#both versions of this story make me physically ill but i'm in too deep and love them too much to back out lmao
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shorlinesorrows ¡ 6 hours ago
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I was relistening to Mutiny today, and the more I go back to it, the more I get stuck on the line near the beginning where Eurylochus is asking Odysseus to explain/deny what just happened
Every time I listen, it sounds less like a dare or a jab, and more and more like he is begging his friend to convince him that Scylla didn't just happen. He is *begging*. He's not angry right there, he's desperately reaching for the security of a captain and friend who can talk his way out of any problem, and he is begging Odysseus to make it better
But Odysseus can't. And he won't deny what he's done. Because even if it was to get him and the majority of the remaining men home, there's nothing he can say to justify not warning them ahead of time. So there's a mutiny. And then it's history.
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hikarry ¡ 9 months ago
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Since I didn't communicate clearly earlier:
2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30, 31, 32, 33, 34, 35, 36, 37, 39
Oh, God lord, Sam
Okay, yes, yes, sure
Just, be prepared for a long post I guess then. Ill skip the ones I already answered
2. show us a picture of your handwriting?
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3. 3 films you could watch for the rest of your life and not get bored of?
The Imitation Game, The Muppet Christmas Carol and Corpse Bride
4. what’s an inside joke you have with your family or friends?
Ah...a evil version of "You've got a friend in me" from Toy Story with one of my friends
5. what made you start your blog?
Honestly? No idea. Technically I've been here since 2014 and I kinda just joined to see pretty pics in the beginning. And now here we are, neck deep in the Good Omens fandom
6. what’s the best and worst part of being online/a creator?
The best is honestly the interaction. You guys really have no idea how nice the Good Omens fandom is. I used to be a "creator" for the Yuri on Ice fandom and it didn't used to be half of this. It's very exciting.
The worst? Maybe the pressure to post new stuff? Which is not exactly no one's fault but mine, but alas
7. what scares you the most and why?
Ah. Dying in pain? I don't like pain and I don't appreciate dying so, yeah. Kinda logic
8. any reacquiring dreams?
I don't think so?
9. tell a story about your childhood
We went to the beach this one time and I, for some reasons, made friends with this one guy I never saw again in my life. Somehow he caught a big ass fish (or big in toddler scale) and gave it to me and my first reaction was toss it back into the ocean. It was a magnificent throw, lemme tell ya. For a 3 year old, anyway
10. would you say you’re an emotional person?
It depends on how mentally stable I am and who I am with. But yes, overall, I would say so
11. what do you consider to be romance?
Small things, like sleeping cuddling, cooking together, drinking coffee together at the window in a sunday morning, kissing in the rain. My idea of romance is very...fairytale-y. And not realistic. That's why I am very very good by myself
12. what’s some good advice you want to share?
Don't look for yourself in other people. You're good enough to make yourself happy. You don't need anyone else so don't think you do. Other people are a bonus, not a requirement
13. what are you doing right now?
Answering this long ass thing thanks to you, Sam
14. what’s something you’ve always wanted to do but maybe been to scared to do?
Piercings. I've conquered my fear of tattoos and piercing are next, write what I'm telling you
15. what do you think of when you hear the word “home”?
My grandma's house
16. if you could change one thing about yourself, what would it be?
Physically? My weight. Because I've been fighting it ever since I was like 4 and so I could go under surgery and change my chest.
In general? Just...I would like to be more simple. I feel like other people in the world are way simpler than I am. Think and feel in a simpler way. Or I'm too complicated, depends on how you want to see it. I would like to feel simple
18. do you believe in ghosts and/or aliens?
No, to both. If I allowed myself to believe in any of those I would become way too paranoid and that's a no no
19. favourite thing about the day?
Getting home after a long day
20. favourite things about the night?
Actually getting to sleep properly, which is being an impossibility at the moment
21. are you a spiritual person?
No. I don't believe in any god or religion or entity. I max believe that the universe has my back and everything will work out somehow. But that's it
22. say 3 things about someone you love
My grandma is an amazing cook. I love her snuggles. I miss her every day
23. say 3 things about someone you hate
My uncle was assaulted last week, aparently. Not to be mean, but he could have died. I wish he had died
24. what’s one thing you’re proud of yourself for?
Not having killed myself when I really really wanted to. Living is super nice and I enjoy it quite a lot
25. fave season and why?
Autumn. Because it's when I was born and it's spooky season! And hella cozy! I love cozy!
26. fave colour and why?
Blue. Because it feels calming and reminds me of the ocean and/or water in general
27. any nicknames?
My friends used to call me "Mouse" when I was in school. It was an inside joke
28. do you collect anything?
I collect books and military jackets
30. what’s one thing that never fails to make you happy/happier?
Honestly? Without being sappy, you guys. Every time I'm having a shit day and I come here to complain y'all manage to cheer me up. It's very sweet and I thank you very much
31. are you messy or organised?
