#because we live in a sexist misogynistic society and as any other social space fandom is going to present those social biases as well

[carlyraejepsans]

ppl already terribly misinterpret sans do you want him to have the morally grey female character treatment too

i don't give a crap can you imagine the glados level cat 5 lesbian event the "dead where you stand" scene alone would cause? the trope subversion of the worn-down, nihilistic bar sleaze male character archetype that he represents? soriel yuri? does anyone fucking care about soriel yuri???

[rametarin]

And further thoughts about the yaoi paddles.

If you’re under 20, and just now learning that fandom seniors in their late 20s, 30s, 40s, even low 50s, used to run around slapping eachother on the ass with yaoi paddles in anime and comic conventions after anime became a household media staple, you probably have.. questions.

You’re probably thinking, “Wow!! It was really lawless and anarchistic back then, wasn’t it! They never heard about personal space or sexual harassment laws! SOCIETY must have been SO different, back then!”

NO. I cannot stress enough, the Yaoi Paddle phenomenon was borne PURELY because the demographic MOST LIKELY to protest and be wet blankets about everything fun and sexual and admittedly VERY SKETCHY sometimes in fiction, and ALWAYS bad in reality.. turned off and said virtually nothing. Wokesters that’d protest about the environment and sexual assault against women would take off their Problem Glasses by night and act like paddling was harmless, contextually acceptable behavior.

Yaoi Paddle shit appeared because something absolutely magical happened in scifi and fantasy fandoms. It survived purely because boys didn’t complain, or their complaints were not taken seriously. I promise you, I assure you, if you grew up in the late 80s, your night time TV was INUNDATED with heavy handed messages about how sexual harassment (always male-on-woman flavored) was wrong, even proxy or indirect violence to women (tossing rubber gloves in their lap) was wrong, and to never, ever, ever do that thing or they’d rub your nose in it and consider you mentally diseased until the day you died.

Fandom was always niche, with sci-fi and fantasy stuff being off in its own little corner. Conventions, before the internet was king, was one of few places where more rural, disparate suburban and city-definition isolated geeks, nerds and dreamers could get together and just cut loose. Comic books, novels, video games. All that GOOD shit. But if you knew a girl in the 80s and 90s, you knew a girl that knew a girl that was getting them to be less tolerant and “more conscious and aware” (80s and 90s parlance for Woke) and when that happened, a new persona was created. A new bunch of dialogue options, created.

Suddenly they didn’t say stuff like, “Ew. Why is this character dressed like a SLUT? Typical male writers. Like we’d ever draw ourselves in this or put ourselves in this.” Because that’d be a personal, subjective opinion. Instead, the option to say, “It’s endemic in our western culture that male chauvinist authors and writers in a patriarchal system exploit femininity in media and reproduce misogynistic culture.”

And so assured this was true by mob mentality AND the idea that learned, educated, acredited and tenured academics had this opinion, they were scientists, and so they were right, permeated. Suddenly girl-fans had outlets to have justified apprehension for everything they saw and didn’t like or, if they actually liked it, STILL interpreted it through their lenses to be on, “the right side of history.”

It made fandom miserable and a sausage fest for a while, if only out of fear of driving away female friends. You couldn’t share that shit unless you knew, beyond a shadow of a doubt, that your female peers and friends wouldn’t disregard you like a “typical misogynistic western male” for enjoying that stuff.

Sentiments and peer pressure thoughts emerged. Like, “The comic industry is hostile and cruel to women that try and enter it, and they exploit the image of women for cheap dollars.” So they simply weren’t interested in comics- mostly- unless the comics were written by women and sold with that virtue in mind. In which case, you had boys glowingly mentioning just how much they liked this authentically written adventure by this female comic author. Isn’t that just so special? Not like those horrid anti-woman cigar smoking old man stories, right?

There was always something to nag and get vitriolic about with the media. That’s part of why the Whedon brand of feminist writing got so popular in the 90s. it was low hanging fruit of peppy “sassy” girl characters doing girly things. They weren’t like “other” girls written in comics and cartoons. They were actually girly. Not idealized infantalized children, like those horrible white men write, you know.

