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pinkinsect · 1 month
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OH WAIT Speaking about Tanabata and Shidou Ryusei I wanna point out that Tanabata is about celebrating two lovers Orihime (princess) and Hikoboshi (prince) that were separated by the Milky Way and were allowed to reunite around the seventh day of the seventh month. Guess what, ehl oh ehl
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kaneshiro what are you cooking with shidou... WHAT ARE YOU COOKING!!!!
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internetegoist · 14 days
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Finally changed my URL to something more professional
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pinkinsect · 2 months
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going insane over shidou ryusei recently and seeing your posts about him being connected to hide songs are making me even more crazy. can i know more about your thoughts.. maybe what you think his backstory will be like.. (<- i have clinical shidou disorder)
hi sorry to hear about your shidou disorder. as a fellow sufferer i have to say it doesn't get better.
i don't have a set backstory in my head for him, just conclusions of things it's like from all of the supplemental info we've gotten for him. to succinctly sum up my thoughts about what his backstory will be like: Not Great!
tl;dr: there's so many dots to connect that anything could happen at this point. but i think that possibly, shidou's backstory is one of deprivation; either deprivation of physical needs, self-determination, or both. though i don't have a set idea of how exactly that may have happened, there's a few options—poverty, an abusive household, family members with too many expectations, too many restrictions on himself or his behavior. i wouldn't be surprised if he'd been arrested at some point (it's happened before. it could happen again) or if he had been in the foster system, where the aforementioned conditions occurred, given there's absolutely no mention of any immediate family members in the egoist bible—and he seems to really hate santa, though that could be for other reasons.
the rest of this is basically explaining why i think so—it ended up being awfully long (it turns out i cant Not summarize rocket dive/pink spider/ever free) so the rest of this is under a cut. let's go!
there are plenty of people view shidou as someone who is Just Horny And Violent; Born A Freak Forever A Freak. and you know what? i fuck with that type of character, but i think there's more to shidou than that.
during the U-20 match, he has his trademark "football is a biological phenomenon" speech (which is probably quickly overshadowed by its last line, "right in the womb," and i can't blame everyone. it is baffling), that gives us some of the first deeper insight into shidou.
"Every human on the planet wants to leave proof of their own existence behind. The act of passing on their own genes has been programmed into all living beings. They connect with others, wound others, do things that make them persist in the memories of others. Those who create something, those who want to become something, and of course, those who make children. They're doing something that leaves behind proof they existed."
shidou often says he wants an explosion, but another way to think about it is freedom. he wants the freedom to play the way he wants, to live the way he wants. and for soccer, that's through finding people he can create an explosion with—people he can play freely with.
(i think this has been acknowledged by other characters too; given shidou's placement on the Isagi Yoichi Type Indicator compass and noa telling kunigami to "take away [shidou's] freedom" by marking him. i choose to look into individual word choices in blue lock since kaneshiro seems to like making specific word choice relevant later)
shidou is all about freedom, and i think that could come from being deprived of it, in some ways.
a lot of the supplemental info we're given about him could be described as "things someone does just because they can." people often go through their lives taking certain things for granted, until it's taken away. once it's returned to them, you'll see a sort of appreciation that might seem a little out of the ordinary.
(personal experience, so it might not be great evidence, but plenty of people who've spent a lot of time in prison seem to gain a newfound appreciation for couches and making food late at night.)
his morning routine consists of "going onto the balcony naked and soaking up the sunlight, dancing however he likes, and yelling whatever comes to his mind ("stuff like capillaries and flesh rupture!!")." is it strange? yes, but to me it's an appreciation of freedom; one's free will to do and say anything, and to let the sun hit you while you're doing it.
