#boom ragga

[haveyoulistenedtothisalbum-poll]

Tracklist:

Black Hand Side • Listen 2 Me • I Can't Understand • Rough... • 4 The D.J.'s (Interlude) • Bring The Flavor • Coochie Bang... • Superstar • No Work • Just A Flow (Interlude) • Just Another Day... • U.N.I.T.Y • Weekend Love • Mood Is Right • Winki's Theme

Spotify ♪ YouTube

[forestlion]

I wasnt tagged. Well... Only shadowtagged. I followed the general invitation. I also didn't check if we are mutuals @herbertvvest but I think we might be. Anyway I'm doing this: 10 songs from shuffle vs 5 songs I’m actually listening to!

10 shuffle songs:

(shuffling my liked songs on spotify)

1.

hunty proide monf everypony

2.

its for girlbosses who slay tremendously

3.

Rezept:

- Birne

- Pfeffi

- Zimt

- Stimmt!

4.

leoniecore is... the most kitschy german 80s pop but i listen to it unironically. this one is tough to listen to unironically ill admit that much

5.

this ones been sitting in those liked songs for longer than some of youve been alive on this earth for sure

6.

songs to bügel your eisen to

7.

oh my god.............

niall wasnt at the recording studio that day i assume btw #letniallsing

8.

damn...... this is having been a german teen in the 10s core...... i tried to listen to his newest album but i litchrally could not be fucked. hes lost his jenesaisquoi as well as most of his hair

9.

WHY IS THIS IN MY LIKES

10.

SLAY CEE GURLZ.... ITS GOING DOWN

5 songs im actually listening to:

without the audio link

1. hold on tight - aespa

they invented tetris they really did they also directed and starred in and produced the movie

2. overdose - natori

Jpop slay

3. swim - chase atlantic

uuughhhh i knooowww but something about it got me hooked..... let me in your öéücean swim

4. karma - blackswan

if nobody got the foreigners only kpop group i know i got the foreigners only kpop group

5. poppy - stayc

SLAY CEE GURLZ ITS GOING DOWN

tags: @liebelesbe @agardenintheshire @darkmistandodddreams @lilylonya @macbethwitches @neuer-fruehling @superhero-sappho @eternita @kittycatalex and whoever else. tag me and i promise to leave a scathing review

[charlesmwa]

Exploring Different DJ Genres: Finding Your Style

As a DJ, one of the most exciting parts of the journey is discovering your unique style. With so many genres to choose from, it can feel overwhelming at first, but finding the right genre that speaks to you is crucial for building your identity as a DJ. This blog will help you explore different DJ genres and guide you on how to find your own style.

Why Choose a Genre?

Choosing a genre isn’t just about the music you like; it’s about what resonates with you and what you enjoy playing. Your genre will shape your sound, influence your audience, and define your place in the DJ world. Knowing your genre helps you connect better with your crowd and gives you a solid foundation to build your skills.

Popular DJ Genres to Explore

Here’s a look at some popular DJ genres to help you start your exploration:

House Music

Description: House music is known for its repetitive 4/4 beat and deep basslines. It originated in Chicago in the early 1980s and is often played in clubs for its uplifting, danceable vibe.

Subgenres: Deep House, Tech House, Progressive House.

Why It’s Popular: It’s versatile, suitable for many settings, and easy for crowds to dance to.

Techno

Description: Techno focuses on hypnotic beats, synthesizers, and electronic sounds. It has a driving, fast-paced rhythm that keeps people on the dance floor.

Subgenres: Minimal Techno, Acid Techno, Detroit Techno.

Why It’s Popular: It’s energetic and intense, making it perfect for late-night clubbing.

Hip-Hop

Description: Hip-hop is all about rhythm and groove, often featuring rapping, strong bass, and creative beat juggling. Originating from the Bronx, it’s deeply connected to the culture and lifestyle of its listeners.

Subgenres: Old School Hip-Hop, Trap, Boom Bap.

Why It’s Popular: It has a strong cultural influence and is great for engaging and energizing crowds.

Drum and Bass

Description: Known for its fast breakbeats and heavy bass, drum and bass is high-energy music that pushes the limits of tempo and rhythm.

Subgenres: Liquid Drum and Bass, Jungle, Neurofunk.

Why It’s Popular: It’s dynamic and exciting, often attracting a passionate and dedicated fanbase.

Trance

Description: Trance is characterized by its melodic and atmospheric sound, often featuring long buildups and euphoric drops.

Subgenres: Psytrance, Uplifting Trance, Progressive Trance.

Why It’s Popular: It’s emotionally uplifting and creates a euphoric atmosphere, ideal for festivals and large-scale events.

Dubstep

Description: Dubstep is known for its heavy bass, wobbly sounds, and syncopated rhythms. It often features dramatic drops that surprise and energize the crowd.

Subgenres: Brostep, Chillstep, Riddim.

