#bongk hit

[cryingpupp]

yummy (my hands are freezing it just snowed a little wtf!!)

[strange-spaghetti]

☽☼ King Crimson ♪ 

I don't think I've ever seen one of my original flautist/saxophonists before, so hearing Mel Collins play, my reaction was absurd & I had no means of toning down my enthusiasm because OhMyGod! Incredible! I went berserk! My entire being: enamored & amazed. Sometimes the sax & horn levels were too low & his monitor must have been too high (& he will gesture to the s.e.). But the flute! He sounded gorgeous. Every time he picked up the flute, I was beaming. FRAME BY FRAME! Having flute on Frame By Frame was my favorite aspect of the night. That! was So! good! Belew Crimson is my favorite (sorry, Greg- sorry, Wetton- sorry, dude I can't recall the name of because frankly I only really go to that era when I want Mel, Lizard, & crazy jazz textures X)... Definitely not enough Simmons *bongk-pingk* electronic drums, but maybe that's a novel Broof thing they don't want reflected on them now. I don't know, I think Simmons is kind of just as synonymous with Crimson as mellotron... which also was very mildly done, but psyched whenever Fripp went for his keyboard. TONY! Man, too cool. What a character & a player. Maybe because of my horrible car speakers I expected the chapman stick to be louder (haha, duhmb), but way cool & sounded (&felt) beautiful on Starless. Starless was pretty shaky getting into it. &! I think, unless he was on some SERIOUS delay or loop, The Sax Was Dubbed! he went to fix the mouth piece & uhh.., sax was still playing. The dudes in front of me noticed too, so I can't be making it up. A lot of the heavyheavyheavy metal-esq jams that ya know scatters out & then collectively comes back after a few minutes to f*cking HIT you back into the song AHHHH!!!!! I was so excited to experience that. I love the long tedious & sometimes dragged bits that are Absolutely necessary to play contrast to the build up & bring back, like I get psyched watching videos of them do that & it was SO! Great to live in one of those moments. Professionals, dudes. An honest to god skill being able to do that sh*t live, in one take, right before you. Super incredible.  "Who's doing this?" Oh, my god, Alice that's Fripp! Godddddd, I love him! His way of playing is out of this f*cking world & he can make a guitar sound like a synth or a percussive instrument. A craftsman. There was this moment, wish I could remember which song, where the lights went dark red (not much stage design or lighting, which for them, works). This red presence canvased all & then there was Fripp: a vision in front of green illumination coming from the screens of his rack interfaces. (Hi, I love lighting a lot) I soaked it up. Gorgeous & the longest of my memories because the sight of it was deeply beautiful & I was just. there. Living & truly in love with life in the present beautiful moment of looking upon Robert Fripp. Not just was it wonderful to hear King Crimson songs & watch them perform, but Robert Fripp, ya know? I love his style & solo work a lot, I admire him a lot & what moves him to do what he does & practice. A lot of what he has spoken of & speaks of resonates with me & makes sense to my way of being; musically, spiritually, just being a thoughtful human being. Ah, I saw Robert Fripp. : ) Ah! & Mel Collins☆, & Tony (again) which man oh man that man. He makes everything just a little bit brighter which is funny to say since ya  know bass, but definitely a key ingredient to full pieces of music... The singer reminded me of Billy Sherwood, that may sound daft. He just moved like him. I only know of the singer because of a photo of him & pH. His voice works, & I'm for sure hard to please in that area. Singers matter, not sorry to say. Unique one of a kind instruments that time will take & alter, you can't say that about any other musical device. Like EASY MONEY! Sounded so tight! & Even from the Bah-Dee-Dow-Dow's !!!#@$##^@#$! AHHH, Yes! So happy they did that one. They did Cat Food.. which f****ck Tony! Killer! THE.THREE.DRUMS. How in the World! That was some out of sight synchronization oh my god. From the tiniest little miscellaneous percussion, they were on it! Pat was fun to watch. Rhythmic motions within the silence & of the thundering sound. Very cool... Nice piano bits that found it's way in... "No matter how closely I study it, no matter how I take it apart." Indiscipline was very different, of course no one can beat Belew, but that was really good & HAVING. MEL. THERE! ughghhh oh mygod. F*ck your composition, SAX anywhere & everywhere! Flute in any song! Give.me.it! Like flute in Frame By Frame!!! Bonkers! Absolutely mad. So in love. How can I ever listen to that song now knowing what Mel Collins has done to it?♡ ... A lot of my night was actually really bad haha. I got lost so I missed the first 15 minutes. I entered when Pictures of a City was ending : ( Really bummed. Can't recall Moonchild or In the Court just know that of course Mel Collins took 80% of my attention. I love you Fripp, but don't put an original woodwind/horn player parallel from you.... Alright: Mel Collins. The red shoes, Dig. The glasses constantly going on & off- double dig. Pretending to throw your sax, shut up! you’re still as f*cking cute as ever. Watching him adjust his equipment was cool. Fripp really didn't fiddle about with his guitar sounds if I remember correctly. Oh! except a really out of place ~groovy~ psychedelic wah-wah pedal which could have been from the singer's guitar, but that was fun. I liked that a lot. There was a guy there with a Christian Death shirt a row in front of me. When walking out I talked to him, showed him my Rozz Williams tattoo. He was heavily tattooed everywhere. This crowd felt like a bizarre scene. a third of these folks were younger & really stylized, it was kind of a spectacle to me- so many interesting looking people. & when I got to my correct seat after intermission (yeah part of being late) like the row I was in - all young. The dude next to me was f*cking good looking. What the hell is that all about? I wonder if he was like god this chick is c*mming whenever the sax plays. UGH! MEL. I hate how far I was. He would do these incredible things & it's like I NEED to "woo!" ya know!? I was so close to screaming his name because OHMYGOD! He definitely gave me a new experience. I've heard live sax/flute before (hell, I’ve recorded jazz musicians) & I’ve heard/seen Winwood's flautist/saxophonist but it wasn't really anything, even being that they were Chris Wood's compositions; it was nice, but I didn’t feel AT ALL like how I felt here- it could not compare to how moved or how over the moon ecstatic I felt for Mel Collins playing his & McDonald’s parts. Goshh.  King Crimson was one of the first bands I got into after my decade & personality shift, & I started collecting their CDS in 2016. An immense & heavily decorated atmosphere within the music, they are one of the best bands on the planet & I'm beyond happy I got to see them. I meant to see them in 2016, but I was still new to them & I didn't want to take off work. I really really really hope to see Fripp & them again. Oh, god please let me have the chance to hear Mel Collins play again, holy f*ck. (she's still on ‘im)... I haven't stopped! But i will end this here & maybe do a Mel Collins rave the next time I watch a Bryan Ferry video or listen to Camel or Chris Squire. Oh! last thing (this massive entry was written two separate days) & today I listened to Poseidon in the car to & from work & I skipped Pictures of City because I'm going to be sour about that forever, but! then after work I listened to it & %$!#$%Y@ F*ck! Mel! I really wish I got to hear him start that song off. Still too scared to look up what I missed. Next time I'm taking a taxi to begin with from the train station... I walked south of a street when I needed to have gone north... 30 f*cking minutes walking in the WRONG direction. But I made it & King Crimson was wonderful.･`✧*☆’☽゜ ...Hm, I don’t think I mentioned Mel Collins enough. Robert Fripp, who’s that?