#berserker project tag

[tri-punisher]

the berserkerrrrr

[swallowerofdharma]

Jean-Paul Sartre, Saint Genet

[veebs-hates-video-games]

Ok so what if I made a list of things I started at some point in the past like five years or so and haven't finished but am still pretending I'll get back to them eventually? Maybe that would be interesting to literally no one but me, which is good enough.

The Witcher 3 is one of my favorite games ever. I'm like 90 hours into it, have at least twice that left to go, and I haven't touched it in like three years. Like most of the rest of this first section the main problem is that it's on my computer, and being able to sit comfortably in a way that doesn't injure myself while also being able to see the screen isn't going well these days.

Tales of Berseria is also a lot of fun, but it has the computer problem. I need more Magilou because she's such a gremlin.

Final Fantasy 13-2 is definitely my favorite post-12 FF game and might even be the one I've had the most fun with since 6, 7, and 8. Alas, computer.

BlazBlue Cross Tag Battle is a very silly crossover that feels like it shouldn't exist. I keep saying I'll go back and finish the rest of the storylines, but computer and also I just haven't had a strong desire to yet. I did figure out that I can win fights using an old Guitar Hero guitar though, so that was fun.

Berserk and the Band of the Hawk is something I started after finally getting caught up on the manga after years and years, because I tend to like Warriors/Musou games when I'm in the right mood. It's decent but not amazing, which hasn't motivated me to get past the computer issue.

Xenoblade Chronicles X is technically also a computer thing because I was playing it in Cemu. It gets extra bonus points for being hard to see because the text and UI are so small, but also I managed to break my save file like 70 hours in and haven't gotten around to figuring out what's wrong with it yet. Everything seems fine except my character and the camera get loaded in different locations, and I could probably use the memory editor to reset my location and fix it, but it's not worth the trouble until I can see.

Boyfriend Dungeon is great and I already finished the base game right when it came out, and I've been meaning to go back and do the post-launch stuff they added later and still haven't.

Atelier Ryza finally got good like half a dozen hours in after one of the worst-paced intros I've ever seen, and I haven't worked up the fortitude to try playing more past there so far.

A Slug's Dream has some decent puzzles and I was enjoying it enough, but I totally forgot it even existed. Maybe some day.

Xenogears I also keep forgetting because it's in an emulator on my computer and not somewhere I remember to look to see what game I should play. It sort of bypasses the usual computer problem by being ancient and designed for 480i screens so everything is huge. I'll finish it one of these days.

Ok I think that's all the stuff on the computer. There are a couple others that I'm not including because I only made it like an hour into them before getting sidetracked, so I'll just start them over if I ever go back to them.

3DS next? 3DS next.

Fire Emblem Fates is what's currently in there I think. It's taken multiple years, but I've finished Birthright and most of Conquest. Some day I'll finish that one and then maybe do Revelation. Any year now...

Shadows of Valentia might come back around too. I've had enough of a break to at least partly get over how mediocre a lot of the maps are and how annoying certain enemy types are, and I do want to at least try to finish it for the sake of the story, just not while I'm in the middle of pretending to play Fates too.

Shadow Dragon deserves another chance too when I'm in a better frame of mind for it, I just don't know when that'll be.

Radiant Historia is amazing and I really need to get back to it and finish it, and I don't know why my brain keeps not letting me for the past couple years. One of these days it will though, and it'll be great.

Kid Icarus: Uprising is also pretty great, but it's physically painful for me to play. I keep saying I want to try to figure out some way to work around that, but it's been multiple years and I still haven't.

Shovel Knight is one I completely forgot I even have, but it was way better than I expected and I should give it another chance.

Project X Zone is another ridiculous crossover that feels like it shouldn't exist, and it's pretty fun sometimes too, but wow does it really drag sometimes with how long each level is and how many of them there are. I might be able to manage it in smaller chunks though.

Ok Switch gets to be in a separate post or I'm going to run out of tags.

[alanxietatem]

I was tagged by @woozysioux 🖤

last song:

favourite colour: red, black, silver, gold

currently watching: Berserk (2nd season)

sweet/savoury/spicy: All 3

relationship status: Fervently in love with music and art (I miss so much the innocence of loving someone without the constant fear of being replaced)

current obsession: Lately I've been making preparations with my music colleagues to record another studio album, I have several projects pending but this is the one I love the most 'cause I play the best that can exist; death metal and black metal (noise gives me more life).

last thing googled: The Killing of a Sacred Deer full movie

last book I read: Wuthering Heights

looking forward to: To fill my savings to buy and plant trees everywhere, I like to take care of my mother nature (in Mexico hot temperatures are killing us lol).

Sorry for the delay :(, i'm going to taggg in this quiz: @gothicmatter, @cowardlycowboys & @szpd-demon

[jotarosexhusband]

ANIME TBOY SWAG BRACKET

alright people. i am going to compile an anime tboy swag bracket. let's find out who has the most tboy swag in all of anime. want your boy in the running? let me know! reply to this post / reblog and put it in your tags, send me an ask, submit a pitch, whatever. i'll be taking suggestions for at least a week! feel free to send propaganda for your boy(s) too. if you could reblog this post to get the word out that would be great!

CONDITIONS:

canon and noncanon trans characters are fine. it's about the swag

"anime" as a qualifier also includes manga and japanese visual novels / video games with an anime art style. special exceptions can be made if it's funny

depending on how many suggestions i get, i may cut characters for whatever reason. no hard feelings!

be respectful etc etc. if you disagree with a character's inclusion, just vote against them!

by nature of taking submissions there will be characters in this bracket from things i know nothing about. just keep that in mind

current (at the time of posting this) list, compiled by myself and a few friends, will be under the cut! Beneath that you will also find a list of all suggestions i will be considering

ones with asterisks are For Sure going on the bracket

reigen arataka (mob psycho 100) *

phoenix wright (ace attorney) *

bakugou katsuki (boku no hero academia) *

trafalgar law (one piece) *

yamato (one piece) *

vash the stampede (trigun) *

roy mustang (fullmetal alchemist)

ling yao (fullmetal alchemist)

shirogane naoto (persona 4) *

higashikata josuke (jojo's bizarre adventure part 4: diamond is unbreakable) *

kujo jotaro (jojo's bizarre adventure) *

nishinoya yuu (haikyuu!!) *

hinata shoyo (haikyuu!!)

kageyama tobio (haikyuu!!)

yato (noragami) *

matsuoka rin (free!)

killua zoldyck (hunter x hunter)

gon (hunter x hunter)

isaac o'connor (paranatural) (included because his parents are sailor moon and irish goku) *

simon (gurren lagann)

soul evans (soul eater)

death the kid (soul eater)

lavi (d gray man)

hikaru & kaoru (ouran high school host club)

megumi fushiguro (jujutsu kaisen)

sumimura yoshimori (kekkaishi)

sanageyama uzu (kill la kill)

lio fotia (promare)

galo thymos (promare)

dirk strider (homestuck) (included bc that's what he would want) *

sasuke uchiha (naruto)