something else that sticks out to me from the egoist bible is his favorite and least favorite foods; yukhoe and bean sprouts respectively. i normally wouldn't mind it, but the juxtaposition of something that can be so indulgent and really cheap produce is interesting to me, especially because of his reasoning for hating bean sprouts: 「フォルムが貧弱で萎える」, which I would translate as "They look weak and wilted," but the words used for weak and wilt can also mean "insubstantial" and "to lose passion." that extra translation detail could be a reach and extraneous information, but similar to my earlier point, kaneshiro seems to really like using words with multiple meanings instead of more clear cut synonyms. the top of shidou's scale being a rich, fatty dish of raw meat and the bottom being bean sprouts is interesting to me, and fits this picture of shidou that isn't necessarily hedonistic, but is "living deep and sucking the marrow out of life" in a very explosive way.
now a section specifically for hide songs because there's so much
as you mentioned, i really think that the hide songs will tie into shidou's backstory; an awful lot of the characters' favorite songs represent their character in the past or present. pink spider is his favorite song, and rocket dive is mentioned in chapter 253 in regards to shidou's goal.
for those less familiar with hide's work, pink spider was written as an answer to rocket dive, and the cd for the single contained a third track: five minutes and twenty-seven seconds of silence, then a short clip of ever free, the titular single released several weeks after his death.
all three songs deal with a desire for freedom, and to break out of the monotony of one's surroundings for something new—but with varying tones and approaches.
rocket dive has an endlessly encouraging tone, ending happily with a new star being seen in the sky (and this is a reach, but shidou's given name—ryuusei—is a homophone with the japanese word for meteor/falling star, ryuusei).
pink spider, shidou's favorite song, is about a spider so trapped in its surroundings it kills anything that comes close, until it learns there's more. and to reach it, it steals a butterfly's wings and flies and fails and tries again, and we never know if the spider succeeds at its second attempt at flight, or is resigned to watching the sky from the ground.
ever free's speaker is trapped on the ground, and faced with the questions "how much does love cost?" "can you eat a dream?" in response to their own questions about how love feels and what it's like to feel their dreams. but still, they dream of flying toward freedom, of escaping. like pink spider, and unlike rocket dive, we don't ever know if they make it off the ground.
despite the order of songs released being rocket dive -> PINK SPIDER -> ever free, i think that the order the songs represent shidou may be the opposite. he started, trapped, wings closed, uncertain, but had the dream of freedom inside of him. and though he may have hurt someone—or lost someone—in the process, he seized that freedom, and the expanse of the future awaits him to live in and make a name for himself.
something specifically about love being something that could be bought, or a dream being something that could be eaten, makes me want to think that shidou had a lot of expectations, or restrictions, placed on him as well.
hide in general is shidou's favorite, though, not just that one song of his. hide's live performances are high energy, and he's just really funny when talking to the audience between songs? it fits the massive amount of his songs are upbeat lyrically and about sex and desire, but an equal amount are about difficulty controlling unhealthy behaviors, cynical, or reflecting on one's own flaws and the loss of others.
the duality there makes me think of shidou's other favorites, chainsaw man and a clockwork orange—both media that can be, and often are, interpreted on the surface as simply spectacles of violence and sex, but are also acclaimed for their deeper themes. it could be like shidou, in a way. there's layers.
to sum it all up. i think shidou probably was in foster care. maybe was sexually abused. probably also saw a lot of bad things happen to other people, so it's nothing personal to him on a surface level, at least. he's out of that situation and deciding to enjoy the hell out of life. probably repressed and that's why he cries when alone at night (possibly nightly ?) for reasons he doesn't know.
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pinkinsect · 2 months
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Hey I'm the anon who asked you about Shidou's backstory and I just wanna tell you to take ur time LOL I'll always be waiting patiently ^_^ Anyways I'm planning to watch A Clockwork Orange soon and I know it's questionable but. Is it in the good type of questionable or?
LOL hi!!! thank you, and i'll make sure to tag you when i answer that anon :]! i am getting my thoughts in order in a way that might not even be coherent. shidou disease is quite a monster!
a clockwork orange is questionable in the way a lot of dystopian type novels written around the time were (and well the movie is based on the novel). it's good questionable in that it's a very well composed movie, but if need be, i would definitely recommend checking out does the dog die for any specific warnings for the movie—there's quite a bit of violence, nudity, medical stuff people could find uncomfortable, and sexual violence, among other things, so proceed with caution •̀.̫•́✧ 👍
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