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heliza24 · 1 year ago

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I don’t have much to add to this except that I too wish there was more fic in the fandom about the female character that features wlw. But all of Blue’s thoughts are so interesting.

wlw in the sad swedish teens show: some thoughts

I’m going to share some stedrika thoughts, not as a meta, just as a kind of… sharing of my unsolicited personal opinions. There was a thread going around with some idea-provoking discussion, but I also feel like I’d be hijacking said thread if I weighed in. So I figured it was better to make my own post and chat there.

So I’m aro ace, but I also kind of identify with the label sapphic. I’m more gray ace than full ace, and that grayness of ace identity is 90% of the time directed toward women. I was in a romantic-sexual partnership with a woman for 2.5 years before figuring more things out. (Also, my ex was pretty toxic, so there was that.) I attended a single-sex college, continue to hang in groups of women today, and just generally exist in a social culture that leans more sapphic/wlw, homosocial, and ace. Probably the most masculinity-dominated experiences I have are logging onto my dash and watching fandom interaction that is a lot more mlm-focused than the rest of my life.

In the gap between seasons 1 and 2, I wasn’t hoping for stedrika as my wlw representation. I was hoping we would get gay or bi or ace or otherwise queer Felice. It isn’t too hard to make up a queer narrative for Felice. She connects with Wilhelm, who’s also figuring himself out, and we know how it is with the queer kids all finding one another even before they fully understand themselves what’s going on. Felice’s pursuit of Wilhelm and then pivoting to August also feels like she’s hitting the two ends of the spectrum of compulsory heterosexuality. Wilhelm is that nice, approachable boy where it’s easy to convince yourself you have a crush on him, because who wouldn’t? Also he’s a prince! August is that guy where you’re like “well if the idea of dating men is generally unpleasant all around, then dating the most unpleasant one is doing heterosexuality right, isn’t it?” Felice’s mom also puts a lot of pressure on her about boys (and that line about whose babies are royal feels like it’s something Felice would have been told growing up) in a way where you can parallel it to Kristina putting pressure on Wilhelm. There’s a lot of good queer and wlw material to work with for Felice! And I’m glad fandom hasn’t entirely given up on that, even if it doesn’t seem like canon is going that direction. (Send me your gay Felice fics where she’s the center of the story, btw. Send themmmm.)

Stedrika as wlw representation brushes up against the archetype of two femme best friends who are also roommates, one of whom is secretly pining for the other, one of whom may or may not be pining back. That archetype in its requited form is… not my favorite wlw archetype. I don’t mean I hate it, but I do mean I’m pretty “meh” about it. I read a lot of YA fiction, for both personal enjoyment and career reasons. Best-friends-to-lovers wlw comes up a lot, especially in stories where a wlw couple isn’t the center of the story. It can be enjoyable for me, if the characterization is complex enough overcome the trope itself. But I can’t help noticing how many mlm YA stories let a boy crush on the hot new boy, or someone outside his usual social circle, whereas the message for girls is “the one for you has been near you all along! Girls achieve an adventure by clicking their heels and saying There’s No Place Like Home!”

I understand that the sapphic girl with a crush on her bestie is a trope that has some basis in reality, and for some folks it can be really empowering to see those kinds of pairs get a Happily Ever After together. I also think it can be empowering for the female character with the sapphic crush to come to the realization (either through rejection or other circumstances) that her bestie isn’t going to like her back that way, but she does understand herself better now. And she’s going to use that knowledge to build herself up and explore new values and seek out new wlw relationships and join the queer revolution. Hahaha you can tell what sort of storyline I prefer. Truth be told I would be more interested in a story where Fredrika doesn’t requite Stella’s feelings and Stella has to reinvent herself than I would a story where suddenly they love each other. I’m sure the YR writing team would make the latter interesting too, but if they gave me a choice between the latter and the former and promised they would be equally well written, I’d pick the latter.

Here’s the other thing about stedrika. I don’t entirely find them boring. I do like them! This is going to sound like me being a problematic queer, maybe, but… I like the fact that they’re mean. Not in a “you go girl!” sort of way where I’m cheering on their meanness and tendency to gossip. I don’t want them to stay mean. But I do find it interesting that Stella at least is hiding some part of her authentic self, and she and Fredrika haven’t gotten to discuss something honestly, and the price they pay is lashing out at others for their authenticity, especially their authenticity around romantic feelings. I think there’s some interesting narrative questions to explore then, in terms of how do you learn to embrace others and yourself? What toll does it take, being closeted? How do you empower yourself within structures that are harming you—is hurting other people going to do it? Like gosh, that’s a whole character arc! I also think it’s really interesting how Lisa and the writing team have addressed the role that misogyny and assumptions around sex and physicality play in oppressing wlw queer folks. Like that whole discussion around what counts as “real sex” and losing one’s virginity that we see at Sara’s birthday sleepover. That was interesting to see play out onscreen and I’m glad they went there! (Send me your fics about messy stedrika, send themmmm. Send these girls on some kind of journey.)

Anyway, I’m also glad that stedrika is not the only wlw representation we have in Young Royals. Because we also have Rosh, who I absolutely adore with every fiber of my being. Rosh isn’t white or upper class, and she’s more tomboyish and comparatively less femme. She talks about her rebound after dating Yasmin/Yasmina, and there’s this wonderful sapphic chaos quality to it. She’s an openly queer girl in a best friendship with an openly queer boy, and you can tell that she and Simon lean on one another and probably came out to one another in middle school. (I think I have read this fic a few times, but I will always read more of it!) I love Rosh’s sense of justice and how committed she is to athletics and making sure Simon succeeds on the rowing team even if, as we all know, rowing isn’t a sport. Overall Rosh feels very specific and that makes her very real. Also I can’t resist a confident soccer lesbian, obviously I imprinted on Keira Knightly and Parminder Nagra in Bend It Like Beckham like every other queer girl born in the late 1980s.

Anyway. I actually think YR has a ton to offer us in terms of potential wlw representation, and interesting stories and characters that can be explored. (It has a lot to offer us in terms of female characters, period. I wish I had the time and fandom knowhow to create a female character centered ficathon. Is there any interest out there?)

