#because my opinions on the whole yknow Everything is very conflicted from being just the one guy

[tronlightcyclerun]

THE WORLD IF MOST GR**N D*Y SONGS DIDNT MAKE ME SHIFT MY STUPID CANON DIVERGENT U******G TIMELINE (removed e,e,a from first censored words)

[sokkagatekeeper]

what do you think sokka and katara would think of bakoda? i haven’t seen much thoughtful analysis of it and it always frustrates me bc they’re clearly somewhat resentful of their father for leaving in their own ways so for him to leave, at least in part or in sokka/katara’s young eyes, because of kya’s murder, and then come back in a relationship with a fellow warrior i feel like would be a lot and i can’t see them accepting that so easily

this is like a month old god bless. anyway!

assuming bato and hakoda enter a relationship somewhat during/recently after the war when the wound is still fresh, i do think katara would be resentful of it, like anon said, not bc bato is a man or anything but bc 1. katara is very attached to the memory of her mother, and often gets defensive when she feels the memory of her is being disrespected or dismissed, like when the gaang had been already acclimating to zuko where katara couldn’t separate the image of him from the man who killed her mother and took it as a personal offence bc to katara everything is personal, or when sokka, who lost the same mother the same way, didn’t want revenge the same desperate way katara thought she did, and 2. katara resents her father for leaving them and tells him so, even though she rationally knows leaving was something hakoda had to do given the circumstances, and that he did not leave them willingly, katara does feel betrayed.

for this, i think katara would indeed feel betrayed and hesitant to welcome bato into the family in that particular way rather than a close friend of her father’s, and i do believe she would feel as if the role of her mother was being dismissed once again. she rationally knows, this is not happening, but katara guides herself through her emotions, as u can see. i think she would try to find a shelter in sokka in that sense (bc sokka is dealing with this in his own way just bear with me) since sokka is keeping pretty quiet about the whole thing, and katara obviously feels more comfortable/at ease/confidant/whatever around sokka than hakoda.

she and bato & hakoda would go through a very turbulent period of adaptation for a few months perhaps? (since the situation with hakoda at the start of book three was more urgent and katara hadn’t seen her father in years, she did miss him and didn’t want to be angry at him for so long, this time around katara would feel more safe in her own anger. in my opinion) until katara is ready to open up about how she feels about the entire situation. after this, things do start to settle down in a sort of peace, although i believe bato would still have to work his way into katara’s trust the way she trusted him before for a couple of years.

and because katara and sokka are different people (which so many of you refuse to understand. for some reason??) i think sokka’s reaction would be somewhat different than katara’s in the sense that sokka would put the focus on bato, rather than kya. sokka looks up to hakoda an enormous deal; in sokka’s eyes, hakoda is the prime example of a man, a warrior and a leader, and everything sokka should aspire to be. while he does unlearn to compare every single thing he does to how hakoda would do them and learns to value his own personal qualities for what they are independant of the idea of his father, the idolization of his person will always sort of be there existing deep down in sokka’s brain.

sokka also deals with a bunch of internalized homophobia throughout the show given his previous belief that women couldn’t be strong and men couldn’t be weak and so anything that broke that norm was fundamentally flawed. the idea of hakoda, sokka’s picture perfect of a man and masculinity, is in love with and dating another man would indeed mess with sokka a little bit. i believe he would need some time to consider the situation and reconcile his idea of hakoda with the man that hakoda actually is, sokka’s own bisexuality with hakoda’s, the entire concept of masculinity itself again, just many dots to connect. he stays quiet about it, maybe cracks a few jokes, represses any conflicting feelings he could have about kya and bato. then again beyond the idolization of hakoda that sokka makes, he also feels more at ease with katara than with hakoda bc they basically raised each other, so he would also put a lot of focus on how katara feels about this entire thing, which hakoda & bato might misunderstand as sokka feeling the exact same way as katara which is. an issue.

sokka comes to his senses eventually, probably after a talk with hakoda about his relationship with bato and how he dealt with the entire thing, and moves on as if nothing had happened. while initially katara would be hurt and angry, sokka would be confused and conflicted. while katara grows more and more accepting and understanding with time, sokka... well!

sokka has a tendency to repress his negative emotions. while he does complain about trivial inconveniences, he never brings up the things that actually affect him. he doesn’t show any resentment towards hakoda for leaving, but he does have reasons to be resentful. sokka’s problem throughout the show is that he doesn’t understand that he’s a child and deserved to have a childhood. he puts all the responsibility he must on his shoulders and deals with it the way he can, he never gets angry about this burden of his like katara does, yknow, like any eldest sibling. it would take a long while before sokka is ready to understand that what he went through was unfair and that he’s allowed to grieve his mother and be angry at hakoda for leaving him in charge of an entire community at the age of 13. while i have my doubts on whether or not sokka would even allow himself to have this (as like, an eldest sibling myself) i do allow myself a little wishful thinking. so when that entire weight of those years of unfairness hit sokka, this might have an effect on his feelings & perspective on hakoda’s relationship w/ bato, but i can’t rlly imagine any specifics of this scenario, merely the reason why this would happen at all. then again this is just speculation, so who’s to say!!

[firelxdykatara]

hm, while im still here and thinking about it

i’ve seen a lot of posts comparing rayaari to catradora, mostly positively but some also using the similarities to call rayaari an abusive/toxic ship, and i feel like a lot of people are missing key differences. and for me, as someone who was not completely satisfied with s5 of spop and never liked or shipped catradora for a lot of reasons, but who deeply enjoys and ships rayaari, there’s something very key that raya does right which i believe spop did wrong with respect to rayaari and catradora.

and it has everything to do with their history.

before adora left the horde, she had a history of physical and emotional abuse--primarily by shadow weaver, yes, but also by catra. we get a lot of memories from their past, and their relationship involved a very toxic codependency with a heavy dose of abuse--adora trying to protect catra but, when she failed, catra lashing out at her, verbally and physically (that scene where young!catra slashed across young!adora’s face w her claws left my stomache in knots for hours). they were set against each other by shadow weaver in a very classic scapegoat vs the golden child dichotomy, but that doesn’t erase the harm catra did long before adora left the horde.