Well. Things were looking really bleak for the forseeable future. Lots of boys just felt like comics and cartoons were lost to girls that weren’t specifically into them, and that meant more sausage fest conventions or hobbies, and signing off hope on those things being respected and accepted on the merits of what they are and were. The girls had embraced serials-filed-off radfem rhetoric and lenses, sometimes without even knowing the origins of where those truisms like the Male Gaze even came from, just assuming it was true and indisputable. And it complimented their insecurities, so they’d embrace that shit until they couldn’t anymore.

And then.. something absolutely miraculous and amazing happened that blindsided this whole vitriolic culture.

Anime.

And amazingly, every complaint that a lot of nerdy girls had about the very much sanitized, policed and made PG writing and characterization of characters in western comics and cartoons, just... fucking up and vanished. Seemingly within a fucking YEAR, the entire social culture of Problem Finders, finding everything wrong about these stories, the characters, the writer and the company that produced them being misogynistic male chauvinism, dried up. Those voices quieted, or were shut out of the groups.

Media from Japan was some of the most infantilizing, sexist, tittelating shit compared to mainstream American comics and cartoons and video games, and girls fluttered to it like flies to shit. We had Buffy basically subverting boogymen that a bunch of girls had been taught were still relevant after the 1950s by fighting crime in melee combat with men, and winning, while wearing jogging pants and cracking sassy, like Lola Bunny being a “tough girl.”

Japan had doe eyed, waif bodied ballet dancers that basically farted iridescent glitter, hearts and all the symbols and shapes of the Lucky Charms, riding unicorns and fighting evil in cute outfits. Being childish and not at all mature or professional to show how womanly and competent they were, basically being overgrown 11 year old girls fresh off the playground swing set.

And the fangirls loved it. Those nagging voices that would speak up and remind them about misogynistic, male chauvinistic “societies” and culture? Just.. they fucking VANISHED from the mind for AN ENTIRE GENERATION. I’m not exaggerating. Tolerance and fun and innocence was back again. The problem-glasses felt too ostracized and alienated, or didn’t even want to wear them anymore for personal reasons, and the Radfem Baby Wokes just seemed to grow out of that collective hysteria and pretend it never happened and never existed.

That’s why the very EXISTENCE of Yaoi Paddles at conventions was just so fucking bizarre to those of us that lived up to that point. After, “Stay in your own personal space, boy. DON’T even TOUCH a GIRL unless she VERBALLY AND PUBLICLY CONSENTS or it’s proof you’re just living up to this misogynistic, objectifying society’s evil history!” was drilled into us, day on the playground by day on the playground, by women with axes to grind and good-boy sycophants performing sharing those sentiments for brownie points, it was so fucking surreal to IMAGINE girls just running around sexually assaulting and physically assaulting random strangers because they thought they looked like cute, gay men.

It wasn’t that they didn’t know any better beforehand, it’s that they COMPLETELY put those sentiments away and up and decided, as girls, it was okay to violate male autonomy because they weren’t women, and “it’s okay to paddle a yaoi boy ^.^!” With NO self-awareness whatsoever.

The very fact it existed is testament to how attention starved boys were for girls approving gaze and playful interaction, that they’d tolerate some pocky fingered little cow stranger smacking them on the ass with a plank of wood because it was a socially acceptable way to just interact with girls in their lonely assed fandom and interest. It was an acceptable way to meet girls and positively interact. That’s the degrading bullshit boys said virtually nothing about at the hayday of yaoi paddles, purely to be welcoming to girls in anime and hentai approving spaces.

WE GREW UP hearing and watching horror stories and boogymen stories about true crime and sitcoms and crime shows about evil evil men violating the personal space of women for lewd and lecherous reasons. We had it drilled into our heads that the tolerance for boys and men doing that was negatives, and the general sentiment was men caught doing that (to women, or children of any sex) were effectively free game for any violence you personally felt like unloading on them, confident that in such outraged rape and sexual assault hating times, juries would excuse that passion as a defense.

So if you look back on the era of Yaoi Paddles and think. “WOW. That must be like driving cars before they invented seat belts and cough medicine before they invented the drug safety and scheduling legal system!”.. NO.

