#bollywood lp records

[recordplayer70]

Transatlantic Teutonic Two Step Take 135 - 10YRPT03 - ALL LPs [Sept 28th 2024]

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Tracks:

Arp-Life - Jumbo Jet - Jumbo Jet (1977) [Polskie Nagrania Muza – SX 1509]

Liaisons Dangereuses - Los Niños Del Parque - Liaisons Dangereuses (1982) [Roadrunner Records - RR 9982]

Wirtschaftswunder - Analphabet - Salmobray (1980) [Zickzack - ZZ 20]

Deutsch Amerikanische Freundschaft - Co Co Pino - Die Kleinen Und Die Bösen (1980) [Mute - STUMM 1]

Kein Mensch - Kein Mensch - V/A Neue Deutsche Unterhaltungsmusik (Rock In Deutschland, Vol. III) (1982) [TELDEC - 6.28592 DS]

Foyer Des Arts - Wolfram Siebeck Hat Recht - Von Bullerbü Nach Babylon (1982) [WEA - WEA 58 469]

Molchat Doma - Sudno (Boris Rizhy) - Etazhi (2021) [Sacred Bones Records - SBR-3037]

Twelve Cubic Feet - The Almshouse - Straight Out The Fridge (2024) [Sealed Records - SEAL-025]

Blue Clocks Green - Hemingway (Radio Mix II) - Hemingway 12 inch (1986) [Pre Post Da Records - WRA 1-685]

Guests - Arrangements, As In Making Them - "I Wish I Was Special" (2024) [World Of Echo - WOE014]

Leonard Cohen – I Can't Forget - I'm Your Man (1988) [CBS 460642 1]

David Stout - The Seven Rays - V/A Switched-On Eugene (197X/8X / 2018 reissue) [Numero Group 198]

Laurie Spiegel - Clockworks (David Morley Remix) - Clockworks Remixes (2022) [Machineries Of Joy 001]

Caribou - Sandy - Andorra (2007) [Merge Records - MRG308]

Asha Bhosle - Dum Maro Dum - V/A Indian Rare Groove (Rare Funky Songs From Bollywood) (2022) [Wagram Music - 3412946]

[mywifeleftme]

278: Dur Dur Band // Dur Dur of Somalia Volume 1 & Volume 2

Dur Dur of Somalia Volume 1 & Volume 2 Dur Dur Band 2018, Analog Africa (Bandcamp)

I’m not going to stand here and tell you directly that Dur-Dur Band is the greatest African group of all time, but if the thought kinda worms around in your brain a lil, well, more to the good. Back in the ‘70s and ‘80s, Mogadishu, Somalia was one of the most happening cities on the continent, and Dur-Dur Band (Somali for Water Stream) held down a residency at a top hotel. They achieved enough local notoriety to have a chance to record some tapes, and their music was in heavy rotation on local radio. In contrast to Ghana and Nigeria, the most well-known loci for Afro-funk, Somalia lies on the east coast of the continent, and Mogadishu was traditionally a cultural hub in which Arabic and Indian influences mixed with the indigenous Somali culture. Colonial occupation by the Italians and the British thickened the stew, and as a result the milieu that produced Dur-Dur was cosmopolitan even by the standards of coastal Africa.

Released in 1986 and 1987 respectively and reissued as a triple LP in 2018 by Analog Africa, Dur-Dur’s Volume 1 and Volume 2 cover a ton of sonic territory, though their core sound is the type of exquisitely groovy horn-driven funk that drives aficionados nuts. The production is nice and raw (Volume 1 was recorded in a single afternoon session at a Mogadishu club) but robust and bass-heavy, and there are also some extremely tasty synth sounds that gesture towards the more electronic sounds happening at the time in places like South Africa. I don’t know what you’re supposed to do with yourself when something like the funk-centipede-conga-line ���Doon Baa Maraysoo” kicks your door down and starts boogieing around the house other than join in.

While the band evidently played plenty of foreign music in their marathon stage sets, on record they focused on their novel fusion of these influences with local rhythms. The jittering “Jubba Aaka” matches dense hand-drummed percussion a la Sufi trance music and highlife horns with sassy boy-girl call and response vocals that wouldn’t be out place in a Bollywood dance number; the brief “Saafiyeey Makaa Saraayeey” is a trippy dub blues with fake-out record skips and ululating vocal runs redolent of Islamic prayer music; “Diinleeya” clearly pulls from classic reggae music, but also Dhaanto, a Somali folk dance with a similarly skanking rhythm. The compilation keeps you on your toes; “Salkuu Dhigey,” one of the previously unreleased tracks, has this insistent bleeping guitar figure and shifty beat that makes me think of a like, DJ Koze beat or something.