The weird thing is I don’t know if I would feel confident writing this post at all if I hadn’t put in over 100k words of effort in fanfic for this fandom, most of it from female characters’ POVs. Some of that is het, sure, but I’m really, really proud of the sapphic self-discovery arc we gave Felice in Heart and Homeland. We let her struggle with her feelings at a time when she didn’t have the vocabulary for her feelings. We let Felice have a 19th century romantic friendship with Sara while also having sex and romances with other women, because lesbians can do both dammit. We let her kiss other women on the page, and do additional things beyond kissing also on the page. She was the first character we upped our rating to M for! We let her have friends-with-benefits hookups (because wlw characters shouldn’t always have to meet their forevergirl in their first girl) and we’re developing a new relationship in the upcoming chapters. (Okay, we did accidentally erase stedrika, because we wrote the first 19 chapters of our fic before season 2, and made occasional blink-and-you-miss-it references to a Stella/Henry sideplot. But let’s just say additional things are happening in the coming chapters.) I’m really happy with Felice’s storyline. I’m also happy that for a long time, I was the kid in fandom sighing and wishing there was more femslash, while feeling bad bad because I hadn’t written any myself. But now I have, and it feels a bit like achieving a Life Goal. I’m proud of myself!

And if you want to write femslash of your own, but you’ve always been a little scared or unsure of how to start? Hi. I’ll be your sounding board and your biggest cheerleader, if you want that. Tell me and we’ll have a lot of fun planning and writing! I BELIEVE IN YOU AND YOU ARE AMAZING.

#young royals #bluedalahorse being smart as usual #other peoples meta

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heliza24 · 1 year ago

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I was going to try to pull out quotes of what I like the best in this meta, but I can't do it. It's brilliant from start to finish. No one has done a better job analyzing Sargust than Blue, and no one has connected their relationship to the greater themes of the show like she has. The way she situates August's attraction to Sara within his class system of beliefs, within his self comparison to Wilhelm, within his history of trauma and self-punishment... it's just so good.

We've talked about this timeline meta for a long time and I'm SO glad it's finally out in the world. There's so much understanding of the show to gain from a close examination of Sargust.

Hey! I love your YR analysis posts, thank you so much for sharing your ideas with us! :) I'd love to hear your opinion on what you think happens in August's mind that allows him to look beyond Sara's class background when date her, given his obsession with defining himself by his status social standing. Thank you!

Hi! Thanks for reading my analysis; I’m glad you like it! I’ve been dreaming of answering an ask like yours for a long time, so I’m glad you popped up in my inbox. As it happens, I have a shorter answer and then a much longer answer prepared.

So, the first part of my thesis here is that August’s attraction isn’t rational. Feelings kinda happen however they’re going to happen, and people try to rationalize those feelings and make them make sense and fit into the frames they have for relationships. You are right to notice that August has to get past some mental blocks to get to the place where he sees Sara as a dating prospect at all. But once he gets there, he rationalizes her presence in his life using frames he understands.

Now, August doesn’t necessarily see status as something he has to earn. He sees it as something he already has and is owed more of, and as something with ideals he strives to live up to. Nonetheless, as much as August clings to his status to give himself a sense of stability in the wake of family trauma, his status is constantly in jeopardy throughout both seasons. This is what makes his behavior so erratic, and why he lashes out at others.

My (potentially controversial?) sargust theory is that Sara and August are attracted to one another from the earliest episodes of season 1, even if they don’t understand that as true at first. August’s understanding of his attraction to Sara changes over time, the same way his sense of security in his status changes. How he responds to Sara is tied together with how he responds to his perceived power in any given moment.

We often think of the ruling class as being tied to old, outdated traditions, and to some extent, that is true. But from my experience of working in proximity to people of considerable privilege, one of the ways they express that privilege is in how and when they move goalposts to fulfill their desires. Those who are privileged claim the power to write the rules, but also the power to decide what the few rare exceptions to those rules are. By the time August recognizes that he’s fallen in love with Sara and is willing to commit to her, he’s also decided to rationalize her as one of those exceptions.

It’s a little easier to see the evolution of his thoughts when you break his interactions with Sara down by half-season. Luckily, I had a meta started focused on what I see as the timeline of their relationship, so I was able to take what I’d already written and modify it to answer this ask. I’m putting this behind a cut, because it’s SUPER long. But hopefully it shows the shifts in his thinking and the ways he eventually ties Sara to his philosophy of exceptionalism. Feel free to read on if you’re curious…

(Content warning for most August topics, especially in this case toxic relationship dynamics and class-based sexual harassment.)

Intro: Framing Attraction

Before we start, we have to recognize some things about the nature of attraction. First, it’s important to realize that not everyone feels attraction in the same way or at the same pace. Wilhelm and Simon fall for one another pretty quickly, to the point where Simon makes an unambiguous move on Wilhelm at the end of 1.2. For all that Simon and Wilhelm still have a lot to understand about their feelings, Sara and August are both less in touch with their feelings and what they would want out of a relationship. In Sara’s case, we see her asking a lot of questions to the other girls that shows understanding her own feelings isn’t always easy for her. (I imagine one of the ways her AuDHD manifests is alexithymia, which, haha I relate tho.) August, meanwhile, spends so much time in cycles of self-denial and self-punishment that he’s gotten used to ignoring his own needs, whether that’s emotional needs or even needs around things like food and not over-exercising his body. As a result, what occurs between Sara and August is paced and dealt with in dialogue a little bit differently than the Wilmon stuff, but it’s just as dramatic.

Second, and less comfortably, we have to acknowledge that attraction is not always accompanied by purity of intentions or emotions, and that a person’s understanding of their own attractions can be influenced by outside social structures. As a result of these structures and systems, attraction can also be expressed in ways that are laced with disdain. (Patriarchy, for instance, gives heterosexual men an abundance of sexist language and tropes to draw on when describing or addressing women, even women they’re attracted to.) Hence August calling Sara a “freak” and berating her early on in the study hall scene. This is not to agree with the idea that A Little Boy Pulls On A Little Girl’s Pigtails Because He Secretly Likes Her, because that is a dangerous and harmful idea and I don’t subscribe to it. Rather, I want to examine how societally-influenced biases shape our ability to process and act on our feelings in a healthy way.

Sara and August sit at an intersection of class, gender, and neurotype that influences how they react to one another and initially prevents them from seeing one another as potential partners. Consider that an overwhelming amount of Western history and culture includes men who harass women into relationships, spouses complaining about one another, working class women getting taken advantage of by upper class men, and just general… *waves at all of that.* As much as we want to believe we’re now in the era of the emotionally honest softboy, these sexist, classist, and ableist influences are still very much with us, and we still see the kind of nonsense that’s out there nowadays radicalizing young men into crap behaviors toward women. We don’t have to be resigned to this in our own society, but we do have to acknowledge it and how it influences August. I mean, August can’t even express his attraction to Felice without being gross and offensive about it, and she’s of his class and therefore someone his biases nudge him to see as “marriage material” at first. So how is he supposed to recognize what he’s feeling about Sara and reframe it in a healthy way?