It was not like the 50s-70s, where many of the rules hadn’t been written yet so it was anarchy and chaos. Yaoi Paddles existed almost PURELY because girls HAD no rules if they didn’t want to respect them. The Yaoi Paddle phenomenon flew in direct opposition to how interactions were supposed to go, and ABSOLUTELY NO ONE would tolerate the reverse; no cis straight man could walk around randomly smacking women on the ass with a plank of even foam in pantomime, or ‘floating hand’ pretending to be a perverted character. The double standard was GLARING. The Double Standard was a fucking bugbear that had grown from a tiny screaming goblin and was now hanging upside down from the ceiling, roaring.

But because it was GIRLS inflicting it on BOYS, absolutely no party cared enough to raise a stink about it. The Radfems kept their mouths shut, because boys were the recipients. The Radfem Sympathizers really wanted to spank boys, so suddenly they couldn’t find their problem glasses and instead put on their neko ears. The boys were either stoic and amused by it or really wanted to be seen as cool and not buzzkills, so they tolerated to reveled in it.

Many times when you hear about things that happened either when you were a child just too young to really personally experience a thing, or before you were born, we’re quick to assume it’s a medieval place and the people were so uncultured as to have never pondered the social problems of spanking one another on the ass unprovoked. Violation of personal space, personal sovereignty- all that. That was NOT okay at the time. It happened because fujoshi decided it was okay and nobody argued with them to not do hat, or they were told to stop and did it anyway.

And as I’ve laid it out, that is the most bizarre and surreal element to the whole thing. They DID know better, but felt it didn’t apply to THEM because they were girls, and a girl slapping a boy on the ass “as a joke” didn’t mean anything- because it wasn’t happening TO them, FROM a man.

And irony of ironies, it was NEVER okay, EVER, throughout that entire era, for the reverse to be a thing. It was very specifically and exclusively not. As a man if you ran around slapping cute looking girls with the Yuri Paddle, you goin’ to either juvy hall, or prison, boi. Both sexes knew it. And yet, yaoi paddles STILL became a thing.

[septembersghost]

"A little too old to be this successful"??? What the fuck does that mean? Who is supposed to be successful then, since when is it reserved for youth? Hell

it's a disgustingly outdated, ageist, and highly misogynistic take, and the particularly insidious thing is the author was using her own anxieties and worries about this against her. "she's a little too old to be this successful and she knows it."

in 2019, Swift was sure she was approaching the cliff of her success. “We do exist in this society where women in entertainment are discarded in an elephant graveyard by the time they’re 35,” she said in the documentary Miss Americana. “As I'm reaching 30, I’m like, I want to work really hard while society is still tolerating me being successful.”

By the time she made that pronouncement, however, society’s tolerance for Swift had already started to wear thin.

[...] Or maybe Swift was just past her prime and adrift in a fractured pop culture landscape.

(it briefly mentions some of her peers and their ~dwindling success~ too, to try and legitimize their point.) the age they're citing as her being "past her prime"? twenty-nine.

they're completely ignoring WHY she said that, why it's been a reoccurring fear of hers, why she's been targeted by the media and unfairly vilified by sections of society who have never actually listened to her words or paid attention to her actions and have only ever bought into the sexist narrative spun against her, why she's been writing about becoming irrelevant and discarded since she was TWENTY-TWO (and, honestly, even before that), and why it isn't simply a reflection of Taylor herself, but of society's disdain (and often repulsion) for women once they hit any age above thirty at most. which gives women, MAYBE, twelve years to be seen as worth anything. eighteen (when one can be considered "legal," a distinction wrapped up in issues itself, as if that delineation automatically should bring certain metrics) to, perhaps, thirty. after that, you're done, washed up, a has-been, have nothing worthwhile left to say, no art in you, nor much else of value. it's gross and unreasonable, and so reductive of human experience because NO ONE stops growing, learning, blossoming after their twenties (we hope!). this idea that women are only desirable or intelligent or creative or passionate for a teeny tiny window of their young lives is absurd and so, so damaging.

it reminds me of the attitude we're seeing way too often in fandom - "ew, you're in your [anything after mid-twenties] and STILL in fandom, still on tumblr? gross! get off the internet, old person!" (btw, grandparents can be extremely cool, and the kids perpetuating the idea that you should evaporate the moment you turn thirty, OR that anyone over 25ish is somehow predatory when they're participating in harmless/creative spaces is awful).

