#branded logo mats
Explore tagged Tumblr posts
Link
#corportate#corporatemats#buycorporatemats#social distancing mats#safety message mats#logo mats#custom logo mats#branded mats#anti fatigue mats
0 notes
Text
Words: 3379
"Just what do you think you're doing?!" Erica shouted as she stormed into the playplace, jolting the Toy animatronics and guards to attention at the thunder of her voice. The only two unshaken by the sound were Mangle and the Puppet, both simply turning their heads to her as she marched her way to the slides the Puppet stood upon. The Puppet crossed their arms and straightened their posture, keeping hold of their ground as she approached as if the plastic castle was really their kingdom to defend.
"Oh, I know that tone well," Mangle mumbled to Mike, "usually someone gets fired after it."
"Told you you should've stepped in," Jenny added.
"Come on, what is she really going to do to them?" Mike asked. They both eyed him and he felt a guilt wash over himself. At the last restaurant, he had been able to hold his own and step in much faster to keep the animatronics from getting into nonsense like this. He should've known better.
Balloon Boy wound his way around the Puppet and slid down the slide furthest away from Erica towards the shallow side of the ball pit, stumbling his way out to run over and hide behind Jenny as Erica reached it. The Toys, meanwhile, cowered together at the edge of the ball pit, taking slow steps in unison backwards to give her space as she kept her anger on the Puppet who had not backed down.
"Good evening, Erica," the Puppet began, "I have demands."
Erica stared at them, blinking, hands on her hips, frustrations not dissipating.
"No you don't," Erica replied.
"Yes I do," the Puppet said, plucking Balloon Boy's discarded notebook from the rubber mat floor of the playplace and holding it up, "quite a few actually—so pay attention."
"You haven't wanted anything for years—"
"You don't know that—"
"If you actually wanted something, you'd actually leave your box and ask for it. Or maybe, if you really wanted it, tried to find a way to achieve what you wanted."
The Puppet stared at her for a moment, making all the occupants acutely aware of the silence that was only interrupted by the whirring of animatronic bodies (though the Toys had tried desperately to stay still in that silence to not bring attention to themselves lest it grow even more awkward.)
However, it seemed the Puppet wasn't affected, and instead turned again to the notebook and began: "First item—"
"No," Erica interrupted.
"Don't interrupt me."
"I'm not giving into your demands."
"First item," the Puppet insisted, glaring at Erica who crossed her arms and huffed, "let Toytronica be a real band."
Erica's jaw dropped. "Are you kidding?"
"No."
She turned her scowl to the Toys who averted their gazes, terrified to meet hers as they fidgeted with their hands. "First off—all of your main inspirations are 90s garage rock bands and 2000s punk, but you have no bass guitar which is essential to those genres. Secondly, you have a logo that evokes the 80s neon aesthetics which is all you play here because, thirdly, you all have never made an original song in your lives so I don't know where you think you can get away with thinking you can be a 'real' band if all you can do is covers!"
The Toys stood still in stunned silence briefly; though, if a robot's lip could quiver, theirs' each would have. Then, almost unanimously, the three began to wail like so many children that had come through the restaurant before them.
"She's right!" Toy Bonnie cried. "Our branding is inconsistent!"
"It's true! We're musically confused!" Toy Chica said.
"We'll never make it as a band!" Toy Freddy sobbed.
"Wow, and I thought I was mean," the Puppet mused. Erica rolled her eyes. "You could have just asked them who'd perform for the kids when they were gone on tour."
Toy Chica fell to her knees and clasped her head. "We didn't even think about the kids!"
Toy Bonnie collapsed onto her. "We're so selfish!"
Toy Freddy fell to the floor with them. "We don't deserve to be musicians!"
"I should have designed them to be less emotional," Erica mumbled to herself.
"It's just your nature, Erica: you can't help but hurt people's feelings everywhere you go," the Puppet said.
"I'm being realistic. I'm not out here to set them up to fail," Erica replied.
The Puppet sneered. "Right, of course. You don't want us to fail because you don't want us to do anything at all. You want us to be obedient and stay here forever."
"That's not what I want—"
"That's what it sure feels like," the Puppet interrupted, "you've especially trapped me in one after another after another without ever asking what I wanted, so you can say all you want how that's not what you want but here I am still: proof that that's what you're doing. So I don't know if you just enjoy being a hypocrite or what it is but it's still what's going on."
"I wasn't—"
"Like, I don't know what your angle is with all that because it's basically torture for me because I hate it here. You'll take Fredbear out everyday and have for well over a decade but I guess I don't count even though you've known I've been in the same situation as him for the same amount of time, but I guess that doesn't mean anything to you."
Erica had stopped arguing, keeping her mouth shut in a frown that had begun turning from anger to hints of guilt, but the Puppet didn't stop.
"And the wild thing is that the person who could take me out of here—who frankly should have this whole time—won't even talk to me!" they continued, "And I don't know how to get him to! I guess my dad just doesn't love me anymore which—okay! Sure! Guess that was bound to happen—!"
Erica shook her head. "Henry still loves you—"
"You don't know that. He doesn't talk to me anymore—"
"Because you refused to talk him for five years first!"
"Because he tried to get me incinerated!" the Puppet shouted, the sound echoing like none other around the cavernous walls and ceilings surrounding the playplace. The visceral anger paired with the break of pain in their voice took everyone aback, as if they were all spectators at an aquarium and were watching cracks in the glass appear on its shark tank in real time.
Erica was breathless. "What?"
"I found the paperwork," the Puppet continued, voice trying to stay strong with their rage but wavering as the kept on, "he had everything done but to sign it. He was...he was so ready to burn me and get rid of me. He was done with me." They looked away from Erica, trying to collect themself. "I just- I just wanted to be with my dad like Evan gets to be with you, but he doesn't and I...I'm stuck here. I've been stuck here in these stupid restaurants for over 20 years and I can't leave because nobody asks me what I want."
The fire had been snuffed out of Erica. Her shoulders dropped and all she was left with was shame and pity as she stared up at the Puppet, stood all alone at the top of the slides in the playplace, surrounded only by shadows and barely taller than the kids that clambored through it everyday. The cape swallowed them up like a sick child in a blanket, the crown slightly askew on their head from all their animated yelling.
It broke Erica's heart, because she could still see Charlotte clear as day through the Puppet every time she looked at them. There was never a day she didn't. And even though, after all these years she knew that Charlotte would've been an adult, she still wanted to scoop them up and tell them everything would be okay like she did back when they were a seven year old kid and her daughter's best friend that came over everyday.
"Oh," Erica breathed, "Charlie..."
The Puppet's head snapped back up to Erica and the despondence disappeared from their eyes, replaced with the refueled rage that had started to simmer. Erica felt herself tense, not knowing what exactly she did wrong in the moment until they spoke.
"You don't get to call me Charlie," they growled, the sound slurred through barely contained tears, "you don't get to call me that. You don't ever get to call me that because you don't care and you've never cared."
They stepped out from the playplace, foot catching on the slide and making them lose their balance. They stumbled slightly, but caught themself enough to slide into the pit below and stay standing, kicking the balls this way and that out of it as they marched forth towards Erica from it. They leapt from it up to her feet, fury radiating from their body.
"You don't get to call me Charlie," they said, "no one does."
