#best of kishore kumar

[yet-another-leo]

𝐀𝐬𝐭𝐫𝐨 𝐐𝐮𝐞𝐬𝐭𝐢𝐨𝐧𝐬

reblog and answer as honestly as you can (you can answer with either tropical or sidereal placements, but do mention which one)

1 ✧ lunar ruled/lunar dominants, do you always feel eclipse energy? [lunar ruled = cancer asc or moon as chart ruler]

2 ✧ those who have pluto aspecting their sun/moon/rising (in either transit or natal), have people told you/been telling you that you look dead?

my answer: when pluto first entered aquarius and opposed my sun everybody and their mother were telling me that I was starting to look dead everyday.

3 ✧ venus ruled/venus in 1H/10H/venus conj. asc/mc, do people always tell you that you are pretty? Like is it the first thing? [venus ruled = libra/taurus asc or venus as chart ruler]

my answer: I'm a libra asc and I don't always get compliments but getting called pretty was the only ever compliment I used to get. Yeah it's usually the first thing people would tell me.

4 ✧ venus conj. jupiter/venus in 9H, have you ever crushed on your teacher? or dated a teacher?

5 ✧ what annoys you/makes you angry & how does your anger show up? what's your moon and mars placement/aspects?

my answer: nothing really offends me at firsthand anymore and even when it does I can hide it well, but what I do hate is when people just keep repeating the same things over and over again. In the past, I would get into physical fights ☠, but now I either call people out or stay quiet. I have a 8H taurus mars sq. saturn & neptune, and 4H capricorn moon opposite mercury.

6 ✧ which song(s) best describes how you feel in love/in a relationship & what is your moon and venus placement?

my answer: "religion" by lana del rey, "false god" by taylor swift, and "humen tumse pyar kitna" by kishore kumar and I have virgo venus in 12H and capricorn moon in 4H

7 ✧ what's your favorite placement in your birth chart + the least favorite?

my answer: I like my libra asc and 10H mercury the most. My least favorite is my virgo venus tho, and that's bcuz most of the interpretations I see are kinda boring and unrelatable for me.

[desifleabag]

Hello beautiful people out here!

I am Deepali. I am from Pune, Maharashtra. I am 21 years old (shaadi ki umar)

Desi fleabag? Because I relate the most with that specific character. Horny, messy, vulnerable, and crazy all the time but also considerate, expressive, and kind. I am a desi version of her.

🎀What I like? I like to dance, sing, journal, write poems and stories, and doom scroll all the time

📍Professional side of me

I did my bachelor's in philosophy. I have been working in an organization for quite a long time. I am a content writer. I am a writer/poet. I am an open mic performer. I have performed at esteemed platforms like tapeatale, poemsindia, kommune, and many more. I am a psychology and sociology student too. I am a co-facilitator and youth lead in different schools through my organization. I have worked on poetry anthology books.

The most important part of my life is being a poet or a writer. It's been a decade since I started writing, and professionally, it's been two years. My poetry and stories revolve around different and unique topics like mental health, family dynamics, feminism, societal norms and culture, romance, life intricacies, friendship, etc. I love being a poet and telling people stories about me and the world because I believe poetry is everywhere. I have a blog called Sip and Sofa Stories where I share the most wholesome blogs and fun-to-read stories.

Not much of a reader, but I like reading poetry by Sylvia Plath and more female writers.

💌 Movies and songs? I am a die-hard fan of Bollywood. I listen to 2000s Bollywood and retro songs. No one can challenge me the way I vibe on these songs and dance. My childhood is memorable because of Sunidhi Chauhan, Lata Mangeshkar, Kishore Kumar, RD Burman, Asha Bhosle, Sonu Nigam, Shaan, Arijit Singh, and many more artists. I also listen to Kpop, pop, indie type of music on days when I am dissociating at the fullest. Hold my clutcher, I am a Swiftie and Lana Del Rey fan too, bitch.

I love Bollywood movies, and I am yet to discover more Western movies. I have a bunch of comfort movies like Ye Jawani Hai Dewaani, Piku, Om Shaanti Om, etc.

🪕 My aesthetic type? A combination of Geet and Piku and a little bit of Poo vibe sometimes. But I love desi clothes. Kurti, jhumkas, bindi, bangles, oh god I love being a woman.

Interesting facts about me :

🌸I have three tattoos on my body (Crescent moon, "you're on your own kid" title, "grateful"). I love getting tattoos!!

🥃Loneliness who? I go to bars, cafes, and parks alone because why not. I fear no god.

💛I never was in a relationship, just some hardcore crushes who crushed my soul.

❤️‍🩹I have been in therapy for almost three years and on and off on meds. GAD (generalized anxiety disorder) gang assemble!

😶‍🌫️I love and hate spending time on LinkedIn. Girl boss era.

💬I write poetry about my crushes and defame my ex-friends. They know it very well! Lol.

I am a hopeless romantic and a professional delusional person. I will cook the best scenarios in my head and write about them. I romanticize life on another level though there are 156 rupees in my bank account by going to aesthetic cafes.

