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#because of the eerie typewriter thing he was given
bad-artist-kira · 1 year
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Can someone tell me WTF is happening in Bloodlines TC? Why was Caleb in a mental asylum in the beginning? Why did he die like three separate times in episode three of the mod? What does Maximillian have to do with anything going on in the mod? Who tf even is Maximilian Dunkel??
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When does this happen????
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Laisse tomber les filles 3
Warnings: non-consent sex and rape; size kink; age gap; manipulation; tags to be added as story progresses
This is a dark!fic and Lee Bodecker x (short) reader and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Synopsis: You find yourself ostracized on campus by your shyness, but your reticence won’t deter an unwanted suitor.
Note: Lee’s slowly creepin’ and I hope you’re ready for it.
Thanks to everyone for reading and thanks in advance for all your feedback. :)
I really hope you enjoy. 💋
<3 As usual, I’d appreciate if you let me know what you think with a like or reblog or reply or an ask! Love ya!
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You slurped the last of your shake through the straw, the paper cup damp in your cold hands as the heater blew out hot air. The foamy dregs of the drink were overly sweet and made your cheeks twinge. Lee popped the lid off his cup and offered it and you slipped yours inside. He pulled the straw out and stacked the lids, squeezing both straws through and setting it on the seat beside him.
He stretched his arm over the leather, his hand just behind your head and you listened to the deep voice of the narrator recount the eerie words of HP Lovecraft. You fidgeted and looked at your watch. The sky was dark and the stars twinkled down ominously.
“Um,” you uttered, “I think... uh…”
He looked at you and his hand hovered close to your shoulder, “what is it, honey?”
“I think I should get home,” you finished.
“Oh, why’s that? You don’t got class tomorrow, do ya?”
“I don’t but… well, I’m tired,” you rubbed your neck and sat up so he couldn’t touch you, “I had an early morning.”
“Well, of course,” he retracted his arm and straightened up, he pulled the car into gear and slowly pressed down on the gas, “you should get to bed, little girl.”
You scowled at the venom in his last two words. He’d been nice but he had no right to patronize you. You hated that most. People thought because you were quiet they could just treat you like you were dull.
“I’m not… not a little girl,” you eked out.
“Ah, I didn’t mean nothing by it,” he said as he pulled out of the lot, “you are little though, ain’t ya?”
You felt a peculiar heat creep up your neck and cheeks. You were short but you’d met a few people smaller than you. People came in all shapes and sizes. You didn’t comment on his stomach or the wrinkles around his eyes. Yet, the humour in his voice kept you from rebuke.
“I guess, I…”
‘I don’t mean it as an insult, you see?” he chuckled, “kinda cute you can’t reach the floor.”
“Mmm,” you inhaled and pursed your lips. You pulled the collar of your pea coat closed and wiggled your foot nervously.
“I see,” he said, “you got your friends waitin’ on ya, huh? Yeah, young girl like you don’t wanna be hanging around an old man all night.”
“I didn’t say that,” you said.
“Hey, I’m not stupid, I was only bein’ nice,” he interrupted, “you looked lonely and I… I got carried away.”
“I’m sorry, I didn’t…” you scrambled as he passed by the college entrance, “I was… I don’t know.”
“Well, you’re in such a hurry, honey, you can’t wait to be away from me,” he ranted, “actin’ all sweet and shy but you just like the rest of them.”
“What?” you grimaced and watched the buildings pass by, “no, I’m not. I…” you felt guilty as if you’d done something wrong. All you wanted was to go home and lay down, but it felt like a personal affront. “I… lied.”
“What?” he asked as your voice fizzled.
“I lied, sir,” you confessed, “I don’t have any friends. Not really, just… classmates.”
“Nah, that can’t be true,” he scoffed, “who wouldn’t wanna be friends with a pretty girl like you?”
“No, no, please, I… I’m sorry, I just want to go home, okay? I’m tired,” you cupped your cheek and slumped in defeat.
He was quiet for a moment as he drove along. He turned along the line of residences and streetlights flashed over his profile as he stared at the road. He flipped into park as he stopped in front of your building and nodded. 
“Alright, I believe you,” he said at last, “I don’t wanna keep you up and I didn’t mean to get so upset. It's just, well, I like being with you.”
“It’s fine, thank you… for everything. The milkshake was good.”
“No, I mean it, it’s a pity no one else can see it,” he went on, “you’re real smart and nice. You got a pretty smile too when you show it, too.”
“Thank you,” you said quietly as you gripped the door handle, “that’s very kind. I should go--”
“Wait, wait,” he caught your arm, not tightly, but kept you from getting out as the door opened an inch, “can I come back? Next week, we’ll have another shake and listen to the show. I’m really curious what happens.”
“I don’t know, I… I have lots of work to do,” you looked at his large hand on your arm. He dropped it and wiped his palm on his brown pants.
“You bring your homework, honey, you can study and listen, I don’t mind,” he offered, “if you don’t want a shake, we can get some burgers and fries. Have a nice dinner?”
You smushed your lips together and thought. He hadn’t done anything bad enough to warrant that feeling in your gut. You were overthinking things just like you always did. Besides, he had to be almost fifty, he was just being friendly, he said it himself. 
And what else did you have to do? You didn’t have any friends and it was too late to start making them.
“I… okay,” you said softly, “my book club ends at seven. It’s over at Clover Hall.”
“I’ll find you there then,” he smiled, “now go on, before I keep you out any later.”
You got out and scooped out your bag with you. You closed the door and headed up the path without looking back. You got to the door and focused on unlocking it. Your hands were shaking and your mind was reeling. You always lamented being little more than a fly on the wall but it was completely overwhelming to be noticed.
📚
You clacked away on the keys of your typewriter. Your dorm room was small and stuffy as dry heat rose from the dingy old radiator. You could hear your roommates in the kitchen as they gabbed and laughed loudly. You were jealous yet too intimidated to try and ingratiate yourself. You always just ended up in the corner as everyone else had fun.
Your assignment was to write a review of a primary resource borrowed from your visit to the archive. You carefully looked over the laminated manuscript between sentences. Your small radio played in the background and you couldn’t help but nod to the full tones of the jazzy music.
You were drawn from your entranced study by a knock at your door. It was unusual to be disturbed unless there were chores to dole out. You didn’t have time to wipe up their messes again. You got up and went to the door and opened it an inch.
“Hi,” you said meekly as Gina stood with a box in her hands.
“This is for you,” she held out the package, “it was down at the residence office.”
“Me?” you let the door fall open and took the box, “I don’t…” You looked it over but there was no address, only your name, “thank you.”
She left without another word and you nudged the door shut with your elbow as you turned. Your parents only sent you letters, they didn’t like to pay the pricy postage for a whole package. You put the box down on your single bed and peeled back the brown tape. The flaps came open and you peeked inside curiously.
You took out the skirt, a yellow plaid piece shorter than anything you’d ever owned. It was the new style found on the cover of Vogue. You put it aside and reach for the blouse, a pure white thing with bell sleeves. Lastly, a pair of knee high heels to top off the mod look.
There was an envelope amid it all, the note inside short and scribbled.
‘Saw this and thought of you, honey.’
You stared at the paper and folded it back up. It was a nice gesture but you couldn’t wear that. You couldn’t accept the gift either, it was too much. Every garment you owned was second-hand and you’d seen the prices of these clothes in the magazines. 
And, you wondered as you packed the box and shoved it against the wall, why would the sheriff buy you all that? His friendliness made you uneasy. It was suffocating and yet, you could find no fault in someone being too generous. 
You realised too, how little you knew about him. What if he had wife or even a family? What if he didn’t? What if he was only doing it to fill in some gap in his life? Maybe he was playing out some father-daughter relationship he never had.
Well, you could ask him next time you saw him. Or try to.
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luffles424 · 4 years
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Cigarette Burns
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☼ Pairing: Seokjin x reader x Taehyung
☼ Genre: angel!reader, angel!Taehyung, horror, angst, some fluff, smut
☼ Count: 10.6K
☼ Warnings: 18+, death (minor characters), blood, mentions/descriptions of injuries, mentioned mutilation, hallucinations, oral (m receiving), double blowjob, cumplay, cum sharing, deep throating, face fucking, teasing, ball play, dom/sub themes, hair pulling
☼ Summary: Seokjin’s been tasked with finding a film that is thought to be a myth. A legend that caused a theater full of people to turn to violence and then was never seen again. With the mystery that swirls around the film and the increasingly strange things that happens as he hunts for it, is he fully prepared for what waits for him at the end of his journey?
