, then he just-

Additional Tags: Plot What Plot/Porn Without Plot, PWP, Underwear, Coming In Pants, Orgasm Delay/Denial, delayed gratification, Control, Light Dom/sub, Dom/sub Undertones, Begging, Praise Kink, Henry is a fucking tease

crushed velvet

"In this brief moment of reprieve, Henry pants for breath, digging his fingers into the red material of the sofa to remind himself that this is, in fact, somehow real."

Or, movieverse couch blowjob missing scene.

Additional Tags: Plot What Plot/Porn Without Plot, Ficlet, Missing Scene, Blow Jobs, Skull Fucking, Simultaneous Orgasm, Coming In Pants

Comfort in the Backlight

For the prompt: "rainy day in the brownstone, fluff?"

Maybe sneakers weren’t the best choice of shoe for the day, Alex realizes as he shuts the front door behind him and grimaces at the quick puddle forming beneath him.

you are my medicine (when you're close to me)

After one last peck, Henry finally pulls away, leaving a sore spot of hollowness where his touch had filled it before. Alex forces his face to stay even– he doesn’t want his boyfriend to feel guilty for doing what he needs to do, doesn’t want to feed into the assumption that Alex is helpless without him.

Doesn’t want to be another obligation in Henry’s life that will one day grow to be too much to shoulder.

When the door falls shut, leaving Alex alone with a house that is much too empty and silent without his family there, there’s a lump in his throat that he can’t quite swallow. He thinks of Nora, making jokes that Henry is a saint for putting up with him during exam season; he thinks of June who uprooted her entire life to take care of him during college– and finally, he thinks of Henry, gentle and perfect Henry, that has had to worry about others way too much in his life– and a stinging sense of dread settles over him.

Or, Alex's no good horrible very bad two weeks without Henry.

Additional Tags: Alex Claremont-Diaz Has ADHD, Alex Claremont-Diaz Has Abandonment Issues, Emotional Hurt/Comfort, Fluff and Angst, Angst with a Happy Ending, Panic Attacks, Alex Claremont-Diaz Needs a Hug, Long-Distance Relationship, Mental Health Issues, Established Relationship

Smile, You're on Camera

"Baby," Alex manages, and Henry groans in response, grazing his earlobe with his teeth. Alex bites his lip his stifle his own whimper. "H, hang on."

Henry pulls away from his assault on his neck, face flushed, chest heaving. "What's — what's wrong?"

"Nothing, sweetheart, nothing," Alex soothes, placing both hands on Henry's shoulders. "I just — do you wanna do it? Now?"

Henry blinks owlishly. Alex watches as the realization slowly dawns on him, and he turns his head to look at the camera. He stares for a moment, then looks back at Alex and says, "Can you bring it closer?"

Or, Alex and Henry film a sex tape.

Additional Tags: Plot What Plot/Porn Without Plot, Sex Tapes, Explicit Sexual Content, Blow Jobs, Anal Fingering, Anal Sex, Crying During Sex, in a sexy way not a sad way, Switching, Sub Top Alex

no bunny compares to you

Henry is a lot of things as a person and while much of his personality transfers over to his bunny form, his physical attributes do not. Most notably, his size.

Where Alex’s boyfriend stands tall and regal, his furry counterpart is small and fluffy, unable to summit even the most minor of obstacles.

Take their sofa, for one. Alex is watching TV and minding his own business, when he hears a steady thump from just below him. Peering over the edge of the dark cushion, he spots his boyfriend angrily pounding his back foot against the carpet.

“Ha! Is my little bun too tiny to get up here on his own?” Alex teases. He’s promptly rewarded with a whisker twitch followed by a nose scrunch. Henry is pouting and it’s the most adorable thing he’s ever witnessed.

or, five times Henry shapeshifts for himself and one time he does it for Alex

Additional Tags: Alternate Universe, Magical Realism, 5+1 Things, Bunny Henry, Fluff, Tooth-Rotting Fluff, Shapeshifting, Idiots in Love, Henry Fox-Mountchristen-Windsor Needs a Hug, Protective Alex Claremont-Diaz, Soft Boys, Henry Has Bad Days

#rwrb #red white and royal blue #firstprince #alex claremont diaz #henry fox #rwrb fic #firstprince fic

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ralfmaximus · 7 months

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Reddit user Darth_Ra recently shared the story of their DnD campaign Lamplight, so called because “the idea that birthed it was literally ‘how long could I gaslight an entire adventuring party?’”