(in many ways, their relationship was very like zuko and azula’s, although their roles in their primary caretaker’s eyes are reversed, with adora being most like zuko if zuko had been the golden child, and catra being similar to azula if she’d been the scapegoat instead. adora being the ‘preferred child’ in shadow weaver’s eyes doesn’t make her any less SW’s victim, and it didn’t do anything to protect her from catra when she lashed out as a result of SW’s abuse. in fact, i’d argue that it made her even more vulnerable, and we see in the show that she winds up blaming herself for not being able to save catra when they were children--even though that very much was not her job--and this is never properly addressed by the narrative. at least, not to my satisfaction. obviously, mileage on that particular score may vary.)

when you combine their history along with every awful thing catra did in the show proper, adora coming to realize she was in love with catra the whole time and not requiring (nevermind receiving) any kind of actual apology for that abuse or for, yknow, trying to destroy the world multiple times, it winds up leaving a very sour taste in my mouth. it doesn’t help that catra kept digging herself deeper and deeper for the entirety of the first four seasons, despite multiple chances to change and begin to make amends for her behavior (and lord knows i’m not trying to say a redemption arc should be linear, but you have to make progress in order to regress, and catra never got that far), which left the entirety of her redemption arc to fight for space in the final season with an entire galactic war.

except that it didn’t even really do that. catra saved glimmer at the eleventh hour (and that was a sacrifice, i won’t deny it) and then got brainwashed, and... that was it. she was ‘accepted’ by the group almost immediately, and all she had to do was stop being grouchy at them for saving her life.

did she ever actually apologize for anything she needed to apologize for, by the way? i genuinely can’t remember. i know she said she was ‘working on’ her anger and apologized for that but like, babe, there’s four seasons worth of shit and eighteen years before that which you really need to unpack before you should be telling adora you’re in love with her and starting a relationship. i’m just saying.

and all of this is without talking about the fact that, especially in regards to relationship development and plot pace, you will tend to expect more out of a television show compared with a movie. i’m a lot more ok with namaari’s redemption being a little rushed and coming down to a few of her own choices and the other characters choosing to forgive her in a less than 2 hour movie than i am with a television show that takes place over 5 seasons with 4 sets of 12 episodes. even cartoon length (roughly 22 minutes an episode when you exclude the credits). that’s a few hours shy of 20 hours worth of material. they had a lot to do, sure, but they also had a lot of room to do it in, and it was a deliberate choice not to start catra’s redemption even a season earlier--which, again given what it had to compete with in the last season, was ultimately to the show’s detriment imo.

so...........that was a very long tangent, and i’m sorry, i just have a lot of residual feelings of dissatisfaction about spop and catradora which i still needed to let out and this was a convenient post for it. but my ultimate point is, by comparison, rayaari is a much less toxic dynamic.

namaari betrays raya’s trust in the beginning, sure, and there are hints that they probably had a lot of run-ins during the six year timeskip given their familiarity, but in all that time they were enemies. that’s why enemies-to-lovers usually doesn’t involve outright abuse, unless there’s another facet to the relationship (ie catradora’s relationship pre-series)--because two people on opposite sides of a violent conflict being violent towards one another does not equal abuse.

and yeah, namaari betrays raya’s attempt at trust again--or seems to, resulting in the cliffside scuffle leading into the movie’s climax--but she also comes back of her own volition. she returns with her shard of the dragon gem, helping raya and her friends fend off the druun, when she could have run and attempted to save herself. that, i believe, is what ultimately prompts raya to trust her one last time. i believe that namaari believes she was about to put down her crossbow and never intended to actually shoot sisu--the horror on her face when the dragon falls to her death is proof enough of that, as is her final desire to just... give up and let raya take her revenge--and she proved that to raya by coming back and risking her life to help them in that final battle.

of course they probably have a lot to talk about and namaari has a lot to apologize for, but i can forgive a two hour movie for leaving that to the viewer’s imagination (especially when there is no expectation of a romantic relationship between the characters in canon--it’s catradora being canon which makes all the rest of it land so poorly for me) than i can an 18 hour television series.

again, opinions may differ on this score, and that’s fine. i just wanted to share my own thoughts.

[lunatic-fandom-space]

Okay, you know how I said I wanted to watch all these german minecraft series and then watch 3rd Life SMP? Yea, I actually dont have the attention span to watch a bunch of white bread boys fuck around in minecraft with little to no story, regardless of wether theyre american or european so Im just gonna write this post and them start watching 3rd Life SMP so yeah.

First, I kinda want to discuss what Im hoping for on like, a meta-level I guess. The only other minecraft RP Ive watched that seems similar to this is Dream SMP so expect lots of comparisons.

I like to split dsmp into three major parts: no story/non-rp, story/non-rp and story/rp.

The first part was literally just a live streamed vanilla minecraft let's play and it was boring as shit. It felt exactly like watching a bunch of dudes play minecraft and unless they acknowledged the people in their donations (who could uncomfortably pushy and even shippy at times) you did not at all get the impression they were even aware of the stream. And as much as I appreciate some level of authenticity in this type of content, I also expect to be entertained by it and this did not even meet my bare minimum standard of entertainment. Admittedly, my attention span is very low so that definitely has something to do with it, but still. I personally have never felt anything but boredom and occasionally intense discomfort while watching anything from this 'era' of dsmp.

The second part was the start of the first conflict, and thus the start of some semblance of a story. They were kind of 'roleplaying' already (both in the sense that they obviously have their personas for their content and in sense that they didnt actually have grievances with one another and were just playing it up for the sake of entertainment) but it was more on the fly, even less focused and less serious. However, it was already legues more fun to watch.

And then we had the third part, where, starting with Wilbur Soot joining and deciding to larp Hamilton, they started to plan things out more and have more complex and/or dramatic conflicts. Needless to say, this was/is the best part in my opinion and what made me see the appeal of dsmp.

What Im hoping for 3rd Life SMP is, that they skip atleast the first part. From what I can tell, it was created sometime after dsmp has been in that third part for a bit and it is a minecraft rp, so Im assuming the people behind it wanted to do something similar, just with the story aspect there on purpose and from the get-go, if you know what I mean. And by the way, I dont think thats wrong or even "copying" in the slightest. Dsmp very much seems like a case of "they did it first, not best" and if anything, I think it would be a shame if people didn't want to do their own spin on this basic concept.

What Im personally hoping for in terms of the 'style' of roleplay itself, I really hope that they dont seperate it as rigidly into lore and non-lore as they did in dsmp. Ideally, they would do it like Ranboo (Wilbur when he was playing Ghostbur to an extend too, but he didnt actually stream and have his own POV back then), where he's always kinda 'In-Character' even when there isnt really anything happening in the plot at that moment. Again, I just dont have the attention span for no story in series like this anymore, so I'd appreciate it on a personal level, but I also think that it could humanize the characters more and potentially add additional depth to them. Especially since it looks like 3rd Life is made by the Hermitcraft group and if the stuff Ive read about Hermitcraft (especially in comparison to dsmp) it wont thrive off intense conflicts and wars in quite the same way, so that could also be a way of making a calmer rp interesting.

And now, some actual plot predictions!

So, the way I found 3rd Life SMP was this really neat 'Pitiful Children' animatic by ZylisticArt. I didnt actually 'watch' it because when I look up animatics I just kinda stare at the screen, not processing anything because Im too busy imagining my own OC animatic to the song, but I did read the description and was mildly intrigued, and its the main reason I wanted to watch 3rd Life so Im going to properly watch it now and post my predictions for the plot below.

***

The description mentions something about the animatic being based on some kinda theory, but I only skimmed it in order to not get spoiled so idk what thats really about. Im mostly intrigued by the fact that the description mentions it being a hardcore SMP (with a twist!), that, combined with the name and the visuals of the animatkc lead me to a couple conclusions;

I dont really know how Hardcore mode works in multiplayer, but in singleplayer you just get permanently kicked out of your world when you die, so Im assuming it works like that on a server too, except on a server, Im pretty sure you have the option of being 'reinvited' onto a server by the admin(s) so you could theoretically have three lives while keeping it a hardcore project where you cant regenerate without potions or golden apples and all that. Again, idk if thats actually how hardcore works but I sure hope it is, because thats what Im basing pretty much all of my predictions on.