☼ a/n: This is based on my favorite horror movie ever, Cigarette Burns! The story is changed some, but I can’t explain in a way that doesn’t spoil both the film and the fic. I’ve pulled back on some of the gore from the original film too. I hope you enjoy, as I’ve not really written a horror fic before! Let me know what you think! My ask box is always open ~ 💙💙💙💙
☼ Written for @btsholidaybingo​ to fill the square Blood, Sweat, and Tears
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The theater is quiet as Seokjin enters it, understandably so since it’s almost closing and the theater is so small that there’s likely no one at the last showing. One of the downsides of a more indie theater, he supposes. But it had been his dream, keep the older films alive, even if it didn’t necessarily prove to be super lucrative. Which is where his second job came in, that people (Taehyung) would argue should really be his primary job considering how good he is at it. 
Seokjin doesn’t want his primary job to be hunting down rare prints. He likes it well enough, sure. It’s thrilling to find a new piece that was thought to be lost to time (and to negotiate into the deal that he’d get to hold a showing of whatever he found too). But it’s really only something to help keep the lights on at the theater. Taehyung also suggests adding newer films to the theater's showings to draw in new crowds and get them interested in the older ones so Seokjin chooses to ignore most of Taehyung’s “helpful” suggestions. 
He makes his way to his office, where Taehyung is sprawled out in a chair, perking up once the older man enters. 
“What’s the film this time?”
Seokjin chuckles as he sits down at his desk, setting a thin file down. Taehyung might be more invested in Seokjin’s side job than Seokjin is. Maybe he should teach Taehyung how to do it so the younger can take over. He’s inquisitive and bright enough that he’d be good at it. “Hi, how are you, Tae? Oh, me? I’m doing good.”
Taehyung rolls his eyes. “Oh come on, I saw you this morning. Now what film are you looking for?”
Seokjin eyes him up for a moment. He’s never seen Taehyung so interested; he seems more interested than usual and he doesn’t even know what the film is yet. He’s not sure if he’s interested in the film or hearing about the process Seokjin goes through to find them. Seokjin’s good at his job, good at finding the relics of an era where everything couldn’t be easily backed up. And while he makes sure to get a favorable deal and be able to show what he worked so hard to find, Seokjin maybe also makes duplicates for the sake of preserving the content of the old films. Taehyung always seems delighted to go through the unofficial prints that Seokjin keeps stored in the theater (or at his house because multiple copies is always best when it comes to preservation). 
“I don’t know if I’ll find this one. It’s pretty legendary and notably thought to be either fake or destroyed.”
Taehyung leans forward, eyes wide with barely contained interest. “What is it?”
“La Fin Absolue du Monde.”
There’s a flicker of something in Taehyung’s eyes that Seokjin can’t decipher and it’s gone too fast for him to even try. “Isn’t that that film that only ever had one showing and everyone at the showing killed each other or themselves?”
Seokjin nods, pulling a yellowed newspaper clipping from the folder he brought. It’s all in French but there’s a translation written in the blank space of the paper the clipping is attached to. It details the bloodbath that the theater turned into before the film even finished and how the only print of the film was destroyed right after.
Taehyung looks up at Seokjin, expression unreadable. “Do you think it still exists?”
Seokjin shrugs. “The guy, Bellinger, seemed very positive that it does. Said he would know if the film had been destroyed. I didn’t ask how because that seemed like a path I didn’t really want to go down. He was weirdly obsessed with the props he had from it. But he gave me the information he had and said that if I couldn’t track it down within a month that he would admit that it was gone. But he paid half up front for the whole month. Double my rate too. He seems to really want this found and to honestly believe that it’s still out there.”
Taehyung nods stiffly before he’s flashing Seokjin his usual boxy grin. “I’m sure you’ll find it. You are the best after all.”
Seokjin snorts. He wonders if he should question Taehyung’s sudden shift at the mention of the film. It’s not like him to be so serious about a film. “I don’t know if I’d go that far, but thanks.”
“Do you have any leads?”
“Not really.” He flips open the folder and shows that besides the article clipping is just a printout of the poster from the film’s only showing and another printed page with a film review on it. He taps the review. “This was written by a critic who was at the showing. As far as I can tell, he’s still alive. But he seems to have become incredibly reclusive in the decades since the showing. I’m going to ask around and see if I can track him down.”
Taehyung stands and drums his fingers on the desk. “Well good luck. Keep me updated as always.” He turns to go, pausing in the doorway. “Seokjin… whatever you do, don’t watch the film.”
And then he leaves, leaving Seokjin confused because it seems like Taehyung believes the film still exists and that somehow something bad will happen if Seokjin were to watch it. Maybe he just believes the stories around it and thinks that the crazy stuff that happened was due to the film and not something more easily explained like the crowd being poisoned or something much more logical than the movie made them do it. He shakes his head, it’s probably just a friendly warning out of worry. Turning to his computer, he starts digging into the sole survivor of the film’s only showing.
It takes some time, hours of staring at the screen, to find anything substantial on the critic. It’s nearly morning, gray light filtering through the slates in his closed blinds, but he finally finds where the critic has most likely holed up. For what reason, no one seems to really know, just that he disappeared after his review and hasn’t really been seen since. But it’s as good a place to start as any. Seokjin saves the address onto his phone and leaves the theater, stopping at his apartment for a moment to shower, change, and pack a quick bag before he’s grabbing some coffee and heading to the airport.
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Upstate New York is far more woodsy than Seokjin had expected. Although he supposes when he’s only imagined New York City when thinking of New York, that’s an easy mistake to make. The foliage makes navigating to the critic’s house in his rental car a little difficult since it’s seclusion means that the road to the house is nearly completely overgrown. He wonders how the guy gets food if the path there looks as if no one’s been on it in months. The house itself is simple, but appears abandoned given the lack of care to the outside and the way all the rooms that Seokjin can see into are darkened. Still, Seokjin isn’t one to be deterred, the porch looks nice enough, he can always just wait a while if there happens to be no one home before maybe finding an open window or door to check out the house. But first he approaches and knocks on the front door. He gets no immediate response but when he steps back to look in the windows on the far side of the door, he’s able to pick up the sound of a typewriter. 
Well someone’s definitely home. He moves back to the door, knocking again. 
“Mr. Meyers?” He calls out, the typing stops and he gets an answering ‘go away.’
“I just need to speak to you for a moment.” There’s a resounding ‘no’ in response and the typing starts up again. “Please, it’ll be quick. I wanted to ask you about your review for La Fin Absolue du Monde.”
The typing stops again and then there’s a loud buzz and the door swings open an inch. Eerie, but Seokjin pushes the door open and steps inside. The house is dark, blanketed in shadows caused by the only light that streams in through the cracked curtains. There’s a stale quality to the air, like the house has been closed up for months and there’s a gray cloud of smoke that clings to the ceiling, swirling with the sudden air flow. As Seokjin looks around, he sees that there are stacks and stacks of paper piled everywhere that there is space, leaving just a narrow pathway from the entrance to the living room. He rounds the corner into the living room and there’s even more stacks here, piled high around the critic as he sits hunched over his typewriter, typing away once more. 
“Were there press notes?” He asks, glancing over one of the nearby stacks, skimming the top page. It talks about the film. He gets a curt ‘yes’ in response to his question. “Did you save them? Could I read them?”
“Dangerous.” Seokjin frowns at Meyers’ statement. They’re just notes, how could they possibly be dangerous. “The back said ‘Film in the right hands is a weapon.’ He was right and we didn’t even know it.” There’s a heavy silence before he continues. “We trust film makers when we go and watch films. We sit there, in the dark, and trust in what they’re going to show us. That it’ll affect us but we trust that they won’t go too far.”
