#because it's the same theme for every character

[healerqueen]

Write the stories and themes you love. Don't be afraid to use similar elements, symbolism, and tropes in multiple books. Readers want that. If they love one of your books, they might love the others. My books (not yet published) are written in many different genres, but certain aspects of the writing, characters, style, and tropes are similar among multiple books of mine. I think many of my future readers who like one of my books will also like some of the others.

It's a good thing when you sample an author's work and find that they have more like it. Because where else are you going to get more of what you crave? It's okay to write similar things again and again. Not just okay--it is a good thing.

Call it a remix--because the new mix will still be different every time.

The same thing goes for musical artists. It's disappointing when you can never find another song like a song you love, unless the same artist has written others like it.

You can also call it an author brand--because that is what it is. It's a good thing when an author has defining qualities that characterize their works.

Think about your favorite books by an author who wrote multiple works. (Agatha Christie or Louis L'Amour, for example.) Authors often repeat certain elements in more than one book, but each book does it in a different way.

Each book shares elements, but it is still unique.

Yours will be too.

few things more humbling than the realization that you really do write the same fic(s) over and over again

[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David… Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[mackmp3]

☕how the writers delt with river song

SCREAMING CRYING THROWING UP THEY DID MY GIRL SO DIRTY there are so many. good river song moments. and there are so manythat make me want to tear a strip off steven moffat like every goddamn episode with her they have to make some obnoxious sex joke or some Honey Im Home type shit & i understand this is like. A Moffat Theme & i dont always hate it but goddddd its so reductive like there is so much!!!! that could be done with her character !!!!!!!!!!!!!!! that is overshadowed by haha what if she was sexy like STOPPPPPPPPPPPP.

like silence in the library was a really good character lead in & i like her!!! as a character !!!! even the overly flirtatiousness unfortunately that would work on me but even aside from that. she is a good character let down but the sheer pull-it-out-of-your-ass writing of her backstory. like?? she could regenerate cos she was conceived in the tardis okay thats really cool much weirder stuff has happened when it comes to tardises & making babies but then WE SeE THIS FOR LIKE. ONE OR TWO EPISODES BEFORE THEYRE LIKE WHOOPS THAT DOESNT WORK ACTUALLY COS SHE'S DEAD UHHH SHE BETTER UHMM IDK SAVE TH E DOCTOR OR SOMETHING WHATEVER> COS HER ENTIRE LIFE HAS TO REVOLVE AROUND HIM. HASHTAG MARRIAGE AMIRITE like even the fact that her entire life was shaped around him isnt a Bad Idea it just feels like no one considered the tragic impies (implications) of this, & simultaneously doing amy so dirty in the process as well like??? she loses baby mels & then discovers she was her (never previously mentioned) childhood friend but then she uhhhh dies & turns into this woman you already know and them????? barely eveer mention it again???? holy shit?????????????????????? amy & river is a freaking horror story but one that the writers seem imcapable of dealing with because sOMEONE is too busy making obnoxious jokes about married life

a lot of thsi is specific to the General Vibes of the eleven era stuff as well which was in general so so weird about women & while its not like twelve or any of teh other doctors are expemt from this eleven is a massive dick to people quite a bit & a lot of this falls on river b/c he is seemingly (iirc i havent seen some of this stuff for a while though it Haunts Me) almost careless? with her? like a sort of 'welllllll she's here now so it was all okay in the end :)' sort of attitude ignoring that she went through A Fuckton Of Stuff before she was even a concious human(mostly??) being

even the husbands of river song is tragically guilty of some of that stuff like. she's seen some wild shit & she should have known it was twelve wayyyyyy way way quicker. like i understand why she didnt for plot reasons but she is in fact very intellegent like. she's allowed to show that. unfortunatley sometimes women cant be smart & have their boobs out at that same time I GUESSSSSSSSS

also the nine & river audios from earlier this year? i really like archipelago i listened to that a couple of times & i thought it was really powerful but AGAIN the writers make river So Fucking Obsessed With Romance like. you'd let it go by that point. nine had literally just proved he's the most aro guy in the universe (good for him) and shes stillllllll flirting at him. which. imo she wouldnt do anymore because, shock horror, she does actually like him as a person & values his company and you would think you would be friends wit hthe guy YOU ARE GONG TO MARRY OR WHATEVER. NOT THAT THEIR MARRIAGE WAS PARTICULARLY ROMANTIC EITHERIM GONNA BE SO REAL. obviously sex is important to her & good for her but yikes. it doesnt need to be mentioned so often.

