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octaviasdread · 3 years

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any girls! dark academia movie recs? i really struggle to find anything not about a group of boys (as much as I love them)

SO MANY!!! This is probably a far more detailed answer than you were expecting but this is a popular question and I want to keep a list for myself and others.

Feel free to add to it/give opinions. I've tried to give a tw for anything I can remember

Girls! Dark Academia Movies/TV Shows

Mona Lisa Smile (2003)

1950s Women’s college

Art professor! Julia Roberts

She’s legit the female Mr Keating of the art & college world

Feminism vs. Tradition

Maggie Gyllenhall x Ginnifer Goodwin; their characters were more than friends. Fight me.

Does not end how you expect

Strike!/All I Wanna Do/The Hairy Bird (1998)

MY FAVOURITE!!!

Free on YouTube under one of its various names

Comedy

1960s all girls boarding school

Young Kirsten Dunst

Group of girls plot to sabotage a merger with a boys school less prestigious than their own

Secret attic clubhouse meetings of the D.A.R aka Daughters of the American Ravioli (eaten cold, ew)

girls get political & advocate for their rights using ANY elaborate and chaotic scheme

TW: eating disorder, vomiting & creepy male teacher but the girls plot against him too

The Prime of Miss Jean Brodie (1969)

based on a short book I read for uni by Muriel Spark

1930s girls school in Edinburgh

Scottish teacher! Maggie Smith, controversial with a focus on romantic ideals

Spoiler alert, the liberal teacher is actually a fascist

Her group of fave students has cult- vibes and it’s fascinating

Picnic at Hanging Rock

1970s movie or 2018 mini series

Never watched either but I plan to

Wild Child (2008)

00s romcom every UK teen girl loves

Emma Roberts as the spoiled rich American teenager sent to a strict English boarding school

Plots to get herself expelled but oh no she’s making friends with the girls who help her

And the headmistress has a hot son, and he’s nice??? Double oh no

ICONIC SCENES

Everything! Goes! Wrong!

omg she burns the school down

Feel good, comfort, nostalgia

St Trinians (2007)

English girls boarding school

The kids are all criminals, no joke

So are the teachers

CHAOTIC

gay awakening for british girls

Art heist pulled off by school girls

Government tries to shut them down but oh no, the education minister & the headmistress are ex-lovers

Colin Firth x Rupert Everett in drag

Superior cast: Jodie Whittaker, Gemma Arterton, Juno Temple, Stephen Fry, Colin Firth, etc...

embodies the phrase 'problematic fave'

St Trinians 2: The Legend of Fritton’s Gold (2009)

Mystery, pirate ancestors, hidden treasure

omg Shakespeare was a woman

girls disguised as boys to infiltrate and rob the posh boys school

Villain! David Tennant in that ICONIC boat scene

Teen girls vs. ancient misogynist brotherhood

like the first film but MORE chaotic and BETTER!???

The Falling (2014)

1960s all girls school

best friends! but its unrequited love

Agoraphobic + distant mother aka mommy issues

Sudden death and the school suppresses/ignores the students grief, sparking mass hysteria & a fainting epidemic in the girls

Cast: Maisie Williams (GoT) & Florence Pugh (Little Women) & Joe Cole (Peaky Blinders)

TW: teen pregnancy, death, vomiting, underage s*x, sibling inc*st, past s*xual assault

READ THE PLOT SUMMARY FIRST

The Book Thief (2013)

Based on an amazing book by Markus Zusak

set in 1940s Nazi Germany

Daughter of a communist whose family were taken by the Nazis/died is fostered by an older couple who teach her to read & she paints a dictionary on the basement walls

Coming of age story about a compulsive book thief. No joke, this kid steals books from banned book burnings and breaks into the mayor's library through the window

Family hides the Jewish son of an old friend in their basement and he helps her to start writing about her experiences in the war

TW: death, bombings, WW2 anti-semitism

Mary Shelley (2017)

Overall good & roughly biographical

Pretty costumes and aesthetic

Modern feminist take on Mary Shelly in her own time period

So many INACCURACIES for the drama so don’t take it as truth

Percy Shelley slander and not all of it is justified

Cast: Elle Fanning, Douglas Booth, and Maisie Williams

The Secret Garden (1993)

Based on a fave childhood book

1901 colonial India & Yorkshire, England

Orphaned, spoilt & neglected girl sent to live with her reclusive Uncle in the English countryside

Gothic elements, mysteries, secret doors/passages/locked gardens

local boy with a flock of animals, magic, kids chanting around a fire and all around immaculate vibes

Happy ending!!!