For what it’s worth, we can see how Wilhelm’s societal programming impacts his relationship with Simon, too. It’s not just the sexual orientation stuff, but the class stuff. We can see the little moments where Wilhelm starts to drift into “we can just hook up and have it be a secret forever.” We see how he tries to make things happen with Felice (and that’s additionally nuanced, because he and Felice are also performing Gender as Hillerska defines it.) The part where Wilhelm denies being with Simon in the video on live TV is really the apex of that kind of class-based thinking, that would let him just kind of have Simon be a secret guy on the side.

Wilhelm however, unlike August, is much more willing to actively question his biases from the beginning of the series. He protests against being at Hillerska in the first place because he doesn’t want to be surrounded by people who parrot the ideas he was raised with and validate him on everything. Wilhelm wants his views challenged, even when he is periodically tempted to slide back into the habits of the upper classes. August wants his views reinforced, because he clings to his class status and social hierarchy as something that makes him feel grounded, and that’s always slipping away from him in a way it isn’t for Wilhelm. August eventually does push past his biases and see his attraction to Sara for what it is, but things go to hell again when he tries to assimilate her into his class-bound cultural norms.

1.1-1.3: August and Sara discover each other’s existence

In the first three episodes, August isn’t trying to assert his status by pursuing Sara. Instead, he’s pursuing Felice, who he insists that he wants to marry. (Marriage is, after all, a way to keep the noble classes going.) Still, there’s little hints about his future with Sara that we should be watching for, it’s just that neither Sara nor August quite knows the vibes they are putting out just yet.

I want to start by pointing out a moment of foreshadowing during the party scene in 1.1. August is giving Wilhelm his “we could murder someone and get away with it” speech which ends in the question of “who wants to be ordinary?” The Eriksson siblings enter the party right then, and the camera cuts over to Simon and Sara together. We’re following Wilhelm’s gaze at this point, and the camera is showing us his attraction to Simon, what with the way the way Simon is surrounded by colored light, all glow sticks and casual clothes and charisma. (I love this moment because it’s an immediate visual rebuke to August’s philosophy of exceptionalism and special-ordinary dichotomy; the special can be found within the ordinary, and there is so much beauty there.) We’re in Wilhelm’s head and being pulled along into his attraction to Simon. At the same time, August is shadowing Wilhelm the same way that Sara shadows Simon. From the start, we are being primed to see these two relationships as parallel. The camera isn’t quite ready to hint at full-fledged attraction yet, but it’s telling you to get ready for that attraction to develop and track it throughout the season.

In 1.2 and 1.3 we have moments of uncomfortable subtext. Consider the moment in 1.2 where August slides up to Sara and casually asks if maybe, could he please try some of her ADHD medication?

(Crap, I saved this but I forgot who made it. If someone tells me, I’ll credit them in an edit.)

I wouldn’t call their vibe consciously flirty or anything; that’s not quite what’s happening here. Sara’s initially buried in her book the way I am when a guy tries to talk to me on the metro. (She can be feeling attraction but still find the attention unwanted, which is important to mention. These things are complicated.) Still… there is a Vibe on August’s part. I say there is a Vibe because of how Simon reacts when he sees the conversation happening. Immediately Simon rolls in and plays the protective brother and is very never talk to my sister again. Which is about the 50 mg of Vyvanse, yes. But I find it hard to believe that this is not also about August potentially hitting on Sara, and Simon being worried about that.

As for 1.3, one place where there might be subtext about Sara’s feelings is the whole to-do over lunch tables. August is gatekeeping the Erikssons’ access to lunch as a way of flexing his power, and each Eriksson reacts in a way that’s quite telling. Simon is incensed, and uses it as the springboard for a (very justified) rant. Linda isn’t bothered; she is so cheerily sure it’s all just a misunderstanding and of course they’re going to be served in a minute. Sara… is quiet and withdrawn in a way that suggests she might be embarrassed by both her brother and her mother. Simon is unwilling to accept the rules while Linda doesn’t understand them. Sara’s worked so hard to learn the social rules and fit in, and here are her family members flagrantly ignoring the rules! In front of people! In front of… a person she might be developing a crush on, but knows she “shouldn’t” be? It’s not quite there until you think about it in retrospect, but that’s why Young Royals has so much rewatch value.

To be fair, both of these scenes are operating very much in the realm of subtext rather than text (and neither of them portrays a healthy sargust power dynamic.) It’s comparatively rare to encounter a heterosexual pairing who can’t quite find the words or social structures to articulate what they are, while the same-sex pairing they’re paralleled to knows very much that they care for one another. Wilhelm may struggle to label himself, but he understands that he desires Simon. Meanwhile, August is quick to claim a label and perform heterosexuality as a political stance, but doesn’t understand how nuanced and unexpected his desires can be.

I will also remind you that August and Rousseau are the same character, and that instead of giving us an overt, literal, absolutely excruciating Sara-August-Felice love triangle, Lisa dives into the horse subtext instead. A lot of what is under-the-surface in the early part of season 1 is expressed through the horse stuff!

1.4-1.6: Realization and Recognition

The second half of season 1 marks more of a transitional period in the sargust relationship. At this point, the subtext from before is rapidly beginning to surface in the text, and Sara and August are learning more about one another and trying to make sense of what they’re feeling about each other. There’s always been a vibe hanging between them, but now is really where they start to get pulled into one another’s orbit. At first, this looks like it’s going to conform to a toxic patriarchal paradigm, but that paradigm gets twisted a bit at the end of season 1.

Naturally the first scene that marks this shift is the one in 1.4 where August looking for Felice in the stables and encounters Sara instead. August’s immediate response to finding Sara alone is to try and sexually harass information out of her, which… is definitely uncomfortable again. We’ve got to acknowledge that in order to unpack this scene.

I’ve seen a lot of people argue that the stables scene is where Sara’s attraction begins, and I’m not sure if I agree with that. Sara’s inexperienced when it comes to relationships, but I don’t think she’s so pure and naive that August’s cocky performance is what sweeps her off her feet and makes her fall for him. We also know she isn’t taking what he says at face value, because one of the questions she asks him is what he really wants. Instead, it makes infinitely more sense to me that Sara’s already been attracted to August for a few weeks and is still kind of wondering what those butterfly feelings are in her stomach, and now here’s this extra bizarre social interaction (with added kissing that Sara doesn’t consent to but may have wanted under different circumstances) for her to hang those feelings on.

On August’s end… man. Why must this boy be such a can of emotional worms? I do wonder how much something is shifting in his head as he begins to hit on Sara. Most of those shifts are happening for him subconsciously. Maybe what he’s settling on in 1.4 is that, it’s fun to flirt with Sara to assert his social dominance that way, but at that point in the narrative he doesn’t think she counts as a long-term relationship/marriage material kinda girl the way Felice does.