like its the whole 'inherent tragedy of waiting for a time traveller' stuff which i do eat up every time meeting her in silence of the library & knowong that there is so much more there - VERY COMPELLING !! really good character intro augahagaauuaajaaajahhahahahhhh but nooooo her Entire Fucking Goddman Life has to revolve around being manipulated & The Doctor AS WELL AS !! the completely uncalled for ohhhh im a PSYCHOPATH ( <- unfounded & demonstrably untrue lowkey this is saneism right. thats an ableism there yes? ) thing they alllwaysssss have her say like well!! shes not !! theres 'youre talking about commiting a murder'/'no im not, i'm actually commiting a murder' which i like & is funny & she would say that and then theres teh vauge oooohhhhh im so Freaky & I Have A Gun or whatevr like augsugsaihuahahaouoauauoouauoauoauoauuo

also twelve & river had freaky t4t bi4bi aroallo sex after the end of husbands of river song but no actual dw writer is enlightened enough to see that because they have to flatten her into The Doctors Wife & she would have had a far better dynamic with 12 than with 11 (not that i'm biased) i wish they got more time togetherrrrrrrrrrr also you should listen to the bekdel test (diary of river song audio with missy)

[icanbeyuoronewingedangle]

violent by circumstance

i read a thread from twitter about how moxley and orange mirror each other. it wasn't a bad thread but the only things it really said are that both were comedic characters who've been betrayed that have become more violent. it doesn't get at what makes their dynamic so interesting, especially with this current feud.

orange becoming more violent is a reaction to the world around him. orange cassidy, over his time in aew, has become more isolated; he's been targeted, he's been taken advantage of, and he's become worse at hiding his frustration. this is because of the most important change in his character; he's gotten an ego. the orange cassidy that showed up in 2019 let himself get thrown out of a battle royale without fighting. that is not the same person who held the international title for a year, who felt that bag growing heavier every week.

mox has been able to prod that ego, last year by calling the best friends jokes, this year by targeting chuck taylor. chuck, who stood by orange when they were betrayed by trent. the orange cassidy of 2019 wouldn't have had it in him to take on mox alone, or stick his hand in a bucket of broken glass to hurt mox. but he also wouldn't have been important enough to target. mox wants to bring the best version of orange out, the orange cassidy that has proven himself over the past 5 years, and he'll do anything to achieve that.

for moxley, violence is self actualization. it's how he shows who he is, after he wasn't able to show it in wwe. he wanted to spread the gospel of bloodshed with bryan, and when he thought bryan couldn't preach anymore, he took him out. in orange i think he sees himself, someone using humor to hide a killer's instinct. maybe he's right, but we're seeing a common theme in aew, which is that glory isn't as important as your connections.

mjf threw the title aside to embrace adam cole at aew's biggest show ever. hangman's quest for justice and vengeance has left him a shell of his former self. toni was able to dance out of wembley, having lost mariah and her title but gaining the adoration of the crowd that she sought. the power of love saved the elite against the bcc.

orange cassidy has lost all of the best friends by betrayal or murder. his rage caused him to try to paralyze trent. even though he has the conglomeration backing him, he's become emo. it's at the point where he feels like he needs to take on moxley alone because he doesn't want anyone he cares about to get hurt. and his gained ego allows him to think he's capable of doing it alone.

moxley takes no joy in what he's doing, but he's utterly dedicated to carrying on nonetheless. he has allies, but they're not there for him, they're there for the cause. if he doesn't feel like they're doing enough for it, he will cast them aside, as he did bryan. if they think he's faltered, they'll probably kill him too.

orange and mox are both using their abilities to protect their visions for aew. both have become greater by dedicating themselves to violence above the connections they've made. both of them are miserable for it.

[cup-of-hot-worm-milk]

At its core, Arcane is a political and character drama. Every inciting incident has an equally devastating consequence; the show is a constant descent of vicious cycles because the characters don't have the foresight of repercussions (which is realistic as hell btw).

The escalation of violence has only escalated the characters themselves. Grief, loss, desperation, and rage are so prominent in these first three episodes, and they extend to every character on some level.

It's juxtaposed with season one which more heavily featured themes like discover, advancement, hope, and progress.

The characters are changing because the narrative has changed. Vi can no longer be the same person, same as Jinx, Caitlyn, Jayce, Viktor, Mel, etc. A new cycle of violence has begun and it is far more devastating than its precursor.

And like... this is completely normal for stories to do?? I really don't understand how people expected every character to remain static when the whole point of the series is to show what causes people to change, and how that change has consequences.