L (death note)

kyo sohma (fruits basket)

kuroko tetsuya (kuroko no basket)

kabru (dungeon meshi)

rin (ao no exorcist)

inosuke (demon slayer)

zenitsu (demon slayer)

shinji ikari (neon genesis evangelion) *

spike spiegel (cowboy bebop)

brock (pokemon)

luke triton (professor layton) *

genos (one punch man) *

apollo justice (ace attorney) *

link (legend of zelda)

ishimaru kiyotaka (dangan ronpa)

SUGGESTIONS:

light yagami (death note) *

dororo (dororo)

portgas d. ace (one piece)

togata (fire punch)

kaoru kurita (wonder egg priority) *

black star (soul eater)

edward elric (fullmetal alchemist)

sigma (bungo stray dogs)

claude (claudine)

yoshioka masafumi (apocalypse no toride)

ciel (black butler)

mafuyu (project sekai)

jesse pinkman (breaking bad) (this was a suggestion that made me laugh out loud. he has to be here) *

sasara nurude (hypnosis microphone)

kamille bidan (zeta gundam)

aki (chainsaw man)

jacuzzi splot (baccano!)

firo prochainezo (baccano!)

miyamizu mitsuha (your name)

casca (berserk)

dazai osamu (bungo stray dogs)

kei kisaragi (black jack)

haruhi fujioka (ouran high school host club)

[aldryrththerainbowheart]

Through the fire and brimstone

Fandom: Berserk

Tags: Guts x reader, hurt/comfort, sprinkle of soft smut, dash of romance

Note: As I was writing SFW alphabet for Guts an idea came up to me while filling in one letter. It got so long that it deserved its own fic. I'm honestly surprised by the quality. This is the last thing I'll write for Berserk because I have dozens of other writing projects, as well as life outside of Tumblr. Consider this Aldryth's swan song to Guts.

By the way, I listened to this while writing this, if anyone's into that.

The last rays of the sun fell over Midland as the Black Swordsman settles for another sleepless night. With a handful of loyal companions in tow, including their healer. Said medic was rather displeased with the swordsman, for the man had thrown himself carelessly towards death yet again. Proof of that was countless new wounds marring his body. When he could walk no more, the group settled at the place he collapsed for the night.

One of the apostles was dead. You watched Guts skillet them with your own eyes. He stood over their corpse as he breathed raggedly, trying to modulate the aftereffects of his berserker armor. You knew he was badly injured, even with the armor in the way of your sight. You didn’t need it, your years of experience taught you many secrets of the human body, healthy or injured. However, you didn’t press for answers, knowing that the swordsman would only push you away. It truly got on your nerves sometimes and made you wonder why you traveled with him if he’s gonna push you away all the time. Especially since it was he who insisted you’ll join them in the first place.

Only when he could not stand on his feet anymore, you were allowed to work on him in relative peace. Propped up against a tree hidden from others a few feet away, half-conscious, half-awake, Guts resembled an autopsy examination rather than a person. Under your skilled hands, gashes closed, tendons joined back together and cells regenerated at rapid speed. Truth be told, your abilities could not be as successful were you not dabbled in magicks.

As you tend to him in silence, you noticed that his hands, laying limply over his thighs, were shaking. You looked up to search his face, desperately trying to mask the fear that settled over your heart. When he noticed you staring Guts croaked “I…I can’t stop them.” At that point, the knot in your stomach was tighter than a clenched fist. You knew his usual reaction to acts of sympathy…and yet. You took his trembling hands in yours and firmly hold them in place, as you pressed your forehead to his and gently prompted him to follow your breaths. Once he stopped shaking, you leaned away only for Guts to cage you in his arms, squeezing you painfully. You choked on your breath, trying to let enough air into your lungs but not to startle him into letting you go. You didn’t know what to do, whether to hug him back and whisper some words of encouragement or simply remain in his arms without moving. Understanding Guts was…difficult. He didn’t react to intimacy and kinship the way other people did, and the last thing you wanted was to startle him. He was like a cornered animal at times. Still, you need to do something. You squeezed him back with all your strength, letting a few more strings of healing magick seep into his skin if nothing more than to just comfort him. As you propped your chin on his shoulder, you whispered reverently in his ear.

“I’ll follow you through fire and brimstone. Whatever it is, we’re gonna get through this together.”

And you would. Together, you’ll stop this madness, no matter what it takes. You followed Guts for this reason, that and a secret part of you wanted to stay close to him, even if it would just so he lives another day.

There was a beat of silence after you said that. The next thing you know is a feeling of impossibly soft plush lips pressing desperately against yours. The hands that were tightly wrapped around you roamed your body, clutching feverishly as if to assure themselves all of your body parts stayed in place. For a moment you were so startled by the kiss, the warmth, and the softness. You allowed yourself thoughtlessly to go limp in his embrace and delve into the kiss. Tongue tentatively peeking out to touch his. Guts groaned helplessly as he pressed you on the moss-covered forest floor. Your hands ran over the expanse of corded muscle until they settled on his stomach, where you felt something warm and sticky against your fingertips.

His wounds have opened.

The moment it dawns on you, you tear your mouth away from his and try to push him away. Guts, displeased by the interruption, only lifts himself on his arms, unwilling to go any further. With guilt laced voice, you urge him to stop, else he gets more injured. He looks down at the reddening bandages and lets out a silent curse as you heal them once more.

He moved his face towards you once more, aiming for a kiss. You stopped him with a finger on his lips. “No strenuous exercise, or you’ll get even more hurt. I you know I-Ah...” Guts stopped your chiding with a light nip on your fingertip. Peering at you with dark glint in his eyes.

“I want you.” He whispered with a deep timbre in his voice, tugging at the neckline of your top and bending to kiss your neck. “Here. Now. I need you.”

I love you.

The thought moved through his mind, and Guts fought the instinct to drive it away. He didn’t say it alound, but he didn’t chase it down and squashed it, either.

“Guts, I…” Despite your nagging tone, you let your head roll to the side, giving him more room to nibble at your earlobe.

He was pushed away from your warmth once more. “I’m responsible for this party’s health Guts, I threaten your health for romp in the woods.”

Heet his head fall back against the tree bark.

“So…” Your fingers ran over his bandaged chest until they reached his breastbone and your eyes met his, “…we’ll have to be very careful.”

He can be gentle, he can be very gentle. Just let him hold you, hide inside your body for a while. Guts reached for you.

You held that hand against his solar and pushed him, gently but firmly, back against the bed of moss. “I'm the one who's going to be careful.”