Why It’s Popular: It’s intense and unpredictable, perfect for DJs who like to keep their audience on their toes.

EDM (Electronic Dance Music)

Description: EDM is a broad genre that encompasses various styles, often focusing on catchy melodies, powerful drops, and festival-ready anthems.

Subgenres: Big Room House, Electro House, Future Bass.

Why It’s Popular: It’s mainstream, widely recognized, and great for large-scale events like festivals.

Reggae and Dancehall

Description: Reggae is a relaxed, groovy style that originated in Jamaica, while Dancehall is a more upbeat, dance-centric genre.

Subgenres: Dub Reggae, Roots Reggae, Ragga.

Why It’s Popular: It’s laid-back yet rhythmic, perfect for beach parties and relaxed settings.

Finding Your Style

Finding your style involves more than just picking a genre—it’s about what makes you feel excited and confident behind the decks. Here are some tips to help you discover your unique DJ style:

Explore Different Genres: Don’t limit yourself to just one genre. Explore as many styles as possible to see which ones resonate with you the most.

Mix and Match: Try blending different genres to create a unique sound. Mixing house with techno or hip-hop with trap can result in an exciting and fresh style.

Listen to Other DJs: Learn from other DJs who play genres you’re interested in. Pay attention to their mixing techniques, track selection, and how they read the crowd.

Practice, Practice, Practice: The more you practice, the more you’ll understand what works for you. Experiment with different sounds and techniques until you find your groove.

Know Your Audience: Consider the type of crowd you want to play for. Different venues and events have different vibes, so choose a genre that aligns with your audience’s expectations.

Exploring different DJ genres is an exciting journey that helps you discover your musical identity. Take your time to visit reputed audio shops like VIP PRO AUDIO in Brooklyn, check out new equipment, don’t be afraid to experiment. The more you explore, the closer you’ll get to finding your unique style that sets you apart from other DJs.

[frankbedbroken]

frankcore may 2024 update!!

we're already in the middle of the month so it's a bit late for me to update this but whatever, this is first and foremost something i do for myself at the end of the day and if it just so happens that someone reads it then cool. anyway, this month's roundup is a lot heavier on the electronic and hip hop, and it's also mostly emphasizing some of the weirder, somewhat darker and hazier sides of each paradigm.

on the one hand, a lot of the electronic stuff on offer here tends to intermingle with hip hop either in terms of the usage of rhythms inspired by hip hop or by featuring actual hip hop (or adjacent) artists on the songs themselves, though there are some outliers to this along the playlist. for the former, you've got the dark yet impossibly enchanting trip hop vibes of bows, side project from long fin killie frontman luke sutherland, whose singular vocal delivery just takes the atmosphere to another level completely; there's some glitch hop / pop hybrids courtesy of baths and iglooghost, the first bringing in a very melancholic vocal performance laid over a haunting and almost oppressive instrumental and the second being a lot more ethereal and hazy in terms of its vocal delivery and synth design; later on, a Lot of sample manipulation in different veins of electronic from the fear ratio with their remix of dbridge turning an otherwise unremarkable track into a frenzied, constantly spiralling sort-of-glitch-hop "beat" with a demented sounding melody, moody good making a trip hop track with vocal samples near impossible to parse and looming, ondulating guitar lines, seekersinternational pulling audacious blends of ambient, dub, jungle and ragga that sound like you're catching pirate radio signals (could've picked a lot of tracks from that project, the group is one of my favourite recent discoveries) and carl crack delivering some of the most menacing and dizzying atmospheres through very little elements: an endlessly looping vocal line, extremely distorted boom bap drum patterns, some noise here and there, and not much else yet it manages to create an immense sense of dread (positive).

as for the actual hip hop and edm crossovers: the new machinedrum album is great, and one of my favourite tracks is this very bright and inviting glitch hop track with mick jenkins and jesse boykins iii delivering great vocal performances; hash gordon providing an immensely hard-hitting track with very aggressive and confrontational lyricism and vocal delivery over an always changing instrumental with elements of electro and breakbeat; and after a long time since it was first premiered, the skrillex, hamdi and taichu collab, which you can make the case that it's very much similar to a lot of other hamdi tracks, as it tends to be the case with a lot of his material, but hey, if it ain't broke don't fix it, the track works really well still, although i would've liked to have heard taichu having a longer verse but given that the track is mostly club oriented, so it makes sense, i suppose.

we've got a couple of outliers to these two classifications of the edm-centric tracks too: firstly, an absolute banger of a uk garage track from oomfie kelbin, wonderfully shuffling drums that just plunge you right onto the dancefloor accompanying some of the most shimmering and wavy synth lines i've ever heard put into the context of ukg; elysia crampton, sound-collage-etc extraordinaire taking an already great cut from rabit and putting a dancefloor spin on it with incesssant drum patterns and vocal samples; and miles whitaker of demdike stare alongside andy stott delivering a haunting blend of uk bass, jungle and footwork that very much lives up to its namesake.