Hidden Figures (2016)

African-American women as mathematicians for NASA

1960s space project

Women balancing a career and family obligations

Deals with racial & gender discrimination

Loosely based on the lives of Katherine Johnson, Mary Jackson, and Dorothy Vaughan who worked for NASA as engineers & mathematicians

Anne of Green Gables (1985) & sequel (1987)

Adaptation L.M. Montgomery’s ‘Anne of Green Gables’ books

Canada (late 1890s/early 1900s)

Highly imaginative & bookworm orphan is adopted by a reclusive elderly brother and sister duo

Small town & school years comedic drama

Unrequited Enemies -> Friends -> lovers

Inspiring new woman teacher

Girls re-enact Tennyson’s poem and nearly drown for the aesthetic™

Dramatic poetry reading with INTENSE 👀eye contact👀

Writer! Anne & English teacher! Anne dealing with unruly girls school antics

Collette (2018)

biographical drama on french writer Sidonie-Gabrielle Collette

Victorian & Edwardian era France

More talented than her husband so she ghostwrites for him

Fight for creative ownership of her wildly successful novels

Affairs with a woman called Georgie and also with Missy, born female but masculine presenting

Cast: Keira Knightly, Dominic West, Eleanor Tomlinson (Poldark)

Enola Holmes (2020)

Netflix book adaptation

Younger sister of Sherlock Holmes

Victorian era! feminism/suffragettes

Mother-daughter focus

Mystery, adventure, secret codes, teens running away & escaping from (and eventually fighting) assassins

Cast: Helena Bonham Carter, Henry Cavill, Sam Claflin, Fiona Shaw, Millie Bobby Brown

Ginger & Rosa (2012)

1960s England

best friends since literal birth navigating troubled teen years

poet & anti-nuclear activist! Ginger

off the rails but also catholic! Rosa

Shout out to Mark & Mark the gay godfathers we all want

family troubles

TW: older man has an affair with a 17 yr old

Testament of Youth (2014)

based on WW1 memoir by Vera Brittain

young woman (writer & poetry lover) escapes traditional family & goes to study at Oxford University

abandons to become a war nurse

romance, tragedy and war trauma

Cast: Alicia Vikander, Kit Harrington (GoT), Taron Edgerton (Rocketman), Colin Morgan (Merlin)

Little Women (2019)

Writer! Jo & Artist! Amy

Mother/daughter focus and sister dynamics

the March sisters’ theatre club is *chefs kiss*

champagne problems edits of Jo x Laurie are a mood

Ambivalent ending perfectly captures Louisa May Alcott’s dilemma with the book the movie is based on

set in 1860s America

ALL STAR CAST and a Greta Gerwig masterpeice

Lady Bird (2017)

coming of age in early 2002/2003 Sacramento, California

all girls catholic school

writer! Christine aka Lady Bird wants to get outta town and start her life again at college 'in a city with culture'

Mother/daughter dynamics - so realistic!

I live for that Jesus car stunt & the nun's reaction

school theatre program

Cast: Saoirse Ronan, Timothee Chalamet, Beanie Feldstein

Another Greta Gerwig gem

Beguiled (2017)

Virginia, civil war era

Girls school with only five students and two teachers left

Find an injured Union army soldier & bring him inside

Women & teenagers want his attention (v. problematic) before uniting against him

(tbh you'll either love it, hate it, or watch once & forget it)

Sofia Coppola film so its very feminine gaze

TW: violence, death, underage

Legally Blonde (2001)

No questions will be taken

Elle Woods was the blue print

TV series:

House of Anubis (2011-2013)

I know it’s a kids/young teen show but I still unironically love it

ANCIENT EGYPT!!!!