Seokjin waits but Meyers doesn’t seem inclined to continue now, though his words haven’t been particularly helpful anyway. He’s not even particularly sure what he’s talking about. It’s almost like Meyers has used up all his words on the pages taking over his home or that he’s forgotten how to hold a conversation. Has he been here since the film release? If so, he’s been out here alone for decades. 
Seokjin decides to try directing the conversation back to the film. “I’ve read your review. A few times on the plane. And I still have no idea what the film is even about.”
“Hans Backovic was a monster. He took that trust and abused it. He didn’t want to just hurt us, he wanted to absolutely destroy us.”
Seokjin feels like they’re having two different conversations. He’s not even sure that Meyers heard what he said. Backovic was a director, how could he possibly have destroyed an entire audience? “I’ve seen extreme gore before. It didn’t drive me to violence. Why is this film so dangerous? Surely all that violence in the theater was exaggerated?”
Meyers leans back in his chair and he looks older, exhausted. His eyes seem slightly unfocused. “Oh no, not at all. If anything, it was downplayed.” He pauses and takes a slow breath. He’s staring at his desk but the look in his eyes says he’s somewhere far away, reliving something he doesn’t want to be reliving. “I watched four people die. Blood slicked every inch of that theater floor. The chairs, the walls, the screen. It reeked of death.”
There’s a charged pause and then Meyers leans forward again, looking at Seokjin and Seokjin feels unsettled, that faraway look is gone, instead replaced by a wild almost manic look. “Backovic knew what he was doing. He told me exactly what would happen when that film played.” He chuckles and it’s completely humorless. “I thought he was joking.”
Seokjin moves closer, suddenly interested. Meyers had spoken to Backovic? About the film specifically? Finally, a possible lead, something to have made this trip worth it. “You spoke to him?”
“Yes. Before the film. I recorded an interview with him.”
“Do you still have that tape? Can I listen to it?”
“No one’s ready for that film. They weren’t then and they aren’t now. I failed in my one job as messenger for the film. That review was a joke. But everyone will know, once I finish my new review. They’ll see what the film is really about.” He seems to be almost talking to himself as he pulls the sheet of paper he’d been typing out of the typewriter and adds it to the pile beside him. He slips a blank sheet into the typewriter. 
Seokjin glances around in alarm, gesturing to the stacks of paper. “Is that what all this is? Your new review?”
He lets out a slightly maniacal laugh. “I’m almost done!”
Seokjin swallows. There’s easily a million typed pages here. And it’s all about the film? Unease fills Seokjin as he casts his gaze over the stacks again. What happened in that theater that could drive someone to spend decades typing this much? And to call it a review? He doesn’t want to ask more about the review and what could possibly be compelling this man. “Well, there’s a chance that there’s still a print out there. I’ve been paid to find it.”
Meyers stares at him for a long moment and Seokjin shifts in discomfort. There’s so much mystery around this film and this talk with Meyers has only increased that. Then he laughs again and stands. Seokjin thinks maybe he should leave, for a split second he fears that Meyers has been so hard to find because he’s killed anyone who’s come to find him before. “You should know what you’re in for.” He says cryptically before moving to a trunk nearby. He rifles through it for a moment before pulling out a tape. 
He presses it into Seokjin’s hands, but when Seokjin goes to pull away, Meyers’ hands tighten around his, keeping him in place. “Promise me. Promise when you find it that you’ll let me see it again. I’ve dreamt about that film every night since I’ve seen it. This film it… it crawls inside you. It just doesn’t leave.”
He releases Seokjin’s hands and goes back to his desk, staring at the typewriter for a long moment before he starts typing. It’s as clear a dismissal as anything and at this point, Seokjin is more than happy to leave Meyers to his stacks of papers. 
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Paris is the next stop for Seokjin. He has a friend, Henri, who works at one of the bigger film archives in the city and he might have leads for him. But first he needs a moment to himself, so he spends his first night in the hotel. Where he figures he might as well listen to the interview while he’s got some time. It could give him some help in where to look when he goes to see Henri tomorrow. 
The interview seems normal enough. Backovic talks like most of the more pretentious indie filmmakers. Those who believe that their art is superior and above so much else of what’s out there, especially what comes out of Hollywood. Seokjin vows to never tell Taehyung about the interview because he’ll only use it as fodder to mock him and how he has the same ideas with his theater. Which is not true. Seokjin shows plenty of films aside from indies. They’re just usually classics, films from the 70s and 80s, cult classics that don’t really show in theaters that much. Things that draw specific crowds but aren’t always popular with most but the theater does just fine with how it is now. He sees no reason to change.
Halfway through listening to the interview, a searing pain flairs in Seokjin’s head and he jerks the headphones off as he tries to blink the orange ring from his vision. 
His heart is pounding for the start and he sees the flash of something out of the corner of his eye. He stumbles off the bed to move towards the bathroom where he saw the shadow. The room is empty, which should be unsurprising since Seokjin is alone in his hotel room, though now he can’t remember if he had left the light on or not. 
But it seemed so real, like there really was someone else here. He glances at the mirror and for a brief second, he swears that he sees Taehyung. He rubs at his eyes, heels digging in almost painfully. He blinks the spots from his vision and stares at the mirror a little longer, like if he stares at it enough, something will happen. Like Taehyung might appear on the surface again and prove that Seokjin is not losing his mind right now. But when nothing happens, he finally, reluctantly, moves back to the main room, sitting heavily on the edge of the bed. His hands shake as he picks up his phone to send a quick message to Taehyung. 
He gets a response within a few minutes and it makes discomfort settle in him when Taehyung confirms that he’s at the theater right now working. He even makes a joke how he’s sure people come to see the old films on the days that he hangs around not for the films but to see Taehyung’s face. He knows Taehyung’s just trying to draw a response from him, to tease and coax him into some flirtatious banter. But Seokjin’s suddenly much too exhausted for that. He lays down without responding, but it takes him a long time to fall asleep and even when he does, it’s restless and plagued by dreams that leave him the second he wakes. But while the images fade with the growing light, the sound remains; the chilling screams that sound so much like Taehyung that Seokjin almost calls him just to confirm that he’s okay.
In the morning, he makes his way to the archives to speak with Henri, who apologizes that he can’t be of too much help since they’re in the process of moving, but he says he can help direct Seokjin in the right direction if he tells him what movie he’s looking for. Seokjin is a little reluctant after the meeting with the critic. He waves off the help, telling Henri that he’ll just look around on his own to not get in his way. Henri insists, saying that the move will make it harder for Seokjin to look.
When Seokjin mentions the film, Herni’s entire demeanor shifts, the friendly man suddenly cold as he tries to warn Seokjin away. When Seokjin won’t, Henri tells him he’s welcome to use his assistant’s office, though there’s not much on the film and that the film is certainly not there. He leaves him with an ominous warning about having to earn this film, hand tucked firmly in his pocket.
Seokjin pours over what little information there is. The most promising thing he gets is the crew list for the film, something that Seokjin didn’t see listed anywhere online and it really only lended to the idea that this film wasn’t real. But now he has some physical evidence that people worked on this, that they saw the film unfold in person. His joy at the discovery is short-lived though when he realizes that this is proving less and less useful with each name he has to cross off because they’re dead. Of the eleven crew members, all but two are dead. He goes out to find Henri, showing him the paper. 
“How easy is it to find either of them?”
Henri looks at the list and nods, almost like he knew this was coming. Seokjin wonders how many people he’s seen come through here looking for the movie. “Patton was blinded after filming. And he won’t speak on the film. He nearly killed the last person to ask him about it.”
Seokjin gestures to the other name. “And Backovic? Surely he’d have some idea where his film ended up.”
Henri scoffs. “Backovic is dead.”
“How do you know that? There’s no death certificates or records or anything.”
Henri shoots him a look. “Trust me, Seokjin. Backovic is dead.” When Seokjin goes to speak again, Henri interrupts. “I’m sorry but I have nothing else to tell you.”
Seokjin knows that Henri’s not telling him something. Years of working together and he’s learned a thing or two about his friend and his tells. He doesn’t know what, but there’s something he knows that Seokjin knows he’ll need to be able to find this stupid film. He stops just outside the door, hidden from sight and he hears Henri make a phone call. He doesn’t know much French, but he knows that he mentions the film. Seokjin leaves quickly, making plans to come back later and force Henri to tell him what he knows. 