In the animatic there were like green people, yellow people and a red guy who was like, the antagonist I guess. I think the green guys still have all their lives, the yellow ones are down to two and the red lads are all down to their last one. Maybe theres gonna be a thing thats like, if you lose a life you lose a part of your soul and that makes you evil or something? Yknow, like the whole "character comes back wrong" thing, except its the conflict of the entire series. Pitiful Children is very much a 'Manipulating Others Into Doing Harmful Shit' kinda song, and I feel like that would be very in-line with a plotline like that, yknow?

Im not expecting there to be wars/conflicts on the scale of dsmp (no blown up countries here bois) but I am expecting to get ridiculously attached to a place that inevitably gets blown up/set on fire by an antagonist.

Speaking of antagonists, theyre definitely also doing the whole multiple POV thing, which means everyone is an antagonist in one way or another and Im a solutely watching every POV from every characters so that I know the full context and story of everything, so I can have the most correct opinions on them, which is both normal to want and possible to achieve.

Since these are the Hermitcraft guys Im expecting some beautiful builds that make me feel insanely untalented and the same thing with redstone shit.

Ghosts. If they havent added some kind of ghost mechanic/lore at the time Im writing this, they will add one in later, mark my words 3rd Life fandom, mark my words...

Thats pretty much it. This is all going under my mcyt tag too, and I dont think I'll be live blogging it, but it really depends on how interesting it is.

Also, if youre a 3rd Life fan who already watched all of it, the only thing youre allowed to respond to this with is a meme that is horribly incomprehensible to anyone who hasnt watched it.

Have a nice day!

[kataracy]

What's up with people just disliking Aang anyway? He's completely fine as a character, you don't have to like him and not everyone needs to know that you don't (though maybe you should try to understand him however as the protagonist). Also, criticism and nitpicking that could be easily construed as hate is not the same thing, hence the still very weird and redundant anti Aang posts that are being tossed around instead of posts like, "respectfully, this aspect could've been improved if this, this, and that happened instead." etc, etc. Hence "Aang stans" complaining about this occurence. How was Aang's treatment in fandom pre-resurgence? I find solace in that it definitely didn't feel as awful since not every person who took a minimum of one course in social sciences/women's history/"the west is just awful" had full, easy and free access to ATLA, but they do now and are making this fandom tragic to be apart of. Don't even get me started on Instagram and Twitter, which consists of irritating vibes everywhere. And for what reason other than us being trapped at homes during a pandemic? Don't you guys want to be healthy?

What's up with people just disliking Aang anyway?

So what had happened was from my recollection, what usually makes fandoms spiral out of control: shipping.

In this fandom, every resurgence, we get lovely new people with their inclusive art, personal cultural takes and honest improvements to the treatment and understanding of characters who otherwise weren’t prominent talking points at the time (for example: Toph being a cop. Everybody was too busy wondering who her 2 baby daddy’s were and why Toph was written as a absentee mom so, we half the new people get to debate that it makes no sense for her to grow up to be a cop while others of us who understand white passing can kind of see how the daughter of a prominent background and impressive fighting career and sticky fingers managed to quickly place herself as head of authority) like Ty Lee being an Air descendant or Sokka being hot. We were all kinda trying to make sense of Korra back then my g

But its tumblr yknow so we have conflict and the quickest conflict to join, the quickest way to interact if you aren’t skilled in long dissertations or gif making, is probably shipping? In my diagram that I made up while typing this I explain: Artists and writers need new fans to boost morale, it fuels the creative process creates amazing art, that art is seen by even more because its being shared around the fans, people form friendships, get inspired - the whole fandom gets nourished.

The problem is somebody starts liking how somebody look wit somebody else, they get mad that you don’t, somebody shouts ‘You silly new fans fighting about this new ship. I was here for Zu-‘ and really that’s where you should stop its going to be an actively bad time if you let it.

Aang for a long time was kind of safe? So, you could say it was his turn to get hate because maybe some fans see things in Aang they somehow disagree with and you can’t fault them for that. One problem is everything starts getting cross tagged bc now everyone wants to find people with the same opinions as them and have the same fun they see everyone having in a fandom and a lot of fans think yelling at each other every day is the fun part.

Aang is an easy target for a “hero wins trophy” debate but it falls short when you realize at no point was said girl treated as a trophy and if they see her as that, its not the shows fault? Some people don’t see the strength in knowledge, and I mean hey, its just fiction at the end of the day. There’s plenty of this same story told in different ways on other platforms to slap an element bending AU on.  

Aang is a nonviolent character introduced as an innocent child and some people cannot see through such a perspective, especially for their hero (there’s also certain people who already had the experiences new fans are getting and don’t know how to be happy for the new demographic target). But Aang’s nonviolence is a constant struggle for him; Aang is a more subtle character when it comes to his redemption arc and a lot of viewers miss it, don’t care about or think its poorly executed.

Simply put idk don’t listen to me I’m just sayin fandoms cycle through character hate like seasons. I personally suggest you spread positivity about Aang, as its incredibly easy find. On twitter especially please remember that those are the same freaks that would yell over here, and we all ended up ignoring it, that’s why they’re twitters problem now. A more proactive approach I find, is to make fun of it- child have you seen their material? They call the boy abusive I mean you have to laugh, meanwhile artists are making Aang brown like baby we’ve progressed past the need

[b-listbadboy]

Castlevania Season 3 was disappointing

(Spoilers for Castlevania Season 3, if you haven’t seen it yet it’s out now on Netflix. I suggest watching that first before reading this review)

I won’t say it was an awful season by any stretch of the imagination but man was it a drag to get through.

Almost nothing of significance happens for the majority of the season and the things that did happen felt extremely off and weird. 10 episodes, 25 to 30 minutes each, and every single one except for the fucking TWO LAST EPISODES were spent dicking around with a mystery that had little to do with anything from season 2 beyond a really out there twist that I’m sort of iffy on. Top that off with a lackluster arguably stupid ending to leave us off on a needless cliffhanger, and that’s the magic remedy that will leave me feeling pretty damn frustrated.

The best parts, in my opinion, were with Isaac’s massive undead crusade he was waging throughout his journey for revenge, and Trevor and Syph’s interactions with each other as well as with the little villagers. Isaac’s arc going from a servant of Dracula to slowing evolving into the master of the damned felt genuine, intriguing, and badass! I really wish he was the next main villain instead as it makes sense thematically. He carries out Dracula’s nihilistic views of humanity in a similar but now more direct way and that can lead into something really intriguing. However, for some reason, this season left him and his whole journey on a back burner, and virtually everything else that is implemented into main villain role fell flat on its face execution wise.

For example; The new vampires of this season are Camilla’s three other empress sisters, and while they do have a plethora of personality at the very least, that kind of comes at a cost of the main threat being extremely diluted. We go from this hurting sympathetic undead overlord with the power of an anchent GOD, to a couple of wicked sassy sisters who just wanna eat people forever? It’s a bit lame of a progression from what we once had, we know Vampires like to eat people that’s nothing new or exciting. There’s no real twist to it besides it being “led by women in the dark ages” and granted that makes sense here since it IS the dark ages, but come on we literally just had arguably the BEST adaptation of friggin’ Dracula! This shouldn’t be all they got moving forward from that.