Modern day with Victorian era links to treasure hunters & Egyptian research expeditions (stealing from tombs)

Chosen one plot lines, curses, kidnapping, mysteries, secret tunnels under the school, elixir of life

Teens have investigate & protect themselves cus oh no the TEACHERS are involved in some shady stuff

new American kid at British boarding school is the actual premise not just a fanfic au

Nostalgic, light-hearted, funny, and kinda cheesy but I will accept no criticism

The Alienist (2018 -now)

Mid 1890s, New York

Woman’s private detective agency (Season 2)

Serial killer mystery

Woman secretary turns detective and teams up with a criminal psychiatrist and a newspaper editor to solve crime

TW: violence, child pr*stit*tion

Cast: Dakota Fanning, Luke Evans, Daniel Bruhl

The Queen’s Gambit (2020)

Woman chess prodigy

1950s & 1960s

TW: drug & alcohol abuse

Gentleman Jack (2019 - now)

Based on the diaries of Anne Lister

Victorian Yorkshire, England

Upper-class lesbians

Confident, suit wearing! Anne Lister x shy! Ann Walker

Business woman! Anne running the family mines

Cast: Suranne Jones (Doctor Foster) & Sophie Rundle (Peaky Blinders)

TW: violence

Gilmore Girls (2000-2007)

bubbly/ambitious single mom + intelligent daughter

bookworm! Rory Gilmore gets into a prestigious private school and then an Ivy League college

Small town drama is comedic gold

Fast dialogue packed with pop culture and literary references

Comforting & nostalgic

TEAM JESS

Anne with an E (2017-2019)

Loose adaptation of L.M. Montgomery’s ‘Anne of Green Gables’ books

they completely change the plot lines but it’s still very good content!

Orphan girl with trauma and a love of books/poetry is adopted by an elderly brother & sister duo, bringing light and fresh ideas to a rural community

Feminism, girls writing club, lgbtq safe spaces, girls eduction, black/indigenous representation

Miss Stacy as THAT inspiring teacher

Aunt Josephine’s lavish gay parties have my heart

TW: creepy male teacher tries to marry a student, racial discrimination, indigenous assimilation school

Victoria (2016-2019)

Adaption of Queen Victoria’s life

Victoria navigating her political, royal, and personal life

Albert’s involvement with The Great Exhibition, 1851 (on cultural + industrial innovations)

Alfred Paget x Edward Drummond is exquisite

Gorgeous costumes and aesthetics

TW: bury your gays trope

Derry Girls (2018-now)

1990s Northern Ireland during the troubles

Comedy, episodes 20-25 mins long

English boy sent to an all girls Catholic school with his cousin

✨Dead Poets Society parody episode ✨with a free-spirited female teacher

Sister Michael, the sarcastic nun who hates her job & reads the exorcist for giggles

Wee anxious lesbian! Clare Devlin (plus her friends wearing rainbow pins)

Badass with bad ideas! Michelle Mallon

Main Character! Erin Quinn

Lovable weirdo who would fight a polar bear! Orla McCool

Wee English fella & honorary Derry girl! James Maguire

Dickinson (2019-now)

Loose adaption of the poet Emily Dickinson’s life

Set in 19th century Massachusetts, US

Historical drama with modern dialogue & music that works SEAMLESSLY

gives a great understanding of Emily Dickinson’s poems

💕Vintage gays! Emily x Sue💕

Theatre club, writing, poetry, dressing as men to sneak into lectures, love letters, teen drama, feminism, and an underground abolitionist journal as a brief side plot in season 2

Wiz Khalifa plays death in a horse drawn carriage

TW: opium use

A Series of Unfortunate Events (2017-2019)

Based on great childhood books

Bookworm! brother, Inventor! sister, and baby sister with sharp teeth

Mystery, secret organisations, orphaned siblings figuring things out & fending for themselves against the villain after their fortune

Adults either cartoon evil, comedically incompetent, or SPIES

Boarding school, library owner, scientific researcher, and theatre episodes

Ambiguous time period which is really fun to try and pin point

Killing Eve (2018-now)

Classic detective who has homoerotic tension with the assassin she is tracking down

British Detective! Eve Polastri figures out the notorious assassin MI5 are investigating is a woman, is fired & then put on a secret MI6 case with a small team

Assassin! Villanelle, a psychopath with a tragic past and a mastery of both accents & fashion

Woman MI6 boss! Carolyn Martens, head of Russian section

Travel Europe following Villanelle’s killings and escaping the assassins sent by Villanelle’s organisation

‘You’re supposed to be my enemy and moral opposite but omg you’re the only one smart enough to get me and why am I obsessed with you????'

