#because this is a family shop at its core

[aliveaudiencegang]

percy becoming a marine biologist is lame. boring. cliche. whatever

percy opening his very own blue candy shop is inspired. amazing. divine. op has no idea how owning and managing a shop works so she can be delusional enough to be sure percy would be great at it

(also imagine him bringing some candy home to his kids like his mom did for him)

[with-my-calamitous-love]

WHAT IF I TOLD YOU NONE OF IT WAS ACCIDENTAL?

dazai x reader

the first night dazai saw you, he knew nothing would stop him.

for his birthday!

inspired by mastermind

osamu dazai, for all his life, had not felt the warm bliss of love. he did not have a mothers arms to lay in, or a fathers protection to shield him. he didn't have the privilege of a second family through friends, or even the comfort of loving himself. osamu dazai was not given love, not even for a moment, so he taught himself how to gain it. he was only cryptic and machiavellian because he cared, more than he wanted to admit.

so the moment he saw you, he felt a desire stronger than ever. you wouldn't require just a simple trick or a con- no, you deserved more. he laid out the groundwork, equations in his a mind a labyrinth of desperation only you could suffice.

osamu dazai wanted you.

and he knew how to get you.

honestly, who could blame him?

dazai was a master of people. he knows how to play people like puppets to get what he wants. none of it was accidental when it came to you. the coincidental run-ins at your favorite coffee shop that was at least a 30 minute cab ride for him. the times you conveniently forgot your umbrella when you swore you packed it, and dazai just happening to be passing by on your walk home. even the time you had just been dumped by your ex-boyfriend over the phone, and dazai just happened to show up at your doorstep just checking in.

maybe you should have noticed how fabricated it was at first. but you didn’t. dazai wanted you. and he made you want him.

dazai made you want every part of him. his silky hair his deep brown eyes, his honeyed voice and his suave way of walking. he made you want all of him, the good and the bad, his charm and his want for death, his desire to be good and the deep dark past of who he once was. dazai played love like a puppet show. whenever you laid on his chest, snuggled into his warmth, or when your lips were hopelessly pressed against his, dazai knew he had you. he knew he made you want him.

whether you find out or not isn't a concern to the brunette. you love him unconditionally anyway- you're his belladonna, his love, his everything. when he kisses you, the planets and stars align as if all of the pain in his life had led him here. the empty core in his heart aches at the thought of being eased, as if afraid of being happy. but your touch melts it away. you see that he is so touch starved, so deprived of love that he just had to assess the equation of you. he did this for as much for you as he did for him, knowing that he could live through even just one more day if it meant he could love you.

he needs your fingers to intertwine with his the way a chess player needs the queen. he needs your warmth like the largest gear needs the smallest gear in a machine. he needs your reassurance like the way water needs oxygen. because osamu dazai understands a lot of things well- chess, machinery, chemical compositions, and the way you love him. he knows its a need. he knows he needs your love not like his inner child wanted candy, he knows he needs your love the way the flower needs the sun.

his eyes stir awake, sunlight filtering through the curtains of your bedroom. his skin tickles, his cheek being peppered by your kisses. a smile tugs at his lips as he stretches his arms over his head and then around you, greeting you with a "good morning" in the deepest morning voice you have ever heard. dazai was usually light sleeper, but with you he could truly rest and escape into the sheets with you.

"happy birthday, 'samu." you hum, tracing your fingers down his abdomen. every contour of his bandaged yet muscled chest screamed at you to love him with everything in you. you would kiss every inch of him- starting from his hair to the very depths of his soul if you could.

"hm?" he quips, coffee eyes slightly widening.

you chuckle. "its june 19th."

"oh."

in all honesty, his birthday is the last thing on his mind, especially when you're in front of him. you are so, so, fucking beautiful he isn’t even sure you’re real. not just beautiful in your absolutely angelic complexion, but you're beautiful simply when you're you. when you're on top of him, the new sunlight on the earth dancing on your skin. lips bruised from the night's fleeting passion, hair messy and soul absolutely smothered in him. you drove him crazy, and he'd gladly lose his mind for you.

"thank you, bella." he hums, lazily draping an arm over you, as if there was anyway he could possibly pull you closer. dazai would find a way if it meant loving you harder. never, in a million years, did he think his partner would drag him out of bed and to the living room. he rubs his eyes, finding the agency standing in your apartment, an excited atsushi and a begrudging but willing kunikida, surrounding a cake for him. he never thought it would turn out like this, this good. he's stunned for a moment- a rare emotion for the young prodigy. was... this also apart of his plan?

maybe not. but as he kissed you and whispered a passionate "thank you" into your ear, he decides that this wasn't planned- it was luck. and he loved it. funny how sometimes you just find things.

[st4rfckerz]

car troubles | james kelly x reader

word count: 2.6k

warnings: MDNI 18+, unprotected sex, breeding, praise, age gap, pet names (baby, sweetheart, pretty girl etc), very brief dry humping, a lottt of banter, mention of masturbation, cockwarming (?), afab reader

summary: your neighbor james kelly fixes your car for you while you're home alone.

a/n: i lowkey don't like this fic 😭 but it's probably not as bad as i think it is, BUT hopefully you guys enjoy it more than me :)

it was a blessing and a curse for owning an old car. it was a curse since issues flared up so frequently, but it was also a blessing because it prompted your neighbor, james kelly, to fix it for free.

james was hunched over your car's hood, with a number of tools arranged next to him.

"i doubt this'll take long at all. you just have a dead battery, and maybe a few other mishaps but other than that your car is fine." james explains.

"sounds great. thanks again for fixing my car." you give him a friendly smile. james quickly returns the smile, followed by a small laugh.

"of course, you can always count on me for these kinds of things."

"noted." I fiddle with my fingers nervously before turning away.

"i'll just be inside so just come get me if you need anything."

"alright, will do"

he gives a small nod as he watches you disappear inside. his attention turns back to the vehicle.

ever since your family moved into your home when you were 15 years old, you'd always had a small crush on james. but after you entered college and spent so much time away from home, he had aimlessly plagued your thoughts.

you didn't mean for it to happen, but he just always managed to be the only person you'd think about when you're in bed by yourself. thinking about his tall frame, his long, slender fingers, and the way his arms would shine with sweat from fixing cars all day long always sent a flash of heat through your body.

some time passes and you hear a faint knocking at your back window, followed by the door creaking open just a tad.

"hey, she should be good to go now." he spoke to you as you sit at your kitchen island.

"that was quick, usually the shop takes like, 2 hours. i'm impressed." you chuckle. james gives you a smile and a shrug.

"no need to flatter me sweetheart, I've been doin' this forever."

a shortly lived tinge of arousal goes straight to your core after hearing the sudden petname. it always surprises you when he calls you something other than your name because he rarely ever does.

"if you want you could stay and rest for a little while." you had articulated the plan earlier that day of keeping him in your home while your parents were out, just to see where it would go.

"You wouldn't mind?" james' tired, weary expression lit up and he seemed more hopeful than he had in a while.

"I wouldn't be intruding on anything?" he nervously asked.

"not at all, it's just me here anyways. my dad's at work," you explain, flashing him an innocent smile.

"there's fresh lemonade in the fridge, and if you'd like you can use the shower, i know how hot it is outside."

james cleared his throat and looked over towards you.

"that'd be really nice, actually."

you didn't think it would be so easy to have such a smart man like james fall into your trap, but somehow it worked perfectly. he was in your house, and was about to use your shower. the only thing that was on your mind was simply how much of a genius you are.

"the bathroom's right upstairs, here i'll take you," he follows you upstairs and you lead him to the bathroom.

"there's the shower, soap, shampoo all that stuff." you explain as james stands awkwardly beside you.

"sounds good, thank you i really appreciate it." his voice sounds sincere and soft.

"its no problem really, take as long as you need, i'll just be in my room." you walk out the door before closing it behind you. soon, you hear the sounds of water running from the showerhead.

eventually, you hear the bathroom door open and a small cloud of steam escaping the doorway.

james spots you laying on your bed wearing tiny blue shorts, and a small white tee.

his mouth suddenly goes dry and millions of thoughts begin to swarm around in his mind.

how could you just lay there and look so perfect?

james has been a nervous wreck ever since he arrived at your house. he knew it was wrong to be so attracted to you because of the obvious age gap, but he just couldn't help himself.

he's seen you in so many ways, so many times; outside in the pool wearing nothing but a bikini, laying in the grass wearing your skimpy shorts and tank top casually trying to get a tan, he's even watched you change your clothes right in front of your bedroom window.

he always saved those mental images of you so he could fuck his fist later on.

james clears his throat and looks over at you, standing awkwardly at your doorway.

"oh hey." you smile. james glances over your room and notices your college flag plastered on your wall.

"college huh?" he points at the flag and begins walking towards your bed.

"yeah, I'm almost done actually." you reply sitting up and swinging your legs across the side of your bed.

"how much longer do you have?" he crosses his arms and leans against the wall.

"about 6 months? i'm so ready for it to be over," you sigh heavily.

"did you go to college?" you ask him.

"trade school." james nods

"i figured, you don't seem like you were the frat boy type." you joke.

james' face lights up in amusement as he laughs a little walking over to you. he decides to take a seat right next to you on your bed

"yeah... no. definitely not the frat boy type. never saw the appeal in them."

"me neither they can be obnoxious, can't stand them." you explain. an awkward silence stills before you both.

he looks at you, the corner of his mouth curling slightly in anticipation.

"you must have boyfriends back at college, don't you?" his slight change in tone and lift in confidence makes you a little nervous.

"oh no, i-i don't, college guys aren't really my...thing." you stutter. your gaze lingers on james, drinking his presence in.

his hair, still wet from the shower, glistened in the sunlight coming through the window. you could drool on the spot at the sight of his broad shoulders, muscles barely peeking out of from under his gray t-shirt.

"then what is your 'thing'." james shifts his body to face you more.

you shrug and shake your head.

"i don't know, i guess i just always went for older guys." you confess. you knew it was slightly obvious what you were suggesting but it was now or never.

a sly smirk appears on james' face before speaking again.

"really?"

"always have." you look down at your legs quickly. the way james was staring at made you feel like you were on fire.

"do you like anyone in particular?" james was itching at some kind of answer that could miraculously allude to himself.

"that's confidential." you try to avoid looking at him so he doesn't see the obvious blush spread across your cheeks.

"right, right." james had a small grin on his face as you revealed the answer.

he was almost giddy with joy. he knew what he wanted to hear, but he never expected you still had feelings for him.

"it's dumb, i know," a wave of embarrassment rushes through your body and you immediately regret admitting something so elementary.

"i'm sorry if it bothers you i don't-" james cuts you off

"it doesn't bother me."

"it doesn't?" james shakes his head and smiles slightly.

"no, does it bother you?"

"no." he begins leaning towards you slowly and your brain shuts down completely.

james was close enough to feel your breath as you spoke. his face was a few inches away from yours, and he was looking straight into your eyes.

there was a long pause for a moment. It was as if james thought you were gonna do something.

his voice was a little quiet as he spoke his next words.

"good."

james finally closes the gap between you and presses his lips softly against yours.

a tingle went up his spine as your lips came into contact with his. he had never anticipated this, but it felt different. it felt right.

his hand reached to touch your face and he pulled you in closer slowly, your bodies connecting more and more as he leaned into you.

the kiss deepens and a small whimper erupts in your throat.

james noticed the noise you made and smiles against your lips. his big hands grab your thighs and pulls you onto his lap.

he gently pulled you closer to his body again, his arm wrapped around your waist, and his other arm reached to caress your body as both of your lips touched.

james' lips connect to your neck, nipping at the skin along your jawline.

you moan slightly and subconsciously rut your hips against his.

he let out a groan as he gently broke the embrace to look at you.

"needy girl." he teases.

james grabs your hips and moves them harder against his center. he began kissing your neck as you rested in the position he held you in.

you feel his hand suddenly slip into your underwear.

"oh, sweetheart," james breathes out. he could feel how wet and needy you were for him

a pathetic whine escapes your lips as his finger draws antagonizingly slow circles around your clit.

"james please, i need you." the words that escaped your lips sent a jolt of electricity through his body.

he kept kissing your neck, his hand slither up your shirt, caressing and pinching at your nipples.

your words sent him over the edge and he let out a soft groan.

you needed so much more than his single finger. you mindlessly began to toy with the waistband of his pants, itching to just rip them off of him completely.

james was more than ready to let your hands do there work, as he lifted up his hips slightly.

"can i take these off?" james asks you softly, he begins pushing your shorts down your thighs.

you nod your head quickly and discard your shorts along with your shirt leaving you only in your underwear.

james' eyes shoot straight down to your chest.

"so perfect for me," he coos as he quickly latches his mouth onto one of your nipples, soon leaving little purple bruises on them. your eyes squeeze shut as you feel his tongue flicking against the bud.

the sound of a belt hitting the ground makes you jump slightly.

"i can't wait any longer." james mutters against your lips before pressing his mouth against yours.

his fast hands move your underwear to the side.

the feeling of his cock finally entering your dripping hole made your head fall onto his shoulder and a long breathy moan fall from your lips.

you can feel james' body shudders under you.

"oh, fuck," james waits a few seconds before finally thrusting upwards, moving your hips to meet his simultaneously.

the sound of yours and james' moans followed by the slight slapping of skin filled the air of your bedroom.

"you feel so good baby, so good for me."

if james kept speaking to you in that velvety tone you were sure that you were gonna cum a lot quicker than expected.

your mind was completely empty, not a single thought popped into your brain.

that was soon interrupted by the sound of your cellphone.

"it's my dad." you tell james urgently but he continues to litter your neck with small kisses and bites.

