#brown lee ufan

[instituteavetisian]

LEE UFAN

www.omnifinery.com

[miamiartdistrict]

KAMROOZ ARAM

on the ancient arts of Iran

Achaemenid (Iran, Susa). Bricks with a palmette motif, ca. 6th–4th century B.C. Ceramic, glaze. The Metropolitan Museum of Art, Rogers Fund, 1948 (48.98.20a–c)

The Artist Project

Vito Acconci on Gerrit Rietveld's Zig Zag Stoel

Ann Agee on the Villeroy Harlequin Family

Diana Al-Hadid on the cubiculum from the villa of P. Fannius Synistor at Boscoreale

Ghada Amer on an Iranian tile panel, Garden Gathering

Kamrooz Aram on the ancient arts of Iran

Cory Arcangel on the harpsichord

John Baldessari on Philip Guston's Stationary Figure

Barry X Ball on an Egyptian fragment of a queen’s face

Ali Banisadr on Hieronymus Bosch's The Adoration of the Magi

Dia Batal on a Syrian tile panel with calligraphic inscription

Zoe Beloff on Édouard Manet's Civil War (Guerre Civile)

Dawoud Bey on Roy DeCarava

Nayland Blake on boli

Barbara Bloom on Vilhelm Hammershøi's Moonlight, Strandgade 30

Andrea Bowers on Howardena Pindell

Mark Bradford on Clyfford Still

Cecily Brown on medieval sculptures of the Madonna and Child

Luis Camnitzer on Giovanni Battista Piranesi's etchings

Nick Cave on Kuba cloths

Alejandro Cesarco on Gallery 907

Enrique Chagoya on Goya's Los Caprichos

Roz Chast on Italian Renaissance painting

Willie Cole on Ci Wara sculpture

George Condo on Claude Monet's The Path through the Irises

Petah Coyne on a Japanese outer robe with Mount Hōrai

Njideka Akunyili CROSBY on Georges Seurat's Embroidery; The Artist's Mother

John Currin on Ludovico Carracci's The Lamentation

Moyra Davey on a rosary terminal bead with lovers and Death's head

Edmund de Waal on an ewer in the shape of a Tibetan monk's cap

Thomas Demand on the Gubbio studiolo

Jacob El Hanani on the Mishneh Torah, by Master of the Barbo Missal

Teresita Fernández on Precolumbian gold

Spencer Finch on William Michael Harnett's The Artist's Letter Rack

Eric Fischl on Max Beckmann's Beginning

Roland Flexner on Jacques de Gheyn II's Vanitas Still Life

Walton Ford on Jan van Eyck and workshop's The Last Judgment

Natalie Frank on Käthe Kollwitz

LaToya Ruby FRAZIER on Gordon Parks's Red Jackson

Suzan Frecon on Duccio di Buoninsegna's Madonna and Child

Adam Fuss on a marble grave stele of a little girl

Maureen Gallace on Paul Cézanne's still life paintings with apples

Jeffrey Gibson on Vanuatu slit gongs

Nan Goldin on Julia Margaret Cameron

Wenda Gu on Robert Motherwell's Lyric Suite

Ann Hamilton on a Bamana marionette

Jane Hammond on snapshots and vernacular photography

Zarina Hashmi on Arabic calligraphy

Sheila Hicks on The Organ of Mary, a prayer book by Ethiopian scribe Baselyos

Rashid Johnson on Robert Frank

Y.Z. Kami on Egyptian mummy portraits

Deborah Kass on Athenian vases

Nina Katchadourian on Early Netherlandish portraiture

Alex Katz on Franz Kline's Black, White, and Gray

Jeff Koons on Roman sculpture

An-My Lê on Eugène Atget's Cuisine

Il Lee on Rembrandt van Rijn's portraits

Lee Mingwei on Chinese ceremonial robes

Lee Ufan on the Moon Jar

Glenn Ligon on The Great Bieri

Lin Tianmiao on Alex Katz's Black and Brown Blouse

Kalup Linzy on Édouard Manet

Robert Longo on Jackson Pollock's Autumn Rhythm (Number 30)