Basically everything on here slaps. Dur-Dur Band for World President.

278/365

[onlinevinylshop1]

onlinevinylshop@gmail.com Website:- onlinevinylshop.com Contact no. 9311344089

[airadam]

Episode 184 : Concentration

"Traumatised, but full of pride..."

- Bashy

Thanks to the short length of some of the tracks, the total running time of this episode isn't as long as some others, but it's a high-potency forty-eight minutes! We start with one of the realest, toughest tracks I've heard in ages, low-tempo to make sure you catch every word, end on a new track by some of the most dedicated veterans in the culture, and hit some incredible notes between those two points. Let's get it going...

Mastodon : @airadam@mastodon.me.uk

Twitch : @airadam13

Playlist/Notes

Bashy : How Black Men Lose Their Smile

Wow. Stunning, 100% relatable song that everyone should sit down, listen to, then run it back and listen again. Bashy is absolutely flawless here, telling his story while also telling the stories of so many of us Black men who have grown up here. The production by Toddla T just adds to it, with the reggae-influenced beat calling back to the music that has been so prominent in Black British life, and the straight-to-camera video is starkly fitting. "Being Poor Is Expensive" is the title of the new album this track is drawn from, and also a plain statement of fact.

M Slago : Sonic Marvel (Ten City Flip)

"The 80's Beat Tape" coming out of FWMJ's "Producers I Know" collective/project was a ten-track collection of, as you'd expect, producers flipping 80s records into their own compositions. I can't say I remember the original that Nashville's M Slago chopped into this slowed, ominous track, but I do know that many years after the 2015 release of this tape which was recorded at least two years before that, this beat was used for "Finer Things" featuring Kyle Rapps. So nice, we got it twice!

Scarface : No Problem

Scarface's "Deeply Rooted" from 2015 is a quality LP that you should seek out if you can - more than likely, you'll need to fork out to buy a copy since it seems to have long disappeared from Spotify. The Houston icon was on his eleventh solo album here, and his one long verse is an aggressive statement of who he is, what he's about, and what/who he has no respect for, over a dark, grinding beat from Atlanta's KEY! (punctuation is part of the name).

Ghetts ft. Stefflon Don : Slumdog Millionaire

This Bollywood-accented cut from 2017 is such a killer, and an appropriate move coming from the UK where many of us grew up hearing it at least as part of the background growing up - Ghetts himself notes that it was that element that made this Nutty P beat stand out for him. Stefflon Don adds some flavour to the hook, but Ghetts takes centre stage on the mic for two tight verses. If you want more, 2018's "Ghetto Gospel : The New Testament" is the place to go.

GQ : Trap

A track I admit I'd overlooked on the "Rated Oakland" LP despite its position as the closer, this one definitely pulled me in when I went back to it for the first time in a while, ten years after the original release. I've cut it a little short here for the sake of pacing, but you'll get a long spoken word closing from GQ if you go to check the full album! The moody, dark production comes courtesy of Eric G of The Soul Council.

namesbliss : Last Week

I was totally unaware of this highly-skilled MC out of Kilburn, London, until he popped up on my IG feed - who says social media is good for nothing? His rapid-fire, witty, and clean flows are married up with smooth beats (this particular one produced by Scruz) that are miles away from what you generally hear in the grime genre - I've heard this described as "lo-fi grime" and that seems as good a label as any. It reminds of me what KwolleM started a good few years back with his "mellow grime" style, and it's nice to hear an MC like this with room to breathe on the track! This particular cut is a highlight from his latest LP "Lively Experience", which is one of my favourite purchases of the month.

Devin Morrison : The Blisselle

I played a vocal track by Devin Morrison on the podcast back on episode 153, but didn't appreciate until recently how prolific (as well as skilled) a producer he is! In just over two years he has released a twelve volume series of "Dream Lobby" collections, made up of work he didn't think fit a standard album format, and if you like modern, smooth, dreamy, and soulful production then you want to at least dip in if not collect the set. This cut is taken from "Dream Lobby Vol. IX", a seven-track delight from last autumn - so I thought I'd share it as we get ready to enter this one...