I am proudly organized in my messiness
32. how many tabs do you have open right now?
On pc? 4
On the phone? 48. 47 of those are fanfics
33. any hobbies?
Mainly reading and writing. I don't have time for much else
34. any pet peeves?
When people are slow. Not only walking, but in general: thinking, moving. It annoys the shit out of me
35. do you trust easily?
Oh no. Not at all. I think the only people I currently trust are my grandma and my therapist. And one of them I pay them to trust them so-
36. are you an open book or do you have walls up?
Way way too many walls up. I've been broken more times than I care to count and that does something to someone, lemme tell ya
37. share a secret
I stole a Hello Kitty necklace from a girl I hated when I was like 7. I still have it, as a trophy. I really hated that girl
39. youtuber you’ve been obsessed with and why?
Pinely! He's so fucking funny and I love his accent. Besides, his videos are amazing. Go watch it!
Ooof, okay. That's it, right? I tried to give short answers so it wouldn't get too annoying, but there we are. Hope you're happy, Sam!
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thewhumpcaretaker ¡ 7 months ago
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Hello hello!
I'm not too familiar with your OCs yet, so forgive me if I ask something that I've missed being covered!
For both Jens and Messenger please:
skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?
midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?
Aaaaaa thank you!!!
Jens Vidalin | Messenger
Skin, for Jens: Physically, Jens mostly ignores his appearance. He dislikes that he looks so thin and sickly, but it doesn’t really matter to him compared to the actual symptoms he’s dealing with. His body is really painful to live in, and that's the main thing he notices about it. Mentally, he fears that he has no idea what’s real, or even that he's making up his symptoms for attention and just can’t admit it. He’s guilty for how much effort and worry his illness takes up, for being a burden, and for making others feel so confused by his baffling story. He’s uncomfortable with viewing himself as helpless, and won’t really be at peace until he starts to see himself in a different way.
Skin, for Messenger: Physically, Messenger can look however it wants, so that’s never a problem for it. Mentally, it really struggles with the harm it has caused. It has hurt and killed many, many people for centuries across many planets on behalf of its people’s regime. At the start of the storyline, Messenger has not faced that guilt yet. It just feels wrong and angry with both itself and its superiors and can’t explain why.
Midnight, for Jens: Jens has constant nightmares - if he ever sleeps peacefully, he doesn’t remember what he dreamed. The nightmares are about being trapped in long, winding versions of places where he grew up, especially near the time of his disappearance. Other times, they are about an endless black void, like deep space or the endless ocean. He also deals with pretty severe paranoia. Something is coming for him and he doesn’t know what. He thinks he’s going to be taken away at night. He hates being completely alone while sleeping and lives with roommates to try to avoid it.
Midnight, for Messenger: Messenger doesn’t need to sleep in the traditional sense. It goes through a long period of hibernation every couple of years instead. But it does have worries that come to it when it’s trying to relax. Will the timeline of fate fall into the wrong hands? How will the war turn out (if it ever ends at all), and who would honestly be the best side to rule? What will all of that mean for the innocent people Messenger has encountered over the years, across many worlds? It thinks about the friends and lovers it encountered during missions while in disguise, and wonders what happened to them. It thinks about its fellow Messengers, too, some of whom are close friends, and worries about how deep in denial they are about the state of the world.
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whimsicallyreading ¡ 4 years ago
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Dark Roast, No Sugar
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“Last night I woke the hell up. I realized I need you here, as desperate as that sounds, yeah.” - Jon Bellion
Masterlist
Chapter Nine-
Aelin showed up to the police department in a pair of leggings and an oversized shirt. She didn't even bother putting on the new-ish sneakers she owned, opting for the ones with holes because they didn't squeeze her feet. It wasn't the first impression she wanted to give, but you deserve a little forgiveness when making a whole-ass human.
Leaning over the dash of the car, she presses a friendly kiss to the side of Chaol's face. "Thanks for the ride, boys."
His cheeks redden, and Dorian leans as much of his body as he can into the front of the car, "No sugar for me?"
Aelin laughs and kisses his cheek good-naturedly. "Feel less left out now?"
"Much better," the corners of his happy smile dim, his blue eyes dart to the doors of the precinct. "Are you sure you don't want me to call you a lawyer, Aelin?"
Chaol nods his agreement beside him, his hands clenching the steering wheel despite the car being in park. "Do you want me to go inside with you?"
Aelin feels a bubble of warmth blossoming in her chest. Their worried faces and eagerness to help her- it was almost enough to warm an assassin's heart. "Don't worry. They just need me to clarify a few things in my statement. Nothing serious. Paperwork issues."
Dorian and Chaol had shown up right as she was walking out of the front door of The Stag. When they realized she was leaving and offered her a ride... Aelin couldn't say no. Not with how her feet were aching.