🚨 GO IN FOR A KISS AND THEN STAB YOUR ENEMY 🚨

Cable Girls/Las chicas del cable (2017-2020)

Spanish drama set in 1920s Madrid

Four young women at a telecommunications company form a group of friends and help navigate the difficult situations they are all in

Secret identities, dangerous pasts, murder, crime, lgbtq couple & throuple, trans man character, feminism/suffragists

girls commit crimes for humanitarian reasons and cover! it! up!

UNDERRATED SHOW!!!!

Gorgeous costumes and set

Haven’t finished it yet and I’m catching up

TW: abuse, violence, death

Outlander (2014 - now)

haven’t watched yet but plan to

Woman time travels to Scotland, 1743

Rebel highlanders, pirates, British colonies, American revolutionary war

Time jumps between 18th & 20th century

#CO posts #answered asks #asks #dark academia girls #dark academia recommendations #dark academia recs #dark academia women #dark academia movies #dark academia tv

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luna-rainbow · 3 years

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TFATWS 1.06

I have so many issues with the entire script, but overall the final episode provided the neatness that the MCU world needed (yay, no more stray super soldiers!), while ignoring gaping plot-holes it dug for itself throughout the series.

Zemo: while I loved what Daniel Bruhl did with the character, the sheer amount of deus ex machina that occurred to include this character is phenomenal. Starting with Bucky making a completely uncharacteristic and self-destructive decision that out of all the contacts he knew from 70 years of working for Hydra, this Sokovian special op who tried to use him to kill half the Avengers was going to be the only expert on Hydra they have. Sam then makes an entirely uncharacteristic and bewildering decision to agree to take Zemo illegally. The entire world except Wakanda then makes the uncharacteristic decision to just ignore the fact a terrorist has broken out of jail, and in fact there is absolutely no consequence for Bucky. Ironically, the entire super soldier serum issue had nothing to do with Hydra, from its production, to its funding, to its theft or its users. Yes, Zemo was a great help in tricking the refugee kids in telling him information, but why couldn't this have been made to be a character moment for one of the two leads?

Karli: there are fantastic videos on YouTube explaining the deleted virus subplot that would have made the Flagsmashers and Karli so much more sympathetic. The idea of a plague background with a vaccine shortage, and people dying en masse because of inequity or obstructive governments would have given Karli powerful justifications for her increasingly radical actions. In a story like that, she would have died a martyr, but instead we're left with shredded hints of their motivations, a Mama Donya who we only meet in death, a meaningless chant that sounds creepily similar to the Chinese Communist Party's push for One Belt One Road, and no concrete plans or goals that suggest her fight would be worth it. Erin Kellyman did a beautiful job with this idealistic young woman driven to desperation, but the script failed her.

Walker: I like that they decided to make him do something good towards the end, but it also undermines what a redemption arc actually means. He gives up, momentarily, his pursuit of Karli in order to save the van, but has he really learned anything? Has he learned about his prejudices, his arrogance, his recklessness, or his anger issues? No. The blonde blue-eyed boy does one good deed and both Bucky and Sam welcome him into the team, which I thought was the whole point this series is trying to condemn.

Sam: I love what we saw of Sam in the last 2 episodes, but it should have been much more. His growth was all about agency: he took up the mantle on his own terms, in his own time; he tells Bucky to take control of his own identity, and in the end, he publicly calls out the Council for not giving agency to the people who need to be heard. What's frustrating and ironic is that in the first 4 episodes, Sam's role was passive. That's the other problem with including Zemo, because Zemo became the major driver of moving the plot along until they met Karli - in a series where both main characters needed more development. Apart from that one emotional scene of Sam cradling the shield, the script doesn't give him the backstory or the emotional range that Anthony Mackie deserves.

Bucky: I've already harped on about my views on how the series has insisted that Bucky makes amends. They've tried to force a redemption arc on him when what he needs is also agency. He repeatedly tells fellow super soldiers "believe me, don't go down that path" but the frustrating thing is, he never had the choice that they do, and this is never acknowledged by the script except in that 2 second exchange with Yori. His defining characteristic is Trauma, but nothing else is developed beyond that. What motivates him? What does he believe in? What does he fight for, when he's said he's tired of fighting? Even the trauma itself - why is there nothing else apart from guilt? Is there no anger towards his oppressors? No vengefulness? No grief about what he's lost? No fear about the pain he endured?