Like cmon guys... Media literacy can't be that fucking dead.

people complaining about how vi becoming an enforcer in act 1 was out of character for her—that’s the fucking point! that the way she perceives this grieving caitlyn’s needs makes vi take herself apart and ignore what makes up her identity (hence the opening where she’s stripped of her tattoos and blurs the remaining one on her face). so vi picks up the enforcer uniform, she stays in piltover, she goes after jinx, not because that’s what vi wants, but because she thinks those are the requirements to make caitlyn love her, to be with her. let’s not pretend there wasn’t a scene of violet being extemely offended when she’s offered the title. the only reason she ends up accepting is because that’s what she thinks is best for cait

[originaltravelerfun]

my biggest problem with hazbin hotel writing after everything

guys do you notice how badly vivzie doesn't want to directly mention the theme of morality?

its always there, it flashes everywhere but she chooses to walk on edges. the redemption, extermination, falling in hell, god we literally have hell vs heaven war with these themes. and after everything the question "is this the right thing to do?" just exists like small stream of wind.

never in the show charlie asks herself "is my redemption plan is right?" she should know that there are very bad people who can also badly hurt others because she is there for a long. but this knowledge never brings up and we have to accept the fact that charlie is just an infantile and too stupid to comprehend evilness despite also knowing what good means. its really weird how the princess of hell who should already know the hellish history and society acts like she for the first saw someone like valentino being evil. SHE DIDNT LIVE FOR LONG IN HEAVEN (what could explain the blindness towards evil nature), SHE LIVED FOR LONG IN HELL, FUCKING HELL. how after many years she cant deal with the evilness of her people and instead just believe in a power of friendship? WHERE SHE WAS SO SHELTERED TO GET THIS MINDSET IN THE END?

its very weird how every theme that is revelant in this show, is literally connected with defining good vs evil BUT vivzie never, never makes us think about that. we just should accept the writing telling us what happened is good or bad, or even worse, doesn't matter and it was just for funnies (like that rpe joke with Sir Pentious).

the reason why this morality thing got in my mind is that im afraid what season 2 brings to us. im afraid that they will never mention elephant in the room: possibly irredeemable people. and hearing another doubtful information makes me scared that viv goes to the route "actually, there is no evil people and it just fault of some metaphoric disease that makes people evil!". and im very afraid of this happening in the future because it seems to be that everyone just ignores the existence of Irredeemableness. like doing evil doesnt really matter and there is just winners/losers side of history.

for some reason Sir Pentious in the past got in hell because of him ignoring the situation. let me mention he is the first to be ascended of all sinners and this backstory makes him pitiful for a reason. of all backstories, they chose the most depressing one. where he is a shut-in who had no will to change the inevitable situation. bro do not tell me you didnt do this to make another point of "innocent sinners"

emily. if not for emily, i wouldn't writing this. she is the angel version of charlie who also promotes "sinners deserve redemption" but also ignores existence of serial killers, rpists and another kinds of "that evil" people. the same problem charlie has but i can understand it at least.

I am not scared for saying this. viv seems to be not mature enough to even explore the concept of her show if she is afraid of exploring complete monsters (like exploring undoubtable evil AND NOT MAKING IT CONTROVERSIAL LIKE WITH VALENTINO AND ANGEL) and just stays on the line "of pure good (every main character) and wrongful revenge (VVVs, Adam, Lute and other exorcists, not gonna be surprised of Lilith adding to this group)".

of all characters, i only feel sympathy for lute (and also sir pentious with how he was handled throughout the show). sera was just stupid and wanted bloodshed because of her special placement in an angelic hierarchy. i dont believe this bullshit of her caring about well-being of her people when she went with extermination as it was nothing. all she should have said is that there are very horrible people and hell is not worth of being a threat to her lovely power. well, they didn't go for this route for some reason. now sera got in wrong too and she got in the first group with everyone.