It took some more reassuring, but they finally agreed to let her leave their caring grasps.
Fenrys met her at the door with a smile, "Hey, Baby Mama. Looking beautiful."
Aelin is surprised to find she's genuinely happy to see him. She can't help the toothy grin he brings out in her. "I'm well. How are you this morning, Fen?"
Fenrys lights up at the nickname. "I bought us some donuts. We have a hard day of work ahead of us, and I figured we would deserve a treat in advance."
Donuts sounded phenomenal and vastly improved her outlook of the day.
He steers her through the PD, and several heads turn to stare as she passes. Aelin didn't particularly care. Whatever they thought they knew about her, they probably didn't.
When they finally reach Rowan's office, they find him slumped over a laptop at a desk piled high with neatly stacked papers. The room is minimalistic. Only necessary office items were visible—no personal effects, knickknacks, or pictures of any kind adorning the space.
Rowan himself is also in his usual state of neatness, minus the dirt she could see staining the underside of his nails. He must have been gardening this morning.
Aelin doesn't bother with greetings. She grabs a chair opposite him and sits down. The last few days, she'd been feeling more drained and quick to tire. At first, she attributed it to the baby getting larger and demanding more of her body's resources, but now Aelin started to think that she caught a bug galavanting through the night.
Fenrys set a blueberry donut and a cup of hot tea in front of her. Bless him. Aelin mumbles her thanks before stuffing her mouth.
Rowan shuts his laptop with a snap and replaces it with a yellow notepad. "Alright, Aelin. I need a name. Who do you think is doing this?"
"When is Aedion getting released?" She says around a mouthful of glazed blueberry.
Fenrys slumps into an office chair at a tinier desk in the corner of the room. "This afternoon."
"If all goes well at this meeting," Rowan tacks on the thinly veiled warning. "I need a name."
Aelin leans back in her seat and takes a deep breath. There was a strange heaviness in giving his name. As if speaking it would materialize him into existence in front of her. Her goal when she moved to Ornyth was to forget about him and push her old master as far from her mind as she physically could, but she supposed it was naive to think he wouldn't come looking for her.
This wasn't just for her, Aelin reminds herself. Aedion would benefit from this conversation.
"His name is Arobynn Hammel. He's thirty-five, red hair, grey eyes, and an utter asshole." Aelin lays the name of her childhood tormentor out on the table. A bad taste sours her mouth.
Rowan tosses the notepad to Fenrys, who relays what she said to the paper. He looks at her over his desk with an unreadable expression. "What is your relation to Mr. Hammel?"
"Why?" Aelin chuckles as if the stress is trying to escape her with each half-hearted chuckle. "Do you want to know if he's my baby daddy?"
"Yes," Rowan and Fenrys say simultaneously.
Aelin's smile falls, and she scowls at both of them. They didn't know better, but she still felt insulted.
"He isn't, but I suppose he probably would have liked to be. Make sure to underline that," she points at Fenry's pad of paper. "Arobynn raised me. I don't think he was legally a foster parent, but he is who I was given to in the shuffle after the occupation."
Rowan dips his chin. Green eyes focus on her intensely, as if he's trying to absorb and commit her every word to memory. "How old were you when they put you in his care?"
"Eight," Aelin breathes out, a sharp tingling of grief comes with that admission. "I lived with him from the time I was eight until I turned nineteen."
"Why do you suspect him of producing and distributing Synth?" Rowan asks the nail-in-the-coffin question, and Aelin has to bite back old instincts to lie and conceal this information. It makes her feel vulnerable to expose Arobynn.
Vulnerability isn't an emotion she handles well. After all, when you bare your neck to someone, it becomes within their power to cut their throat.
"I've seen where he makes it, and I oversaw some of his high-risk contracts and dealings with the distribution," Fenrys chokes beside her, but he smothers it with a cough. Even Rowan looks a little taken back, eyes narrowing.
"At what age did you start assisting with his-" he struggles to find the words. "-His business practices."
Aelin blinks, "Eight."
This time, neither of them covers their reactions. They both freeze in their seats, an air of disbelief hanging over them. Aelin feels a chill and tugs at the hem of her shirt, wishing the sleeves were longer.
"What?" Rowan is the first to break the tension.
"I was displaced in the occupation," Aelin begins the watered-down version of her sob story. "I was carted into Adarlan and placed in the care of Arobynn Hammel. Within a couple of months, he was already using me as a mule to get orders across Rifthold. He trained me in various skills to carry out larger jobs, along with a few other children."
"There were others?" Rowan looks saddened by that tidbit.
Mentally Aelin wants to laugh.
Of course, he would be upset at the prospect of other good children suffering from such a fate.`Ones who had the potential he thought she lacked.
If only he knew what bastards they all grew up to be, and she by far was not the worst of them.