Huh. In another universe, civil engineers train Mimics to build be infrastructure. All of civilization could be like this, a kind of biological cooperation.

#dnd #gaming #mimic

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thatsastepladder · 3 months

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also on Comics Reddit I've been seeing lots of statements - even from people like Tom Brevoort at Marvel - that continuity doesn't matter and that people shouldn't care about it, that writers should take it as a loose suggestion and write whatever they want

as a resident continuity nut, that offends me. part of the charm of Marvel and DC as big shared universes is that readers are (well, were) rewarded for paying attention to continuity. if I were an editor at Marvel (and thank God I'm not) I'd make it a top priority - I'd assign a Kurt Busiek type to make sure that things are airtight, that there's a timeline and a universe bible that dictates how things work and then tell my writers they have to stick to it

none of this loosey-goosey Bendis-style throwing caution to the wind and making shit up that contradicts older stories. if Ms. Marvel breaks her arm fighting Graviton and it's in a sling the next issue, her arm should be in a sling if she cameos in another book that month, with an editor's note pointing to the issue it happened in. if the Avengers are in space on a mission, then they shouldn't be showing up in other books that take place concurrently. it should be easy to trace how characters get from status quo A to status quo B, or at least there should be a plausible explanation given of what they've been doing since we saw them last.

but no, they broke it. they had a good thing going and shitty editors letting superstar writers have a blank check to do what they want in the 2000s broke one of the greatest experiments in Western literature to the point where it's unfixable short of entirely cleaning house of all the old guard.

it's asinine that the best reference materials for Big Two comics to this date came out in the 1980s. people go apeshit for that kind of thing these days and yet they subcontract the job to DK to make shitty "encylopedias" rather than a new Official Handbook or Who's Who series, or hell, a good official online resource

because nobody cares. comics are broken, and nobody cares.

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mariacallous · 10 days

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One night in May, Mikol Ayala stood in an empty parking lot in Florida with his arms out to his side and legs akimbo as two people covered him in isopropyl alcohol. “Get ready to put me out,” Ayala told them. Then the fireworks began.

The scene, illuminated by a pair of car headlights, was being livestreamed on X. The aim was to promote Ayala’s crypto token, Truth or Dare. “Don’t get FOMO, drop a bag on $DARE!” read a graphic layered over the feed. Ayala had been filming himself performing stunts all week—drinking bong water, smashing up his TV, and so forth—but this one went too far.

Ayala dodged the first volley of roman candles fired in his direction, but soon his entire torso was engulfed in flames. “Oh shit,” said a voice from behind the camera, having apparently not considered this possibility. The group threw water over Ayala, but it quickly ran out. He buckled onto a patch of grass and began to scream.

Meanwhile, the price of the $DARE coin pitched upward, reaching a total combined value of $2 million the following day. The denizens of the Internet, it seemed, were pleased with what they saw.

Ayala had suffered third-degree burns on a third of his body, he was later told by doctors. But from the hospital bed, he continued to promote his coin in videos on X, promising to return to stunting as soon as he was able. “I’m the most spontaneous wildcat in the fucking world,” he said. “You tell me let’s go, I’m there.”

Ayala agreed to an interview, but only if he would be paid. WIRED declined.

Though hardly believable to a normie ear, Ayala’s story is not unique in the world of so-called meme coins, in which marketing stunts now routinely range from ridiculous to dangerous to sexually degrading.

