#becoming a peter and loml stan for life

[mightnotfeelrealbutitsok]

Fav part of every TTPD song -

Fortnight = the outro. thought of calling ya/nother fortnight lost in america/buy the car you want but it won't start up til you touch touch touch meee. it's so crazed

TTPD = who's gonna hold you like me? who's gonna know you if not me? and all its repetitions

My Boy... = the second half of each chorus. cause it fit too right.../cause i knew too much... perfectly bitter

Down Bad = bridge bridge bridge. I loved your hostile takeovers encounters closer and closer all your indecent exposures how dare you say that it's !!!

So Long, London = bridge! AND YOU SAY I ABANDONED THE SHIP/AND MY FRIENDS SAID IT ISN'T RIGHT TO BE SCARED

But Daddy I Love Him = i'm running with my dress unbuttoned screaming but daddy i love him i'm having his babyyy - whenever it comes up

Fresh Out The Slammer = as i said in my letters now that i know better i will never lose my baby again (so satifsying)

Florida!!! = bridge and fuck me up Florida

Guilty As Sin? = what if he's written mine on my upper thigh??!! in the last chorus, obviously

Who's Afraid...? = so who's. afraid. of me. in the outro

I Can Fix Him = on a six-lane Texas highway, his hand so calloused from his pistol softly traces hearts on my face?!?! pop off with the imagery taylor, and so ethel-cain-core

loml = the last chorus. it just keeps going. what a valiant roar what a bland goodbye/i'll never leave never mind/your arson's match your sombre eyes!! (this song is becoming such a favourite)

I Can Do It... = he said he'd love me all his life!-- but that life was too short... and its counterpart: he said he'd love me for all time!-- such a good illustration of having to keep those miserable thoughts in check

The Smallest Man... = well clearly the whole raging bridge (YOU SAID NORMAL GIRLS WERE BORING BUT YOU WERE GONE BY THE MORNING)

The Alchemy = i can't lie. no part of it really wows me.

Clara Bow = i'm not trying to exaggerate but i think i might DIE if i made it/DIE if it happened - prechoruses

The Black Dog = the choruses, particularly the one that comes first and last. you jump up but she's too young to know this song that was intertwined with the magic/tragic fabric of our dreaming!!

imgonnagetyouback = say you got somebody i'll say i got someone too EVEN IF IT'S HANDCUFFED I'M LEAVING HERE WITH YOUU

The Albatross = also a song that does not hit me at any point. sorry.

Chloe et al. = the choruses. say i loved you the way that you were/say you've always wondered... also i/you just watched it happen... :(

How Did It End? = bridge bridge bridge the unsympathetic unfeeling roboticness and post-mortem detail and the rhythm and rhyming oh my god (say-it once-a gain-with feel-ing)

So High School = ARE YOU GONNA MARRY KISS OR KILL MEEE and also truth, dare, spin bottles... and all that. satisfying rhythm and rhyme strike again

I Hate It Here = choruses. the I read about it in a book when I was a precocious child/I dreamed about it in the dark the night I felt like I might die line. and no mid-sized city hopes and small-town fears i'm there most of the year cos i hate it here....

thanK you aIMee = lowkey an annoying song for me.

I Look In... = the verses, especially all the south south south and now now now now downtown downtown downtown parts

The Prophecy = and i sound like an infant feeling like the very last drops of an inkpen, a greater woman stays cool!!

Cassandra = so they killed Cassandra first cause she feared the worst is the best line but i don't particularly like this song.

Peter = THE WHOLE SONG. love. verses and choruses and bridge. chef's kiss. maybe best moment is YOU SAID YOU'D COME AND GET ME BUT YOU WERE TWENTY FIVE

The Bolter = verse 1. childhood anecdotes always hit

Robin = the bridge, I cry, reminds me of Ronan, you got the dragonflies above your bed, the echo of you have no idea...

The Manuscript = verse 2, the theme of growing up again, she wished she was thirty/she only ate kids' cereal

that's all thank you bye

[loseyoutoloveme]

will you do a song by song review for life support? i really liked the ones for sweetener and thank you next!

oh absolutely, i’d love to! thank you for asking and being interested 🖤 all thoughts below.

the beginning:

this was such a great way to open this album, it’s so cinematic and really sets the mood so perfectly. one of my fav instrumental intros i’ve ever heard.

