#brian lucey

[companyxmarketing]

Paris Hilton at the Tan-Luxe Paris Hilton launch event, produced by Brian Lucey and Ariel Stepp for Chasen Creative Media and Tan-Luxe.

[biglisbonnews]

Why ChatGPT Could Usher in a New Era of Scientific Discovery If it’s easy to get good outcomes from ChatGPT by simply using it, maybe there’s something extra we can do to turn these good results into great ones. https://www.inverse.com/science/chatgpt-science-discovery

[thejoyofviolentmovement]

New Video: Meatbodies Share Groovy "Billow"

New Video: Meatbodies Share Groovy "Billow" @meatbodies @another__side__

Over the course of the past decade or so, Los Angeles-born and-based singer/songwriter and multi-instrumentalist Chad Ubovich has developed a reputation as a highly-sought after collaborator and mainstay of his hometown’s fertile music scene: Ubovich had a lengthy stint playing guitar in Mikal Cronin‘s backing band. He currently plays bass in Fuzz with  Ty Segall and Charlie Moothart. And he’s…

[shadowland]

Sandy West by Brian Lucey

[musicarenagh]

Wexford’s 'Moving On': A Poignant Prelude to 'Silent Key' The last single from the Sandusky-based band Wexford is released and it is called “Moving On. ” The band’s full album entitled “Silent Key” will be out by late summer. As one of the most prominent bands of the punk, post-hardcore, and alternative genres, the Wexford captures the message of this track in its deeply emotional style. The meanings of the piece ‘Moving On’ encompass new change, strength and the processes that are involved in transition after overcoming challenges. The introspective topic and tempo of the track lets listeners consider their own processes of overcoming obstacles and obtaining growth from hardships. Being a ballad, “Moving On” brings out the best in lyrics and music so relevant to Wexford’s culture. The band composed of Dave Mueller, the vocalist and guitarist, Andy Kohlmann the vocalist and guitarist, bass guitarist, Shawn Daley and Jeff Vandebussche on drums, gives a great performance. They have energetic rhythmic base, intricate guitar and powerful vocals with strong emotion behind them. The single is by Shawn Patrick Thomas Daley and it is recorded in The Mohawk Studio in Sandusky OH and mastered by Brian Lucey the engineer of Black Keys, Green Day. [caption id="attachment_56141" align="alignnone" width="2000"] Wexford has this vintage appeal, but its sound is new and unique[/caption] The official video for “Moving On” which was recorded and directed by Brad Walton of Cineres Creative Productions supplements the storyline depicted in the song with visual accompaniment. The artwork of the single is emblematic, designed by Sean Carrol of Sandusky Bay Poster Works in an effective manner to support the themes of the song. Some of the rock and punk bands that have inspired Wexford include Hot Water Music, Fugazi, Hum, Rival Schools, Quicksand, and Dinosaur Jr. Consequently, Wexford has this vintage appeal, but its sound is new and unique. Considering that “Moving On” immediately precedes “Silent Key,” it can only foreshadow that the rest of the album will offer meaningful and inspiring compositions. Stream “Moving On” now on every digital platform possible. Listen to Moving On https://youtu.be/R_ga6xbdZqw Follow Wexford Facebook Spotify Youtube Instagram Tiktok

[kingsbridgelibraryteens]

Middle School Monday: SCRAM: Society of Creatures Real and Magical by Rory Lucey

Jenny, Emiko, and Brian are friends, future authors, and members of a group called S.C.R.A.M. (Society of Creatures Real and Magical). We spend most of the book with Jenny, the founder of S.C.R.A.M. and the biggest fan of magical creatures. We see her at the library trying to learn more about magical creatures, and wondering if there’s more information she could find that she could include in her own book. When she joins with Emiko and Brian to try to find a troll, it’s just the beginning of their fun adventure.

This story is silly, cute, and sweet, but it also has a lot of heart. Give this graphic novel to older kids and younger teens who enjoy entertaining stories about magical journeys!