:¨ ·.· ¨:

`· . ୨୧⭒๋࣭ ⭑ 𝛢𝑛𝑑 𝑤ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑘𝑖𝑠𝑠 𝘵ℎ𝑒 𝑏𝑟𝘰𝑤𝑛 ℎ𝑎𝑖𝑟𝑒𝑑 𝑔𝑖𝑟𝑙𝑠,𝑊ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑤𝑖𝑝𝑒 𝑎𝑤𝑎𝑦 𝘵ℎ𝑒𝑖𝑟 𝘵𝑒𝑎𝑟𝑠? ⊹ ‧₊˚

🖇To connect with me

𖹭 kavitavali.deepali to read my poems and stories on instagram

𖹭 sip and sofa stories blog. I write monthly blogs

Thankyou for reading my long ass introduction! Flying kiss tumhai💋

[munadrawson]

🏍🦑🐙⚠ Click and Open image for HQ! [Commission OPEN] | [Cheap-bi Commission OPEN] | [Ko-fi] | [Twitter] | [Instagram]

As a desi, I've got to reference one of the best desi movie songs from a blockbuster film: "Yeh Dosti Hum Nahi Todenge" Sholay (1975), and as a queer desi, it's the classic take on "Living the crime life and being gay af with your pardner." The chaotic energy.

This song was sung by two legendary Bengali idols, Kishore Kumar and Manna Dey. I kid you not; their voices fit perfectly well for these two. A beautifully dynamic voice paired with a softly sweet voice; I can't stop seeing it.

Although I don't speak Hindi (I speak Bangla), I did my best translating the chorus and a verse of the song and have it flow better in English. The entire song is pretty gender-neutral. I swear, the number of desi songs that sing about being romantically interested in a friend and/or referring to their romantic partner as a friend is longer than a laundry list. Also, I saw a cishet cover this song romantically. If they can do it, so can I. Checkmate.

BONUS:

My sis insisted that I must draw this scene, and I delivered.

At least they got them to laugh.

[enigma-the-mysterious]

RRR is kinda old right ? Why still continue it's fandom? Why didn't u move on to any other recent movie?

1) I didn't watch RRR when it came out. I only watched it this year in June 2) It's not about old or new. The heart likes what it likes. This is like telling someone Kishore Kumar is too old, why didn't you move on to any recent artists. RRR had extremely specific tropes that I LOVE (best friends to enemies to lovers best friends HUSBANDS uhhh.... whatever they got going in that climax scene, colonial India, whump, angst, rich symbolisms, opposites attract) and until I can find some other movie/TV show/story that also satisfies those extremely specific tropes that I love, I don't think I will be moving on from it anytime soon 3) 2 years is NOTHING when it comes to fandoms continuing after a media ends. 2 years is barely a blip on the radar. 2 years is still brand new.

[celesteablack]

Thank youu ❤️🌻

Literally one of the best song ❤️✨

[aahanna]

"I subscribe to Spotify Premium for songs like these."

[itz-stus]

Okay okay so hear me out what If dazai came to reality in desi readers houseeeeeee

Masterlist

What a Reality

"Uthja Y/n! Late ho rahi hai teri bus ane wali hai! JALDI UTH!"("Wake up Y/!! You're going to be late, your bus is about to come!! Wake u quickly!!") Your aunt screamed from the kitchen packing your lunch as you hurried out of your bed and quickly freshen up

Running down the stairs as you hurriedly ate your breakfast as your aunt scolds you "Itni late karti hai ye ladki! Ab mein nahi hongi ghar pe toh kaise samhale gi!" ("What should I do with this lazy girl! I'll be out of here how will you manage it?!")

"Sorry, Sorry." You apologized as you hug her and run off to take the bus.

As you arrived at your university, you glanced out the window and spied the same landscape; the same trees, road, same people, same rumors, and subjects.

Being bored with all this, you sighed and closed your eyes as the bus halted and your friend got on board and sat next to you.

"Aur bata kaisi hai?" ("So how are you?") She asked as you sighed and replied

"Kuch nahi bas neend a rahi hai"("Nothing just sleepy") You replied telling her the half-truth, it was true you were tried and sleepy but not because of the morning there was just nothing new to do it was all just waking up then go to university study for 8 hr and then get back home then study...It was just an endless loop of burden...You just wished for something interesting or a miracle to happen.

Going to university you saw the only thing you have probably not noticed all these years and thought,

'Koi naya mohala bana hai kya? Yaha kab se barigates lagne lage?' ('Is there a new collony setteling? There were never so many barigates here?')

Looking at the mysteriously abandoned road with a few buildings still in construction.

The day was just starting and you already felt drained out of boredom no one in your class came today all your friends were home and you just felt like an idiot for coming to university.

It was your game period as you decided to take a risky decision very learn you were going to bunk classes.

You packed your bag and walked out of the class when everyone was outside. You were never really in the limelight of the school so even if you go on a bunk no one would notice, it was the perfect time you had the keys to your home and some money to take a rikshaw or cab home.

Somehow you snuck out of university honestly the best thing you have ever done!! You were finally doing something new and you loved it, the excitement in you was growing as every second passed by. You were walking towards the main road when you found the same ally that was under construction. The classic shady ally that could be possessed. But, despite being scared, you followed your curiosity like the old saying goes, 'curiosity killed the cat'.

You walked towards the lonely ally as shivers ran down your spine looking at the chilly atmosphere. Looking around you saw a little glowing stone it almost looked like gold as you picked it up wanting to inspect it even more.

Big mistake, huge even. Bright lighting immersed you as you closed your eyes shut due to the bright light. You felt a weight on you as you fell to the ground. You open your eyes to look at what or rather who was over you as you find a young man of around age 17 over you. He had formal clothing on with bandages soaked in blood and mildly wavy, short, dark brown hair, and narrow dark brown eyes with one eye covered with a bandage.

This made you flustered as you pushed him back and scooted to the side. Waking the boy as he looked around him. Confused he mumbled something which you couldn't understand.