This year, to put their coins on the map—as chronicled by crypto media outlet Decrypt—one creator filmed himself getting punched so hard in the face he lost a tooth, another blacked out after smoking drugs, a pair of creators rubbed up against one another in their underwear, and another group detained a person in a purported kidnapping.

Some creators promise to perform specific acts after their meme coins reach certain milestones—a little like funding goals on Kickstarter—thereby incentivizing onlookers to buy in. One creator promised to pour milk over his supposed mother’s breasts, but only once his coin reached a $300,000 valuation.

Meme coins have been around since 2013, when Dogecoin was released. But this year, the number of these coins in circulation has ballooned courtesy of Pump.Fun, a platform that lets people release new coins almost instantly, at no cost.

By some metrics, Pump.Fun is the fastest-growing crypto application ever, taking in an estimated $100 million in revenue—as a 1 percent cut of trades on the platform—since it launched in January. Two million unique meme coins have entered the market through Pump.Fun, Ayala’s coin among them.

The vast majority of these coins never get off the ground. Others attract early attention, then tank after the creator sells off their holdings without warning. A minority of the coins hold value over a longer period.

Meme coins serve no strict purpose other than to act as a vehicle for financial speculation. Fluctuations in their price are therefore a reflection almost entirely of the attention they attract—a collective belief, on whatever grounds, that the price will either rise or fall.

The forces behind the meme coin boom are similar to those that propelled the meme-stock craze of 2021, says Albert Choi, a law professor at the University of Michigan who has published research into meme stocks. Back then, amateur investors on Reddit began a short squeeze on the stock of GameStop and other out-of-favor companies; whereas in 2024, the circulation of viral posts in crypto circles on social media leads meme coins to surge in value. “As [people] recognize momentum building on social media, the strategy is to try to get on the wave before the surge actually takes place,” says Choi.

The potential gains and losses are amplified in crypto, says Choi, because meme coins float free of any fundamental value. Unlike stocks, whose value is in theory tied to the performance and prospects of an underlying company, meme coins have no anchor to prevent a free fall in price. “The problem with crypto is that, if we don’t know what the fundamental value is, what is going to be that opposing and corrective force?” he says.

Previously, the complexity and cost of development were the limiting factors preventing people from flooding the market with meme coins on the off chance they might become rich. But Pump.Fun has flipped that equation. “With platforms that allow individuals to launch meme coins with no coding expertise, the barrier to creating supply is basically nil,” says Kahlil Philander, an assistant professor at Washington State University who specializes in gambling. “Now, the ability to create awareness is what has gotten more expensive.”

The need among small-time meme coin creators to peacock for attention became even more acute when celebrities piled in. In May and June, Caitlyn Jenner, Andrew Tate, and Jason Derulo all released coins of their own.

Around that time, rapper Iggy Azalea put out a coin through Pump.Fun: MOTHER, which reached a $200 million valuation within two weeks. Azalea has promoted the coin relentlessly to her 7.7 million followers on X, through a flurry of provocative images and meme posts.

“I just say whatever I want to say and think is funny,” said Azalea, speaking to WIRED in June. “Part of my strategy is to stay in the conversation. I do like to bait, to troll, to say things that are a little provocative. I like to say things and move in ways that I know can be memeable.”

In a market crowded with hundreds of thousands of coins—including those belonging to Azalea and her celebrity peers—meme-coin creators are being driven to stunts of an ever-escalating lunacy to try to get people to choose their coin instead. “The stunting behavior and use of celebrity accounts is almost exactly the same thing,” says Philander. “It is a source of attention.”

Even the celebrities are struggling to hold the attention of meme-coin investors hungry for the next spectacle. MOTHER is now trading for a quarter of its peak price, despite Azalea’s attempt to create utility for the coin, which is now accepted as payment by a telecom startup in which she has a stake.

Meanwhile, Ayala is quietly plotting his comeback. The $DARE coin has long since lost any gains it made in the immediate wake of the accident, so he needs a way to revive interest in the project. His followers are counting on him.

“Mikol, what are the plans moving forward?” asked one member of the Telegram channel for the coin in August. “Take us to the moon.”

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