Taylor vulnerably addressed her worries and the unfairness of that "elephant graveyard," and rather than celebrating her proving it wrong - not only for herself, but for other artists, other women - they're leaning into it, going "lol she's right, she's definitely too old to be having this success! watching it happen is super WEIRD right?!" it's an appalling social construct and we're past the point where it should be interrogated and torn down!

success is not only for youth. self-discovery, love, imagination are not finite resources that we lose forever as we age, and it hurts me that anyone believes that, or that that standard is still being peddled to younger people, adding to anxiety and crushing hope for what they might have the chance to discover and create on their paths of life.

[rochellespen]

Watching Doctor Who Season 37 (Series 11), Episode One

I’ve been reluctant to talk about the newest season of Doctor Who publicly, despite being a fan for years, having run a Doctor Who blog at one time and now slowly integrating that fandom onto the main blog I use these days. It’s not because there was a point where I stopped being a fan, even though my interest isn’t always at its peak. No, it boils down to another reason.

I am one of those fans who was wary/skeptical about having a female Doctor.

This isn’t the most popular fandom opinion out there and to some extent, I can understand why. Far too many “fans” (and I use that term with reluctance) used the announcement of Jodie Whittaker’s casting to spew all sorts of horrible, sexist (if not downright misogynist) opinions along with expressing disdain for “progressive” people/ideas in general. It was an ugly display of the worst in fandom politics.

Sadly, these people seemed to become the “face” of fans who weren’t enthusiastic about a female Doctor and hey, who wants to be associated with jerks like that? I certainly didn’t. And I certainly didn’t feel like having to explain my own reasoning over and over again at best or at worst dealing with drama and arguments just because I have this view. 

So, I just...avoided the new season and any fandom things related to it. Didn’t watch the episodes. Didn’t check out one iota about the new season on social media. Didn’t read any issues of Doctor Who Magazine that could give away potential spoilers or details about the newest season. I remained blissfully unaware of the most current episodes of Doctor Who Heck, I didn’t even know the names of the new companions or any of the episodes. It wasn’t easy, but looking back on it, I’m glad I made that choice.

However.....

I still consider myself a Doctor Who fan. Having a female Doctor, while not my ideal choice, wasn’t going to invalidate all the years I spent watching both Classic and New Who, all the hours I listened to Big Finish audios or all the time spent reading comics/published spinoff novels and fic. Also, this isn’t the first time I haven’t agreed with a casting or story choice, although if there’s one constant to Doctor Who it’s that it’s always changing. 

So I’m always aware that, if you totally love something on the show or don’t care for it at all, it doesn’t really matter. Because it won’t be forever anyway. 

Although that said, none of my concern for this new season was due to the casting of Whittaker in particular mainly because I haven’t seen her in anything and can’t really comment on her abilities as an actress. That’s actually the same boat I was in for just about every other Doctor before I saw them on the series (with the exception of Patrick Troughton who I had seen in a couple of movies before seeing him as the Doctor). 

No, my concerns were totally focused on how the change to a female Doctor would be handled by the writers and directors of the show. It seemed like something that could become cringey and regrettable so easily if handled badly.

Still, I knew deep down that I would eventually want to watch the newest season anyway. However, I surprised myself when I realized all the ways I kept putting it off and I kept wondering why I was so reluctant to finally watch the new season.

Eventually, I think I understood why: because the reasons why I never wanted this development were still nagging at me. Would a female Doctor be treated more like a gimmick the same way the concept had been in EU media for years? Would we get vaguely sexist and/or transphobic jokes about how she had been a man before and “hurr hurr, she do lady things now”? Would the show start to head in a direction I dreaded, such as making it more about soapy romance drama rather than friends having adventures in time and space?

Putting aside my own fandom preferences isn’t always easy, but today I finally decided to say “heck with it” and take the plunge. 

This post is the first of a series where I’m going to reflect on my first impressions each episode of the season as I watch it and see if and how my opinions about these changes evolves.

So let’s get started with....