9/10

good in goodbye: “you put the over in lover, put the ex in next.”

the lyrics are so wonderfully corny and i’ll love this song forever, like the chorus is literally just so fun to sing along to.

i do think it feels a little... shallow compared to the rest of the album, and the album being released so long after this song came out makes it feel disconnected from the rest. but i love it so i don’t care.

7.5/10 

default: “i know, i know this must be coming for me, i swear, i swear i will be the end of me, the end of me.”

this song is just sooo...... OUCH!

i’m obsessed with the way the chorus just SOUNDS like an emotional spiral, like her life falling apart, like falling into a deep depression, and then the outro builds like destructive racing thoughts.

also i never noticed the wave crashing and the bubbles at the very beginning until really recently, and i love that little touch. the whole song feels so underwater. cloudy and fuzzy. it does a good job of depicting certain symptoms of various mental illnesses.

8.5/10

follow the white rabbit: “is it haunting, baby, that i’m wanting, baby, that i’m wanting, wanting you?”

i actually was fully not expecting to like this that much based off the snippets she’d shared, but omg this left me WEAAAAK on first listen, which was the best surprise

there are definitely so many layers to these lyrics too, despite it being just a bombastic sexy toxic love song on its surface, particularly when thinking about the album as a commentary on mental illness, and some of the breakup/love songs as metaphors rather than straightforward love songs. definitely about infatuation and toxicity and perhaps knowingly entering a bad relationship as a bad coping mechanism, a way to avoid dealing with your pain or (as we see in effortlessly) a way to just feel anything at all.

9/10

effortlessly: “i hold my breath to breathe, hurt me so i feel, used to do these things so effortlessly somehow.”

oh god this song is just a punch in the stomach

i ALSO didn’t really expect to love this one based on snippets but the lyrics are just devastating and perfect and i hope speak to anybody who has struggled with self-harm and medication.

i don’t even have thoughts on this song, it just makes me go jsn*@(#nkdasdnkasd7*@U#j2k3n

love that this is such a fan favourite. it deserves!

10/10

stay numb and carry on: “truth is it was never love, your fault if you thought it was.”

the reverse “i’ve become emotionless” at the beginning >>>

also love the “i was gin and you were toxic . . . wish we’d just stayed plaTONIC” like a platonic relationship would be the opposite of toxic. it’s such fun wordplay.

also “i don’t feel like anyone” makes me emo, she really just slid the most simple but heartbreaking lines in everywhere and you don’t notice them until they hit you out of nowhere one day and you’re like ...OH

AND THE WAY HER VOICE STARTS TO GO MONOTONE AT “i’ve become emotionless” 

in conclusion, madison beer is a vessel for god

10/10

blue: “you could be as sweet as honey but i knew the darkness in your mind.”

this is my least favourite on the album but it’s still fantastic

the lana influence is clear without being too copycat, like it’s still SO madison. sorta like lana’s video games modernized and adapted into something truer to madison’s vibe.

love love love the whole outro

glad that this wasn’t a single like it was planned to be

7/10

interlude: “would you do that shit for me too?”

VOCODER RIGHTS

this album in general is just not really for people who don’t like vocoders and lots of technical effects. i looove that she leaned into it so hard bc it’s so HER.

this song also has so much depth for an interlude, relaying the experience of feeling SO hard about people, and realizing like you’re putting in way more than you’re getting back.

the post-chorus is like... 🤩🌌💫☄️🌠

7.5/10

homesick: “these humans speak my language, still don’t understand it.”

THIS SONG...... IS MY BABY......

oh god it just breaks my heart on every listen. the image in my head is of a little girl talking to the stars.

and why does the line about her mom and dad make me wanna cry every time? i have no idea.

I BELONG IN SPACE...... FLOATING WITH DEBRIS.......

i’m sure she’s not the first person to ever use this metaphor for mental illness, expressing the alienation of mental illness (especially one as stigmatized and misunderstood as bpd) by talking about LITERAL aliens sdkjfsdfksd, but she does it SOOOOO well and sincerely that it feels like it’s uniquely hers.

the rick & morty sample is so funny and so weird and so madison. i will probably never watch an episode of that show in my life.

10000000000/10 this song is the loml

selfish: “shouldn’t love you but i couldn’t help it, had a feeling that you never felt it.”

my absolute favourite of all of the singles, noooo question about it. it’s a perfect, perfect, perfect song.

two years, alone on new years’, nightclubs, gemini... women writing lyrics with very specific details about the shitty men that the song is about... it’s everything to me.

this song will just NEVER age. every time i listen to it, it’s like the first time all over again.