Henri seems startled when Seokjin appears again a few hours later. He really should’ve expected it. Seokjin’s never been one to give up so easily and they both know that. 
“I know you’re lying. You know more than you’re telling me.”
“You don’t understand what you’re asking.”
“Yeah, I don’t understand anything that’s happening. There’s so much mystery around this film, how can I possibly know anything. Fuck, last night I saw…” Seokjin trails off, he doesn’t know how to explain last night. Maybe it was just jet lag and exhaustion and the unknown of this film that caused the hallucinations. Or maybe he dreamed the whole thing.
Henri straightens, eyes wide with alarm. He moves closer to Seokjin. “A circle? Like the reel change in a movie?” At Seokjin’s nod, Henri pales. “Then it’s too late. You’ve already started a process which cannot be stopped. It’s only going to get worse. I’m so sorry.”
“What started? I don’t understand.”
“When you look for the film, it does something to you. You see those burns. It’s payment for every step closer you make to the film. You need to stop now. Before it’s really too late. You don’t want to continue on this path, Seokjin. You have to ignore the curiosity. The itch to dig a little deeper, find out a little more. Walk away. I know it’s hard. But you have to.”
“You know?” 
Henri nods and pulls his hand from his pocket where he always keeps it tucked, revealing severe burns, so bad that his fingers have fused together. Seokjin takes a small step back in surprise. 
“But… How?”
“I was the projectionist at a private screening of the film. I was curious about it too. Much like you. Much like everyone who eventually comes searching for the film that’s only been shown once, twice now. But most don’t know that. It was kept from the public and the film disappeared again.”
Henri pauses and takes a deep breath. “I chickened out. I got scared once it started and I looked away.” He closes his eyes. “When the screaming started, I tried to stop the projector but it wouldn’t stop. So I grabbed the film reel. I saw that some circle you did and I… I blacked out. When I came to, my hand was burned and the film was over.”
Seokjin swallows. This film is starting to seem more and more like a bad idea. Taehyung’s warning flits through his mind as well, telling him not to watch the film. Maybe he should’ve told him to just give up the job. Not that Seokjin would’ve listened. Maybe he should’ve charged more to find this. “I won’t watch it. I’ll just take it and give it to the collector. But… I could really use the money for the theater. I can’t just give up looking.”
Henri’s gaze darts over Seokjin’s face and then he gives a small nod. There’s a sadness in his eyes as he picks up a small piece of paper. “I wouldn’t call this man if I were you. He has an… extensive collection but he’s dangerous.” He hands the number over to Seokjin. 
“Does he have it?”
Henri shakes his head. “No. But he’s been given things from the Backovic estate. He can possibly get you in contact with them.”
“Thank you.”
Henri shakes his head again. “Don’t thank me for sending a friend into danger.”
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Seokjin takes a taxi to the address given to him when he calls the number that Henri gave him. The warehouse is run down looking and at a dead end about halfway up a big hill. The only other buildings are some houses further up the hill from the road and the town he can see over the road barricade looking down. He pays the taxi driver extra and tells her to stay then makes his way towards the two burly men who have appeared at the massive open doors to the warehouse. 
The warehouse is shadowy, lighting sparse and everything appears to be covered by a layer of dust with the exception of a few items in the room that they lead him to.The room is large and another man stands almost in the middle of the room, he’s wearing all dark leather and has his back towards Seokjin. He stands just behind a wooden crate that’s been set on a chair. It has a printed label that reads ‘La Fin Absolue du Monde.’
“It’s not for me.” Seokjin begins. Might as well start with that. Maybe it’ll make it easier for him to get the film.
“But you’re curious.”
“I suppose a little. Have you seen it?”
“No. But I would. Who wouldn’t?” The man walks a few steps away to a camera and begins to fiddle with the settings. “I admire a man like Backovic. So unafraid to be real. I detest the fakeness of Hollywood. I want to be great like Backovic. Groundbreaking. Real.”
Seokjin moves to the crate, opening it up. He’d idly hoped that maybe it was the film and he could take it to Bellinger and be done with this. But the crate is only about half full, mostly with filler to keep a film reel cushioned during transport. Other than that, there’s a few different manila envelopes. 
The first envelope has a return address to Katja Backovic. If Seokjin’s remembering correctly, that’s Backovic’s wife and according to Henri, is actually his widow. That’s certainly a good lead. There’s not a lot of information out there about her in recent years either. He sets it down and picks up another, it’s blank on the outside and so he slips the pictures out that are contained within. 
The first is of a winged figure, one that appears to be a woman, her face turned away from the camera and surrounded by other people. Her wings look beautiful even through an image, glossy black and full. The next is a silhouette of a figure holding a knife and it looks like they’re in front of a window or some other light source. 
As he shuffles through the photos, they become increasingly bizarre. A photo of someone on a neighborhood street and the sky is red but looks off, like someone has overlaid another image over the sky. He thinks they’re set photos. The last one shows two winged figures, both facing away from the camera and chained to the wall. Their heads are bowed towards each other. One seems to be the woman from the first still and the other seems to be a man, but there’s a table or something that blocks Seokjin from seeing much more than his wings and back of his head. 
Seokjin is suddenly grabbed from behind, the photos falling from his hands to scatter on the floor as the two men drag him a few feet backwards. The other man, the one who he’d been speaking with has a syringe now. Seokjin’s blood runs cold. 
“Oh, you can’t leave already. We have so much left to discuss.”
Seokjin squirms, trying to fight the men off, but their hold on him is firm and in a matter of seconds, the needle is in his neck and consciousness is leaving him.
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Seokjin comes to some time later, he has no idea how long but there’s light filtering through the window so it’s either not been that long or he’s been out for a whole day. He’s tied to a chair and duct tape firm across his mouth. He feels foggy and when he looks around, he sees the two burly men are now operating the camera. There’s a woman tied to another chair in front of him and the man from before is now shirtless and holding a machete. Seokjin feels like he’s going to be sick.
He fights against his bonds, but he’s helpless to stop as the man approaches the woman and, with no preamble, embeds the machete in her neck with one strong thwack. He pulls it free and pushes her head so blood sprays his bare chest, head tilting back like he’s being hosed down on a hot day. 
Seokjin screams, though it's muffled and continues to fight against his bonds as the man pulls the machete out and makes quick work of getting through her neck. Her head is dropped to the ground and then the man approaches him and Seokjin tries to push himself away. He talks about how he turned her into art, about the realness of what he’s created, but the words barely register to Seokjin in his panicked state. Maybe he should’ve told the taxi driver to call the authorities if he took too long.
The man leans closer. “Something happens when you point the camera at something terrible. The resulting film takes on power.” He grins and rips the tape off of Seokjin’s mouth. 
“Snuff is not power! It’s just fucked up! It’s murder.”
The man laughs and straddles Seokjin’s lap and Seokjin feels his heart in his throat as his stomach turns in revulsion. He can feel the blood soaking through his jeans where the man sits. 
“You’re not listening to me. You came all this way but you won’t listen. You want to know why the film destroyed its audience?” His hand squishes Seokjin’s cheeks and Seokjin tries not to think about how slick they feel against his skin. “Backovic was an exceptional editor. He understood the value of a cut. But there was more to it. They say the movie works subliminally while you watch it. But the thing that made the film a weapon?” His grin is deranged. “Blood. Spilled blood. What if you got hold of an angel? A divine being with the blood of God flowing through its veins. And what if you sacrificed it on camera?”
Seokjin gets a flash of the circle again, the sharp sting as his vision is suddenly obscured. He sees a flash of a woman, chained to the ground, shuddering and emaciated, a pair of glossy, black wings mounted on the wall behind her. His breath shudders through him as the man bleeds back into focus.
“Something that profound, that personal. It changes everyone who was a part of putting it on film. And everyone who sees it. The closer you get to the film, the more you’ll be changed too. That’s Backovic’s secret. ‘Film is magic,’ he said. And he was right.”
Seokjin sees another flash. A split second of a circle with Taehyung in the middle of it, face full of anguish. 
“What do you see? What haunts you? Will they be waiting for you on the other side?”