Here I think it’s important to remember for that for most of Western history, wealthy upper class men weren’t shamed for pursuing women of lower classes on the side of their married relationships. (Sometimes these side relationships were more or less consensual relationships with mistresses, but other times men were just taking advantage of women who worked for them, and consent was impossible.) I’m not saying that August is thinking consciously about Sara being “available” for temporary amusement because she’s working class, but I am saying that’s the historical tradition of toxic masculinity that he’s been raised in. He does not expect to be caught and dumped for kissing Sara, because unconsciously he’s absorbed the upper class patriarchal programming that doesn’t even identify this behavior as cheating. It’s just a “fun” way to get the information he wants. (Ugh.)

Tl;dr it’s important to view August hitting on Sara in the stables not as August leaning awayfrom his upper class status, but rather as him trying to assert it. Yes, he does try to get Felice into a committed relationship with him to assert his status and masculinity, but now that he’s in a committed relationship with her he doesn’t feel any more secure in his status. So now he’s pulled Sara into his whole social class deal as well. (Ugh. UGH.)

That isn’t, thankfully, where August stays. 1.6 marks another key shift in his mindset toward Sara, because it’s where August sees a genuine connection between them for the first time. When Sara goes to confront August about why he leaked the video of Simon and Wilhelm, he corners her and offers to give her whatever she wants. Sara confesses her secret desire—to be a boarder at Hillerska and become one of its elite students. August’s reaction is fascinating, because there’s almost a quality of relief to it. Part of that, of course, is because he can easily buy her off. But I think it’s also because he’s finally not alone. It’s worth remembering that August has spent most of season 1 worrying about paying his tuition and the possibility that he might get kicked out of school. As Erik tells us before he dies, August made Hillerska his entire personality as a way of dealing with the grief over his father’s suicide. Sara, who is using Hillerska to escape her own family trauma, feels similarly about it as a space where she can feel more agency, and now she’s worried that her mother will pull her out of school.

(On Sara’s part, August’s behavior has become increasingly erratic over the course of the last few episodes, and I think she’s drawn to the idea that he might need help. I covered a little of this when I talked about Sara being the special horse girl who wants to tame the troubled horse, but we also see this come out in her friendship with Felice. She wants to help Felice when they first meet! Not to mention, one of the big things Sara gets in trouble for is revealing people’s secrets. If you think about it, August has revealed the biggest secret of the series by leaking the video about Simon and Wilhelm. As pissed as Sara is on Simon’s behalf—and people forget how pissed she is, in 1.6—she also understands what it’s like to have let a secret out and regretted it. Sara’s doing rationalizing of her own.)

I don’t know how much of that runs through August’s head in an obvious or logical way, but in his gut, he’s feeling this jolt of recognition. Sara feels it too. Sara sees him, and he sees her. The magnetic pull has finally brought them together, and when she kisses him, he kisses back. We’d be rooting for these kids as they found a genuine connection, if they weren’t also covering up a horrendous and harmful crime. Sigh! And know we know we’re in for some drama in season 2…

2.1-2.3: Liminal Companionship

Season 2 begins with both Sara and August in an in-between state, where neither of them quite fits into the world they’ve been placed in. Sara’s gotten her coveted boarder’s scholarship to Hillerska, but is rapidly becoming disillusioned with the amount of wealth her dorm mates take for granted. August, meanwhile, hasn’t had to leave school after all, but is convinced he could lose his status and freedom at any minute if anyone finds out he leaked the video. They don’t really discuss this directly, but it’s clear they feel more comfortable around one another because each of them has seen a side of the other the rest of the world isn’t aware of. Moreover, given the amount of discomfort each of them is feeling at the beginning of the season, it’s understandable that Sara and August would seek out one another’s company more deliberately.

It’s in this in-between space, where August feels like he’s lost so much of his Hillerska identity, that he finally starts to recognize that Sara is someone who can hold emotional space for him. At the same time, he goes back and forth between wanting to be vulnerable with her and keeping her at a distance. He breaks down and panics in front of her, causing her to teach him deep breathing, but then runs away after. He seems to like Sara, but he’s cautious about getting too close.

Sara and August’s physical relationship is also in a liminal state at this point in season 2, somewhere between an unexpected platonic friendship and a blossoming romance. Not that anyone should have to define a relationship if they don’t want to, but it’s almost humorous to me how you have this period between 1.6 and 2.3 where Sara and August keep touching and kissing and even grinding on one another and they just… keep acting like it’s happening for the first time. Like. Do we maybe want to communicate about that? No? Yes? Omg you kids are such teenagers, stop.

Sara takes the physical lead most of the time, which is a change from the aggressive predatory gender roles we see August performing in 1.4. I don’t think August is more passive because he isn’t interested (we see the way he lifts Sara up onto his desk in 1.6, and the way he laughs to himself after Sara leaves his room in 2.2.) I personally think this is more about August’s tendency to punish himself. His establishing shots in 2.1 are all about self-punishment and self-denial—the grueling exercise, the infamous bites of kale. We also see him refusing to fight for himself when Wilhelm starts maneuvering him out of his Hillerska positions. August is starting to give up in a big way, and at first he holds Sara at arms’ length because he isn’t letting himself indulge in anything that could bring him actual joy.

For that reason, we don’t really see a reciprocal ebb and flow develop between Sara and August until 2.3, when they finally more consciously choose to do relationshippy things and decide to have sex for the first time. One thing that really stands out to me in this scene is that August is so sure he’s doomed. He is genuinely convinced at this point that the palace is going to send him to jail and brand him a criminal for life. And now that he’s lower than he’s ever been at any point in the series, he’s weirdly somehow gained the ability to show compassion for himself. This is also the episode where he throws his pills aside and pats Rousseau (his narrative shadow) on the nose. If August is doomed anyway, and he’s about to lose everything, well, why not give in to his developing feelings for the girl who likes him back even if she knows he made a terrible decision? Maybe he thinks it’s his one chance to be with her.

I don’t know if August expects that he’ll fall hard for Sara. The reality is, by the time they’re together, he already has fallen for her. Suddenly, she’s a person he’ll fight to keep in his life. Suddenly, August doesn’t want to give up anymore.

2.4-2.6: Whose Cinderella fantasy?

The first time I watched season two, I wondered if August was going to approach Sara differently after his meeting at the palace. There was always the possibility that his (alleged) new security in life would influence him to cast her aside and go back to pursuing upper class girls. Instead what we see is that August is just as devoted to Sara as before—even more devoted, in fact. He invites her to the dance so they can debut together as a public couple. He sets up his room with candles and champagne and waits for her and there’s almost marriage proposal vibes about the whole thing and we all die of second-hand embarrassment when Sara texts to say she’s changed plans. August and Sara argue at the Valentine’s dance, causing August to backslide and start scheming again, but the minute she shows up and cries at his door about losing Rousseau, he takes her in and comforts her. He buys her the horse. He refuses to snitch on her in the field when Wilhelm has a gun pointed at his chest.