[viviplaynet]

Based in Boston, U.S.A, Munk Duane who is an admired recording artist and film composer, has just dropped his emotionally resonant song “We've Talked About This Before” along with AWAL (Sony Music). Famous for everything he could do, Duane did more than write and perform the song, he was also the producer of it. The mastering was done flawlessly by Brian Lucey at Magic Garden Mastering in Los Angeles who has worked on Grammy® winning releases for The Black Keys and Lizzo, as well as the soundtrack for the best picture "The Greatest Showman". Duane's musical journey has been marked by significant achievements, including the release of three impactful singles: "Just A Word," "My Fellow Americans," and "Myths," these are songs that carry a message, a meaning and are thought-provoking. His own R&B mixed with deep meaningful lyrics and rhythms grooves out this artist's rich, artistic content. His tunes reached a higher mountain after placing three tracks from his music collection in the movie “The Getback” in which Theo Rossi, Kim Coates, Dermot Mulroney, and Anthony "Treach" Criss were the movie’s main actors. One noteworthy moment was his song “Myths” which stood out as an interpretation of Rossi’s main character and raised Duane in the corridors of the music industry. "We've Talked About This Before" is a difficult one that addresses the intricate world of dealing with ageing relatives. The song poetically suggests the theme of empathy and sympathy through the repetitive talks about the same topic. Duane uses this imagery of a "needle skipping on your favourite song" to describe these encounters. Still, it appears more like he is urging everyone to live in the moment, enjoying the present with the awareness that it will all end someday. [caption id="attachment_12719" align="alignnone" width="1125"]

[americanahighways]

Song Premiere: Mike Thomas "Room on the Dance Floor"

Song Premiere: Mike Thomas "Room on the Dance Floor" @mikethomasband #rootsrock #americanamusic #newmusic2023 #buymusic @kristamettler #diamonds #americanahighways

Americana Highways is hosting this premiere of Mike Thomas’ song “Room on the Dance Floor” from his forthcoming release Diamonds. Diamonds will be available on July 21, via Electric 3 Records.  The song will be released on April 14th. The album was produced by Tres Sasser; engineered and mixed by Joe Costa; and mastered by Brian Lucey at Magic Garden Mastering.  It was recorded at Tresland…

[loremmagazines]

Issue 1 - Bird and Byron

From their new home in Nashville, Bird and Byron bring along a unique blend of soul and rock music, creating a discography full of undeniably infectious songs. Making their debut as a group in 2020 with their first release, The Boy is a Storm, Bird and Byron tested their chemistry through shared influences of The Black Keys and blues music. With lead singer Blake Bergeres developing a unique vocal style and guitarists Nick Lorenz bringing in new and obscure music to the group, the duo has been able to dig into the stylings of soul, gospel, and emotional folk rock with their sound. In January, Bird and Byron released their first ep, How Love Grows, followed by a six-show tour along the southern U.S. I was able to catch up with them in Austin during their last show of the tour to discuss how the project came together.

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“It’s not me writing all the vocal parts, we’re building these tracks together.”

In the back of a dimly lit Empire Garage & Control Room venue, Nick and Blake introduced us to the band members supporting them on stage as we make our way to a standing table. Blake, wearing a tucked-in RHCP shirt, explains to us the process behind making their EP.

Blake: How Love Grows is entirely written, produced, mixed, and mastered ourselves, except for the song Lessons Of Love, which was mastered by Brian Lucey from Magic Garden Master. In terms of differences between what we’ve done before was that it was a labor of love, because we had every connection to the creative process in each of these songs. We wanted to keep control of it because that’s where the fun is.

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In anticipation of the debut of How Love Grows, Bird and Byron released five singles in what they called their "45" series, which was "an initial documentation of our first releases in our new home of Nashville.” Accompanied by a different colored sleeve of a 45’ record, each single contained a new stamp alongside the ones found on the previous covers. When asked if there was any significance behind the stamps on the singles, the eyes of both Blake and Nick lit up with surprise as they explained to us how the stamps came to be.

Blake: Nicks girlfriend does the art work, she’s incredible. We’d have these songs written and we’d go to her and she’d devise something that would embody the song and it’d be a stamp on the vinyl.

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With the Pandemic in place during the start of the band's career, dreams of touring were put on hold for Bird and Byron as they turned their attention toward their music. Now, In support of The Criticals, Bird and Byron were able to go on their first-ever tour, playing shows in Mississippi, The Carolinas, and Texas. From videos shown in their stories, the reaction from the crowds was found to be exhilarating. The energy at the shows seemed to be in a continuous exchange between the band and the crowd. 

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In asking how the band felt about the audience reception so far, I was surprised to hear that a majority of the concert goers didn’t know who Bird and Byron were.

Nick: We knows that there’s been a good amount of people that haven’t heard us that come to these shows, and I feel like we’ve been doing a good job showing them who we are and the music that we really want to inspire people with.

Blake: You’ll see tonight, we’ll get the crowd going and a lot of these people really won’t know who we are. I bet you like 80% of this crowd won’t know who we are, so when they get moving, you’ll see.

And that they did. With Nick wearing his pair of black sunglasses, and Blake wearing a white, Elvis inspired, t-shirt with the word “BIRD” sewn to the back (as seen on the back cover,) Bird and Byron got the crowd into a dancing frenzy.

