#bolivian gem

[gemville]

67.45 Carat Shield Fantasy Cut Bolivian Ametrine

Photo: Lauriane Lognay Rippana, Inc.

Source: jewellerybusiness.com

[diejager]

it's always girl dad König or girl dad Simon but girl dad Makarov whose little princess gets away with everything

Cw: mention of assassination, protective behaviour, father!Makarov, tell me if I missed any. nnote: every dialogue in italic is spoken in Russian.

“- could provide you with-” 

“Papa, ” you poked your head through his office room’s door after giving it three light knocks.

You knew your dad was in his office, a worker of the house had told you where he was after you asked her, the old lady’s face wrinkling up with her gentle, saying that she saw a Bolivian man escorted to his office, but didn’t know if he left or not. Wanting to try your luck, you crossed the mansion to get to his office, built on the left side of the house, while your bedrooms and study rooms were on the other end of the mansion. He liked to separate his work life and his life with you, for better protection and keep your from knowing the dangers of life —or so he says. 

A man sat across him, the bald head of the Bolivian man Old Baba mentioned, wearing a suit sewed in fine looking silk, of rich and luxury that even your father never wore around so carelessly. It would catch people’s attention, right or wrong, he didn’t need any of that, he would rather wear the same black and white attire, clean and normal enough to be unnoticeable by the mass. The dichotomy between the fat man and your father was laughable, a scene you’d only see in your comedy novels or a movie. Your abrupt entrance had cut the man’s proposition in half, turning both their attention towards the door where you blinked owlishly, partly in guilt for barging into his meeting and in shock at the bald man’s heavy perspiration. 

“Sorry, I didn’t know you were still talking,” you bowed your head, ready to excuse yourself for barging in, “I’ll come back later, papa.”

“It’s fine,” Makarov waved his hand, nodding his head to let you know he wasn’t mad, your father would never be mad at you, you listened so well and never fought him on anything. You were a gem in his eyes, something precious and untouchable to all but him, “I’ll have someone call you when I’m done.”

When you closed the door, Makarov’s attention turned back to his potential - well, past potential - ally, his eyes darkening after he caught the man whispering something horrid about your interruption. His business was yours as much as it was his, you might’ve been kept in the dark at most time, but you knew enough to know he was a dangerous man. He kept you sheltered, but not naive.

And after half-heartedly listening to what the man had to provide, Makarov dismissed him, giving him a cold apology about those needs being fulfilled by a prior contractor, someone who already provided him with the material he proposed. He didn’t need a rich pig that stupidly flaunted is money, it would attract to many eyes and he didn’t need that if he wanted to reach his goal and build a better world for you. 

He flicked his wrist, opening his phone and mindlessly dialling a number, pressing the screen to his ear as he watched the man amble down the stairs, struggling to make his way to the car he had a chauffeur waiting for him. The person on the other side picked his call within seconds, a cool and monotone voice ready to receive his order from Makarov, the unbothered tone at his fury, a personal and petty thing that clawed at his mind. 

“Make it known that I will have no one disrespect my daughter.”

“Yes, sir.”

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[clanraire]

Hello! I am opening preorders for a new accent, Andean Dreamer for Fathom Hatchlings! As a Bolivian, I've seen Mesoamerican (Maya, Olmec & Aztec) inspired skins and accents, but no Andean inspired ones, so I figured I might as well make one of my own as a little tribute to my home! It'll be 500 gems per preorder slot, with extra copies sold on the AH for 550 gems! Let me know on my thread if you want a slot!

The flowers are the kantuta tricolor, one of the national flowers of Bolivia!

[dustedmagazine]

Dust Volume 10, Number 10

The Ex

October closes with a macabre flourish — blackened gardens, elaborate yard displays of skeletons, Halloween, the day of the dead, a terrifying American election.  We music lovers react in various ways, some turning to darker, more ominous musical textures, others seeking solace and distraction, still others ignoring the backdrop completely and listening to what they would listen to anyway.  And so, we gather another wide-ranging dust, spanning sounds inspired by a Bolivian earthquake, pogo-friendly snappy jangle, a crust supergroup, a celebration of the Ex’s 45 years in music, and much more.  This month’s contributors include Jennifer Kelly, Bryon Hayes, Bill Meyer, Jonathan Shaw, Christian Carey, Ray Garraty, Tim Clarke and Ian Mathers. 