Anyway. We know August has very deep feelings for Sara, and it’d be easy to say his feelings run deep enough that he no longer cares that she isn’t high class. And his feelings do run that deep. But there’s another component too, when you think about how August is envisioning his future, and how Sara is part of that future. He’s happy to have her listen in on his phone call about the ten-year plan because he sees her as part of the ten-year plan.

After August’s meeting at the palace, he no longer sees himself as the heir to Årnäs, but rather as a prince in line for the Swedish throne. A noble is supposed to serve and protect the king by making an advantageous marriage and having sons—August explains this much in 1.4 when he’s talking to Wilhelm about the Society—but the king (in August’s fantasies at least) is ultimately at the top of the hierarchy and can bend the rules to suit his will. So August marrying who he wants is really an expression of kingly power, in August’s mind. Of course he can rewrite the rules for himself and marry Sara and make her his queen. He almost says exactly that out loud, when he promises never to hurt her and frames it as a royal oath. And while August and Sara never discuss having children, I’m sure August assumes it will happen someday. (That weirdo probably has names picked out and everything.) That means he’ll be able to fulfill one of the most important duties of kingship (especially in an era where a king’s powers are mostly symbolic) which is producing an heir and keeping the monarchy going.

Anyway, I actually do think that between Sara and August, it’s not Sara who’s caught up in the Cinderella fantasy—it’s August. He really wants to be the prince who rescues her from her ordinary life of drudgery and makes her dreams come true. Why? Because August loathes himself and can’t sit with his own flaws, and it’s more comfortable to imagine himself as Sara’s princely hero than as the guy who leaked the video. And he and Sara are soulmates, in August’s mind. He sees her ambition, and sees himself in it, and he wants to reward it. I don’t think that’s something he could see himself doing as the heir to Årnäs, but maybe it’s something he can do as heir to the throne.

Implicitly I think there’s an element of competition with Wilhelm, too. Sara and August’s fight at the Valentine’s dance brings that subtext bubbling to the surface. Sara is concerned about being in a public relationship with her a royal when she saw what happened to her brother after being outed. August replies, bitterly, that he isn’t Wilhelm, and accuses Sara of just wanting sex.

It’s worth unpacking this. As viewers, we know exactly how devoted Wilhelm is to Simon. But from August’s point of view, all he sees is Wilhelm disavowing Simon on live TV and not standing by him. Keep in mind, too, that the rumors of Wille and Felice’s hookup are traveling around the school at that time, and yet Felice and Wille are not attending the dance together, probably signaling to August that either a) Wilhelm treated Felice like a conquest and then pushed her aside, or b) Felice is a gold digger who took advantage of Wilhelm for her own gain. From August’s perspective, what he’s thinking is, he’ll be more committed and mature than Wilhelm. He will be a good partner. He’s not afraid of being seen with his Eriksson sibling, who he absolutely intends to take to the dance properly and stand in posed graduation photos with and probably marry someday. August is keeping score, and he also believes in his own hype. He’s infuriated that Sara can’t see how he’s different than Wilhelm. That’s why the moment he and Sara are back in each other’s arms in 2.5, he immediately leans toward rhetoric about making her his queen and staying with her long-term. I do think he genuinely means this, but we also can’t ignore that he sees himself as better than Wilhelm for it. He’ll do an unexpected fairy tale romance of his own and he’ll do it better than Wilhelm ever did, dammit!

Now if you’re very clever (and yes, this is me trying to channel the gravitas of Abigail Thorn) you’ll notice how actively ignorant and irrational August is being. He’s constructing a narrative about his relationship with Sara that ignores their rocky beginnings. To some extent, August doesn’t have a full picture of what’s going on in Wilhelm’s head, and he’s also assuming he’ll have a lot more free will as king than would actually be true. (We see this in another way, when he tells Jan-Olof he has some ideas about how to modify the Jubilee Day speech, and gets stopped from doing so.) But it still doesn’t stop August from dreaming about being able to write the rules for himself.

Well, of course August is actively ignorant. Systems of oppression thrive on the active ignorance of those at the top. That’s exactly what allows people in August’s position to think well of themselves and genuinely see themselves as good people (who occasionally make mistakes) rather than people running a system that perpetuates wealth disparities and patriarchy and inequality.

Conclusion: The Privileges of Inconsistency and Ignorance

To sum up: I genuinely do think that August is attracted to Sara from almost the beginning of the show. At first, his warped worldview causes him to ignore or lash out at or objectify her, and overall fail to treat her with respect. When it looks like he might lose all of his power, he does have a brief window where he can see her as a fellow human being who makes him feel less alone, and discovers his feelings for her in a new light. As soon as he’s spared by the royal court, however, he becomes consumed by the fantasy of being king and rewriting the rules to make Sara his queen. Being able to cast her in that role would go against convention, but it would also be the ultimate expression of his power and agency. Other people would still have to follow the rules, but August would get to break them, because the king gets to make the rules and be the authority on everything. This isn’t, of course, what Sara wants—but part of August’s hamartia is that he assumes he and Sara are on the same page.

Maybe this isn’t a popular opinion, but it’s upsetting to me that Sara and August didn’t get to connect under different circumstances. When they work together, they work. But by god do they need some therapy and a social revolution to boot. I 99% agree with (I believe) missbolt’s post on Sara and August, where she talks about them fulfilling a deep need in one another. The one place I disagree (possibly in a very nitpicky way that isn’t really disagreement) is that I do think August sees real ambition/struggle to survive in Sara, and I do think Sara sees real vulnerability/loneliness in August. These traits are real and not illusions. Because Young Royals emphasizes choices over “innate” moral personality traits, however, what Sara and August don’t foresee in each other is the choices and sacrifices the other is willing to make. Sara is willing to put aside her ambitions to try and make things right with her brother, while August shoves away his vulnerability to try and prove to himself that he’s worthy of power within a system that’s content to just use him and toss him aside when he isn’t useful anymore.

Neither Sara nor August really expects the other to make these decisions, and that’s what drives them apart. Sara’s choice will hopefully save her and allow her to reconnect with community; August’s choice will only further isolate him and drive him toward destruction if he doesn’t check himself and change course. August could stop this cycle of self-harm if he stopped subscribing the aristocratic ideals of masculinity, but he hasn’t yet. How infuriating! The amount of sleep I have lost over this fictional character’s terrible decisions, let me tell you.