Erica gave no response; she knew nothing would help in the moment. The Puppet, so infuriated their body was shaking, stood there for only a few moments more before storming off to the Prize Corner and disappearing from sight. Everyone left behind lingered in the tense silence, as if disturbing the air with any movements would set the Puppet off again even if they weren't in the room anymore.
Eventually, they all did begin to move, mostly to check on each other (though everyone gave space to Erica, perhaps too afraid to talk to her.) The exception was Fredbear, who approached her. Her eyes had not left the Prize Corner, which Fredbear noticed.
"You need to give them space, mom," Fredbear said.
Erica shook her head, then began to head towards it. "No, I messed this up. I'm fixing it."
"Mom—"
"They're not going to deal with it later if we don't talk about it now."
Fredbear watched her leave and sighed.
Erica entered the Prize Corner, noticing first the discarded crown crumpled on the floor before having to step over the cape not long after. She reached the tiers of plushie prizes where the Puppet's box was nestled on the lowest tier. The lid was shut tight, but the sound of their muffled crying wasn't hidden. Erica pulled herself up onto the tier to sit besides the box, quiet for a moment as she tried to decide how to start, then her eye caught a glimpse of the still ballerina in the music box between the plushies near her. She watched it for a bit before gently picking it up and winding it, the ballerina spinning to the music twinkling delicately out through the stillness of the Prize Corner. The Puppet's sobbing began to soothe into shaking hiccups, but they didn't say anything either.
"I should never have made you stay at all the restaurants corporate kept jumping you between before this one, or me sticking you at this one permanently," Erica started, "it wasn't fair. I was convinced you'd get sick of it and tell everyone that you were murdered and possessing the Puppet and it'd all come out like that because I couldn't do it because all of the NDA's I'm stuck under—but that wasn't fair to expect you to do and I'm coward for trying that. It's not your responsibility to expose what the company's been hiding...and it was my responsibility to ask you what you wanted."
Erica ran her finger along the enamel roses on the edge of the music box.
"You're family, you always were, even though I didn't treat you like that." She laughed. "But, if you ask Michael, maybe that's how I treat my family."
There was the slightest of chuckles from inside the prize box. Erica smiled.
"If you want—especially because I know I'm probably the last person you'd want to leave with—I'll take you out of here with Evan and Cassidy when we go," she continued, "you don't have to stay here anymore if you don't want to, higher ups be damned."
She waited for a reply, but none came. Erica nodded and set a hand on the box.
"Just let me know when you make you decision. It'll always be open for you. I won't take it back. Like I said—you were always family," she said. She put the music box down again, then got up and began to leave.
As Erica crossed the threshold of the Prize Corner, the Puppet lifted up the lid of the prize box ever so slightly and watched her as she walked away.
———————————
The three Toy animatronics had sequestered themselves backstage, trying to hide from Erica to not hear more about how bad of a band they were nor to think more about how badly their plan to get the Puppet to talk to her on their behalf had played out. The former was working out well, but the latter was not. In fact, it was all the three of them could think about as they sat at their dressing tables in shameful contemplation, not looking at each other or their own reflections as they sat in silent, self imposed time-outs.
Every once in a while, one would open their mouth to speak, but then shut it again. What was there to say? They messed up. Erica was right—they weren't cohesive as a band, they didn't have original material, they weren't ready and it wasn't going to work. And everything that happened with the Puppet was a bad idea that was entirely their faults. They were the ones that set up the whole royal fiasco, so it was their faults it went so sideways.
Toy Freddy was the one to finally speak.
"We should at least do something to make them feel better," he said. Toy Bonnie nodded as Toy Chica stared ahead at her station in thought before her eye caught on the drawings from kids taped up on the mirror in front of her. Thoughts lit up in her head like the bulbs above them on the wall.
"Well," she started, "what's the best way we know how to make someone happy?"
Toy Freddy and Toy Bonnie considered it for a moment, then Toy Bonnie's ears perked up.
"Birthday parties?" he asked. Toy Chica smiled at him as he kept thinking. "And I don't think we've ever thrown one for them!"
"But..." Toy Freddy shook his head, "...everyone deserves a birthday party."
"Then that settles it, boys." Toy Chica stood up from her dressing table. "Let's throw a birthday party!"
———————————
The Puppet was curled up in their prize box, knees tucked to their chest in the darkness as they listened to the quiet twinkling notes of the music box outside trickle in. They were still considering Erica's offer, wishing it could've been offered by anyone else—or at least, by the one person they wanted it to be from.
But still, the fact it was finally offered at all...
As they tightened their hug on their legs, the lid of the box was slowly pushed back. They glanced up, brow furrowed.
"What?" they whispered. Erica would not have been dumb enough to poke the bear again and Balloon Boy was too short to get up onto any of the prize tiers to open the prize box to try and check on them. The only reasonable guess would have been Fredbear, but even then he would have knocked or said something first before opening it up.
The Puppet lifted themselves up and poked their head out of the box. "Who are you and what do you...?"
They weren't in the Prize Corner anymore, but instead the Birthday Room, walls all warm reds and covered in patterns of the muted versions of the colors of the Toy animatronics. Streamers hung from the ceiling and balloons bobbed between them amidst the dim lighting.
The Puppet stood up taller, taking it in with a bemused smile. Apparently they had grown so used to being transported in their box from the Prize Corner to the Birthday Room for parties they hadn't noticed the shift happening, and the fact the music box was brought along with them made the trip even less obvious.
Suddenly, but gently, a new crown was set on the Puppet's head by Toy Bonnie that they, at first, tried to shrink away from. But, when they noticed Toy Freddy laying their cloak across their shoulders, pinning it under their chin with the star side up just like the Puppet did for all the birthday kids, they stopped fighting it, instead stood in a moment of stunned quiet.
Then a shimmer caught the Puppet's attention as Toy Chica approached, carrying in both hands as careful as she could a well meaning but hastily made birthday cake. The frosting was uneven, the decorations lopsided, the sprinkles overused in some parts and sparse in others, even the candles were crooked—only the lettering was legible (clearly that and the base cake were the parts done by Toy Chica herself, if the Puppet had to guess; the boys did the rest.) Still, she approached with as much earnestness as she ever would with any kid at the restaurant, warm smiles and all. Besides her, Toy Bonnie and Toy Freddy had gathered, and alongside them, the Puppet now saw Mangle, Balloon Boy, and Fredbear all join, wearing party hats like the rest of them before the group began to sing 'Happy Birthday.'
"You guys didn't have to do this," the Puppet said, then shook their head, "it's not even my actual birthday."
"Who cares? Let's let it be today," Mangle said. The Puppet laughed.
"You gotta make a wish, Charlie," Fredbear said, "can't have cake if you don't."
The Puppet considered it for a moment, then took a deep breath and blew out the candles. Everyone cheered, and the Puppet's smile grew wider.
———————————
Erica listened to the phone ring as she held the receiver tight to her ear. She rubbed her forehead as her heel bounced against her office floor as she sat hunched over at her desk.
"Come on," she grumbled as the call continued to not connect, "I know you're still awake."
"You know exactly who you reached if you called this number—" the voicemail started, making Erica groan, "—and I didn't pick up for a reason. Don't leave a message, I won't listen to it."