“You dinna have to.” Guts protested as you crawled over him and settled on his lap, with your thighs caging him.

You pinned him down with your arms, “I'm going to do everything. And you must lie there and take it.”

There was nothing in the world that came less naturally to Guts than reclining on a cloud-soft moss bed and allowing someone else to do everything. Much less someone he'd come to treasure and protect.

But part of him liked the idea.

Liked it very, very much.

[ominous-feychild]

✦ Q&A WIP/OC Tag ✦

I've been pushing off doing this for a while, but omfg have I gotten a lot of tags from you guys!!! Has this been y'all's way of saying you want to ask questions??? 🤣😭

Thanks for the tags, @honeybewrites (here), @fantasy-things-and-such (here), @the-letterbox-archives (here), and I'm sorry if I've missed anyone else? 😭

Note: as I want to avoid spoilers, I may elect to not answer some questions! I apologize in advance, but I also want to allow you guys to be able to pick and choose from a larger variety of characters and topics! (In good part because it might help me work on things I haven't yet, but you didn't hear that from me. 👀)

If it makes you feel better, I can also tell you guys which questions I'm going to choose not to answer for spoiler reasons? Maybe tell me in the comments if you think that's something I should do? Idk, haha. 😅

Characters

Sun and Shadow

Freya Ula Crow the Cursed Daleira Fenastra Valyarus Fenastra Ponderosa Marlon Pesce Soren Ula Grimnir (the criminal detective) Faer

The Arcane Rifts

overview Gene (the amnesiac) Tazin (the theater kid) (pending; releases in 5 hours of reblog) Mislav (the berserker) Oska (the literal gang leader) Rieka (the badass/khonitva's healer) Adilzhan (the priest) Ludmila (the leader) Nikolai (the police captain)

last but not least, feel free to ask about Rising From the Ashes, but be warned I'll probably address them after any/all questions about the others first!!! RFtA is a project I won't be writing for a long time, but I've shared plenty about it and I'm sure people have questions!

Rising From the Ashes

Carmin Leveque Nora Beck Sammy Bardales Kieva Caron Kieran Caron Varik Caron Elazi (crown prince of Kihroin) Riaan (king of Kihroin) Roman Leveque (protector)

PLEASE LIMIT ASKS TO ONE SUBJECT AT A TIME! It's okay if you send a few different asks, I'll just be overwhelmed if there's too many questions in one! <3

Other Stuff

THE ALL-MIGHTY AND POWERFUL GODS

The Glavni Gods Zhrizn Rholvny Ertzat Bhayol Zhelevol / Spasin

The Existentials (they aren't all gay, I'm just doing multiple colors for... reasons) Fate Chaos Order (also Life) Magic Death (also... something Else?)

Axiom Freya's Nine

Magic Stuff

General Overview Magical "Sources" Existential magic Axiomatic magic Innate magic Granted magic "Fae-touched" Runic magic / Wizards Conduits Curses Faespots The Faewildes

Feel free to ask questions about worldbuilding, other characters, or anything else you've noticed that I didn't include here! In the case of characters I haven't mentioned, though, it's very possible they're spoiler-ridden or just not very important, haha.

PLEASE LIMIT ASKS TO ONE SUBJECT AT A TIME! It's okay if you send a few different asks, I'll just be overwhelmed if there's too many questions in one! <3

Tagging (with no pressure!): @the-golden-comet @darkandstormydolls @themboty and I want to hold off on tagging more just in case people have already received one! Open tags though! <3

Divider from @cafekitsune

[keebwee]

WHUMPTOBER DAY 2!!!

Fandom: How to Train Your Dragon (Movies)

Relationships: Dagur the Deranged & Hiccup Horrendous Haddock III, Hiccup Horrendous Haddock III & Toothless, No Romantic Relationship(s)

Characters: Hiccup Horrendous Haddock III, Toothless (How to Train Your Dragon), Dagur the Deranged

Additional Tags: Head Injury, Strained Relationships, Trust Issues, Hurt Hiccup Horrendous Haddock III, Injury, Blood and Injury, Hiccup Horrendous Haddock III Whump, Whump, Whumptober, Whumptober 2024

Pistanthrophobia

keebwee

Summary:

Hiccup still doesn't quite trust Dagur, but the Berserker is determined to treat his wounds.

Pisanthrophobia: The Fear of Trusting Others

Whumptober 2024 No. 2: TRUST ISSUES | Alternate Prompt: Regret

[hiccupbutpurple]

Wip Game

RULES: post the names of all the files in your WIP list, regardless of how non-descriptive or ridiculous. Let people send an ask with the title that most intrigues them and then post a little snippet or tell them something about it. And then tag as many people as you have WIPS!

Tagged by: @howtowhumpyourhiccup :D

I don’t think I can realistically do that many but @reallyprofoundkryptonite @worldwhightnight @sorushing @violet-moongem @amyrafierceblade if y’all haven’t already been tagged and feel like sharing! Of course anyone who see this and also wants to participate go ahead!

Imma put all the ones I’ve at least started writing for because we’d be here all day if it was also the ideas that just have a few dot points or things. Some have actual titles some are just random description type things lol. I put the general ship name or character in the title so I can easily find it but it makes it less vague ig but eh. (Also sorry this is kinda long so I’m putting in under the cut lol.)

- How Time Has Transformed You

- To Rediscover An Old Self

- Some Things Shouldn’t Be Admired

- Preparation – Vigcup

- Tired – Vigcup

- Hiccup and Gobber self-care reminders

- Searching – Hiccstrid/Heathstrid

- Knock - Hicclegs

- Improper use of Maces and Talons - Vigcup

- Swordsmanship – Dagvigcup

- Accidents - Hiccstrid

- One inspired by entertain – Vigcup

- Room Where It Happens – Hiccstrid runaway Hiccup Au 1

- Put on a show – Dagcup

- Lusty Confidence - Hicclegs

- So You Wanna Marry Hiccup – Dagcup

- Naga Viggo one – Vigcup

- Hypnosis – Vigcup

- Love it When You Hate Me – 3 Versions (Hicclout, Vigcup, Dagcup)