Ghostface Killah : The Forest

I had the chance to see The Alchemist live this month, and as he was playing a smoking set of some of his many, many production classics from a long career, he dropped this one - which I totally forgot he did! With all the cartoon characters engaged in legally questionable activities, this track from 2001's "Bulletproof Wallets" is very much like Ghost's take on the two "A Gangsta's Fairytale" tracks Ice Cube did back in the day.

Jeru The Damaja : One Day

Hits differently now, doesn't it? Short, pointed, and naming names, find this DJ Premier-produced dagger on Jeru's second LP, "Wrath Of The Math".

Kuartz & Dubbul O : War Cry

Dubbul O only recently released the "Stay Gold" EP with Cutterz and now he's back with the devastating production of Kuartz on the new "Shigurui" EP, giving us that boom-bap rawness. This is the opening track, with the Manchester duo giving us some Timberland and hoodie music for real. If you miss this style, pick up this LP to hear it being done very well indeed!

Clear Soul Forces : Insane

One of the more light-heartedly amusing moment of this month for the heavily-online Hip-Hop fan was when the great Questlove of The Roots, one of the most knowledgeable music heads in the entire world discovered that Clear Soul Forces existed - it appears he thought they were a new act, but they've been about for almost a decade! We all have things slip under our radars, and there's no shame - if Questlove can miss a talented group like this, then we all can! Anyway, I thought it was fitting to go all the way back to their first album, 2015's "Fab 5ive" for this banger. While most of their catalogue has been produced by Ilajide, who is also an MC, this LP was produced by fellow Michigan native NAMELESS, who has this one smashing while CSF explode lyrically all over the track. As an aside - Quest was of course gracious when everyone leapt in to correct him!

[Kut Masta Kurt] Motion Man : Play Dough (Instrumental)

Early-2000s, independent underground boom-bap business - and while I got this beat from these two Cali natives on the B-side of a 12" single, you can now get the entire set of instrumentals from the "Clearing The Field" LP on Bandcamp!

LL Cool J ft. Busta Rhymes : Huey In The Chair

The buzz around this album since it came out this month has been quite something, with most heads agreeing it's the best thing LL has done in years! "The FORCE" is almost entirely produced by Q-Tip, and the result is a triumph for these two giants from the borough of Queens. This track brings in Busta alongside LL, with both going ultra-Black while referring to the famous image of Huey Newton of the Black Panther Party in the peacock chair that still hits as hard today, over fifty years since it was taken. Definitely check the album if you've not heard it yet.

Slum Village ft. Little Brother : Where Do We Go From Here?

As you likely know, SV have been through many lineup changes over the years and as much as anything the name is a flag to rally under for Detroit's finest - with this track coming from 2010's "Villa Manifesto", an album which thanks to posthumous contributions actually features every member that had been in the group up to that time. The vibe here is kind of retro-futuristic Hip-Hop, with Young RJ on production, Samuel Beubien on string arrangements, and DJ Dez doing a phenomenal job scratching in all the separate lines of lyrics to create a spoken hook. Only two verses, but T3 and then the combination of Phonte and Big Pooh of LB do the business. 

Mr. Voodoo aka AGU : Crhyme Life

Alchemist on the beat again, with a dark, tense piece of production to go along with the killer bars of Mr. Voodoo, one-third of the highly-respected Natural Elements crew.  As far as I can tell, this was only ever released as a 12" single and I can't find it on the streaming services, but it's available used pretty inexpensively if you want to add some quality rhymes and early Alchemist production to your crates!

Dave East and Mike & Keys ft. Stacy Barthe : So Much Changed

You know you're getting on a bit when tunes you clearly remember growing up are being covered, sampled, and tributed! This track from this year's "APT 6E" album from Harlem's Dave East and the production duo Mike & Keys is a clear tribute to the 1994 release "Pain" by 2Pac, from the "Above The Rim" soundtrack. It's not just the sample, but the lyrical themes that hark back to that original song, particularly on the first verse, and it's well done. Multiple Grammy nominee Stacy Barthe blesses the hook with her vocals, which again are reminiscent of "Pain" but with her own flavour.