"Where am I?" He mumbled to himself as you let out "Huh?".

His attention then shifted towards you as he slowly stands and gives you a helping hand in standing up.

'D-Dazai! Dazai Osamu kaha se ya yaha pe! Mami sahi kaha rahi thi mein bahut sone lagi hu!! Mein pagal ho rahi sahi mein!!' ('D-Dazai! How is Dazai Osamu here? Aunt was correct I shouldn't sleep this much!! I'm going mad!!!') Wild thoughts ran through your mind as the chain was broken with a deep voice.

"Hello lady, Can you tell me where I am? I have no clue how I got here?" Dazai said in Japanese which you couldn't understand as your sweat dropped.

"Speak English?" You asked in short as Dazai sighed and replied in English

"My English not very good, sorry."

"Can you tell me where I am?" In broken in English as he asked as you immediately replied

"India, You are in India."

"India? How..."

"I don't know..." You looked at him as you saw his arm bleeding soaking his sleeve and bandages

"He bhagwan! Your arm is bleeding! Let's get you to the hospital...Are nahi voh bhi nahi kar sakte mere pas na toh id hai na hi mein iski koi Id proof de sakti hu..." ("Oh no can't do that either, I don't have my Id or his Id or documentation.")

You were just mumbling to yourself as you saw Dazai just questioning your behavior making you think he was judging you as you shuffled and quickly turned towards him and gestured towards him.

"Will you come with me?" You asked him slowly making sure he got what you meant as he just nodded.

As you both took off towards your home taking the fasted transport in India the rickshaw.

You both were silent thinking random thoughts and looking outside.

Dazai's mind was raised with so many questions.

'How am I here? This is so different from anything back home...People have no abilities...How can get out? I guess let's just follow this girl till I'm able to find a way back home....'

While you had your questions 'How is he here? I'm sure Dazai Osamu was either supposed to be dead or just in anime...How am I going to explain this to my Aunt...What am I going to do...Let's just get his injuries fixed first...'

But both of you had the same question in mind...

'Will I/he be able to go back?'

You two arrived home you quickly went to get your phone looked for a Japanese translator and typed as the translator spoke

"Please make yourself at home...I will get the first aid kit for your wounds." It said as Dazai shook his head making you tilt your head as he spoke in the app in Japanese.

"No need to worry it's fine." He said as you shook your head violently writing as the AI spoke

"Please, it's the least I can do, If you are not comfortable I'll leave to get you some comfortable clothes and leave the first aid here for you to use it and the bathroom open for you to shower."

Dazai listened and sighed as he nodded.

When you left to get him clothes he looked around the house finding your pictures in your room as well as many thick books university labeled by your name and placed in a column you named "b.tech college books".

He freshened up as he was thinking of the possibilities of what caused this problem. He came out of the bathroom patching his wounds as he wrapped a towel around his waist. Hearing the sound of clicking the door as you entered your apartment.

"Vaise toh iske kafi fayde bhi hai at least mujhe bore toh nahi hona padega akele vaise hi ab Mami mere sath rahengi nahi." ("Well, this is also great at least I won't be lonely when aunt won't be living with me") You mumbled as you entered the room and looked at Dazai who only had a towel on as bandages wrapped around his chest. You owlishly dropped the bad as heat rose to your cheeks as you slammed the door blushing.

"Here are the clothes!! Please make yourself at home!!" You screamed from outside.

"Eh?"

Both of you were now sitting at the dining table as you had made some sandwiches for Dazai forcing him to eat since he refused to do so.

The silence was thinking as you took your phone and typed as the AI spoke again.

"Do you know how you got here?"

Dazai shook his head saying no. as he spoke in the microphone.

"No but I do know what is happening, I looked around and found that I have time-traveled or something like that. My name is Dazai Osamu. I'm from Japan though I think this was a doing of an ability user but...how did his ability work on me? So! It's out of my head! Since I have no place to go will a lovely lady like yourself commit a double suicide with me?" He asked holding her hand as she violently shook her head.

"No, How about I teach some of the native languages here since you don't know when you'll be going or if you'll be going back. So at least you would know how to communicate with people and for the place well you can live with me. How does that sound?" The AI was interpreted as offering the boy your help.

"Will he be able to back? Will you tell him that he is not a real human? That he is just fictional? That all his pain and suffering is just meant for entertainment...Or will you take advantage of this to cure your loneliness and boredom...Will this decision chage the anything?"

[iqmmir]

MEOWW mrrew

(tl: ask game questions 2, 4, 19?)

Meeoww meowww myaaaa bites you

if you could take a long roadtrip anywhere, where would you go?

Anywhere.. maybe a more hilly place with tea gardens, those are really pretty..

do you prefer taking notes on paper or online

Paper :> i like my twenty billion handwritings <3

best sing-along-dance-alone-in-your-room songs?

a lott.. bollywood songs are the best ones actually... Especially the old ones by rd burman, kishore kumar, asha bhosle, late mangeshkar..

[bollywoodirect]

Remembering actor-filmmaker-screenwriter Kishore Sahu on his 43rd death anniversary (22/08/80).

Kishore Sahu was a renowned figure in the Indian film industry, known for his roles as an actor, director, screenwriter, and producer. Over his career, he acted in 22 films from 1937 to 1980 and directed 20 films from 1942 to 1974.

