#but I'm still right

[king-of-havoc]

Really REALLY hate that so many so called "pro-polyamory" people will be like "yeah polyamory is fine, except when the Mormons did it because a man having multiple wives is wrong"

No. No that's not why it was wrong. It was wrong because a lot of those girls were minors who were groomed into it, NOT because "man has many wives and that's icky >:("

If you refuse to acknowledge that multiple women can consensually be with the same man then you are not pro-polyamory. Being pro-polyamory has to include all consensual dynamics of a polyamorous relationship, even cishet men wanting multiple girlfriends. If they're all consenting then you don't get a say, sorry

[grandmagbignaturals]

challengers whipped

also

Movie About Perfect Bodies imo not trying to write an essay but putting a cut in just in case. spoilers follow.

So the movie opens on Sweat. before the fucking warner brothers logo even, is shots of Art ant Patrick sweating, high def and up close. water basically hitting the camera.

When the boys see Tashi for the first time she is Perfect. Not a hair out of place. Her dress fits perfectly, all white, not a stain or spot. You think, yeah that's tennis. But there's contrast all around her. Nobody else in the whole movie is as put together as her.

And the movie puts forward, slowly, that that's deliberate. The first time the audience sees Tashi she is putting herself together so that she looks good before Art wakes up, at 5:30 (we don't know until the end of the film she didn't sleep).

And yes, part of this is the fact that she's Zendaya and nobody else on the cast is Zendaya but the whole movie is so Not Hollywood in the way it depicts bodies. We expect to see Zendaya exercising without sweat, arching one perfect eyebrow, because we expect that from movies in general.

When we see the boys dripping with sweat in the opening shot, then the logo plays, and then we see Tashi rubbing ointment into her scarred knee, we're told "bodies aren't hollywood perfect"

Then Art does physio. And at this stage it's easy to think "okay we're doing a recovery from injury thing, sure. the scars make sense."

But the whole thing, Art and Patrick have these really awkward, human bodies (and I think they leaned into the casting on this. Both actors are beautiful, but they're not conventional exactly. Sorry boys.)

Tashi has a body that exists to be photographed. Even in that trailer shot, where she sits on the bed and they leap to make out with her neck, she is arching her back and sitting primly in exactly the way she wants to. She knows what she looks like and she's using it as a tool.

and it'd be easy to leave the reading there. Tashi is image obsessed. Sure. That's sure the spin that Patrick puts on it when he's taunting her about her relationship.

But when she says to him in the back seat of his car "what else am I supposed to want" I think that's real vulnerability. When she says to him in her dorm room (which is nowhere near as put together as she normally is. That room is a private part of her that she doesn't show off, the side that's human and messy), "what do you want me to be for you" that's a real question, that's vulnerability. It's both "I only know how to play roles, I don't know how to be myself" and "Here and now I'm showing you myself and you're rejecting me and I knew I was right to never show that to anyone".

The one thing that let her be both herself and perfect was tennis. When she screamed COME ON at the end of her match at the beginning of the movie, she was devastated because her moment of perfect communication with her opponent was broken.

When she screams it at the end it's like vindication. The guys communicated a whole thing using tennis. And it was imperfect. They were making mistakes left and right figuring out that communication.

But the key thing is, during that communication, that tie breaker, Tashi has let go of her careful posturing. She's actively looking between them, like the rest of the crowd. She's uncomfortably bouncing her knees, she's visibly tense. In public. Except for her injury, that doesn't happen.

I think Tashi's a character who has this ideal self that she's constantly trying to fill, and she can never really be that person because she doesn't live in a perfect world and she's a human being with needs and a human body. And her whole schtick is that those things are possible to overcome. Patrick's whole thing is that you don't need to overcome them. if you lean into the demands of your body you'll enjoy yourself and also win.

And they're both wrong. And tearing Art apart to prove their points. Art, for the record, wants to indulge his body but feels shame about doing so, and about not knowing how to, so he follows instructions from whoever is giving them.

And all of this is taught to us in the conversation about the time Patrick taught him to jerk off.