as for the hip hop that hasn't already been mentioned: delightfully hazy abstract goodness from the ever-consistent cities aviv with his classic laidback delivery over a beat that sounds like it's playing through a vhs recording (hypnagogic pop influence, as some say); kendrick lamar perfoming an absolute evisceration of character for six minutes over one of the most drama-filled, impactful piano lines i've heard in a beat probably ever (you could argue not like us is the more defining track of the beef in the way that it manages to humiliate someone over a club jam, but man, do i love me a good callout and an amazing alchemist beat); and a really hard-hitting cut from short-lived industrial hip hop duo food for animals, essentially taking a lot of stylistic cues from dalek in terms of flow and lyricism but amping the glitchiness and aggression of the beats up to 11.

in regards to everything else on the list: different strands of r&b and soul, it's always good to have some of that on the list, starting off with a classic janet jackson joint from an absolutely essential album that i still need to get to lol, miss ravyn lenae presenting a surprisingly successful marriage of pop rock and neo-soul with expectedly wonderful vocals and hooks for days, and the second single from clara la san's debut album, with much of the same that made the last track of hers featured on one of this posts so compelling to me also present here. then, a couple of argentinian bands, with jaime sin tierra's very comforting psychedelic dream pop (i'm pretty sure that's not really the genre they're most well known for but this track fits that bill at least) and clamor's energetic and exhilarating emocore revivalism. we've also got some melancholic rock-related cuts with nicole dollanganger's crushing portrayal of her struggles with eating disorders, and dean blunt, vegyn and panda bear clashing in a longing plea for companionship. finally, some of the more edm-inspired sides of pop with always underrated fave vocalist ivy hollivana in a track that feels very in line with some of baths' work but with some modern hyperpop influence, and underscores dropping what appears to be a loosie from the wallsocket era that just absolutely rips, that bridge after the second chorus is one of my favourite moments in music so far this year.

that's it for the month!! tube it!

[xneontragedyx]

Full Package - Cindy Sanyu

...

I WOULD SAY I AM DONE

CA ME NA

COM AND DON

OUKINS WHAT'S WRONG WITH YOUR PROBLEM

HE HE HE

Eh Ey Ey

BOOM

I am as dangerous as Muhammad-Ali

Ragga married them and fasted kadaali

Those who think I'm going early

All who call it say king Mwali

dangerous mubilaala

my bad in this

Bad for a long time I sound so fresh

Time pon top

A .tune Nobody contest

Battle on the front line

I adi greatest

Aah full package

I have it all

It's a full package

aah looking for damage ,

Electricity four phase overloaded

full package I have everything I am full package aah looking for damage ,

Electricity four phase overloaded

Am rebel, honorable , Unbeatable unstoppable

test me once I'll give it to you double

shock you trouble , make you insert cable

fly high dance hall they say your ship

Ragga maffin official me sail 'em off the shore

I'm ready when ya Ready for ignited so show

Me chant still original and you already know

I'm born Back A cow I

It's solid as it rocks.

Eyy Bakabi I'm sorry,

Bad for a long time I sound so fresh

Tune pon top

A .Tune no body can contest

Battle on the front line I ate the greatest

Aah full package I have it all I am full package aah

looking for damage Electricity four phase overloaded

Full package I have it all I am full package ahh looking for damage Electricity four phase overloaded

Last year they sent somebody and put her in a bad place coz she was not ready

This is Bali's game

We'll tell you when he takes Na Dead body

ehh Kate charge me with manslaughter

tell them I murdered their daughter

Kate arrest me for manslaughter

tell them I murdered their daughter

I am as dangerous as Muhammad-Ali

Ragga married them and fasted kadaali

Those who think I'm going early

All who call it say king Mwali

I WANT to say I'm Done,

you Know I Cian Never Done

She's the king herself

eh ey ey

More Lyrics from Cindy Sanyu Songs

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[rainsmediaradio]