His directorial work, "Kuwara Baap," earned recognition as one of the winners of the BFJA - Best Indian Films Award in 1943. "Raja" is often cited as a significant achievement in cinematic artistry. "Veer Kunal" enjoyed immense box office success. In "Nadiya Ke Paar," he directed the iconic duo of Dilip Kumar and Kamini Kaushal, which became one of the top-grossing films in

1948.

His 1954 creation, "Mayurpankh," was showcased at the 1954 Cannes Film Festival and was in the running for the Grand Prize. "Sawan Aya Re" was a commercial hit, with Baburao Patel praising Sahu's unique approach to a common storyline in the May 1949 edition of Filmindia. Another notable work includes "Dil Apna Aur Preet Parai" (1960), starring Meena Kumari.

[kharisubas40972]

India’s Best Dancer 3: Geeta Kapur shares the judges’ panel with mentor Farah Khan in this special episode : Bollywood News

The upcoming weekend episode of Sony Entertainment Television’s dance reality show, ‘India’s Best Dancer 3’ will be celebrating the ‘Cinema ke 110 Saal, Bemisaal’. Paying tribute to the incredible journey of Indian cinema, the contestants, along with their choreographers will be performing to the tunes of Bollywood stalwarts like Raj Kapoor, Kishore Kumar, Shammi Kapoor, RD Burman, Amitabh…

[news365timesindia]

[ad_1] left: Bengal head coach Laxmi Ratan Shukla. Right: Suraj Singh Jaiswal, centurion for Bengal against Punjab. -Shamik Chakrabarty at Eden Gardens Bengal signed off with a bang, winning by an innings and 13 runs against Punjab and clinching seven points from this Ranji Trophy game at Eden Gardens. It took their points tally to 21 from seven group league matches. But they fell behind Kerala and Haryana in Elite Group C, and failed to qualify for the knockouts. From Bengal’s perspective, the washed out game against Bihar in Kalyani would rankle. It was a seven-pointer for the hosts. But the ground wasn’t covered and rain on the match-eve put paid any chances of play over the next four days. That said, batting implosions in both innings (85 all out in the second) against Haryana didn’t do Bengal any favours. Actually, this has been a mixed bag season for them. Away from home, against good teams like Karnataka and Madhya Pradesh, they held sway. At the same time, Bengal failed to show the winning mentality in matches where a little more cutting edge could have given them some extra points. The fixture against Kerala was an example. The mitigating factor was the absence of a few key players for a good chunk of the season. Abhimanyu Easwaran, the team’s best batsman, was with the Indian team in Australia. Then, a finger injury ruled him out of the last two group league matches. Akash Deep has become a regular in the Indian team in red-ball cricket and Bengal will have to learn to cope with his absence. Mukesh Kumar was a travelling reserve in Australia and picked up a niggle after returning home. Shahbaz Ahmed, the spin-bowling all-rounder, too, suffered an injury. After the win against Punjab, Bengal head coach Laxmi Ratan Shukla’s team-talk was positive. He praised the boys and urged them to improve next season. Asked by RevSportz if he would continue as head coach, Shukla said: “I haven’t thought about it yet.” He is set to write an email to the BCCI, offering a few suggestions. “I would write an email soon, asking the BCCI not to schedule the Ranji Trophy matches in the East Zone in October,” Shukla said at the post-match press conference. “The monsoon is still not over in our part of the world in October. Matches get washed out and teams suffer.” The second point in Shukla’s email would focus on playing the group league matches in the Ranji Trophy at one go. “The Ranji Trophy is our premier domestic tournament, a stepping stone for Test cricket and the group league matches should be played at a stretch,” he said. The Ranji Trophy fixtures this term had two halves. After the first five rounds, there was a pause for the white-ball tournaments – Syed Mushtaq Ali Trophy and Vijay Hazare Trophy. Red-ball cricket returned for the final two group league rounds in January. Also, Shukla’s suggestion would include a rejig in India A selection policy. “Players like Abhimanyu Easwaran, Ruturaj Gaikwad, Sai Kishore – those who are nearing thirty – shouldn’t be considered for the India A team. They have played enough for India A. Now, if they are to be picked for the Indian team, that should be based on their performances in domestic cricket. Young and upcoming players should be picked for India A.” Coming back to Bengal’s game against Punjab, the third day’s play started an hour late due to bad light. Punjab resumed on 62/3, needing another 88 runs to avoid the innings defeat. They folded for 139 in their second innings to concede a bonus point. Suraj Sindhu Jaiswal returned with 4/69. His new-ball partner Sumit Mohanta took 3/29. Jaiswal was the Player-of-the-Match for his century and an eight-wicket match haul. “Our batsmen failed to show the required application,” Punjab coach Wasim Jaffer lamented. Brief scores: Punjab 191 and 139 all out (Mayank Markande 31; Suraj Sindhu Jaiswal 4/69, Sumit Mohanta 3/29) lost to Bengal 343 by an innings and 13 runs Points: Bengal 7, Punjab 0 Also Read: A flying catch by the keeper ends Wriddhiman Saha’s career

The post Bengal coach Shukla to email 3-point suggestions to BCCI appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[news365times]

