#bookyear:1915

[kungfutoast]

Image from page 161 of "Ægean archæeology; an introduction to the archæeology of prehistoric Greece" (1915) by Internet Archive Book Images Via Flickr: Identifier: cu31924028272379 Title: Ægean archæeology; an introduction to the archæeology of prehistoric Greece Year: 1915 (1910s) Authors: Hall, H. R. (Harry Reginald), 1873-1930 Subjects: Publisher: London, P.L. Warner Contributing Library: Cornell University Library Digitizing Sponsor: MSN View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: -light style. The last trace ofthe Kamarais technique is seen in the occasional use ofwhite, which eventually disappears. The naturalismextends itself from the plants of M.M.III to the de-signs of the sea, and this marine style of decoration isthe most characteristic point of the L.M.I-II ceramic.The accurate observation of the artist shews itself inthe splendid impressions of octopods, squids, and 90 AEGEAN ARCHAEOLOGY nautili, tritons, anemones, sea-pens and shells, amidjagged rocks from which seaweed waves, which coverthe best vases of this age. One is positively startled onlooking at the famous Octopus Vase from Gournia(Fig. 25). A great octopus with glaring eyes andsquirming sucker-covered arms swims straight at us offthe vase ; behind him are the rocks, the sea-pens, andthe trailing weed, all the landscape of the rocky marinepools ; even the characteristic fantastic tracery of thesea-worn limestone rocks of the Cretan shore beingcarefully painted. One seems to be looking through Text Appearing After Image: Fig. 25.—Crete; octcipus vase from Gournia. L.M.I. Scakc,\.Candid Museum. the glass window of a tank in the Naples Aquarium !As good are the argonauts on a vase in the BritishMuseum, found in Egypt (PL XXI, 2).^ But this super-excellence of naturalism was not always maintained.The argonauts on the Marseilles Vase (so called be-cause it is preserved in the Museum of the ChateauBorely)- are more stylized than are those of theBritish Museum pot. So are those on a fine jug foundat Pseira.^ The same stylizing tendency is seen on J.E.A., I, PI. XVI, I. = Anc. Hist. N.E., PI. Ill, 4. Seager, Pseira, Fig. 13. Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.

[naopu-blog]

Image from page 203 of “Programme” (1881)

Identifier: programme1516bost Title: Programme Year: 1881 (1880s) Authors: Boston Symphony Orchestra Subjects: Boston Symphony Orchestra Concert programs Publisher: Boston, Mass. : Boston Symphony Orchestra Contributing Library: Boston Public Library Digitizing Sponsor: Boston Symphony Orchestra

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Text Appearing Before Image: BEETHOVEN RECITAL LUDWIG VAN BEETHOVEN (1770-1827) Sonata, A major. Op. 2, No. 2 Thirty-two Variations, C minor, Op. 36 Rondo, G major. Op. 51, No. 2 Sonata, F minor. Op. 57 (Sonata Appassionata) Sonata, A-flat major, Op. 110 Tickets at Box Office, Symphony Hall 179 J OR DAN HALL SATURDAY AFTERNOON NOVEMBER 13, 1915 AT 3.00 OCLOCK Piano Recital BY MARGUERITE MELVILLE-LISZNIEWSKA

Text Appearing After Image: PROGRAMMEI. a. Organ Prelude and Fugue, D major Bach-DAlbert b. Sonata, B minor F. Chopin Allegro maestoso Scherzo, molto vivaceLargo Finale, presto ma non tantoII. a. Scenes of Childhood R. Schumann About strange lands and people At the fireside Curious story Knight of the hobby-horse Catch me if you can Almost too serious Pleading child The bogie-man Happiness enough Child falling asleep Dreaming The poet speaks b. Rhapsody, Op. 79, No. 1 . ) c. Intermezzo, Op. 117, No. 2 > J. Brahms d. Intermezzo, Op. 119, No. 3 ) III. a. La Fille aux cheveaux de Lin C. Debussy b. Humoresque M. Reger c. Two Polish Folksongs Moniuszko 1. Spring …,.» ananapH kv L Fli((lm;m 2. Spinning Song . f arranged by j …. H. Melee* d. Theme and Variations F. Brzezinski Tickets, 50 cents, 75 cents, $1.00, $1.50, Box Office, Symphony Hall Management, WOLFSOHN MUSICAL BUREAU Boston Management, L. H. MUDGETT STEINWAY PIANO USED180 JORDAN HALL, Tuesday Evening, November 9, 1915, at 8.15 oclock PIANO RECITAL

Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.