10/10

sour times: “don’t know what song of mine you heard that made you think i’d want to spend the night with you.”

home with you’s big sister<3 

not the strongest lyrics, but the concept and production are more than strong enough to carry the song.

she came on this bitch mad as hell

also love that this have been another fan favourite, seemingly??

men gross

9/10

boyshit: “don’t know how to talk or communicate, we’re so on and off, to you it’s a game.”

it took me awhile to get into this when it was a single ngl, probably because it came out the same night as evermore sjdknfsfnkjsd, but once i got into it, it became the best song ever

she’s soooo reliable with her “men ain’t shit” songs ugh

8.5/10

baby: “i’m a handful but that’s what hands are for.”

when this came out as a single it was the only thing i listened to for a solid week and a half. just an excellent song. the chorus is evvverrryttthhhiiinnnnggg.

WHAT IS IT SO CATCHY FOR?

9.5/10

stained glass: “my life’s a still fading memory of what i can’t have, and everything ’round me is starting to fade into black, but black and white is so much better, i’m learning how to hide my colours.”

i’m so surprised by how much non-stans seem to love this omg, it’s never been a fav of mine, as much as i still love it

but i’m obsessed with how different and distinctly madison it is

also this is a much more genuine take on the “pls stop being mean to me just bc i’m famous / you don’t know what people are going through” type of song than most of the others i’ve ever heard. her pain is evident, and the soft “i just might break” is just..... </3

the glass breaking and little scream are so good

she loves a good metaphor and so do i!

7.5/10 

emotional bruises: “how do i word this? was about to write you this letter, but it was just curses in cursive, you probably deserve it.”

this was definitely my most anticipated song along with everything happens for a reason, like i listened to the snippet on repeat CONSTANTLY lmao. and the full song definitely lived up.

the scribbling sound is so fun, i love her obsession with little real-life sound effects

10/10

everything happens for a reason: “i still can’t find a reason you’d wanna hurt me so bad.”

THIS SONG IS VERY MUCH EVERYTHING

again, this was for sure one of my most anticipated songs and just kjsadsdkajsm god i love love love it

i think she posted a video one time of the song over a clip of the mermaids from peter pan and it was so pretty and i still picture that video when i hear this song. it’s just soooooo hazy and dreamy and retro and perfect.

also the song on the album where she got to show off her vocals the most. she found her niche with this song, truly.

100/10

channel surfing/the end: “YOU’REBADFORMYHEALTHISHOULDPROLLYKEPTSOMEHELPICANTCONTROLMYSELFIMADDICTEDOTHEHELL”

oh my god i was FLOOOOOORED at the dear society clip. dear society was and is one of my FAVOURITE songs, and i appreciate her reasoning for not including it on the album (just wanting some space for a new song instead of one we’d already had for so long), but it did hurt a lil. i was so happy she found a little way to include it :’) rip to hurts like hell tho since she didn’t get the same treatment sjdnksd.

the channel surfing is also just such a fun concept for an outro.

and her laughing with her producers at the end followed by such a sweet calming tropical instrumental...... oooo it’s so nice, it feels like the calm after the storm.

10/10

overall, this album was just SO worth the wait, it’s so fantastic, it’s the loml, one of my favourite albums ever. i LOVE that it’s helped anyone with BPD feel seen and understood, and as someone who doesn’t have bpd but has a couple of loved ones who do, the emotions she expressed in these lyrics have helped me to understand this disorder more too. just such a special album.

most of the criticism i’ve seen of the album has been that it’s overproduced, and that’s definitely criticism that i understand, bc it IS heavy on the technical side and some people just don’t like very heavy production, buuuut... some people do! i do! madison does! and heavy production does not automatically make an album bad. this type of production isn’t something that i expect her to move away from, because it’s clearly her thing, and maybe that just means her place in the industry will be more with the heavy heavy pop fans and maybe even in more hyperpop circles. i also think it’s SUPPOSED to be overproduced; it’s supposed to be a mess of emotions and sometimes a little chaotic. she executed it very well.

i hope by the time her next album is out, people will stop comparing her to like every single artist out there. some reviewers seem determined to pigeonhole her and compare her to every female artist under the sun, which feels like an absolute disservice to me. she is influenced by many different people and they comes out in her music, as it does any artist’s because everybody has their inspirations, but her sound is VERY much her own. as someone who has liked her for years, i can absolutely feel her essence in each song and nobody else’s.

a 10/10 album and such an amazing, promising debut<3