Anyway. I thought the smudges on Patrick's windshield when he's driving Tashi around were a cinematic genius stroke if you're wondering how normal i was about watching that movie.

[levlies889]

I fully believe every person who meets Charlie Slimecicle develops a crush on him irl, not a romantic one but still. He's way too witty and smart and funny and kind and I love watching videos of other ccs talking to him and reacting to his jokes bcuz u can SEE the affection they have for him like it's PALPABLE

[cowboy-like-moony]

Okay so speak now is obviously written just by taylor and that's a really important part of the album, but I was thinking about how she might have cut some songs from the album because she didn't write them all alone and usually these songs would end up as vault tracks, but if she put them as vault tracks speak now (tv) wouldn't be a self written album anymore and she did put if this was a movie on fearless, so I'm assuming she'll keep speak now self written, which I want, but I also want these possible songs that will now stay in the vault forever, I mean I don't even know if they exist because she obviously made a conscious decision to write the album by herself, but I feel like there where songs between fearless and speak now that she didn't write alone, so are we never going to get them? Has she already released them as vault tracks? Or will she randomly drop them like she did with aotgylb, itwam (tv) and the hunger games soundtrack (tv)? I mean probably not, but also she's insane so there is always a possibility.

[moltage]

love how my mind is dead set on mick and prophet being in love like no matter how many times i watch it i can't just go "oh yeah they seem to be very good friends" there's always SOMETHING it makes me insane

[crack-fic-casey]

This is definitely something Steven Moffat would write

Serialised Sherlock Holmes adaptation which meticulously reproduces all of Arthur Conan Doyle's continuity fuckups, at first seemingly out of excessive concern for fidelity to the source material. Eventually, it's revealed that we're actually looking at a pair of extremely similar parallel universes, each with its own almost-but-not-quite-identical Holmes and Watson duo, played by the same actors.

In the back half of the series, a plot by Time-Travelling Omni-Moriarty threatens both universes, obliging the Holmeses and Watsons of each universe to team up with their counterparts to stop him; the particulars of this portion of the story are such that understanding what the hell is going on critically hinges on the audience's ability to keep track of which nearly-identical Holmes or Watson is which.

The ultimate resolution involves outsmarting Moriarty by having the Watson with the war wound in his leg and the Watson with the war wound in his shoulder secretly switch places, deliberately framed in such a way that, as far as the audience can tell, there was no conceivable opportunity for them to have done so.

[demaparbat-hp]

He's never happy

[marypsue]

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

[poorly-drawn-mdzs]

Hey now, Let her cook!

[imstillalexcomic]

When I started my transition and began to come out to a few more folks than the tiny few that knew about me, there was something I kept saying as a part of my spiel…

“This is what I am, not who I am.”

I think I believed it fully at the time.

But then the interaction in the comic above occurred this past summer and completely changed my mind.  Sure, being trans is something that I just am, but it’s also something that can be part of who I am as well. 

Seeing that kid completely light up the way they did sparked in me a desire that I really didn’t think I’d ever have.  Suddenly, that kid made me want to be visible.

Like the comic says, I wasn’t ready to be publicly out so I felt safer lying about myself at the time, but I truly hope that the next time I’m up there they have the opportunity to see me…

…a transgender person who’s included and having fun, just like we all should be.

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[egophiliac]

looking at next month's schedule and between the end of 7-12 and the wishing lantern event it's like

February is officially RIDDLE MONTH, brace yourselves to be absolutely blasted into ashes everybody

[sovamurka]

I FINALLY FOUND THE ORIGINAL CREATOR OF THIS ETHEREAL JINX

it's tiktok user @kizule_ 💙

[sashayed]

thinking about Brad Dourif in "Istanbul" and the fact is Grima Wormtongue would have gotten away with it forever if they'd let him be hot. with better hair he could've run that horse girl country into the ground for decades. eomer would've been like "dang, seems like my uncle is a very bad king for no reason, oh well." pretty privilege grima wormtongue could have girlbossed middle earth into the flames of mordor

[superrisu]

Heavy is the crown.

[pngheavy]