- Honesty – Hicclegs

- Hiccup comes out to Gobber

- God Au drabbles (Starts with when lighting strikes) - hijack

- Finding Wounds – Hiccstrid runaway Hiccup Au 2

- Survival confessions / Hiccup tells Viggo about savages ship – Vigcup

- Heather period blood insanity – vent fic + Heather

- Projects – Hiccstrid

- Jane Doe / Heather’s soliloquy

- Borrower Au

- Venomcup Au drabbles

- Humiliation – Vigcup + Heather

- Thrall - Hiccup

- Snotlout and Small Hiccup drabbles

- Finding Trinkets – Hiccup and Toothless

- Toothless and small Hiccup

- At a Spa - Vigcup

- Making Up For Lost Time – Stoick and Hiccup

- Viggo and Hiccup + Dagur on treaty signing day

- Rock me in - Hijack / Hicclegs

- Mala/Dagur/Hiccup

- Lovefool – Vigcup + concerned Stoick

- Hard Hitting – Hicclout

- Constantly on the Mind – Hiccup

- Half Runaway Au – Vigcup

- Viggo and Hiccup in bed talking

- Sex Puzzles – Vigcup

- Forever suffering for other people - Hiccup

- Spying – Vigcup + Riders

- Ghost hunt – Riders

- Hiccup see’s ghosts

- Ride - Hiccup/Jack/Astrid

- Obstacle Courses – Zephyr and Hiccup

- Who is the hottest – Drunk Hiccup stupidity

- Survivor – Vigcup og day one fic

- When the smoke clears – Dagcup

- ‘What if I have that berserker insanity inside me?’ ‘I want that Berserker insanity inside me.’ – Dagcup + Heathstrid

- Panic attacks – Heathcup

- Paints - Nuffink and Hiccup

- Burns – Hiccup

- Tango – Vigcup

- Saviour – Heathstrid

- Expendable – Riders

- Ships and Anchors – Valka and Hiccup

[chevvy-yates]

got tagged by @heywoodvirgin <3

Questionnaire + 5 songs

Songs:

Questions:

Three ships you like: my three mlm ships in cp universe of course uwu otherwise: Guts/Casca (Berserk) Eugene Roe/Edward "Babe" Heffron (Band of Brothers) Rowdy Yates/Gil Favor (Rawhide)

First ship ever: Altair/Malik (Assassin's Creed)

Last song you heard: GOD SAVE THE RAVE by AXL, GEVOONRAVES, OTJE

Favourite childhood book: Must have been some coffee table book with ocean animals as I never liked reading any books at all

Currently reading: if I read it's the own story we write for Cyberpunk.

Currently watching: A let's play of "Banishers – Ghosts of New Eden"

Currently craving: More time to finish my projects, plans and what not …

tagging:

@nervouswizardcycle, @gloryride, @morganlefaye79, @alphanight1-vp, @kdval, @imaginarycyberpunk2023 and everyone who wants to do this. Idk if u been tagged already or not as this seems to have made the bigger round already and I'm a bit late again to the party.

[tri-punisher]

i still need to come up with a tag for them

[canmom]

Comics Comints: Witch Hat Atelier

Welcome back to Comics Comints, the series where I comint on comics.

First up! Comics Comints now has a proper archive. Enjoy larger images, alt text, and tags for navigation.

Tonight, it’s time we did a manga! If you recall that post about paneling and time from a couple of weeks ago, you know it’s one I liked rather a lot...

Witch Hat Atelier (とんがり帽子のアトリエ Tongari Bōshi no Atorie)

(writing and art: Kamome Shirahama (白浜 鴎), trans. Rasmus-kun, #dropout and Project Vinland scanlation groups. I’m going to be using the name romanisations decided on by #dropout since they’re generally a lot better than the official ones lmao)

Ahh, Witch Hat Atelier. A truly wonderful comic, such that it’s tough to know where to begin.

Sometimes I compare it to getting my hands on a whole new Berserk, because Shirahama’s drawings have that same sense of being exquisite: gorgeously flowing cloth and hair and perfectly placed hatching, overwhelming confidence and attention to detail, an old-school romantic fantasy world you could really fall into. (Also I think she draws faces kinda like Miura does.)

Witch Hat Atelier begins with a girl called Coco living in a fantasy world in which the population is divided into humans and witches. Not unlike a certain Akko, she idealises magic. But she ends up performing magic by accident, unleashing a spell that turns her mother to stone. After this, the kindly Professor Quifrey, who definitely harbours no ulterior motive, breaks the taboo and lets her into the secret: anyone could do magic with the right tools (a pen and special ink), and the witches are maintaining an elaborate masquerade for the sake of containing terrible magical superweapons.

Or at least, the dominant Pointed Hat Witches are. Their enemies, a conspiracy known as the Brimhats, want to break these artificial shackles... and for reasons we don’t yet know, they see this novice witch Coco as their key.

Anyway, the thing that got me to read Witch Hat Atelier was this video...

...by manga youtuber Lines in Motion, which analyses Shirahama’s inventive panelling. It’s really nicely edited and a great primer on the principles of comic composition.

Anyway, per that video, Shirahama took inspiration from not just other manga, but old school European illustration like John Tenniel and Arthur Rackham - and good old Moebius of course. Unfortunately, this video doesn’t provide its sources, and I struggle to find some kind of interview where I can get the artist’s own words. Still, looking at her style, she’s not shy about gesturing to Art Nouveau, or the general tradition of European etching.

And when Shirahama uses colour - sadly only occasionally, though I can understand why! - she deploys beautiful watercolours that call to mind the same tradition (and perhaps certain recent manga like The Girl From The Other Side).

So, before we dive into talking about the comic itself, let me see what I can dig up about Kamome Shirahama herself and her inspirations. She studied art in Japan, at Tokyo University of the Arts, and starting publishing comics in the seinen magazine Fellows! in 2011; this led to a bizarre lucky break when her art was noticed at Comic-Con by someone at Marvel, which gave her a foothold into the Western comics industry, starting with this character Doctor Strange in 2015 (source):

Even seven years ago, you can see Shirahama could really fucking draw. This apparently continued with various other covers for DC and Marvel; meanwhile, having finished her two-year project Eniale & Dewiela (エニデヴィ, Enidevi) about an angel and devil brought together by a mutual enthusiasm for fashion, she embarked on Witch Hat Atelier in 2016 which continues to the present, with 64 issues available at the time of writing.

All this results in perhaps a perfectly optimised Art Build: both her parents are artists, she went to art school, she’s got a familiarity with both Japanese and Western illustration styles to fuel her. And that’s also perfect material for Witch Hat Atelier, which is about - among many other things - the struggles of learning art.

That word Atelier is interesting to me. In Japanese, it seems like アトリエ atorie is not an entirely uncommon word for an artist’s workshop even in the present. In English, its scope is generally much narrower: it refers to a particular tradition of art schools that began in the middle ages and lasted roughly until photography, whose primary function was to teach students how to draw in perspective using a variety of mechanical means like wire grids or sight-size techniques.

(a painting by Jefferson Chalfant of an atelier from the late 1800s - source Wikimedia Commons. I’m vaguely amused by the thought of this guy Chalfant showing up to the atelier and flexing on the students by painting not just the model but also all the other students, the room behind them, and thumbnails of all their paintings.)