I've seen meta questioning Bucky's attachment to the Cap legacy, and I agree. Bucky followed Steve - in all 3 movies, he explicitly followed Steve and not the shield. As much as I love the proud, affectionate gaze he bestowed on Sam during Sam's speech, I almost wish we got a version of "I'm following the little guy from Brooklyn" here, rather than the "Nice job, Cap." It's Sam trying to give a voice to the ignored and oppressed that makes him someone Bucky wants to follow, particularly as this was personally identifiable for Bucky, who was kept voiceless for 70 years. I wish this was the point rather than Bucky's incoherent belief that the shield was "family" especially when Steve abandoned the shield every time he chose to help Bucky.

I have so much frustrations with the script because it could have been something more. Sam deserves something as emotionally poignant and universally relatable as Steve's backstory. Bucky deserved to be more than just a broken man defined solely by his trauma. The camaraderie developed so hastily in the last 2 episodes it felt more like watching Anthony and Sebastian than it did their respective characters. Maybe this will get better when I rewatch it in a few months, because watching things weekly definitely gives you time to pick at the little things. I wonder what would have been if Covid didn't happen and they didn't have to scramble the plot.

#tfatws #the falcon and the winter soldier #sam wilson #bucky barnes #helmut zemo #john walker #karli morgenthau #spoilers

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pondering-and-wondering · 3 years

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Rant because i’m mad

TW: N@zis and my anger

I’m fucking sick and tired of people in the Bruhl fandom simping for fucking N@zi’s and trying to disguise it like its okay. Daniel has about 50 film credits, several of which are not N@zi’s. It is so simple to not write about N@zi characters yet people insist. It’s disgusting. Choose other characters. Make an AU of Daniel himself. Being a N@zi is a critical aspect of these characters and it’s disgusting but certain stories should be told. Do you like Daniel in 2009? he has several other films from that same year. You like him beefy and blonde like in The Zoo Keeper’s wife? Do what several other people have done and use Dirk Bruhlee as a vessel because it was the same look. You think I'm overreacting? oh well, I don’t care. How about you try harder and use more than half a brain cell to try and decipher why not being able to help but drool over N@zis are bad, I'm not helping you.

#it makes me disgusted to be in this fandom #Daniel Bruhl #daniel brühl #daniel bruhl x reader #daniel brühl x you #rant #thoughts

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thealogie · 6 years

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But is it gay endgame???

Nope no it’s a straight comfort watch where you know all along he WILL end up succeeding with his restaurant and date this blonde chick. But then this unrequited gay subplot comes to a head only half way through the movie and yes he ends up with the girl but she turns out to be unnecessary to the plot and bradley cooper and daniel bruhl keep staring at each other and smiling also matthew rhys is his ex boyfriend...I’m mainly blogging about it because I went it not knowing Any Of This

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aion-rsa · 3 years

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How The Falcon and the Winter Soldier Finally Gives Sharon Carter Her Due

https://ift.tt/3mkhmr5

This article contains THE FALCON AND THE WINTER SOLDIER spoilers.

The Falcon and the Winter Soldier has its fair share of issues: The bizarrely uneven pacing, the mixed messages about capitalism and propaganda, the fact that Flag Smashers is literally the stupidest name for a villain supergroup in history even if they do exist in the comics. But like WandaVision before it, the series truly excels at giving multiple sidelined Marvel Cinematic Universe characters a chance to finally step forward into their own stories.

In just three episodes of this Disney+ series, we’ve already seen more acknowledgment of Sam’s struggle as a Black superhero than we have in any other MCU property. We’ve watched Bucky Barnes – arguably the franchise’s most tortured, damaged soul – seek help for his mental health struggles, try to facilitate restoration for his former victims, and bring justice to those he worked for as the villainous Winter Soldier. The show has barely scratched the surface of his complex relationship with Steve Rogers and his apparent obsession with his BFF’s legacy, but there’s every likelihood we’ll circle back to it eventually. Someone has to take up that shield, after all.