(It kills me how gendered Sara and August’s sacrifices are, too. Sometimes I just think about it and I want to scream. But I can also appreciate the well-written tragedy of it all.)

I will also say that this reading of the characters influences my reading of the show at large. It’s part of why I’m not personally in favor of the monarchy sticking around and a Prince Consort Simon future. (I get why it appeals to other people and can read others’ fics based around that, but it’s not my personal preference.) It’s also why I can’t find hotness in the idea of Wilhelm being a sort of sexy masc dom prince who orders people around and pulls strings to make things more convenient for his precious Simon. August already exists in the narrative as a cautionary tale against that kind of power dynamic! There’s more to be said here about the way you can look at August’s choices compared to Wilhelm’s, and how they are foils to one another. Ultimately, there is danger in trying to rewrite an oppressive system in accordance with one’s individual whims, even when a person imagines something as noble as romantic love as being what motivates them.

Once upon a time, I was leaving @heliza24 a comment on the Heart and Homeland draft she sent me, and I said this:

“The road to democracy is letting aristocratic boys embrace their submissive tendencies.”

And… maybe I was being a little bit facetious. But on a symbolic level I think what I meant was, Wilhelm and August both have to envision themselves in new positions, possibly even as part of a new system, if they want to do right by the people they love. Moreover, they need to think beyond the people they love, and consider the impact of their power has on the world at large. They need to learn humility, to listen, and to manage their emotions. So far, it’s Wilhelm who’s succeeding in that kind of growth, and he doesn’t win that victory by trusting in his love for Simon alone. Instead, as I pointed out in my justice meta, Wilhelm needs therapy and community and the willingness to self-examine in order to move forward. He learns to stop focusing on winning Simon’s love like it’s a prize, and focus more on being the kind of person Simon would choose to be in a relationship with, while still acknowledging that ultimately the choice is Simon’s.

Will August eventually be able learn the same lessons? Only season 3 can tell for sure. I kind of hope he can figure it out eventually, against all odds, if only so he can one day heal from his trauma. He also has to radically accept that he caused harm toward Simon, Wilhelm, and others. If August wants to get there, he’s going to have to stop subscribing to the philosophy of exceptionalism, and instead start valuing the special within the ordinary.

#young royals #other peoples meta #bluedalahorse being smart as usual #sara eriksson #august horn

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heliza24 · 1 year ago

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I'm obsessed with this reading of the show, and the idea that love is divine not for its inherent goodness, but because of its sheer power to cause people to act, even against their own best interest or against the social order that they have previously always obeyed. I think there's a wildness to the love in Young Royals. It resists being contained by logic, which I think is why it's so captivating to watch.

The power of love makes Sara pursue August even when she knows about what he did. It also makes Wilhelm willing to defy the monarchy for Simon. But it's the same untameable force pushing both of them.

Anyway, I'm delighted blue used her classics degree to write this meta for us, I think it's so good and smart.

Young Royals and the divine disruption of eros

Young Royals enthusiasts have a lot to say about the nature of love (specifically eros, or romantic and/or sexual love) in the show’s universe. Usually they identify an element of the divine in the love we see onscreen. The show itself nods to this with soundtrack choices like Elias’s “Holy” and through some of the imagery and filming choices. (Someone else can probably speak to that better than I can, and probably already has.)

But what does it mean, that love/eros has an element of the divine? Is divinity always benevolent, or kind? Does it always encourage someone toward more compassionate behavior? In a Christian context, we usually think of “love” as being associated with moral goodness, or at least a kind of selflessness or compassion. As a former classics major, however, I can’t help but look at YR’s divine eros through the lens of the ancient Mediterranean myth and folklore. Here, the divine is more a force of nature, and far more morally neutral.

Some background: in the ancient sources Greek gods and goddess are less like immortal, superpowered humanoid beings, and more like abstract and/or natural concepts personified. In Greek mythology, Aphrodite is the divine figure most associated with eros, and she is a powerful and at times vengeful goddess who should not be underestimated. Modern sources (and even a few ancient sources) tend to downplay or soften her influence—leaning into this idea of a beautiful goddess playing matchmaker for lonely individuals—but even when she’s bringing companionship into a person’s life, she’ll still shake things up in the process. The Trojan War begins because Paris chooses Aphrodite’s realm as his definition of beauty/excellence, and Aphrodite sets Paris and Helen’s relationship in motion.

What makes Aphrodite—and by extension, eros—so dangerous is that she is so disruptive to the social order. Marriages in the ancient Mediterranean tended to be arranged, and while eros certainly did exist within some of those marriages, it wasn’t a guarantee at all. You may well develop feelings for someone other than your spouse, and what if that destabilizes your marriage? You could also develop feelings for someone who makes you behave outside your assigned gender or class expectations, and then you aren’t fulfilling your class role, which causes a breakdown in the social hierarchy. Being in love may be euphoric, especially if the person you love loves you back and you’re of compatible social ranks, but it may also be unbearable if circumstances don’t work out for you. Unchecked eros can even lead to the birth of monsters, such as when Aphrodite dooms the Minoan queen Pasiphae to fall in love with a bull, which then eventually leads to Pasiphae giving birth to the Minotaur. Look at any selection of poems from the ancient Mediterranean and you’ll find as many poems cursing love as praising it.

And one of the wildest things about eros? Nothing about it is rational. People may try to rationalize their feelings of eros later, or come up with why they like a person… but feelings just are what they are. Actions can have a rational component, and an element of agency. You can technically control your actions. Still, feelings do not operate in the same way, and feelings are always trying to influence actions. Part of the reason it is important to respect Aphrodite is that she can always get you and hijack your heart when you least expect it. (Unless you’re aromantic I guess, which. Hooray exceptions?)

Let’s bring it back to the Swedish show. I think often, people want to talk about the wilmon and sargust pairings as being as far apart from one another on the spectrum as can be. I’ve even seen the idea thrown around that wilmon’s eros is the Most Real while sargust’s is Less Real, and while I get where that argument is coming from, I also don’t necessarily agree with it myself. On my end, when I look at love/eros in Young Royals as defined first and foremost not by moral goodness but by its power to disrupt, these two pairings feel very alike to me and deeply thematically connected. Moreover, they are equally exciting to watch play out onscreen. Each of the four characters involved develops feelings that conflict with something about who this character is as a person and the social role they hold. Each character at times resists their feelings and at other times gives in. Sometimes both characters give into their feelings together! (Those parts of the story are often gif’d and reblogged by tumblr, at least on the wilmon side of things.) You can also learn a lot about each character by how they deal with the disruptive power of eros, and what they allow eros to disrupt—ultimately, August tries to exert control over his romancey situation with Sara and make it fit his concept of the social order, and disrupts the well-being of the Eriksson family in the process. Wilhelm, meanwhile, is willing to challenge the structures of the monarchy and his own family because of his relationship with Simon. There’s also a lot of twists and turns along the way for each of them that are enjoyable to watch.