Seokjin’s vision goes white. 
When he comes to again, he’s standing, completely free of his bonds and machete in hand. He drops it immediately, it looks bloodier than it had before. He catches sight of the man laying on the ground not too far from him but he tries not to look at it. Vaguely grateful for the fact that the man has fallen half behind a crate. The camera’s been knocked over as well. The two burly and the woman’s body are gone. He doesn’t want to know what happened. He has a gut feeling and it’s not one that he particularly wants to think too hard on. He’d really just like to forget that this entire warehouse ever existed.
The box is beside him now and he digs through it quickly, finding the envelope with Katja’s address in Vancouver on it and runs, taking the road back to the main street on foot. When he gets to the main road, it’s getting dark and he takes a cab. Shakily handing the driver a few extra bills in the hopes that they won’t ask any questions about his state. 
He takes a scalding shower once back at his hotel, scrubs himself raw but he can still feel like blood, no matter how hard and long he scrubs for. He stuffs the bloody clothes into a paper bag and gets dressed. He hastily packs the rest of his things and goes down to check out. He shoves the bag with the bloody clothes into a trash can on the street before getting into a taxi and heading to the airport. He’s ready to be fucking done with this. He’s ready to be away from this city.
Taehyung texts him while he’s on the flight. Asking how the search is going. He’s too exhausted to even think and so he leaves Taehyung unanswered. 
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He takes another shower once he lands in Vancouver, but he still feels dirty. He stares at himself in the mirror and tries to make it look like he’s not on the verge of a breakdown and leaves his room to Katja’s address. 
Seokjin presses the button beside her name on the building. 
“Yes?” Her voice is softer than he expected, though he’s not really sure what he was expecting.
“Mrs. Backovic? Can I speak to you for a minute? I’ve come a long way.”
He’s answered by the door buzzing open and he moves quickly through the lobby to the elevator. Seokjin presses the button for the penthouse, scrubbing his hand over his face once the elevator starts moving. Maybe he should make this his last film job. It’s far more than he expected it to be and he’s just so tired. There’s a jolt and then the elevator stops and the lights go out. 
He feels a body press to his back and he tenses. It’s not real, he thinks, eyes squeezing shut. Just like everything else.  
“Save her. Please.” When Seokjin turns and thrusts his hand out, he’s met only with air. The voice had been hauntingly familiar. It sounded like Taehyung. It’s not real, he repeats to himself. Taehyung is back home. Probably asleep right now. He can’t be here. It’s completely illogical.
The elevator dings and Seokjin opens his eyes to see the doors sliding open to reveal he’s at the top floor. He’d been moving the whole time. Seokjin blinks a few times. He needs to get this film and hand it off. Now. He walks towards the living room, revealing a woman standing there. Katja. 
“Something happened in the elevator.” It’s a statement, not a question.
“Sure. Something like that.”
“You must want this very bad to have some so far. I must admit, you’re the first to ever make it here.”
“I have… so many questions.”
She smiles, but it doesn’t quite touch her eyes. “I’m not sure I have your answers. But we’ll see.”
She leads him a little further into the room, taking a seat in an armchair and gesturing for him to take a seat on the adjoining sofa. 
They sit in silence for a while, Seokjin taking a moment to think and gather his thoughts before finally speaking. “Do you have a copy of the film?”
She smiles that half smile again. “That’s not what you’re really curious about. You want to know if the stories are true.” Seokjin nods, though both are true. “They are. Unfortunately. Why are you looking for the film?”
“I was paid to.”
She lets out a bitter laugh. “That’s not the real reason.”
Seokjin chews his lip. “I… I don’t know anymore. There’s… I just have to find it.” He doesn’t understand. He’s walked away from lesser jobs. He has no idea what keeps compelling him to push here, what’s making him want to find this so badly.
Her head tilts like she didn’t expect his answer. She observes him quietly before nodding to herself, like Seokjin just took some big test and she’s pleased with how he did. 
Silence settles again before Seokjin asks a question he’s had since he saw the crew list. “Who produced this film?”
Katja’s eyebrows raise. “You’re quite direct.”
Seokjin just gives a small shrug. “I just want someone to say it.”
Sadness softens her features as she looks down. “I asked Hans the same question. Many times. The producers of this film produce many other things. Chaos, sorrow, suffering, famine.”
Seokjin’s brows furrow. “What does that mean? The devil? Demons?”
Katja gives another sad smile. “Hans never put a name on it. ‘Evil is evil,’ he would say, ‘does a name really matter?’” They stare at each other, the real implication of her words settling between them, and then she stands. “Come with me.”
She leads him to a film editing studio. It’s a little dated, but the equipment is well taken care of. Reels still set up and ready for editing. Like any second Hans might walk in to begin working. Seokjin glances at her. 
“How did he die? There’s no official records or anything about it.”
She glances away and Seokjin regrets asking only a little bit. This film has done so much damage, he has to know how the creator met his end. “He became… obsessed with La Fin Absolue du Monde. During the last year of his life, all he did was watch it. Over and over again. Like it was a punishment for what he had done. He got too close to the fire. The film worked the way it was meant. He became paranoid, skittish. It got to him.” 
Tears gather in her eyes as she continues. “He grabbed a knife on the way to find me in the bedroom. Only when he slit my throat,” she pulls her scarf down to show a scar running across her throat, “he just disfigured me. When he did it to himself, he died.” She laughs bitterly. “I don’t know who got the better end of that. I was left to watch over the film. I hate that film. I hate everything that it caused. I hate that it was always going to be too late to make it better.”
Seokjin swallows. That’s a lot to take in. It still doesn’t really answer why there’s no record, though he supposes that given enough infamy and money, keeping a death quiet is easy enough. 
“Can… I have the film?
She stares at him for a long moment then moves over to a rack of reels. She goes to touch it but her hand stops shy of making contact. “I put it here. I hate even having it in the house.”
Seokjin moves over when she steps back, fingers brushing the shelf just below where the film sits. He honestly can’t believe that he’s here. That he actually found it. What’s more baffling is that it seems that no one ever thought to check with Backovic’s wife for the location of the film. The easiest place to hide, in the most obvious place. “Ever since I’ve been tracking this, I’ve been seeing flashes. Circles with images inside.”
“The cigarette burns?” Katja’s eyes fill with pity at his nod. “When did they start?”
“I heard this interview, with Hans, from the night of the premiere-”
“You were marked. That’s how potent the film is. You don’t even have to watch it to be affected by it. As soon as you start getting close to it, it’s got you. Slowly, like sinking into quicksand.” She gives him a last sad smile, like she already knows what the future holds for him. “Take the film. It’s already too late.”
Seokjin takes the films from the shelf. He feels strange, something not quite sitting right with him. He’s not sure if it’s her cryptic answers or the way the films feel heavier that film reels should. But he leaves, flies back home because his current employer happens to live within driving distance of his apartment. He takes them as soon as he makes it back to his apartment. He wants them gone as soon as possible.
He leaves the reels in the trunk of his car because they make his skin crawl to have them on the seat beside him. He doesn’t want to touch them anymore than he has too. 
When Seokjin arrives at Bellinger’s house, the man in question and his butler are both waiting on the steps. Seokjin pops the trunk open and Bellinger is quick to rub his hands across the cases, a pleased hum leaving him. Then he’s pulling them out and handing him to his butler with the instruction to go set up the projector. 
Bellinger turns back to Seokjin. “I never showed you how I knew that this film still existed. Would you like to see before you leave?”
Seokjin shifts. He doesn’t really want to. He wants to go home, forget that he ever looked for this film. Go back to his normal life, taking care of his theater and spending time with Taehyung. But it seems rude and so he nods. Bellinger leads him into the house and down a short hallway. When he opens a door, Seokjin feels like all the air has been sucked from his lungs with what he sees. 
It’s the woman from the circles. Chained to the floor and wings mounted on the wall. Bellinger enters the room and she immediately cowers, giving Seokjin a view of her back and where two long, red cuts sit. Right about where wings would attach. They look fresher than decades old wounds should look. Because Seokjin knows she must be the one from the stills. One of the angels in Backovic’s film. The man from the warehouse’s words comes back to him as he’s staring at her. Divine blood spilled on camera. Seokjin’s chest aches.