Nicola López on works on paper

Nalini Malani on Hanuman Bearing the Mountaintop with Medicinal Herbs

Kerry James MARSHALL on Jean Auguste Dominique Ingres's Odalisque in Grisaille

Josiah McElheny on Horace Pippin

Laura McPhee on Pieter Bruegel the Elder's The Harvesters

Josephine Meckseper on George Tooker's Government Bureau

Julie Mehretu on Velázquez's Juan de Pareja

Alexander Melamid on Ernest Meissonier's 1807, Friedland

Mariko Mori on Botticelli's The Annunciation

Vik Muniz on The Henry R. Luce Center for the Study of American Art

Wangechi Mutu on Egon Schiele

James Nares on Chinese calligraphy

Catherine Opie on the Louis XIV bedroom

Cornelia Parker on Robert Capa's The Falling Soldier

Izhar Patkin on Shiva as Lord of Dance

Sheila Pepe on European armor

Raymond Pettibon on Joseph Mallord William Turner

Sopheap Pich on Vincent van Gogh's drawings

Robert Polidori on Jules Bastien-Lepage's Joan of Arc

Rona Pondick on Egyptian sculpture fragments

Liliana Porter on Jacometto's Portrait of a Young Man

Wilfredo Prieto on Auguste Rodin's sculptures

Rashid Rana on Umberto Boccioni's Unique Forms of Continuity in Space

Krishna Reddy on Henry Moore

Matthew Ritchie on The Triumph of Fame over Death

Dorothea Rockburne on an ancient Near Eastern head of a ruler

Alexis Rockman on Martin Johnson Heade's Hummingbird and Passionflowers

Annabeth Rosen on ceramic deer figurines

Martha Rosler on The Met Cloisters

Tom Sachs on the Shaker Retiring Room

David Salle on Marsden Hartley

Carolee Schneemann on Cycladic female figures

Dana Schutz on Balthus's The Mountain

Arlene Shechet on a bronze statuette of a veiled and masked dancer

James Siena on the Buddha of Medicine Bhaishajyaguru

Katrín Sigurdardóttir on the Hôtel de Cabris, Grasse

Shahzia Sikander on Persian miniature painting

Joan Snyder on Florine Stettheimer's Cathedrals paintings

Pat Steir on the Kongo Power Figure

Thomas Struth on Chinese Buddhist sculpture

Hiroshi Sugimoto on Bamboo in the Four Seasons, attributed to Tosa Mitsunobu

Eve Sussman on William Eggleston

Swoon on Honoré Daumier's The Third-Class Carriage

Sarah Sze on the Tomb of Perneb

Paul Tazewell on Anthony van Dyck's portraits

Wayne Thiebaud on Rosa Bonheur's The Horse Fair

Hank Willis THOMAS on a daguerreotype button

Mickalene Thomas on Seydou Keïta

Fred Tomaselli on Guru Dragpo

Jacques Villeglé on Georges Braque and Pablo Picasso

Mary Weatherford on Goya's Manuel Osorio Manrique de Zuñiga

William Wegman on Walker Evans's postcard collection

Kehinde Wiley on John Singer Sargent

Betty Woodman on a Minoan terracotta larnax

Xu Bing on Jean-François Millet's Haystacks: Autumn

Dustin Yellin on ancient Near Eastern cylinder seals

Lisa Yuskavage on Édouard Vuillard's The Green Interior

Zhang Xiaogang on El Greco's The Vision of Saint John

[sisiandkoko]

Four Cubes to Contemplate Our Environment by Tadao Ando

Art is inseparable from architecture. Some artists such as Giuseppe Penone and JR do not care about architecture, some artists such as Christo make an art work by wrapping architecture, and some artists paint on outer walls all over the world. Even so, museums, art gallery, whatever they are called, the pavilions for art or the place for exhibition are made ceaselessly. The place for art work is also a kind of art work. It resonates with art work to create a space of aesthetic experience.

