#bosted: moe

[grueanno]

Torstein Moes barn

Født 1702 Døpt Konfirmert - Død 1713, 11 år gammel Begravet 20. august 1713 i Grue

Foreldre: Torstein Moe og ukjent Gift: Barn:

Bosted: Moe 1713

Faddere: Forlovere: -

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 14-15

[anoniemus]

Ik denk dat het gewoon even te veel is. Stage was al iets waar ik tegenop zag. Een periode waarvan ik wist dat ik het lastig zou worden, zeker voor een gevoelig iemand die al twee hele slechte stage ervaringen heeft gehad. Ik loop nu al drie weken stage en alles gaat tot nu toe goed. Tenminste op stage zelf. Met mij en mijn lichaam gaat het niet zo goed. Klachten waren er altijd al. Ik ben standaard moe, ik heb altijd wel ergens pijn en ik was net uit mijn depressie. Ik heb mijn ups en downs en kan soms nog Super gefrustreerd raken, omdat mijn lichaam niet wil doen wat ik wil. Het hoort erbij en ik leer er langzaam mee om te gaan. Maar stage is wat anders. Een periode vol stress, dat wist ik van tevoren. Drie weken waarin nog niets mis is gegaan, waarin nog niemand boos op me is geworden. Maar ook drie weken vol angst en stress. Weken waarin ik steeds meer klachten krijg, waarin ik niet slaap en nog moeër ben dan anders (ik wist niet eens dat het mogelijk was!) Vannacht was weer zo'n nacht. Een nacht zonder slaap, vol stress en een ochtend waar ik om kwart voor 6 weer opsta. “Plz kill me.” Was mijn eerste gedachte. Later in de bus mijn vriend nagevraagd of hij verwacht dat ik hiervoor slaapmedicatie kan krijgen. Donderdag huisarts, hopelijk wel. Later in de trein alleen maar de gedachte “Ik trek dit niet meer.” En dat klopt, ik trek het ook niet meer. Mijn lichaam staat zo onder druk door de stress die maar niet weggaat. Ik heb soms een druk op mijn bost die ademen moeilijk maakt, dat heb ik nu veel vaker, stress. Ik heb steeds hoofdpijn en buikpijn, stress. Ik slaap niet, stress. En ook al gaat het goed, het gaat niet weg. Ik praat met een psycholoog, maar natuurlijk kan ook hij het niet zo wegnemen. Ik ben reizen gewend maar ik maak daardoor dagen waarbij ik kwart voor 6 opsta en half 10 in de avond weer thuis ben. Ik wilde een goede en veilige stage, die heb ik, maar ik hou het niet vol en ik weet niet wat ik moet doen. Volgens mijn psycholoog moet ik als gevoelig persoon er rekening mee houden dat ik vaker een time out nodig ben. Dat wil ik ook en ik verlang er zo erg naar, maar het kan niet, ik kom dan niet aan mijn uren en ik ben bang dat ik mensen boos maak. Vandaag ben ik huilend de deur uitgelopen. Heb ik in de trein zo erg moeten zorgen dat ik niet huilde. Liep ik door de stad met tranen in mijn ogen en wilde ik mijn moeder bellen. Ik wilde omkeren en weer naar huis. Ik wacht voor de winkel zodat ik zo naar binnen kon. Ik praatte wat met een collega maar brak bijna in tranen uit. Binnen vroeg iemand hoe het ging. Ik zei niet zo goed, maar hij dacht waarschijnlijk dat ik gewoon ziek was. Het is nu 14.00 het ging redelijk tot nu. Nu zit ik hier opnieuw met tranen in mijn ogen. Ik weet echt niet meer wat ik moet doen. Plz send help.

[smokeybrandreviews]

I Mustn’t Run Away

I’ve been binging through a bunch of youtube stuff lately and i stumbled across a guy named Bennet the sage. He reviews and explains old timey anime. I think he has a ten year rule or whatever, like, it has be be at least a decade old or something. I often disagree with his synopsis but he’s literally a neckbeard beta so i guess he HAS to hate everything. That’s the most 4chan thing i’ve ever said but it kind of describes him perfectly. Sometimes he’s on point and executes his argument but he hates EVA. It’s hard for me to take his arguments, academic or not, to heart because, i mean, Evangelion is the best, man. Sure, it’s a bit pretentious, maybe a little heavy handed at times, maybe a little convoluted, and mad heavy with symbolism, but the characters and narrative more than make up for that. Moreso, it’s cultural impact has been mad profound. If you don’t like EVA,  that’s cool. If you think it’s trash, okay. But to mitigate it to the throwaways of the genre, and you just don’t understand anime. Watch his episode about End of Evangelion. Cat is on point. Everything he says is pretty accurate. The thing is, kid glazes over all of the reasoning behind why EVA is the way it is. He just immediately goes into a rather glib review, of a re-imaging of the last two episodes of a show that got so existential, it needed to basically be re-shot just so people could digest Anno’s vision. it feels like he gives a rather shallow critique, based two episodes of a show, that’s as deep as the Pacific ocean.