Now, I have ZERO issue with the main antagonists being female or even two of the four sisters (not by blood don’t worry) being a lesbian couple. I hate that I have to emphasize this, hell I often defend Cinder Fall in RWBY more than anyone in the fandom at all despite her issues as a complex and sometimes flat out badly written character. However, The four of them in this season have the most basic of plans that it seems arbitrary status quote fluff at best. It felt like just because it’s Castlevania, we HAVE to have the vampires as the villains. Even though in the games the Belmont’s were literally fighting werewolves, dragons, skeletons, and the GRIMM REAPER??

Therefore, the sense of urgency and tense calculating plans of ‘survival vs extinction’ is completely gone. And yknow in a way, I can kinda initially SEE that working in a sort of “Empire Strikes Back” esque plot. Yknow, with Alucard and the gang go around cleaning up Dracula’s leftover horde only for Isaac or even Camilla to have this huge vengeful comeback of dominance? But there’s no one exactly “striking back” or even taking any kind of immediate initiative after Dracula’s death. It’s been MONTHS after the whole event and no one seems like they really care about that world changing event from the last two season’s. Everything is fine and dandy, no one has a single worry in the world! How enthralling...I miss Godbrand 😑

Besides the plan the four empresses have as well as Issac’s revenge, which I hope will both be more explored in season 4, no one really has any goal to warrant THAT kind of length of a season. This is more of a Netflix problem that I have with most of their shows and it’s one of the reasons why I don’t like watching them. Almost every singe show Netflix produces now, feels the need to overstuff itself with needless filler that gets us really nowhere until the very end where it SUDDENLY all comes together. But because of the nature of binge watching and considering how Netflix wants to desperately keep their subscriptions in fear of intimidating competition, they make these shows 12 episodes long with HALF HOUR OR MORE amount of filler content that’s supposed to satisfy us cause it’s “cute”?! No, stop this shit! Granted, Castlevania wasn’t nearly AS bad as the live action shows, but honestly, what exactly was shown to us that couldn’t have been reduced to like 5 solidly paced episodes focused on one or two plot lines ONLY like before? It worked perfectly back then, why change what ain’t broke?

As much as I don’t like the immediate rush of Trevor and Syph’s out of nowhere sexual relationship, I didn’t overall mind it too much since they still somewhat felt consistent. Their characteristics play off very nicely with one another and it’s pretty easy to see the chemistry between the two....HOWEVER I’M STILL GONNA COMPLAIN ABOUT IT SO HERE WE GO!

I get that they were setting them up as an endgame ship of the series, there’s no denying that, but they start fucking for what feels like (to the audience) two days after and I think that’s a bit ridiculous! Even if Alucard states that it’s been at the very least a month worth of time since the events of Season 2, there’s no real physical signs showing that statement to be true. Hell, Trevor’s beard and hair remains the same despite a HUGE passage of time where it would naturally grow out to indicate said time passing by. But both him, Syph, Alucard, and damn near everyone else looks the exact same as last season. So for all I know it could have been like a week since Season 2 and that to me doesn’t feel exactly earned. The Season 2 finale didn’t explicitly leave off Trevor and Syph officially a couple, they felt more like partners in crime more than anything else. Not to say that there wasn’t any chemistry there to develope INTO a relationship GRADUALLY, but going from a little spark of interest to the immediate jump of them sleeping together naked all comfortably as if they’re a goddamn married couple is a STRETCH! Even Trevor himself thinks so too so don’t jump down my throat about not being immediately swooned by the shipping fanservice given to us. I don’t dislike them as a couple at all, in fact I think their dynamic is cute! However, I would have also liked to have this couple feel natural and earned. They most certainly do not feel earned this way, at least to me.

Oh god, then there’s this out of nowhere sexual tension between Alucard and his new two recruits from another region hinted at in the previous season? Mind you, Alucard was doing literally NOTHING throughout the entirety of Season 3. Yep, literally the ONE DUDE WHO BASICALLY KILLED DRACULA gets about fuck all story progression afterwards out of the three. But what they DO give him are these two new vampire hunting student’s who look identical to one another (no racial they just literally look like fraternal twins) so I assumed they were either siblings or a couple, which makes it REALLY WEIRD WHEN THEY BOTH FUCK ALUCARD OUT OF NOWHERE?! I’m NOT making this shit up I promise! What makes even less sense is that it was really just a ploy for them to steal the Belmont knowledge of killing vampires to show to their people who have been enslaved. Which of course ends with them being killed so it really makes this entire conflict in his character damn near pointless besides “sad vibes check”, but here’s the thing...why didn’t they just keep doing training with Alucard?? There were virtually no downsides to having him teach you how to kill Vampires to save your village from being enslaved, he was teaching you both very well and gave you like the eternal knowledge of how to kill literally EVERY MONSTER and even let you live in the castle FOR FREE, food and wine included! What was the turning point for them to want to kill him all of the sudden? Cause he’s a vampire?? THEY FUCKING KNEW THAT ALREADY!!! Why was is suddenly not a problem at first but then coincidentally a problem now? If they wanted to use this to somehow depict this notion of “Oh my dad/Dracula was right humans are the worst” mindset, trust me, it was better conveyed with Isaac. These twins side plot not only made no sense, but also felt unjustified for Alucard to be an emo boi. I get that it’s supposed to be symbolic of him going through the same issues that both of his parents went through, but none of that really showed how bad human’s are. Just that those two twins didn’t think things through apparently. So the point of Alucard having this odd character convenience shift feels by the numbers cliché, and most importantly CHEAP.

It really makes no sense to me why they’re adding so much of this filler for such a long time, especially with some of this filler being oddly sexual. I don’t mind honest depiction of sex between consenting adults of course, but it just felt so misplaced and awkward at parts where it showed itself. I felt like I was reading a mediocre fanfic of Castlevania instead of the actual show itself! Granted, Season 2 had somewhat of a similar dilemma but the lull in between was still showing the character specifically doing things to further the story along. Towards the end, it gave us a way more satisfactory closure of that saga with Dracula that felt natural and well earned. This season however, felt like they were scrambling with different ideas here and there and didn’t know which to go with. Alucard training new recruits in his castle, Trevor and Syph figuring out an estranged (and BORING/GENERIC) cult of Dracula’s plan, Camilla setting up an army with her fellow sisterhood of evil vampires to gain ultimate power, Hector surviving captivity by using his wit and charm, Isaac raising up the dead for revenge on his deceased master, a new character introducing an all new world to the lore of Castlevania as we know it, all of these interesting concepts and ideas that could easily make up for a good season alone! And instead of focusing on one or two ideas to develope into something natural, they ended up saying “FUCK IT! Fucking I dunno what to- WE’RE DOING ALL OF IT I DUNNO!” and mixed the whole thing in a blender of different flavors that don’t necessarily blend together well enough for a tasty satisfactory meal. It just ends up being a mesh of okay at best, and gross at worst.

IN CONCLUSION, Castlevania Season 3 had a rocky start, an okay middle, and a kind of cool end. There was definitely some cool and exciting ideas implemented in here, but not enough to warrant that lengthy amount of time that Netflix seems to love to give to most of their TV shows. Sometimes less is more, and all that shiny cool glitter isn’t necessarily going to turn out to be gold. I’ll give this season a 5/10. It’s not the worst I’ve ever seen but it certainly could’ve been a lot better.