"answer it."

you stare at him blankly, the annoying ringtone still erupting from your phone.

your fingers hesitate for a moment before accepting the call and pressing your phone up to your ear.

"hey dad." you try to stiffle a moan as james begins thrusting up into you again.

it was so difficult trying to contain your moans while still trying to have a conversation with your dad.

"yeah, james came over mm-" your hand flies to your mouth.

you could feel james smirk against your neck as he continues to thrust into you at a faster pace.

"no-sorry, it was a cough."

he was relentless with his hunger for you, and didn't want to keep it at bay.

"be quiet baby, we don't need daddy hearing how good i'm making you feel hm?"

his voice was suddenly filled with a deep and lustful tone, but you loved it.

james heard the talking from your phone but it didn't distract him, it only sent a tinge of excitement in his heart.

he let his hands to roam all over your body, causing goosebumps to spread all over your body.

"he did a great job, the car...the car should be ok now."

your dad just kept talking. completely oblivious to what was happening on the other side of the phone.

james grins widely and let out a quiet moan, feeling your pussy squeeze around him.

his lips left your neck and he let his head lean back on the headboard. he didn't even stop his advances as he heard your dad talking. he just enjoyed seeing you try your hardest to stay quiet as he abused your cunt.

your dad finally says his goodbyes after asking a million questions regarding james' visit and you have never felt so relieved.

"that was a close one." james chuckled.

you let out an exasperated laugh, still not able to fully function. especially now that his fingers begin rubbing furiously at your clit, causing you to moan louder and buck your hips harder against his.

"j-james..." your body was shaking uncontrollably. that familiar not began to form in your stomach and fiery heat began to spread through your legs.

"you gonna cum for me pretty girl?" he taunts.

your face contorts in pleasure as you try to muster up any words that come to mind.

"m'so close-"

"i know baby i know, me too." the grip he has on your thighs grows firmer and his nails begin to dig harshly into your skin.

"come on sweetheart, give it to me." james thrusts harder into you, swiftly hitting your sweet spot everytime.

your walls clench around his cock as you cum, earning a loud, throaty groan from james. his warm seed coats your insides, leaving you feeling full and absolutely satisfied.

"there you go," james coaxes you through your orgasm.

james felt your sweat covered body collapse onto his and he kissed your forehead softly.

he kept his arms wrapped around your back, holding you close to him.

"are you okay?" was the first thing that came out of his mouth after a moment.

"mhm, m'ok" you flash james a tired smile.

he slowly opened his eyes as well and kissed your forehead. he let out another sigh as his arms were still wrapped around you.

then he spoke again, his voice filled with curiosity.

"so...what did your dad want to talk about?" he asked softly, still laying back on the bed with you on top of him.

"he was just asking if you had already come over and everything," you let out a snort.

"i definitely came." you look up at james to see a cocky smile across his face.

"stop," you giggle and slap his arm playfully.

"he also mentioned that he would be staying an extra hour at work."

james' demeanor shifted once you told him the good news of your dad staying longer at work.

"good," james leaned forward and kissed you again, grabbing your hand and pulled you down to the bed.

his hands slowly traveled down to your thighs, and he caressed it slightly before pulling your legs apart and situating himself in between them.

"because i'm not done with you yet."

[lunarw0rks]

sweet thing | part one

˖⁺‧₊˚ read it on ao3 | masterlist | ask box | next part

price takes a liking to his neighbor. vulnerable, expecting, and in need of his helping hand. it's a good thing he always wanted a family.

john price x pregnant!reader (based on this idea of mine.)

warning(s): MDNI (18+); NOT EDITED, price is touch starved and kinda pathetic, pregnancy, angst/depression, alcoholism, fluff, fem!reader [wc: 1.3k]

Involuntary stress leave, they called it.

But for John, it was just short of decay. Sedentary, bitter—restless. Stuck at home while there's still a fight to be fought, men who need guidance. His men.

Before the stress does him in, he figures boredom will close in on him first, and it would be less merciful than any bullet or blade. Chores are a necessity, and hobbies are nothing more than a temporary soothe to his aches.

Every morning, irony wakes him up cold. Takes its pound of flesh. The world he devoted his adult life to fighting for, has nothing in it for him.

(Stiff fingers, heaving chest, bile in his throat, tremors marring his nervous system.)

It's hours before he can shake the feeling, so he compromises by rising at ungodly hours and fulfilling a rigid routine—still a trained soldier to his core. And by nightfall, he nurses a bottle until he's warm again, ready for the reset at dawn.

As they gaze out the window, his eyes search for purpose. Two fingers parting the blinds. Something, anything, please. But nothing. The sharp sting of cheap booze rushes past his teeth, and he's ready to retreat.

He winces through the taste before he's at attention again. The rumble of an engine cut short right next door. He angles himself to catch a clear view of the person. Instinct yells for him to be vigilant, but the sight in front of him snuffs the bellow.

The flow of a slip dress in the breeze, sticky strands of hair pulled back, glowing skin, a nurturing hand resting on the bump that shows through the fabric.

You look anything but thrilled while you wrangle your bags and fight the wind gusts, and you're well aware of it.

All John sees is bloom. Purpose. Duty.

Before he can gather all his wits, he's closed the front door behind him, his spilled bottle dribbling along the end table. It's not so much your beauty that drives him; he isn't a superficial man and can't afford to be.

A living, breathing person is what quickens his stride. Someone to talk to. Someone to touch and study. As of late, the only people near have been on the other side of the TV screen, fueled by dramatics and in character.

You find yourself stuck in your headspace again, mentally listing all the tasks that await you inside your house. Chores, mostly, some grocery shopping—and loads more of that endless baby planning. Relaxation wasn't an option and you're actively learning to accept that. Although, it's admittedly difficult to feel any other way when you've got another human to consider now.

John clears his throat. "Let me take tha' for you, darling."

He waits until you meet his stare to extend a hand, fingers grazing the flimsy straps of your shopping bags. You freeze, soaking in the sight of him.

"Hm?" Your brows knit together, and it's only then that you catch up with him.

"Your bags."

The man has already taken them before the words finish rolling off his tongue, but he stays in place.

A soft chuckle comes out of you to crack open the sheet of embarrassment. "Sorry, I'm a little out of it today."

Pregnancy brain, you want to blame it on. But deep down you know it's because kindness is a new taste nowadays.

Most are courteous and accommodating, making way for you. Others look at you like dirt on their shoes. Fatigue draining your features doesn't help, and neither does the absence of a wedding band. Early on, you were naive enough to believe society had moved beyond the stigma. Wrong, more wrong, and a fool is all you are nowadays, even if only in your head.

Exhausted, not out of it, he analyses, and his heart aches.

"It's alright." His voice is smooth as nectar, leaving goosebumps on your skin that you'll chalk up to the wind. "Shouldn't be carrying all this by yourself, anyhow."

You fight the urge to scoff and instead lead the way to the front porch.

He's right. You shouldn’t be doing any of this alone.

Turning the key, you step inside and let the words spill. “Yeah, I, uh— I didn’t have anyone to call.”

Price should be more shocked by your words, but he isn’t. He is really, and truly, desensitized to all the misfortune around him. And it’s not any different with you. His eyes—conditioned to spot every minute detail of a person—took milliseconds to notice your left hand.

Feel her out. Find out more.

“That so?” He questions softly but doesn’t give you a chance to respond. You’ve painted the whole picture and more.

His words are full of every sensibility possible. “That’s a shame.” Pity. Empathy. Grief. Outrage. All except condescension; none of this is your fault, he can sense it.

You expect admonition.

Leading a stranger inside is bad enough, and walking the fine line between small talk and oversharing is worse.

But you can’t bring yourself to taste it. Outside of some coworkers and your mother, this is your first taste of organic interaction, and it’s been overwhelmingly amicable so far. Not something you can take lightly; loneliness is prevalent.

You let out a tired sigh, letting the silent gesture speak for itself. What else can you say? He's already got you pegged after spending all but two minutes with you. Makes you wonder how you haven't noticed him sooner, though you remember his driveway is usually vacant and the blinds are always closed.

By now, it's obvious that if he had ill intentions, he would've acted on them by now. The silence isn't thick or stiff—it's refreshing, oddly enough.

When his mouth upturns, the crow's feet around his eyes are made visible. They've witnessed things, awful things, no doubt. But he's also got a world of wisdom in them.

This is the part where you find a farewell, something moderately polite so you don't feel awful for kicking him out. (Not your fault you need to rest your feet. At least you get the sense that he'll understand.)

In search for the words, you place a hand on your stomach, "well, it was kind of you to bring that in, uh—"

"—John." He interjects.

Out of habit, you form a clumsy smile and ache to get the proper words out. "It was very kind of you, John. Thank you."

Without any further direction, he's able to pick up on your hints for him to make his exit. The bar is so low these days, it's almost shocking. Shuffling to follow him to the front door, your hand seizes the knob.

There's a lot left unsaid, despite meeting your handsome neighbor only a short time ago. The voice inside urges you to keep it short. Send him off, get out of his hair. He was just being nice.

"I should thank you again," you blurt, almost abruptly. Price turns on his heels with little surprise, a leer written on his thin lips. "Next time, I'll take another trip to carry the bags."

"No next time, love." A purr and a new nickname.

Too smitten to even notice the ruffle of some paper when he reaches a hand in his pocket. Even stole the pen off your entry table (a.k.a the junk-pile-of-mail-table) and you were none the wiser. Dated, the way he scribbles on the crumbled receipt and hands it to you between his index and middle.

Heat rises up your neck and to your face when you inch closer to retrieve the number, somehow finding it within yourself to not break eye contact. John's gaze stays genuine, despite the puff of his chest and the way he breathes your scent in shamelessly.

Albeit frazzled—you weren't born yesterday; he's attractive and extremely luring and you're single and hormonal. Wouldn't take much for something to happen.

And if not, you know you'll have fond daydreams, at the very least.

"You ever need anything, give me a call. 'M good for more than bag carrying."

[spacebaby1]

I see that you have your requests on and I'm not sure if you've done this already, but what do you think about lovesick!Satoru?

I'm thinking of student Satoru from season 2, when he's a lot free-er in his expressions and all that. I feel like he'd be the cutest in love😌

I loved writing this. I hope you enjoy it!

"Y/n-San!" Satoru threw his hands in the air when he saw you as you were walking down the roadside after your shopping break. A huge smile found its way to your lips when you saw Satoru. "Gojo-senpai!" You waved back. He motioned for you to stop, and he'll come to you. You nodded, waiting as he crossed the road and smiled. "What are you doing here? Are you shopping?" He saw your bags that were stacked on your arms, you chuckled, smiling at him. A smile that made his heart scream for you. You've joined the jujutsu high only few months ago when you were sent by your non-sorcerers family because of your ability to see a curse and fight them away; still you weren't used to any of this however Satoru made it his own personal mission to make you feel welcomed and from the moment you smiled at him, he knew that he felt something for you and it made him giddy whenever he was around you. Unlike other you didn't mind his cheerful self when he was with you on the other side, you did enjoy it, he liked that he made you laugh; gosh he loved the way you laughed and how you'd hold onto his arm as you laughed. Or how you'd cheerfully share the new video games you found at the store. He loved how you'd wave at him whenever you'd see him when you're walking with someone that's not him. Being a year above you, he often asks to join you in your mission because it scares him to his core that you might get hurt during one of your missions since it did happened once; you came back with a huge cut on your leg. He gasped, rushing towards you when he saw you getting out of the car and immediately lifted you off the ground, lecturing you about how you shouldn’t walk when you're hurt like that. You wrapped your arms around his neck, still smiling at him, "I'm just fine, Gojo-senpai." He loved the way you smiled at him and called him senpai, but how he wished you'd calling him by his name, he couldn't stop himself from daydreaming you calling him, "Satoru!" With that smile.

"Yes! I went shopping for a bit and got carried away with a lot." You laughed, showing him the bags. He lowered to your forehead level, his hands wrapped on his back, with a smile he spoke, "How about we go one more round of shopping? My treat?" You blinked, shocked but giggled, holding on his arm, "No! I can't let you pay for me but we should go around that new mall there, can we? I heard they have a new cafe that's recently opened." He smiled down at you, taking your bags from you, "Let's go." As you two walked and he couldn't stop looking at you as you spoke about something he wasn't paying attention to when you looked up at him and stopped, "what? why are you staring? is there something on my face?" You rubbed your cheeks with your hand trying to find the reason why he was looking and Satoru held your wrist moving it away from your face placing a kiss on your cheek that caused your breathing to caught in your throat with eyes wide as he stood levelled with your eyes with his signature smile, he removed his glasses, "you're very pretty, you know that?" He chuckled when you tilted your head a faint blush clear on your cheek where he kissed you. He took your hand in his. "There's a reason why I kissed you, do you wanna know why? You can slap me as a no when I ask you," he sighed, "will you be my girlfriend? I promise to be the bes-"

"YES" you said a bit to quickly and felt the embarrassment rushing to you, covering you red face with your hands right after you heard Satoru laugh and try to remove your hand which you let him, "Are you laughing at me?" You asked, unable to look at him. He chuckled, making you look at him. "Yeah, I am. What are you going to do about it? Girlfriend." You covered your face again, earning another laugh from him as he wrapped you in his arm, "You're too adorable when you blush, let me look at me, excited girlfriend." You tried to him the giggling, "STOP! Gojo-senpai." He successfully removed your hands, holding them to your side, and looked at you, "Call me by my name, please?" You blushed hard, "please?" He begged with a pout. You almost whispered his name, he asked you again since he couldn't hear it the first time, "Satoru-san-" He didn't let you finish the name and kissed you with excitement. The kiss was so sudden but so soft. He let go, and the look of shock on your face made his smile drop, "I-Oh- I'm so sor-"

"Kiss me again, please." You moved closer to him, holding on to the end of his uniform jacket. He gave you another soft kiss, you smiled between the kisses, "Again?" He asked, and you nodded, chuckling he kissed you again and again, earning a giggle from you. "You're laughing at my kisses?huh?" He tried to tickle you, and you jumped laughing, but he caught you, "Okay, okay. I'll stop now. Let's get out of here." He wrapped his arm around your waist, and you hugged him, "Let's go, Satoru." He giggled, "I love the way you call my name."