Sage ignores Anno’s mental breakdown and spiral into depression, causing the tonal shift in the later episodes of the series. After Anno’s mom died, cat had an existential crisis and that uncertainty bled into his show. HIS show. Anno has a habit of spiraling into depressing when he creates becuase he puts o much of himself into a project. If Anno doesn’t need a vacation when he’s done with a project, it’s usually not one of the great projects. Sage ignores the fact that Japan is not a christian country so everything about the dominate American religion is window dressing there. it’s not taboo to use that superficial christ imagery to convey a story about humanity being self destructive and fickle because, to the Japanese people and Anno, himself, that’s all we are. Christianity, and Instrumentality by extension, is shallow because we, as a people, are shallow. Instrumentality is our lazy attempt to better ourselves, to evolve beyond the fickle human existence without having to actually engage with that human experience. And the 14 year old boy who supposed to Jesus us into the next stage, reneges. He opts for the biggest “F*CK YOU” in human existence because he’s an obtuse, unlikable, whining, douche-nozzle. Shinji chooses to force everyone into dealing with his teenage angst rather than accept people into the omni-bubble of the hive mind that is forced evolution. EVA is a scathing, cynical, and relatively apt description of what it means to be a growing adolescence in Japan, conveyed to us in the form of a post apocalyptic mecha series, wrapped in a healthy dose of Judaeo-Christian imagery. Or, at least, that’s one of the many interpretations and the one i personally gleaned from the series. Cats have written theses about this show. You get what you put into Eva and he refused to make the effort. Interestingly enough, FLCL could be the same goddamn story, just seen from a different set of eyes, which makes sense because Tsurumaki was Anno’s junior at Gainax way back when. Fooly Cooly just went light on the depression and religion but WAY heavy on the sex and teenage rebellion.

Neon Genesis Evangelion is a goddamn masterpiece and it’s wild to me that people are too lazy to invest in it enough to understand why it’s a goddamn masterpiece. Listening to Bennett the Sage go in on it was ridiculous. Every one is entitled to their opinion and i get that but i almost immediately knew this cat was full of sh*t. Dude doesn't like Eva. He doesn’t like Tenchi. He doesn’t like Vampire Hunter D. He doesn’t like The Big O. He doesn’t like Elfen Lied. He doesn’t like Inuyasha. It’s almost as if you have to actually participate in the narrative, kid isn’t interested. But he LOVES Ninja Scroll. Ninja Scroll is awful! it’s all murder and rape. Literally, that’s it. If that doesn’t tell you what this cat is about, you’re not paying attention. When he admitted most of his positive critiques err toward “Classic” Toonami anime, everything made sense as to why he was so goddamn ridiculous; He’s a Toonami kid. His first foray into anime was, apparently, Pilot Candidate at the tender age of 12. In 2002. I have been watching anime since 1988. In 2002, i was 18.