Bellinger runs a hand across her head and she curls more into herself. “I happened to be lucky enough to acquire a few props from the film.”
Seokjin’s stomach turns at a being, an angel, being referred to as nothing more than a prop. “Can I have the rest of my payment?”
“Ah! Of course!” Bellinger reaches into his pocket and hands Seokjin an envelope. 
Seokjin doesn’t even care if it’s the right amount. He needs to get out of here. He wants to claw his skin off the longer he stays. He turns and leaves, missing the look the angel sends him. 
Seokjin rests his forehead against the steering wheel once he’s in the car. He allows himself a few deep breaths before finally pulling away from the house. He needs to just not think about this for a few hours. And then he can figure out what he should do with the new weight of information that’s been bestowed upon him. He taps the console, dialing Taehyung.
“Hey! You’ve been pretty quiet lately, you good?” He answers cheerily. 
“Better now.”
“Oh?” Taehyung sounds excited. “What happened?”
“I found it. Fuck, I can’t… I can’t even explain anything properly. But… fuck, Tae, I really found it. I found La Fin Absolue du Monde.”
“Where is it now?”
Seokjin frowns. That’s a weird question. Taehyung knows pretty well how this works, plus Seokjin left Bellinger’s information in his office in case he needed Taehyung to get in contact with him should something go wrong. “Tae, what-” He cuts off when his call waiting pops up, revealing that Bellinger is calling him. “Sorry Tae, that’s the other line. I’ll talk to you when I get home.”
“Seokjin no! Wait! Whatever you do, don’t watch-” Seokjin cuts him off as he switches to Bellinger’s call. 
Bellinger starts babbling, it sounds like he was babbling before Seokjin even answered the call. It’s hard for Seokjin to follow most of what he’s saying. Eventually he gathers enough that Bellinger needs him to come back. Had he grabbed the wrong film? Had Katja switched them on purpose? Or lied about it still existing? That seems unlikely, but he supposes he’ll find out when he gets back to Bellinger’s mansion. He turns the car around the first chance he gets. 
Bellinger’s house is quiet when he enters after he receives no answer to his knocking. But he makes it only a few feet past the foyer when the butler staggers out from a room, covered in cuts and knife still in hand. He points a finger at Seokjin.
“This is all your fault. You brought this evil here!” 
And Seokjin can only watch with a horrified expression as the butler stabs the knife into one eye and then the other. Panic wells in his chest and Seokjin moves quickly through the house, finding the small theater room with ease after heading the direction that the butler had come from. There’s no one in the seats, but he sees movement in the projection booth so he heads back there. 
Bellinger stands on the other side of the room, next to an empty projector. He murmurs something, though Seokjin’s unsure if he meant it for him or if he is just talking to himself. He lifts a straight razor, setting it on top of the projector like it’s a normal thing to do. He’s sweaty and winces every so often as his arm moves behind the projector. Seokjin wants to help, but he has a feeling he might be a little too late for that. And he’d prefer to not get closer and see just what Bellinger did with that straight razor. 
“I’ve done some terrible things,” he gasps out. “You have to to become this rich.”
Seokjin sees a flash of the angel and realization washes over him. “You watched La Fin Absolue du Monde.”
Bellinger jerks forward, wincing at the sudden movement, but there's a wild look in his eye. He seems unphased by the jarring motion that caused him further harm, too engrossed in the need to tell Seokjin about the movie. “Yeah… I recommend it.” He shakes his head and groans. “It’s not a movie though. Just a preview. The coming attractions of the soul.”
“You said you needed help.”
“I was going to ask you to find another movie for me. But… I don’t need it anymore. I have been… inspired.” There’s a disconcerting squelch and then Bellinger flicks the projector on and a second later something red and gooey slides through the projector like a film reel. It takes Seokjin only a second to realize what it is and he covers his mouth in horror and backs out of the room as he retches. Bellinger’s wheezed laughter follows him out as he sits heavily in one of the theater chairs. He just needs a minute to collect himself. He’s never been faced with so much blood and death in person. Movies sure, but those are fake. Actors with makeup and corn syrup. People who get up and walk away after the scene is done. Not this. 
He buries his face in his hands. He has no idea how long he sits there, but when he looks up, he’s horrified to realize that the film restarted. He has no idea if it was Bellinger doing it and that’s why he called him here, compelled by the film to get someone else to watch or if there’s some other force at play that started it. Taehyung’s warnings float through his mind.
He squeezes his eyes shut. He can’t watch this. He doesn’t want to, he wants to leave and never come back. Maybe never watch a movie again. But then there’s a scream and something makes him open his eyes. And there, projected on the screen, is Taehyung. Strapped belly down on a table as a masked man laughs and hacks at the base of Taehyung’s wings. Screen Taehyung lets out another anguished scream and Seokjin forces his eyes closed again. 
He’s not going to watch. He won’t. There’s a need to do something in his chest but he can’t figure out what it is. A woman screams on screen and with a sudden, bright clarity, Seokjin knows what it is that he needs to do. He scrambles out of his seat, blindly feeling his way out of the room as best he can. Once in the relative safety of the hallway, he heads immediately towards the angel. She’s staring directly at the door when he enters, like she was expecting him. And Seokjin would be disconcerted if he hadn’t just seen his best friend and the guy who he’s maybe interested in getting his literal, actual wings cut off. Seokjin thinks that nothing could ever phase him again after this. He moves to the desk on the far wall, tearing through the drawers until he finds the shackle keys. 
He approaches slowly, getting to his knees and crawling the last few feet to her. He reaches out just as slowly, but she doesn’t move an inch. He’d think she was a statue if he hadn’t seen her moving before. He undoes each of the cuffs then slides himself back to give her space. 
She doesn’t move at first and when she does, it’s to look back to the door, a small smile gracing her lips. “Taehyung,” she sighs.
Seokjin jerks, turning to see Taehyung standing in the doorway, shirtless with the film reels tucked under one arm. He quickly approaches the woman, completely ignoring Seokjin’s presence. The lack of attention gives Seokjin the opportunity to see Taehyung’s back and see that the same two marks that marr her back also marr his. 
The two press their foreheads together and stay like that for a long while. Seokjin begins to feel like an intruder and so he tries to quietly stand and slip out. But he only makes it to standing before Taehyung is turning towards him. 
Seokjin…” His eyes are watery. “Thank you.”
Seokjin gives a jerky nod and quickly leaves. He doesn’t know what he’d say to Taehyung. He just found out that he’s actually an angel. What do you even say to that? Sorry some asshole film director mutilated you on film and someone else captured your angel… friend? Partner? Seokjin doesn’t want to think about it. They seem to know what they need now that they’re in possession of the films. He’s not needed anymore.
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Seokjin tries to get back to normal life. He really does, though Taehyung’s disappearance leaves a bigger hole in his life than he would’ve thought. It’s a little heartbreaking too. He’d been seriously considering seeing if the younger would be interested in something more. 
Plus he’s now lost some of the help he had at the theater. He hires someone else, a sweet kid named Jungkook and he lets him help find more current or interesting films to show alongside some older and more indie films and business steadily picks up. Yoongi questions his sudden change of heart on the films he shows and Seokjin staunchly refuses to admit that he did it in honor of Taehyung who always nagged him to get newer films in. He spends more time with other friends and tries not to think about how much he misses Taehyung. 
That is, until he’s home one night and there’s a knock on his balcony door. Which is baffling because Seokjin lives on the 25th floor and it’s a fucking balcony. Cautiously, he slides open the door, jaw dropping when he sees Taehyung and you, looking full and happy and with pretty black wings folded neatly behind you both. Seokjin rubs at his eyes. There’s no way. He’s got to be dreaming.  
Taehyung moves in to give Seokjin a hug but Seokjin takes a quick step back. Taehyung’s face falls slightly and you reach out to rub his arm comfortingly. 
You give Seokjin a soft smile. “We wanted to come thank you.”
Seokjin flushes. “It was nothing.”
You shake your head. “No you don’t understand. It was everything. Taehyung and I were bound to that film. As long as it existed, we were trapped and broken. But you saved us.”