[ad_1] left: Bengal head coach Laxmi Ratan Shukla. Right: Suraj Singh Jaiswal, centurion for Bengal against Punjab. -Shamik Chakrabarty at Eden Gardens Bengal signed off with a bang, winning by an innings and 13 runs against Punjab and clinching seven points from this Ranji Trophy game at Eden Gardens. It took their points tally to 21 from seven group league matches. But they fell behind Kerala and Haryana in Elite Group C, and failed to qualify for the knockouts. From Bengal’s perspective, the washed out game against Bihar in Kalyani would rankle. It was a seven-pointer for the hosts. But the ground wasn’t covered and rain on the match-eve put paid any chances of play over the next four days. That said, batting implosions in both innings (85 all out in the second) against Haryana didn’t do Bengal any favours. Actually, this has been a mixed bag season for them. Away from home, against good teams like Karnataka and Madhya Pradesh, they held sway. At the same time, Bengal failed to show the winning mentality in matches where a little more cutting edge could have given them some extra points. The fixture against Kerala was an example. The mitigating factor was the absence of a few key players for a good chunk of the season. Abhimanyu Easwaran, the team’s best batsman, was with the Indian team in Australia. Then, a finger injury ruled him out of the last two group league matches. Akash Deep has become a regular in the Indian team in red-ball cricket and Bengal will have to learn to cope with his absence. Mukesh Kumar was a travelling reserve in Australia and picked up a niggle after returning home. Shahbaz Ahmed, the spin-bowling all-rounder, too, suffered an injury. After the win against Punjab, Bengal head coach Laxmi Ratan Shukla’s team-talk was positive. He praised the boys and urged them to improve next season. Asked by RevSportz if he would continue as head coach, Shukla said: “I haven’t thought about it yet.” He is set to write an email to the BCCI, offering a few suggestions. “I would write an email soon, asking the BCCI not to schedule the Ranji Trophy matches in the East Zone in October,” Shukla said at the post-match press conference. “The monsoon is still not over in our part of the world in October. Matches get washed out and teams suffer.” The second point in Shukla’s email would focus on playing the group league matches in the Ranji Trophy at one go. “The Ranji Trophy is our premier domestic tournament, a stepping stone for Test cricket and the group league matches should be played at a stretch,” he said. The Ranji Trophy fixtures this term had two halves. After the first five rounds, there was a pause for the white-ball tournaments – Syed Mushtaq Ali Trophy and Vijay Hazare Trophy. Red-ball cricket returned for the final two group league rounds in January. Also, Shukla’s suggestion would include a rejig in India A selection policy. “Players like Abhimanyu Easwaran, Ruturaj Gaikwad, Sai Kishore – those who are nearing thirty – shouldn’t be considered for the India A team. They have played enough for India A. Now, if they are to be picked for the Indian team, that should be based on their performances in domestic cricket. Young and upcoming players should be picked for India A.” Coming back to Bengal’s game against Punjab, the third day’s play started an hour late due to bad light. Punjab resumed on 62/3, needing another 88 runs to avoid the innings defeat. They folded for 139 in their second innings to concede a bonus point. Suraj Sindhu Jaiswal returned with 4/69. His new-ball partner Sumit Mohanta took 3/29. Jaiswal was the Player-of-the-Match for his century and an eight-wicket match haul. “Our batsmen failed to show the required application,” Punjab coach Wasim Jaffer lamented. Brief scores: Punjab 191 and 139 all out (Mayank Markande 31; Suraj Sindhu Jaiswal 4/69, Sumit Mohanta 3/29) lost to Bengal 343 by an innings and 13 runs Points: Bengal 7, Punjab 0 Also Read: A flying catch by the keeper ends Wriddhiman Saha’s career

The post Bengal coach Shukla to email 3-point suggestions to BCCI appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[dmtrecordspvtltd]

The Evolution of Bollywood Music in the Digital Era

Bollywood music has always been an essential part of Indian cinema, shaping emotions, storytelling, and cultural identity. From the early days of playback singing to the latest trends in digital streaming, the industry has gone through a remarkable transformation. The shift from vinyl records and cassette tapes to online platforms like Spotify, YouTube, and Apple Music has not only changed how music is consumed but has also redefined the careers of many artists.

One of the notable figures who has successfully adapted to this digital revolution is Neeraj Shridhar. Best known for his time as the lead singer of Bombay Vikings and for his numerous Bollywood hits, Shridhar has seamlessly transitioned into the digital era, proving that talent, when combined with adaptability, can sustain a lasting impact in the music industry.

This article explores the evolution of Bollywood music, from its analog roots to the digital present, and highlights how artists like Neeraj Shridhar have embraced these changes to continue entertaining audiences worldwide.

The Analog Era of Bollywood Music

Before the rise of digital platforms, Bollywood music was distributed primarily through physical formats such as vinyl records, cassette tapes, and CDs. During the golden age of Indian cinema (1950s–1980s), playback singers like Lata Mangeshkar, Kishore Kumar, and Mohammed Rafi dominated the industry. Their songs were recorded in studios and released through limited channels such as radio broadcasts, live concerts, and physical sales.

Music labels like HMV and T-Series played a crucial role in distributing these songs, making them accessible to audiences across India. However, the reach was restricted compared to today’s global digital presence. At that time, an artist’s success depended heavily on radio play and record sales.

The Advent of Digital Music and Online Streaming

The late 1990s and early 2000s saw a shift toward digitization with the rise of MP3 downloads and the introduction of mobile ringtones. Music became more accessible through CDs and digital file-sharing platforms, but piracy also became a growing concern. With the emergence of legal digital music services like iTunes, Bollywood started recognizing the potential of online music distribution.

Streaming platforms revolutionized the industry by offering a legal and convenient way to access music. YouTube played a significant role in popularizing Bollywood songs globally, allowing both established and emerging artists to reach wider audiences. Today, millions of Bollywood songs are streamed online daily, making digital platforms the primary mode of music consumption.