The old stuff he reviews, your Gusmith Cats, Bubblegum Crisis, and Burn Up!, all of that stuff from the golden age of OVAs, i was watching fresh. I remember when i first got a bootleg of A.D. Police. I thought it was brilliant! When Bubblegum Crisis Tokyo 2040 came out, it was nostalgic for me and became one of my favorite shows, mostly because i had already digested it’s predecessors. it’s actually influenced one of my personal tales greatly as well as one of my all-time favorite films, Ghost In The Shell. I grew up with the popularity of anime. I grew with the culture. I enjoy Bakuretsu Tenshi because it feels like an updated piece of the Bubblegum franchise. I imagine Bennett would hate it because he’s a goddamn Toonami kid. Toonami kind of killed anime for the generation after me because of the insipid shows that were aired. Don’t get me wrong, DBZ is a force. It’s culturally relevant and Goku might as well be Japanese Superman, but, let’s be honest, it’s a one trick pony. That trick is dope as f*ck but it’s a trick that has hindered the culture ever since. Because of DBZ, we got Naruto and One Piece, and BLEACH and, more importantly, Weeaboos. Weeaboos take the most superficial, the easiest to digest of anime, and hold it to such high esteem, it’s crazy frustration. These are the cats the regale Attack On Titian like it’s high art. It’s not. These are the cats that made SAO a thing while slighting it’s direct inspiration, the Dot.Hack franchise. These motherf*cking children are the types of people to try and convince me that Samurai Champloo is the greatest thing since the second coming because of Hip Hop music and Watanabe. Look, i get it. Bebop and Champloo are great. They’re not the Big and Tupac of anime though. Have you ever taken in Angel Egg? That sh*t is a mindf*ck and better than almost any episode of either one of those shows. But that Bebop/Champ Fandom is too fervent to tolerate and they’ve ruined the experience for me. Just like they did for Inuyasha. Just like they did for FMA. And Bennett the Sage is like the poster child for these first generation weeaboos. It’s wild to see.

He apparently doesn’t like Dragon Ball Z either. This f*ckboy, man...

It’s crazy to think that there are anime fans that have never seen Ghost In The Shell. The movie, not Stand Alone Complex. It’s ridiculous to me that there are kids, now, getting into the culture, who think that Kirito is the greatest anime protagonist ever. It’s insane to me that Akira, one of the most influential movies ever created, gets slighted because it came out in the 80s for more “mature” subject matter in shows like Tokyo Ghoul. Cats nowadays think that anime has to follow a formula but, when i was coming up, the only formula anime had was the boundless possibilities, locked inside of the imagination of their creators. There wasn’t a saturation of harem antagonist, insipid Slice of Life tropes, or Travel to another world and be an ultimate bad-ass, nonsense. Production values were generally on point and the wild uniqueness of early anime was tantamount. I mean, there’s no way Angel’s Egg gets made today. You want to talk about being saturated in Judaeo-Christian imagery, go watch that sh*t and come talk to me about it.

I adore anime. All of it. I’ve watched it long enough to appreciate all facets of it. There are moe-blob shows i adore like Chobits and Lucky star. Some of my favorite serials are mad pretentious and crazy convoluted like Elfen Lied or Evangelion or Deadman Wonderland or Mirai Nikki. Still, other like Erased and A Silent Voice get a spot on my all-time list because of their raw emotion and gentle portrayal of what it means to be vulnerable. Of course Space Dandy, Onepunch Man, and BLEACH all have a special place in my heart and even the grand daddy of mainstream anime, Dragon Ball Z gets recognition. My point is, i love this sh*t man. Love it. All of it. So to see someone who jut adopted it as a hobby in 2002 but acts like he’s been in it for decades is wildly infuriating to me. His analyses for most of these shows is the analyses of a child. Because he IS a child. Because he came up in that Toonami era of anime where everything had to be profitable and accessible. I didn’t have that. I saw Gilgamesh and Melody of Oblivion and Bio-Bosted Armor Guyver and Wicked City before i saw even one episode of Naruto. I saw Evangelion for the first time when i was 12, way back in, like, 96. This kid was watching Pilot Candidate and f*cking Blue Gender. He was at the mercy of the Cartoon Network zeitgeist. I was not. And it rains through almost all of his reviews. He’s looking at shows i watched with fresh eyes, through first generation weeaboo goggles and it’s frustrating because of how shortsighted that view can be. It’s cats like this, i think, that have slowly strangled the life out of anime. They choked the creativity out of a once wild and unique medium because of their stifled, pedestrian, tastes.

Toonami did a lot for making the culture accessible but i don’t think it was all a good thing. Toonami created a culture of formula and profit rather than creativity and uniqueness. And cats like Bennett the Sage eat it up. Cats like Bennett the Sage fuel this crippled machine. Cats like Bennett the Sage are what’s wrong with anime.