“Seokjin…” Taehyung’s voice sounds so small and Seokjin aches to hold him. 
But he can’t. Not yet. He has to know. It’s been festering in his mind ever since Taehyung disappeared. “Did you befriend me just so I’d find your film?”
Taehyung’s eyes widen and he’s quick to shake his head. “No! I was your friend because I wanted to be! I was trapped here. It was so lonely without Y/n. But I found you and… I don’t know. Something just drew me to you.” Taehyung ducks his head in shame. “I’m sorry that I didn’t tell you what I was. I didn’t want you to think I was crazy and stop being my friend.”
Seokjin’s heart breaks and before Taehyung can utter another word, Seokjin is crushing him in a hug. Taehyung lets out a watery laugh and they stay like that for a long minute before finally pulling away. 
“You two should probably come in so people don’t see the wings and think I’m hiding mothman or something.”
Taehyung perks up. “Oh, we can fix that.”
And before Seokjin can ask what he means, the air around the both of you shimmers and when it clears, you’re both standing there, wingless.
Taehyung grins. “Angel powers are pretty cool, huh?”
Seokjin blinks. “Y-yeah… Uh, you can still come in though. Wings or not.”
Taehyung grins and ushers both Seokjin and you into the apartment. You all sit and an awkward silence settles on the room. 
“So… Where did you disappear to?”
Taehyung grimaces and you reach over to take his hand before turning to Seokjin. “Hand to find a creative way to get home without powers so we could get the film destroyed and recover. The recovery didn’t take long. But trying to find the way home proved tricky when we didn’t have our powers to locate other angels.”
Seokjin glances at you then at Taehyung, a lump forming in his throat. “Are… you going to stick around?”
Taehyung smirks and slides closer to Seokjin. “Depends. Do we have a reason to stick around?”
Seokjin gulps. “We?”
You rise and settle on Seokjin’s other side and both your hand and Taehyung’s come to rest on Seokjin’s thighs in perfect synchrony. “We.” You confirm with a coy smile. “We’d really like to thank you properly first though.”
“Can… Can angels even do that?”
He gets two giggles in response and then both you and Taehyung are slipping from the couch to kneel before him. Seokjin wonders how much you’ve done this to be so in sync with one another. It makes him equals parts aroused and jealous. Two hands slide up his thigh, playing with the waistband of his sweats. Taehyung looks smug and you have a matching expression as you bat your eyelashes up at him, looking every inch like an innocent angel despite the hand that is dangerously close to his rapidly filling cock. 
“You can say no,” you offer, when his silence continues to stretch. 
“No!”
Taehyung snickers. “I told you. We already had a thing almost going. And who wouldn’t go for you.”
You nudge Taehyung playfully. “Stop that. This is about Seokjin.”
Taehyung turns back to Seokjin, grin much darker than before as his hand tightens on Seokjin’s waistband. “You’re right. So? Will you let us thank you?”
Seokjin blinks. He’s still trying to figure out how he ended up here. The two of you look far more salacious than Seokjin thinks a pair of angels should ever look. He wonders if you’re not just some demons pretending. He can’t deny that the thought of both of you doing whatever you deem as showing your thanks is intriguing. And Taehyung’s not wrong. They had been close. He just didn’t expect that to work out this way. He doesn’t think he can find a thing to complain about when he looks at how pretty you both look between his legs and eager to please. 
“Hm, do you think he’s distracted by the thought of what we’ll do to him?” Your gaze slides towards Taehyung.” “Or how we look together?”
A groan rumbles in Seokjin’s chest. Fuck, he hadn’t even thought about seeing the two of you together. You both smile at the reaction and take that as consent to tug Seokjin’s pants down and off. His cock rests hard and heavy against his belly as the both of you greedily drink in the sight. 
Your tongue darts out to lick your lips as Taehyung presses Seokjin’s legs a little further apart so that both you and Taehyung fit between them. You make eye contact with Seokjin and wink before turning to Taehyung and pulling him in for a kiss. The kiss is immediately filthy and Seokjin groans at the slick sounds coming from you both. It’s clear that you are familiar with each other, an ease that oozes from you both as you kiss. Taehyung’s hands tangle in your hair, drawing a loud moan that he’s quick to swallow. 
Seokjin starts to feel a little like an intruder, but as soon as he has the thought, there’s your hand is sliding up his calf. You stop at the bend of his knee and Seokjin only has a moment to ponder what you’re doing before you’re tugging him closer until his ass is perched on the edge of the couch. He’d be a little scared at the casual display of power if it didn’t turn him on more. Not breaking contact with your kiss with Taehyung, your hand continues its path up his leg until you can wrap your hand around his cock.
Seokjin’s hips jerk into your grip and he can see the slightest edge of a smile tugging at your lips. You give him a squeeze before sliding your hand up the thick length. Seokjin wants to squeeze his eyes shut but he’s too drawn to the way you and Taehyung look together. He almost wants to bat your hand away and see what the two of you do together.
Jolting, his gaze drops to where Taehyung’s hand has joined your’s on his cock, thumb circling the head and gathering precum. Then he’s pulling his hand back and slipping his thumb between your mouths. Seokjin sees your tongue brush the pad of his thumb and then brush against Taehyung’s to share the taste of Seokjin with him. It’s unfair how erotic the two of your are together. 
Seokjin just might die. Actually, maybe he’s already dead. Maybe that film actually did kill him. If this is the afterlife, he certainly can’t complain. Your hand settles at the base once again and you use your grip to tilt it closer to your and Taehyung’s mouths. You both shift closer, until your tongues brush the head of Seokjin’s cock just as much as they do against each other. 
Groaning, Seokjin’s hands curl into fists where they rest on the couch, at a complete loss of what to do as the two of you seem content to torture him by making out with his dick trapped in the middle. The two of you continue like that, tongues brushing the sensitive head of his cock with every brush against each other, lips occasionally dragging with the movement. 
Seokjin kind of hopes that he is dead, because he might die with how slow the two of you decide to go. He hesitates for only a moment before he’s unclenching his fists and resting his hand on each of your heads. Getting a pleased hum from you, he takes that as encouragement to push a little more and he pushes both of your heads further down his cock. Your lips barely touch Taehyung’s now that Seokjin’s cock is properly between you, girth forcing you too far apart. You work your tongue, moving lower as Taehyung moves back towards the tip. 
You trace a vein until it disappears at the base of his cock, shifting then to lap at his balls. Taehyung’s tongue swirls around the head, taking his time playing with the slit before wrapping his lips around and sucking. Seokjin moans, hands tightening in both yours and Taehyung’s hair. 
You let your hand closest to Taehyung trace his thigh before you’re pressing against his clothed erection. Taehyung whines, accidently sliding further down Seokjin’s cock and making himself gag. You smother your laugh against Seokjin’s thigh and Seokjin uses his grip of your hair to pull your face up. 
You blink up at him with wide eyes at the sudden action and Seokjin smirks. “I don’t think that was a very nice thing to do, princess.” He gently pulls Taehyung off his cock. “What do you think, prince? Was that very nice?”
Taehyung stares up at Seokjin with wide, blown out eyes, lips plump and spit slick. He licks his lips and shakes his head and Seokjin gives him an indulgent smile and cups his cheek. Taehyung leans into his palm, eyes slipping closed. Seokjin turns back to you and the soft look melts away and you gulp. 
He smirks. “Why don’t we give her a taste of her own medicine, my little prince?”
Taehyung shoots you a smug look and nods again, making Seokjin chuckle. He releases Taehyung, who shifts slightly out of the way. Seokjin grips his cock with one hand and guides you down onto it with the other. You open easily, squirming as Seokjin slowly feeds his cock into your mouth until he hits the back of your throat. 
He drags you back, just as slow, before pushing you back down, cock hitting the back of your throat with more force and you gag. Taehyung’s hand finds yours, giving it a squeeze as Seokjin quickly works up a rhythm fucking your mouth. You struggle to take him, Seokjin thrusting before you have a chance to catch your breath. 
Tears spring to your eyes and Seokjin chuckles. “Where’s the laughter now, hm, princess? It was so funny when Taehyungie was the one gagging on my cock.”