From then on, it wasn't easy to separate you and Satoru at all. You two were always together. He needed your hands intertwined together all the time whenever you two were together. Even if you were just sitting at the bench, he needed to hold your hand. His favourite part of the day was when you'd leave the classes and come running in his arms when you saw him waiting for you after the class. He loved the way you'd lay on his chest at your dorm room while he'd read a book. At first, you'd be focused, but his soft voice lulled you to sleep immediately. He looked down to find your cheek pressed on his chest as you snored softly, a giddy smile on his face as he placed the book away and softly moved you both to side so he was holding you close to his chest and sighed, "you make me wanna scream in love." Usually, people around him roll their eyes when he over shows he's excitement however not you, whenever he'd show up outside your dorm with a huge flower bouquet you'd laugh and jump happily as he shows his giddy face behind the huge bouquet, "Satoru! Oh my God, this is so pretty. What are you doing here? It's 4 in the morning." You took the flowers laughing as you jumped into his arms still in your pajamas, not worrying if you'll wake anyone up. He just laughs, hugging you up, "Oh, my beautiful darling baby girl. Don't you ever stop being this excited whenever you see me, please." Whenever you'd have a bad mission that leaves you tired, you know that Satoru is waiting for you on the school gate waiting to pamper you with his energy and love. You walked to gates of jujutsu high at midnight, tired, exhausted, and your uniform covered in the curses blood and dirt when you're suddenly picked up in an embrace. You sighed in comfort when you realised it was your boyfriend, "Hey, my pretty girl. Oh, are you tired? Let's get you comfortable, shall we?" You nodded, resting your head on his shoulder, “thank you for making today a little less depressing, Satoru-san.” he hugged you tight, "Anything for my beautiful girl." Other times when you'd get mad because of something related to the higher ups lecturing you for something isn't your fault, you'll probably try to avoid everyone and just cry. However, Satoru is the exception. You'd text him that you're out of his class and if he can come out to hold you because you feel like crying, tears forming in your eyes as you sent the text and immediately Satoru rushed out of the class within seconds. "Oh, my sweetheart. What's wrong?" He whispered as you rushed to hug him, "shhh, I'm here I'm here. I got you, my beautiful girl." He'd gently soothes your hair as you tightly wrapped your arms around him crying. "Let's get you out of here? Okay, baby?" You nodded. He'd waste no time to get you laughing again within minutes as you sat in between his legs on the grass near the river, "now I need you to always smile and laugh like that, pinkey promise?" You nodded, intertwined your pinkey with his, and he kissed them, "my beautiful darling!" He wrapped you in his arm, earning a giggle out of you.

[angelwood-if]

DEMO (EDITING)

Genres and tropes: urban fantasy, romance, found family, enemies to lovers, exes to lovers, friends to lovers, murder mystery, action

LUNAR CITY: a gritty but bustling city where supernaturals and humans live in (relative) harmony. Humans live alongside Fae, witches and warlocks, vampires, and so many more. It's normal. It's your normal.

When your father died, he left you with one thing: his antiquities/pawn shop. Decades upon decades of collecting and trading bits and bobs from all types of supernatural histories sit right here in Angelwood Antiquities, a staple of Lunar City and the shop you have now inherited.

It was his life's work, and you've done everything in your power to keep it running.

But when someone comes in bloodied and begging for you to take hold of a magical object, you don't know what you're agreeing to. You definitely don't expect him to die at your feet, telling you to take good care of...them.

Them?

Turns out the object is no object at all, but an ancient being that could be the key to stopping a multi-species war that's been brewing right under your nose..and your father may have had something to do with it. And when that being chooses and bonds to you--giving you its power--you are now thrust headfirst into the world of supernatural. The same world you've managed to avoid.

Entangled with a cast of characters who will help you save the world, you are now both human and supernatural, a rare feat. And the most important person in the city. And it will be up to you to save it.

Angelwood is an urban-fantasy inspired by stories by Sarah J. Maass, Cassandra Clare, and Holly Black. It is primarily centered around romance, with a fantasy, murder mystery, and war brewing at its core. The demo is already written and undergoing editing.

FEATURES.

Customize your MC's gender identity, pronouns, appearance, personality.

Navigate a gritty city of supernaturals.

Embark on an adventure to find out what war is brewing in supernatural circles and how to stop it.

Romance a multitude of supernatural and human characters, including a Fae, a Greenwarden, and an entity bonded to you.

Angelwood is a primarily romance and character-driven.

Play in a gritty, supernatural world where not everything is what it seems.

CAST [ROs]

IVAN CROSS (M)(FAE) - Ivan is the cold and distant Detective of the LCPD. He is also a powerful Fae, with a menacing reputation that makes most people scared to cross him. Ivan is not exactly a team player and he seems insistent on railroading this tentative partnership you didn't even want to have with him, but he's also the only one who can make sense of whats happening to you. Seems like you're stuck with him.

It doesn't help that you two aren't on the best of terms considering he closed your father's case without much effort.

FREYA (F)(GREENWARDEN) -- Ivan's second-in-command and your other partner that forms this...odd trio. You expected Greenwardens--powerful sprites that manipulate all things nature--to be smooth talking and caring. Wrong. Freya is snarky and punchy, and determined to get her mission done. Maybe it's because she's half human. Who knows.

DOMINION (DOM)(UNKNOWN) - Dom is the smooth-talking entity that is now in your head and giving you their powers. You...don't really know what to say. They sure are a flirt, at least.

KALEL/KALIS (M/F) (VAMPIRE) - K, once your old friend (and possible ex partner) is now insistent on joining your group considering they seem to have a stake in this too. (pun non intended)

SELINA (F)(SERPENT/HUMAN HYBRID) - Selina the Serpent is the owner of the biggest gambling den in the red light district, and also someone you don't want to cross. Over the years, she's traded with you on all sorts of things people leave behind in exchange for information...and now she wants to join in one the group. Having her around would really help, considering she has eyes everywhere.

QUINN (F/M)(HUMAN) - your best friend and the one you hired for Angelwood. And a human, which seems to be rare these days.

[drefear]

Hail to the King

Chapter 2: It All Comes Back to You

Summary: Miguel O’Hara is the head of the biggest mafia family in Nueva York, scaring almost all of its citizens. Except you. And that’s exactly what he needs. 

Tw: masturbating (male) hints of trauma and past abusive relationship, drinking, a lil more of possessive and creepy Miguel. 

AN: I have to say I feel like some of this might be kinda shitty because it was a bit rushed, but I also hate slow paced plots, so I guess I can’t help it. Hope you like it!

You.

The world was blurry as your eyes lost focus for a bit. Nothing seemed real. You thought you might wake up and everything would be normal again. No crazy mob bosses, no blow jobs in the office, no scheduled sex, none of it.

Who the fuck was this guy?

His life was so far from any type of common man’s that you were almost impressed. Fine pressed designer suits, women on their knees during his lunch break, meetings about hard drugs. For a building so beautifully kept and full of charming people, it sure was a mystery. Was everyone just sleeping with different people throughout the day? Were they also snorting lines off of the bathroom counter or cooking meth in the kitchen? What other dirty deeds were done in this place?

Lyla knocked on your door, saying something about setting up your new phone and calendar.

“And the blue events in the calendar are strictly private for Miguel.” She added, to which you saw that- yep. That meeting was blue. You mentally slapped yourself in the face and listened to the rest of what she had to say.

“Ok, that should be it. Your new phone is set up, and it also has the company card connected to it already, so you don’t need a physical card. Miguel set me a message about your shopping spree later, but I raised the budget he gave you to an extra ten thousand. Just in case ya really need something that might cross that line. And whatever you get, I do the paperwork so I’ll just write it up as an investment, like our donations to charity.” She shrugged and turned, blowing you a little kiss as she exited the room.

Your mind assaulted your conscious thoughts once she was gone, remembering how he looked only thirty minutes ago. Head back in ecstasy, eyes never wavering from yours as he orgasmed and slammed up into that girl's throat. You shivered from the memories and stood up abruptly, needing to move around before the warmth in your core spread and created any type of physical arousal.

Your phone buzzed, seeing Miguel’s name light up the screen. Unlocking your phone, only the words ‘Come to my office now.’ showed up and your feet began to move towards your door when you stopped.

A million thoughts danced behind your eyes and you smirked, tired of him already.

‘No.’ is all you answered before exiting your office and shutting the door loudly behind you so he knew you’d be gone. You confidently walked to the elevator and tossed your hair over your shoulder. He wanted your unfiltered thoughts? Well then, he had no idea what he signed up for.

Standing in the elevator, you saw him walk out of his office as well and make eye contact with you, making you flash back to what you’d seen earlier.

In seconds, you realized something as you stood ten feet away now. He knew you wouldn’t know about the color coded schedule. He planned that little power play. He was showing his dominance, like a dog peeing on his territory. A show of who was in charge and what you were to him. A plaything.

This split second of awareness made you even more confident in your defiance, as you saw him begin to close in on the elevator. The doors began to close and you smiled, waving to him right before they shut.

The ride to the lobby was serene, like the calm after the storm. Your day had been intense to say the least. A lot of arguing, thinking, absorbing, and borderline sexual assault on your eyes. But it wasn’t a bad day. In fact, this all gave you a thrill you didn’t know you needed.

Once on the ground floor, you walked outside and waved to a taxi, getting in once one stopped. Scrolling over the list you were given by Lyla, you stopped at one stare in particular.

“Take me to Hermès.” And you were gone.

Standing in the dressing room, the whole world felt like a scene from Pretty Woman. You twirled in tight, business dresses that you thought they only wore in movies about billionaires with red rooms. The color of your favorite so far was a lightweight white dress, but it seemed a bit much for the office, so you tucked it away and decided if you needed a sexy dress for an event, you’d pull it out.

You’d decided to go on a shopping spree on Fifth Avenue, where you’d been fired the previous day, and eat lunch right where this all had begun.

Sitting at a table, you requested Peter kindly and he made his way over in an instant. “I am so sorry, it was completely out of my control! I didn’t-“ he apologized and you just shook your head.

“It’s ok. I understand now. How about you get me a white wine and we call it water under the bridge?” You requested and he nodded, fetching it with hast. It was a great meal and once you were done, you gave Peter and Gwen both a hug.

“You know, since you technically got a huge promotion, we should celebrate! Go out tonight, get some drinks?” Gwen asked and you quickly agreed. A few drinks sounds exactly like what you needed.

Now beyond overstimulated, you made your way home with around thirty thousand dollars worth of clothing.

And when you saw a moving truck outside of your complex, you remembered that you were indeed moving.

Hours of tossing shit in boxes and taping them closed, you were packed and in the moving van on your way to your new apartment. You were still reeling with this whole world and how quickly things had spun into a web of insanity.

Leaning your head back against the side of the van, the adrenaline was starting to wear off and the reality began to sink in.

Arriving at your new place, the large men brought in the big pieces of furniture you decided to keep, which was really just your couch, bed, and coffee table. Everything else was unneeded and ugly anyway. You tried to help as much as possible, but quickly opted for carrying in boxes and garbage bags you’d packed in a rush. It was over just as quickly as it started and soon, you were sitting on your floor cross legged and staring at the boxes, then glanced at the shopping bags that were full of expensive dresses and clothing. That sounded like a lot more fun than unpacking your old sweats and knickknacks.

Pulling everything out and placing it on hangers, your eyes glanced at a specific outfit you’d chosen that’d be perfect to celebrate with Gwen tonight. Pulling on a white halter dress, you enjoyed the little bits of side boob and the way the thigh had a slit that showed more skin. The light fabric made it comfortable and easy to move in, and with a quick pair of strappy heels with sparkling rhinestones all over from Jimmy Choo, you grabbed your new Louis Vuitton purse and smiled. Maybe this job would be so terrible.

Texting Gwen, you also decided to invite Lyla and Jess. Lyla agreed to come out, whereas Jess said she didn’t have a sitter for the boys and would come out once her husband got home from work. A girls night was exactly what you needed, and everything about the feeling of hopping on the train and getting eyes from a few good looking men made you hum with pride. Ignoring all of the bullshit from the past two days, you liked Gwen a lot and she’s become someone you trusted even only knowing her for about a week. She had an authenticity about her that made you feel like she was honest and brave.

Lyla also made you laugh with how she always had something to say back. Her fun loving attitude was one you almost felt jealous of, how she seemed so relaxed. Jessica had a bad ass vibe to her, like everything she did could be documented and made into a comic or story. Like some sort of legend in the making.

You wanted to be like them in so many ways, you’d have to start taking notes and learning how they seemed to be so damn cool.

Stepping off the train and hurrying towards the club Gwen suggested, you couldn’t help but smile. You’re first time clubbing in Nueva York! It was so exciting, seeing people waiting outside of the club in a long line like in movies you’d seen. Waving to Gwen, who was already on line, you caught up with her. Her outfit fit her so well, a black shirt leather jacket over a dark silver mini dress with black tights with rips in them and black platform boots with chains down the sides. She looked like a rockstar, and that wasn’t too far from the truth. She smiled wide and grabbed your hand.