[Ice Cube, QD III] Yo-Yo : IBWin' With My CREWin' (Instrumental)

After starting the mix with this stripped down to just the drums and bass courtesy of Serato's "stems" feature, I was tempted to leave it like that but ended up bringing back the rest of the elements on this banging 90s beat from Yo-Yo's third album "You Better Ask Somebody". Yo-Yo first came to our attention on Ice Cube's first solo LP, as his foil on "It's A Man's World" before going on a strong four-album run from 1991-1996 - go and have a listen if you're not familiar!

The B Boys ft. Chuck D and Ice-T : Hello

A record I had no idea was coming, this is a true meeting of veterans, OGs of the artform. The B Boys are the original crew of Donald D, an MC you might know from his excellent late 80s-90s work as part of the Rhyme Syndicate, with Brother B and DJ Chuck Chillout completing the trio. Their original run was roughly 1983-1985, then they went separate ways before coming back together for a couple of EPs in 2022 and 2023, and then a full LP "We Get Down" this year, which this track is on! The Donald D-produced instrumental is heavily drum-centred, and in the best way, sounds like something that could have been on Ice-T's first LP, and leaves plenty of space for the vocals to be heard clearly - and the headliners bring along Ice-T and Public Enemy's Chuck D to provide full verses for a track that runs for over five minutes, a relative rarity these days. Abigail Culley's hook rounds it out nicely, and if you're anything like me, will stick in your head!

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

[drocer-vynyl]

New Hindi Vinyl Records"

Discover the Latest Hindi Vinyl Records: A Journey into Timeless Melodies

Vinyl records are experiencing a revival worldwide, and India is no exception. For Hindi music lovers, there's something uniquely special about listening to beloved tracks on vinyl. The warmth, richness, and nostalgia that vinyl offers cannot be replicated by digital formats. At Drocer Records, we're thrilled to present our latest collection of Hindi vinyl records. Let's explore the exciting new releases, classic reissues, and exclusive editions that will make perfect additions to your collection.

The Vinyl Revival: Why Hindi Music Lovers are Turning to Vinyl Records

The vinyl revival has taken the music world by storm, and Hindi music enthusiasts are embracing this trend with open arms. Here’s why:

Superior Sound Quality: Vinyl records offer a depth and warmth in sound that digital formats often lack.

Tangible Connection: Holding a vinyl record, admiring the album art, and carefully placing it on the turntable creates a tactile experience that digital music cannot match.

Nostalgia: For many, vinyl records evoke memories of a bygone era, bringing a sense of nostalgia and connection to the past.

The resurgence of vinyl records is not just about the music; it's about the entire experience.

Must-Have New Hindi Vinyl Records for Your Collection

Our collection at Drocer Records includes some of the most anticipated new releases in Hindi music. Here are a few highlights:

1. A.R. Rahman’s Latest Masterpiece:

Album: "Dil Bechara"

Notable Tracks: “Dil Bechara,” “Taare Ginn”

Overview: A soulful soundtrack that beautifully complements the emotional narrative of the film.

2. Shreya Ghoshal’s New Album:

Album: "Gulzar In Conversation With Tagore"

Notable Tracks: “Baaghon Mein Bahaar Hai,” “Chupke Se”

Overview: A collaboration with legendary lyricist Gulzar, this album is a celebration of Tagore’s poetry set to music.

3. Arijit Singh’s Romantic Collection:

Album: "Love Stories"

Notable Tracks: “Tum Hi Ho,” “Raabta”

Overview: A compilation of Arijit Singh’s most heart-touching romantic songs, now available on vinyl.

These new releases are a testament to the enduring appeal of Hindi music on vinyl

.

Classic Hindi Albums Making a Comeback on Vinyl

Vinyl enthusiasts will be thrilled to know that several iconic Hindi albums have been reissued on vinyl. These classic records are a must-have for any serious collector.

1. Lata Mangeshkar’s Timeless Hits:

Album: "Lata Mangeshkar – The Golden Collection"

Overview: A compilation of Lata Mangeshkar’s greatest hits, this reissue captures the magic of her voice in its purest form.

2. Kishore Kumar’s Evergreen Melodies:

Album: "Kishore Kumar – Greatest Hits"

Overview: Featuring some of Kishore Kumar’s most beloved songs, this vinyl reissue is a tribute to his unmatched talent.

3. Asha Bhosle’s Classic Tracks:

Album: "Asha Bhosle – Forever Young"

Overview: This collection of Asha Bhosle’s hits showcases her versatility and enduring appeal.