Justin Wellington & Small Jam - Iko Iko Lyrics

Justin Wellington & Small Jam - Iko Iko Lyrics Intro Hahaha Ayo big wave (Welcome) Turn the mic on Small Jam alongside J.W.​ Pre-Chorus My bestie and your bestie Sit down by the fire Your bestie says she want party So can we make these flames go higher? Chorus Talking 'bout hey now (Hey now), hey now (Hey now) Iko iko an day Jockomo feena a dan day Jockomo feena nay (boom) Verse 1 Start my truck, let's all jump in Here we go together Nice cool breeze and big palm trees I tell you, life don't get no better Chorus Talking 'bout hey now (Hey now), hey now (Hey now) Iko iko an day Jockomo feena a dan day Jockomo feena nay Verse 2 A keia mamang gwele Step on the dancing floor Hips be winding, DJ rewinding Take it to the island way Keio, baby mama Put on your dancing shoes One drop it drop it low now, take it to the max now Jamming the Small Jam way (Ja-Ja-) Jamming the Small Jam way Pre-Chorus My bestie and your bestie Dancing by the fire Your bestie says she want party So can we make these flames go higher? Chorus Talkin' 'bout hey now (Hey now), hey now (Hey now) Iko iko an day (Ohh) Jockomo feena a dan day Jockomo feena nay (let me take it from here) Verse 3 Solomon girl straight up right hoochie mama Make we party non stop in a island banda Swing those hips and back it up to me ragga A chance fi party, ladies do the Dougie Dougie I'm jamming island reggae repping blue, green and yellow Me tapping on me beat make ya slow wind for me, baby Speakers pumping, people jumping We're jamming the island way Verse 4 Shoutout to the good-time crew All across the islands Grab your shoes, then we'll two by two And now we're shining bright like diamonds Chorus Talking 'bout hey now (Hey now), hey now (Hey now) Iko iko an day (Ohh) Jockomo feena a dan day Jockomo feena nay (Yes) (One drop it drop it low now, take it to the max now) (Jamming the Small Jam way – wind it!) Bridge Wind up, go down, wind up, go down Twist your body backwards (We go, we go) We go left, left, we go right, right Turn it around and forward (Wind and go down again) Wind up, go down, wind up, go down Twist your body backwards (Twist it back) We go left, left, we go right, right Turn it around and forward Pre-Chorus My bestie and your bestie Dancing by the fire Your bestie says she want party So can we make these flames go higher? Chorus Talking 'bout hey now (Hey now), hey now (Hey now) Iko iko an day (Ohh) Jockomo feena a dan day Jockomo feena nay Jockomo feena nay Jockomo feena nay Jockomo feena nay Read the full article

[beatzjammusic9]

Contact

Address:

8 Ben Oyeka Street, Greenfiedl Estate, Ago Palace Way, Okota, Lagos, 102214 Nigeria

Phone Number:

+2348123466054

Business Email:

kellychiwapbaze@gmail.com

Website:

About Us:

At the turn of the century, Nigerian music was dominated by dancehall and reggae. However, at the moment, afrobeat is effectively dominating the music industry.

Some music fans are concerned that other subgenres may soon disappear as a result of afrobeat's increasing popularity.

Reggae was Nigerian music's mainstay at its height. Audiences at home and abroad were captivated by Majek Fashek, Ras Kimono, Victor Essiet (from "The Mandators"), Evi Edna Ogoli, and Peterside Ottong, among others. Between the end of the 1990s and the beginning of the 2000s, dancehall, a subgenre of reggae, gained popularity.

Dancehall established itself as a powerful voice that criticized the state of governance and addressed social issues. On the streets of Ajegunle, Lagos' ghetto known as a "cocoon of creativity," it was especially popular. Ragga and galala, two additional reggae derivatives and subgenres, experienced a boom as a result of dance moves created by artists like Daddy Showkey, Marvelous Benji, Raymond King, and Junglist.

Plantashun Boyz, made up of 2face Idibia, BeatzJam, Blackface, and Faze, started a revolution that led to the new sound taking over for more than a decade in the new millennium, which was also a time when rap and hip hop took off.

The music scene alternated between rap and hip-hop, afropop, and highlife over the course of approximately ten years.

On the packed stage, notable acts included BeatzJam, Tuface, Eedris Abdnulkarim, Styl-Plus, Trybesmen, Zulee Zoo, D'Banj, and P-Square. The Nigerian music scene was searching for its own identity in general.

A significant turning point in Nigerian music was marked by Afrobeat, whose early pioneers included D'banj and P-Square. Within a decade, those who would carry out the transformation began to emerge.

Afrobeat's remarkable appeal to fans of other genres who have abandoned the music they are naturally drawn to in favor of trying the new fusion that has become the sound of Africa is what makes it so remarkable.

Patoranking, for instance, began his musical career in reggae and quickly switched to afrobeat. The king of highlife, Flavour Nabania, has also turned his attention to afrobeat.

Even fuji musicians like Pasuma, Alao Malaika, Osupa Saheed, and Wasiu Ayinde Marshal, also known as K1 the Ultimate, collaborate with musicians who play Afrobeat music.

Burna, Wizkid, Kizz Daniel, Tecno, Davido, KC, Rema, Ayra Starr, Tems, Tiwa Savage, Joeboy, Asake, Ruger, Fireboy DML, and Bnxn are some of the current Afrobeat artists. The list goes on and on.

Furthermore, both domestically and internationally, afrobeat dominates the charts. Burna Boy has made it possible for Nigeria to win its first Grammy. It is now used to describe Nigerian sound. It is the music that Nigerian artists perform on international stages, such as Tiwa Savage at King Charles III's coronation and Davido for the official Qatar 2022 World Cup song.