Fenrys' eyes were gleaming with more pity than Aelin was comfortable with because, unlike Rowan, she knew it was directed towards her. Gratefully he didn't dig too deeply. Instead, Fenrys picked up the next question. "Can you name the others?"
Aelin bites her lip, leg fidgeting under the table. "Tern Fletcher, Archer Flynn, Adam Mulligan, Lysandra Ennar-" she swallows past the lump in her throat. "Samuel Cortland and myself."
"Lysandra was involved?" Rowan leans back in his chair and crosses his arms. He hasn't looked away, barely blinked, since the questioning began. Aelin feels naked as his eyes seemed to be raking in her every movement.
"Not-" she tries to think of how to phrase it in a way that respects her friend's privacy. "She wasn't involved in the same capacity I was."
"Are the others you know still working with Hammel?" Rowan asks, and Aelin gladly lets them move the conversation away from Lys. She wasn't comfortable digging into her friend's wounds when she wasn't around.
"I suspect Mulligan, Flynn, and Fletcher. They were extremely loyal, and as of the last time I saw them, very active in the business." Aelin fondly remembers the beat down she laid on Archer before their parting words. He sold them out, and she hopes for his sake that they never run into each other again.
Fenrys looks up, "What about Samuel?"
"What?" Aelin flinches, the question taking her back.
"Samuel Cortland," Rowan reiterates. "You named him as one of the employees in Hammel's custody but implied he's no longer active in the business. Where is he then?" He leans forward, and Aelin wishes she could shrink back. "Would he be willing to speak with us?"
"Children." Her voice comes out as gruffer than she intends. "We were kids. Not employees. It wasn't a mutual agreement. None of us could consent to what became of us."
Aelin is surprised by the emotion that makes itself known. She swallows back the tears that want to fall and stuffs her trembling hands under her thighs. The implication any of them had a choice in serving Arobynn was disturbing and utterly wrong.
The taste of skin between her teeth, blood crusting under her nails, and being surrounded in pitch-black darkness consume her. Aelin suddenly feels more ill than she had this morning.
"Of course, Aelin." Fenrys placates. "That's understood. We just need to know where Samuel is. He could be very useful to the investigation."
"Dead," Aelin throws the word out like a dying fish on the table. "He died."
It hurt to say that. Tears burned in the corners of her eyes. Sam dying was worse than talking about Arobynn. A million times worse.
Aelin tries to swallow the lead rock in her throat. Arobynn didn't deserve to be known. His legacy was of blood, abuse, and control. It belonged in the sewer alongside his corpse.
Sam, on the other hand, deserved to be known. He abandoned by the system, forgotten by his family, and still chose kindness above all else. Sam's story deserved to be told, and it killed Aelin that it hurt her so much to share it.
"How did he die?" Fenrys prods delicately.
"What?" Aelin asks dumbly, heart accelerating in her chest.
"How did Samuel die? Any details you can give are beneficial. and you agreed to cooperate." Rowan reminds her sternly.
Mala save her, she couldn't go into detail about how she found him. She couldn't. Aelin feels blood rushing up to her head, and the room seems to sway.
"Sam. He liked to be called Sam-" Is all Aelin manages to choke out. "Excuse me."
Pushing herself from the desk, she shakily bolts for the office door. Their complaints are silenced as the glass shuts behind her. Outside, Aelin can feel the trembling beginning in her hands and spreading up her arms.
Sweat beads on her forehead in the oppressive heat of the building, but when she rubs her face, it feels damp and cold to the touch.
Aelin frantically strides down the hall, eyes darting around madly for a bathroom door. Nausea was creeping up her throat, and she really didn't want to throw up in someone's trashcan. She knew she was moving quickly, that someone might see her and become alarmed, but anxiety made everything feel like it was moving in slow motion.
A dainty hand grips her elbow and tugs in gently. "Follow me, dear. I can help you."
Aelin's head is swimming, and she allows the calming voice to steer her back in the other direction. When the person pushes open the bathroom door and Aelin sees the navy blue stalls, she rips her arm away and falls to her knees before the porcelain bowl.
Long, slender fingers pull her hair back from her face and rub her shoulders as Aelin loses her breakfast. "You are okay," the voice consoles—a hand massages up her spine and soothes the aches there.
Aelin's whole body is shuddering now. Her stomach rolls over itself, and the muscles of her diaphragm are quaking with exertion. She doubts she could get to her feet if she tried. A strand of drool hangs from her lips, and Aelin would be humiliated if her head wasn't still reeling.
Gouged eyes. Bent fingers. Blood on her lips.
A wad of paper towels appears and dabs at her cheeks, which Aelin hadn't even realized were wet with tears. She failed to notice that her body was shuddering under the intensity of the sobs coming from her. The woman continues to pat her cheeks and nose. Then to her mortification, it swipes at the spit hanging from her mouth.