Nowadays you’re most likely to hear the word ‘atelier’ in the context of the Atelier series of games, in which you play as a young witch and your atelier is essentially an alchemist’s workshop where you brew potions. I don’t have enough data to say how far the association between ateliers and magic goes - I’ve seen at least one more instance (Maria Umineko uses the word) - but in any case...

‘Magic systems’ in fantasy fiction are tricky things. Without some care, they can just be colour that carries very little thematic weight. Fortunately this is very much not true of Witch Hat Atelier. The basic premise of its system is that magic is created by drawing precise circles with certain symbolic elements whose size relationships combine to specify the magic effect. It’s explained in some detail, although there’s enough vague that Shirahama can have some real fun with the imagery.

The important part, though, is that while it’s not exactly the same as representative illustration, it’s close enough to it to be analogous. In Quifrey’s atelier, Coco meets a group of young students who each have their own styles of magic. Riché, for example, was treated cruelly by an arrogant teacher who insisted on orthodoxy, and now stubbornly insists on practicing only her own specific magical techniques; an important turning point sees her learn how to lean on other people without sacrificing her personal style. Coco has some skills she can lean on as a tailor’s daughter, but still has to drill fundamentals like learning to draw in a single smooth confident stroke.

It’s not quite as ‘trials of an artist’ as something like Blue Period (no spoilers, I’ve only read a bit of that), but it is a deeply compelling element of the mix...

However, magic is only somewhat like illustration. It’s also useful. And this leads to a fascinating subtheme around disability. One of the rules the Pointed Hat witches operate under is that they can’t use magic on the human body. So when a boy Coustas’s legs are injured by haywire magic, witches can give him an adorable deer legs wheelchair...

...but he faces many of the same obstacles as a real wheelchair user in a world not built for access. Coco and her friend Tartar try to figure out a method to help him without breaking the rules, eventually coming on the solution of creating a flying cloak as a new accessibility device, seemingly to everyone’s satisfaction... but then (spoilers) Coustas runs into a Brimhat who’s like “actually we have no compunctions doing a transhumanism on you” and give him legs back (if weirder), turning him against the MCs. But that same power is one we just recently saw used to forcibly transform people against their will. It’s an interesting mirror of the common ‘disability in sci-fi’ question; Coustas’s struggle is not merely that he is disabled, but that the world does not accomodate him and this completely strips him of independence, despite very little ill will from anyone.

And to her credit, Shirahama doesn’t seem to be trying to be going for a didactic angle on this (Coustas should or shoudn’t want...), but treats it as a worthwhile and interesting conflict, and I’m genuinely excited to see how it will resolve. Nor is Coustas the only user of a ‘sealchair’ - one of the main leaders of the witches uses one due to some kind of unspecified fatigue condition, even transforming it in battle, something which largely passes without comment since that’s not really the main focus of the character.

Anyway, despite their separate social system, the witches in Witch Hat Atelier have to make a living, which they do primarily by selling magic items to the non-magical population - subject to various safety regulations which are pretty strict and have a curious attitude towards deception in keeping with the Pointed Hat witches’ MO (don’t make a heatless flame or children might get the wrong idea!). So despite the wonder conveyed so effectively in Shirahama’s vistas of floating islands and twisting paths and underwater cities, it’s a magic that’s very grounded, shaped by the needs of a feudal society. She’s incredibly good at tying in these kinds of ~worldbuilding~ tidbit to the evolving character arcs, so the setting as a whole feels warm and lived-in but also shot through with genuine intractable tensions.

(I tend to show the more elaborate compositions with borders and splash panels, but even the more standard rectangular-panel pages have a real elegance to them)

One of these tensions is that between adults and children. There are many terrible teachers in the pages of Witch Hat Atelier - ones who berate their charges and shatter their self-confidence, or even in one chapter we witness a teacher who will not defend her student who is sexually assaulted by a nobleman and fights back (the only time the subject is brought up in the comic, and handled with care). Even for Quifrey, the picture of a benevolent instructor or good dad lmao, we have the lurking question of whether he intends to use Coco as an opportunity to pursue revenge against the Brimhats.

The children are surrounded by a world that doesn’t seem to work the way it should, rules that don’t seem to make sense but they have to follow, in a way that feels very genuine. And they have reason to fear: the standard punishment of the Pointed Hat witches is to wipe someone’s entire memories of magic and start them in a new life as a civilian. The fear of an extreme, draconian punishment leads the kids to end up keeping their own secrets.

But the adults are far from all bad. If, perhaps, the good relationships are a tragedy waiting to happen...

Then there are the witches and the secular authorities - monarchs of various kingdoms who are itching to get their hands on the secrets of magic. As the cast expands - and believe me it expands a lot - we start getting more and more points of view, and Shirahama is very deft at sketching a character’s motivation and vibe in just a few pages.

When it comes to comics about students at a school for magic, inevitably comparisons will be drawn to the elephant in the room, A Wizard of Earths- what’s that? - oh, yeah, that one.

So, yeah, according to Wikipedia, Shirahama took inspiration from both Harry Potter and Lord of the Rings. Frankly I think she writes wrings around both of them, but then she’s writing a much more modern style of fantasy for an audience literate in the genre, with modern concerns, so perhaps it’s not a surprise I’d like it more than Tolkien. (Rowling is a thoroughly mean-spirited fascist who represents the worst of this country, and if I were to go through the comparison, it would just be a list of things that I think Shirahama does a whole lot better, so I won’t do that.)

What is a little interesting is seeing how, after Potter’s international proliferation, some of the imagery of the robe and wizard hat and school for magic starts to grow into a standard setting in Japanese fiction. Obviously Trigger’s Little Witch Academia is the big one - and I’m fond of it, but it shares little with it beyond the main character’s enchantment (ha) with the idea of magic. NieR Reincarnation is much less likely to ping on anyone’s radar, being a fairly obscure mobile gacha game, but it also took a magic school as the setting for some of its brief tragedies. No idea if that’s going to continue, or if it’s just a passing thing, but brain see pattern...

Anyway, it wouldn’t be Comics Comints without a detailed art breakdown, would it? There’s so much going on in Shirahama’s pages that it will be hard to capture everything, nor is this series really supposed to be comprehensive. Since I’ve talked a bunch about paneling already, let’s take a closer look at the characters...

Let’s start with kids, since most of the characters are kids. Here’s a handful of panels from chapter 42, page 13, trans. #Dropout (the work done primarily by Hypomanix and Botanyrobot in this issue). I think it’s a decently neutral example of a drawing of Coco.