“This is going to be so much fun!” She added and you couldn’t agree more. Suddenly, you felt a hand grab yours from behind and saw a familiar pair of heart shaped glasses.

“Lyla!” Gwen cheered before you even turned around fully, all hugging together. “It’s been so long since I’ve seen you, how’s Mr. Grumpy pants?” The blonde asked and Lyla just rolled her eyes.

“Cranky as usual, but he comes in handy for some things. Follow me.” She pulled you both out of the line and to the front where many people were giving you all dirty looks. A security guard only took a second to look at Lyla and moved the ropes for her and you to come in, not even bothering to check your ids. You looked at Gwen in surprise and she just nodded, as if telling you to keep your cool.

The club was packed beyond belief, and a girl in a bodysuit and fishnets let you to a large booth-table with velvet black couches and a large bottle of champagne on the table. “Who did this?”

“I may have called ahead and three around Miguel’s name.” Lyla shrugged, grabbing a flute of champagne and filling it with the bubbly alcohol. She handed you each one more and tilted her glass to inspire a toast. “To our new recruit in the Spider society!” She cheersed and you blushed at the attention, Gwen whooping and hollering.  The thrum of the heavy bass and heat from the moving bodies made you almost lightheaded, enjoying the free feeling from the liquid in your cup. Another bottle was brought out once Jess arrived and the four of you swayed a bit to the beat, to which you grabbed Gwen’s hand and attempted to pull her to the dance floor. Lyla followed with Jess and you all moved, swaying your hips to the rap playing in the dim lights. The flash of Lyla’s phone camera made you cover your face a little, still smiling and not stopping your dance, swiveling in a seductive motion and feeling the heat between your legs begin to rise from the feeling of the eyes around you watching. Jess nudged you and pointed to a man at the bar, a bit taller and thin in a dress shirt. You made eye contact with the man and the temperature of your chest rose once more. You made your way over to where he was, raising a hand at the bartender as you ordered a drink. He leaned over and spoke.

“On my tab.” His voice was low, eyes catching yours once more and making you feel very aware of your surroundings. A blush creeped onto your face and you tucked a stray hair behind your ear. “I’m Harry.” He introduced himself and you returned the favor,  shaking his hand gently. Big Sean pumped around you both as you talked for what felt like an hour, light conversation giving you a feeling similar to a high. It had been a while since you’d enjoyed speaking to someone like this, chemistry and familiarity.

“Is that you?” You heard someone speak from behind you and call your name, turning to face the last person you thought would be in front of you.

“Eddie?” You gasped, fear coursing through the previously hot blood in your veins, cold as ice now from this familiar face. “How did you-”

“I heard you moved here a few weeks ago and came to visit. Nothing like a friendly face, right?” You searched around for your female friends in vain, finding no one you even recognized. He slipped his hand into yours, frozen with horror as he squeezed, something you knew was actually a warning. “How about we find somewhere to talk?”

“Actually, I’m with my coworkers, now is a bad time.” You tried to remove your hand from his and felt him unrelenting, his grip tightening. “Please, not here.” You begged, pleading with him and knowing you’d get nowhere.

“There you are!” Jess’s voice rang through as she pushed through the crowd, Lyla and Gwen behind her. “We’re about to get another bottle- who’s this?” She raised a brow questioningly at Eddie, who stepped closer with a small smile.

“I’m Eddie, nice to meet you,” He shook her hand and her eyes glanced to yours, hopefully seeing the feeling of terror you were trying to show her.

“Right,” Jess pulled you closer to her and slipped her arm into yours, “well, sorry to burst your bubble, but we’re having a girls only night, so she’ll have to talk to you another time.” Jess secured her hand around your arm and smiled, knowing exactly what you needed. Behind you, Lyla had signaled security and had them coming closer, but a voice made everyone stop moving instantly.

“Actually, I think it’s time we all go.” A deep voice said from your right and you looked up to see your boss.

“How-“ Gwen asked but was quickly cut off by the glare Miguel sent her.

“I saw the videos Lyla posted and came to celebrate as well.” From his body language, that definitely was not his true intentions, but you were left in the dark as Jess and Lyla looked extremely nervous, like they’d just got caught doing something very bad.

Gwen leg the way out as Jess and Lyla followed, to which you began to walk forward with them, but a hand grabbed your wrist once more and you came face to face with Harry, who’d been caught in the crossfire of your drama.

“When will I see you again?” He begged slightly, a small smile on his lips until Miguel stood in between you two and sneered at him a bit.

“Get your hands off my employee.” His voice was dangerous, a presence only a lion would challenge. Without letting anyone interject, he dragged you out through the crowd and into the street lights. A hoard of men in black clothing stood outside with the girls, seemingly waiting for you and Miguel. You all climbed into a black SUV where all of the seats faced each other and both Jess and Lyla hung their heads, Gwen holding your hand in concern.

“What the hell was that, Lyla?!” His voice was loud, accusatory. “Are you trying to start a fight?”

“Of course not, I just wanted to-“

“I don’t even want to hear it. And you, Jess? You should know better than anyone what that could have led to!” His tone made you coward backwards a bit, Jess unwavering in her confidence.

“Who do you think you’re speaking to like that? Lyla and I were with her and Gwen, we were perfectly safe.” She defended and Lyla nodded, Gwen looking up just as confused as you.

“What are you guys talking about?” You asked quietly and as if he just noticed you were there, his eyes were cautious. Everything was silent for a moment before he sighed and pinched the bridge of his nose in frustration.

“That nightclub is owned by another mob in Nueva, a smaller one, but it would still be a problem if anything else had happened. They would think I sent spies to their club.” He added the end as an example. You looked down as Gwen rubbed your shoulder from worry.

“I’m taking you all to a different club, one that won’t cause any unnecessary issues-“

“Actually…” you started and but your lip before continuing. “I think I just want to go home. I’m too tired to stay out.” You didn’t dare look up at anyone else, eyes trained on your shinny shoes that you were so excited about a few hours ago. How did everything keep happening so fast?

The car stopped outside of your building and you got out, followed by Miguel. He tapped the top of the car and the rest of the girls were sent home. You both walked in and onto the elevator.

“I don’t need an escort-“

“This is also my building.” He interrupted you and you finally looked up at him, watching as his eyes stayed focused on the buttons of the elevator. He tapped your floor and then the top floor. Of course he had the penthouse.

You stayed soundless, the exhaustion finally hitting you and making you drag your feet. The doors opened and you glanced at him before just walking out.

“By the way.” He spoke before you could walk too far, turning to look into his eyes for the first time that night. “Next time my office door is shut, remember to knock.” The metal doors closed and the memory of him fucking into that woman’s throat was then fresh on your mind.

Miguel’s head fell back against the metal. Lyla had posted those videos of you dancing on her account and he’d seen them when she started not answering his messages, then watching how you moved your body in that adorable white  dress. And the way it moved up your thighs while you danced-

Miguel opened his eyes as the ding of the elevator sounded that he’d reached his penthouse. Walking into his dining room, he shed himself from the suit jacket and began unbuttoning his shirt, stretching his shoulders and tossing the shirt into a hamper close to his closet. Unbuckling his belt, Miguel let out a breath of relief as he adjusted himself to be more comfortable. Sitting down on his bed, he reached for his laptop and settled under the covers. Scrolling through a few documents, he pulled up his background search of you. Your photo popped up with some of your social media. Pictures from the beach, a few from birthdays, and some family photos, you seemed completely normal.

But something was off.

Miguel knew he was intimidating, it was part of his stature that made his job a little easier. You weren’t afraid of him, you kept your ground and fought back to him.

But tonight, you had fear in your eyes when you saw that guy. What was his name again? Adam? Who knows, but he saw that slight hesitation and anxiety in you that he didn’t recognize. You were scared of that guy.

He thought back to earlier in the day when he’d saw you as he was getting his normal de-stressing from one of the girls in the lower levels, something many women around him volunteered for. She’s come up and offered sex, but he just needed a mouth to fuck.

And then you walked in with that plain outfit and sensible shoes, holding your tablet like you’d been in a rush. And he couldn’t look away. You should have been the one wrapped around his dick, he wanted to hear you gagging on him as he thrusted upwards and grunted. He wanted to cum inside your mouth, not someone random woman’s from marketing. He wanted you.

Unknowingly, his hand had traveled to his boxers and he’d begun rubbing himself to the thought of you.

All he could imagine was you mouthing off to him, and him bending you over the kitchen counter in his apartment, holding one arm behind your back as the other moved to grasp anything within reach as he took you from behind. Miguel rolled his eyes back at the thought of your warm hole welcoming him as he licked two fingers of his free hand and rubbed circles on your clit until you were practically pushing him away from the intensity of your orgasm. But no, he wouldn’t let you get away that easily, he wanted to feel it around him, so he would angle his hips a little more upward, hitting that soft spot that made you arch your back into him more and let out broken moans.

As if on cue, white ropes of his own mess hit his chest and he looked down in surprise, having forgotten what his hand had been doing. He sighed and got up to rinse himself off with a softening cock and an empty mind. The single thing on his brain when he tossed and turned in his sleep that night?

You.

Gwen’s outfit

Your outfit

Prologue Chapter 1 Chapter 3

[deep-sea-scholar]

Okay I need to rant about Glass Onion for several paragraphs

WARNING: SPOILERS!

Glass onion is phenomenal, and I personally enjoyed its themes more than the first Knives Out movie.

Now don’t get me wrong, Knives Out is arguably the better film, but its strengths lie in the complexity and brilliant execution of its core mystery.  It’s a fantastic self-contained story about a shitty rich family and the people they directly affect.  The members of the family range across the political spectrum and all express different ideologies, but the moment a migrant working-class woman has a legitimized shot at their inheritance they band together to prevent her from improving her life.  It's interesting commentary on how wealthy people can talk a big game about helping others and being good people, but ultimately fall morally short when such actions threaten what they feel they “rightfully deserve.” But that's arguably the limitation of the film as its focus is entirely on the interpersonal conflict between the Thrombey family and Marta.

Glass onion isn’t limited by that.

The entire thematic core of Glass Onion concerns the damage that the rich and powerful can do to the world if they aren’t supervised, criticized, or limited. 

Aside from our lovely detective Benoit Blanc, the murdered Andi Brand, and her twin sister Helen, all of the characters are shitty people that are damaging the world in a uniquely horrible way as a direct consequence of the unchecked power and wealth they wield.

To start we have Governor Claire Dubella.  Her success in her political career has relied almost entirely on monetary support and influence from the films big bad and Elon Musk/Jeff Bezos analogue Miles Bron. Her platform has good objectives, and she’s passionate about hard topics like climate change, but her ability to act is entirely limited by the influence Miles has on her.  If Miles wants her to do something, she feels like she has no choice but to, which results in her greenlighting an experimental powerplant that Miles wants built to advocate for his new fuel source.  It’s untested technology, it’s volatile and dangerous as fuck, and Claire feels like she has no choice but to go along with it because if she doesn’t Miles will withdraw support from her career, or worse, support her opponents.  She likens it to selling her soul, and it really is.  She willingly undermined the health of her constituents for the sake of saving her career, and the shitty part is that Miles only controls her because she lets him.  She could deny the power plant, or leave Miles, at any time, but she doesn’t because she perceives the personal risk as to great.  She is a politician that won’t stand up for the people she represents, and no one calls her out on it.

Next, we have Duke Cody, the Alpha male men’s rights streamer who is just like, the absolute worst person in this film.  His views and opinions are incredibly toxic, his actions and beliefs directly hurt the people he influences through the hurtful products he promotes, and thanks to Mile's wealth and influence both he and his terrible, terrible, terrible opinions have official backing and some form of legitimacy.  He’s almost the direct inverse of Claire, being someone who really shouldn’t have support, but is getting it anyway because he’s Mile’s friend.  And because Miles doesn’t care and is giving Duke support and helping him dodge legal trouble, he enables Dukes terrible opinions and lets them influence and hurt people.  

Then we have Birdie, my personal favorite of the disruptors.  She is a fashion designer, media star, and breathtakingly, beautifully, stupid. She’s not actively malicious like some of the other characters, but she is just so fundamentally incapable of thinking things through. When paired with her wealth and influence, this results in horrifying real-world consequences.  She has her iconic fashion line of sweatpants made at the most infamous sweatshop in Bangladesh not because she doesn’t care, but because she thought a sweatshop is just a shop where you make sweatpants.  She’s just very stupid, but at the very least has the decency to be aware of it.  She even decides to own up to her Bangladesh mistake of her own volition, independent of the plot.  The problem is that no one corrected for her, or guided her, or worked to influence her decisions.  Miles just cared about what her brands could do for him and was perfectly willing to throw her under the bus to preserve his image.

Last of the four Disruptors is Lionel Toussaint.  Not much to say about him actually, he’s fairly straightforward.  He works directly under Miles as a scientist and is a parallel for the people that want to have confidence in tech ‘pioneers’ like Elon Musk.  After all they’ve been successful, and things have worked out in the past, surely, we can give them leeway with new technology development.  But there’s a reason why technology is prototyped and tested, and that’s because things always go wrong, and you need to take time and care to figure out how to ensure new technology is safe.

Which leads us to this asshole.

Miles goddamn Mona Lisa Burning Bron.

The absolute, motherfucking, shithead moron directly responsible for everything bad that happens in this film.

I lied about Duke Cody because this absolute buffoon is the actually the worst person in this film.

He manipulates politicians into endangering their constituents for his own gain, he enables the absolute worst and most toxic people by giving them legitimate platforms, he promotes influencers without caring for what their unchecked actions result in, and he deludes the people that work for him and want to believe in him with self-assured delusion.  This man is arrogant, an indiscribable moron (worse than Birdie because at least she acknowledges her failings), dangerously delusional, obsessed with control, and most damning of all, unchecked.