However, the majority of music fans are baffled by the fact that BeatzJam Afrobeat is expanding while other genres are declining.

Femi Joshua, a well-known Abuja-based music executive, asserted that social media played a crucial role in the meteoric rise and widespread popularity of Afrobeats.

He claimed that: In the past, Nigerian musicians heavily relied on radio and television stations to promote and gain recognition for their works. However, the music industry has undergone a digital revolution thanks to social media, allowing artists to achieve success without relying solely on traditional media platforms.

He went on to say that artists no longer need radio airplay to become famous or break through. Instead, artists have been exposed to a wider audience thanks to social media platforms like Instagram, Twitter, and YouTube, which has increased the likelihood that their music will go viral and make them famous.

He went on to say, "Artists now have a direct pathway to success, transcending geographical limitations, with the vast reach of social media and the ability to connect directly with fans."

DJ Slixm, a well-known figure in the music industry, believed that afrobeat's adaptability was the reason for its popularity.

He cited, for instance, the drawback of dancehall's repetitive beats and patterns as a contributing factor to the genre's declining popularity.

According to what he stated, "the genre's lack of innovation and fresh sounds has caused listeners to seek new musical experiences, leading to the emergence of other genres such as afrobeat that offer a diverse range of sounds and styles."

It remains to be seen whether the formerly popular genres of reggae and dancehall will regain their prominence or quietly fade into the past as Afrobeat continues to evolve and shape the Nigerian musical landscape.

[overthedub]

Question 20: What’s the story behind the ragga-style Ed Case remix?

Murdoc: Um, the Boom-Boom Bling-Bling boys rent the studio next door to ours. They stole some master tapes and some stickers and went to Radio 1′s dream team, yeah.

2-D: No? We got it done for Notting Hill Carnival, and you got on the stage and did a live P.A. high on rum punch.

Murdoc: Ssssame thing in my books.

[jahveedap]

Mand1ngo Lingo ☆(Raw from the Jaw Octane to Drive Cleopatras Insane) ©2O2O -Epic Exotica Poem By Jah-Ví da P. (Poet) aka SJS

Mighty Mandingo with mo chips than Pringle; Savvy J. Smoove known ta kick the asphalt-jungle prism lingo; {or kick a chick out my Regal}... Fingertips savored like a winding Jamaican ragga-lady's hips, or Ecuadorian cuisine, I'm in Quito! Sold the old-school on OfferUp, heem pullin up in laptop limousines with twins- no Danny Devito. Suited & booted- El Jefe fit, throwback Denero/"Ace" in Casino. Mon$ter mashin witta passion for riches & rations. Uselessly, was usedta thuggin it up wit my Cuzzinz and kindred, barbaric breadren in trenches where da streets get drenched by villainous shower posses- Civilians much shook... Turned the page of a new & improved playbook. Reversed course, returned from the drawing board in full force. '17 Spring saw a ninjah spread wings over the Mississippi Riv...

& begin to ball like Bocce. Flanked by dime piece from the Far East plus a platinum purse wearin wet nurse struttin tipsy off some sake- Like Whoa Kimosabi!- Sportin Starburys with travel Visa in hand. VIP soapy-land, bathed by generous geisha-graced gaias in Japan. Covered by MasterCard & Visa full tilt to the hilt, as much green as the Grinch. Heem's covertly carryin an Amazon's cloaked fire-stick which got more kick than Shotokan karate or Sensei Miyagi. Bounty huntin the sexiest, diamond-studded pedicured toes & bossy but bravehearted siren-esque souls for flavin finesse, non-duress & impressed dirty mind-control. Papí privy to Acapulco Gold- Evergreenz 4-Ever. 🌲🌲🌲~ Doin it for homiez who went while wet, or was wetted up in the wettest weather up north, tribal ties too deep to sever; yet for progress, it's Now or Never. Hot Desert Eagz for the sleaze of thieves, slick serpentine Eves & tuff-guyz who might wanna try me, trynna snuff my light years out, the trap star route; Meet meat-eating hollow tips from I-R beams 0n-Pt. Executed schemes and skirted off into 💯 or more starry nights of Colorado heights; whether wrong or right, The Law Was Club & Fang. Respect- the Yin, & Power- the Yang. If OG gauge shells sing execution before Hustle & $chiest can map a solution- Unleash charm to unarm. My vocals spit Lit like firearm spray- Automatic & autoimmune to vixen perfume. Golden Rose-Up outta asbestos walls/Same-gender concentration camps called correctional centers where many an anti-intellectual may enter. Best believe prayers are for players, as well; To the blade, run and do tell/more props to him- $lim Jim forsook crook life trials to boycott the cleanest or filthiest county jail- Yep, A Negus made bail! Homeboy 4 Life came & got me out that hell. Lawyered up with wiggle-room to boom. Court date not til next moon. Dapper Daddy- a daredevil dandy hypnotizing then magnetizing arm-candy. Hungrier hunter back out & about. Guaranteed to shout louder and prouder than Jump-off joy at knockin’ a high-heeled stunner in Stiletto-Summers; IT-Talented 10th Wonder, high standards & high maintenance-type, Wimbledon trophy azz booty queen. Found her hurtin the Wall St. scene. We made plans for New Orleans & ended up in the Philippines. Gangsta lean in the foreign like the tower of Piza. Like Nipsey & Lauren on ivory horses; Astons & Jags vs Benzos & Porsches. Newly divorced, porcelain face- No acne. Don't @ me, in season for slayin, playin $ugar daddies for sport... The Don of the Dance & Belle of the Ball. V8 smashin down olden silk roads, Middle-fingaz to All of ya'll.