"Henry you suck, call me back," Erica snapped before she slammed the phone down and fell back in her chair to stare up at the ceiling. She took a deep breath and shut her eyes, trying hard to resist the urge to throw something across the room even if it was the middle of the night and there was only a couple guards around. It wasn't a lot of people to look unprofessional around, but she didn't want to start getting back into the old habits she had had to break herself out of from back when she and William were still working together.
She dug the heels of her hands into her eyes. She should have left him long before she actually did. (Maybe one of her kids would have ended up normal at the least if she did. The only thing she could say for them now was that one of them was alive, and Michael challenged that everyday.)
There was a quiet knock at her door and she pulled her hands back from her eyes, glancing over to it, expecting to see Fredbear standing there to check on her like he tended to when he could tell she was upset (he had some kind of sense for it.) Yet, that's not who stood there.
"Hey," the Puppet said.
Erica blinked. "Hey."
The Puppet tugged their head down the hallway. "The Toys are throwing me a birthday party."
She paused, then nodded. "Oh, that's nice of them."
"You're not gonna come?"
Erica cocked her head. "You want me there?"
"I mean," the Puppet started, "everyone I care about is supposed to be there."
There was a moment of pause, then Erica smiled. "Okay."
The Puppet smiled back as she got up to walk with them back to the Birthday Room. "Cool."
#the puppet#erica#toy chica#toy freddy#toy bonnie#fredbear#night 6#mangle#balloon boy#jenny#mike#fnaf#fnaf 2
21 notes
·
View notes
Note
What is the 'wild card' option do?
from Headcanon Game - A to Z (NSFW)
It means I get to share a sexy headcanon of my choosing, so of course it's gonna be scar related 😎
(This is not the aforementioned scar headcanon post. Still working on that one.)
⚠️ cw: here be more angst than smut 😅, torture mentions
W = Wild Card (Get a random headcanon for the character of your choice)
Scars: he’s covered in them—from his scalp to the soles of his feet. Joker made use of nearly every square inch of flesh available on his “canvas” for his “artwork” 😞 Jay doesn’t want them seen: by himself, by others, by you especially. He feels like anyone can read his entire humiliating history from his scars, because all he sees are flashing advertisements for his many failures, for his cowardice, for his weakness. So he wears hats and hoodies, long sleeves, pants, and even gloves year-round (sexy driving gloves in the warmer months 😎). He’ll let you tug down his pants and boxer briefs to his thighs, but that’s as much of his ruined flesh as he wants showing, especially since he’s already feeling emotionally vulnerable when you two are intimate.
Touching his scars brings up a knotted tangle of emotions in him. They’re ultra sensitive. Not physically, per se, but the sensation reminds him that they’re there, reminds him of what happened to him. He remembers all of the times he “let” Joker touch him… how the man would trace the ridges of scar tissue almost tenderly, admiring his masterpiece, his plaything, his boy toy… His… and that godawful feeling makes him want to puke. But then you touch them—the crude mockery of the Robin logo carved into his breast, the puckered “HAHAHA” cut into his stomach, the Clown’s laugh permanently imprinted into his flesh—you trace them gently, absently with your fingertip while you rest your head on his shoulder in bed, and he can’t help but feel as though you’re reclaiming them and him from the Clown.
You place a soft kiss on his brand, and immediately that red hot iron is sinking into his cheek again—he can feel the Clown’s cruel fingers twisted into his matted hair, yanking back his head, can hear his wail of agony echoing off the walls of his torture chamber, can smell his flesh as it cooks, can taste the salt of his tears pouring down his permanently disfigured face—but then it’s your fingers combing through his hair, your soothing voice reminding him you want him, love him even, it's the scent of your perfume filling his nose, the taste of you lingering on his lips…
Over time you carve out much of the hatred, the pain, the blackness left by the Clown, and fill that hollowed out shell back up with your love, your loyalty, your light… and he trusts that you see more than the scars that litter his naked body… that you don’t see him as a coward or a failure, that you’ll never abandon him like the others he thought had loved him, that you don’t care about his past mistakes, only his future. With you 💕
(A/N: GOD, I could talk about his scars all day long, hehe. I love that he finds them disgusting, while all of us find them sexy as hell 😋)
#sands replies#smutty sands#my headcanons#smut alphabet#arkhamverse#gn reader#jason todd#arkham knight#red hood#jason todd x reader#arkham knight x reader#red hood x reader#jason todd smut#arkham knight smut#red hood smut#jason todd imagine#arkham knight imagine#red hood imagine#jason todd x you#arkham knight x you#scars
394 notes
·
View notes
Text
HOW TO MAKE MISTY’S EQUIPMENT MANAGER JACKET (Part 1):
Supplies:
* Gold/Navy Windbreaker
* Printer
* Cardstock
* Colorfast White Fabric Sheets (these work for Inkjet printers but you can use any other fabric sheets that work in your printer).
* Heat ‘n Bond
* Black Fabric Paint
* Thin Paint brush
* Exacto Knife/Box Cutter
* Clear packing Tape/ Scotch Tape
Optional:
* White Thread
* Needle
Step 1: Aquire your jacket.
It’s supposed to resemble the jacket Misty wears so you can either try to find one on your own or look at the close matches I found for the coat Here. I bought mine off eBay but if wanted to you could probably sew one or buy one brand new etc. It is important to do this first because everything else builds off of this step.
Step 2: Size Patch Designs.
You can use the photos I provided below or your own but you’ll need to paste them into a word document. From there you can size them up or down to reach the size that you like for printing.
Depending on the size of your jacket your patches can be bigger or smaller, but once you’re happy with the sizing you can then move onto the next step.
Step 3: Print Patch designs
The “Equipment Manager” design is to be printed on cardstock to make the stencil sturdy. If you had to you could also print it on normal paper but you’d have to be more careful with it and it might not work as well.
The Yellowjackets logo is to be printed on the fabric sheet because it will be turned into the patch. Follow the instructions on the fabric sheet container to make sure you print it right.
I found it helpful to make a mark on a regular sheet of paper before I printed it so that I could see which side the design gets printed on as that’s very important to know for when you put the fabric sheet in the cassette.
Step 4: The Equipment Manager Patch
* Once you’ve picked the size of patch you like best coat the front and back of the design in clear packing or scotch tape. This step is important so that the paint doesn’t seep into the paper and potentially create unwanted smudges on the jacket.
* Once you have the tape in place you can cut out the letters with an exacto knife (I didn’t have one so I used a box cutter but either one works fine). For letters containing holes (e,p,a,g, etc) you could either leave a little strip to hold the holes onto the outside of the stencil (which you’d have to paint in after the rest is painted) or just remove them entirely and free hand the inside lines of the letters.
(Also it’s a good idea to cut this on something that is thick so you won’t cut through the surface you’re working on. I used a sewing mat but thick cardboard can work too).
* Once finished it should look something like this:
* Before you paint the design on it’s a good idea to put the coat on to determine where you want the design. I based the position of mine on where the words were in relation to Misty’s collar so the letters are in a similar spot.
* From here you are ready to paint the design onto the coat using the stencil. Make sure you push the stencil down when painting otherwise paint can get underneath it and mess up the design.