There’s a lot that goes into a drawing of a face, to make it look delicate. But to my mind (c.f. the human head, a series I still intend to finish) the key elements are...

the profile of the face - this shape determines a lot

the size, shape, and style of the eyes

the balance of features

the way you draw hair

I said previously that Shirahama’s style reminded me of Kentaro Miura’s, but that’s mostly when she’s drawing kids. Shirahama’s designs are definitely within the broader ‘anime’ milieu, but there’s an old-school quality. Let’s break it down...

face profile - very rounded shapes. ubiquitous ‘cheek bump’ (pink), which helps the characters appear young.

as a standard ‘anime mannequin’ head, the overall aspect ratio is quite square, the neck is thin and relatively central, and the eyeline stays low.

eyes - this is where Shirahama puts most of the visual information (density of lines), with multiple rings of hatched shadows and highlights. In the picture above I’ve outlined the main shapes that go into drawing Coco’s eyes. Some of them can be identified as anatomical features, others highlights and shadows indicating form, some (the blue crescent shaped shadow for example) are perhaps just pure visual elements? Importantly, the outer outline of the eye is broken at the sides. All this complex shading gives a kind of shiny, watery feeling that suggests emotion bubbling under the surface even if the rest of the expression is very simple.

Coco’s eyes are very wide, representing her innocence. More adult characters tend to have narrower eyes, as we’ll see.

balance of the features

'Big eyes, small mouth’ as the name of the old roleplaying game goes. Note that Coco’s face is wider than it is tall. Just the end of the nose is drawn, but its placement suggests the 3D form of the face so it doesn’t appear flat overall. The suggest is there’s more nose but the bridge of the nose is so smooth that it doesn’t really get a line - if you’ve ever seen a plastic anime figurine you get the idea.

The emphasis is very much on the eyes.

hair

Hair is something that Shirahama really excels at, and honestly I want to absorb her secrets, so lets have a look at the way she does things. The way you can look at it is basically by dividing the hair into primary and secondary forms.

Coco here has very straight hair where the principle is particularly clear. First, you divide the hairstyle as a whole into large groups or blocks where the hair is flowing a particular way. For Coco, she has a part on her left (our right); her fringe forms one block of hair, which may go over or under the block of hair coming down from the top of her head depending on the picture.

Within each block, the hair is constructed out of smaller crescent-shaped elements which overlap each other (indicated by T-intersections between lines), and follow the overall flow. These merge towards the root of the hair block (the lines dividing them disappear)...

Then, additional lines can be drawn inside each block to add additional texture.

Judging by videos I’ve seen, Shirahama seems to be able to do these kinds of line straight away in ink, which is why they look so clean and confident.

For characters with darker hair, similar design principles apply, but instead of indicating the flow of the hair through outlines, Shirahama uses white lines within the form to indicate specular highlights. (Contrast Coustas’s eyes here to Coco’s incidentally: their emotional states are communicated by the different shading styles).

Now, let’s take a look at Quifrey and Orugio, two of the main adult characters in the comic...

Quifrey (right) has to carry a lot of the comic, and if you look at Shirahama’s design notes, he’s also one whose design evolved the most towards the fairly bishie one he got in the end. He has to be goofy, kindly, and sometimes sinister. He’s certainly not a villain, but he is willing to do some pretty shady shit - but he’s also good at presenting a generally sort of bemused affect, which is indicated by simplifying his design a lot.

The Gandalf/Dumbledore sort of archetype, but less magisterial - Quifrey is not an especially powerful witch. There’s a very overt indication of his divided nature in his glasses - there’s a plot reason why they’re different colours but the combination of dark lens and fringe hiding his eye screams “he’s hiding something”.

Quifrey’s friend Orugio (left) meanwhile is a more straightforward character, hard working, down to earth and straight-laced but out of a genuine sense of caring. Honestly, the fact he has facial hair is something that’s very rare in manga! One thing I notice just now while searching for suitably illustrative panels is that his face is often seen angled down, while Quifrey is more often seen from below.

The basic construction is similar to the kids’ heads, but a few differences to notice. As is the rule, adults’ eyes are proportionally a lot smaller than kids’ eyes. The construction of the face is slightly more angular, and they actually have noses.

Quifrey’s hair is a lot messier than Coco’s, but it’s essentially constructed out of the same overlapping crescents, which don’t especially respect gravity for Quifrey. Orugio’s hair is a solid dark mass, with a lot of loose strands around the edges, but you can still kind of see the locks of hair providing structure to the shape.

Shirahama’s lines are usually very even and thin, but she’ll often use a thicker line in a face closeup to emphasise the jawline, and in general a very subtly thicker line to outline forms than to hatch inside them. She uses screentones as you can see, but also extensively uses very neat hatching to create blocks of shadow or blend lines into larger shadow shapes. Her lines have an incredible amount of confidence and precision.

That’s faces, but what about the figure as a whole? One of Shirahama’s real gifts is her ability to draw flowing cloth with an incredible sense of motion. Here’s a classic Shirahama splash panel...

The contrast of organic shapes of cloth against the large circular element is something Shirahama loves doing - as is the use of negative space.

Breaking down the cloth: you have the solid lines representing the outer edge of folds, and then hatching within the body of the cloak to indicate shadows. In some places the hatching runs along the direction of the folds, in other cases perpendicular with it, all blending together. You can basically see how it breaks down into conical pipe folds that overlap each other, coming to a sinuous line at the bottom. Then this biiiig shape is contrasted against Quifrey’s thin neck, always upright, and the area of detail in his face. It’s just like. Really expert drawing by someone who knows the craft up and down.

There aren’t a lot of opportunities to see how Shirahama goes about designing one of these figures, but there are a couple of roughs she’s put out, so let me take a brief look at that to wrap up the drawing section.

this is a rejected draft for one of the first pages in the story. it looks like Shirahama roughs things out in quite a thick pencil, then uses a blue pencil(?) to refine, before inking. I suspect there may be more steps between, which she rubs out before inking...

These early designs seem to have been drawn into a thicker pen, with less care taken over the linework. What’s most interesting to me is how much Quifrey’s head shape changed as Shirahama’s concept of the character evolved.

Finally here’s a timelapse video of Shirahama inking a drawing of Coco.

You can see she starts with a pencil sketch that has the major shapes nailed down but not yet the line quality. She outlines all the main shapes, erases the pencils, then fills in the details at a slightly lower line weight. She’s got a ridiculously confident hand considering how much detail is going straight to ink in a way that makes my digital artist brain flinch.

The way Shirahama uses hatching reminds me a bit of Kimihiko Fujisaka, artist for Voice of Cards. I think I gotta practice more in ink lol, digital just doesn’t seem to give the same feel. Something about the mechanics of the way the pen flicks across the paper, maybe?

And that’s I think everything I have to say. Read this comic, it’s good! ...oh wait, there’s an anime coming! As yet, the studio and staff are to be determined. Shirahama’s style seems very difficult to capture in animation, so I’ll be curious to see how they handle it.

Next up: The Less Than Epic Adventures of TJ and Amal I think.