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“We’re just happy the music’s connecting. This is kinda like the reward for it”

As the tour comes to a close with their last show in Austin, Bird and Byron are hopeful for the future as they begin a new chapter in their careers. In discussing any plans for a future project, the group lets us know that an album may just be around the corner.

Nick: We both have day jobs, but every minute of every hour outside of it we dedicate to the music.

Bird: We’re in album mode right now, its been like 4-5 hours a day. Most of the songs are already written, and now it’s just like finishing them. They all feel really cool and they all feel like us. We’ll play one of the songs tonight, Its looking like it might be around summertime.

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With anticipation for a future release growing as Bird and Byron hint at the possibility through their Instagram, this band is one to keep your ears out for. With a discography of infectious songs, a commanding presence on stage, and artistry that is both refined as it is their own, we’re both excited to hear more of what Bird and Byron have to offer.

[akwyz]

ChatGPT: our study shows AI can produce academic papers good enough for journals – just as some ban it

ChatGPT: Study shows AI can produce academic papers good enough for journals – just as some ban it. #AI

shutterstock. Brian Lucey, Trinity College Dublin and Michael Dowling, Dublin City University Some of the world’s biggest academic journal publishers have banned or curbed their authors from using the advanced chatbot, ChatGPT. Because the bot uses information from the internet to produce highly readable answers to questions, the publishers are worried that inaccurate or plagiarised work could…

[nofatclips]

Stairwell by Nick Lutsko from the album Swords

[companyxmarketing]

Company X Marketing and producers Brian Lucey and Ariel Stepp produced a welcome dinner for beer content creators in Mexico City for Four Points Best Brews Program at Cru Cru Brewery. A hidden brewery, down a brick-lined alley, in a former monk monestery.

[rockrevoltmagazine]

VOLTAGEHAWK Release Live Performance Lyric Video for "Straight Razor"!

VOLTAGEHAWK Release Live Performance Lyric Video for “Straight Razor”!

East Nashville, TN based Hard Rock band VOLTAGEHAWK has released the official, live performance lyric video for their newest single, “Straight Razor.” Originally premiered on Ghost Cult Magazine, “Straight Razor” is off of the band’s upcoming LP, Electric Thunder, to be released via The Label Group / INgrooves, and was recorded at Electric Thunder Studios with Geoff Piller and mastered by Brian…

[thejoyofviolentmovement]

New Video: Meatbodies Share Menacing Psych Freak Out "Move"

New Video: Meatbodies Share Menacing Psych Freak Out "Move" @meatbodies @another__side__

Over the course of the past decade or so, Los Angeles-born and-based singer/songwriter and multi-instrumentalist Chad Ubovich developed a reputation as a mainstay of his hometown’s fertile music scene: Ubovich had a lengthy stint playing guitar in Mikal Cronin‘s backing band. He plays bass in Fuzz with  Ty Segall and Charlie Moothart. He’s also the founding member and frontman of the experimental…

[letterboxd-loggd]

Jimmy’s Hall (2014) Ken Loach

May 4th 2022

[rollingstonemag]

Un nouvel article a été publié sur https://www.rollingstone.fr/captain-obvious-let-it-burn/

Tant qu'il y aura du fuzz, Captain Obvious laissera ça brûler

Extrait de l’EP du même nom, « Let It Burn » a tout du tube blues-rock incandescent

Ce n’est pas parce que les Black Keys sont de retour qu’on ne peut pas parler d’un autre duo, plus jeune et tout aussi enthousiasmant : âgés d’à peine 19 et 21 ans, les frères Angus et Joseph viennent de publier un premier EP sous le nom Captain Obvious. Enregistré dans les studios Sputnik Sound de Nashville (où des pointures comme The Raconteurs, Black Rebel Motorcycle Club et The Inspector Clouzo ont également sévi) et masterisé par Brian Lucey (à l’œuvre auprès des Arctic Monkeys, Royal Blood ou encore… les Black Keys), Let It Burn sent bon l’essence et n’a besoin que d’une étincelle pour s��enflammer. Rappelant immanquablement les autres duos déjà cités, de Royal Blood aux White Stripes, la musique de Captain Obvious dégage aussi une forte odeur de MC5, ou même de The Dead Weather (pour rester dans la galaxie Jack White, encore et toujours), avec cette basse au fuzz lourd et cette batterie sèche comme le désert.

Pour preuve, le morceau-titre, « Let It Burn », au riff entêtant, qui ne laisse augurer que du bon pour cette jeune fratrie pleine d’avenir.