Also, don’t move the stencil around when painting (I taped mine down to combat this), keep it in one place and don’t lift it up until you’ve finished.
Something else to keep in mind is not to gob the paint on near the edges because it can smear underneath (especially if you don’t have the stencil pushed down enough).
* Once you’ve finished painting the design, let it dry down before you remove the stencil so you don’t smudge the paint.
* Once the stencil is removed you can go in and clean up the edges of the design. The lines won’t be super sharp and you may have some small smudges so you may need go in and fill it in to make it look nicer. I found a small brush very useful for this step.
Before:
After:
(if you’ve got the black paint in spots you can’t fill in you might want to get a yellow fabric paint that matches the jacket to paint over it).
* You’ve now finished this side of the jacket!
In the next part I’ll be using the heat n bond to attach the Yellowjackets logo patch to the jacket (an possibly using thread to seal the edges of the patch but I’ll have to see if I can get it done). If you’re doing this for Halloween and I don’t get the second part out before then you can look at my Letterman Jacket post for essentially a tutorial on how to use the heat n bond for patches.
If you have any questions about my process feel free to ask! I’ll work on getting the next part out soon!
14 notes
·
View notes
Text
Licence to shill by u/Mickleborough
Licence to shill We know that Meghan’s trying to trademark American Riveting Offerings for what looks like all products known to humankind.We also know that she tried to excite interest by sending numbered pots of strawberry jam, nestled in lemons (because we all associate lemons with strawberry jam), accompanied by deceased white flowers:Maybe the flowers committed suicide.The world’s awaiting, with bated breath, for Meghan to launch product - any product. It’s speculated about what she’ll make, how she’ll do this, what’s going to cost.Possibly the answer lies in this incidental headline from the Daily Mail archived / unarchived:In other words - the dream’s that Netflix steps in to do what it’s not been set up to do.Basically:The difficulty of finding a CEO sounds like an excuse This led me to thinking: Perhaps the plan’s not for Sussexes to make, distribute, and sell ARO products. Rather, it’d be simpler and less riskier to licence the name and retain some quality control. It’s also far less work - and we know how much that’d appeal to Meghan.That is, other companies will pay Sussexes for the right to put the ARO name and logo on jam, yoga mats, stationery, and whatever rubbish she’s trying to trademark. Then they bear the costs - and risks - of manufacturing and distribution.The (cough) suspense surrounding the release of the jam was to create buzz, which would translate into demand, which in turn would attract manufacturers.One of the most successful licensors was the French designer Pierre Cardin. At its height, he had some 1,000 licenses, and an estimated income in 1986 of £7.8 million / $10 million / €9.25 million; died in 2020 with a fortune of £630 million / $800 million / €740 million. This indiscrimate licensing led to a cheapening of the name, but at that point, money probably made up for it.This is why I think it unlikely that Sussexes will put up their own money to make, distribute, and sell ARO garbage. They’d let Kraft Foods or whoever use their name and have the headache of flogging the crap, and just sit back and collect royalties. Even though their name isn’t marketable like Cardin’s was.Looking forward to the release of the first ARO branded whatever! We should all live so long. post link: https://ift.tt/I87njZP author: Mickleborough submitted: May 23, 2024 at 11:53PM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.
#SaintMeghanMarkle#harry and meghan#meghan markle#prince harry#fucking grifters#grifters gonna grift#Worldwide Privacy Tour#Instagram loving bitch wife#duchess of delinquency#walmart wallis#markled#archewell#archewell foundation#megxit#duke and duchess of sussex#duke of sussex#duchess of sussex#doria ragland#rent a royal#sentebale#clevr blends#lemonada media#archetypes with meghan#invictus#invictus games#Sussex#WAAAGH#american riviera orchard#Mickleborough
3 notes
·
View notes
Note
Hi I'm brand new to bob hund could u please infodump information to me about them bc I'm loving the music but know nothing about them
ohhohoho let's freaking go!
all right, so bob hund was formed in 1991 in stockholm by Thomas Öberg (vocals), Jonas Jonasson (synth) and Mats Hellquist (bass). A bit after that Conny Nimmersjö (guitar) joined the band because he had a rehearsal space (they even made him audition in that rehearsal space). Their other guitarist Johnny Essing joined the band because he owed Mats Hellquist 100 kr (which is like $10). They had a bit of difficulty finding a drummer at first but eventually found a guy named Mats Andersson
Thomas and Jonas went to school toghether in helsingborg before they moved to stockholm
They got the name bob hund from an animated short film called get a job (1985)
Their logo was drawn by Martin Kann, who is also the guy who designs all of their album covers
Blur's guitarist Graham Coxon is (or at least was) a huge fan of bob hund and he did a cover of the song min trampolin
In 2003 they released a self titled album in english under the name bergman rock. That album took several years to make and flopped commercially. In 2005 they released a second album as bergman rock called Bonjour Baberia pt II (both albums are very good i highly recommend them)
In 2009 bob hund gets a new drummer, Christian Gabel, to replace Mats Andersson who is now a passive member of the band
in 2013 they sold their instruments and played shows by borrowing instruments from their fans which somehow resultet in them performing at the malmö opera with the opera orchestra in 2014 (the recording of that performance can be found on their youtube channel under the name 'och bob hund dör i slutet')
in 2021 they did a musical where they are ghosts trying to stop a band called bob katt from breaking up (it's really good but there's unfortunately no recordings of it online) and from late 2022 to about mid 2023 they did some more theater with the show Den overkliga sanningen om bob hund, which is kind of an on stage argument about the band's history (no full recording of this either but there are a few short clips of it on youtube)
#other bob bloggers feel free to add on to this bc i probably missed some things#but yeah this is a somewhat chronological history of the band :)#bob hund
2 notes
·
View notes
Text
Sweater
He calls himself stupid once, twice, fifty times but the instinct is too strong: he takes the sweater. Then he promptly curses himself, marches back into the away dressing room and puts it back. He can’t. He’s not a thief. He’s just dealing badly with..well, life really. He never thought abandonment issues or heartbreak would come in the form of a national squad list but hey, first time for everything. Maybe it's a pile on effect, first failing to compete with Dortmund, then Robert, now…
How the fuck does Reus do it? - Thomas asks himself. Then he sighs. Marco would probably take the sweater. Call it his due for the world leaving him behind. Only, Thomas is not the one being left behind. He is the one going. Scheiße. He goes back and takes the sweater.
_
The shit thing about international tournaments is that you never know how long you will be away for. A week, a month, a single match? Is the weight in your chest going to lift if you win it all?
Thomas wears the sweater to the last Bayern training - not while actually training, just on his way to the session. The fabric is soft and worn, cozy in the way only beloved clothes can be. It smells like the pine shampoo Thomas has known for a lifetime, its too long sleeves falling down on his hands where they grip the steering wheel.
He is pining, ok? Which isn't a joke on the pine shampoo. It's a statement of truth and one Thomas has realized maybe a bit too late. He wonders if the theft of the sweater has been noticed already or at all. Maybe he could get away with it: not having to explain he woke up one day and realized he's an idiot and he's been in love for 20 years or so.