Posted by Internet Archive Book Images on 2014-07-30 06:33:19

Tagged: , bookid:programme1516bost , bookyear:1881 , bookdecade:1880 , bookcentury:1800 , bookauthor:Boston_Symphony_Orchestra , booksubject:Boston_Symphony_Orchestra , booksubject:Concert_programs , bookpublisher:Boston__Mass____Boston_Symphony_Orchestra , bookcontributor:Boston_Public_Library , booksponsor:Boston_Symphony_Orchestra , bookleafnumber:203 , bookcollection:bostonpubliclibrary , bookcollection:americana

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[theclassicengland-blog]

Image from page 323 of "Easy steps in architecture and architectural drawing .." (1915) por Internet Archive Book Images Via Flickr: Identifier: easystepsinarch00hodg Title: Easy steps in architecture and architectural drawing .. Year: 1915 (1910s) Authors: Hodgson, Frederick Thomas, 1836- [from old catalog] Subjects: Architecture Architectural drawing Publisher: Chicago, Ill., Printed by F. J. Drake & co. Contributing Library: The Library of Congress Digitizing Sponsor: The Library of Congress View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: , who were both pupils of Michel-Angelo. 187. The Italian Eenaissance style was introducedinto England about the middle of the sixteenth cen-tury by John of Padua, the architect of Henry VIII.,towards the closing years of the reign of that monarch.In the reign of Elizabeth to the end of that of James I.,Dutch architects were in vogue in England in conse-quence of religious and political sympathies. Theirpeculiarities of taste are reflected in that English branchof the Renaissance style usually known under the nameof Elizabethan, It must be remarked that, as a rule, English build-ings in the Renaissance style are distinguished by ca-pricious treatment of forms, and generally exhibit adeficiency in that grace and dignity both in details andensemble which lend a peculiar charm to Italian struc-tures in the same style. English Renaissance buildingis 318 EASY LESSONS IN ARCHITECTUEE also differ in the same respects from the French; theydisplay more similarity with those of the Later German Text Appearing After Image: Fig. 206. WOLLATON HALL. Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.

[naopu-blog]

Image from page 1090 of “Programme” (1881)

Identifier: programme1516bost Title: Programme Year: 1881 (1880s) Authors: Boston Symphony Orchestra Subjects: Boston Symphony Orchestra Concert programs Publisher: Boston, Mass. : Boston Symphony Orchestra Contributing Library: Boston Public Library Digitizing Sponsor: Boston Symphony Orchestra

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Text Appearing Before Image: f the Apprentices, Processionof the Mastersingers and Homage to Hans Sachs—Act III.Scene II.). VI. Overture to Tannhauser Tickets, $1, $1.50, $2. Now on sale at Box Office, Symphony Hall JORDAN HALL, MONDAY AFTERNOON, MARCH 6, AT 3 PIANO RECITAL Miss AUiRORE LACR1 PROGRAM Chromatische Fantasie und Fuge –.-.. Bach Pastorale ——— Scarlatti Rosine-Gavotte ——– Gossec Sonate, Op. 57 ——- – Beethoven Allegro assai. Andante con moto. Allegro. Preludes, Op. 28, Nos. 3, 4, 9, 11. 14, 15, 18, 23, 24 J Cho . Ballade, Op. 52, F minor ) . Venice. Notturno ——– Lendvai The Little Shepherd j _ Deb Ihe onow is Dancing Impromptu …….. Hiie Tickets, $1.50, $1, 75c, 50c, at Symphony Hall JORDAN HALL, THURSDAY EVENING, MARCH 9, 1916At 8.15 oclock Chamber Music for Wind Instruments BY E LOMGY CLUB THIRD AND LAST CONCERT ASSISTING ARTISTSMr. EDUARD TAK, ViolinMr. EMIL FERIR, ViolaMr. G. WENDLER, HornMr. A. RESCH, Horn The Piano is a Mason & Hamlin Tickets at Symphony Hall. 100S

Text Appearing After Image: JORDAN HALL FRIDAY AFTERNOON, MAR. 17 AT 3 Sixth and LastHistorical Recital 0§§HP ■rilowa PROGRAM Modern Composers CESAR FRANCK (1822-1890). Prelude, Choral et Fugue EDVARD GRIEG (1843-1907). Lyrical Pieces: Nocturne, Op. 54, No. 4—Butterfly, Op. 41, No. 1—To Spring, Op. 43, No. 6EDWARD MacDOWELL (1861-1908). To the Sea, Op. 55, No. 1—Witches Dance (Hexentanz)PETER TSCHAIKOVSKY (1840-1893). Chant dautomne, Op. 37, No. 10 Humoresque, Op. 10, No. 2ANTON RUBINSTEIN (1830-1894). Barcarolle, G Minor, Op. 50. Valse, Op. 14SERGE RACHMANINOV (born 1873). Prelude, C-sharp minor, Op. 3, No. 2.ALEXANDER SKRIABIN (1872-1915). Etude, Op. 42, No. 5ALEXANDER GLAZUNOV (born 1865). Gavotte D major, Op. 49THEODOR LESCHETIZKY (born 1830). Gigue a lantique, Op. 44.IGNACE JAN PADEREWSKT (born 1859). Melodie, G-flat major, Op. 16MAURICE MOSZKOWSKI (born 1854). Etude de Concert, G-flat major, Op. 24MAX REGER (born 1873). Sarabande, Op. 13, No. 7 RICHARD STRAUSS (born 1S64). Intermezzo (from Stimmu

Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.

Posted by Internet Archive Book Images on 2014-07-30 07:00:38

Tagged: , bookid:programme1516bost , bookyear:1881 , bookdecade:1880 , bookcentury:1800 , bookauthor:Boston_Symphony_Orchestra , booksubject:Boston_Symphony_Orchestra , booksubject:Concert_programs , bookpublisher:Boston__Mass____Boston_Symphony_Orchestra , bookcontributor:Boston_Public_Library , booksponsor:Boston_Symphony_Orchestra , bookleafnumber:1090 , bookcollection:bostonpubliclibrary , bookcollection:americana

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