P.S. “Who Do Ya Voodoo” from Dead Island is Isaac’s new theme song, you can’t convince me otherwise.

[greensconnor]

Do you have any more info on hepler? Like last time I heard about her she was getting attacked by gamers for saying she wanted less (or quicker?) combat in games in some interview about dragon age. The way people (mostly men) attacked her made me sick and I instantly took her side. But I've also seen ppl talking about how she's homophobic/biphobic??

FORGOT THAT I WAS GOING TO ENGAGE IN INTERNET DISCOURSE THIS ASK SCARES ME SO MUCH and yeah basically everything that happened to her at bioware was absolutely shit and she 100% did not deserve it but she does also have some Questionable Opinions which are very easily google-able, the most obvious one being that she was responsible for writing anders dragon age 2, everyone’s favourite chantry-exploding sewer rat idiot, and very specifically stating that she wrote him to be a gay man if romanced by a male hawke and a straight man if romanced by a female hawke (so if you’re a female hawke he makes no mention of his relationship with his male Bestie ;) which is Kind Of Significant) which. on its own is not FANTASTIC but not absolutely terrible until you realize that despite 4/5 companions from the game being bi romance options, only one of the other characters is textually confirmed bisexual and its Not Good. i love isabela to death but shes a blatant sexualisation of both bi women and women of colour and alongside every other romance option who Can Be Heterosexual, If You Just Believe it’s not FANTASTIC. here’s a link to an interview where she talks about writing anders and calls him a “bipolar terrorist” which is. not an Excellent thing to call anyone much less the character of anders but yk thats dragon age politics and thats a Whole other thing which is why im not mentioning her writing cullen or the mage/templar conflicts because those are like. dragon age game problems and not Her problems

then also last year when i heard she wrote ACOR i checked her twitter account to see if she had yknow. changed on that front. and saw the wonderful hot take that being bisexual should be more accepted in fantasy games and i was like AH GROWTH and then the next tweet in the thread was like because you know you can have wild gay sex in your Youth and then settle down to your heterosexual family and have children later on

long story short she hasnt really done anything like. TERRIBLE yk yk but her history with writing lgbtq characters is like. not fantastic and i’m also personally offended over her writing marc antony’s wife out of acor for the purpose of girl power

WAIT UPDATE I WAS LOOKING FOR THE TWEETS I MENTIONED ABOVE AND I FOUND THIS IT ALL MAKES SENSE ITS ALL COMING TOGETHER. did not find the tweets though my twitter froze on july 2019 but i am TRYING AGAIN wish me luck

[skajador]

why are interpretations of bbkaz where kaz is totally wrapped around big boss’s finger so popular? i feel like him bowing to anyone’s will when he doesnt want to is so against everything about his character but i keep seeing this in fic

HELLO???? HELLO????

THANK YOU! I could KISS YOU, ANON! I could RANT ABOUT THIS, for days, and I will, but I’m gonna put it under a readmore because most people probably don’t wanna see this but *takes a deep breath* 

warning for … strong opinions. i got… SPICY. If you know you’re going to get mad from reading this, probably don’t. and please don’t @ me just to yell at me.

and a disclaimer: if you enjoy those interpretations I’m not saying you’re Bad or Stupid Or Lesser or anything like that. You’re valid! Keep on rockin’! I just- don’t particularly care for them anymore. I think i speak for people like me when i say that it gets tiresome to see the same interpretation you have so many issues with repeated ad infinitum and taken as gospel. I don’t mean this as a Galatians 4:16 kinda thing or nothin. This is based on my own Personal interpretations of the characters.

my Theory on how that’s such a popular fic take relies on a couple things and the first is that some of the early popular fics for the pairing that are well-written i, established that take as the popular fanon. You know exactly what I’m talking about. So a lot of people just kinda. threw out the whole rest of the characterizations and went for that instead. It’s the Foundational Fanon, if you will.

Anyway. I feel like that characterization rests very heavily on a specific read of the Sauna Fight Tape and some people’s need to put characters into stereotypical abusive top/abused bottom roles. Because some people in fandom love that shit and want that dynamic. So of course if you have a pairing with canon sexual/romantic coded interaction that is… wait for it

-A blonde, twunky guy, who’s younger … and get this … he can be VULNERABLE… he’s good at COOKING-A dark haired older guy who’s hairier, buffer, more stoic, and guy 1′s ‘boss’ by title 

well. You know the rest. So in order to make Kaz into the perfect submissive “bottom” you make him into a battered housewife. Agency? Ha! No. He’s been so manipulated and bamboozled… Throw out his headstrong nature and all that nonsense. Doesn’t fit the stereotype. It’s not like MSF/Diamond Dogs/by extension Outer Heaven was pretty much his idea. It’s not like he immediately decided to spin his kidnapping by Big Boss into a Lucrative Business Opportunity once he realized he couldn’t actually talk his way out of “joining” BB. It’s not like Big Boss would’ve been probably still fucking around in the jungle if not for Kaz’s vision and leadership. It’s not like Kaz absolutely was using Big Boss for his own ends … no.. not at all! Also. This isn’t racist at all! Promise! There’s no stereotypes about Japanese people being submissive or anything! 

Which brings us to Big Boss. Make him into the Domineering, Perfectly Manipulative, Sex God Top. The sex god thing is the most hilarious and most well-ridiculed by fandom aspect of this. We all saw how he dealt with EVA. Take his tendency to solve problems with his fists and throw out everything else. And of course, probably don’t address why he solves problems that way. It’s not like a big point of the game is BB’s trauma and how badly he’s dealt with it. Throw out every time he’s been goofy or vulnerable or any of the things that make him a compelling protagonist. We need that SPICY DOM power and that SWEET, SWEET KAZ PAIN. 

and so in that way you end up glossing over a good portion of both of these three-dimensional characters for The Spicy Yaoiz. and how you get the dynamic of helpless, trapped, Kazuhira being endlessly manipulated by Big Boss, who we all know to be a ruthless, calculating expert at dealing with people (/s) Which. Sure, if you want to tell that story, cool. I can see why it’s a valid and compelling story but. Given what we know about these characters? its… not how that went down. 

and by extension it’s how I think you get people reading Master Miller as a JILTED EX BOYFRIEND who would even remotely consider going back to Big Boss. Like, being so focused on Romance that The Fact That BBKaz “broke up” was the Most Terrible Part of MGSV’s Twist for Kaz. and not, oh yknow, being strung along and lied to and abandoned by someone he trusted so much. 

I think some of people’s willingness to accept this also comes from a misguided place of love for Kaz. Kaz is a likable character, so people like him! Understandable! But, instead of accepting that your fave is a war criminal who did a BUNCH of bad things, you have the ability to make him… much more passive than canon suggests in all that. Complicit… but… he was forced… kidnapped… manipulated… blame it on Big Boss. he’s the one with the true heel turn anyway! it’s much easier to think in black and white terms when you frame it this way. Sometimes it’s easier to reframe character dynamics until your sharp jawlined fave totally wasn’t exploiting a man’s PTSD- and more broadly- international conflicts- for profit. See, he’s the real victim!