These reissues bring classic Hindi music to a new generation of vinyl enthusiasts while allowing longtime fans to rediscover their favorite tunes.

[indian-old-coins]

Vinyl Records: Resurrecting the Melodies of the Past for a Timeless Music Experience!

Vinyl records has classic sound of a fascinating charm in a world when digital streaming services are predominated. As music lovers throughout the world look to rediscover the sincerity and warmth of analogue sound, the revival of vinyl has been a welcome surprise. The ultimate collectors’ destination, BidCurios, celebrates the enduring allure of vinyl by providing a look into its significance, history, and the growing vinyl records market in India.

Vinyl Records – A Timeless Musical Medium

Due to its invention in the late 19th century, It have a special place in music history. These recordings’ analogue nature resulted in a warm and genuine sound, luring music lovers into a spellbinding musical experience. Vinyl albums encourage listeners to digest the album in its entirety and appreciate the aesthetic storyline behind each song, in contrast to the fleeting digital files.

The Vinyl Records Comeback

Sales of physical music significantly decreased as a result of the music industry’s digital revolution, but intriguingly, vinyl albums have made a stunning comeback. Vinyl have been welcomed by music fans of all ages as more than just a means of listening to music; they have evolved into prized artifacts that show a profound appreciation for the artistry and cover designs.

Vinyl Records India – A Flourishing Market Online

India, a country with a long history of music, has seen a rise in vinyl record sales. These are coveted by collectors and audiophiles alike due to their historical charm and the rich diversity of Indian music. They offer a magical means to experience the soul of Indian music, whether it be the captivating notes of classical ragas or the heartfelt melodies of Bollywood oldies.

Unearthing Vinyl Records Online

Vinyl’s have discovered a new home on digital shelves as the digital age encourages the expansion of online markets. Vinyl fans in India now go to BidCurios, a renowned marketplace for collectors. BidCurios combines buyers and sellers, establishing a community of ardent collectors, and offers a huge selection of vinyl records, both rare and modern.

Vinyl Records: A Journey Through Generations

Astonishing ability to cross generational divides is one of their most impressive features. Younger generations are exposed to the enchantment of vinyl’s as a result of parents passing on their beloved vinyl collections to their kids, ensuring the enduring heritage of this cherished medium.

Types of Vinyl Records

The following are various types:

Shellac records, 10” 78 rpm

LP (Long Play), 12” 33 1/3 rpm

EP (Extended Play), 7” 45 rpm

SP (Single Play)

Flexi Disks

Read full blog on Vinyl Types: Types of Vinyl Records

Recognizing Vinyl Records

To recognize each type of vinyl record, you can look for the size and the label. The 10″ shellac record is easy to recognize because it is harder than the other types of vinyl records. LPs are typically 12″ in diameter and have a small hole in the center. 7″ EPs are smaller than LPs and also have a small hole in the center. SPs are also 7″ in diameter but have a larger hole in the center. Flexi disks are usually smaller than LPs and may come in round or square shapes.

Where to buy vinyl records in India?

Building a vinyl collection can be a fun and rewarding experience. You can start by looking for vinyl records at your local record store or online marketplaces like BidCurios.com. BidCurios.com is India’s leading marketplace for collectibles. You can find rare and vintage vinyl records at BidCurios.com and choose from wide selection of genres. Click the link to view the vinyl’s listed on BidCurios.

Conclusion

The vinyl record has stood the test of time and continues to retain a unique place in the hearts of music lovers everywhere. With BidCurios acting as a thriving marketplace for collectors and audiophiles to explore, discover, and cherish these timeless gems, the love for vinyl continues to flourish in India. Vinyl records continue to be a symbol of reminiscence, artistry, and enduring passion for music,

whether it’s the distinctive crackle of the needle on vinyl or the tactile feeling of touching a piece of musical history. Vinyls are a reminder of the analog era’s continuing charm even as the globe embraces the convenience of digital music.

Explore our Vinyl Collection: Vinyl Records

Explore Collectibles: Bidcurios.com

[staxoftrax]

JULY 1st NEW ARRIVALS!!!