[cestacruz]

I want to learn more about the master Artoria Au

🥹❤️❤️ueueueu

It's quite more extensive than Just the Holy Grail War

The lineup until now is

Saber: Musashi and Iori Miyamoto (Master(s) in the works)

Archer: James Moriarty (Master is Cassidy, i already posted something bout her)

Lancer: (Might be) Qin Liangyu (master in the works)

Rider: Ludwig van Beethoven (I already have her master but i refuse to post about them for now. I need dignity. I'll say two words to describe them tho: Hatsune Miku)

Caster: Zeno of Elea (no master yet)

Assassin: Hassan of the Shining Star (no master yet either) (also funnily enough, ive had Shining Star in this AU since two years ago, so imagine my surprise when he got released LMAO)

And well, Berserker: Queen Guinevere (and yknow, master Arturia)

It's sorta a modern AU but not at the same time, i'll put a cut here because its long and i ramble

It's not a Forced project to bring Arthur back like with Gray but the alternate name i use for this AU in my notes is "The Once and Future King" so...

History repeating itself sorta thing but without the doomed narrative (unless.) (Haha just kidding...) (...unle--)

The "pendragon|orkney" family does exist (as in mom(igraine)(she's alive), dad(uther)(he left them), morgan and lot, and nephews and nieces (morgan lost a bet to 5 year old arturia and had to name her kids after the knights) and more arthuriana characters are scattered around too, but they dont have an importance to the HGW part of the AU, with the exception of a few

They still call her Arturia (TECHNICALLY they call her Arthuria, because i love that name and no one will take it from me) because the few years that Uther was with them, he called Arturia "Arthur" because he wanted a boy and he couldnt cope (theres the History repeats itself motif and also misogynistic men like that still exist), so Morgan used Arthur*ia* as a nickname, and it stuck

This is where i will confess that im thinking of using a different name for Arturia, i already Kinda do in my notes. As in legal name (thinking of Aurlyn, which is similar but different enough). I would be doing the same with some of the Orkney siblings whose names would not be as common in the modern world or too obvious a reference, while still being named after the knights (Gareth would stay as Gareth cuz thats literally still a mormal name people use, but a name like Agravain or Mordred arent as common, ig. Or Gawain. And Gaheris. Actually only Gareth has a mormal fcking name)

ALSO mordred is Morgan and Lot's kid in this. No weird cloning in my modern AU. Genetics from the pendragon hit hard tho, they still look like Arturia

Actually idk what else to say rn, theres some more stuff but its escaping my mind, so little random stuff

Arturia's family has little to no mage relation currently, but they still have mage blood and sht

Also Merlin manipulated Morgan(modern) using her literal dreams, into freeing him from Avalon and he used to that hang out with little kid Arturia at the park (everyone hates him/chases him away)

The reason why Cath Palug is there is because this AU follows the F/SN timeline, which is a timeline in which Chaldeas never formed. Therefore, Fou never learned to love people, teehee. He only learned to hate Merlin and King Arthur (?)

Also theres a modern Guinevere, tho her name is literally just Gwen, and Arturia and her met during high school Time but they werent Actually classmates (think like, tournaments or trips to other school/places). I called her "arturia's high school crush" in the tags of a previous ask but they are still friends and talk a lot

And yeah , thank u and i am, Very happy that you asked bout it

[sc-intothedarknightofthesoul]

Gonna go ahead and tag you guys real quick since y'all asked for the same character, but I'd feel bad answering to only one of you: @soulofamy @mommahoodie @ank3kur0

Also, I got a bingo! Yay!

I'll be honest, what if I told you I didn't like Grøh at first?

Shocking, considering I gush over this guy time and time again, but let me explain.

I'll admit I played the Main Chronicle first before Libra of Soul and one of the first things he does is come out of nowhere to ambush Kilik, and putting myself in Kilik's shoes, I'm just as confused as to what the fuck just happened and why he straight up attacked him.

But the thing I learned about Grøh from that scene and the one where he meets the Conduit in Libra of Soul is that he doesn't exactly give off the best of first impressions: he's stand-offish, cold, and blunt (some will call him pessimistic, like I did at one point, others will say he's telling the cold hard truth no one at the time wanted to hear), didn't stop to think about the feelings of others and would rather push them away.

So what made me go a complete 180° on my mind about Grøh?

One simple answer is that, unlike Taki in that story, Grøh does come back to help Kilik and Xianghua get to Nightmare hiding out in Ostrheinsburg Castle, which ultimately made me curious about him that his Soul Chronicle became the first one I watched after completing the Main Chronicle.

The complicated answer is that I actually sort of relate to Grøh in the sense of, "I act aloof and cold at times without meaning to, I've made people cry because I get blunt as a sledgehammer when I thought it was me being honest with them, and I tend to push people away in favour of protecting myself and others from harm."

Point is, it took time, patience, and a bit of looking in the mirror to get me completely on board with Grøh's character.

Then I watched his Soul Chronicle and we got hints as to why he acts the way he does, something I have sort of expected all along: The Malfested took his friends, family and home from him, Nightmare took away his squad and a part of his humanity away and made it ten times harder to be himself without the fear of his Malfested side taking control over him, Azwel basically gave Grøh the worst kind of emotional whiplash imaginable by saving his life and then forcing him to fight and kill his best friend Curtis when he revealed his secret to him, meanwhile also having Orzal, his teacher and probably the closest thing to a father figure in the Aval Organization, killed during Azwel's defection.

Then I finally get to Libra of Soul and I see him slowly open up to the Conduit and soften his heart for them and it's just...

...If Project Soul's definition of slow burn is not only having him and another character bond over time, but also having you, as the player, bond with him over time, then that deserves a chef's kiss from me!

Also, Grøh ends up standing between the Conduit and danger coming for them TWICE, if not THRICE. First being Valtro when we see his Malfested self for the first time, second being an attempt to protect them while they were sick but he messed up his footing in his attack before Taki came out of nowhere to finish the Berserker off, and then finally standing between them and Azwel in that cutscene in the Shrine of Eurydice before reckless succumbing to his Malfestation and throwing Azwel and himself off a goddamn cliff.

Like guys, one time is an instance, two times is a coincidence, and three or more times ends up becoming a pattern.

Also to add to what I said in the previous post about the final fight with Azwel being cathartic because you're making him pay for what he's done, I also fought Azwel in the name of Grøh knowing how much he suffered because of that fucker and that I felt was fulfilling a promise.

So it's no surprise that at the end of the Soul Calibur/Good Route, I cried when Grøh looked back to the camera, to the Conduit, and gave a smile, something that is a first in this game mode. It felt to me that not only is he thanking the Conduit for basically saving his life and bringing back his humanity, it's like a very emotional thank you to the player for playing Libra of Soul.

I also finished the Soul Edge/Evil Route a while back and yeah, it felt gut-wrenching having to fight him with Soul Edge, and just like that, a piece of me died when Grøh died.