You whine around him and Seokjin picks up his pace, thighs flexing beneath your hands. Taehyung’s nails scratch along Seokjin’s thighs, sliding up to cup his balls and give them a tug. Seokjin moans and takes only a few more thrusts before he’s cuming in your mouth. You suck him through until he pushes you off and you sit back on your heels waiting for him to look at you. 
When he does, you open your mouth to show the mouthful of cum and then you smirk and pull Taehyung back in for a messy kiss, swapping Seokjin’s cum between you both. Seokjin groans, watching the time you take to make sure every drop is cleaned from your lips. 
Once you’re finished, you both crawl back onto the couch, each straddling one of his thighs. Seokjin cups each of your faces with one of his hands. Taehyung leans forward to press a soft kiss to Seokjin’s lips and when he pulls back you lean in to place a kiss of your own on his lips. 
Taehyung grins when you both press your foreheads to Seokjin’s. “We’re gonna stick around for a while.”
Seokjin can’t say he minds having two angels stick around. It’s a good thing he’s got a king sized bed.
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douxreviews · 6 years
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The Shining versus The Shining
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[This review discusses Stephen King's novel The Shining and the film adaptation by Stanley Kubrick.]
"This inhuman place makes human monsters."
The first time I saw the 1980 film The Shining, I felt cheated. A brilliant, world famous director took one of my favorite books, cast one of my favorite actors in the lead, and then... he completely screwed it up. For years, I felt that Stanley Kubrick had ruined one of my favorite books. I was incensed. How could he?
My opinion has recently changed. Now I think Kubrick's The Shining may be a cinematic masterpiece. But it is not really a horror movie, and it's not really an adaptation of King's novel. It is its own self. If you see it as a separate entity, it's kind of fascinating.
The book
The Shining may very well be Stephen King's best novel, and that's saying a lot for a man who is probably the most famous writer in the world. In it, an alcoholic writer named Jack Torrance takes a last chance job as winter caretaker at a luxury hotel deep in the Colorado Rockies. As he, his wife Wendy, and their psychic five-year-old son Danny are cut off from the world by the weather, Jack slowly loses his mind and becomes a danger to his family. Were the malevolent ghosts of the people who died in the Overlook Hotel manipulating Jack, or was it all in Jack's head? Or was everything that happened caused by Danny's psychic gift?
The book succeeds on pretty much every level. The story is tightly written and almost impossible to put down. The Overlook itself captures the imagination -- its beauty and isolation, its gory history, the ghosts of past tragedies. I cared a lot about Jack, Wendy and Danny, and I so wanted everything to turn out for them, even while I was aware that it almost certainly would not. (Never get too attached to the characters in King's books.) I was especially into Danny. Psychic characters are not easy to make real and believable, especially kids, but Danny is captivating. I also loved Dick Hallorann, who shines, pun intended, in the opening chapters. The first time I read The Shining, I was blown away. I was young and impressionable, and I never forgot how this book affected me.
There are arguments to be made that King's works are too internal to translate well to the screen, but I don't think that's true. What about Stand By Me, The Shawshank Redemption, The Green Mile? (And possibly more?) I wonder if some producers tend to see the scary in King's works, and just don't look beneath the surface for what makes it work?
I initially intended to just review the movie, but I just couldn't help talking about the book first. So… on to
The movie
After my initial serious disappointment, I had never intended to watch the movie again. And then I saw a documentary called Room 237 about some of its more devoted fans. It made me want to give the movie another shot. I'm glad I did.
While the book centers on what the characters are thinking and feeling, the movie is almost completely external. The Overlook itself is the main character, and what a character it is. Nearly every shot inside the Overlook is framed in a way that reminded me of how lines are drawn to create perspective in art, with the focal point way off in the distance. We keep seeing the ceiling and light fixtures (mostly chandeliers) above, and the very strange carpets on the floor. Showing the ceilings and floors is not something filmmakers tend to do. It has the effect of making the characters look small and strange, as if they don't belong. Or as if the Hotel is swallowing them.
As fans of the movie explain in Room 237, the hotel is oddly shaped and its geography makes no sense. The long, confusing hallways are echoed by the maze, which is so immense that it seems impossible that anyone could have created it. The kitchen is also maze-like, and everything is too big; the size of the industrial cans and bottles makes Wendy look smaller. There are sets of French doors all over the small caretaker's apartment, and every book in every bookcase is tilted at an angle. There are empty chairs in nearly every shot. Jack's typewriter changes color, from white to dark gray to blue. In one scene, the pattern in the carpet actually changes. Although these are things the casual viewer might not consciously notice (and I might not have if I hadn't been primed by the documentary), we're aware of it subconsciously, and it gets our lizard brain buzzing.
One of my favorite things in this movie is Danny riding his Big Wheel through the long, strange hallways of the Overlook. It's just what a kid would probably do, but it increases the feeling that they're in this immense, bizarre place that is outside of reality.
My biggest problem with the movie is that the characters have all of the humanity and complexity of chess pieces. I suppose it was intentional. But what an unholy waste of Jack Nicholson, who is arguably one of the best actors in the world, although I'm more of a fan of his early work (Chinatown, Five Easy Pieces, The Last Detail) before he started playing a caricature of himself. He did a good job with what he was given, but there is really no opportunity to get to know Jack Torrance, or what motivates him. Why he does what he does is almost inexplicable.
And Jack and Wendy never feel like a couple. Was Shelley Duvall miscast? Did the actors just have zero chemistry? Or was this dissonance between them what Kubrick intended, a way of showing the unresolvable tension in their marriage? Danny Lloyd as Danny made me think of Jake Lloyd as Anakin in Episode 3. Interesting coincidence with the surnames. I don't like criticizing child actors, so I'll stop there.
Dick Hallorann is a favorite character of mine in the book, and even though Scatman Crothers did a good job, I hated how Dick was treated in the movie. But I did love the strange female nudes with the huge afros that decorated his bedroom in Florida.
A few more random comments about the movie that contributed to the mood it creates:
-- In one scene, Wendy and Danny are watching television, and there is no electrical cord visible. In another, Jack, seated, is reflected in a mirror and it looks as if he has two sets of legs. (Because, of course, Jack is becoming another person.)
-- In yet another, Jack is sleeping at his desk, but he is balanced on the edge of his chair in such a way that if he had actually been sleeping, he would have fallen off.
-- We never actually see Jack do any caretaking. There is one scene with Wendy in the boiler room. The boiler room is a big deal in the book, almost nonexistent in the movie. Sigh.
-- We never see much out of the windows except for glare, which makes it seem even more that the outside world doesn't exist.
-- There is no music during many scenes. When there is sound, it is disconcerting whines and screeching, or eerie wavering vocals like the score of Kubrick's 2001, A Space Odyssey. In fact, a lot of this movie makes me think of 2001. Which I believe is a better movie. (I should probably get around to reviewing it someday, but it's intimidating, I'll admit it.)
-- In the opening interview scene, Ullman (Barry Nelson) does some very strange things with his hands. It's like they don't belong on his body.
-- In the car, the Torrances talk about the Donner Party. Jack seems to think cannibalism is acceptable in order to survive.
-- The Torrances bring more luggage than would actually fit in the trunk of their tiny VW bug.
-- The walls of the maze are thirteen feet high. Who would do that?
-- The word "overlook" has a double meaning, of course.
-- The hotel decorations have a Native American motif, leading fans of the movie to think that Kubrick was commenting on the genocide of the American Indian.
-- In many rooms, especially the notorious Room 237 which may have been the ugliest hotel room I've ever seen in my life, colors and patterns clash. (Although maybe that was just the seventies.)
-- In the final scenes, Wendy is wearing what may be the ugliest outfit I have ever seen on a leading lady in a mainstream movie.
To conclude, I can look at the movie now and appreciate its brilliance, but it doesn't generate emotion, and I don't find it the least bit scary. For me, it's like looking at a beautiful object at a distance. The book is more of an intimate experience. But then again, books usually are.
Opinions? Comments? I've tried to avoid spoilers in this review, but feel free to talk about anything -- spoilers are permitted in the comments. (And if you haven't seen the movie or read the book, beware!)
Billie Doux loves good television and spends way too much time writing about it.
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