Dropped a nice load of cool and eclectic records at the shop tonight. Pictured highlights include a crazy Bollywood soundtrack featuring the great MF Radi, an excellent original John Fahey LP - America, an original copy of Bob Dylan - Highway 61 Revisited, an original mono copy of Jefferson Airplane's classic Surrealistic Pillow, an original classic Last Poets LP, a beautiful original copy of John Mayall & the Blues Breakers featuring Eric Clapton, a beautiful original copy of Billie Holiday - Lady in Satin, a mint Burning Spear LP - Resistance and an original copy of The Clash - Combat Rock! Also a couple of Talking Heads LP's, a couple more Pink Floyd records, some Rickie Lee Jones and Rolling Stones LP's and lots more!

Stop by tomorrow and thanks as always Josh Ferko / Stax of Trax

[onlinevinylshop]

mere samnewali khidki me - padosan.mp4 from Alok Verma on Vimeo.

onlinevinylshop.com/ Buy LP Vinyl Records With India's Largest Collection of Bollywood and Indian Classical Vinyl Records. LP Records For sale in India With Excellent Condition Cheapest Price. LP Records selling online we have good collection of DJ and Remix LP Records, Indian LP Records, Bollywood LP Records, Classical LP Records, Punjabi LP Records, English LP Record

[somsesh]

Yashica Auto Focus Motor IID

On a Saturday afternoon in November last year, I was walking by 100ft road Indiranagar when my eyes landed up on a guy on the side of the road with a makeshift shop selling an assortment of vintage junk. The guy must have been in his fifties, his eyes were set deeply in the dark socket from where his smudged yellow eyes glistened. He had sleek black hair parted from the middle, pulled back like Bollywood heroes of the early 90s. It was a befitting look for the stuff he had lined up on his roadside shop. There were walkman, camcorders, round dial telephones, old LP records, and plenty of point-and-shoot film cameras. I am a sucker for nostalgia, but an even bigger sucker for film cameras. I had always wanted a point-and-shoot camera because its mobility of it feels like a blessing at times. Most of the cameras he had were in pretty roughed-up condition, except for a Yashica AF. This model stood out, built like a sturdy plastic soap box with some nifty features like a sliding lens cover. I also have a soft spot for Yashica cameras because my father had a Yashica SLR, so my heart for this new find at this roadside shop started to melt. The shopkeeper very smartly kept no batteries to check whether the camera worked. After my pathetic negotiating skills, we settled for a price of 2K.

Thankfully, Nidhi pitched in and agreed on 1K and 500 later only if the camera worked. We decided to take it to Prabhu's photo shop on Brigade to see if it had any life left. We put the pencil cells through the loose hinges of the battery case area. Hit the shoot button but it did nothing. Mr Prabhu obliged us by trying his experience on it. He rewound the film roll motor by pressing it, and it made a screeching noise and kicked to life. But it still won't shoot. So I had a camera that could walk but not see. Mr Prabhu offered to get it fixed, and even with the risk of paying the repair cost, it was worth seeing it through because the gains were much higher than the losses at that point. I waited for a couple of weeks, anticipating whether I will have a showpiece coming back or a camera I could shoot with. Thankfully, my luck had not gone to sleep, and the camera came back in working condition. Although, a few things were still off. The camera could shoot even with the lens cap covered, so I wasted quite a few shots taking blank shots because, after years of shooting on an SLR, you get assured of the lens cap not being on the camera because your viewfinder will tell you so! The camera also would roll through multiple shots without taking a shot. It happened more when the shutter was pressed for a slightly longer duration. It's a glitch that I had no clue how to tackle because at times it would do this even with a light press. The flash would also work groggily at times because you would have to wait for some time before it would actually fire, so there went a few shots down the sinkhole.

I don't know if monetarily it was of any gain to pick this camera up from the roadside, but the whole fun is not knowing what you would actually end up with. Took quite a few shots of Sufi with this camera,.

[theechudar]

Saregama: Saregama launches LP vinyl record collection of legendary artists

Saregama has brought the nostalgia of the golden era of Bollywood music with the launch of its LP vinyl record collection. Featuring iconic songs by legendary artists such as Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle, these vinyl records are a treat for music enthusiasts of all generations. The music of these legends has made an immense contribution to Indian music and…

[123soldin]

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[djnobreakfast]

Bollywood Vinyl Records - exposition @ Université P. Sabatier. Ramonville. 15.05.19 au 17.07.19.