TELL ME

TELL ME WHY NO ONE STILL POINTS ELEPHANT IN THE ROOM AND WE JUST ACCEPT THAT HELL IS JUST MISUNDERSTOOD

This is why I only care about Lute now because she is the only who has brain to acknowledge that there's monsters in hell

im so done with this show bro

[utilitycaster]

#reblogging for the “see: girlfailure” tag#caus I have opinions on the insular fandom memeification of characters but I don't - as this post highlights - have the words for it#but I keep those to dms caus anytime I or a friend has challenged it in a public space it gets shot down#it reeks of my troubles with the general fear of using the word woman these days and how it's girldinner this girlmath that#also what do you call as intentional character traits vs a flopped dice roll

(via @distant--shadow)

so I agree and this is interesting to me because what always frustrated me about "girlfailure" outside the more general issue of "um, coquette/bimbo/girl dinner/uwu soft divine feminine cottagecore domesticity don't you mean u want to braid her hair is actually TRUER feminism than being the surly woman who loves math and sword fights and hates sewing" and the fact that, as you said, it mostly came from bungled dice rolls and no real intent, is that the same people who call her a girlfailure insist that Imogen is the main character. And like, she kind of is! And yet - and I've said this about Imogen and Laudna in the context of their relationship but I'm going to not include that because I actually don't think that's even relevant, it's about them as individual characters as well - people want them to simultaneously be The Main Character or at least heavily in focus and also never, ever have any agency. Like, they want "capable" to mean that everyone likes you, and not that you are a person who makes hard choices for the better.

Maybe it's because I'm playing Baby's First RPG right now, but the deal with RPGs and I think(?) especially this one, is you must make every choice and it is laden with consequences (not that I as a D&D player, or, you know, a human woman, am unfamiliar with that already) but what drives me nuts about the just a silly guy! girlfailure! she chooses to be good and therefore is good narrative for Imogen, and the "stripped of choice" (another highly repeated turn of phrase) for both her and Laudna is that it's untrue and it means nothing. For all my criticism of What Doesn't Break, Laudna makes choices. I frequently dislike them and wish they had more gravity, but she does make them. She doesn't make every choice - notably, her death and Delilah's presence are huge things that happen to her without her input - but even while barely herself she frequently brushes off Delilah. You can imagine the dialogue trees and the paths she takes, to intervene or not. She decides to renew her pact; she decides to run into the desert. Imogen decides to attack the villagers with lightning to defend Laudna. She decides to leave, she decides to keep burning their rivals in the Twilight Mirror Museum, she decides to tell her mother that she won't join her, she decides not to help assassinate her mother.

Fearne has a wonderful line when she's talking with Chetney after shardgate, in which she explains that she's terrified of making bad choices. Not of being a bad person, but of making the bad choices. And that's the thing. You cannot choose to be good. You cannot choose to be bad. At least not in any general sense. You can, however, make choices that harm people or help them. You constantly must do this. You can stray, or change the type of choices you've made, but they do accumulate to a point, eventually, where it becomes harder and harder to stray. However, the premise of D&D is very much that your character hasn't become locked in, yet. Is Imogen making choices that will be better for other people? If the world rests on her shoulders, is she making better choices for the world?

This is perhaps the core theme of this campaign, dating as far back as Downfall. Aeor made their choice - many, many choices. The gods made theirs. Ludinus kept making his, over, and over. It's particularly resonant among the women of the campaign. Obviously there's Fearne, and I've covered Imogen and Laudna, but going over to the Crown Keepers, Morrigan becomes a paladin in a few short weeks - an immense choice. Fy'ra advises others on what they are going to do. And Opal is where she is now because in one moment she put the crown on her head - and in doing so, ceded further choice in the long run. The deities of both fate and free will in this world are given considerable presence in this story, and both use female pronouns.

Maybe I'm making a mountain of a molehill, but I don't think I am. I really do think people cling to "girlfailure" and act like we're just being meanie haters who don't believe Imogen is good because she can be the central character who has power to change the world and the narrative; or she can be pure and innocent of all wrongdoing. she cannot be both. No one can. And deep down I think the "girlfailure" proponents prefer a useless innocent girl to a powerful woman who sometimes makes choices or does things that hurt other people. So I don't think that one's just harmless meme-ing, and if you want to see Imogen as an exceptionally important part of this narrative I think you have to reject the girlfailure, and anyone saying "oh it's just a joke" is either unthinkingly repeating or is pushing a story where Imogen is just a MacGuffin without agency, and neither is worth, in my opinion, listening to. Someone "stripped of choice" in real life is worth our pity and deserves our assistance but they make for a pretty terrible fantasy protagonist, and it's maddening to see a woman in the center of the story and then to be attacked if you want her to be treated like a person who, as a result of being a key protagonist, holds particular power and isn't just a girlfailure.

[venussaidso]

Why am I finding so many Ashwini/Mula actors as main leads in the latest Chinese dramas I've been bingewatching?? Seriously this happens a lot. Everytime I'm fixated on whatever astrological influence I'm fixated on, it's like media related to that comes to me. Like I remember being fixated on Saturn nakshatras and every drama/show/movie I'd be watching dominantly stars Saturn natives. When I shifted over to Jupiter, I get media content related to that, and it has my head spinning.