_
The sweater gets packed into his suitcase then gets moved out of his suitcase and into his carry on and then somehow ends up on his person. The flight to Qatar is 10 hours long and the plane is cold, that's the only reason why. He can get away with it, he thinks. The sweater is plain, no logos or brands, nothing that would give away it doesn't belong to a Bayern player. Sure it's black and way too big but it's not bright yellow and he can always say he nicked it from Manu if somebody asks. He snuggles into it on the plane, warm and comfortable. It’s not the same as getting a hug but it’s the closest he’s going to get now, a continent and a sea away.
_
To others, what he is doing would be cruel. Maybe it is. Thomas is not cruel, he is just an idiot. It’s Marco Reus who opens the door on the second ring, looking about as good as Thomas is feeling. Which is shit. Thomas would have taken him to Qatar over Mario but he can't quite say that and not make it worse so he shuts up.
"Well" - Marco says as a greeting - "That was a shitshow of a World Cup."
"At least you didn't miss much?" - Thomas says because even at 34 it’s too much of an ask for him to have mastered the art of not completely putting his foot in his mouth. If Marco punches him, it would be fair. Instead Marco cheers him with his mug of coffee and yells up the stairs "Mats, it's for you!" before disappearing back inside the house, leaving Thomas to deal with himself.
Thomas is not cruel but he is an idiot. The kindness grates on him, scrapes him raw just that tiny bit more as to make it insufferable, like a carpet burn or a nettle sting. It picks at the scab of something unresolved, darkly jealous and selfish, because Mats is here, Mats didn’t stay. It twists guilt at the bottom of Thomas’ stomach - how can he reproach Marco anything? Thomas is the one who has run here like a child with a broken toy after just one international setback when Marco doesn’t have enough toes and fingers to count the times the Universe hated him.
But Thomas has wound himself tight, so tight, it’s really not about football anymore, it’s…
“Mull?” - Mats asks, shaking him softly. Thomas looks up at him and feels himself wobble. He’s wearing sweatpants and a pj t-shirt in the December cold, his hair sticking up in unruly curls and he looks concerned, like he’s probably called to Thomas already, which it’s totally possible because Thomas has not even heard him come down the stairs, which…. Mats gives really good hugs. He's shorter than Manu, less soft, and God - not that Thomas is complaining about Manu's hugs, mind you - but there's something about being able to sink into Mats, to press his forehead against his chest, into a soft t-shirt that smells like pine that just makes him feel at home. He's always joked that Thomas is like a puppy, a ball of energy with nowhere to go, but here in Mats' arms he can finally still. Thomas slips both arms around Mats’ waist and holds on.
-
Thomas is an idiot but he was blind. First it was Manu, then it was Robert and somehow it all got tangled together and Thomas got lost. Books and songs speak of love like butterflies, fluttering in your belly and upturning your world. But with Mats, it had always been easy, so easy that it had occurred to him only with a 20 years delay that love never needed to be fireworks because it was never meant to explode, it was never meant to burn either of them. It was meant to be the safety of clinging to someone like a koala, the laughs at being dropped on a couch like a sack of potatoes, the thousand kisses it takes to make Mats believe he is not being cruel, he is not going to regret it tomorrow, he is not rebounding from anything. Love was always meant to be the warmth of a well-worn sweater that smells of pine, with the cuffs rolled up so they don’t fall on your hands, and the chance to steal many more, for many years to come.
#tiny fic#thomats#football rpf#set during the world cup#these two are just very cute and this is very fluffy#did I have a very specific Mats' sweater in mind? Yes I did (it's the 10 year challenge one)
17 notes
·
View notes
Text
So Hiromu's All Star Junior Festival was a great show, but one aspect that really stuck out to me was the complete lack of the standard New Japan branding.
New Japan like any promotion has a pretty specific presentation style, most famously their "cerulean blue" mat. But the mat for this show was black, with ジュニア最高 "Juniors are the best" hand-painted on it by the participating wrestlers. The corner pads are also usually NJPW and sponsor-branded on NJPW shows, but these were replaced with plain corner pads for this show. The blue and branded ring aprons and entrance curtains were also replaced with plain black. Even the event's t-shirt lacks any overt NJPW branding - the NJPW logo does appear, second after CMLL, on the back, but only alongside every other participating promotion's logo. The title of and logo for the show also don't include anything about New Japan.
This was such a great way to make the event feel less like a "New Japan, with other visiting wrestlers" show and more like a true festival of Junior Heavyweight wrestling.
And the choice to use both ring announcers and referees, and even some guest commentary, from other promotions throughout the show added to this feeling.
#all star junior festival#njpw#hiromu takahashi#this show absolutely ruled from start to finish btw#Hiromu's taste in wrestling is outstandingly good so of course it did but seriously though it was so great
7 notes
·
View notes
Text
Why Logo Mats Are Essential for Enhancing Your Brand’s Image ?
In the realm of branding and marketing, every detail counts. One often underestimated yet impactful element is the logo mat. Whether you’re running a bustling retail store, a professional office, or a high-traffic commercial space, incorporating logo mats into your establishment can significantly enhance your brand’s image. These versatile and functional items are more than just practical additions — they’re a strategic investment in your brand’s identity and customer perception.
1. First Impressions Matter
The entrance to your business is the first interaction potential customers have with your brand. A well-designed logo doormat sets a welcoming tone and creates a positive initial impression. Logo welcome mats are the first thing customers encounter, so making them visually appealing and representative of your brand can greatly impact their perception. A clean, eye-catching mat featuring your brand’s logo can instantly convey professionalism and attention to detail, ensuring that visitors start their experience on a high note.
2. Reinforce Brand Identity
Consistency in branding is crucial for establishing and maintaining a strong brand identity. Using branded logo mats in your business space reinforces your brand’s presence and messaging. Corporate logo mats and business logo mats serve as subtle yet constant reminders of your brand. Whether strategically placed at entrances, reception areas, or other high-visibility locations, these mats help to keep your brand at the forefront of customers’ minds.
Customizing company logo mats allows you to incorporate your specific brand colors, logos, and messaging. This customization ensures that every aspect of your business environment aligns with your brand’s identity, contributing to a cohesive and professional appearance. By integrating logo floor mats into various areas of your business, you enhance brand recognition and make a memorable impression on both new and returning customers.
3. Enhance Customer Experience
Beyond branding, commercial logo mats offer practical benefits that contribute to a positive customer experience. They help keep floors clean and safe, reducing the risk of slips and falls. In high-traffic areas, a well-maintained logo mat can capture dirt and moisture, ensuring that your business environment remains clean and inviting. This combination of functionality and branding makes custom logo mats a valuable addition to any business.
Additionally, a well-placed logo doormat can create a cohesive and organized look, contributing to an overall positive atmosphere. Customers are more likely to feel comfortable and valued in a space that is clean, organized, and reflective of a professional brand image.
4. Promote Your Business
Using logo mats as a branding tool can also serve as an effective promotional strategy. Branded logo mats can be designed to include promotional messages, special offers, or upcoming events. By strategically placing these mats in high-traffic areas, you can attract attention and drive customer engagement. For instance, a custom logo mat at the entrance of a retail store could promote a current sale or new product line, turning a simple mat into a powerful marketing tool.
5. Durability and Cost-Effectiveness
Investing in high-quality commercial logo mats is not only about enhancing brand image but also about ensuring durability and cost-effectiveness. These mats are designed to withstand heavy foot traffic and various environmental conditions, making them a practical choice for both indoor and outdoor use. While they may require an initial investment, their durability ensures that you get long-term value, reducing the need for frequent replacements.