Une exposition de pochettes de disques vinyles Bollywood des années 50 à 80 visible du 15 mai au 17 Juillet dans le hall du Forum Louis Lareng, Université Toulouse III - P. Sabatier - 118 route de Narbonne, Ramonville. . L’occasion de réécouté ces mixtapes Bollywood:

[anniekoh]

slow gratification - music at the speed of everyday life

My new consumer obsession is the ethics and environmental impacts of listening to music. People seem to have shifted away from listening to their own music (whether mp3s or physical formats like cds and lps). I’m not sure of the appeal of streaming platforms like Spotify. Is it convenient or better than playing a random shuffle mix off your laptop or what-have-you?

Anyway, this started, as these things do, with what I didn’t like about listening to music now, as we teeter on the brink of the 21st century’s third decade.

The carbon footprint of streaming media.

The dominance of streaming platforms and the puny pittance of money that goes to the artists who made the music

Youtube’s disinclination to prevent the spread of misinformation and virulent ideologies of hate.

I’m trying to figure out how to enjoy music, learn about new musicians, without reliance on Youtube or Amazon or Spotify or any other streaming service. 

So far I’ve been - Getting used cds, scavenged from library book sales, borrowed from local libraries, purchased via Goodwill’s online platform. - Using Bandcamp as a discovery tool, and a way to support musicians through purchase of their songs - Listening to the radio

I haven’t come up with a good phrase to describe this budding set of ethics and practices. Slow Listening? Slow Music? Un-Prime Listening (head-nod to Amazon Prime of course)? Sporadic song gratification?

Of course, this cd obsession started because I bought a car, after 15 years of not owning a car, and the car had a cd drive. The novelty of being able to play cds, combined with a 20 mile commute, prompted a cd buying spree. In the absence of Tower Records or an indie music shop in my neighborhood, I took to scouring the friends of the library book sale at every library I visited.

The luck - finding U2′s Joshua Tree album at the Artesia library book sale, shelved amidst a ton of Bollywood compilations.

The nonluck - buying a New Order cd at the Alhambra friends of the library store, only to find that I had purchased an empty case.

[burlveneer-music]

Hot Border Special - Are You Ready? - killer grooves and breaks from funky UK 5-piece

Five years after their eponymous debut LP London's Hot Border Special return with a powerhouse album entitled ‘Are You Ready?’ With studio wizard Malcolm Catto (The Heliocentrics/Mulatu Astake/Gaslamp Killer/Hannah Williams) at the helm, recording took place at Malcolm’s Quatermass Sound in London, where the band recorded the freshest of tracks sure to inflict the severest head nod inducing whiplash! Hot Border Special certainly aren't afraid to take risks, with heavy tracks like opener ‘Woo!’ a funk/rock/latin killer and Cop Drama funk of ‘Who is Tony Soap?’ - showcasing just how filthy a groove can get - contrasting effortlessly with the mellow beauty of ‘Good Egg Bad Egg’ or the funky Sly inspired ‘The Martha Strut'. They even take on classic Bollywood theme ‘Sholay’ and Mandrill's stonecold classic ‘Mandrill’ to thrilling effect. ‘Are You Ready?’ is a true representation of Hot Border Special’s Live show, displaying fantastic musicianship but never sounding in the least self-indulgent and with members from bands including The Heliocentrics, The Quantic Soul Orchestra, The Mighty Mocambos, Noisettes & JetTricks to name but a few. The very heaviest of drums and percussion from Dan Hale and Paul Elliott underpin the funkiest of bass from Jamie Lawrence and with Dan Smith’s soaring rock guitars let loose alongside James Beckett’s psychedelic keys, Hot Border Special have produced a surefire future classic. Truly powerful - you've probably heard nothing quite like it, the only question is...Are You Ready?!

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The Differences Between Musical Genres