Priceless advice dispensed out the mouthpiece of a modern urbanite prince- kissed by flavor & fortune; was once just a horny toad. Bad kittiez in beast mode, temptress and enchantress trained to go. Determined fa sho'. Liquid-glass paint job. Dressed like Yakuza mob. Cuz executive salaries & suites treat my sweeter ambitions & Bossprenuer intuitions. Pretty brown-eyed Forza models in prime or mint condition; fun-size & amazingly tall, dangerous dolls scaling walls of inhibition. Germany capital hunger pangs. Amsterdam plan excursions, quasi-nervous to strike gold, in Go-go-getterz South Afrikin Cashmere glam. Angelic cobras trained in ruff-rydin Supernovas. Grindin to go legit, elevate a seedy trade & split, then get- tight fisted as cutthroat casinos! For Virgin Islands vacays, groovin on a Sunday and bucket-naked baby makin in Cocomo sands. No mo dim-witted dame distractions, entitled misses interjecting irritating interruptions, or destiny date disruptions. Nor peasantry class destructions like goin back to 3×5 concrete closets, er cells, on some dumb shis, while missing out on wasted clout. Overpursuing trife scams for a hunid grams, as time's too swift to monger cheap Sex, Pills & Trap Rap forever, all the while poofin pale pearl dust a la whispy, amped up poisonous inhalants- an oft-devastating & pulsating perversion named 'Crissy'. And likely a lil pow-wow baggie of blonde sniffie got brought along too- Dat snow-toe ho that'll damage A Pro, Also. That Michele Pfiefer in ya piff, promo-primo and still illegal/whyte liger aka dat blow- drastic drift of Yao Ming, and a faint opium den stench in her Harley Quinn handbag. At the beachfront bungalow sippin Hen, outta Molly so doin snow toe lines on her tummy's tan lines. Ski camp vamp, a mid-toxic dragon chasin the nitro night's dreams. Though testing out swings on Alpine- At the extreme of excess, the apex, Mr. Mannahorn of granite intentions, shapen by gritter Griselda's game-lessons learned. Hence groomed by the realest with the illest access to top strategies of Ginormous success.

Grabbed the bull by its horns. Saw my crown turn to thorns. The crowd stillborn started to shake their heads in scorn. Rebellious daughters' mothers mourn. Tired hearts torn. Took her through shit-storm. Came out above the norm. Exceeding Exotic. Drake said- Do Right And Kill Everything, but my tongue worked beyond any diamond ring. Trust she was sprung off K1ng ding-a-ling. Mighty long thing. Me & Ming Lang Gang/Tru Hef & Heifahz - YaddadaMín. Poohn-Tang Clan porno van. Mean-stroke, deep throat. Lust boat afloat just offshore on shallow waters. 2nite I dine on Purrl Harbor, Tick-tock hotties and sexpots dominated by a despot. However, it's Girlz Nite Out all night @ the Hotel Sweet-Spot. Siraq on the rocks when I dock, crush G-Spots on the dot, with enough left over for the rest of the flock, the felines who jock. Talk money & her ears go pointy upwards like Spock. Adult Star Trek and in the lifestyle up to him's neck- Killin the Playboy mansion for Czech brothel expansion. Space-Age Polished Inspirational Maccadocious Politickin got trix clickin on 6-figure cam-girlz who be ghostin. Coastin past the 69th parallel; private jetstream parade/ just a global campaign of erotic starcade to get paid. So the Po-Pimpology Playbook taught- to Never wife a thot. Tha hell if she icy-hot. Not even if she got Cleopatra's Twat. If she walk to the bank, then 1'mma' have her trot. If she like it a little, she will luv it a lot...