Alma Laprida — Pitch Dark and Trembling (Outside Time)

Alma Laprida is an experimental artist and musician from Argentina, here playing a medieval stringed instrument—the tromba marina—through a 21st century array of effects pedals and an 18-inch subwoofer. The instrument, with its yards-long strings and vibrating bridge, is, by itself, capable of unusual sounds. Its natural timbre hovers between a cello and a trumpet. But fed through Laprida’s electronic rig, the sound turns harsh and ominous, blistering and dissolving into tones so low you feel rather than hear them. This album comes from a live performance at Bard College in 2023, taking as its subject Laprida’s experiences during an earthquake in Bolivia. In the long, “Trembling,” low, sustained vibrations make the air tremble, while trebly, metallic sounds skitter and rattle, like pots and pans clattering in the shock. A clock ticks in the foreground, steady on top of roiling, shifting undercurrents. “Vibra,” the other lengthy track, looses then subdues the tromba’s brassy sound, letting the echoes linger for long, not-quite-empty minutes. A corrosive blare interrupts, a foghorn in a world of mists and uncertainty, then clear string tones and its scratching echoes. Pitch Dark and Trembling distills an ambient unease into sound.

Jennifer Kelly

Artificial Go — Hopscotch Fever (Feel It / Future Shock)

This Cincinnati quartet produce a short, sharp brand of post-punk that induces spontaneous pogoing. Hopscotch Fever is Artificial Go’s debut, but it could easily be mistaken for an unearthed gem from late-1970s England with its snappy rhythms and chiming, angular guitars. Vocalist Angie Wilcutt (Corker) adopts an English accent as she sings charmingly, her lyrics unfolding in an energy-filled stream of consciousness that keeps pace with the bouncy backbeat of songs like “Payphone,” “Aphrodisiac,” and the band’s calling card “Artificial Go.” Cole Gilfilen (Corker, The Drin), Micah Wu, and Claudio Thornburgh round out the band’s lineup. Like a game of hopscotch, their churning jangle is a lot of fun but comes to a halt far too quickly. Hopscotch Fever is full of earworms. Its effervescent spirit lingers in our brains long after the music stops.  

Bryon Hayes

Black Toska—The Orphan (Self-Release)

The Madrileño goth punks in Black Toska return with six more haunted, synth-swathed, night visions, revisiting a sound Dusted described in early 2023 as “like John Spencer without all the arch theatricality or Rocket 808 in less of a growl and more of a croon.” If anything The Orphan is even more ominous than Dandelion was, with corrosive guitar sound tripping a hole in “Little Dead Bird” and a fever-dream unease percolating through “The Only Thing We Need.” The best cut is the title track, intimating baroque dangers its flowers-of-evil flare of wah wah and mannered vocal melody. “Who can steal a baby?” asks Victor Garcia, his elegant, jaded voice hemmed in by wild surges of electrified dissonance, as you’re left to consider that bad things—and compelling music—flourish in the shadows.

Jennifer Kelly

Paul Bryan — Western Electric (Paul Bryan Music)

The title might cue you to ponder your power situation, but the intent is more oblique. Bassist-programmer-producer Paul Bryan took Sonny Rollins’ Way Out West, an exercise in restriction that happened to open doors of conceptual opportunity for everyone who was feeling confined by the piano’s roll as the chord cop of bebop. But Bryan, whose cv. includes production and arrangement work with Jeff Parker, Josh Johnson, and Aimee Mann, is a plugged-in kind of guy, so his restriction involved writing the material on a little Yamaha keyboard and recording it with a trio comprising Jay Belleroe on drums and Josh Johnson on alto sax. Since you can’t completely separate a studio dude from his gear, there’s some processing and programmed drum, which results in the album having a soft jazz-funk feel that is uncluttered, but hardly minimal. Western Electric is the answer to a question that few might ask; what if you subtracted the guitar and the layered production from Jeff Parker’s New Breed?

Bill Meyer

CPC Gangbangs — Roadhouse (Slovenly)

CPC Gangbangs is back after a long hiatus and not a bit tamed. The Montreal garage punks with ties to Les Sexareenos and Spaceshit flared out in 2007 and reappeared (some of them) as Red Mass. But 17 years later and without explanation, they bash and slam and clatter again, serving up two covers and one original, all flayed and confrontational like it’s the rock-is-back aughts all over again. CPC Gangbangs jack up Louisiana swamp rock “Going Back to Philly” on agitated city-boy jitters. They blast through “Rock ‘n Roll Enemy #1” from the SF proto-punks Crime with furious intent. They haunt Bo Diddley’s grave site with a rackety beat in “Roadhouse.” It’s referential but never reverent, well-informed but never studious, good stuff.