Neeraj Shridhar’s Journey in the Digital Era

Neeraj Shridhar began his career as the frontman of Bombay Vikings, a band known for its fusion of Western pop with Indian melodies. With hits like Kya Soorat Hai and Woh Chali, the group brought a fresh and modern sound to Bollywood audiences. However, as Bollywood music embraced digital platforms, Shridhar adapted effortlessly, transitioning into mainstream playback singing.

He became the voice behind numerous Bollywood hits, lending his unique singing style to songs in films like Bhool Bhulaiyaa, Love Aaj Kal, Race, and Tum Mile. These tracks, fueled by digital promotion and online streaming, reached millions of listeners worldwide. His ability to stay relevant in an industry that constantly evolves showcases his keen understanding of musical trends and digital outreach.

How Digitalization Has Transformed Bollywood Music Production

Music production in Bollywood has evolved significantly due to advancements in technology. In the past, recording songs required large studios, orchestras, and multiple takes to perfect a track. Today, digital audio workstations (DAWs) allow producers to create, edit, and mix songs with precision from virtually anywhere.

Additionally, collaborations have become easier, with artists and producers working remotely across different cities and even countries. This has enabled Bollywood music to incorporate diverse global influences, leading to a richer and more dynamic sound. The accessibility of high-quality music production tools has also empowered independent musicians to enter the industry without requiring major label backing.

The Impact of Social Media on Music Promotion

With the rise of social media, music promotion has taken an entirely new direction. Platforms like Instagram, TikTok, and Twitter allow artists to connect with their fans in real time, share snippets of upcoming releases, and create viral trends that boost their songs' popularity. Hashtags, challenges, and user-generated content have played a significant role in making Bollywood songs go viral.

Artists like Neeraj Shridhar have leveraged these platforms to keep their audience engaged. Whether through behind-the-scenes footage, live interactions, or collaborations with digital influencers, social media has become an indispensable tool for music marketing in Bollywood.

The Future of Bollywood Music in the Digital Age

As technology continues to advance, the music industry is expected to undergo even more radical transformations. Artificial Intelligence (AI) is being used to compose music, generate beats, and even mimic artists’ voices. Virtual reality (VR) concerts are becoming a reality, offering fans immersive live experiences from the comfort of their homes.

The concept of NFTs (Non-Fungible Tokens) is also gaining traction, allowing artists to sell unique digital versions of their music as collectible assets. With these innovations, the role of record labels is shifting, and artists are gaining more control over their creative and financial destinies.

In this rapidly evolving landscape, artists who embrace digital advancements will continue to thrive. Neeraj Shridhar serves as a prime example of how musicians can sustain long and successful careers by adapting to new technologies and engaging with their audiences in innovative ways.

Conclusion

The evolution of Bollywood music from the analog era to the digital age has reshaped the industry, making it more accessible, interactive, and globally influential. Streaming platforms, social media, and advanced music production tools have revolutionized the way artists create and share their work. Those who have embraced these changes, like Neeraj Shridhar, continue to inspire the next generation of musicians.

Related Articles:

For further reading, explore these related articles:

Exploring the Journey of Varun Jain: From Bollywood Hits to Indie Stardom

The Rise of Indu Sonali: Bhojpuri Superstar Conquering the Digital Music World

Wajid Ali: A Rising Star in South Asian Devotional Music

Rising Star of Bollywood Music: Sohail Sen's Journey, Top Hits, and Success Strategies

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

[maitriayurveda]

Discover the Best Ayurvedic Centre in Hyderabad

Maitri Ayurveda Health and Wellness Centre is your destination for holistic healing and rejuvenation. Offering personalized treatments, including Panchakarma therapies and wellness retreats, this Ayurvedic centre in Hyderabad combines traditional practices with modern expertise. Experience authentic healing under the guidance of Dr. Kishore Kumar at our serene facility in Madhapur. Reclaim your health and vitality today!

[musicverse11]

Mohit Chauhan’s Unforgettable Collaborations with A.R. Rahman

The Indian music industry has been blessed with many remarkable voices, but few have managed to carve a niche as unique and enduring as Mohit Chauhan. Known for his soulful renditions and emotive singing style, Mohit has become a household name, leaving an indelible mark on Bollywood and beyond. With a career spanning decades, he continues to resonate with audiences of all ages, making him a timeless figure in the world of music.

The Early Days: A Melodic Journey Begins

Born on March 11, 1966, in the serene hills of Nahan, Himachal Pradesh, Mohit Chauhan’s early life was far removed from the glitz and glamour of Bollywood. His upbringing in a tranquil environment influenced his personality and music, instilling in him a deep appreciation for nature and simplicity. However, it wasn’t until his college years that he discovered his love for music. Surprisingly, Mohit holds a Master’s degree in Geology, a far cry from the artistic world he would later dominate.

During his formative years, music was more of a passion than a career aspiration. Influenced by Kishore Kumar, Bob Dylan, and The Beatles, Mohit began experimenting with various musical styles, eventually forming his band, Silk Route, in 1996. This decision marked the beginning of a journey that would change the landscape of Indian music.

The Silk Route Era: Introducing a Unique Voice

Silk Route burst onto the Indian music scene with their debut album “Boondein” in 1998. The album’s hit single, “Dooba Dooba”, became an instant sensation. Its refreshing acoustic sound, combined with Mohit’s mesmerizing voice, was unlike anything Indian audiences had heard before. The music video, with its underwater visuals, became iconic, further cementing the song’s place in pop culture.