So yeah, I can fully say without a shadow of a doubt that I fell in love with this character in a fashion I didn't expect to.

Regarding his design, I'm not too deep into the lore of King Arthur and the Knights of Avalon, but I do enjoy people's take on the lore (Quest for Camelot was one of my favourite movies growing up). Plus, I am also a sucker for Norse mythology and I liked how he kinda looked like Odin with the eye patch and the fur on his coat and the fact that he's from Norway. And the way they basically combined the two is very interesting to me. I also fuck with the punk aesthetic he's got going on.

One headcanon that I see a lot of people use and one I agree with a lot is that since we don't know how old he is or when his home got attacked or how long he's been part of the Aval Organization, I figured he probably was rescued and raised by the Aval Organization when he was really young, which would sort of explain why the Oath he took about taking on the Malfested, or Outsiders, is deeply ingrained into his mindset and why he follows his orders to the letter.

It also saddens me that he doesn't get a lot of love in the fandom or isn't as remembered as much as the other characters, to the point where there was a time a friend thought he was an OC of mine, granted she didn't know he wasn't cos she doesn't participate in the Soul Calibur fandom, but still.

But yeah, just gonna wrap up these asks and say that I love Grøh a lot as a character and I think is an underrated gem.

And maybe an analogy that Grøh is like a shy, distrustful yet lovable guard dog that I adopted at a shelter, while (to add to the previous post) Azwel's the chaotic cat causing mayhem in everybody's wake that I found in a dumpster in an alleyway one Monday morning.

[serpentarii]

T A G L I S T S ; updates & spring cleaning 

it’s that time of year again. since i’m going to attempt to post content on this blog more regularly, i thought it was a good chance to clean up my current taglists. so, i’ve created this as a masterlist/referral for anyone interested in seeing more from my projects ! below the cut will be a list of all my ongoing projects, a set of comps, a brief paragraph about them, and relevant links. those who don’t interact with this post but are still on at least one taglist will be automatically removed. 

starborne ; kentaro miura’s berserk meets dante alighieri’s the divine comedy . introduction . tag  

genres ; epic dark fantasy . adventure . romance . tragedy . adult 

a planned trilogy about an empire on the cusp of a disastrous civil war in a world plagued by constant political upheaval, unfathomable monsters, and a cannibalistic goddess. set in an empire inspired by the greco-roman world and the italian renaissance. 

mordlust ; naomi novik’s uprooted meets philip pullman’s northern lights . introduction . tag 

genres ; gaslamp fantasy . fairy tale retelling . young adult 

a standalone low fantasy novel featuring a pair of assassins and the roles they unknowingly play in a much larger conspiracy. a wicked forest, a missing prince, a horrible affliction. a retelling of the swan maiden myth in a prussian inspired setting. 

a hymn for serpents ; samantha shannon’s the priory of the orange tree meets jacqueline carey’s kushiel’s dart . introduction . tag 

genres ; heroic fantasy . supernatural . romance . adventure . new adult 

a planned series about a girl accused of a crime she did not commit, an ancient evil reawakened, and the countless lies told under the guise of protection. a retelling of the three snake leaves and the seventh son in a sprawling medieval inspired world. 

C U R R E N T   T A G L I S T S 

{ reblog or comment or send an ask to be +/- from any of these } 

general ; @seasteading | @veneritia | @sourrcandy | @arkicts | @hekat-ie | @raven-ink | @redrcbin | @tvengsins | @uppoffringar | @ladywithoringes | @darkgazer | @philocalizt | @worldbuildng 

starborne ; @inky-duchess | @paperandredink | @valiant-wielder | @atelierwriting | @sympathyhouse | @wordsbynathan | @halfmoonorfullmoon | @intro-book-vert | @anaestheticdisaster | @katwritesforfun | @sancta-seraphina | @marewriteblr | @rkmoriyama | @your-local-bookworm | @hell-yeah-fantasy-reads | @crowandmoonwriting | @half-explored | @nightmares-and-fireflies | @medeaes | @frvnwrites | @saachi | @septemberliterature | @writingbyjillian | @gods-above-watch-over-me | @bookphobe | @tragedieds | @juliantelos | @jadeywrites | @avi-why | @the-child-of-darkness | @chuchoters | @ortolon | @cannivalisms | @muddshadow | @ashen-crest | @birdskullz | @strawberrystarcake | @wildswrites 

mordlust ; @inky-duchess | @saachi | @bayoucurse | @caradhraas | @birdskullz | @halcionic | @nallthatjazz | @ladywithalamp | @medeaes | @jadeywrites | @rkmoriyama | @sureliipan | @dovebeast | @froggywriter | @cannivalisms | @muddshadow | @writeblrfantasy | @kingsinking | @vellichor-virgo | @bebewrites | @lord-fallen | @ellierenae | @faelanvance | @sylhorn | @mortallynuttyqueen | @kittensartswriting 

a hymn for serpents ; @bayoucurse | @moariin | @cannivalisms | @birdskullz | @inky-duchess | @harinawa | @ninazeniks | @kingsinking | @red-the-dragon-writes | @write-the-stars-and-shadows | @muddshadow | @nallthatjazz | @livvywrites | @yuriperhaps | @dream-fyre 

the tale of ryuurei { inactive } ; @qelizhus | @birdskullz | @ccorpsidious | @hiddenhistoria | @elliewritesstories | @inky-duchess | @chazzawrites | @partlyparchment | @theelectricfactory | @nallthatjazz | @stormharbors | @cannivalisms | @ladywithalamp | @siriuslyprocrastinating | @muddshadow 

the inhuman comedy { inactive } ; @scaevolawrites | @inkingfireplace | @morganwriteblr | @muddshadow | @moariin 

[3sgritty]

🩸 intro

Mi name is Michaella. I am from South East Asia. Just a 20 y/o engineering student. My creative social medias are also @3sgritty on Instagram and our dear AO3!

Follow me if you are also interested in these things:

Neon Genesis Evangelion

Berserk

Claymore

Madoka Magica

Godzilla

Fallout: New Vegas

Ranma 1/2

Ryan Gosling movies

My favourite movies ever are Paris, Texas (1984, Wim Wenders) and The Seventh Seal (1957, Ingar Bergman). Favourite books, Demian by Herman Hesse and The Secret Garden by Frances Hodgson Burnett.

I am plagued—no, haunted and bewitched by divine afflictions of the mind. I’m spiritually shaped like an ouroboros.

I’m super normal stg just a little autistic and shy. Pls do not hesitate to talk tuah.

Blog Tags

art tag drawings in general

mr and mrs graham Joshua Graham x Claudia (OC)

evil girlboss courier six main Fallout: New Vegas OC

wips and outtakes

other creative projects the shit I write…