6. Customization Options
One of the significant advantages of custom logo mats is the wide range of customization options available. From choosing the material and size to selecting colors and design elements, you can create a mat that perfectly aligns with your brand’s identity. Whether you prefer a sleek, modern design or a more traditional look, customization ensures that your mat reflects your business’s unique character.
For businesses looking to make a statement, logo doormats and logo floor mats provide an opportunity to showcase creativity and brand personality. With options for various styles and finishes, you can choose a mat that enhances your brand’s image and complements your overall design aesthetic.
7. Increase Visibility
In a busy commercial environment, visibility is key. Branded logo mats positioned at strategic locations, such as entrances, lobbies, and waiting areas, increase your brand’s visibility and ensure that your logo is seen by every visitor. This consistent exposure helps reinforce your brand’s identity and makes a lasting impression on customers.
Conclusion
Incorporating logo mats into your business strategy is a smart move for enhancing your brand’s image. From making a positive first impression to reinforcing brand identity and promoting your business, these mats offer numerous benefits that go beyond their practical uses. By investing in custom logo mats, company logo mats, and logo floor mats, you create a professional and welcoming environment that reflects your brand’s values and makes a memorable impact on your customers.
In the competitive landscape of today’s market, every detail matters. Don’t overlook the potential of logo mats as a powerful tool for brand enhancement. Invest in high-quality branded logo mats and watch as they elevate your business’s image, contribute to a positive customer experience, and reinforce your brand’s presence in the minds of your customers.
#Corporate Logo Mats#Branded Logo Mats#Logo Doormats#Commercial Logo Mats#Business Logo Mats#Company Logo Mats#Logo Welcome Mats#Custom Logo Mats#Logo Floor Mats
0 notes
Text
Logomats: Small Mats, Big Branding Impact Introduction: Logo mats may seem like simple floor coverings, but they possess a remarkable ability to make a big branding impact. These mats, often found at entrances to businesses, display a company's logo, name, or unique design. Their influence goes beyond aesthetics:
First Impressions: Logomats welcome visitors with a professional touch, creating a positive first impression. Brand Recognition: They reinforce brand recognition by displaying logos consistently throughout a space. Cleanliness: Logomats help keep interiors clean by trapping dirt and moisture from shoes. Versatility: They can be placed anywhere, from entryways to reception areas, enhancing a brand's visibility. In the world of branding, logo mats are small yet powerful ambassadors, leaving a lasting mark on anyone who enters.
2 notes
·
View notes
Text
Brand new
Growing up a few of my school friends were quite well off. New spiffy clothes, a new car every three years, and frequent fabulous vacations. My mom and dad worked hard and were stewards of their earnings and savings, but we didn’t have these luxuries. We were NOT country club members. We didn’t have a cottage, we didn’t have new golf clubs, but my little sister and I never wanted for anything. We had all we needed, and we had love in our home.
I remember getting into one of my buddy’s cars in high school and it smelled so amazing. He told me it was the new car smell. It was scrumptious! My dad nor I had ever bought or had a new car, so we had to buy the pine tree shape odorizer to hang inside our vehicles to get anything close to the new car smell.
The smell of “brand new” is so fresh!
Why does brand new smell so good? My vehicles can smell like tennis shoes, Burger King french fries, or soggy floor mats at any given time.
Let me tie this in with your success as a sales leader.
What is your brand? Is it stale? Is it renewed? Do you need to revamp your brand? If we asked 100 people, would they be able to consistently and accurately describe your brand?
Here is a basic business definition of branding: The process of creating a distinct identity for a business in the mind of your target audience and customers.
There are four governing stages of branding
Identification—awareness
Meaning—vital differentiating
Feedback—reactions
Affinity—active loyalty
When I was in charge of marketing, advertising, and branding at one of my companies, I really focused on customer experiences, and not so much on a particular logo or tag line or even what we offered. The experiences not only confirm our brand resonated but also solidified our brand by others who did business with us.
Branding applies to your business, your sales force, and also to your leadership. Here are a few things I have noticed what happens when branding misses the mark:
Hypocrisy—when what you say and what they feel doesn’t match.
Failed connection—the audience scratches their head.
You are a jack of all trades—but a master of none.
Here is my sales leadership challenge for you. As we start the new year, I encourage you to revisit your brand. Research your brand effectiveness. Reset your brand, if necessary, or stay the course with your brand. You will have more success in life and business from a brand experience closely aligned to what you say and what out customers experience.
4 notes
·
View notes
Text
Elevate Your Events with a Bespoke Easel and St. Patrick’s Day Balloon Arch in Dublin
When planning an unforgettable event in Dublin, attention to detail is essential. Whether you're organizing a corporate gathering, a wedding, or a festive celebration like St. Patrick’s Day, unique and creative decorations can make all the difference. One standout way to impress your guests is by incorporating a Bespoke Easel For Events and a St. Patrick’s Day balloon arch in Dublin. These custom touches help set the tone, enhance the visual appeal, and ensure your event stands out from the rest.
Bespoke Easels: The Perfect Touch for Your Events
A bespoke easel for events offers endless creative possibilities. From elegant welcome signs to interactive displays, custom easels are versatile, stylish, and functional. No matter the theme or nature of your event, a bespoke easel can be tailored to your specific needs. In Dublin, where events are known for their flair and creativity, a personalized easel adds a professional and artistic touch.
Imagine your guests being welcomed by a beautifully crafted easel showcasing personalized signage. It could highlight the event’s name, schedule, or a heartfelt message. For corporate events, bespoke easels can display branding, sponsor logos, or event agendas. At weddings, they can present seating charts, romantic quotes, or memorable photos. The beauty of a bespoke easel for events is that it blends practicality with artistic flair, making it an essential piece for any event decor setup.
Why Choose a St. Patrick’s Day Balloon Arch in Dublin?
St. Patrick’s Day is one of Dublin’s most celebrated occasions, attracting locals and tourists alike. Whether you’re hosting a public event, a corporate party, or a family gathering, a St. Patrick’s Day balloon arch is a fun and vibrant way to embrace the festive spirit. A balloon arch can transform a venue entrance, stage, or photo backdrop into an eye-catching focal point.
With green, white, and gold balloons, a St. Patrick’s Day balloon arch can be customized to match your event’s theme. You can incorporate shamrocks, leprechaun hats, and pots of gold to create a whimsical and engaging experience for your guests. Dublin is renowned for its festive energy during St. Patrick’s Day celebrations, and a custom balloon arch ensures your event captures that same lively spirit.
The Benefits of Combining a Bespoke Easel and Balloon Arch
Pairing a bespoke easel for events with a St. Patrick’s Day balloon arch in Dublin is a surefire way to elevate your event decor. Here are a few key benefits of incorporating both elements:
Enhanced Visual Appeal: A bespoke easel provides an artistic centerpiece while the balloon arch adds a dynamic, festive flair. Together, they create a cohesive and visually engaging experience.
Versatility: Both elements can be tailored to suit various types of events. Whether it’s a formal corporate function or a fun-filled holiday party, they can be customized to match your event’s tone and theme.