Jennifer Kelly

Deadform — Entrenched in Hell (Tankcrimes)

Sort of stupid to reference the notion of “supergroup” in relation to a subgenre as witheringly anti-commercial as crust, but Deadform hits all the right notes, as it were: three dudes who have Oakland’s concrete ground into their bodies, and who have played crucial roles in bands as storied as Dystopia, Stormcrow and Laudanum. Dino Sommese (of Dystopia, and also Noothgrush and Ghoul) has the most recognizable name, for listeners beyond the Bay Area and outside of crust’s stinky, dirty milieu, and he pounds the skins and hollers with energy belying his 50-some-odd years. But all the players (including Brian Clouse and Judd Hawk) are all in. Entrenched in Hell doesn’t move beyond crust’s characteristic properties: lotsa nasty metal-tinged guitar parts, some sludgy yuck clotting up the bloodstream, the smell of filthy dreadlocks, and so on. It’s a heavy record, the second half of which hits especially hard. Check out “Peacekeeper” and especially “Fetid Breath.” Then pick yourself up off the dank floor of whatever squat you passed out in and play the tunes again.

Jonathan Shaw

Efterklang — Things We Have in Common (City Slang)

Danish post-rock band Efterklang has been releasing recordings for 20 years, as well as producing an opera in 2015 and making music through core members’ side projects. Things We Have in Common is the culmination of a trio of albums, beginning with Altid Sammen (2017) and continuing with Windflowers (2021). This time out, the group doesn’t eschew its characteristic experimentation, but several of the songs evince a gentle, art pop vibe, particularly “Plant” on which singer/cellist Mabe Fratti guests, “Getting Reminders,” with Beirut and “Animated Heart,” featuring the choir Sønderjysk Pigekor. Efterklang on its own is persuasive too. “Shelf Break” has an artful use of vocoder against oscillating synths and abundantly syncopated percussion. “Leave It All Behind” combines whispered vocals, keyboard arpeggiations, sustained sine tones and a drum thwack on alternating beats. Taken as part of the trio of recordings, Things We Have in Common is its hopeful conclusion.

Christian Carey

The Ex — Great! / The Evidence (Ex Records)

In 2024, the Ex are celebrating their 45th year by putting out their first new music in six years. It’s just two songs on a 45-rpm record (although they’re also throwing a celebratory shindig in Amsterdam and Mechelen late in November). Not many bands last 45 years, and of those that do, it’s pretty rare for them to put out work you’d want to hear as much as the songs that first drew you into their camp. The Ex are not a common band. The quartet of Terrie Hessels, Andy Moor, Arnold de Boer, and Katherina Bornefeld are still engaged with the moment; the words to these two song address current realities with a combination of elliptical expression and blunt veracity. They’re still engaged with each other, locking into these tough, intricate, but fat-free tunes with combustible chemistry intact. And they’re still tuned into the joy and outrage that’s infused their work across four and a half decades. That’s pretty rare.

Bill Meyer

Jill Fraser— Earthly Pleasures (Drag City)

Electronic composer Jill Fraser has been making music for commercials and films, as well as performing New Age pieces live, since the 1970s. Earthly Pleasures is her first album release in a while. It demonstrates her versatility with vintage gear such as the 1978 Serge Modular synth and newer resources such as Ableton Push 3. “When We Get to Heaven” is a ten-minute long track that uses these resources to make a diaphanously appealing arrangement. “Amen 1” and “Amen 2” are more aphoristic, the first with clouds of harmony and a sci-fi sounding ascent, the second with sparking bell timbres, oscillating percussion, sampled voices, and a fluid keyboard part. Earthly Pleasures closes with “I Stand Amazed,” with trebly, widely spaced synths. Fraser has suggested that the theme of this album is, “What happens to our music when we die?” History suggests that mileage varies, but while she is earthbound, one hopes Fraser has more recordings to share.

Christian Carey

Häxenzijrkell — Portal (Amor Fati)

German maestros of bummer black metal Häxenzijrkell are back with another slab of downtempo musical maelstroms, engineered to drag you into a terrible, soul crushing void. That description and the band’s sonic profile sound a lot like blackened doom, but somehow the music on Portal scans as straight-up black metal — at least to this reviewer’s ears. The best tracks are at the end of the record: “Assiah” and “Aeon” drone, churn and distend like the effects of some of that legendary brown acid, which we aren’t supposed to eat. There’s nothing especially lysergic (to invoke that too-trivially used term) about the textures or production of Portal. It’s more the nightmarishness of the tunes, the mechanical edges on the band’s sound, the taste of something metallic at the back of the tongue — all that stuff accumulates, alongside the deliberate, glacial progress of the songs. Soon that glistening, awful wall of ice looms over you. You can see your face on its glassy surface. You know it’s a bad idea to stare, but you can’t help yourself. It’s excruciating. It’s entrancing. You are through the Portal.