Extreme TL;DR: People sure love shoving characters into tropes no matter how much of a square peg it is to a round hole. 

[1nkweaver]

PICK N OPAL!!! 1- What happens when your character doesn't get what they want? 2- How well can this character resist their emotions and impulses? 3- If the character were to come face to face with their darkest fears in a nightmare, what would they see? 4-Do they prefer sweet, salty, sour, meaty, spicy, or neutral tastes? 5- whats their feelings on the groups their with lately?

1- What happens when your character doesn't get what they want?

Opal: It really depends on what it is tbh. Opal will either let it go immediately, or he’ll keep pushing subtly, or he’ll have a “do it yourself” attitude to it. If it’s some kind of divine plan thing, he’s -going- to make it happen, that’s the long and short of it.

Pick: He probably just whines really XD but if he’s not getting what he wants because his opinion or thought process is like being put down then he’ll get aggressive. He really buts heads with people on moral issues and developing plans because I think he thinks that you should always debate every possibility.

2- How well can this character resist their emotions and impulses?

Opal is stoic as fuuuuuck man...it’s hard to really feel like he -has- impulses, but I definitely want him to almost be like -TOO- in control of his emotions. Yknow, like seeing your church get destroyed with your people inside it and seemingly not reacting super duper hard, just kinda...staring at it. (Yeah Baughn, that’s basically what he did when that happened do you feel bad?)

Pick is very emotional on the other hand. He tries so desperately to think about what would Anders do because he always felt Anders was smart, but Anders almost always acted on his feelings, and he instilled that in Pick a bit. Pick thinks first with his gut, then with his heart, and last with his brain- but he uses all three. Goblin nature in my mind is to be very id driven, so he very often just -goes- with his instincts and feelings, he doesn’t question them bc he feels that’s the truest part of himself.

3- If the character were to come face to face with their darkest fears in a nightmare, what would they see?

Opal dreams of building something, and while those things have been destroyed before and he’s had to start over, there has always been a sense of rebuilding. Opal’s worst nightmare would be that sense of total defeat- he’s dying, his friends are dying around him, and everything he built is being destroyed in one fell swoop. It’s kind of dramatic but Opal doesn’t really think about things on a personal level, his worst nightmare is being there for the end of the world.

Pick’s nightmare is a lot more real and personal. He’d be back in a place he was before. A place with music, and laughter, and a lot of voices...and he’s looking at it while either standing over a corpse, or looking out from between bars.

4-Do they prefer sweet, salty, sour, meaty, spicy, or neutral tastes?

Opal definitely has a sweet tooth- I remember in waterdeep he had the equivalent of fish and chips and he found it..interesting but strange. I must imagine he loves things like custard and candied apples and the like, probably caramel too, things of that nature would really make him feel happy.

Pick eats a lot of things so he has a really expanded palette, I mean the guy will eat garbage. I think it’s partially goblin instinct to like salty and meaty things, like gamey raw meat and stuff like that. But I also personally think that now, especially with the gourmand feat, that he has a real big love for spicy. Not necessarily spicy hot (though he’d love that) but spicy flavorful, like with indian food and the like. Just really powerful flavors.

5- whats their feelings on the groups their with lately?

The Opal of Waterdeep has developed very slowly, I last left off with a month long timeskip while we rebuilt trollskull manor. He thinks that he can help them, but he needs their help too, and he’s been learning their secrets and keeping his close. I remember I wrote out a whole speech for Opal because he believes he got one of the characters backstories figured out, and meant to confront them about it. 

Opal of Avisten is a little bit different- he’s older, wiser, but more grizzled and lives in a more dangerous uncivilized world. It was his plan to actually assemble the party itself, he gathered these people and chose them individually for a reason. They are his people, they are his flock. I hate to use the religious allegory but Opal sees himself as the “jesus” figure and all of the rest of the party are his “apostles”. Maybe they’ll listen to him, maybe they’ll betray him. But they’re all integral to each other and they all have something that Opal needs to do for them, and they will do something in return for Opal. Deep down they are good people, flawed people, but they need each other. As Ida would say they are twisted.

Picks ideas on the party are...complicated, a lot now, like a lot. Let’s break it down:

Jin- The first person he met, didn’t think much of him at all. A very typical roguish type- talks a lot, not a lot of wit, good with his fingers, a himbo. They’re fast “friends” but Pick really wants a rivalry. Jin is proving to be more than what he appeared, smart, multifaceted. Pick still thinks he’s “better” but he thinks Jin is also necessary. The first person Pick would call a friend. Jins sexual advances make Pick confused and uncomfortable. Pick wishes that Jin would be more real- he saw Jin having his nightmare and associates strongly with him. Pick wants to be able to “hash it out like dudes” but Pick is not one for heavy drinking or drugs or sex. He’s not about to bond and tell sad backstory over getting drunk, which he thinks is the main way that it would come out of Jin. He kinda also wants to see Jin angry, because he thinks that Jin is closing that off too. He thinks Jin is being friendly but he isn’t being “real” with him, which is ironic because Jin is very “down to earth, says it like it is” kind of dude...but he’s not -really- doing it. He’s not being -really real- with Pick right now, which is fine, it’s not the time for it. But can they just have a real conversation? Please? 

Kai- Technically the second person that Pick met after Jin. Strange, youthful nature, naive, good heart. The kind of person you call kid and ruffle up his hair. A tiefling- weird, foreign, strange. The thing Pick honestly doesn’t understand at this point is why the fuck does everyone baby this kid. Yeah he gets scared but that’s a good thing- and hello don’t know if you realized it but Kai is stronger than most of you. Where Pick sees others trying to protect Kai’s innocence, Pick sees someone that needs to be seriously trained if he’s staying in this group. Stop babying him and show him how to properly use his sword. Don’t keep him away from things that give him fear, show him how to kill his fears. Pick doesn’t consider Kai a friend, but he considers Kai the “goodest” person of the group. Pick sees Kai as someone who by every right should turn to evil and is choosing to do good, instead of someone who was just born good and did what was expected of him.

Aspasia- Strange, strange woman. Strong, obviously- but out of place. Why is she here? Why is she connecting with these people. There is a mind behind that muscle that is being ignored- and god Aspasia is literally always thinking about other things. Pick initially thought Callie and Aspasia were lovers- he’s still not really sure? But apparently Sia also is loosy goosy with Jin, he doesn’t understand their friendship at all. Pick and Aspasia haven’t spoken but he feels an unspoken energy between them. Their desire to fight, and OOC I know if they talked their goals would align more strongly than anyone else’s in the group so far. Pick thinks Aspasia needs to speak the fuck up with her words more than her muscles as of late because she’s not talking.

Ida- The absolute largest conflict of interest all in one person. Ida both reflects things that Pick severely, severely hates in this world, while at the same time being the one that most accurately reflects Anders as a person, the person Pick respects the most. This has led to a very very difficult understanding of Ida in Pick’s eyes. Pick hates Ida, he hates that she’s so nice, self sacrificing, puts herself down, acts like the mom, and he hates clerics. He doesnt’ think she deserves to be lied to however. He may hate a lot of the things that Ida represents, but not a single person in the party has Picks -respect- besides her. Pick was going up that hill, and everyone could have yelled at him to turn back and he would not have, the only person that could (and did) convince him in that moment was Ida. Pick will argue with any member of this party but in the end he will do what -Ida- says to do. That’s what she deserves. Not his kindness, not his love or admiration or friendship, but his respect. He’s respecting her because she right now is the closest thing to Anders. And damn if Pick hates that.