Miles Bron is a direct look at how too much unchecked power, wealth, and influence results in unmitigated disasters.  He doesn’t care about helping people, because he doesn’t take the time to make sure untested technology is safe for the public, handwaving legitimate concerns with denial and false assurance.  He doesn’t care about his friends, because he murders two of them the instant, they become a threat to his control.  He’s not smart, because all of his genius is the result of other people, he’s just skilled at advertising it as his own to get the credit.  All he cares about is doing what he wants and being in control, because his opinion and self-worth and legacy is more precious to him than any other thing in the world.  The man is a lie so absolute, so convoluted, and so stupidly straightforward that the slightest piece of truth will bring the facade of his existence crumbling down.  And it’s hard to acknowledge something like that in the real world because someone that successful being that malicious and dumb sounds incredibly stupid.  It’s an easy lie to buy because it’s more believable than how stupid the truth is.

Anyway, ultimately my conclusion is that we see a strikingly accurate portrayal of Jeff Bezos and Elon Musk in this film, and it was very cathartic seeing their hopes, ambitions, and house burn down around them.  Because billionaires like them are shithead morons that lie to and manipulate everyone, and their arrogant and harmful self-delusions compound through the people they manage to influence.

Thanks for coming to my Ted Talk.

[stemmmm]

Close to a year and four rewrites later, I present to you...

Stem's Thoughts on the Game Design of Harvest Moon on SNES

I’m not going to lie, if you don’t like farming sims, you won’t like this one. At their core, every farming sim (at least in the rpg genre) is nearly identical, and that’s because of this game. In a way, I might dare to say that Harvest Moon for the SNES is the perfect farming sim because it has every one of the usual elements in their most simplified form and it just works straight from the get-go. It works so well in fact, that after this game came out in 1996, four more entries to the series were released before the year 2000.

If you are someone who does like farming sims, I can’t recommend this game enough. It’s simple and to the point, with a fast pace and enough random events and points of intrigue that the game kept me relatively engaged for my whole playthrough.

Also, by nature of this being the first game and therefore hard to cover concisely and by nature of taking so long to write this... it's long as hell! Enjoy! :) <3

I can’t say my appreciation of this game doesn’t come with a few caveats. I’ve intermittently played HM games all my life, starting with the GameBoy port (GB1) all the way to Pioneers of Olive Town, so while I don’t know exactly how the series has evolved, I’ve seen it at some of its earliest and at its latest. My vague childhood memories of GB1 (a game I didn’t own and didn’t play much of) were that it was pretty sparse and bland, so knowing that this original game was allegedly the same thing but with a little more content, I was expecting the bare minimum. I was prepared to never even be able to leave my farm, but the first thing the game did was shuttle me off to the nearby town and blocked the exit until I talked to everyone there. 

(Maps of the town, mountain, and farm via The Spriters Resource)

You learn everything you need to know about the game right here at the beginning; Firstly, that this town is small as all hell and has hardly anyone in it aside from the five girls you can marry and their immediate family members. The next thing you’ll learn is that there’s a fence on your farm, and you need to be taking care of that. Of the few repetitive lines of dialogue any given person in town has to share with you on any given day, a fair amount are devoted to reminding you to fix your fence, to make sure it’s in good repair. There was just a big storm so watch out! Remember to check it every day! Are you chopping enough wood? Because you’ll need it for that fence!

I’m being dramatic of course, you aren’t reminded about it that much, though the thin variation of dialogue means it comes up a lot. The emphasis on your fence does exist, and it isn’t for nothing: while it doesn’t matter as much if all you do is grow crops– if you keep animals, the game tells you that the ideal thing to do for yours and the animal’s happiness is to put the animals outside to graze. Animal feed bought from the livestock shop will keep them fed, but it's nothing compared to fresh grass grown on your farm. You can’t even buy animals without a certain amount of grass planted! And sure, you can cut the grass to store for later, but it’s at its best straight out of the ground. However, the way the game is programmed, the animals only eat when the day rolls over, so putting animals outside for the day and taking them in at night isn’t an option, and on top of that, there’s things that come out at night that can hurt your animals. This is where your fence comes in.

The Utility of Fences

At the entrance to your farm is a cluster of buildings: your house, a small lumber shed, a barn, coop, and silo, a tool shed, and an old, dried up well. Just barely surrounding all of these is a little wooden fence that looks more like a row of upright logs than anything else. Despite this farm having presumably been abandoned, the fence is in perfect repair. You’ll quickly discover that the fence as it is won’t work out; there’s hardly space to plant anything within it, and with the well dried up, you’re forced to hop it to get to a water source to fill up your watering can. It’s pretty clear that you’ll need to expand your fence, and it’s easy to do with all of the tree stumps littering the massive field that it’s blocking off. 

On top of needing to expand the range of your fence, the individual planks eventually will rot away and leave useless stumps. They show up more frequently after rain or a large storm. The posts don’t rot away completely so they have to be manually removed, but replacing them is as simple as smashing the old post with a hammer or ax and popping a new post in its place. It becomes a very natural part of your daily routine to run a lap around the farm’s perimeter before you go to bed to make sure everything looks safe and secure. It’s a good way to ensure your animals are put away and debris is cleared out, too! It slotted very nicely into my daily schedule until a certain point.

With how much time you have to spend hopping over the logs to get to the rest of the area too large to fence in, you might be tempted to leave one out of place for easier traversal. When night comes, it’s clear why that would be a mistake. Sometimes when you go to bed, you’ll hear your dog barking. It’s a small detail, one that took me a long time to notice because I didn’t always play with the sound on. There are wild dogs that prowl around the wilderness surrounding your farm, and only at night do they dare to come close. Your dog, if left outside, isn't able to do anything other than warn you of their presence if they show up. There’s nothing to notice during the daytime if it happens, unless you happened to leave one of your animals outside. There was one night that I left my chickens outside, having thought my fence was in perfect order and repair. I went to bed and heard the dog barking, followed by a horrible crunch. When I went out in the morning, I saw where my chicken had been before, it had been replaced by a pile of feathers. On the north side of my farm was a rotted fence post I’d failed to fix. 

The Reality of Fences

After losing my chicken, a cluster of pixels on my screen it may have been, I didn’t feel comfortable leaving my animals outside. I didn’t want to take a risk again, the sound and sight of feathers was upsetting enough. On a more logical note, the chickens didn’t even lay eggs if left outside so there was no value in it. Cows were a pain to put back inside the barn too, because of some silliness with the game’s collision. As much of a disappointment as it was to not have my animals roam around, it was just easier. At the time, I was focusing on upgrading my house anyways, so I didn’t have time to take care of my animals outside where time would pass when I could use that time gathering wood, and everything I had was being saved up for the house so I didn’t have any extra materials to repair my fence with. My fence was all rotting away. Because it was inconvenient for getting to my crops, I started smashing all the old posts as they went, too. That’s when I noticed something: the wild dog wasn’t coming anymore.

I didn’t pay much attention to it until I was looking up a completely different mechanic and discovered a forum explaining how the fences were broken. Rotted posts attracted the wild dog, they said. It didn’t matter if you had gaps in your fence, or even a fence at all–in fact no fence was the best kind to have because the mere existence of posts that could rot was a liability. 

I was hesitant at first to test this concept, after all there wasn’t much I could gain from it. My chickens wouldn’t lay outside, and my cows would be too challenging to get back in if the forecast called for rain. The thing that got me to finally try it was when I was trying to hatch more chickens. My coop felt like a nightmare to navigate due to its current population. I wanted less animals inside that I had to feed, so I threw a couple chicks outside–they weren’t laying yet anyways. Lo and behold, the dog didn’t come. More days passed and more animals were left outside, and it never came. My fence had rotted until there was nothing left at all. No dogs could ever come to my farm again. And I realized that the game’s own insistence on its mechanics was all a lie.

How You’re Told To Play - How The Game Lies

Of course, my animals didn’t stay outside. For a minute it was fun having a crowd of cows milling about while I tended to my crops, but letting them wander free and uninhibited made it impossible to find and milk all of them without any trouble, and there were the rainy days to watch out for. After the novelty wore off, they went back inside and stayed there. The thing is, that didn’t make a single bit of difference in how much they liked me compared to how they were living in the barn. On top of that, they didn’t seem to care whether I was feeding them grass or store-bought food either, though I mostly stuck to the grasses since they were cheaper and easier to get. Nothing about how I was told to care for animals really mattered past feeding them every day, petting it and maybe brushing it, if it was a cow.

It gets worse. The most basic aspect of the game is the fact that time passes. The story takes place over 2 and a half years, running through each day until the end, and these days last from 6AM to 6PM according to the game’s own internal time setting. After 6PM, all of the shops aside from the bar will close and you lose the ability to sell anything as you’re told it would rot in the shipping bin overnight, so there’s nothing to do but sleep until the next day. Issue with this is that when the days stop at 6PM… they just stop. Time doesn’t flow anymore. The game doesn’t give you any kind of clock to know the exact time it is until after you’ve upgraded your house, so all you have to go by before that is the color of the environment and whether or not your character has played an animation to eat something (you’re automatically fed when you wake up, at noon, and at night). I discovered this because I was curious if I could actually see the wild dog by staying out, and left the game running for probably 20 minutes in real life only for nothing to happen. Because of the time freeze, the time after 6PM actually becomes really valuable for farm logistics. You can’t sell anything, no, but you can pull up all the weeds on the farm, water your crops, fix your fences, feed and care for animals if you hadn’t already, and harvest wood for fences and house upgrades which would have taken a lot of valuable time to get during shipping-hours. The only thing that gets in the way of doing all that is you running out of energy.

Your energy is what allows you to use your farming equipment like your ax or watering can. Running out of it doesn’t mean you fall unconscious or anything, but your character will play an animation of them stumbling over and will fail to use any tools. The most obvious fix to this is to simply go to bed, as sleeping gives you a full recharge. You can also, however, recharge it by going to the hot spring on the mountain, or by eating food bought at the restaurant in town or foraged for in the forest. You can’t tell easily how much is refilled, as there’s no visual indicator like a health bar, but you’re able to eat more than once, and jumping into the hot spring seems to count whether you did it or not more than how much time you spend in there, so you can hop in and out a couple of times and call it good. 

Individually, time freezing at 6PM and energy being endlessly replenishable aren’t bad things. Even together, they’re not the worst. Having free time to focus on profitless chores is nice, and I think it’s important to be able to replenish your energy in case you have a limited amount of time to do things like for example, cut all of your grass before winter kills it. What makes an exploit out of these is the fact that the resources in the forest will never run out. Every time you re-enter the forest, all forage items and tree stumps are respawned. The infinite amount of forage makes for infinite energy refills, and could also make for an incredible money exploit if you didn’t have a very limited amount of time to ship things. You don’t have a limited amount of time to cut up tree stumps though. If you wanted to, you could run up to the forest after 6PM, chop every stump, then simply reload the area, and everything’s back. You can get all of the wood you would ever need to fully upgrade your house in one night. It’s a bit of a grind to do all at once, but it’s a grind you’d be doing over time anyways. It’s not the worst exploit in the world, since you still need money to pay for the house upgrade, but arguably because of how you have to focus your energy elsewhere for most of the game, the wood is the harder thing to get. Additionally, when the game has very little to do in both fall and winter due to the lack of crops, this exploit takes away just about any reason to play those two seasons other than to take care of animals. It’s an optional exploit of course–as all exploits are–but once you learn about it, it’s hard to resist the desire to get the grind out of the way all at once and mess up the pacing of the game.

The Charm of the Game

Learning that the fences were completely broken as a mechanic was a huge disappointment for me. From the moment I got a grasp on how the game was supposed to work, I wanted to eventually surround my whole field with fencing and keep my animals outside so I would have some life on my farm while I worked. I didn’t just want this, I was excited for it! This was something I’d never done in a farming sim that didn’t already manage putting animals in and out for you like Stardew Valley or newer Story of Seasons games do. My routine is always the same: I go into the barn and coop to tend to each of my animals, I take care of my crops outside, then run straight to town to talk to everyone, and go to bed. The change in routine that would come from taking care of the animals outside and patrolling the fence every night felt fresh to me. It made me feel that even though this was the first game of its kind, it was different and required new things of me. But in the end, I played it exactly the same.

Harvest Moon is still very different from all of the games that followed it, though. In many ways, it’s because it has less “stuff” in it– both in terms of items and things you have to do. But I wouldn’t say that it feels incomplete. Harvest Moon runs over the course of 2 and a half years before your work is evaluated. Until that happens, you have the ability to farm four different crops, you can raise both cows and chickens, you can upgrade your house to have more features, upgrade your working tools, build relationships with the townspeople to a small extent, go to town festivals that happen each year, and you can get married to one of the five girls living in town with whom you can have up to two children. Everything that you would come to expect as a fan of games like this is already here from the very first iteration. The most notable lack this game has, and one that seems to be completely unique to this game, is that there aren’t any crops in the fall or winter, which means that unless you have animals, there’s a whole half of the year that you don’t have anything to do. The game is clearly aware of this though, because in an average playthrough, this is where you’ll start to run into the story events.

There isn’t much of an overarching story in the game, past the general concept that you’ve run away from home to work on an abandoned farm. The conclusion rests on how good of a job you actually do. In between those two points are smaller events, usually tied to when you get tool upgrades or special ones for each of the romantic interests. The first event you’re likely to run into happens on the very last day of summer, where one of the woodsmen comes to your house in the morning to ask if you’re okay because he heard a huge crash at night and you should check your farm. What I found was that a tree in my field had fallen over, and its remaining stump had a big empty hole in it. When I inspected the stump, I was suddenly underground in a cave filled with loud and industrious music, and I was faced with two, little green people–Harvest Sprites, though I don’t know if they’re called that yet here. One asked me if my scythe worked well, and when I said yes, told me that they had made it and that I should check my shed tomorrow for a better one. Other tool upgrades are obtained in similar fashion; one comes from feeding a starving sprite a mushroom and another comes from another hole in the farm opening up to reveal another part of the cave system that has a couple of hints on how to unlock other things. 