Mala end me now, she mentally pleads.
Aelin looks up to find a woman with raven hair and onyx eyes looking at her sympathetically. "I'm sorry, dear. I don't mean to overstep. I've been where you are before. Please don't be embarrassed."
Opening her mouth, Aelin makes to apologize, but another crackling sob breaks from her chest instead.
She's just tired. Tired of being sad. Tired of feeling sick. Tired of being unable to even say his name without breaking down.
Arms wrap around Aelin's shoulders and tug her into an embrace. She allows her face to burrow into the woman's blazer as the grief racks through her body.
"Oh, sweety. It's going to be alright. I promise whatever is going on right now will work out." Fingers rake through Aelin's hair soothingly. It turns her to jello in the woman's arms. Her presence was just so motherly in a way that Aelin sorely misses.
She holds Aelin tight until she's calm enough to hold a plastic cup of water without dropping it. The woman helps her stand and wipes the mascara smudges off her cheeks with a damp towel. "There you go," she tosses the towel in the trash when she deems Aelin presentable. "Brand new, again."
"Thank you," Aelin breathes out at last. "I don't even know what to say."
"Say nothing," the woman waves her hand. "I've been pregnant before. Hormones. Nausea. It isn't an easy ride, dear. Besides, no one comes to a police station for a good reason." The woman pulls a stick of gum from a purse sitting on the sink and offers it to her. Aelin accepts it gratefully.
"Has anyone told you that stress isn't good for you?" Her kind eyes bore into Aelin worriedly. "You look very pale."
"I've been told. Many times." Aelin rubs her forehead, an ache already forming there. "I just don't have much of a choice."
"What's your name? I'm Maeve." She smiles and extends a hand for Aelin to shake.
Aelin takes the hand, happy that they aren't trembling so badly. "Aelin."
"Do you have any name ideas for the baby?" Maeve's eyes glance down towards the slight swell of her belly a little wistfully.
Names? Aelin periodically forgot that the human growing inside of her would pop into the world and require such a thing. It was a far-off event where she had plenty of time to accommodate for things in her head. In reality, she was halfway through her fourth month.
Time was ticking.
"No. I don't have any ideas yet." Aelin admits.
Maeve pats Aelin's shoulder kindly. "That's just fine. Ignore my curiosity. You have plenty of time if-" she emphasizes, "you take better care of yourself."
There is a knock on the door. "Aelin, are you alright?"
Rowan.
"Yes. I'll be back in a minute," Aelin says through the door.
She waits until his footsteps echo back down the hallway before she makes towards the exit. Eager to leave the bathroom and the memories of her awkward breakdown with it. "Thanks again. Really. I appreciate it."
Aelin truly meant it despite the utter humiliation she felt.
"Let me walk you back to Rowan's office?" Maeve asked. "It's easy to get turned around in this building."
They walked in a comfortable silence back to the office. Maeve's demeanor is so tranquil it surprises Aelin when the demure woman pushes the door open without knocking. "I have a delivery for you boys."
"Chief?" Rowan stands up, confused.
What? Aelin blinks and turns back to the woman, noting the black and whites and the metal badge on the breast of her blazer. The same blazer Aelin had just cried on.
Blood rushed to her face, and her brain curdles in her skull. Of course, it was the law of Orynth whose arms she just broke down in. Adarlan's Assassin reduced to a ball of hormones clinging to the chief detective of Terrasen like a baby clinging to its mother.
"Has she caused trouble?" Rowan's eyes glint with steel.
If you've done anything to degrade me to my boss, the deal is off.
"Not at all. We ran into each other in the bathroom and had a lovely chat," Maeve brushes an invisible piece of dust from Aelin's shoulder. "I will let the three of you get back to business. You are in excellent company."
Aelin's lip quirks. Just the opposite. She loves me. Congratulations, you are already reaping the benefits of my presence.
"Oh, and Fenrys?" Aelin looks at Fenrys, who is actively ignoring them. "The reports you promised are late. Have them to my desk by the end of the day, please."
"Will do, Chief." Fenrys' reply is dry and lacks his usual pep.
Aelin notes the worried glance Rowan throws him, but he swiftly covers it with an expressionless mask. "I will make sure he gets it done."
What was that? Aelin tries to pry an answer from Rowan, but he avoids her look.
When Maeve leaves, the tension eases from the men's shoulders.
"You are trouble," Rowan tosses at her without venom.
Aelin picks up the cup of tea she left at his desk, glad it's still warm. "Yes, but only the best kind."
"We haven't laid out a single plan for weaseling out Arobynn," Fenrys makes an irritated face at them. "If either of you could focus for ten minutes, we can do the rest of the questioning later, but we need to start throwing out ideas."