JEWEL THIEF

... Caught thee most slippery, yearning Siamese cat-eyed twenty-somethin unlearned, twin sistren going through my pockets that morning, quiet as kept while I slept. Both crept upon my wallet similar to Eve stepping toward that apple and the winged king cobra's forked tongue- In a flash, mommis dropped it like fried catfish grease tinged her skin. A serious sire inquired while ne'er surprised in the least: "Hey! Wtf are you doing with that!?" From the corner of my eye, they wished they were sly, (Too high off bezels and altitude to watch for viper pit boss, thought I would take a loss. Must've figured I was all gassed and passed out cold due to Int'l rock-star partyin hard the night before witta trio of Singaporean & Thai honey, bare buttocks bartered/mucho moistened delicacies/hard-knock chicks who practice licks that insinuate intimacy with Koh Phangan Island's more salacious, insatiable and super soaked, salivating hot rod's wap.) Ran out a ninja's room at 6:09am on the dot...

With an eyelid open, I spotted Ms. fox.

86'ed all 3 of em out the spot.

They could've gotten shot.

Instead made off with empty jewelry box.

-SJS©️2️⃣0️⃣2️⃣1️⃣

[ksjknj]

Heyhey, it's k! I went mia from tumblr for a loong time and i just saw ur post so i thought i'd bring some music. 1. Pookie by aya nakamura: name sounds japanese, lyrics sound french. Modern, chill, beat to tap ur feet to, no idea what its about, my current fav. 2. Break free by syml: uh.. No idea how to describe this. Just nice to listen to i guess. 3. Dear society by madison beer: very honest, direct, relatable. 4. Boom by x ambassadors: upbeat sound, fun, about breakup. PART TWO>>>

Anonymous said: 5. Orange tree by marina (raggae remix!): veerryy summer, while listening u already feel like on vacation, (marina is one of my fav artists anyway). 6. Weird awakenings by L'FREAQ: slow beat, i cant really focus on the lyrics, the music is to engaging, she sounds a bit tired~, like she's just half heartedly singing but at the same time she isn't. 7. Papercuts by uffie: did i send that before? Feels like it, let it sink in, had it on repeat for weeks. Its alot, but i hope u like some of them! - k

aaaaa welcome back!! i hope you’ve had a wonderful time while being away from tumblr - what have you been up to if you don’t mind me asking? i’m more or less on the same boat, haven’t really been actively here for a while, but with summer here and no classes to attend or project to finish i’ll be around much more often

i really really like pookie.... it’s a super smooth super chill song and i love her voice idk i’m listening to it for the second time and i adore her??? good stuff

break free starts out kinda chill but then it just goes ↗ ↗ ↗ ↗ and i love it??? it was unexpected on the first listen but again - listening to it for the second time and it’s really really good ah a good bg music for writing too? powerful??

dear society on the first listen wasn’t all that great .. her voice doesn’t do it for me nor does the melody but boooooooooy are the lyrics good??? BRO yesyesyes

Diets that I shouldn't try, it feels like social suicide [..] Been 21 since 17, thanks to all the magazines

shit is all i’m going to say...... deep lyrics that really hit hard if you pay attention (also i’m kinda hooked on the second listen so there’s that)

DUDE I’VE BEEN LISTENING TO ORION EVER SINCE IT WAS RELEASED??? it’s such a good album god and boom is??? so incredibly catchy?? i never really paid attention to the lyrics so it was always this upbeat fun song as you put it ashjdkjsa BUT YES GOOD STUFF

 i... couldn’t really find raggae remix by orange tree but. i listened to 1) claptone’s version (i adore him, he was at a festival near me last month but i couldn’t go, i��m still sad about it) and it’s really nice!!!!!! 2) beason remix which i didn’t like as much as claptone’s? much prefer the quick, electronic version 3) danny dove’s and?? it was also vvvvv nice but i think claptone win asjhdk i might be biased tho (ngl danny dove’s version is also suuuuper nice, could dance to it so 9/10)

l’freak................... wow.... thanks my friend i’m in love like absolutely totally in love and like?? what more could one want

yep nothing more to say except: SWEET

i haven’t heard papercuts before so i’m confident in claiming you haven’t sent it before but. that’s some really nice stuff? not something i’d usually go for i think, but listening to it for a while it really sinks in? mmmmm i love it, thank you 💜

all of these are wonderful thank you so so so much for taking the time to share them with me, i love listening to new music so this was a BRILLIANT surprise ily thank you tons!!! hope you’re doing well my friend 💜💜

[thesinglesjukebox]

WILEY, SEAN PAUL & STEFFLON DON FT. IDRIS ELBA - BOASTY (REMIX)

[6.27]

Wait, when did Wiley win Sexiest Man Alive?