Jonathan Shaw

Boldy James & Harry Fraud — The Bricktionary (Boldy James / SRFSCHL)

The Bricktionary is the fourth Boldy James’ tape this year and apparently not the final one. The producer Harry Fraud has also been too busy lately, spreading himself too thin. The good news is that Boldy is good even on generic beats (probably half of his output has been on some unknown guys’ production). It’s the kind of street music which never forgets that it’s an art and not a report card. The best track here is “Shadowboxing.”

Ray Garraty

Danny Kamins — Retainer (Sound Holes)

“Solo Horn,” declares the J-card art, and it does not lie. This tape presents Texan Danny Kamins playing sopranino and baritone saxophones at home, alone. It would appear that he spent his lockdown time developing his circular breathing. On the small horn, his examinations of patterns that subtly vary and throw off flurries of orbiting overtones feels like an homage to Evan Parker’ solo soprano work. Parker got there first with such authority that he has made it hard for other people to do it and not simply sound like him. Kamins sounds great but doesn’t quite overcome the challenge of differentiation. The baritone is another matter. Kamins sculpts massive ribbons of tunneling, rippling sound to consistently compelling effect.

Bill Meyer

Seiji Murayama / Jean-Luc Guionnet — Balcony Inside (Ftarri)

Multi-instrumentalist, graphic artist, composer, improviser, film-maker, etc.; Jean-Luc Guionnet is a confirmed polymath. On Balcony Inside he and frequent collaborator Suijiro Murayama perform a duet for church organ (Guionnet) and snare drum, cymbal and voice (Muriyama). But it might be more accurate to say that they play with space. There’s the apparently capacious interior of the Taborkirche, which Guionnet represents with massive chords that beat against the walls. And there’s the space inside your head, which is likely to be rearranged by Muriyama’s horror-movie-victim cries and emphatic, elastically rhythmic beats. A seasonal suggestion: pipe this music loudly out of your house on Halloween, and keep a tally of how many are drawn by these massive sounds and how many avoid your house.

Bill Meyer

The Necks — Bleed (Northern Spy)

It’s impossible to guess where The Necks might head next, whether live or on record. Their new album, Bleed,is a single 42-minute track that unfolds patiently in an episodic fashion. There are no conventional rhythms from Tony Buck; instead, he punctuates the space with chimes, bowed cymbals and snare and tom rolls that suggest something ominous is about to happen. Sparse, sustained piano notes from Chris Abrahams are left to hang in the air — listen carefully and you can hear breathing in the room — or Abrahams switches to organ and projects pulsing clusters of notes into stereo space. In an unexpected turn, an electric guitar appears, with accompanying tube amp hum. Lloyd Swanton’s bass is largely absent, save for occasional isolated octave plucks, or some ominous bowing. When the piece coalesces in its final stretch with two piano chords, bass and guitar, the music is begging to continue in this vein for at least twice as long as it does but is cruelly cut short. That’s The Necks for you: always expansive, always surprising, always tapping into music’s eternal potential.

Tim Clarke

Rich the Factor — The North Face Whale, Vol. 3 (WE MFR)

We mostly listen to Rich the Facc’s music because of his gruff voice. The North Face Whale, Vol. 3 is another sample of his voice. The big mistake would be to try to pay attention to what he’s saying on these songs. It is some usual nonsense about how he’s “on money mission, not on dummy mission.” Even after dozens of replays no song off this tape stays in memory. But it’s fine. You have only one question: how is The North Face Whale, Vol. 3 any different from Vol. 1 and Vol. 2?

Ray Garraty

Colin Andrew Sheffield — Moments Lost (Sublime Retreat)

Sound source resonates with subject on this brief minimax (a 3” CD embedded in a 5” plastic disc) CD made by Colin Andrew Sheffield, an electronic musician who resides in Austin TX. Sheffield’s preferred method is plunderphonics; he mines his own media collection for sounds to be procured and (most of the time) processed into music of his own. Moments Lost is a soundtrack made from soundtracks. Sheffield has marshalled a mass of samples from movies, mostly string passages that imply moments of pause, reflection, transition and loss, and layered and sequenced them into a 20.33” sequence of sounds daub association and reverie like a painter might daub paint. Played at low volume, it could be your next go-to ambient recording. But if you spend time listening closely, perhaps while peering at the sleeve’s stills from a film that Sheffield played along with the music when he first presented it at the Molten Plains Festival in Denton in 2023, you might find your physique and consciousness sinking deep while you hit the play button over and over.