Tadao Ando is indisputably the contributor to art. To name a few, Palazzo Grassi and Punta della Dogana in Venice, Chichu Art Museum, Benesse House, Lee Ufan Museum in Naoshima, Japan, Hyogo Prefectural Museum of Art in Kobe, Japan, and Akita Museum of Art in Akita, Japan. His on-going project is the renovation of Bourse de Commerce de Paris into a museum, which will be open in 2019.

Chateau la Coste also dedicates its space to Ando architecture; Gate, Art Centre, Origami Bench and Four Cubes to Contemplate Our Environment.

Four Cubes to Contemplate Our Environment is not only the architecture by Ando but also Ando made its content. The pavilion is made by dark brown wood, which reminds us of Minamidera in Naoshima. In Minamidera, the work by James Turrel is installed, on the other hand, this pavilion has the work by Ando himself inside. The work is “Four Cubes to Contemplate Our Environment”.

You go down the gentle slope to enter the pavilion. There is the wall on your right, the eaves over your head, and the fence on your left. You go in by the entrance to find the corridors both on your right and left. Intuitively you may choose the right one. You find the entrance of the exhibition room on the opposite side of the entrance of the pavilion. That is, the exhibition room is surrounded by double walls and the room is not exposed to the external light.

There are four transparent cubes in the exhibition room. The surface of each box is covered by the repetitive one word in white. In the box of “RUBBISH”, the crushed cans are compressed into the cube. In the box of “WATER”, a pile of plastic bottles forms the shape of cube. In the box of “CO2”, there is another transparent box on the light that sends out rainbow-coloured ray. There may be full of greenhouse gas inside.

RUBBISH, WATER and CO2 are materials that suit to contemplate our environment. The issue of pollution, the issue of natural resources, and the issue of global warming. These are agendas critical to our future.

The remaining one is “FUTURE?”. In this cube, there is another transparent cube. The structure looks similar to “CO2”, but there is no light. Is it empty? It is full of something invisible? Come to think of it, this room is covered by double walls and the box of “FUTURE?” is also covered double. That is, something in the box in the box in the box… In the pavilion made by Ando, we see our future that is covered over and over again. It is layers of something invisible.. expectation, anxiety and whatever to come.

#chateaulacoste #tadaoando #contemporaryart #fourcubes

[modekreativ-blog]

New Post has been published on https://modekreativ.com/2018/06/29/jenny-packham-fruhjahrsommer-2018.html

Jenny Packham | FRÜHJAHRSOMMER 2018

Bereiten Sie sich auf den Weg in eine Welt von unglaubliche Verzierungen, dynamische Silhouetten und atemberaubende Details mit Jenny Packham r eady-to-wear SS18 Kollektion . Perfekt für die dienstfreie Braut auf die Junggesellinnenabschied, oder das Abendkleid für nach der Zeremonie, die neue Linie wird nicht versagen, WOW …

Gewinde durch die Nähte der neuen Linie ist Inspiration aus traditionellen asiatischen Gärten und die Arbeit der Künstler Lee Ufan und Katsushika Hokusai. Sie werden euphorisch in der Sammlung verloren gehen kraftvoller Einsatz von Material, Detail und Textur. Das ist eine Zeile, die platzt Energie, Bewegung und der unglaubliche, unverwechselbare Stil des Designers.

Sehen Sie sich das Kampagnenvideo an Hier .

Fotografin: Emma Summerton

Kreativdirektor: Jenny Packham

Modell: Alix Angjeli bei der Lions-Modellmanagement

Videographie: Alejandro Moreno

Bühnenbildner: Viki Rutsch

Schuhe: Christian Louboutin

Haare: Luke Chamberlain

Schminke: Kassandra Garcia für Bobbi Brown Cosmetics.