There’s a tendency in fandom to hold wilmon as a sort of Fixed And Unquestionable Religious Truth Of The Young Royals Universe, and I get why. There’s also a sort of tendency to see sargust as the devil to wilmon’s god, and again, I get why folks feel that way too. For me, though, I don’t really feel that way, in part because I see both pairings as equally subject to the divine nature of eros, and eros is something that is dynamic and morally neutral and constantly in flux and most of all, disruptive. I like that both pairings are a little chaotic and capable of making me feel a range of things, even if I always do come out of a YR marathon exhausted because of it. Eros is disruptive the way that war and revolution are disruptive, and sometimes they’re all happening at once, and in the end it makes a pretty good story.

Anyway, if you’re wondering, one of my favorite Greek plays is Hippolytus by Euripides, and Aphrodite is pretty terrifying there. I find her power to disrupt and destroy fascinating. And that’s probably why, against the expectations of my mlm slash-loving younger teenage self, I’m going to be writing fic about these trash-tragic horsey heteros for as long as this fandom exists and I feel compelled to do so. No apologies about that, really. You’ll all just have to put up with me.

#young royals #other peoples meta #bluedalahorse being smart as usual

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heliza24 · 2 years ago

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Blue is so smart and this is so well crafted that I just needed to pull out some of my favorite parts to talk about them:

I don’t think Lisa is necessarily saying that August shouldn’t be punished or face consequences for his crime. But I do think she’s being very clear that a retributive justice philosophy is going to hit marginalized people without the resources to defend themselves—people like Simon—a lot harder. And that opens up the question of where we’re supposed to find catharsis. Can we really exhale at the image of jail cell doors clanging shut, knowing that this same legal system can come for Simon using the same tools?

I'm so glad that Blue is talking about this. Sometimes the fandom can get so wrapped up in wanting to see August punished that we ignore the realities of what will mean for Simon as a working class Brown kid. I like that the plot at the end of season 2 explicitly linked their fates through the justice system. It means we cannot root for an outcome for one character without considering the other.

After all, we can accept that although Simon loves Wilhelm very much, Simon’s efforts alone weren’t enough to fully dislodge Wilhelm from his place of privilege. Wilhelm needed Boris and therapy, and a mom who made him go to therapy (Kristina often does more harm than good, but her making Wilhelm go to therapy is the broken clock being right twice a day), and Felice as a friend and confidant, and Nils as a different sort of confidant, and a literature teacher like Fröken Ramirez who’s assigning him books with queer representation. Wilhelm’s journey is still ongoing. Romantic love may be transformative, but individuals in love don’t change people on their own. Communities change people. I am an aromantic relationship anarchist and I will die on this hill.

It is SO important to recognize that Simon isn't be responsible for Wilhelm's growth, nor Sara for August's. I love the idea that Wilhelm needs multiple catalysts for growth, and I think it's really revolutionary to see a member of the royal family reaching for community support in this way. The farther away Wilhelm gets away from the values of the Society-- the insular group that protects its members through silence and represents the Swedish upper class system at large-- the healthier he's going to be.

Also I will be dying on that aro hill along with Blue.

all the fancy plaques about responsibility, the students use their privilege and power to avoid doing what’s right and keep the status quo going. This is who they are. This is what they are going to have to overcome to be ethical humans who make their world better.

It is so! important! that we don't excuse the privileged students of Hillerska. They are all a part of this messed up system.

Speaking of the Eriksson siblings, I want Sara and Simon to have a chance to repair their relationship and build it anew. This would be another point of catharsis for me. I’ve seen a lot of people saying “Sara needs to do xyz tasks…” like we’re in a confession booth and a certain number of Hail Marys will save the day, but step one is that Sara and Simon just need to start communicating again, and communicating honestly. I think it’s easy to point to August as being the root of their relationship struggles, but there were a lot of unspoken tensions between the Eriksson siblings long before he entered the chat.

This is my number one wish for Season 3!!

Philosophies of Justice and Narrative Catharsis in Young Royals

Do you ever just have… conversations with yourself at 2 am?

Me: Wow. August did some bad shit. I want him to get therapy and help, but I also want him to face some kinda legal punishment.

Also me: Oh, self. You don’t trust cops or judges or prisons. The legal system would be way harsher on Simon about the drugs. Doesn’t that give you anxiety?

A third me, thousands of words in and possessed by a hyperfocus demon: Well fuck. We might be doing a meta about it. It’s okay, this can just be building blocks for our graduate school thesis on YA literature. Ahaha it’s fine.

The following meta looks at philosophies of justice, both retributive and restorative, as they appear in the worldbuilding Young Royals. This is a monster of a meta, like ~6500 words long, so be aware of that going in. Content note for discussion of all the usual crime topics in YR, as well as the injustices present in real world legal systems.

Keep reading

#bluedalahorse being smart as usual #love to fandom mind meld with my friends #young royals #other peoples meta #august young royals #wilhelm young royals

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heliza24 · 2 years ago

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Blue’s response here about the agency that teens should be granted in beginning to make decisions about their own future really reflects how I feel. Young Royals is a coming of age story. All of the characters are starting to make decisions about what they want their adulthood to look like, and Iike Blue says, these are things we ask real teens to do too. I really vividly remember being that age, and how frustrating it was when people doubted my own conception of myself or what I wanted to do with my life. So I try to treat teens’ (real and fictional) dreams and ideas about their future seriously, even if I expect that they will continue to evolve and change as they grow.

I’m also fascinated by the way the the pressure to have an heir may have affected Kristina’s decisions and her relationship with Wilhelm. There really is an unspoken promise of producing heirs when someone takes the thrown, and that’s going to be such a complicated choice for Wilhelm if he goes through with it. I have no idea if season 3 will focus on these themes or not but it’s so interesting to think about!

Young Royals, parenthood, and reproductive autonomy (a meta I guess)

Especially with season 3 approaching, people talk a lot about whether or not Wilhelm will accept or reject the throne. This is often framed in terms of Wilhelm’s love for Simon, as well as his ability to own and express his queer (albeit as of yet unlabeled) identity. We also discuss this in terms of what sort of symbolic leader Wilhelm could be for Sweden.

There’s one question I want to add to the mix, when we consider Wilhelm’s future: to what extent is Wilhelm willing or eager to become a parent someday?