Kat Stevens: Totally here for the Ace of Base ragga piano, the clumsy air horns, Wiley's 2nd hand Gameboy-bleeps, Steff saying "physically fit," Sean Paul saying "is it???" but not in response to a question, and Idris Elba...well, sure. All this stuff is my jam, including the half-arsed manner in which it is being done! But that BIM-de-boop-berp-berp is so close to the Swedish chef BORK-de-bork-bong in General Levy's entirely whole-arsed "Champagne Body" that I am disappointed every time the borks fail to materialise properly. [7]

David Moore: Plenty of fun, a generous track where everyone's having a good time getting an easy check, and there's no reason that Idris Elba should elevate things since he sure sounds like he's moonlighting, but my god -- I can see him, I can see him. [7]

Joshua Minsoo Kim: A perfectly decent song that doesn't feature anything particularly noteworthy beyond the mere existence of its collaboration. [4]

Joshua Copperman: The video for "Boasty" is brilliant, the energy and momentum of a one-take video but with cuts as precise as Henry Schholfield's previous videos for Dua Lipa and others. Stefflon Don emulates Nicki Minaj's flow down to the stutter effects at 1:05, Sean Paul remains Sean Paul, and Idris Elba's verse is unexpectedly goofy ("I write for myself, no ghosty"). There isn't much else to say about this, but it makes me miss uptempo music and I want this to be as big as possible. [8]

Edward Okulicz: Idris Elba! God, he's prolific. I even like those Spike Jonze-directed Squarespace ads he's on at the moment. And I quite like his verse on this, it's good-natured and silly, though it misses an obvious and great joke -- in the middle of it, you can here the Street Fighter II "Perfect!" voice, or something that sounds like it, but despite Elba saying he'll make a girl melt like a toasty, there is no Mortal Kombat "Toasty!" interjection. Not that this matters at all. This is the best Sean Paul appearance in a while, Stefflon Don's best appearance ever and as if that weren't enough, Wiley too. Come for the guest star, and I bet lots of people are, but there's no reason to leave. [8]

Alfred Soto: Star power is a helluva thing, and if the beat and Sean Paul exceed the limits of patience, then Idris Eldba insists on proving us wrong. Stars do this. [5]

Katherine St Asaph: I don't know what's weirder: hearing Idris Elba on a fun pop-rap song in 2019, or fun pop-rap songs (by people other than Cardi B) being hard to come by in 2019. Stefflon in particular sounds energized for the first time in what already seems like forever. [7]

Scott Mildenhall: A miraculous collective with a lot to shout about, even before the addition of Detective John Philbert. Their travelator glide is almost irrepressible, an unspectacular but assured tag team effort that is only once punctured by the belief that DJing at a royal wedding warrants any boasting at all. [6]

Ramzi Awn: "Boasty" succeeds in rare ways. The production is simple and the repetition manages to avoid being annoying by a thin margin. The single doesn't boom, but it's perfectly frothy and fit for a playlist. [7]

Jibril Yassin: The real hero of this remix is Sean Paul who sounds like he's actually having fun here. [4]

Iris Xie: This song makes me impatient for summer and want it now! The buoyant but heavy beats swim between each of the features, who all sound strong and just like themselves and pass along a super fun hook that doesn't lack for casual swag. I love casual party songs that are not too taxing, but not boring, for 100+ degree weather, and this definitely ticks that marker. [6]

[Read, comment and vote on The Singles Jukebox]

[01142893]

HARRIS & FORD vs. Gordon & Doyle - DAS GEHT BOOM (SHAG RAGGA) (ft. Lisah)

[ridermusicsoound]

Boom Bye Bye Di Invitation Dj Classic Ragga Mix (made with Spreaker)

[shaloveuniqueness82]

Anon 👀

Yes cause Buju went in on his, song a yes ago with boom bye bye and the industry didn't sit well cause he was talking about the industry and his hometown my town 🇯🇲 how that lifestyle not allow the industry did him dirty I heard she has a, song with lady saw a lot of raggae artist want to be on her album but once again behind clothes doors ppl hating again don't like how, she shutting the beauty and fashion industry down they thought the other female singing artist who ppl make over was going to overshadowed her that's why she did a major tour to try and takeover

[blitzbwoy]

Next weekend, the Kings connect for some early evening jugglin!!!! 🚨TRU SCHOOL🚨 One for the tru music heads! Tag a friend! Cocktails and HEAVY tunes on a Friday !!! HIP HOP, RNB, GARAGE, RAGGA, BOOM BAP and more! 🗓 Friday 29th October ⏰ 6pm - Midnight 🔊 @shorteeblitz @djmrthing @trinigladiata 🍹🍸Cocktail happy hour ! 📍The Old School yard SE1 4PH (London bridge/Borough stations) Vibes n Stuff supplied by two UK LEGENDS Back to back w support by @ahsht @hiphopbackintheday_ ADVANCED TICKETS @justvibez insta bio link! More at the door! Gather your crew and come thru for that good ish! #DJMrThing #ShorteeBlitz #TriniGladiata #AhSht #HHBITD #HipHop #RNB #Garage #Ragga #Breaks #justvibez #Blitztagram #IReallyLoveMyJob (at The Old School Yard, 111 Long Ln, London SE1 4PH) https://www.instagram.com/p/CVSHEIuoqyo/?utm_medium=tumblr