Bill Meyer

Chelsea Wolfe — She Reaches Out to She Reaches Out to She (Loma Vista)

Considering Chelsea Wolfe hasn’t put out a solo LP since 2019’s Birth of Violence, and that was basically a folk record, casual fans may well wonder what kind of upheavals led to this very different seventh album. On a personal level there have been plenty (sobriety, relationships changing, learning to live alone, etc) and that combined with additional pandemic time spent working on the demos led to Wolfe going in a more electronic direction and deliberately seeking an outside producer (Dave Sitek of TV on the Radio, many others) to transform the songs. The result is further in a darkwave/trip-hop direction than the already protean Wolfe has previously gone, and also one of her most consistently engaging records. Whether on the noisier, spikier bursts of “Whispers in the Echochamber” and “Eyes Light Nightshade” or the more delicate likes of “The Liminal” and “Place in the Sun,” there’s a beautifully sung and relentless Gothic vibe to the whole thing that’s extremely satisfying. Wolfe may well choose to move on again after this, but it’ll be a bit of a shame if she does.

Ian Mathers

[junkoonthefarm]

Prettiest Unique Garden Veggies

•Purple Majesty Potatoes

•Chioggia Beets

• Scarlet Runner Beans

• Glass Gem Corn

• Okinawa Spinach

• Rainbow Carrots

• Pineberries

• Tricolor Pole Beans

• Bolivian Rainbow Peppers

[blueiscoool]

A Historically Significant Emerald Ring

Featuring a square emerald-cut emerald weighing 5.27 carats, size 5¾, signed Valentin Magro.

A ring with a 400-year-old emerald from the 1622 Nuestra Señora de Atocha galleon shipwreck was put up for auction by Sotheby's to raise funds for humanitarian relief efforts in Ukraine. Its owner, Mitzi Perdue visited Ukraine this past summer.

The extraordinary treasures of the Nuestra Señora de Atocha reflect the unimaginable wealth and vast domain within the New World that Spain controlled in the early 17th century. When the overladen Spanish galleon tragically wrecked on a coral reef and sank off the Florida coast amidst a hurricane in 1622, the ship’s hold contained some 180,000 coins and 24 tons of ingots struck from Bolivian silver as well as 125 bars of gold bullion extracted from the Caribbean, Mexico and the Andes amongst its many treasures.

In addition to precious metals, the ship’s detailed log recorded an astonishing 70 pounds of rough-cut emeralds mined from Colombian sources in Chivor and Muzo which the Spanish had first learned of in the early 16th century. As Spain introduced these gems to a European and, in time, a global audience, their shocking depth of color, size, and clarity were unlike anything previously known from the long depleted Egyptian mines of antiquity.

After spending 363 years lost and submerged, the Atocha wreck (as it came to be known) captured the world’s attention when news first broke of its discovery in 1985. Long time treasure hunter Mel Fisher and his team had steadfastly searched an area off the coast of Florida for 16 years, weathering the loss of friends and family in the pursuit, before finally locating the remains of the ship and its precious cargo. These efforts required the belief and patronage of many individuals, amongst them Frank Perdue who was an early believer and fellow enthusiast of Atocha history.

The present lot is set with an expertly cut stone faceted from an emerald crystal recovered from the Atocha. In 1988, Mel Fisher and Frank Perdue worked with famed emerald lapidaries Reginald C. Miller and Jerrold Green of New York to select the best possible emerald crystals from their collection so that a fine gem could be cut for each of them. The resulting 5.27-carat stone was set in gold and proudly presented by Frank to his wife Mitzi as a cherished engagement present and in remembrance of this tremendous undertaking.

[fowardfashionfindz]

Check out this listing I just added to my Poshmark closet: 5.29Cts Natural Bolivian Ametrine.

[topviral]

Bolivia's Top 10 Extravagances: A Pricey Adventure!