To build upon that a little further: to what extent is parenthood a choice for Wilhelm in a system where he is expected and required to father an heir, and probably a spare as well? What does his reproductive agency look like in that situation?

Now, I don’t want to turn this into a discussion of the reproductive mechanics of the line of succession. I know a lot of folks have speculated ways that can or can’t be addressed, and have talked about issues like surrogacy laws and adoption and whatever else. I also know there’s the possibility of the throne going to some relative or another. I’m not interested in that right now! Instead, I want to focus on the practical and emotional aspects of what it means for Wilhelm to contemplate future parenthood.

So let’s ask some more questions: does Wilhelm actually want children? If so, at roughly what age does he want kids? About how many kids does Wilhelm want? If he wants more than one kid, about how spaced apart does he want to have them? What are his views on how to parent? These are all questions that Wilhelm should have a choice to contemplate on his own, but likely won’t as long as he remains crown prince. The social norms of the monarchy likely dictate that becoming a parent happens at a certain time and pace, in a particular manner. Moreover there’s a certain prescribed way it has to all be presented to the public. Finally, Wilhelm knows that by having a kid while in the role as monarch, he would set that kid up for some of the same things he went through as a child, unless he takes extra care to break and dismantle toxic cycles. His child would be an heir to the throne and certain things would be expected of that child, the way they were of him.

The upshot of all of this is that YR raises questions about Wilhelm’s reproductive autonomy and future in a way we don’t usually get to see for cisgender male characters in teen dramas. (I would also say we get an intimations of this with August and Erik, as well—we’ve seen the way the royal court has exerted their influence over both when it comes to relationships and sexuality.) These kinds of conflicts and dilemmas usually only come up when they involve characters with uteruses. So it’s interesting to see the way that YR plays with this idea of reproductive autonomy, and extends the discussion.

Possibly a take that will bug some of my fellow fans, but I’m going to say it anyway: this is why I think Sara having a potential pregnancy or pregnancy scare could be on theme for season 3. I’m not saying it’s definitely gonna happen. What I am saying is that if it did happen, it would fit in with the show’s themes and dramatic questions as already established and would be more than just “drama.” (Drama in a program classified by its genre as a drama? You don’t say!) Sara would have to contemplate some of the same questions that Wilhelm contemplates about parenthood and parenting, and you could parallel their two arcs quite effectively.

Now, obviously they would also be in very different situations with different things at stake. Wilhelm’s class situation and reproductive organs are naturally different than Sara’s, so they’re naturally going to experience this parenthood differently. Sara would also have to engage with this question on a bodily level, as she’d be the one carrying a pregnancy to term, and that is a nine month process that takes a lot out on the body even in “healthy” pregnancies. (Pregnancy tends to be tougher for people with autism, too.) Finally, Sara will have to think about her own parents a lot, and what she absorbed from them. What does it mean for Sara to contemplate parenthood when she herself is the child of an abusive relationship?

Now, I want to point out that we’ve also seen YR use this strategy of parallels between characters for exploring other issues. Felice and August both struggle with perfectionism and body image, but that plays out differently for them due to differences in gender, race, and family structure. Simon and Sara grapple with similar questions about relationships and being in love and season 2, but experience that differently due to gender, sexual orientation, and neurotype. Simon and August both struggle with trauma around fathers with drug addiction, that causes them to engage with drugs in unsafe ways (August mostly by using, Simon mostly by dealing), but we know they’ll be seen differently by others because of their class. And so on. Part of what YR does so well is the way it shows how human beings can hold experiences in common, but still be divided in how they experience them based on systems that reinforce a social hierarchy. Paralleling Wilhelm and Sara around dramatic questions of future parenthood and reproductive autonomy could be really illuminating.

While I firmly believe that, if Sara has a pregnancy situation/pregnancy scare, Sara herself should be centered in that particular plotline, we also know such a plotline would likely involve August as the person who donated half the DNA of the fetus in question. Which then throws August’s arc into a suddenly very real and frightening place: he’s in a position where he could perhaps in the most basic sense fulfill the “destiny” ordered of him by the Society and by the machinations of the royal court members who want him as Wilhelm’s backup. (We know what that phone conversation he has with Jan-Olof is really about, and again I remain grossed out.)

And yes, we also know that August has exercised his capacity to seriously harm others multiple times throughout seasons 1 and 2, and that he is about to be in serious legal trouble for leaking the video. Even without that, what would it mean for him to have to think about these questions of parenthood when he hasn’t fully processed the trauma and grief of losing his own father, or had a chance to heal his fractured relationship with his mother? Whether you come at the horror of August fathering a child from the angle of August as someone who has relentlessly hurt others, or from the angle of August as someone with deep, parent-related pain of his own and minimal support to navigate that pain, I think ultimately what we’re being shown here is the ruthlessness of monarchy as it relies on reproduction to keep itself going. Does it matter that an heir to the throne is loved and celebrated for who they are and given therapy for their trauma, as long as the heir exists, reaches adulthood, and one day produces another heir?

Which then opens up another question that I think once again applies to Wilhelm, and maybe Sara as well. If having children is a way to maintain and preserve status for the upper classes, what does that mean for Wilhelm? Can Wilhelm believe his mother loves him, if having children is more a mandate for someone in her position than a choice? This may be a question Wilhelm has to sit with, and it’s possibly something Kristina needs to sit with too. Has Kristina ever considered Wilhelm a loving choice she’s making, rather than a destiny? I think this would be a great opportunity to explore Kristina as a person, and not just as a royal or a mother.

Meanwhile, having children is expensive and consumes time and energy, and someone who is working class and autistic like Sara is going to have fewer resources to deal with this situation. Luckily, as someone who lives in Sweden, she has safe and reliable access to abortion (glaring at my own horrendous country here) which I imagine will be the option she would end up choosing in that kind of plotline. But that doesn’t mean she won’t have to stress over her situation or face gossip or even negative press attention because of it. Not to mention the way Sara’s own conscience may weigh on her, if she’s pregnant with the child of someone who harmed her brother, her (ex?) best friend, and other people so dramatically? Is there a part of her that would kind of want the child anyway, perhaps in another circumstance? What would it mean, to want that child? This sounds like something Sara and Linda could discuss, and maybe come to understand one another on.

Lisa once said one of the dramatic questions of Young Royals was whether or not people become their parents. If we are going to engage with that question, one way to raise the stakes around it is to make the question of parenthood and reproductive autonomy more real and urgent. Again, I’m not saying this will happen. This is not a season 3 prediction post. But I do think if it did happen, it would be in line with what we’ve seen from the series and its exploration of families and privilege.

#young royals #other peoples meta #bluedalahorse being smart as usual #young royals wilhelm

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