"Did Rowan piss in your tea in the last ten minutes I was gone?" Aelin shoots back, not appreciating his sudden attitude.
"Thirty," Rowan says. "You were gone for thirty minutes. That's why I came looking for you. Also, ruining beverages is your thing, not mine."
Damn, had she been gone that long? A glance at the clock confirms he was correct.
When she turns back to Rowan, there is almost something like worry in his eyes? That couldn't be right, Aelin rubs that aching side of her head again. She needed to stop reading so deeply into things.
"We can continue with questioning later," Rowan announces. "Fenrys is correct in saying we need to start making plans. You've given us enough to work with for now."
They sat back in their chairs, pulled out more notepads, red pens, and sticky notes. Together, Aelin helped them form a list of potential places Arobynn would be laying low. Hotels, rental homes, and vacant manors. He had a taste for luxury Aelin knew he wouldn't sacrifice for anonymity.
Test results were still running on the Synth. Technicians had let them know it showed highly abnormal properties compared to average street drugs, and they promised to send them an extensive report when they were through.
Rowan had hushed any potential news stories about The Stag shooting. He didn't want anyone who may know Celaena to catch wind and start snooping around. Aelin was his best lead, which afforded her a certain level of discretion he acknowledged.
They didn't know about the Bane patrolling her block at night, keeping their eyes on the streets for unusual activity.
The clock ticked, and the light beaming through the winders grew warmer as the afternoon trickled away. It was nearly five o'clock when Rowan declared then done for the day, and Aelin was utterly exhausted.
"Come on," Fenrys offered her a hand to help her stand. "I can drive you by the prison. Aedion should be getting checked out as we speak."
"Thank you," Aelin accepts the help. Her feet ached, and she felt entirely drained. It was good Fenrys was offering a ride, or she'd have to call Dorian to come and get her.
Together, the three of them made their way to the parking lot. Conversation between them was sparse but not unpleasant. They'd fallen into a rhythm at some point while working together. It helped break up some of the awkwardness between her and Rowan.
Aelin hustled a little bit when she spotted Fenry's luxury car. She wanted to claim the front seat before Rowan did. Her gut couldn't handle the stress of riding the back.
Her fingers barely grazed the polished handle when Fenrys started yelling.
Arms wrapped around her waist, and Aelin's face throbbed as it found itself slammed into the asphalt. A loud explosion rattled her ears, and chunks of debris went flying through the air. A thick foggy smoke started filling the air, and she immediately started choking on it.
A dense weight lifts off her back, and hands grab her shoulders, rolling her body to face the clouded sky instead of the ground. Rowan is in her personal space immediately. He's speaking to her, but no sound is penetrating the ringing in her ears.
His hands are running along her arms, the side of her face, checking for injury. Aelin tries to ask him if he's alright, but he doesn't seem able to hear her either.
Suddenly, Fenrys is there, and he's grabbing them both by the arms. They are moving away at a sprint. Fenrys is yelling, but the smoke is stinging her eyes, and even seeing is becoming hard.
There is another explosion, and Aelin can feel the tremors beneath the soles of her shoes as the three of them hit the ground once more.
People are pouring out of the precinct. Aelin spies Cheif Maeve at the front of them, ordering people out of the building. Red and blue lights reflect off the smoke, and she knows that ambulances must be on their way.
Rowan is lying beside her. She hadn't noticed the rips in the back of his suit jacket at first, but there were long gouges in the material, and smoke wafted off a couple of scorch marks. The fact he'd thrown himself over her body and shielded her from the explosion was only starting to register when something warm squeezed her hand.
Are you okay? Green eyes were scouring her body for wounds.
I'm fine, Aelin assures him. She's more concerned about the spots on the back of his suit growing wet as he bled.
"Someone blew up my car," Fenrys is gaping at the spot where his vintage ride used to be. All that remained was a roughed-up frame that was lit ablaze like a campfire.
"Gods," Aelin breathed out, the ringing in her ears dying down. "I almost died."
Rowan hadn't let go of her hand and made no move to do so as his eyes fixed on the burning car. "That was meant for us."
He didn't have to elaborate for Aelin to understand. Whoever had placed the bomb hadn't been targeting her, but Rowan and Fenrys. They arrived and left work together. The bomb wasn't there when they got to the precinct this morning, so someone must have placed it while they were inside.
"What have we gotten ourselves into?" Fenrys runs a dirty hand through his hair.
Sirens wailed as paramedics filed into the parking lot. Other detectives and officers were starting to approach them. Firefighters approached the car with extinguishers and began to tame the burning fire.
Aelin didn't have an answer. Just the sinking feeling that the game they'd entered into had more players than she'd thought.
