#brothers Osborne

[jotterstan]

Drag race put some firefighters in drag and this is a happy pride to me! Fun fact: the first guy, adam, did this sorta as a gift to his pan daughter and trans son-in-law but they were all very excited to participate and perform.

Probs one of my fave drag race eps if only cause they also got my fave country music duo brothers osborne as celebrity judges

[lightscamerabitchsmileee]

Vote for your fave, reblog & share your thoughts and other faves (even outside of this list) in the tags I would love to hear it 😊😊

Check out my masterpost for the other artist and band polls 😊😊 thank you and have fun 😊😊

[dizzycycl0ne]

one of the brothers osborne being gay is so funny to me bc of course the corinthian had that gay country music queued UP

[trendfilmsetter]

2025 GRAMMY AWARD NOMINATIONS FOR BEST COUNTRY DUO/GROUP PERFORMANCE

Beyoncé & Miley Cyrus - II Most Wanted Brothers Osborne - Break Mine Dan + Shay - Bigger Houses Kelsea Ballerini & Noah Kahan - Cowboys Cry Too Post Malone ft Morgan Wallen - I Had Some Help

[danbenzvi]

On The Jukebox: "Petty Country: A Country Music Celebration Of Tom Petty"

Track listing below:

Chris Stapleton - "I Should Have Known It"

Thomas Rhett - "Wildflowers"

Luke Combs - "Runnin' Down A Dream"

Dolly Parton - "Southern Accents"

Justin Moore - "Here Comes My Girl"

Dierks Bentley - "American Girl"

Lady A - "Stop Draggin' My Heart Around"

Jamey Johnson - "I Forgive It All"

Brothers Osborne - "I Won't Back Down"

Wynonna & Lainey Wilson - "Refugee"

Willie Nelson & Lukas Nelson - "Angel Dream (No. 2)"

Eli Young Band - "Learning To Fly"

Ryan Hurd featuring Carly Pearce - "Breakdown"

Steve Earle - "Yer So Bad"

Margo Price featuring Mike Campbell - "Ways To Be Wicked"

Midland - "Mary Jane's Last Dance"

The Cadillac Three featuring BRELAND - "Free Fallin'"

Marty Stuart and his Fabulous Superlatives - "I Need To Know"

Rhiannon Giddens featuring Silkroad Ensemble and Benmont Tench - "Don't Come Around Here No More"

George Strait - "You Wreck Me (Live)"

[lingyunxiang]

Brothers Osborne is an American country music duo consisting of brothers T.J. Osborne (lead vocals, rhythm guitar) and John Osborne (lead guitar, background vocals).

Two sons from a working-class family, John and TJ Osborne grew up in the small water town of Deale, Maryland, writing and playing songs for friends and family in their father’s shed. John moved to Nashville first to play in other bands and two years later, TJ joined him. It was then they formed Brothers Osborne as a duo that blends equal parts country and rock into one of the freshest, most identifiable sounds to come out of Nashville in recent years. 

The siblings took home their first GRAMMY in 2022, winning Best Country Duo/Group Performance for their song “Younger Me,” inspired by TJ's recent coming out. The song is featured on the deluxe version of their latest release Skeletons, which was also GRAMMY-nominated for Best Country Album. The band has been nominated for 10 GRAMMYs in total, standing as five-time CMA Vocal Duo of the Year, and are three-time ACM Duo of the Year. Overall, they have collected six CMA awards, six ACM trophies and received the ASCAP Vanguard Award in 2019. Their critically acclaimed hit songs have tallied multiple RIAA Gold and Platinum certifications, while surpassing more than 2.5 Billion global streams. 

Previously sharing the bill with Chris Stapleton, Eric Church, Little Big Town and Miranda Lambert, Brothers Osborne’s latest headlining We’re Not For Everyone Tour hit more than 50 markets. Last fall, John Osborne produced Ashley McBryde Presents: Lindeville, and Brothers Osborne contributed the song “Play Ball.” They wrapped 2022 with a limited-edition collaboration with WhistlePig Whiskey, launching the WhistlePig PiggyBack Legends Series: Brothers Osborne Barrel. Three songs – including their brand new single “Nobody’s Nobody” – are out now, serving as the first look at their upcoming fourth studio album, set to release later this year. 

[fuckyeahhansonfamily]

[wolvesofinnistrad]

2 of my favorite country gays together on a song?! Plus 2 more?!

[campgender]

brothers osborne’s songs are always so fucking sexy. something about a man begging you to do whatever you want to him even if that’s break his heart… whew ❤️‍🔥

[music-wrestling-nascar-fan]

[midnight-star-world]

#CountryMusic

Brothers Osborne - Self-titled

So today on the MSR (Midnight Star Review), I would like to talk about the latest album from Country Music Duo Brothers Osborne. Tj & John released their self-titled album on Friday September 15th, 2023. But before we dive into the 11 track album, let's talk about the career of Brothers Osborne first.

Some of the biggest hits from Brothers Osborne are songs like "It ain't my fault", "Stay a little longer", & "Weed, whiskey and Willie". And a few more hits from Brothers Osborne including a number one with Dierks Bentley "Burning man", "Shoot me straight", & "I'm not for everyone". But before we dive off track too much, let's jump back to the new project up next.

Tj & John had a hand in co-writting all 11 tracks. The lead single from the CD is "Nobody's nobody", "Sun ain't even gone down yet" which gets played on a Dodge Ram commercial, & their track featuring Miranda Lambert "We ain't good at breaking up". Other songs you should check is "Who says you can't have everything", "Might as well be me", & "Back home". The stand out tracks in my opinion are songs like "Goodbye's kickin' in", "New bad habit", & "Rollercoaster (Forever and a day)". Let's see the track list now.