[grueanno]

Amund Knutsen Moe

Født Døpt Konfirmert Død Begravet

Foreldre: Knut X og ukjent Gift: Barn:

Bosted: Moe 1715 Fadder for Marthe Pedersdatter Moe i 1715

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 26-27

[grueanno]

Goro Knutsdatter Moe

Født Døpt Konfirmert Død Begravet

Foreldre: Knut X og ukjent Gift: Barn:

Bosted: Moe 1715 Fadder for Marthe Pedersdatter Moe i 1715

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 26-27

[grueanno]

Marthe Pedersdatter Moe

Født 1715 Døpt 9. mars 1715 i Grue Konfirmert Død  Begravet 

Foreldre: Peder Olsen Moe og Marit Knutsdatter Moe Gift:  Barn:

Bosted: Moe 1715

Faddere: Anne Olsdatter Hornbæk, Nils Toresen Moes kvinne Marthe Engebretsdatter, Goro Knutsdatter Moe, Kjell Torsteinsen Bjerke, Amund Knutsen Moe Forlovere: 

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 26-27

[grueanno]

Marit Knutsdatter Moe

Født Døpt Konfirmert Død Begravet

Foreldre: Knut X og ukjent Gift: før 1713 med Peder Olsen Moe Barn: Ole f. 1711 d. 1713, Marthe f. 1715

Bosted: Moe 1715

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 26-27

[grueanno]

Engebret Nilsen Moe

Født 1715 Døpt 2. februar 1715 i Grue Konfirmert - Død 1. juni 1724 Begravet

Foreldre: Nils Toresen Moe og Marthe Engebretsdatter Gift: - Barn: -

Bosted: Moe 1715

Faddere: Kolbjørn Olsen Gaards kvinne Ane Torkildsdatter, Arne Gundersen Haarstads kvinne Eli Engebretsdatter, Gunder Toresen Holstad, Jon Olsen Skyttern, Peder Hansen Skyttern Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 26-27

[grueanno]

Ole Pedersen Moe

Født ca. oktober 1711 Døpt Konfirmert Død 1713, 1 1/2 år 11 uker gammel Begravet 16. juni 1713 i Grue kirke

Foreldre: Peder Olsen Moe og Marit Knutsdatter Gift: - Barn: -

Bosted: Moe 1712

Faddere: Forlovere: -

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 14-15

[grueanno]

Knut Moe

Født Døpt Konfirmert Død Begravet

Foreldre: Gift: Barn: Engebret f. 1713 (med Anne Skjelver)

Bosted: Moe 1713

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 14-15

[grueanno]

Marthe Engebretsdatter

Født Døpt Konfirmert Død Begravet

Foreldre: Engebret X og ukjent Gift: 29. oktober 1713 med Nils Toresen Moe Barn: Engebret f. 1715

Bosted: Moe 1715, 1716 Fadder for Marthe Pedersdatter Moe i 1715, og Berit Nilsdatter Vangerud og Knut Olsen Vangerud i 1716

Faddere: Forlovere: Jon Skytre, Peder Skytre

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 14-15, 16-17, 26-27, 38-39, 42-43

NB! Marit ved Berit Vangeruds dåp

[grueanno]

Helge Moe

Født Døpt Konfirmert Død Begravet

Foreldre: Gift: Barn: 

Bosted: Moe 1713 Fadder for Amund Aarnes i 1713 

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 12-13

[grueanno]

Kari Olsdatter Moe

Født august 1703 Døpt Konfirmert - Død 1712, 9 år og 12 uker gammel Begravet 27. november 1712

Foreldre: Ole X og ukjent Gift: - Barn: -

Bosted:

Faddere: Forlovere: -

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 6-7

[grueanno]

Kirsti Halvorsdatter

Født ca. 1682 Døpt Konfirmert Død 1712, 30 år gammel (i barsel?) Begravet 8. september 1712

Foreldre: Halvor X og ukjent Gift: før 1712 med Nils Toresen Moe Barn: Tore f. 1712

Bosted: Moe 1712

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 4-5

[grueanno]

Peder Olsen Moe

Født  Døpt Konfirmert Død  Begravet 

Foreldre: Ole X og ukjent Gift: før 1713 med Marit Knutsdatter Moe Barn: Ole f. 1711 d. 1713, Marthe f. 1715

Bosted: Moe 1712, 1715 Fadder for Tore Moe i 1712 

Faddere: Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 4-5, 14-15, 26-27

[grueanno]

Tore Nilsen Moe

Født 1712 Døpt 4. september 1712 i Grue Konfirmert Død Begravet

Foreldre: Nils Toresen Moe og Kirsti Halvorsdatter Gift: Barn:

Bosted: Moe 1712

Faddere: Gunder Holstads kvinne, Kari Moe, Gunder Holstad, Peder Huseby, Peder Moe Forlovere:

Kilder: SAH, Grue prestekontor, Ministerialbok nr. 1, 1712-1748, s. 4-5