During this era, Mohit’s voice was synonymous with indie pop, a genre that was gaining traction in India. Silk Route’s music stood out for its poetic lyrics, acoustic arrangements, and a distinct lack of overproduction, which allowed Mohit’s voice to take center stage. Although the band eventually disbanded, its influence continues to inspire independent musicians across the country.

Transition to Bollywood: A Star is Born

Mohit’s foray into Bollywood began in 2002 with the song “Pehli Nazar Mein Dari Thi” from the film Road. However, it wasn’t until “Khoon Chala” from Rang De Basanti (2006) and “Tum Se Hi” from Jab We Met (2007) that he truly became a household name. These songs showcased his ability to convey deep emotion through his voice, striking a chord with millions.

His collaboration with composer Pritam on “Tum Se Hi” was a turning point in his career. The song’s dreamy melody, combined with Mohit’s heartfelt rendition, made it one of the most beloved romantic tracks of all time. It also established him as a leading playback singer in Bollywood, opening doors to numerous opportunities.

Rockstar and Beyond: A Pinnacle of Success

If there’s one project that solidified Mohit Chauhan’s legacy, it’s Rockstar (2011). Teaming up with legendary composer A.R. Rahman, Mohit lent his voice to almost every song in the film’s soundtrack. Tracks like “Phir Se Ud Chala”, “Jo Bhi Main”, and “Nadaan Parindey” became anthems, with “Sadda Haq” turning into a youth rallying cry.

The Rockstar album was a testament to Mohit’s versatility. Whether it was the tender vulnerability of “Tum Ho” or the rebellious energy of “Sadda Haq,” he effortlessly brought each song to life. His work on this soundtrack earned him widespread critical acclaim, along with numerous awards, including a Filmfare Award for Best Male Playback Singer.

The Essence of Mohit Chauhan’s Music

What sets Mohit Chauhan apart from his peers is the soulfulness of his voice. He doesn’t just sing a song; he tells a story, evoking emotions that linger long after the music stops. His ability to adapt his singing style to suit different genres — be it romantic ballads, rock anthems, or indie folk — is a testament to his versatility as an artist.

Another defining aspect of Mohit’s music is his attention to lyrics. Whether it’s the poetic beauty of “Phir Se Ud Chala” or the introspective depth of “Jo Bhi Main,” his songs often carry profound meaning, resonating deeply with listeners.

A Global Icon with Roots in Tradition

Despite achieving global fame, Mohit Chauhan remains deeply connected to his roots. He frequently incorporates elements of Himachali folk music into his work, showcasing the rich cultural heritage of his home state. He has also performed at various international events, representing India on a global stage and introducing audiences to the diverse sounds of Indian music.

A Legacy That Endures

Mohit Chauhan journey from the quiet hills of Himachal Pradesh to the bustling studios of Bollywood is nothing short of inspirational. Over the years, he has redefined what it means to be a playback singer, proving that authenticity and passion are key to creating timeless music. His songs continue to be cherished by fans across generations, and his influence on the Indian music industry is immeasurable.

Playlist Suggestion: “Revisit Mohit Chauhan’s iconic tracks on Spotify or YouTube.”

Trivia Question: “Did you know Mohit Chauhan initially wanted to be a geologist? What inspired him to switch to music? Let us know your thoughts in the comments!”

“Rediscover the magic of Mohit Chauhan’s music today. Stream his greatest hits and experience the soul-stirring power of his voice!”

This expanded article provides a detailed exploration of Mohit Chauhan’s life and career while engaging readers with interactive elements and a strong call-to-action.

[delivermytuneo6]

From A to Z: Hindi Singers Who Won Prestigious Awards

Bollywood has produced many exceptional singers who have enchanted audiences with their voices, earning them some of the highest accolades in the music industry. Awards like the Filmfare, National Film Awards, and other prestigious recognitions have honored these artists for their contributions, acknowledging their talent and influence in shaping Bollywood’s music. This A to Z guide explores award-winning Hindi singers who have received prestigious honors, celebrating their accomplishments, iconic songs, and lasting impact on the music industry.

A – Arijit Singh

Arijit Singh has become a sensation in modern Bollywood music, known for his emotive voice and versatility. He received his first Filmfare Award for Best Male Playback Singer for Tum Hi Ho from Aashiqui 2, a song that catapulted him to fame. Since then, Arijit has won multiple Filmfare awards, and his achievements include National Film Awards for Binte Dil from Padmaavat and Ae Dil Hai Mushkil. His expressive style and effortless delivery of high and low notes make him a beloved singer and a multiple award-winner.

B – Bhupinder Singh

Bhupinder Singh, while primarily known for his ghazals and soulful renditions, received numerous awards for his work in Bollywood as well. His performance in songs like Dil Dhoondta Hai from Mausam and Naam Gum Jayega from Kinara brought him critical acclaim. Though not as commercially recognized as some of his contemporaries, Bhupinder’s work has been acknowledged by music lovers and the industry, giving him a lasting reputation as a soulful singer.

C – Chitra

Chitra has won several prestigious awards, including National Film Awards for her work in multiple languages, but her Hindi songs have also earned her acclaim. Songs like Kehna Hi Kya from Bombay showcased her angelic voice, and though she primarily sings in South Indian languages, her Bollywood contributions have won her Filmfare and other accolades, celebrating her unique style and talent.

D – Divya Kumar

Divya Kumar is an energetic singer who has recently won accolades for his work in Bollywood. Known for songs like Jee Karda from Badlapur and Shubhaarambh from Kai Po Che, Divya has brought a fresh energy to Bollywood with his folk-inspired voice. Although he has yet to win a Filmfare or National Film Award, he has been recognized by the Mirchi Music Awards and continues to earn admiration for his lively performances.