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Here is part one of the mass updates! Thank you SO much for reading. I’ve gotten so much feedback and love on this fic it’s been so wonderful 💚
I do have an ✨IMPORTANT QUESTION✨
Would you all prefer I have tag lists specific to certain fics or an overall tag list for ships? So one tag list for all of my rowaelin fics, one for all my quinlar fics, or would you like me to keep it as I have been? Please let me know! ✨
Tag list- Let me know if you would like to be added or removed. :D ( names in bold won’t tag)
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asotin ¡ 4 years ago
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what're your thoughts on castlevania (the netflix show, not the game, ive never played the game) what do you like, what don't you like? make it as long as you want. i don't care if i have to scroll for 5 minutes. go feral (personally trevor is extremely hot and i would like to date sypha. i'm not really into alucard's whole sickly victorian child aesthetic, yknow?)
oh god this is way too long, but you did say to make it as long as i want, and i have a lot of thoughts that i need to inflict on the world
i played two castlevania games, both from the nintendo gameboy era, so please don’t get mad at me, gamers
details below the cut, but since i’ll be talking about season three, i need to preface this with content warnings for mentions of: graphic violence, rape and sexual violence, racism, and the holocaust
before i get into it, i usually don’t go for alucard-type characters either, but knowing that he was redesigned to be bishounen sexy specifically because the boring, middle aged man look he originally had in the games wasn’t appealing makes me enjoy him. and he’s fun with trevor and sypha
do like:
the voice acting
it’s all good. i can��t think of any characters whose voices were awkward or fit poorly. they don't make sypha’s va use the standard flat affect or false high voice women tend to be assigned, trevor sounds suitably worn out but not monotone, and alucard sounds exhausted but in a sexy way
and the spanish dub is killer, arguably superior
the animation & design
it isn’t full-on artsy, but it’s definitely got a distinctive style that’s easy to look at. the color use and effects are gorgeous. it’s a story set in the medieval era, and the mixture of desaturated and oversaturated elements works so well with that
dracula’s castle and the belmont bunker aren't revolutionary in design, but they didn't need to be. they're suitably creepy and empty, and i enjoyed them
the monsters were unique enough to have obvious different types, and the scene where a monster commits blasphemy in a church by accusing a priest of committing blasphemy was good writing
lisa
she shows up to a stranger’s spooky home and scolds him for being rude. she really looked an ancient vampire in the face, told him he had no manners, then had a kid with him. what a phenomenal woman. 11/10, no notes
“start with me, and i’ll start with you.” you know what? i’d fall in love, too
dracula
this ancient, unfriendly vampire let a human woman walk into his home and tell him he’s got no manners. and that made him fall in love with her. just like that. lisa walked in and handed him his ass, and dracula thought “oh i love her”. and when she was killed (more on this in the bad section), he raised literal hell to destroy the world for doing it
speaking of lisa being killed, it fucks me up that it happened because she convinced him to leave the castle and experience the world. he left her alone to see what she loved so much, only to come back and find that the people he’d come to like- the people lisa had loved so much it drove her to help in a way that got her killed- had burned her at the stake. i love a good tragedy, and that’s good tragedy
the way he weeps when he has to fight alucard?? during a showdown in their home?? the “i must already be dead” moment in alucard’s childhood bedroom??? when he speaks to lisa about killing their boy, her greatest gift to him??? poetic cinema.
the trio’s dynamic
three bisexuals with two total brain cells and only alucard bothers using them. incredible
i went so hard for this ot3. it's right there and so good
sypha
she initially seems to be assigned the role of the adult™️ ie she's the only woman and gets stuck being responsible, but surprise! she’s just as annoying and dumb as alucard and trevor. she dropped a castle she didn’t understand on the ground and didn’t think too hard about it. then she argued about breaking it. i love her
if we don’t get an ot3, then she needs to have a dumb gf
alucard
he's got a stupidly low neckline and lower pants. they really leaned into ayami kojima’s redesign, as they should have. his little curl annoys me, though. why the fuck does he have a random section of hair that’s like three inches long when the rest is shoulder length or longer? love that he really looks like lisa
if you say he's canonically bisexual and polyamorous, no he isn't. yes he is. no he isn't :)
trevor
disgusting. a nasty man whose appearance mirrors his state of mind. he's 50 mental illnesses in a dirty jacket and his coping mechanism is… alcohol? maybe? he’s a mess, and i dig it
him trying his trick of kneeing alucard in the balls during their fight? and finding out it doesn't work? (which…… why doesn't it……?) juvenile but suitable
hector
his love of animals makes him my favorite. normally, i won’t touch anything with this much animal death, but i’m willing to set that aside because hector loves them so much. he’s so sweet and kind, and he loves his monster pets
yes he sided with dracula and has some really fucked up ideas about what constitutes humane treatment of people, and yet i love him. 11/10, but i have a lot of notes
isaac
i support him, including his murdering and his decision to support dracula. dracula throwing him out of the castle to save him was so cruel in that it was an attempt at kindness from a man who hated the whole world, but it was against isaac’s wishes
his time with the captain was great
idk enough about islam to know if he's portrayed correctly and haven’t seen any complaints, but given the show’s track record……… i wouldn’t be surprised if it’s not great
the forging
very cool. fresh and interesting! hector creating pet friends is cute and heartbreaking. love isaac for his dedication to reducing, reusing, and recycling
season 2’s big battle with all those vampires
the new version of “bloody tears” is phenomenal
this goes back to the animation, but listen……. it's so good. i loved the smoke vampire, and alucard’s fluid wolf transformations. his flying sword looked really good, and incorporating them together? super good to watch. and trevor’s whip?