Callie- Quiet, curious, Callie. Pick thought her and Aspasia were lovers, he’s still not really sure, but their inseparable nature reminds him of him and Anders- he would never get in between them. Except...for the fact that for whatever reason he fancies Callie. It might be just because she’s someone he can literally talk eye to eye with, but there’s more than that. He appreciates that she doesn’t have to talk a lot, he finds her care for animals endearing even if he’s afraid of horses, and her abilities in combat are varied. Her use of magic frightens him, but she’s hard to read. He does straight up find Callie cute, attractive. In a way that he hopes isn’t creepy he likes...holding her hand and stuff? He thinks she’s very soft, he sees a kind of...goblin nature inside of her? Kinda like a little flame of passion that she keeps really really well hidden- but her understanding of nature, her “going off alone” ness..very goblin like and that draws him to her, and then she doesn’t have a goblins (admitedly, freakish) outward appearance. He likes her a lot, he’s sad that she seems to pull away so often, he blames himself..? Wants to find a way to get through to her. Now that Callie has a wolf Picks childhood dream of being an Outrider was reawakened.

Siril: Big man. Pick does not understand why the hell Siril is here at all. He is by far probably the most out of place person in the group in Picks first impressions, but he’s sticking around. He has been wanting to have an actual just good old getting to know you talk one on one with Siril since the very beginning just based on the fact that he’s interesting! Pick has never seen a Firbolg before, they’re so -different- as people and Pick is totally okay with that! He wants to talk about it! He thought maybe on that watch that they had together last game they’d finally talk but it seems that they most likely spent it in silence. Seeing Siril go from really aggressive to Jin to almost warming up to him, as well as warming up to Sia...hurt Pick a little. Not necessarily as jealousy, but perhaps something similar. Pick thought they had a lot in common, they were the new guys to the group and in Picks opinion he thought they were really the “freaks”. They’re the weird races, and he just feels like he’s...missed out on a shot. He thinks Siril doesn’t really find him interesting and he really can’t place a finger on it but ever since he came to the party Pick wants to impress Siril. That’s why he gave him space when it was clear he was annoyed, that’s why he went along and did as much work on the murder case as he could, it’s why he -went- with Siril to see the widow and gave her all his gold. It’s why when Pick was asked by Siril if he was a good person Pick gave him a truthful answer of “you are useful” because truth is what Pick gives to people that he feels are deserving of a harsh answer. He thought they’d talk more since then and they really haven’t, and Pick wonders if all that time trying to impress Siril was for naught, he really doesn’t have the emotional maturity to figure out why he’s feeling what he’s feeling, but he just has those base feelings. Does he “like” Siril, is he “attracted?” He doesn’t know how to process that, but he had an instinctual desire to impress him, to be seen as useful or interesting to him, and seeing him bond with other people that Pick wasn’t expecting him to (ie, not me, the other “freak”) he feels...hurt by it.

[thatonebipotato]

I'm gonna talk FB:SOD real quick

I'm gonna be honest I don't mind the idea of getting a Dumbledore and Grindelwald story in the FB franchise but they could've done it. better

they knew people wouldn't like Newt not being the main focus in SOD so they kept him a pretty big one but when they're trying to also build up the other story they need the time for that.

if they'd like, maybe done a 3A movie and then a 3B movie where we see the same timeline but from the two different sides, I think that would've been fine! but SOD couldn't pick what it wanted. we didn't get to see the whole story and it really just leaves you a little confused afterwards.

if they'd set it up where we see Newt, Theseus, Eulalie, yknow, that little gang meet up and talk plans and bond and then set up the briefcase strategy at the end, and then the next movie setting back in time where we can see Dumbledore helping to ser everything in place, getting flashbacks of Gellert, and we get scenes of the Grindelwald followers interacting with each other(like Yusuf gaining their trust, Queenie and Credence bonding, just showing more of them), and obviously all that political stuff, and then that movie ended with the Dumbledore gang exposing Grindelwald, I think it could've worked!

but we never got to see that!

we didn't see Yusuf gaining their trust and "proving" he's not on Dumbledores side anymore, we dont see the internal conflict Credence has, we dont see good things about Dumbledore and Grindelwalds relationship, we dont see the transition between movies that leads the characters to be the way they are, we just see it, and that didn't feel good to me, and we dont see a lot of fantastic beasts!!

all that we got were a lot of perspectives and story that was rushed. there's some scenes that feel like their edited too weird because the original was too long, I felt there wasn't a lot of clear story telling with what the plan really was, I felt lost almost the whole time.

some of this might just be on me, I'll admit that, but it just felt like they rushed the story to get as much out as they could instead of doing the thing that would've had a better outcome which was just splitting it or something. it felt predictable and in a very bad way.

the plan the characters came up with was to be confusing and unpredictable, so I'll give them that first part, but definitely not the second.

I'm sure if I got to watch it again I could understand more, I watched it with my dad and he's like, always confused, so I had to fill him in the whole time rather than pay a lot of attention, but even then I felt more lost than I should have been.

it was a good movie though. it was pretty easy to piece together the things we were most confused about if it wasn't handed to us later on(like I said, predictable), but it could've been SO much better!

that's just my opinion though, and of course I could've missed or misinterpreted some things, so that could be on me, but idk, that's just what I think.

[isaacathom]

one interesting thing i found in SB is that for its mythology, which is, Woof, the original bad guy was the fire god, not the dark one. so, passing forward to EC, Ryaris was the one who went rogue first, and then Dalace went down afterwards. And there’s the fact that the act which got her branded as a villain is specifically called a betrayal. of who?

my memory of most of the EC lore is fuzzy, but I know that Ryaris couldnt have betrayed, say, her direct elemental counterpart in the water goddess Caliyo, because she’s the one who, after the Second Event, broke Ryaris’ seal early. While that could just be a whole lot of forgiveness and an understanding of how their elements coexist, it’s more likely that Caliyo was not the one wronged by Ryaris’ actions originally. This is compared to what I later had down for EC, which is that Dalace had been bad from the word go and that Ryaris only became involved in the Second Event by trying to free her. fun!