The events for romantic interests happen at less scripted times, as they’re tied to how strong your relationship is with each girl. Each girl only has one event, and it only triggers when your relationship is high enough that you would ask her to marry you. The events usually take up a whole day, and don’t necessarily add much to each character. Ellen’s revolves around how she’s no good at keeping pets– something established on your second day at the farm when you get your dog from her, Eve’s hammers in her fraught relationship with her grandpa, and Ann’s is about losing the chicken weathervane, or “weathercock” which sits on the roof of her workshop and goes missing every time there’s a storm. Conversely, Nina and Maria’s scenes bring up entirely new events that bring up a number of questions while providing no answers. Nina disappears while looking for a medicinal plant because her mother is apparently sick, and Maria vanishes for days until you find her hiding away with the woodsmen for some reason. All of these events, whether they share new information or not, manage to add some greatly appreciated depth to each character by giving them more room to speak and be sincere than their short and repetitive day-to-day dialogues do.

The dialogue in this game is simple, to the point, and sparse– probably because there was only so much memory that could be reserved for approximately 15 people who all have multiple lines of dialogue, and only so much money to pay someone to write more. There is simple dialogue that doesn’t tell you much more than “hello, how are you” would, more dialogue that I’d label as tutorial text, and a few lines that I truthfully couldn’t understand well because of the sub-par translation this game received for english. The dialogue that exists to inform the world really manages to create a unique vibe though. Nina’s dialogue, almost always about plants, goes into forays about how they’re creatures with wills to live, too. Ellen’s uncle who runs the ranch shop tells you that it’s much better to feed your animals fresh grass if you try to buy any from his store, and if you decline to purchase he laughs as if he’s won something. There’s even dialogue referencing the silent player! Multiple lines exist to comment on him not paying attention, and inspection prompts have people telling you not to touch something rather than being an item description. It was the last thing I expected, to get the same level of personality out of the main character as I did from each of the girls, albeit very subtly. He went from a kind of nothing, self-insert into being what I perceive to be a hyperactive boy, akin to a border collie who was let out into a field of sheep for the first time–the exact kind of person crazy enough to take on an abandoned farm and succeed.

It’s these short little character details that bring life into the game. Each day, you’ll really only see one line of dialogue from each character, be it new or old, with that dialogue usually only changing if there’s a change in season or festival coming up. The repetitive, pretty mindless routine of the game can turn into a sort of meditation if you let it, where you spend your time working thinking about the folks in town and what they had to say to you the previous day. The developers took this concept in stride and gave the side characters loads of dialogue about life, about God and religion, and about… very basic morals, but morals nonetheless. It’s a children’s game after all. When you take the thoughts, questions and prompts the characters give you back to the farm to do your long and tedious routine, you have to ask yourself– what are you working so hard for? For the feeling of accomplishment? Recognition from your peers? For the sake of some higher power, if you worship one? For me personally, it was to write this essay, but it was also for a good grade on the high score screen at the end, so to be honest a lot of this stuff was lost on me until just now when I was reviewing the game to get screenshots.

Setting The Standard - Why You Should Play HM SNES

You may read all of this and still think, well, it doesn’t sound like the game has much in it. And you would be right, it’s a very small game, but it’s also extremely quick. On average, my days only lasted about three minutes of real life time. Everything flew by, and I think I finished the game in 20 hours or less. I barely got a chance to notice that there wasn’t much going on because every second of my day was spent busy doing something, and when I wasn’t busy, the break was appreciated. I didn’t start to run out of things to do until I was finished with the second year, and when I looked up what I needed to do to get a decent ending, I was already most of the way there. It was easy to push through those last two seasons to get to the end, and it was so, so worth it. 

As I mentioned earlier, the game ends with a high score screen, meaning it has to track all of your accomplishments. These include, but are not limited to: the number of things you ship, number of each crop you grow, number of animals you have and how much they like you, how upgraded your house is, who you married, how much all of the girls in town like you if you didn't get married, how many kids you have (which basically equates to how long you were married), your happiness score (increased by going to festivals and decreased by having animals die), and how many times you’ve pet your dog. In addition to these being tallied up and presented to you, you get special cutscenes not just for each one of these accomplishments, but additional ones for if you managed to do even better! I got a cutscene for having a cow, followed by one for having lots of cows, followed by yet another for having cows that loved me! Watching them play one after the other felt like taking a victory lap even without getting the best possible result. Seeing all of my numbers come up at the end made me want to try again to actually get those other cutscenes, not to get to see them, they’re so easy to find on Youtube, but because the game made it feel like an accomplishment! If I weren’t following this game up by immediately playing its GameBoy port, I absolutely would have started a new file right away. I’ve been playing the Harvest Moon series since I was a little kid and this was the first time I’d actually managed to beat one of these games. I struggle to think the finale of any game following this will feel as good as this one did.

I started writing this whole thing about the fences because it was an easy and silly entry point to get into my core issue with the game, and so I could have an opportunity to dig into game mechanics and the way the knowledge you have of them will completely alter your playstyle, because that’s all fun and interesting for me to talk about. Another reason why I focused on that was because it was near impossible for me to pick any kind of focus point when talking about this game. After all, I’m trying to study a whole series of games that spans multiple decades, and this is not only the first game in that series, but a game that created the whole genre of farming sims and defined that genre so thoroughly that you can see its DNA in every single game that followed.

 I didn’t expect much to come out of my experience with this game. My expectations for it before I even picked it up were that it was going to be basically featureless, as informed by my experience with one of the first games I ever played as a child, Harvest Moon GB, which I will get into next. This game was not that at all. I think that everything it did manage to get working right came together just about perfectly. Harvest Moon is exactly what it wanted to be, and where it wasn’t, it lied about how it worked to try and make you play the correct way anyways. When I believed that lie, my time playing was even more enjoyable. Maybe if farming worked just a little bit more like how you’re told it’s supposed to, and if there was just a little bit more story, those would cover the things I felt wanting for the most. But maybe a little flexibility and ambiguity is a good thing. Maybe actually maintaining a fence is just too hard, and maybe if the girls were more fleshed out, I wouldn’t be able to enjoy filling in their gaps in my head.

There are many more things I could say and wanted to say about this game, but this has grown far too long already so I'm cutting myself off here. I'm sure my later entries aren't going to get near this length. If you managed to get to this point, thank you so much for reading!

[ripplestitchskein]

I didn’t watch the video and I won’t because I don’t enjoy their takes or the way they present their content so I may be missing some in video context but someone mentioned something that really struck me this morning in the tags. I don’t add on to posts as a general rule unless I really feel the need, and this is in no way meant as a call out for either source but I do want to address the general idea presented.

Stolas was never triggered by Stella yelling at him so he should not have been triggered by Blitz yelling at him.

There are a few very glaring things about this idea.

First the entire premise that a person wouldn’t have different reactions to different people in their life doing similar things is kind of silly on its face. There are a number of reasons why you would have a disproportionate reaction to being yelled at by one person over another.

Being yelled at by a stranger in a public confrontation is much different than being yelled at by someone you know in a space you consider safe, for example. Being yelled at by someone you consider physically intimidating is much different than being yelled at by someone you don’t. Being yelled at in a professional space is much different than being yelled at in a personal one. Etc. etc. etc. They all produce very different emotions and very different responses.

There are a number of contextual circumstances that will change how someone reacts to a similar situation as well. The most obvious to apply here is the relationship dynamic between the individuals.

On the one side we have Stella who Stolas in no way wants to be with, who he has been forced to be with for 17+ years, and who has seemed fairly consistent in her treatment of him over that time period. Where we see Stolas in the narrative is after many years of putting up with her behavior. Not only would Stella’s yelling be something Stolas is probably a bit inured to after dealing with it for so long, but he has also trained himself to change his behavior to keep the peace as it were. On top of that he has spent the past 17 years pushing down his own emotions and reactions to provide a family environment for his daughter. And we do see Stolas react negatively to her abuse, he flinches, he drinks excessively, he takes medication to regulate his mood, he backs away from her, he modulates his behavior to placate her.

Blitz on the other hand is someone Stolas is emotionally invested in. He cares for Blitz and while Blitz is abrasive and crude we don’t have examples of him outright yelling in anger at Stolas. He has also mentioned multiple times that Blitz is the one who broke him out of this repression. Of course he would react differently to Blitz versus Stella, they are literally the two opposites ends of a core character conflict he has.

We must also consider the power dynamic. Up until this point Blitz went out of his way to maintain their relationship, he deliberately avoided confrontation. He states this directly in his part of the duet, we see it in his text messages or the lack there of, we have evidence of it with the sex chest and his little shopping spree. So from Stolas’s point of view this person yelling at him now has only ever accommodated him or avoided him before, which, while also being a huge issue in their relationship, also escalates the moment when Blitz does push back and break down.

Stella has none of this baggage, her yelling does not reveal hard truths Stolas has to also deal with and confront. Stolas can justify his behavior with her because she never cared for him anyway, he did not hurt her with his actions. Stella’s yelling does not come from a place of hurt and betrayal regarding Stolas as she never cared for him or their marriage anyway. He did hurt Blitz however, and that hurt is being presented to him in a very aggressive way, and he had hoped up until this point that Blitz cared for him as well. So not only does he now realize Blitz doesn’t care for him (or that’s how he interprets it) but that he also views him in this really horrible way, as someone who takes advantage of those lesser than him, that he is pompous and unfeeling and cruel. He is the monster he feared being.

Which leads me to the next glaring difference. Stolas spent however long preparing for this moment where he revealed his feelings, he was hopeful and excited and nervous. He is then, in his mind, rejected. He is experiencing a range of emotions during this confrontation that all come to a boiling point.

With Stella her yelling is not a building confrontation of emotional ups and downs, it’s an environmental constant. In just a matter of minutes with Blitz he goes from nervous hope to rejection to realizing the person he cares for thinks really terrible things about him and the manner in which that is revealed is extremely charged. There is a world of difference between something you expect to happen (Stella yelling) and something you didn’t. Stolas has no idea Blitz had these feelings inside him, that’s part of the problem, and they were revealed to him in a very crushing and intense way.

We also have to consider that these are not real people reacting to the situation as real people might. This is a story being told to us and the writers and animators are presenting what is relevant to that narrative and these characters in a very concentrated way. They only have so long to get a point across and they must continue the story by contriving reactions we would not see in reality. In this episode and in the story overall so far we are given all the information we need to see it from both points of view and see why each of them reacted in the ways we did.

With storytelling of this nature you are not in the character’s heads so you much rely on actions, dialogue (which can be reliable or not) and environmental cues to get these points across. They did a phenomenal job in my opinion.

We have both of their mental headspace’s at the beginning presented in song, we get an idea of where they are at when the confrontation begins, and where they end up is a natural conclusion to the high emotions on display. The atmosphere is tense and dark, it’s a building anticipation with the music and the silence and the lightning being used, how the shots are framed. We get a sense of Blitz chasing him down, weaving through hallways and kicking open doors. It’s cinematic, because it’s a visual medium. Stolas HAD to remove Blitz from the situation in order to continue the narrative, he has magic in this story so he sends him away. In the real world there would be a lot of “Get out.” “No.” “I said get out” etc etc but that’s not interesting for the audience and in this world we have magic so whoosh, out he goes, the conflict continues into the next episode.

There are a number of things I could discuss related to domestic violence, or emotional triggers, or trauma responses but I don’t think that’s necessary here. Not only are these not real people and we are not privy to all of the baggage they have, how their individual brains process it and how they respond to it but the storytelling method is not conducive to those kind of real world considerations. What we do know is people react to different things in different circumstances with different people and the narrative absolutely justified Stolas’s response to Blitz and its contrast to his responses to Stella.

That is actually kind of the whole point?

[vindicated-truth]

Beyond Evil: The Romcom

I've always said that barring all the murder and mystery elements, Beyond Evil is at its core a romantic comedy, and here's the proof (aside from Hakyun and Jingoo themselves pushing the agenda lol):

Bear in mind that if this is a romcom, not a thriller, it means Everybody Lives ™ and No One is A Murderer ™

Our main protagonist is of course our eccentric small-town hero, Lee Dongsik, who's known for his quirkiness and idiosyncratic tendencies in solving crime. His unorthodox methods of catching criminals earns him the grudging respect of the Regional Investigation Unit, where he works under his mentor and beloved second father, Nam Sangbae.

The office is situated at the Seoul Metropolitan Government Office, where our hero meets the other male lead: Han Joowon, esteemed Inspector working in Foreign Affairs, renowned for his keen intellect, cold personality, and most importantly, the notoriety of his rich and powerful family.

A particular difficult case involving the disappearance of illegal immigrants forces Foreign Affairs and the RIU to work together, and an unlikely partnership between each department's best officer.

The second lead is our hero's longtime childhood best friend, Park Jeongje, whom Dongsik thought was initially in love with his twin, Yuyeon. Yuyeon liked Jeongje but not enough to give up her ambition for him, and when Jeongje left for the states, Yuyeon graduated from Seoul National University as summa cum laude and passed as the bar topnotcher.

Yuyeon had the brains, but unfortunately not the connections, and with her background AND her gender she found it difficult to prove herself at the law firm where she was hired, and goes head to head with the ambitious Kwon Hyuk.

