#benoit debie

[filmaticbby]

Vortex (2021) dir. Gaspar Noé

[maxinefuckingminx]

Le temps détruit tout

IRRÉVERSIBLE (2002) dir. Gaspar Noé

[jawmidnight]

[savage-kult-of-gorthaur]

PENSIVE MOODS OVER BIRTHDAY CAKE IN THE SUPER-SEVENTIES.

PIC INFO: Resolution at 2832x4256 -- Spotlight on American actress Dakota Fanning (then age 15-16) as teenage vocalist/frontwoman Cherie Currie of the all-female hard rock band THE RUNAWAYS, from the 2010 quasi-biopic/film of the same name.

DIRECTOR: Floria Sigismondi

SCREENPLAY: Floria Sigismondi

CINEMATOGRAPHY: Benoit Debie

COSTUME DESIGN: Carol Beadle

Source: www.fotogramas.es/peliculas-criticas/a410300/the-runaways.

[monterdespentes]

Irreversible (2002) dir. Gaspar Noé

[capture-s-ii]

Vortex (dir. Gaspar Noé, 2022)

[choquejuergas]

[reflexcine]

Climax (2018)

Dir: Gaspar Noe

PH: Benoît Debie

[cinemavariety]

T R O U B L E in P A R A D I S E

spring breakers x grimes (we appreciate power)

"There was something hyper-impressionistic and wild about the whole idea of it, and I'd never seen it done in an interesting way. Also, just in metaphorical terms, even the phrase 'Spring Break' and what it represents, what it can be, the idea of a destruction of innocence and disappearing into the night. I wanted it to look like it was lit with candy. Like Skittles or Starburst. I wanted the tone to be pushed into a hyper-candy-textural, hyper-stylised reality. It's meant to be a kind of visual mash-up, or an impressionistic reinterpretation of the way youth use media and technology today. I was trying to think of the medium in a different way, or in a way that was at least more inventive. Something that was closer to musical experiences I've had, electronic music, things that were loop-based and repetitive. There's not even a lot of dialogue; things are repeated in a way that a pop song has hooks. We were trying to obliterate the sense of time and go with something that was more like a feeling."

- Harmony Korine on Spring Breakers

[filmaticbby]

The Runaways (2010) dir. Floria Sigismondi

[humides]

[cinema-of-cruelty]

SPRING BREAKERS (2012)—Happiness is a Warm, Neon, Whisky-Coated Handgun

by Cinema of Cruelty • A podcast on Anchor

On this week’s deep dive, The Cultists present Harmony Korine's controversial cult flick Spring Breakers (2012). Booze, bikinis, pissing in the streets, temporal existentialism, Disney-girls-gone-wild, flirtation with French New Wave, Brechtian theater... this movie has a little bit of everything. The one thing this film doesn’t have is an audience consensus on what to do with it. Is this film—once described as a 'a sleaze-fest akin to Michael Mann on mescaline'—good? Bad? A shallow exploitation film? A masterpiece of cultural critique? A tasteless ultra-violent beach noir? Or a deeply emotion-driven love story about the purest kinds of love? The answer, it seems, is, “yes.” 

Episode Safeword: “moderation”

[artfilmfan]

In an alternate universe i would be a cinematographer just like the ones that inspire me - Sven Nykvist, Robbie Ryan, Vittorio Storaro, Benoît Debie, Christopher Doyle, Sławomir Idziak...

[etzidamu]

Love, 2015

dir.   Gaspar Noé DPs:   Benoît Debie Music:  Eric Satie Art Direction:  Virginie Verdeaux

“Living with a woman is like sharing a bed with the CIA. Nothing is secret. This used to be my apartment. It used to be happy here. doesn't feel like my place anymore. always looking over my shoulder now.” “Murphy’s law: If anything can go wrong, it will” “Are you in love?”

[scenesandscreens]

Irréversible (2002)

Director - Gaspar Noé, Cinematography - Benoît Debie & Gaspar Noé

"With a little money, we can help you get revenge. The assailant drew blood. Blood calls for revenge. Vengeance is a human right."

[capture-s-ii]

Lux Æterna (dir. Gaspar Noé, 2019)