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Third episode “Power Broker” brings back another familiar face in Sharon Carter, a character who is more often remembered for the uber-awkward kiss she shared with her aunt’s once and future boyfriend in Captain America: Civil War than for any actual specifics about her personality. Her brief appearances in the films have established that she’s intelligent, a pretty decent hand-to-hand fighter, and determined to do the right thing, no matter the consequences (thanks for that lesson, Aunt Peggy). Heck, she even single-handedly led an insurrection to try and save SHIELD way back when it was taken over by Hydra in Captain America: The Winter Soldier.

Yet, despite all that, the character simply could not catch a break, either onscreen or among the MCU franchise’s fandom. The fact that Sharon’s presence in Civil War is largely used to reassert Steve Rogers’ heterosexual status rather than to explore any actual aspect of who she is or what she wants makes her presence in the story seem pointless, and though she has appeared in two separate MCU films, the franchise has never bothered to give her much of a personality beyond a sort of blonde civil servant archetype.

Thankfully, that seems to finally be changing. Because the Sharon Carter who appears in Madripoor feels like a woman we’ve literally been waiting years to meet.

Movies

The Falcon and the Winter Soldier Episode 3 Ending Explained

By Jim Dandy

The Falcon and the Winter Soldier Episode 3: Marvel and MCU Easter Eggs Guide

By Kirsten Howard and 3 others

Gone is the All-American girl positioned as a perfect match for Captain America. In her place is a Sharon Carter that’s been hardened by life in a dangerous world of bad luck and worse choices. She’s apparently the only person still paying for her involvement in the events of Civil War, and all her former teammates and supposed friends were clearly content to let her languish in a country without extradition laws, rather than help clear her name. (Don’t get me wrong I love Bucky, but he got a pardon already, didn’t he? For crimes that were a whole lot worse than anything Sharon did?)

Her bitter, jaded attitude rings true for someone who not only had to say goodbye to everything she cared about but had to relearn how to exist in a post-Blip world without any of the signposts that had previously defined her identity (and not for nothing, but it also makes her a lot more interesting and layered than she’s ever been allowed to be before). Of course, Sharon now seems pretty cynical about things like the Avengers and the culture of superheroes that surround them – but what did any of them do for her except literally ruin her life?

This is a Sharon who has not only learned how to fend for herself, she’s now a woman with real agency who doesn’t apologize for having choices or making them. Yes, she’s lost her idealism and her moral compass appears to have become a bit tarnished in the years since Civil War, but can we really judge her for that when Bucky and Sam are out here breaking a mass murderer out of jail? Sharon fences stolen art, sure, but only because she’s been caught up in the crossfire of events that aren’t and haven’t ever been her fault. Her life has become collateral damage to something much bigger than she is, and the institutions she spent her life serving didn’t show up to save her. She had to save herself instead, and those kinds of lessons are difficult to forget.

All of this makes Sharon “kind of awful now” according to Bucky, which is the sort of offhand comment that is theoretically supposed to be a joke, except these two have never been that kind of friends and this is a franchise that has, in the past, been wildly reluctant to acknowledge that its female characters can and should be allowed to encompass the same shades of grey as its men. In reality, these experiences have left Sharon as three-dimensional and layered as either of The Falcon and the Winter Soldier’s heroes, with her own private griefs and rage.

This rage is most clearly expressed in her positively brutal fighting style, which now involves deadly accurate knife-throwing skills and a much more violent hand-to-hand technique. Her face-off with a gang of local thugs is one of the best in MCU history, and the fact that she’s allowed such a scene feels like a significant step forward for a character who not very long ago seemed doomed to languish as little more than a love interest.

Yes, it’s a bit disappointing that Baron Zemo ultimately gets more screen time in “Power Broker” than Sharon does – no matter how charming Daniel Bruhl trying to dance might be – but it seems evident that this won’t be the last we’ll see of the former Agent 13. This episode repeatedly hints that there’s more to Sharon’s business in Madripoor than meets the eye – heck, she might even be the eponymous boss herself – and whatever she’s up to now, it’s probably not going to be strait-laced hero stuff. What a difference a few years in forced hiding makes, huh?

The post How The Falcon and the Winter Soldier Finally Gives Sharon Carter Her Due appeared first on Den of Geek.

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