Bolivia's Top 10 Extravagances: A Pricey Adventure! https://www.youtube.com/watch?v=K8aFuHzMpX0 Dive into the world of luxury and excess in Bolivia! In this captivating video, we uncover the 10 most expensive items found within this South American country. From lavish real estate to one-of-a-kind collectibles, prepare to be amazed by the staggering price tags. Get ready to be surprised as we showcase Bolivia's hidden gems of opulence. Learn about the unique history and intricate craftsmanship behind these priceless possessions. Discover how location, scarcity, and exclusivity contribute to the soaring values of these extraordinary items. Join us on this fascinating journey through the high-end spectrum of Bolivian culture. Be sure to like and share this video if you enjoy learning about the most extravagant things money can buy in this beautiful country. #bolivia #mostexpensivethings #luxury #wealth #factualfinds via Top Viral https://www.youtube.com/channel/UClbTtzALtMT8AsToyJnTRGA May 14, 2024 at 02:00AM

[aetours]

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[databasefrim765]

Bolivia Email List: How to Grow Your Business in Bolivia

Bolivia Email List: How to Grow Your Business in Bolivia Email marketing is one of the most effective ways to grow your business. With a Bolivia email list, you can reach a large number of potential customers with your marketing message. There are a number of ways to grow your Bolivia email list. You can purchase an email list from a reputable list provider. You can also compile your own list by collecting email addresses from your website, blog, or social media pages. Once you have a Bolivia email list, you can start marketing to your potential customers. You can send out periodic newsletters, special offers, or product information. You can also use your email list to build relationships with your customers. By interacting with your customers, you can build loyalty and trust.

1. Why Bolivia?

Bolivia is a hidden gem when it comes to business opportunities. The country is Beatiful, the people are friendly and the government is business friendly. All of these factors make Bolivia a great place to grow your business. 2. The infrastructure in Bolivia is good. The country has a good network of roads and highways which makes transportation easy. There are also a number of ports and airports which makes importing and exporting goods easy. 3. The Bolivian government is very business friendly. They offer a number of incentives to businesses that invest in the country. They also have a number of programs to help businesses grow. 4. Bolivia has a large number of natural resources. The country is rich in oil, gas, minerals and agricultural products. This makes it a great place to invest in a number of different industries. 5. The Bolivian market is untapped. There are a number of business opportunities that have not been exploited. This makes Bolivia a great place to start a business. 6. The Bolivian people are friendly and have a lot of pride in their country. This makes doing business in Bolivia a pleasure. 7. Bolivia is a great place to live. The country is beautiful and the people are friendly. There are a number of different activities to do and the cost of living is relatively low. 8. Bolivia is a safe place to invest. The country has a stable government and a low crime rate. This makes Bolivia a great place to grow your business.

2. The current state of marketing in Bolivia

Email marketing is still a viable and popular marketing strategy in Bolivia. In a country where internet and social media usage is on the rise, email marketing can be a powerful tool to reach consumers. With a little creativity, email marketing can be used to target consumers in a variety of ways. One way to use email marketing to reach consumers in Bolivia is to target consumers based on their location. By targeting consumers in specific areas of the country, businesses can reach a more targeted audience. This can be done by sending emails to consumers who live in specific cities or regions. This type of targeting can be especially effective for businesses that have a physical presence in Bolivia. Another way to use email marketing to reach consumers in Bolivia is to target consumers based on their interests. By targeting consumers based on their interests, businesses can reach a more targeted audience. This can be done by sending emails to consumers who have subscribed to specific keywords or topics. This type of targeting can be especially effective for businesses that offer products or services that are of interest to a specific audience. Email marketing can be a powerful tool to reach consumers in Bolivia. By targeting consumers based on their location or their interests, businesses can reach a more targeted audience. This can be done by sending emails to consumers who live in specific cities or regions or who have subscribed to specific keywords or topics.

3. What's working in Bolivia?

Bolivia is a landlocked country located in central South America. It is the fifth largest country in South America with an area of 1,098,581 km2 (424,164 sq mi). Bolivia has a population of 10,887,068 people as of 2019. The capital of Bolivia is La Paz and the official language is Spanish. The economy of Bolivia is based on agriculture, forestry, fishing, mining, and manufacturing. However, the country's economy has been diversified in recent years, with the service sector growing rapidly. The GDP of Bolivia was $45.14 billion in 2018. Bolivia's primary export partners are Brazil, Argentina, Chile, and Peru. The country's primary imports are machinery, equipment, petroleum products, chemicals, and food. The Bolivian email list market is growing rapidly, with businesses of all sizes looking to expand their reach in the country. Here are three tips to help you grow your business in Bolivia: 1. Know your audience: It's important to understand who your target market is in Bolivia. Are you marketing to businesses or consumers? What are their needs and requirements? What are their buying habits? Knowing your audience will allow you to create targeted marketing campaigns that are more likely to be successful. 2. Use local resources: There are a number of local resources that can be used to help grow your business in Bolivia. These include local news sources, business directories, and Chamber of Commerce websites. Utilizing these resources will help you reach a wider audience and promote your business more effectively. 3. Be creative: Bolivia is a country with a rich culture and history. When marketing your business, be sure to highlight the unique aspects that make your company stand out. This will help you attract attention from potential customers and establish a strong brand identity.