Photo Opportunities: Guests love capturing memories at events. A beautifully styled easel alongside a vibrant balloon arch makes for the perfect photo backdrop. This encourages social sharing and extends the reach of your event.
Memorable First Impressions: First impressions matter, and an eye-catching entryway sets the stage for a successful event. A bespoke easel with personalized messaging, paired with a St. Patrick’s Day Balloon Arch Dublin, ensures guests are immediately wowed upon arrival.
How to Source the Best Decor Elements in Dublin
To ensure your event decor shines, it’s important to work with experienced professionals who understand your vision. Look for event specialists in Dublin who offer customized decor services, including bespoke easels and balloon arches. Professionals can guide you through the design process, ensuring every detail aligns with your event’s theme and goals.
When selecting your bespoke easel for events, consider factors like materials, design, and size. Wooden easels add a rustic and timeless charm, while metal or acrylic options lend a modern touch. For balloon arches, consult with balloon artists who can create intricate designs and ensure high-quality materials are used for durability and visual impact.
Incorporating Brand Identity and Personalization
If your event involves promoting a brand or company, incorporating your brand identity into the bespoke easel and balloon arch is essential. Use branded colors, logos, and messages to maintain a consistent theme throughout the decor. This attention to detail reinforces your brand’s identity and leaves a lasting impression on your guests.
Even for personal events like weddings or birthdays, personalization makes a big difference. Custom signage on a bespoke easel, featuring names, dates, or meaningful quotes, adds a personal and intimate touch. For St. Patrick’s Day events, adding Irish-themed phrases or symbols can make the balloon arch even more relevant and engaging.
Final Thoughts
Elevating your event with unique decor elements like a bespoke easel for events and a St. Patrick’s Day balloon arch in Dublin ensures a memorable and visually stunning experience. These custom decorations not only enhance the ambiance but also create an immersive experience for your guests. Whether you're planning a corporate event, a wedding, or a festive St. Patrick’s Day celebration, investing in personalized decor is a decision you won’t regret.
0 notes
Text
Enhance brand visibility and professionalism with high-quality, customized logo mats from trusted suppliers.
#logomatssupplier#sa#southafrica#logomats#customlogomats#matcompany#logomatscompany#logomatssa#royallogomats#buylogomats#buymats
0 notes
Text
How Do Food Cartons Ensure Safe And Efficient Packaging For Your Products?
Food cartons are one of the most widely used forms of packaging for food products, offering safety, convenience, and efficiency. Whether you're shipping, storing, or displaying food, the right food cartons are essential for protecting your products and ensuring they reach consumers in optimal condition. In this blog, we’ll dive into the different types of food cartons, their protective qualities, sustainability considerations, and regulatory compliance to help you make the best choices for your food packaging needs.
Packaging Options: What Are the Different Types of Food Cartons, and How Do They Protect Food Items?
Food cartons come in a wide variety of styles, each offering distinct benefits for food packaging. Some common types include:
Folding Cartons: These cartons are commonly used for retail food products like cereals, snacks, and frozen goods. They provide excellent protection during transport and display, and they’re easy to fold and assemble for efficient packing.
Rigid Cartons: Often used for luxury or premium food items like chocolates or wines, rigid cartons are sturdy and offer a high level of protection. These cartons are often designed with custom prints for branding and consumer appeal.
Corrugated Cartons: Made from layers of cardboard, these cartons are used for shipping and bulk storage. Their durability and strength make them ideal for packing fresh produce, canned goods, and frozen foods.
Wax-Coated Cartons: For items that need to be kept dry or refrigerated, wax-coated cartons provide a moisture-resistant barrier, keeping food products safe during transport and storage.
Sustainability Considerations: How Can Food Cartons Be Eco-Friendly Without Compromising Quality or Safety?
Sustainability is becoming a key focus in food packaging, and food cartons can be made eco-friendly without compromising safety. Key ways to make food cartons more sustainable include:
Recycled Materials: Many food cartons are now made from recycled paperboard or cardboard, reducing waste and promoting a circular economy. These materials offer the same level of protection and durability as non-recycled options.
Biodegradable Options: Some food cartons are made from biodegradable materials, which decompose naturally over time, reducing the environmental impact once the packaging is disposed of.
Minimalist Packaging: Using minimal packaging reduces the overall material waste. Cartons that are optimally sized for the product help avoid excessive use of paper or cardboard, further promoting sustainability.
Sustainable Ink and Coatings: Food cartons can be printed with eco-friendly inks, and some even feature water-based coatings, which are less harmful to the environment than traditional oil-based finishes.
Size and Design: How Do You Choose the Right Food Carton Size and Design for Your Product’s Needs?
The size and design of a food carton are critical to ensuring both safety and efficiency. Here’s how to choose the right carton:
Right Fit: The carton should be sized appropriately to fit the product without too much extra space. Too much room can lead to shifting during transport, while a tight fit can damage the contents.
Branding and Aesthetics: Design your food carton to reflect your brand’s identity, incorporating colours, logos, and product details that make the product appealing to consumers. Packaging is often the first thing that catches a buyer’s eye, so a good design can drive sales.
Stackability: Choose a design that allows for easy stacking during transport and storage. Cartons that are too bulky or oddly shaped can result in inefficient use of space.
Regulatory Compliance: What Are the Key Food Packaging Regulations That Food Cartons Must Meet?
Food cartons must meet several regulatory standards to ensure that they are safe for storing and transporting food. These regulations typically include:
Food Safety Standards: Food cartons must be made from materials that are non-toxic and safe for food contact, as outlined by health authorities like the FDA or the European Food Safety Authority (EFSA).
Labelling Requirements: Food cartons often need to include specific labelling information, such as ingredients, nutritional facts, allergen warnings, and expiration dates, all of which must be printed clearly and accurately.
Traceability: In some regions, packaging must include barcodes or batch numbers for traceability purposes, which helps authorities track food products in case of contamination or recalls.
Conclusion
Choosing the right food cartons is essential for ensuring your products stay safe, fresh, and compliant with regulations. From selecting the right type of packaging to considering sustainability and regulatory standards, there are many factors to consider. By making informed decisions about food carton materials, size, and design, you can optimize your packaging strategy while protecting both your product and the environment.
0 notes
Text
Beyond the Gym Walls: Branding for Outdoor and Virtual Fitness Classes
Introduction: In today’s fitness landscape, gyms are no longer confined to four walls. Fitness brands are venturing outdoors and into virtual spaces, redefining how they connect with their audience. To succeed, they need to extend their identity beyond traditional settings, using thoughtful design and strategic branding. From fitness poster designs to seamless digital experiences, branding plays a crucial role in attracting and engaging participants.
This article answers common questions about how fitness brands can elevate their presence in outdoor and virtual fitness markets.
1. How can fitness brands effectively use outdoor spaces for classes?
Choose visually appealing locations that resonate with your brand identity.
Use bold fitness poster designs to promote the event. These posters can highlight key details like location, time, and a unique selling point (e.g., "Yoga with a Sunset View").
Incorporate portable branding elements like banners, flags, and branded fitness equipment to reinforce your identity.
2. What are the key considerations for branding virtual fitness classes?
Ensure your platform is visually consistent with your brand, including logos, colors, and fonts.