the type and level of violence are suitable for what it is. it would be weird for a gritty show like this to be bloodless, but i don't think it would work if it were bloody to the extent of a slasher. it's also more clean violence, if that makes sense. you don’t linger just to look at gore; you see it because stabbing someone spills blood. the games weren't about extended, gritty scenes of realistic murder, so the show sticking with quick, slice and dice type fights fit with what i remembered of them
please watch this fight if you don’t remember it or haven’t seen it (part 1, part 2)
trevor’s whips
trevor’s weapons don’t follow the physics of normal whips, and they shouldn't. they’re heavily stylized and clearly a fantasy weapon, but they still have rules that they (mostly) have to obey. his morning star-whip hybrid in particular is so good 
it’s easy to follow, too. a lot of times, speedy weapons disappear, which is an understandable effect but one i find boring because there’s nothing for me to do. i’m just sitting on my ass with nothing to do
trevor’s whips don’t disappear. they’re fast, but you can always see them. and they have weight! you can see them slow down and gain speed. i don’t need physics to be real; i want movement to be pleasing, and that’s exactly what i get with the whips
don’t like:
fridging lisa
she could have been kidnapped (possibly make dracula think she was dead bc people want to lure out her scary demon husband, idk), then s2 could have ended with her and dracula reuniting as he died. she and alucard go on a trip together to attempt to make amends for the pain dracula wrought in lisa’s name. orrrr she dies a tragic death with him and we’re left to hope that they find each other in the afterlife. do vampires get to go to the afterlife? can alucard reintegrate? can he be happy with his new friends? or will he go back to his crypt and sleep again? will he ever be rediscovered? if so, what will he do? deep questions. i would prefer to cogitate on these instead of experiencing the shitshow that is s3
season 3
they should have ended it with dracula’s death. the quality of storytelling goes down immediately. just plummets. i’m sure there were problems in the first two seasons, but this one is so bad, i genuinely can’t remember
but i may as well get specific, so here we go:
abandoning alucard
trevor and sypha leave their friend alone in his childhood home where he just killed his father. where they helped him kill his father who, as i’ve said too many times, raised literal hell to get revenge for people burning alucard’s mother to death
yt they don’t talk about alucard. they don’t make any plans to touch base ever again. trevor’s entire family got killed. sypha’s culture, from which she’s now estranged, is family-centric. if ever two people should give a shit about alucard and know why alucard shouldn’t be left on his own, it's them
so what the hell is going on?
trevor and sypha’s relationship
look. it could be good. it would be better with alucard but they could be together and it could work fine
but this……….
trevor hates what they're doing. he hates traveling around and fighting. he's clearly tired and deeply depressed
sypha not only doesn't care enough to address it (did they forget the first two seasons?? sypha is annoying partly because she doesn't stop poking people) she might not even notice? yes, she's having fun, but trevor is basically dead on his feet in front of her
racism
hector, sumi, and taka all got done dirty 
sumi and taka
i hate the way they died. i hate that i’m certain that the plot won’t bring japan back into the narrative (or if it does, i don’t trust it not to be shitty). i hate the fact that by killing them off, i’m not going to get any more of them. they were interesting!!
speaking of the japanese vampire: the biphobia, arguably, given what happens with alucard
the addition of sexual violence
i don’t need or want lenore. if all she’d done was manipulate hector, i could have lived with that. she’s a villain, so she does bad things. that’s the point. but what she did was a massive escalation. we hadn’t had any sexual violence, and then the last few episodes gave us 
tumblr feminists who love her for how she treated hector need to be quarantined until their brain worms have been cured
everything that happens to hector
what was this shit? why did i open my netflix app and tap castlevania and find them making this man walk around naked in the cold to torture him? and starving him? he got manipulated, degraded, chained up, collared like an animal, and raped. and why? to show us how bad lenore is? that the other vampires are bad because they let her do it? i didn’t sign up for this
the holocaust reference
the imagery at the end of s3 when it’s revealed that the judge has been killing people he’s decided are undeserving to live and collecting their shoes in that barn was chillingly close to images of shoes taken from victims of the holocaust. there's no reason to invoke the holocaust here. it’s unnecessary and in bad taste
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