#books written by robert cecil stern
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bookloversofbath · 5 years ago
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Type VII U-Boats :: Robert Cecil Stern
Type VII U-Boats :: Robert Cecil Stern
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Type VII U-Boats :: Robert Cecil Stern soon to be presented for sale on the inspired BookLovers of Bath web site!
Annapolis: Naval Institute Press, 1997, Hardback in dust wrapper.
Contains: Black & white photographs; Tables; References; Frontispiece; Appendices [3]; Plans;
From the cover: After the narrow defeat of their U-boat fleet in the First World War, the German Navy analysed their…
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alwaysmarilynmonroe · 4 years ago
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It’s hard to believe 58 years to the day, on the night of August 4th, the world’s most famous Star would leave us all. Yes, I know a lot of you will be thinking, “wait, didn’t she die on the 5th?” – she was found in the early hours of that morning, and her death was announced then – so that is the “technical” date. However, as with many Marilyn “facts” that too is incorrect and so like every year, I will be posting this on the 4th.
I’m not going to write about all the ridiculous dramas and he said she said statements that have grown rapidly over the years, as they don’t deserve any more coverage. Whenever a major celebrity dies, the more shocking the statement, the more attention it gains, so much so that it’s almost became ingrained into society as being accepted as fact. But, I am going to have a big name and shame moment for the two main culprits – Robert Slatzer and Norman Mailer I’m looking at you both. Also Anthony Summers – you’re a piece of crap and I will never forgive you for publishing Marilyn’s autopsy photo in your toilet paper worthy biography.
Long story short as they don’t deserve any mention with Marilyn’s name – Slatzer created the whole Kennedy, Mafia and basically everything shit and defamatory written about Marilyn in the early 1970s. If you want to find out the actual truth with documented facts click HERE.
Sorry to disappoint any conspiracy lovers – Marilyn didn’t love JFK, nor did any of the Kennedy’s kill her, she died of an either accidental or intentional prescription drug overdose. Was I there? No, I wasn’t even alive, but it’s really not hard to disregard the nonsense and absurd claims, when you actually take the time to do a little (a lot in my case) of research.
Baby Norma Jeane in 1929.
Norma Jeane (left) and a friend at the Los Angeles Orphanage in 1936.
Norma Jeane at the Los Angeles Clifton Restaurant, which she attended with her then Husband Jim Doughtery in 1944.
Marilyn by Richard Miller in April 1946.
Marilyn by J.R. Eyerman in 1950.
Marilyn on her Doheny Drive Patio by Alfred Eisenstaedt in May 1953.
Marilyn in Korea visiting the Troops in February 1954.
Marilyn by Milton Greene on January 28th 1955.
Marilyn by Cecil Beaton on February 22nd 1956.
Marilyn during the filming of Some Like It Hot by Richard Miller in October 1958.
Marilyn during the filming of The Misfits by Erich Hartmann in the Autumn of 1960.
Marilyn during the filming of Something’s Got To Give by Lawrence Schiller in May 1962.
Thankfully, I was lucky and never fell down that ridiculous rabbit hole in the first place. I discovered Marilyn whilst reading an article in Vanity Fair magazine almost ten years ago, discussing the then upcoming release of, Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe.
This book is truly one of a kind and is basically a published archive of many of Marilyn’s personal letters, excerpts and anecdotes she had written from 1943 until 1962. Before anyone says it’s disrespectful to publish/share these and it is an invasion of privacy, to an extent I agree. However, as stated a few moment ago, with the amount of disrespectful, outrageous nonsense that has been slurred out over the half a century since Marilyn left us – I think it’s a necessity to see her own words in print. Ironically enough, it’s almost as if Marilyn herself foreshadowed the future of the media, when she said this in an Interview to Georges Belmont for Marie Claire Magazine in April 1960.
“The true things rarely get into circulation, it’s usually the false things.”
Therefore, today I have decided to focus on Marilyn herself, not as a Star, Tragic Icon or a pretty face, but as a human who had a beautiful, sensitive soul. Some of you may already know, but for those who don’t, Marilyn actually wrote numerous poems throughout her years, mostly just for herself. In her rare moments of confidence, she would occasionally show a few to her close friend, Writer Norman Rosten, who said the following in his (must have) book, Marilyn Among Friends.
“She had the instinct and reflexes of the poet, but she lacked the control.”
“Although she gave the appearance of being so confident and self assured, she was in reality incredibly self conscious and her own biggest critic, which is heartbreaking really as she was truly gifted. She was such a perfectionist that she would spend hours preparing herself mentally and physically for her beloved fans, regularly looking in the mirror at her perceived flaws. Marilyn was infamous for her lateness, which is often viewed as diva like behaviour. However, the reality is, it’s rarely noted that her anxiety was so severe, she would break out in rashes and even vomit, before going on set.
In her final interview with LIFE Magazine, published one day before her death, she even said to Journalist Richard Meryman,
“I’m one of the world’s most self conscious people. I really have to struggle.”
I remember the first time I looked through Fragments, of course it was very upsetting to see her pain written down and think about her suffering, However, I strongly noticed this recurring theme of hope, despite some incredibly sad notes, there was always some sparkle of inner strength and I just thought that should be said. Often we ourselves don’t see are bravery and bouts of determination in our inner self, but others do and I for one am glad I can see in Marilyn what she could not.
I love you with all of my heart Marilyn, from the moment you came into my life, a decade ago in October 2010. Wherever you may be, I hope you know how much love, joy and happiness you have brought and continue to bring to many people’s lives each day. ______________________________________________________________________________
• Undated Poem. 