Invest in high-quality visuals and virtual backgrounds that reflect your identity.
Use promotional materials like banners and social media posts created on a Mockup Platform to maintain professional and attractive branding.
3. How can fitness poster designs be used to attract a wider audience?
Leverage eye-catching visuals and dynamic layouts that reflect the energy of your classes.
Include QR codes on your posters for easy sign-ups or to access a free trial.
Display posters in high-traffic areas, such as parks, coffee shops, and community boards, to increase visibility.
4. What role does merchandise play in outdoor and virtual fitness branding?
Branded merchandise like water bottles, yoga mats, or T-shirts creates a sense of community and brand loyalty.
For virtual classes, offer digital merchandise, such as downloadable guides or exclusive playlists, to complement the experience.
Use a mockup creation platform to design and showcase your merchandise before production.
5. How can social media amplify branding for outdoor and virtual fitness classes?
Share behind-the-scenes content of your outdoor class setup or a sneak peek of your virtual studio.
Create interactive posts like polls or challenges to engage your audience.
Use testimonials and success stories from participants to build credibility and trust.
0 notes
Text
What Types of Commercial Floor Mats Are Best for High-Traffic Areas?
High-traffic areas in commercial spaces require durable, high-performing floor mats that not only withstand constant wear and tear but also enhance safety and aesthetics. Choosing the right type of floor mat is essential for creating a clean, professional, and safe environment for employees, customers, and visitors. Below are some of the best options for high-traffic areas:
1. Entrance Mats
Entrance mats are the first line of defense against dirt, moisture, and debris. Designed to trap dirt and absorb moisture, these mats protect interior flooring and reduce cleaning costs. Look for options made of heavy-duty rubber or coir with a slip-resistant backing for high durability.
Best Use: Building entrances, office lobbies, and retail stores.
Benefits: Enhances cleanliness, prevents slip hazards, and improves first impressions.
2. Anti-Fatigue Mats
Anti-fatigue mats are ideal for commercial areas where employees are required to stand for extended periods. These mats provide cushioning to reduce fatigue, improve posture, and enhance comfort.
Best Use: Workstations, assembly lines, and cashier counters.
Benefits: Boosts employee productivity and reduces discomfort.
3. Scraper Mats
Scraper mats are made of tough materials like vinyl or rubber to remove mud, snow, and dirt from footwear. These mats are especially useful in outdoor or semi-outdoor areas exposed to harsh weather conditions.
Best Use: Outdoor entrances and heavy-duty industrial zones.
Benefits: Extends the lifespan of interior flooring and ensures a cleaner workspace.
4. Logo Mats
For businesses looking to make a statement, logo mats serve as both functional tools and branding assets. These mats feature customized designs, showcasing the company logo or message while maintaining their ability to trap dirt and moisture.
Best Use: Reception areas, hotel lobbies, and showrooms.
Benefits: Combines branding with practicality.
5. Carpeted Floor Mats
Carpeted mats are stylish and versatile, offering a softer, more refined look for indoor spaces. They are effective at trapping dust and moisture while being easy to clean.
Best Use: Conference rooms, office corridors, and retail spaces.
Benefits: Adds aesthetic appeal while protecting floors.
6. Rubber Floor Mats
Rubber mats are incredibly durable and versatile, making them suitable for various high-traffic areas. These mats are resistant to wear, stains, and slips, ensuring safety and longevity.
Best Use: Commercial kitchens, gyms, and warehouses.
Benefits: Highly slip-resistant, easy to maintain, and long-lasting.
Tips for Choosing the Right Floor Mats
Durability: High-traffic areas require mats made from robust materials like rubber, vinyl, or coir.
Safety Features: Look for mats with slip-resistant backing to prevent accidents.
Ease of Maintenance: Opt for mats that are easy to clean and maintain, especially in areas with heavy foot traffic.
Aesthetic Appeal: Choose mats that align with your brand or décor, such as logo mats or carpeted mats.
For businesses looking to find the best solutions, partnering with a Commercial Floor Mats Supplier in UAE ensures access to a wide range of high-quality options tailored to meet specific requirements.
What Are the Top Benefits of Using Commercial Floor Mats in Your Workplace?
Commercial floor mats are more than just a functional addition to your workplace; they are an investment in safety, cleanliness, and aesthetic appeal. From ensuring employee comfort to enhancing your brand image, the benefits of commercial floor mats extend far beyond their surface. Let’s explore why they are a must-have for any professional setting.
1. Enhanced Safety and Accident Prevention
Slips, trips, and falls are among the most common workplace accidents. Commercial floor mats are designed to provide a slip-resistant surface, especially in areas prone to moisture or heavy foot traffic. Anti-fatigue mats further help by reducing the risk of accidents caused by fatigue-related errors.
Key Features:
Slip-resistant surfaces.
Moisture-absorbing capabilities.
Cushioning to minimize impact from falls.
2. Improved Cleanliness and Hygiene
Floor mats act as the first line of defense against dirt, debris, and moisture entering your workplace. Entrance mats trap dust and water, reducing the amount of cleaning required and extending the life of your flooring.
Benefits:
Keeps floors clean and dry.
Minimizes maintenance costs.
Reduces allergens and improves indoor air quality.
3. Increased Employee Comfort
Standing for long periods on hard surfaces can lead to discomfort, fatigue, and long-term health issues. Anti-fatigue mats provide cushioning, improving circulation and reducing pressure on the lower back and legs. This enhances employee productivity and well-being.
4. Brand Image and Aesthetic Appeal
Custom logo mats can double as a branding tool, making a great first impression on clients and visitors. They also add a professional touch to your workplace by blending functionality with design.
Customization Options:
Logo and branding integration.
Variety of colors and styles to match your interior decor.
5. Protection for Your Flooring
Flooring is a significant investment, and wear and tear from high foot traffic can lead to costly repairs or replacements. Commercial mats act as a protective layer, reducing the impact on your floors and extending their lifespan.
6. Eco-Friendly Options
Many commercial floor mats are now made from sustainable materials, making them an eco-friendly choice for businesses looking to reduce their carbon footprint.
Green Benefits:
Recycled materials.
Long-lasting durability reduces waste.
7. Cost-Effectiveness
Although they may seem like a small addition, floor mats save money in the long run by reducing cleaning expenses, minimizing floor damage, and preventing costly workplace accidents.
8. Compliance with Safety Standards
Many industries require adherence to strict safety and hygiene standards. Commercial floor mats help businesses meet these requirements while demonstrating a commitment to employee and customer safety.
Where I Can Get Best Commercial Floor Mats Supplier In UAE
When searching for a reliable commercial floor mats supplier in UAE, Euro Rubbertech International L.L.C. stands out as a top choice. They specialize in providing high-quality, durable, and functional floor mats tailored for various commercial environments, including offices, retail spaces, and industrial facilities. Their wide product range includes entrance mats, anti-fatigue mats, and ergonomic solutions designed to enhance safety, comfort, and aesthetics. Known for their commitment to quality and customer satisfaction, Euro Rubbertech International ensures their products meet international standards and offer customization options to suit specific business needs. As a trusted name among commercial floor mats suppliers in UAE, they provide competitive pricing, timely delivery, and exceptional after-sales service, making them a preferred partner for businesses seeking premium flooring solutions.
0 notes