G – Geeta Dutt

Geeta Dutt’s mesmerizing voice and impeccable sense of emotion won her several awards during Bollywood’s golden era. Known for songs like Waqt Ne Kiya Kya Haseen Sitam and Mera Naam Chin Chin Chu, Geeta was widely celebrated and received numerous awards for her work. Her unique voice and emotive singing style earned her a place among Bollywood’s legendary playback singers.

H – Hemant Kumar

Hemant Kumar received multiple awards, including the prestigious National Film Award for Best Male Playback Singer for his work in Bollywood. His songs, like Na Tum Humein Jano and Yeh Nayan Dare Dare, showcase his soft and soothing voice, making him one of the most cherished singers in the industry. His contributions to Bollywood earned him awards and lasting respect in Hindi music.

K – Kishore Kumar

A legendary singer, Kishore Kumar won several Filmfare Awards for Best Male Playback Singer for his work in Bollywood. Songs like Mere Sapnon Ki Rani, Roop Tera Mastana, and Yeh Shaam Mastani cemented his status as a superstar. Kishore Kumar’s unique voice and remarkable versatility won him eight Filmfare Awards, a record that stood for many years. His contributions to Bollywood music have left a lasting impact on the industry, and he remains a celebrated icon.

L – Lata Mangeshkar

Lata Mangeshkar, known as the "Nightingale of India," has won numerous prestigious awards, including the Bharat Ratna, India's highest civilian award, and the Dadasaheb Phalke Award. She won the National Film Award for Best Female Playback Singer multiple times and received the Filmfare Lifetime Achievement Award for her contributions to music. Songs like Ajeeb Dastan Hai Yeh, Lag Ja Gale, and Tere Bina Zindagi Se showcase her unmatched voice, making her an iconic figure in Indian music.

M – Mohammed Rafi

Mohammed Rafi, one of Bollywood’s most versatile singers, won several awards during his career, including multiple Filmfare Awards and the National Film Award for Best Male Playback Singer. Known for songs like Chaudhvin Ka Chand Ho, Baharon Phool Barsao, and Aaj Mausam Bada Beimaan Hai, Rafi’s voice could embody a wide range of emotions, from love to heartbreak to joy. His remarkable versatility and emotive singing style won him widespread acclaim and recognition.

N – Neha Kakkar

Neha Kakkar has won several awards, including Filmfare Awards and Mirchi Music Awards, for her catchy and energetic songs. Known for hits like Aankh Marey, Dilbar, and O Saki Saki, Neha’s unique voice and high-energy performances have made her one of the most popular singers in Bollywood today. Though she has yet to win a National Film Award, her fan following and chart-topping songs make her one of the industry’s most successful singers.

R – Rahat Fateh Ali Khan

Rahat Fateh Ali Khan, the nephew of legendary singer Nusrat Fateh Ali Khan, has received several prestigious awards, including Filmfare Awards and International Indian Film Academy (IIFA) Awards. Known for his soulful and powerful voice, Rahat is famous for songs like Teri Meri from Bodyguard, Tere Mast Mast Do Nain from Dabangg, and Aaj Din Chadheya from Love Aaj Kal. His classical training and Sufi-inspired singing have brought him international recognition.

S – Shreya Ghoshal

Shreya Ghoshal has won numerous awards, including National Film Awards and multiple Filmfare Awards for Best Female Playback Singer. Known for her versatility and classical training, Shreya has delivered hits like Jaadu Hai Nasha Hai, Teri Ore, and Deewani Mastani. Her ability to adapt to different styles and genres has earned her acclaim and made her one of Bollywood’s most respected singers.

T – Talat Mahmood

Talat Mahmood, known as the "King of Ghazals," received several prestigious awards during his career for his smooth, velvety voice and romantic ballads. Songs like Jalte Hain Jiske Liye and Sham-e-Gham Ki Kasam highlight his ability to convey deep emotions. Though he didn’t receive as many commercial awards as some of his peers, his contributions to Bollywood music have been celebrated by music lovers and critics alike.

U – Udit Narayan

Udit Narayan has won multiple Filmfare Awards for Best Male Playback Singer, making him one of Bollywood’s most celebrated singers. Known for songs like Pehla Nasha, Mehndi Laga Ke Rakhna, and Papa Kehte Hain, Udit’s voice became the sound of the ’90s and early 2000s in Bollywood. His energy, emotive singing style, and incredible versatility have won him widespread acclaim and a National Film Award.

V – Vani Jairam

Vani Jairam, known for her classical and versatile singing, won the National Film Award for Best Female Playback Singer. Her Hindi song Bole Re Papihara from Guddi brought her recognition in Bollywood. Vani’s ability to handle classical compositions and deliver them with elegance earned her a place among the most respected singers in Indian music.

Y – Yesudas

K.J. Yesudas is one of India’s greatest singers, known for his contributions to Indian classical and playback music. He won the National Film Award for Best Male Playback Singer multiple times, and his Bollywood work includes memorable songs like Jab Deep Jale Aana and Gori Tera Gaon Bada Pyara. Yesudas’s voice, marked by its purity and depth, has won him widespread acclaim.

This A to Z guide celebrates the award-winning singers who have brought unparalleled talent, emotion, and skill to Bollywood’s music industry. Each of these singers, through their iconic songs and prestigious awards, has cemented their place in Hindi music history, inspiring future generations of artists.