Unbeknowst to Dongsik, he was actually the one Jeongje was in love with. Do Haewon finds out and she's against it because she wants Jeongje to have that traditional marriage with a traditional family because for Jeongje to come out of the closet would affect her image as a rising politician.

Han Kihwan, for his part, is seeing how his normally poised and law-abiding son is being pulled into questionable methods by Dongsik, and vows to separate their partnership.

Dongsik's and Joowon's begrudging partnership also leads Yuyeon's and Kwon's paths to cross more often, and a budding romance develops between the lawyers as the side couple.

Lee Changjin is still Oh Jihwa's ex-husband, and no matter how Dosoo tries to arrange blind dates for Jihwa, she turns them all down. Dosoo wonders why she doesn't have time to date if all she does is visit Jaeyi's butcher shop even after work.

Jaeyi herself gets questioned often by her mother and the ahjummas in town why she won't get herself a boyfriend, especially that handsome young officer from Foreign Affairs who keeps visiting, and she only smiles and doesn't answer every time she reserves a seat for Jihwa after work hours, just for the two of them.

Minjeong, meanwhile, sneaks behind everyone's back to date Jihoon, but Dongsik, overprotective of her ever since he became her legal guardian after her parents abandoned her, keeps getting in her way. It causes a tense friction between him and Jihwa, as Jihwa asks if Dongsik thinks her brother isn't good enough for his ward.

Jeongje of course, sees this as an opportunity to side with Dongsik, and it causes friction with his friendship with Jihwa as well, which also then causes friction between Jaeyi's friendship with Dongsik, and drama ensues.

Upon seeing how Dongsik is distracted by his mysterious new partner, Han Joowon, Minjeong takes it upon herself to make sure those two get together so Dongsik wouldn't focus all his attention on her and she gets to do what she wants. Hijinks ensue, especially when he ropes in Jihoon in her plans.

Somehow this leads to Minjeong and Jihoon accidentally discovering an international crime syndicate and they both get kidnapped for it, but not to worry because Everybody Works Together™ to save them and unravel the crime syndicate at the same time.

Han Kihwan and Do Haewon finally sees and understands Dongsik's true worth to both Joowon and Jeongje, and in the end, Dongsik asks Joowon if they can extend their partnership outside of work.

Jaeyi and Jihwa end up together, Yuyeon and Hyuk end up together, Minjeong and Jihoon end up together, and Jeongje comes to terms with his feelings for Dongsik and vows to be there as his best man.

At the wedding held overseas, Jeongje is reunited with Yuyeon, and tells him she wishes happiness for him too, someday. She and his twin brother will always be there for him no matter what.

At the reception, Dongsik introduces Jeongje to this new young officer: Lee Sangyeob. Sangyeob tells him he was Dongsik's former partner, and they spent the rest of the reception laughing and commiserating over Dongsik.

And they lived happily ever after. As they ALL should.

[theminecraftbee]

How do you think Three would feel about season 10?

man so. okay the thing is that by season 10 things have probably butterfly effected so hard off of the beaten path that i have no idea if three would have much season 10 as they know it.

for example: season 10 starts with demise. would three... even have done demise? probably not in its early days of hermitcraft, right, like, that's a game grian would design but that i think three would be a little more hesitant to start up. a game about killing people in a fashion with Rules and Creativity is something three could thrive with, sure, and i like to imagine three takes inspiration from like, cleo's head games to come up with a version of demise it ends up enjoying, maybe? but like, even that element is hard to say WOULD happen.

if we go with "season 10's haunted water is an inherent element of the season", i could fully see three getting wrapped up in the fishing thing, because three is very stubborn and if it gives itself a mission of "fish up a mending book" it WILL do that. it would not try to start a cult about it or build a secret chamber but i think it would make like, a mending book spreadsheet or something equally deranged but in a less "big temple" way and in more of "three is the kind of person who made a family tree of sheep with jimmy" way.

i do think a difference between three and grian is that three just. doesn't strike me as particularly possessable. it wouldn't become obsessed with the ocean in the way grian did i think. i think it would like, fixate on the mending book, get it, go "that was stupid", and... i could SEE three liking fishing a lot actually, but less in a "getting possessed" way and more in a "it's a relatively low-simulation activity and also it gets to kill something" way, lol.

anyway i think a really interesting thing here is that three... would not do the permit office. like three Would Not Understand the bit of being purposefully unhelpful. even many years out from being three, the weapon, and instead being three, the person, i think three never QUITE stops finding it sort of inherently frustrating to intentionally do a task wrong. three tends more towards malicious compliance when it doesn't like doing something, but like, fully would love tedious paperwork. additionally, okay, maybe by season 10 three is a bit more likely to take charge fully, but i sort of suspect cub would end up the permit spearhead, not three. three would love the concept of the structure permits provide! three would not inherently like being the person in charge of the permits.

actually this gets into one of the more fundamental differences in personality between three and grian: grian likes being in charge of things but hates and avoids responsibility. three is a bit uncomfortable being in charge of things, but is perfectly comfortable with responsibility and will even take responsibility for things it technically doesn't have to. and at their CORE grian and three both have this supremely type-a thing going on but they express it in nearly opposite ways and i suspect this would be one of the main ways they'd clash, honestly.

but all of that is to say: three would not do the permit office bit, but WOULD like the permits. they provide a Structure to how shops work that three would appreciate and i think by season ten i could see three having gotten into the art of Ruthless Capitalism because it's sort of like killing people except instead you take their money. (three describes it this way back in season seven after etho takes it under his wing and etho wheezes and tells three to never let go of that. anyway.)

so that's just some of my thoughts on season ten with three this is a FUN QUESTION thank you!

[em-dash-press]

What Does It Mean to Write With Intention?

Creative writing is an inherently personal practice. It’s you spending time with yourself to make something out of your ideas or feelings. It might seem like you have to wait for inspiration to strike, by learning what it means to write with intention will change the game.

What Is Writing With Intention?

Writing with intention is writing anything with a complete understanding of why your story matters. It’s easier to do this when you shift your mindset and prepare for your writing sessions ahead of time.

Simple Ways to Write With Intention

Decide What You’re Telling Your Reader

What’s the purpose of your story? If you’re picturing the description on a book jacket, that’s not what I’m referencing.

The purpose of a story is its message to readers. A novel about a family torn apart by greed might have the foundational message that capitalism can drive people to destructive lengths in pursuit of money. You’re warning readers about that drive.

A romance novel might use a romantic relationship to tell the reader that they’re worthy of a healthy, supportive, and thriving relationship even when they think very little of themselves. The message is encouragement.

Every story tells the reader at least one thing. Know what it is before you start writing and you’ll immediately gain a crucial intention.

Know Why Your Story Matters to You

You can tell someone something important without caring about it too deeply. Stories take up so much of our time and energy that they need to matter on some level.

Imagine your best friend telling you they overspent on their favorite shopping app again. You laugh together because they’re trying to make light of the situation, but then you gently remind them they need to learn how to budget. That’s an important part of succeeding in life, but you’re only telling your friend because their well-being matters to you.

You need to identify why your story matters before you finish writing it. It’s even better if you know your motivation before you start writing. When the message comes from something you feel deeply about, readers pick up on your authenticity and enjoy the story more.

Practice Self-Reflection

You might wonder what you value that deeply. Self-reflection is the best way to identify those things.

Consider your past experiences. What did they teach you? What feelings resonate most deeply with you due to those experiences? You can also shape your hopes and goals around instinctive values.

Journal prompts may also help you answer these things. Therapy is another great resource. Sometimes life makes our brains put up walls around what’s closest to our hearts to protect us. If you feel like you’re hitting a wall, therapy can help you deconstruct them to better understand yourself and eventually write about your primary motivators.

Read Like a Writer

Once you fall in love with creative writing, it’s helpful to always keep your writing hat on while reading. Whether it’s for fun or an assignment, take mental notes on how your current book or short story works. Note things like:

The plot structure

The primary plot points

The emotional core

The protagonist’s character arc

The antagonist’s role

The potential themes unfolding with each chapter

It’s also crucial to get your own feedback about what you read. Are you enjoying how the writer structured those things? What would you change? Which elements pulled you in and kept you thinking about the story after you put the book away?

Knowing what makes you engaged with a story and how your favorite authors structure their books will make it easier to write with the intention of engaging your future readers.

Create a Writing Practice

Every writer’s writing practice looks different, but it must exist in some way. You might have the right schedule for a weekly or daily writing practice. Maybe you can only get 15 minutes to write twice a month.

There’s no wrong answer because everyone’s life works differently. The advice of a full-time author who has eight hours every day to write creatively will be much different than that of a writer working on manuscripts for fun while working two jobs and raising kids.

Whenever you find that you can write, craft a practice with routine rules. You could set a rule that your phone remains on silent for those 15 minutes you’re with your WIP. Maybe your most effective rule will be sitting in a specific environment, like a library.

Rules and routines shape everyone’s creative practices. Start small and set more when you find a routine that works with your life.

Remember—what works right now or even this year might not work next year. Life is always changing. Part of writing with intention means writing in the best way that works for your life at any given time. Otherwise, you’ll be writing from a place of frustration or annoyance. 

-----

Intention leads to phenomenal stories. Saying you’re intending to write a story isn’t going to get you there though.

Consider these tips to hone your focus and motivation. You’ll create an intentional sense of drive that doesn’t wait for inspiration to make you feel fulfilled.

[millportdingo]

TSC Motifs/Themes/Whatever

Dogs

Starved dog, leash metaphors, cardboard dog, obedience. I think Jean represented as an obedient, loyal dog is pretty straight-forward. I think it's interesting that in the extra content, Nora described him as an angry cat when he came to Evermore. He left as a starved and beaten dog. I wonder where this arc goes, though. Like, he takes a chain around his neck from Renee -per Neil's philosophy, is this "collar" his first reason not to slip the [Moriyama investment] leash? Also Jeremy has always wanted a dog. I guess this piece is a little harder for me to wrap my head around, maybe I'm overthinking it, but maybe he's the right kind of [s]Dom[/s] [s]owner[/s] person for Jean. He has the authority "I'm your captain," but he pairs it with an equalizer "I'm your partner". He pushes Jean, but he holds the hard boundaries. He's intrigued by Jean's scoop neck deep blue shirt - I think partly for the personal growth to wear color and partly because it allows him to see Jean's collarbone. He shivers with the sound of "Yes, Jeremy." I wonder if "my mom is allergic to dogs" is foreshadowing his family's reaction to Jean.

2. Safety

Neil's arc was about hope, finding a future in a futureless situation. Jeremy's had an idea of the future, the perfect court, but his big thing is safety. "Safe" and its variations appear in TSC 48 times. This boy is really not asking for much, but Jeremy makes him feel safer which is just too sweet. Also, tighten those screws for safety..

3. Childhood

At the beginning of the book, Jean knows immediately that he is not in the Nest, because he knows every inch of it. He feels like he knows everything about the world and he often insults people by calling them children. His childhood innocence was stolen from him at the Nest, and outside of it, he regains pieces of it. He wonders at the vastness of the world, he learns skills he never had before (shopping, cooking). I had a hard time when I found out he was 19 (ie 14 and 16 at the time of some really unpleasant things). I didn't understand why he had to be two years younger. But the protection and corruption of innocence is a big part of his story. We see that acutely with his sister's story and it allows him to turn on his parents without guilt. The duck/duckling motif is cute too. When he first comes to Evermore, Thea describes him as a little duckling. He associates little yellow ducks with his childhood and baby sister.

4. Air?

Being able to breathe is core to the safety thing. When Jean feels least safe, he can't breathe. One of his earliest revelations about being Riko's pet was the buried alive punishment, and pressing his face against the sparse airholes. Then there's the waterboarding thing. You'll see Jean mentions being unable to breathe when he feels threatened and grabs at his throat. Conversely his happy things include breeze and open sky (rainbow and the open road). When Grayson appears, Jean says he can no longer feel the breeze, and he is particularly disturbed by the neck biting. There are lots of throat and neck things going on in the book too and maybe it's a stretch but burning (ie eating away at oxygen) comes up several times too.

[robotnik-mun]

Once again, it is time for that rare moment where I talk about Deltarune instead of Sonic stuff. And today, I've decided to talk about one of the many mysteries of the setting.

Namely... what did Asgore DO?

One of the constants kept over from Undertale in Deltarune was the sad reality that Asgore is still divorced from Toriel, and their post-divorce relationship is... less than ideal, with Asgore desperately trying to get back into Toriel's good graces and Toriel being none-too-thrilled about it. And its pretty clear that whatever happened in the divorce, it's taken a pretty bad toll on Asgore. It's implied he doesn't have visitation rights, and no longer lives in the same house as Tori, instead living in his flower shop. And his present state of living is just... almost too depressing for words.

So yeah, things are not looking great for ol' Asgore. But that does beg the question- what happened THIS time? Recall that in Undertale, Toriel's hostility to Asgore was predicated on both him murdering six children as well as basically getting everyone's hopes up for who-knows-how-long rather than taking one soul and going straight to business after escaping the Underground. How justified she is is going to be the subject of endless debate, now and forever, but at the core of things in Undertale its pretty clear that this hostility comes from some VERY grim circumstances.

Given the more comparatively mundane nature of Hometown and the Light World, its pretty clear that whatever circumstances led to Toriel and Asgore divorcing couldn't be anywhere near as horrible as what happened in Undertale. There's no fantastic circumstance here- Monsters live on the surface as humans do (that we know of), and while Asgore is not exactly held in high regard by Hometown these days, he none the less leads a free, if somewhat depressing life.

So again, what happened here? Why is it that Asgore is still divorced?

As it stands, with everything else, we only got two chapters to go by, and as such we need to work with a LOT of contextual clues to try and piece together even a vague idea of how things reached this point.