4. How to start building your list

Assuming you would like tips on building an email list for business purposes in Bolivia: One of the most important things for businesses is building an email list. A great email list can help businesses unsegmented their target market, send out announcements, build relationships, and increase revenue. Growing an email list can be difficult, but with the right strategy, it is possible to develop a large and engaged list. Here are four tips on how to start building your email list: 1. Find your target market: businesses need to focus on finding their target market and understanding what they want and need. Once you have identified your target market, you can start to look for ways to reach them. There are many ways to find potential customers, including social media, search engines, and online directories. 2. Create great content: businesses need to create content that is valuable and relevant to their target market. This content can be in the form of blog posts, e-books, white papers, or even just helpful tips. Once you have created this content, you can start to promote it through social media, your website, and other online channels. 3. Use a freebie: one great way to encourage people to sign up for your email list is to offer them a freebie. This freebie could be an e-book, a white paper, or even just a discount on your products or services. Whatever you choose, make sure it is something that your target market would find valuable. 4. Promote your sign-up form: once you have created your sign-up form, you need to promote it. You can promote your sign-up form through social media, your website, and other online channels. You can also use offline methods, such as print ads, to promote your sign-up form. By following these tips, you can start to build your email list and grow your business. Bolivia is a great place to start building your list, as there are many potential customers there. With the right strategy, you can develop a large and engaged email list that will help you reach your business goals.

5. What kind of content to include

The email list you create for marketing purposes should consist of individuals who have either already shown an interest in your product or service, or who would be likely to do so. You can grow your list organically by including a sign-up form on your website and encourage visitors to subscribe. You can also purchase email addresses from list- brokers or lead-generation companies. When determining what kind of content to include in your email marketing campaign, consider both the interests of your target audience and the overall goals of your business. Your content should be informative, helpful, and relevant to your customers. It should also promote your brand and drive sales. Your email content can take many different forms, such as: -Newsletters: Include informative articles, industry news, helpful tips, or behind-the-scenes looks at your business. -Product announcements: Keep your customers up-to-date on new products or services, special deals or promotions, or changes to your product or service offerings. -Coupons and discounts: Offer your customers exclusive coupons or discounts to encourage them to buy from you. -Contests and giveaways: Host a contest or giveaway to create excitement and drive traffic to your website or store. -Customer testimonials: Share positive reviews and testimonials from satisfied customers to build trust and credibility.

6. How to promote your content

There are a number of ways to promote your content in Bolivia. Here are six: 1. Use social media. Social media is a great way to reach a large audience quickly and easily. Create a profile on popular platforms like Facebook, Twitter, and LinkedIn, and start sharing your content. Make sure to include a link back to your website so that people can learn more about your business. 2. Start a blog. If you don’t already have one, starting a blog is a great way to promote your content. Write engaging and informative blog posts, and include links back to your website or specific pieces of content. You can also promote your blog posts on social media. 3. Submit to online directories. There are many online directories that accept submissions from businesses in Bolivia. Find relevant directories and submit your website or blog for inclusion. This can help to increase your exposure and generate traffic back to your site. 4. Advertise online. Online advertising is a great way to reach people who are already interested in what you have to offer. There are many different platforms and networks to choose from, so find the ones that best fit your budget and target audience. 5. Speak at events. If you have something valuable to share, consider speaking at local events or conferences. This is a great opportunity to network with potential customers and partners, and to promote your business. 6. Get involved with local media. Local media is always looking for new story ideas and businesses to feature. If you have a newsworthy story or angle, get in touch with your local newspaper, TV station, or radio station and pitch them your story. You may also be able to submit guest blog posts or articles to local publications.