So then the Q becomes what did Ryaris do, and who did she betray? The likely answer is she betrayed Losa, the goddess of Light. the reasons for doing so are, complicated? and have their routes in the way the elements all interact. cause the 4 standard elements are basically neutral towards eachother because while they can cancel eachother out short term, they have a ~relationship~ thats important. like, the air goddess Xen can blow out Ryaris’ flames, but her air is also responsible for flames growing in the first place, and the fires consume that air. You follow? But light and dark have a way more complicated relationship that leaves Dalace especially feeling wronged, because where light is present, dark cannot exist. dark cannot overpower light rawly, yknow? i have diagrams in my head which explain this sort of. point being, dark and light are not friend.

and that complexity extends to how the 4 elements interact w/ light and dark. Ryaris as a fire goddess mostly has vague beef with Losa, because fire creates light, doesn’t it? and light, when concentrated, can create fire. The two cannot destroy each other, their actions only fuel the other. so while in theory, on paper, theyre allies, in practice they set eachother off extremely easily. they just are not compatible personalities, their elemental dynamic personified.

which makes it easy to imagine that Ryaris, pissed off to no end by Losa’s holier than thou attitude, etc etc, decides to fuck with her. And thus, betrayal. An important aspect of this is that Ryaris was not sealed away by the gods alone, but also by a human on their side. that the conflict that spilled out from Ryaris’ actions impacted the human world in some way. So it was a very direct betrayal, going back on her word, doing what she was told not to do. Something that, even if some of her fellow gods thought the rule was bad, had to acknowledge that Ryaris had broken it. yknow. centrism. because the other gods don’t side with Ryaris. Even Dalace, who fucking loathes Losa, remains neutral. which she regrets, hence the Second Event.

So Losa tells Ryaris not to do something, Ryaris decides fuck you asshole, I’m going to do that anyway and even more, and thus, Chaos. It could lean a vague prometheus angle, like that Losa in her ~divine wisdom~ decided to impose some restriction upon humans, and Ryaris broke it. cause Losa is a hell of an individual generally, consider she decided of her own accord that she was gonna be the ‘keeper of lost souls’, like she ust. decided that. without input. and without letting anyone else even go ‘actually id like to keep the ghosts of the people who lived in my world with me, or give them a choice’ nope! Losa knows best! She’s presumably the oldest, or second oldest depending on your opinion of whether the Void is ‘dark’ or just ‘blank’.

Ryaris isn’t the oldest, obvs, or even the oldest of the elemental quartet due to fire requiring fuel (which supposes that Xen is the oldest, followed by either Ryaris or Elra the earth goddess, or possibly even that Ryaris is flat out the youngest if it goes Xen>Elra>Caliyo>Ryaris, with earth requiring water to make the like, carbon fuel, right). but the fact her power creates light lends a degree of authority. She’s in a very unique position as a goddess in that respect, since she can technically create two elements. so even though she’s either the 1st or 3rd youngest, she has that going for her. it fuels smth in her. that ability to stand up to Losa and say ‘no, fuck you’.

Maybe it does even tie into the ghost thing, or the general inability for souls and mortals to change realms (excepting all souls going to Losa’s realm). Maybe Ryaris breaks that barrier down. Maybe she creates the first portals, opens those floodgates that even Losa can’t really close. Which is even a bit of, idk, sorta dramatic irony since her creating portals directly leads to a lot of things that bring about her defeat in the Third Event (specifically Skye being a Very Weird Light Boy, Will being a Very Weird Dark Boy, and Violet being her literal lost daughter, lmao). But its also neat because in SB the method of weakening the seals was to create portals, which sorta punctured holes in the space. whch is pretty neat.

so Losa makes a decision that mortals have to stay on their world only and that when they die theyre souls come to stay in hers. While this sorta annoys all of them (who died and made her queen, whats the point of all these worlds if they cant interact, etc), Ryaris is the one who decides to act. She visits Losa’s light world full of ghosts on false pretenses (delivering some wayward souls, perhaps), sneaks in somewhere, and basically burns a hole in the fabric of space to create a portal between light world and Earth. Ryaris’ reasoning for doing this is sorta weird, but any important part of it is that with the change Losa made, only two worlds have no native inhabitants - Ryaris’ fire world, and Dalace’s dark world. To be clear, Ryaris isn’t bitter, because she made a conscious decision to not put like, sophonts on the fire world. she likes the quiet. But Ryaris likes the idea of visitors, of creating a place where people can come to see her and stay for a short while. And Losa’s decided that she literally cannot do that, and that the only people who can visit her are runaway souls (rough crowd) and the other gods. And they’re busy! Busy people! Ryaris likes the idea of the freedom of movement, probably because as a fire goddess, fire likes to just. Expand. It’s great.

so she lies to losa’s face, creates a portal, and then allie fucking oops outta there. excellent. things escalate from there as mortals start following ryaris’ example and making portals, thats the floodgates. Then Losa and co go ham, a pseudo war starts, and then eventually Ryaris gets sealed in her realm and barred from using the portals out of it. but now portals are there, and losa’s pisssssed.

dalace remains neutral in the First Event because even though she hates Losa and is against her just, by default, she’s also not... really allies with Ryaris? The enemy of my enemy is my friend, sure, but Ryaris is, as said earlier, in a very unique elemental position in that her element, fire, creates light. Dalace hates light. and so, unable to reconcile her loathing of Losa with her dislike of Ryaris, she exits the conflict and probably mopes in the dark world for its duration. The other goddesses are either neutral or side with Losa. fun times! Caliyo likely sides with Losa, but even at the early stage she regrets it. However she’s actually unable to break the first seal because it was made using, im pretty sure a water mage? I don’t honestly know if I kept track of what elements Talae and Silver were, but they were i think water and air, respectively? idk. It might make more sense if Talae is air ad Silver is water, because then Caliyo as water goddess can sorta.. ‘revoke’ Silver’s part of the seal on Ryaris after take 2. yea. i think that works.

so then the idea is that while Caliyo feels guilty because she actually agrees with Ryaris and the elemental counterpart relationship is Fun, Dalace feels guilty because she ‘let Losa win’. and spends the next few centuries weakening Ryaris’ seal so that they can get revenge. And Ryaris is down for revenge! And down for support! So she teams up with Dalace, they break her out, and cause chaos again. This time there’s no principle behind it. its just flipping the bird at losa. so while the first time around its like, Losa+Caliyo+idk, Elra, vs Ryaris, second time its Losa+Caliyo+Elra+Xen vs Ryaris+Dalace. And they get beaten and both get sealed.

At this point Ryaris decides that while she stands by her original decision to create portals, she doesn’t stand by the attempt at revenge, and she accepts being sealed as a consequence. Dalace, of course, does not. After time passes, Caliyo comes to visit Ryaris and see hows she’s doing (with Caliyo having fully forgiven her for the first thing, bc that wasnt Caliyo’s problem), and after deciding she’s appropriately sorry for what she did with Dalace’s help, leaves and weakens the seal, and some time later Ryaris is able to leave, whereupon she decides to visit the world she tried to destroy in the guise of a mortal to see whats up, whereupon she falls in love with and later marries Evelyn Nis, and the Story Persisteth.

the reason they went for fucking over the central world (earth, i guess) rather than losa’s world directly was the fact that the two of the, Ryaris and Dalace, can’t fucking touch the place. Dalace can barely even go there, fucks sake, she cant destroy it. And if Ryaris tries, it won’t work, because of the fire makes light thing. So you settle for the next best thing - the neutral world none of the goddesses rule directly, but which Losa has a great deal of influence over, because Fuck Losa.

presumably dalace’s current plan is to be a bit sneakier, and rather than appearing and trying to destroy everything, she basically wants the trick all the people into destroying it themselves, through war and so on. and so a lot fo subterfuge, and stuff. which is WHY Ryaris kidnaps Chase and Akian D’Lore - she’s ransoming the shit out of Sparklr Fountain and provoking them into accusing all their neighbours and vague enemies of being responsible. Quartai’s probably on that list which is fun. Lot happening. :)