Overview of all songs within the style Digital, Including associated genres. Half heady avant-garde improv, half properly-thought-about Molotov cocktail, all methods disorienting, Throbbing Gristle's debut steamrolled a new path for underground noiseniks by eschewing many of the formal rules of rock music — drums, guitars, melody and, on Aspect B, pulse completely —going instantly for the primal appeal of distortion. "Industrial Music for Industrial Folks" learn the tagline for the band's own Industrial Information, spawning a genre fueled on grinding, mechanical terror and offered influence for everyone from Nine Inch Nails to Aphex Twin. Built on disturbing samples, disturbing digital textures, and disturbing reside recordings, Second Annual Report employed the LP as a medium of moveable transgression. In a yr through which pop music—from Robyn to Ariana Grande—was making a robust assertion, singer Héloïse Letissier, who performs as Christine and the Queens, arrived from France to continue the conversation about gender and identification on Chris. On Doesn't Matter"—over daring poppy '80s drums and glowing synth—Héloïse bravely addresses the pressures of the masculine gaze, suicidal ideas, and the nature of relationships and faith. It's a heavy and essential conversation to be having—especially in a song crammed with as much buoyant French enjoyable as this one. I don't understand how individuals in India have the guts to even name Bollywood a music business. I mean, critically? A expertise-much less bunch saying "Your eyes, your face, our love, our marriage" again and again in each track. And a few random-ass "rapper" who occasionally chips in to "rap", which all the time consists of "Get on the floor, yeah, groove it, yeah, yo, yo, transfer it". 99.9% of the songs are like that. Plus, no production quality at all. Every thing borrowed from different worldwide music. Bollywood is just industrial marketing noise which is bought off as music to a billion individuals with no style and no clue as to what actual music is.

Although he's been useless for over one hundred ten years allready, essentially the most celebrated person from the city of Bergen, nonetheless, is EDVARD GRIEG. As classical music has been canonised for much longer than different musical genres and has earned its place even as an academic topic its unlikely for this artist to fall into obscurity through the many generations from the height of his profession. His most recognisable compositions are in all probability the incidental music for Henrik Ibsen's play Peer Gynt, whereas the ‘Within the Hall of the Mountain King' is included. Nation, people, pop, rock Linda has covered it all in her forty-plus-year profession, however no matter which style you associate her with, her success on the nation music charts is undeniable. Linda has 14 platinum albums to her name, including 4 that climbed to the highest of Billboard's Country chart, in addition to 13 Grammys and two ACMs. And who could neglect when she teamed up with Dolly Parton and Emmylou Harris to create the tremendous-est of feminine tremendous groups and release 1987's Trio. The iTunes Store has lots of methods that can assist you discover music you will love. High charts. New music recommendations based mostly in your past purchases. Trending Searches to help you slim down which artist, album, or genre is hot.3 And Siri works with Shazam, the amazing app that identifies the tune that's enjoying.4 As soon as you hear a tune you want, just ask Siri What tune is this?" to find out the artist, track, album, and extra. You can purchase the music immediately from the iTunes Retailer. Or Siri can add it to your Want Checklist so you can buy it later. For many of us, our taste in music is an integral a part of our identification - so much so that, to a sure extent, what we hearken to is who we're. The songs of our youth, heard a thousand instances, fill our headspace with stray lyrics and infectious grooves, creating a filter for the way in which we see, hear, and perceive the world from then on out. And while some have a much less aware, elanateal229.hatenadiary.com more organic strategy, others actively draw boundaries between the music they settle for and the music they deny - and by extension, the people related to these musical cultures, as effectively.

Metallic is a great style of music. It is incredibly numerous, from heavy steel, to hurry and thrash metallic, and even to pirate steel, just like the band Alestorm, and there are even humor steel bands. Metal bands sing about demise, ache, sometimes love, life, peoples personalities, it tells stories, and many different issues. The music itself is diverse. There are songs that begin off slow and http://www.audio-transcoder.com progress to actually quick solos, there are metal songs which are fast all throughout the music, and there are gradual songs. All in all, metal is a great style of music resulting from its great range.

Though each house and techno music were merchandise of city African-American culture, these kinds would get pleasure from a lot of their recognition by the late Eighties within the U.K. and Germany. In the U.K., parties could be held in large open fields out in the countryside. The brand new drug ecstasy turned a popular ingredient to the house and techno events of this era, along with different psychedelic drugs like LSD. These events acquired the title raves and shortly turned famous all through the world for their wild, Dionysian, utopian vibes.

In answering your title question, I agree with the other reply right here (from Tetsujin): genres exist because classification Is What We Do and our brains our wired for using heuristics (see, for example, the writings of Herbert Simon ). That's, labeling something by genre provides a sense of its innate structure and the "rules" by which it performs - or, perhaps extra apparently, the principles it performs round with. (This is why (I personally believe) there is vital argument around whether or not artists fit into sure genres. It seems to be significantly endemic to some steel sub-genres, where there's even a time period for 'trueness to the style': kvlt) Extra merely - or extra individually - the label of genre is among the shortcuts that helps me resolve whether or not or not I may prefer it.