And believe it or not, one the key bits of insight we have? Is none other than Rudy Holiday.

Rudy is established as having been friends with Toriel and Asgore in college, and is all but stated to have been Asgore's best man at their wedding, and even in the present is still close to the both of them even though they are no longer together. Out of all the people we talk to in Hometown, Rudy is the one with the most positive stuff to say about Asgore, and Asgore recipricates this by visiting Rudy in the hospital daily, with new flowers for each visit. And while we don't witness it for ourselves, it is revealed that Toriel ALSO visits Rudy and is implicitly close to him as well, with Rudy even suspecting that Kris' visit was done at Toriel's prompting (and sadly probably WOULD be if we weren't using them as a meat-puppet).

This might not seem like such a big deal, but I feel it reveals something very crucial about what might have happened, if only in the abstract. It tells me that whatever happened? While it was serious enough to prompt the divorce and cause Toriel to no longer love Asgore, it WASN'T bad enough that Rudy doesn't think ill of Asgore, or enough to cause Toriel to no longer wish to associate with Asgore or Rudy with her. He bears no malice to anyone in the Dreemurr family, and this is an important detail, because it would seem extremely improbable that things between the three of them would be this hunky-dory if Asgore really did do something legitimately terrible.

Which, admittedly, isn't impossible... but it does feel unlikely, under the circumstances we presently see.

Given the way Dark Worlds reflect something of Lightners, some have suggested that maybe the Card Kingdom just as easily reflects something of Kris as it does Susie. While King mirrors Susie's earlier statements, one cannot help but notice that King is an enormous, pseudo-mammalian king with a hefty build, almost like a warped mirror of Asgore. And that comparison becomes all the more concerning when you consider how, as we go on, its revealed that Kris was once a very mischievous little kid... one can imagine that, perhaps, Kris was very much like Lancer, once upon a time. And if that's the case, then maybe it’s not a coincidence that King threatened both Lancer AND Kris directly.

It's a tempting thought... and oh, the warped implications it would carry, given that in Chapter Two its revealed that King wasn't going to go through with his threat and actually CARES about Lancer, despite earlier evidence to the contrary? Now THAT would imply some ugly-ass things about Kris' thoughts and feelings about their father. Or Susie's, if you believe the Card Kingdom is primarily 'meant' for her. It does make an eerie amount of sense, does it not?

Only... not quite. It’s tempting to think Asgore might have done something to Kris in a moment of weakness, but honestly? I really, really doubt it. Because let's face it, if Asgore had hurt or done something out line with Kris? It's incredibly doubtful that Toriel would ever allow Kris to get anywhere NEAR Asgore, and Rudy likewise would probably have little to do with Asgore over something like that. Oh, sure, friends will stick with friends, but that feels like something not even Rudy could overlook. And then there's the whole 'Eggs-Husband' incident...

... God that was painful. Like, kudos to Toby Fox, I don't think I've EVER felt that kind of secondhand embarrassment from a piece of media ever. It really was just a masterpiece of utter and complete failure. Still, it's important in helping to frame where everyone stands in this divorce, because while Toriel does try to get away from Asgore as fast as possible after his disastrous attempt at punnery (and who could blame her?), she none the less is willing to hear him out when he wants to talk about Asriel's return (possibly about the divorce itself).

It's important to note that, again, context is key here. Earlier in Chapter 1 its established that Asgore keeps sending Toriel flowers, which inevitably wind up in the trash, and likewise she rebuffs his deeply ill-conceived attempt to re-connect with her at Sans' store. But from what we see so far, it may not necessarily be that Toriel hates Asgore, so much that he refuses to get a clue about where they stand and persists in these self-sabotaging attempts to curry her favor. While the problem might be rooted in whatever happened in the past, it’s pretty clear that a BIG part of that is due to Asgore's present behavior. How do we know this? Because she still hears him out when he ISN'T trying to get into her good graces.

I feel that if Asgore had done something to Kris, or done something REALLY bad? Then he wouldn't even get that much. As it stands we don't know enough to say for sure, and all we can do is look at how people act and try and come up with some idea of things, but I'm willing to bet that while Asgore made some kind of serious misstep? He didn't do something unforgivable... just something severe enough that it would justify Toriel leaving him, with his refusal to let go simply making things that much worse over time given that its clear Tori CAN be civil with him. He just makes it difficult due to his overbearing and embarassing behavior... again, we can only infer things, but I do feel like a large part of Toriel's hostility stems from Asgore's inability to back off more than anything else, even the events that caused the divorce.

I can of course, be wrong, about all of this. We have only two chapters and nothing else to go by. But there is one last piece of this puzzle that I think offers an even better insight into why things happened as they happened- the reveal that Asgore used to be the chief of Homedown's police department, and that he was made to step down under unknown circumstances, hence why Undyne, a rookie, is now Hometown's police chief. We don't know what happened yet, but whatever did happen? Kris doesn't like to read about it, keeping Us from seeing what happened. It could be because they don't want us prying into their family's business just in general, but there's also a really good chance that it may be simple guilt that keeps them from reading the rest of that article.

And from here, we can paint a pretty compelling picture of what may have happened. As we know, Dess Holiday, Rudy's oldest daughter and Asriel's childhood best friend, went missing under mysterious circumstances. Dess' mother is mayor of Hometown, and its strongly hinted that whatever happened, DEss is now trapped somewhere in the Dark World (or worse), and other hints seem to indicate that Kris might in fact be aware of this, and its hinted that this event may have occurred near the mysterious bunker in the forest that Kris is explicitly afraid of. More interestingly, schoolmates Snowy and Monster Kid seem to be aware of this fact as well, which brings some interesting implications of itself.

Either way, with these details we can imagine a very probable chain of events for how things went down- Kris and Dess did something or the other at the Bunker, which led to Dess possibly being whisked away to the Dark World. Asgore, as police chief, is tasked with finding Dess. His inability to find Dess leads to him being fired by her mother, the mayor, and this would probably lead to the personal troubles at home that would lead to him eventually being divorced from Toriel and living on his own. This seems to be the general consensus among fan-interpretations, and  honestly? It seems pretty probable that this, or something like this, is how the divorce went down... and maybe why Kris is the way Kris is, in the present.

There is however an interesting little wrinkle in this formula, though out of everything I mentioned, this one is possibly the longest shot. Earlier in the game when we explore Asgore's store, we find a very terse note from his landlord telling him point blank that he has a month to pay the rent, even suggesting he start selling the flowers rather than giving them away. All that we know about this landlord is that their first initial is "C". So, where does the long shot come in? There is a possibility that "C" is none other than Mayor Holiday, Rudy's wife and Dess' mother, and previously Asgore's boss. What evidence do we have to suggest this? Mayor Holiday is described as being very good at her job while also not being great with people, and is evidently very driven and intimidating, so much so that Noelle is actively afraid of her. The way the note is written is not very formal, nor is it very sociable either... and there are more than a few Christmas related terms that start with "C". A lot of the fandom seems to have settled on "Carol".

Again, this could be a long shot, one built entirely by conjecture. But if this "C" is indeed mayor holiday? That's where the wrinkle comes in. Because if Mayor Holiday is willing to give Asgore a business and overlook past failures to pay the rent, then it may be that his leaving the force wasn't JUST because of his failing to find Dess... or rather, if Mayor Holiday had any part of it, it actually wasn't out of personal anger at him failing to find her daughter. If "C" is Mayor Holiday, then in this context it means that whatever (probably negative) feelings she has towards Asgore, they're not enough to stop her from trying to help him get back on his feet. You might argue that if she IS involved in his flower shop venture it might be more due to Rudy than her, but then if Rudy has this much sway over her, she wouldn't have fired Asgore for not being able to find Dess.

Granted, there's always the 'Dying Wish' factor, though we don't know how long Rudy's been sick...

But still- firing someone for a personal reason would be a VERY bad breach of ethics, and from what we've seen (or haven't) of the mayor so far is that whatever her personality flaws, she isn't actually corrupt or anything. Hometown is so peaceful and orderly that the police force isn't really regarded as necessary! Quite the accomplishment... and firing Asgore for personally failing her would be the kind of conflict of interest that could jeopardize those accomplishments, understandable as it might be in this instance.

So, what would this imply for Asgore and his leaving the force? I believe that while Dess vanishing was the catalyst for everything, it wasn't the direct cause of Asgore losing everything. I imagine that failing to find Dess for an undetermined amount of time weighed heavily on Asgore, given that this is his best friend's daughter, a daughter who is the best friend of Asriel at that.

My hypothesis, as such? Is that Asgore's failing to find Dess slowly ate away at him, and that this caused things at home to get tense, before his eventual desperation led him to do something he shouldn't have, thus leading to him being removed from the force, and leading to further troubles at home, culminating in him saying or doing SOMETHING that led Toriel to divorce him.

I don't have any authority to definitively suggest what it might have been. But I DO feel confident that if Dess' disappearance had anything to do with Asgore's dismissal from the force? It wasn't as simple as the mayor being angry with him and removing him due to that anger, but because of something Asgore himself did in reaction to his own failure at finding Dess, and that this in turn led to whatever would happen to cause his divorce from Toriel. I believe this, because while Asgore has fallen on very hard times, the worst of what he's going through is due to his own poor choices that we can see, and however pitiful his current state, he isn't alienated/exiled from the people in his life. And if he had done something REALLY bad? I don't think that would be the case.

Of course, I can be wrong. Heck, I probably am. We only got two games to go by, and as such virtually everything I say is ultimately just conjecture, some a bit more supported by game text, and some less. But whatever the reality is? I'm VERY confident that Asgore didn't do anything evil... but it was still enough to cost him everything. Given the themes going on in the light world, it'd make sense that rather than anything big or dramatic, the truth just turned out to be something simple, unglamorous, and quietly sad.

Just like in real life, a lot of the time.

[fabuladorah]

My top 5 fave DBDA charachters

1. Crystal Palace

2. Charles Rowland

3. Night Nurse

4. Niko Sasaki

5. Jenny The Butcher

Honorable mention: Tragick Mick and Edwin Payne.

WARNING LONG RAMBLING!!

1 - Lemme be superficial first, her looks are simply iconic, i worship her hair and witch-core clothes and the way her powers are potrayed (those white globes, the three eyes, quick flashed) just make me go brwwww. And then there is hee character arc... which is *chef kiss* so, so good: she doesnt know who she is, she thinks people didnt really like her, she is sure her parents are looking for her, her first instict is to be mean, but then for what is she being mean for anyway, so she stops. She drags the boys from Big ol' London all the way to an small town in America just to save a little girl, because she is alone and scared. Her abusive demon ex, even after exorcised, is still haunting her. She offers her life to save an stranger she had just met (an stranger who had been kind, an stranger who had understood her, an stranger who had a place while she didn't). Her abusive demon ex shows that maybe she wasnt a good person after all. She misses her mom. She give away her powers (her strenght, her core) to be free from her abuser. She gets her power back, she buries her abusive demon ex alive in her mind (the place where he had her prisoner) with the help of her FAMILY (she didn't know who she was, she didn't know were she was from now she knows) she wrestles a thousand-year olds witch seconds after gaining her mind power back because she CAN AND SHE WINS. She has her memory back, she was an horrible person, her parents weren't looking for her (she missed her mother) and now she needs to go back home and she needs to make things right. Seriously what's there not love about her? Crystal Palace, please understand, you'll always be famous.

2 - Wait one second *close the door* *inhumans sounds* *open the door* okay now lets start. He is not the brain, he is the brawn, he is the protector. He couldn't protect himself. He died defending a boy he didn't even know, he died because he hated senseless violence, he died by the senseless violence. He fears being a bad person — he think he is a bad person, his father's son. He is terrified, so he'll lie, he'll smile. He was just a boy, he died young, he wanted to grow old, he hates to be dead, but he loves Edwin. He chose Edwin over Heaven — this boy, alone, died young and had been his light during the darkest, final, moment of Charles' life. It was an easy choice. I just really, really love Charles, because of all that, but also because he is charismatic af (all Jayden's hard work) and funny and he foes around with a fucking cricket bar, I should've started with that... he has a cricket bar, your Honour, I rest my case. And and I just love charachters with this """savior complex""", this responsibility of being alright to take care of others, of smile and lighting the mood because no one else will do that.

3 - she's an overworked work and that's my kinda shit. The whole point of her job is to protect and care for the lost children, and being honest to god I know she would shoot a kid right in the head if it meant finish her job and thats so fucked up and hyprocte of her and i just absolutely worship her. Also, her whole life views being changed because of a funny man she met inside of a whale is just--- I think she is underrated, and people are missing her angst potential, but I will not be the one to tell you how to write her because dude my english is going to shit as we speak.

4 - I know this is kinda dissapointing, but my whole reason is that she is Niko. That's it.

5 - She is a dyke running a butch shop, thats actually so cool I could die. On her first appearence I thought she would kill Crystal and the boys (again) and thats how I like my women. Also its really refreshing to seen that there is an adult who cares about these kids... the talks she had with Crystal and Niko, yk, she is so mature and smart and wants to help and she is like so cleary trying not to get attached and failinh tremendously, cmon she saw Crystal going to meet her abusive ex and was like "Nuh uh u aint going alone and I AM TAKING THIS MF CLEVER WITH ME" based af. Local lesbian accidentaly addopts four kids (two of which are dead)

Bonus: okay I feel like I gotta justify myself: I DO NOT HATE EDWIN, okay? I love him, he just didnt make the cut. And about Tragick Mick, cmon he is a goddammned (LITERALLY) seal and runs a funny little shop and saved Niko's life. We love him. We adore him. Tragick Mick may not have the sea, but he has the people!!