7. How to measure success

There is no one-size-fits-all answer to the question of how to measure success in business. Every company is different and will have its own metrics for success. However, there are some general principles that can be applied to most businesses. One way to measure success is by looking at financial indicators such as revenue, profit, and cash flow. This can give you a good idea of whether your business is growing and becoming more profitable. Another way to measure success is by looking at customer satisfaction levels. This can be done through surveys and customer feedback. If your customers are happy with your products or services, then this is a good sign that your business is doing well. Another way to measure success is by looking at employee satisfaction levels. If your employees are happy and engaged with their work, then this is a good sign that your business is doing well. Finally, you can also measure success by looking at your own personal satisfaction levels. If you are happy with your business and feel like it is succeeding, then this is a good indicator of success. Ultimately, how you measure success in your business is up to you. However, it is important to keep track of your progress and make sure that you are moving in the right direction. By using some of the indicators mentioned above, you can get a good idea of whether your business is succeeding.

The Bolivia Email List is a great way to grow your business in Bolivia. It is a safe and effective way to reach potential customers and partners in Bolivia. You can use the Bolivia Email List to build relationships, generate leads, and increase sales. The Bolivia Email List is an invaluable resource for any business looking to expand its operations in Bolivia.

[etsycollagemaster]

Bolivia Map Art: A Unique Christmas Gift Idea

Are you on the hunt for the perfect Christmas gift that combines creativity, culture, and a touch of wanderlust? Look no further than our Bolivia Map Art! This exquisite piece of Bolivian art captures the essence of this South American gem, making it an ideal present for anyone with a love for travel and culture.

Bolivia, known for its stunning landscapes, rich history, and vibrant culture, has inspired our Bolivia Wall Art Printable. The poster showcases the country’s diverse regions, including the breathtaking La Paz, Bolivia’s capital city nestled high in the Andes mountains.

This Christmas, give the gift of wanderlust and culture with our Bolivia Map Art. It’s the perfect way to celebrate the beauty of Bolivia and the spirit of adventure. Make this holiday season unforgettable with a touch of Bolivian charm!

[queen-tut]

@queensborodanceFestival @queenstheatre Finale performance . . 3 Nights of Dance The Kingdom Will be featured on Night #3 September 17, 2023. & Guess what we have a discount code also for your pockets! Support Queens Dance companies & Guess what SUPPORT IS FREE - A repost is all love! Lets Make magic happen . . After a summer of touring across parks, plazas, and streets throughout Queens, the Festival will culminate on the Queens Theatre stage in a 3-night finale where audiences can experience the exciting cultures of Queens through 25 professional Queens-based dance companies. Dance the World's Borough in one weekend! If you caught us this summer, get ready for a totally different dance experience in the theater! With a different show every night, this unique lineup of Queens talents are truly the hidden gems of the borough; this is a weekend not to be missed!  Dance cultures represented include Bolivian Caporales, tap dance, Kathak, hip-hop, Odissi, modern, Ecuadorian, ballet, Yosakoi Japanese dance, street jazz, belly dance, NY salsa, Mexican, Afro-Caribbean, house, Soca, Flamenco, and Southern Filipino, all hailing from different neighborhoods in Queens. . . #queenspride #queensunity #qbdf #Queensborodancefestival #qbdf2023 #qdf2023 #thingstodothisweekend #datenight

[alohalanijewelry]

20.1 Carat Bolivian VVS Ametrine - $153 Free Shipping

[gems-and-geology-of-the-globe]

Plumbogummite on Pyromorphite Crystal Formation - Bolivia

Plumbogummite is an extremely rare lead phosphate mineral that forms in trigonal crystal structures. Its blue-green color is gained from inclusions of Aluminum. This mineral was first discovered in 1819 by François Pierre Nicolas Gillet de Laumont, & named after the Latin words "plumbum" meaning lead & "gummi" meaning gum. This peculiar naming is due to its similarity to a coating of sticky gum on top of a crystal.

Plumbogummite is a pseudomorph mineral, meaning that it grows & replaces the spot of another mineral. This crystal commonly grows alongside Pyromorphite but has also been found in association with Mimetite, Wulfenite, Cerussite, Angelesite, & Dufitite. It is found in a few localities throughout the world, most notably France, China, Australia, Germany, Austria, & the United Kingdom. Although this crystal is often found in a blue-green color, is has also appeared in a pale yellow color in Bolivia.

[gemville]

44.37 Carat Bolivian Ametrine 'Starbrite' Fancy-Cut Gem by John Dyer & Co.

Photo: Ozzie Campos/John Dyer & Co.

Source: jewellerybusiness.com

[fowardfashionfindz]

Check out this listing I just added to my Poshmark closet: 11.38Cts Natural Bolivian Ametrine.