The Woman Who Fell To Earth (nice Bowie reference, by the way....)

Spoilers aplenty under this cut....

Episode thoughts

If you’re going to start a new era of Doctor who, you’re probably best off starting it with a story with plenty of action and emotional intensity. 

On that count, this opening episode fulfills this mission well. It starts out nicely by giving the audience a mini-mystery about these aliens and their intentions that unfolds at the same time that it does for the main characters. It only seems a little disjointed at first, but in classic Doctor Who style, the pieces come together quickly and even manage to give us a surprise or two at the end, such as how the Doctor can still maneuver things around to her advantage without us even realizing it. I even liked the framing device of Ryan talking about this amazing woman she knew and the twist that it wasn’t the Doctor....

Although....I honestly just knew that Grace was going to die long before the episode ended. The foreshadowing was just a bit thick although, I can forgive it though, because it’s still less heavy handed than I’ve seen elsewhere.

The pacing was great too, giving us the right mix of peril and action and quieter moments where we get to know these new companions and they, in turn, are getting to know this new Doctor (once again, in tandem with the audience which I like).

If I had one complaint, it’s that the alien threat was a bit too pat. A Predator-type villain that we’ve all seen before and didn’t really have anything new to offer here. Maybe if we had learned more about his race and society it would have come off more interesting. As it is...he’s the blue guy who hunts those “inferior races” and who also has his teeth fetish.....

I almost had a complaint about the episode continuing on after the resolution of the main story, but after thinking some more about it...no, I actually like that they took the extra time to show us more of these people’s lives and who the Doctor has become. It’s too easy to stick to the “fix problem and then *boom* goodbye” way of ending a Doctor Who episode, so kudos for taking a break from that format.

And I really was not expecting that sort of ending for the episode. So I guess we’re back to the Doctor accidentally kidnapping people then. XD And that was a solid cliffhanger at the end. I just hope they actually take the time to give it a satisfying resolution. 

Character thoughts

This is where I think the true meat of the episode was and rightly so as it’s a whole new TARDIS team.

I like these new companions. I like that they aren’t complete strangers to each other while also probably having huge gaps in how well they truly know each other. I also like that this is going to be a diverse set of people who have differences in age, gender, ethnicity and life experiences. 

What I also like is that these feel like actual people rather than ideas. Graham clearly is skeptical and critical, but also has good ideas and wants to help out. Ryan has a huge chip on his shoulder, but keeps on trying. Yasmin seems to get frustrated when things fly out of her control, but she adapts quickly to new situations. 

In other words, we’re given glimpses into how these people are flawed and yet good potential companions for a new Doctor trying to find herself.

And speaking of a new Doctor....

I really had no idea what to expect with Whittaker’s take on the role and thus, I knew whatever I got would be a surprise. My only hope was that it wouldn’t be something that would make me roll my eyes. Thankfully, the former turned out to be true and the latter turned out to be something I didn’t need to worry about.

With every new Doctor I watched while going through the series, there was this sort of “waiting” during their first episode/storyline. A holding period while I looked for a moment where the latest Doctor went from “ok, this is different” to “ok, this is the Doctor” for me. That scene where they just clicked into the role and made that incarnation their own.

That moment came for me while she was tinkering about trying to explain what regeneration was like. Some Doctors are more blase about it than others, but here, I think we got a look at Thirteen’s mindset with the honest, earnest way she talked about it....with the fun moment of eccentric levity at the end. 

It is different as far as the energy and personality....and yet, I was so comforted by how Doctor-y it felt to me. That and the moment where she managed to make a sonic screwdriver out of stuff she found around a guy’s shop space....

By the end of it, I was finally able to let go of the tense feeling of worrying if this would work out to being intrigued with what Thirteen would do next. I was even laughing (in that friendly way you do with characters you like) at the quirks that she appears to be cultivating for this incarnation. 

The Last Word

Overall, a solid, intriguing way to start this season. The writers have some interesting characters to work with and it looks like they are going to have the episodes have some connection to each other. Both of which have plenty of promise depending on how they are handled. 

Most of all though, I am happy to say that I’m looking forward to seeing more. And that is the outcome I was dearly hoping for.