Track list. 1.Who says you can't have everything.

Nobody's nobody.

Might as well be me.

Sun ain't even gone down yet.

Goodbye's kickin' in.

Love you too.

New bad habit.

We ain't good at breaking up.

Back home.

Ain't nobody got time for that.

Rollercoaster (Forever and a day).

And that's a wrap for the track list. And on the MSR (Midnight Star Review), I would give this album a 4 out of 5 stars. It is good well-rounded album, but it needs more than 11 tracks. Brothers Osborne don't get a lot of play time anymore on Country Music Radio, and they are so under-rated. Thanks for taking the time to read this review. See ya all next time.

[krispyweiss]

Love - and Musicians - Rising against Hate in Tennessee

- Allison Russell-curated benefit slated for March 20 in Nashville

Allison Russell and her friends and colleagues are doing what they can to push back against Tennessee’s burgeoning culture of hate and intolerance.

Slated for March 20 in Nashville, Love Rising benefits the Tennessee Equality Project, Inclusion Tennessee, OUTMemphis and the Tennessee Pride Chamber.

Amanda Shires, Brittany Howard, Brothers Osborne, Hayley Williams, Hozier, Jason Isbell, Joy Oladokun, Julien Baker, Maren Morris, Mya Byrne, Sheryl Crow and Yola are among the performers with more to be announced.

“LGBTQIA+ contributions and creativity are foundational to every genre of modern song and arts performance,” Russell said in a statement. “I think it speaks volumes that so many in our community are feeling the same call to support, celebrate and uplift.”

The musicians are reacting to the state that since 2015 has voluntarily “enacted more anti-LGBTQIA+ laws than any other state in the country,” per the announcement.

Isbell said lawmakers are making “targeted attacks on Tennesseans who haven’t done anything wrong.

“These bills add up to an attempt to eradicate a valuable part of our community and force good people to live in fear. We can’t in good conscience just stand by and let that happen.”

3/8/23

[thisaintascenereviews]

Brothers Osborne - S/T

Country music was thrown for a loop in 2021 when TJ Osborne, one half of Brothers Osborne, came out as gay. That’s not unusual in itself, but for country music, it is. Openly LGBTQ musicians are hard to come by, minus Brandy Clark, Brandi Carlile, or Orville Peck, but they’re not extremely mainstream, so it’s more telling that a mainstream country artist came out. It’s telling due to the fanbase that most country music has, at least mainstream country. There are plenty of underground queer artists, but for the mainstream, they’re rare. That was the main topic of discussion before Brothers Osborne put out their fourth album, this time a self-titled album, because they said they were reinventing themselves with this one. I’ve said before that self-titled albums are usually for that reason, especially when something drastic chances for a band. They were asked if LGBTQ themes would be present on their new album, which is a strange question (although it makes sense, if they’re writing about what they know and their own experiences), and they said that are still going to use gender neutral pronouns in their songs, and that’s ultimately a smart move.

That doesn’t have any effect on me one way or another, both because I’m not a diehard fan, and I also haven’t listened to these guys in a couple of years. I did briefly listen to 2020’s Skeletons, and enjoyed that a bit. I really loved their 2016 debut, Pawn Shop, and their albums have been consistently solid, albeit nothing worthwhile. I can kinda say the same here, although I have to admit that I really like this album. They don’t totally reinvent themselves here, but this album has a few curveballs, including some R&B, funk, and disco-ish numbers. A lot of this album is still relatively standard pop-country / country-rock that they’re known for, so the reinvention doesn’t make a ton of sense, but there are some new enough ideas here that make it worth it.

If anything, this album is really slick, catchy, and pretty fun. There are some nice hooks on this relatively short album, which only clocks in at 35 minutes, and the vocal performances are great throughout. TJ Osborne has a nice baritone that is rather unique for the genre, and he has some good range. Miranda Lambert makes an uncredited guest appearance on “We Ain’t Good At Breaking Up,” which she co-wrote with them, too. The instrumentation is a lot of fun, especially with some solid guitar solos that pop up from time to time throughout the album, and even the more disco and funky cuts, such as “Goodbye’s Kickin’ In,” or “Ain’t Nobody Got Time For That.”

The lyrics are the only thing on this record that brings it down a bit, but they’re not bad or weirdly written, like a few songs on Dan + Shay’s new one, they’re just not unique at all. These songs are about pretty cliched things, although they do it well enough. They don’t say anything new, but they don’t make it boring, either. A song like “Back Home” is about how people miss their hometowns the longer they’re away (that’s not always true, but that’s neither here nor there), or a song like “Love You Too” has the either brilliant or awful lyric of “Hate on me, love you, too,” and while that song is about only showing love towards people, it’s still done well enough.

I’d honestly recommend this record if you want a catchy and short country-rock album. This won’t necessarily win any awards, or blow your mind if you’re looking for a unique country record, but it gets the job done and offers some stuff that the band hasn’t done before, and that you don’t see too much from country, such as funkier sounds. Out of last two albums I reviewed, being this and the new Dan + Shay, this one is “better,” but not by a whole lot. That’s not even to say that Dan + Shay’s new album is bad, either; I really like that record, but it doesn’t have a long shelf life, per se. This one has a bit of a longer one, albeit it depends on how much you enjoy this band and/or country-rock. I’d recommend this, though, as it’s pretty fun and energetic, despite its cliched lyricism.