#because yeah pete is the one who broke away from the narrative when vegas was ready to accept his doom
Explore tagged Tumblr posts
Text
#i too am feeling insane over 'after their prescribed roles lose their sway' #never over narrative-doomed vegas and his death scene and its inevitability #and how distracting and upsetting it was for the show to go on w/o him - but i couldn't claim it wasn't narratively true #what was most unfair is that pete gave up everything and then lost him anyway #post-credits: haha nah there was nothing inevitable about that #the curtain has closed #this is pete's story now #he's not going to lose his hard-won happy ending #vegas is just a man #there's no such thing as being narratively doomed when you're just a man #a young man. a despicably mutually in love young man. at that :)
via @vegaseatsass because these tags are (as always) perfect. <3
I will never be normal about this scene taking place after the end credits.
Because here we are, literally after the end of the story. And here is the comedic sidekick occasional-mentor, having survived his self-sacrifice for the hero at the end of Act II, having been torn open and loved in the dark, having emerged to realize that he can no longer be a blank moldable surface in his own life.
And here is the villain, having lost too early, having been cradled and seen and afforded grace, having emerged to realize that he cannot be the heartless evil he was made to be, having fought and failed and lived rather than died at the victors' hands.
After the story has been told, Pete is not a background character in service to someone else’s story. He is, in this place, the most important person.
After the curtain falls, Vegas is not a villain—and he is not lost, is not abandoned as comeuppance for his terrible flaws. He is a young man thoroughly, despicably, mutually in love.
Because after the finale has played out, after all the chess pieces have been tidied away until the next game, after the credits roll—the narrative roles Vegas and Pete were prescribed lose their sway. And they hold each other in the aftermath.
#like yes this exactly!#���cause up ‘til the safehouse Vegas and Pete both played their narrative roles *magnificently*#i mean look at vegas in front of that mirror that man is villaining so good#see pete being mr. funny-man good advice? guy knows he’s the sidekick#and then suddenly they’re in this timeless unworldly *other* place#alone together. forgotten by the plot#and suddenly their interiority is revealed#and suddenly there is recognition. and suddenly there is want. and suddenly there is love.#and afterwards they both try to return to their roles but they can’t!#they are not what they were before!#and vegas lowers his gun to pete. and pete quits. and pete is *hungry.*#because yeah pete is the one who broke away from the narrative when vegas was ready to accept his doom#so the curtain closes#and then pete comes and he *opens* it again#and the sunlight streams through#kinnporsche#vegaspete
901 notes
·
View notes