Life –  I am of both of your directions Somehow remaining hanging downward the most but strong as a cobweb in the  wind – I exist more with the cold glistening frost. But my beaded rays have the colors I’ve seen in a painting – ah life they have cheated you ______________________________________________________________________________
• Undated Poem shared with Norman Rosten and published in his book, Marilyn: An Untold Story.
To the Weeping Willow
I stood beneath your limbs and you flowered and finally clung to me and when the wind struck with.. the earth and sand – you clung to me. ______________________________________________________________________________
• Undated Poem
Stones on the walk every color there is I stare down at you like a horizon – the space / the air is between us beckoning and I am many stories up my feet frightened as I grasp towards you ______________________________________________________________________________
• Undated Poem
Only parts of us will ever touch parts of others – one’s own truth is just that really – one’s own truth. We can only share the part that is within another’s knowing acceptable so one is for most part alone. As it is meant to be in evidently in nature – at best perhaps it could make our understanding seek another’s loneliness out. ______________________________________________________________________________
• Undated Poem
for life It is rather a determination not to be overwhelmed.
for work The truth can only be recalled, never invented ______________________________________________________________________________
• “Record” Black Notebook – Written in throughout 1951.
What I do believe in What is truth I believe in myself even my most delicate intangible feelings in the end everything is intangible my most precious liquid must never spill don’t spill your precious liquid life force they are all my feelings no matter what ______________________________________________________________________________
• “Record” Black Notebook – Written in throughout 1951. Fear of giving me the lines new maybe won’t be able to learn them maybe I’ll make mistakes people will either think I’m no good or laugh or belittle me or think I can’t act. Women looked stern and critical – unfriendly and cold in general afraid director won’t think I’m any good. remembering when I couldn’t do a god damn thing. then trying to build myself up with the fact that I have done things right that were even good and have had moments that were excellent but the bad is heavier to carry around and feel have no confidence depressed mad ______________________________________________________________________________
• Other “Record” Notebook – Written in throughout 1955.
I do know ways people act unconventionally – mainly myself – do not be afraid of my sensitivity or to use it – for I  can & will channel it + crazy thoughts too I want to do my scene or exercises (idiotic as they may seem) as sincerely as I can knowing and showing how I know it is also – no matter – what they might think – or judge from it ______________________________________________________________________________
• Other “Record” Notebook – Written in throughout 1955.
I can and will help myself and work on things analytically no matter how painful – if I forget things (the unconscious wants to forget – I will only try to remember) Discipline – Concentration
my body is my body every part of it. ______________________________________________________________________________
• Other “Record” Notebook – Written in throughout 1955.
feel what I feel within myself – that is trying to become aware of it also what I feel in others not being ashamed of my feeling, thoughts – or ideas
realize the thing that they are – ______________________________________________________________________________
• Waldorf Astoria Stationery – Written in throughout 1955.
Sad, sweet trees –  I wish for you – rest but you must be wakeful ______________________________________________________________________________
• Waldorf Astoria Stationery – Written in throughout 1955.
Not a scared lonely little girl anymore
Remember you can sit on top of the world (it doesn’t feel like it.) You can have any help you want personally – or in your work – or anything else you want – There are technical ways to go about it or problems –  figure out if anything tec. can be done about it because there are people to help you – gladly – you more than most they want to help Remember there is nothing you lack – nothing to be self conscious about yourself – you have everything but the discipline and technique which you are learning & seeking on your own – after all nothing was or is being given to you – you have had none of this work thrown your way you sought it – it didn’t seek you
Too much talent Too much ability and  and much too much sensitivity to invert yourself out of fear – not come to class – or to do things like being afraid to come to class or to get up. ______________________________________________________________________________
• “Italian Agenda” Notebook  – Written throughout 1955 or 1956.
and the more I think of it the more I realize there are no answers life is to be lived
and since it is comparatively so short – (maybe too short – maybe too long – the only thing I know for sure, it isn’t easy
now that I want to live and I feel suddenly not old not concerned about previous thing except to protect myself – my life – and to desperately (pray) tell the universe I trust it ______________________________________________________________________________
• Parkside House Stationery – Written during her stay in England between July 14th – November 20th 1956.
I guess I have always been deeply terrified to really be someone’s wife since I know from life one cannot love another, ever, really. ______________________________________________________________________________
• Roxbury Notes – Written throughout 1957 or 1958.
In every spring the green is too sharp – though the delicacy in their form is sweet and uncertain – it puts up a good struggle in the wind  trembling all the while. Those leaves will relax, expand in the sun and each raindrop they will resist even when they’re battered and ripped. I think I am very lonely – my mind jumps. I see myself in the mirror now, brow furrowed – if I lean close I’ll see – what I don’t want to know – tension, sadness,  disappointment, my eyes dulled, cheeks flushed with capillaries that look like rivers on maps – hair lying like snakes. The mouth makes me the saddest  next to my dead eyes. There is a dark line between the lips in the outline of  several waves in a turbulent storm – it says don’t kiss me, don’t fool  me I’m a dancer who cannot dance. ______________________________________________________________________________
• Roxbury Notes – Written throughout 1957 or 1958.
re – relationships
Everyone’s childhood plays itself out No wonder no one knows the other or can completely understand. By this I don’t know if I’, just giving up with this conclusion or resigning myself –  or maybe for the first time connecting with reality –
how do we know the pain of another’s earlier years let alone all that he drags with him since along the way at best a lot of lee-way is needed for the other – yet how much is unhealthy for one to bear.
I think to love bravely is the best and accept – as much as one can bear. ______________________________________________________________________________
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58 Years Without Marilyn. It's hard to believe 58 years to the day, on the night of August 4th, the world's most famous Star would leave us all.
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