Anyway I just bingewatched Love Game Eastern Fantasy which stars a Mula Sun, Swati Moon woman who gets trapped in a game plot... and a psychopathic demon slayer, played by an Ashwini Moon, is supposed to fall in love with her... PLUS he's half demon so it's Ketu-Ketu Beauty & the Beast again. And she is the same actress who was in Love Between Fairy & Devil WITH THIS SAME TROPE (the pairing there is Mula-Mula). In Love Game Eastern Fantasy she's more Mula though because she's the only one who sees the innocence of demons and she's aware that not all demons are evil blah blah you know that Mula trope... Also her Swati Moon stands out in this drama's concept... although I'm going to make a Rahu post of that mentioning Ketu too because Ketuvians have the theme of body-swapping/reality-swapping as well! Mr Queen is a Korean drama starring a Magha Sun actress who plays an arrogant chef from the modern world trapped in a Queen's body in the Joseon dynasty! The reality shifting reminds me of Netflix's latest film Time Cut, starring an Ardra Moon girl who goes back to the 2000s era. Jkjewnkfnrfinr I HAVE SO MANY EXAMPLESJNDFNRFWRER3RFB

Ugh I have exams this week so lemme chill.

Wait I was gonna say, in Love Game Eastern Fantasy, the Ashwini Moon character's sister is interestingly played by an Ashwini Sun. They represent the deity's nakshatra as they are so inseparable and too extremely close (it feels fucking incestuous yall). My Ashwini-Ashwini twin agenda is validated. The two are inseparable demon slayers and go on adventures together and they have an unhealthy co-dependent relationship, typical.

Another drama I'm currently tuned in right now is My Journey To You which stars at least three Ketuvians and only one Venus nakshatra native.

OH and the Ashwini Moon guy from Love Game Eastern Fantasy looks like another Chinese actor who also has Ashwini Moon too LMAOOOO.

[what-eats-owls]

It matters how you do it

I finished Dragon Age: The Veilguard and had some big feelings about it. Spoilers for basically everything under the cut, and frankly, it won't make sense unless you've finished the game anyway.

First of all: I had a blast with this game. I didn't find Act 1 slow, I did find Act 2 a bit of a whack-a-mole, and then Act 3 kicks you in the kidney (complementary) while insisting it's for your own good.

I've seen some recurring complaints: that it lacks depth/edge/darkness, that it abandons previous lore, that the previous choices don't matter. I don't entirely disagree. To me, it felt like a massive Dragon Age 4 game that pivoted to a different, tighter game after complaints about bloat in Inquisition. The key is that when editing down, there's such a thing as trying to trim the fat and taking a chunk of the roast with it.

I enjoy the concept of Lucanis's character, and the voice actor sold the hell out of him, but the storyline felt like being taken to a museum and allowed to see one (1) beautiful unfinished sculpture. Why did Spite, specifically, work? We know the spirit of Justice became Vengeance by abomination, we knew Solas was Wisdom before he became Pride, so what was Spite before, and why wasn't that tied to Lucanis's own personal arc? (Doubly so if you romance him!)

Similarly, Harding was a delight, and her greenhouse was such a lovely little haven. I would have loved to see more explanation of the connection between plants and the titans, and how Harding's own personal struggles with rage connected to that of the titans. She has every reason to be angry and scared, and the game tells us she pushed that away—but we don't actually see her toxic positivity manifest to that degree, until she abruptly has an angry clone.

On the flip side, I loved the other five character quests, and I felt they had solid, poignant arcs that delivered. I also adored their interactions with the codex—if anything, I wanted to see more of that type of interaction on the screen. You have to fill in a lot of the character work for Rook yourself; Rook has all these interesting potential backgrounds, but I think starting the game playing through those, a la Origins, would have gone miles towards establishing more personal stakes up front and made for a stronger start.

So that's all my nitpicking. But let's talk about the bigger theme: It matters how you do it.

In the first Fade conversation with Solas, he gets so mad when Rook refuses to let him DARVO them about the consequences of his botched ritual. This makes way more sense when you understand he's literally imprisoned by his own regrets, and he needs Rook to have that same kind of regret in order to take his place. His entire arc is about rationalizing binary choices and shitty actions that hurt others in the name of a hypothetical greater good that he wants.

Solas can't engineer every binary choice Rook's forced into, but he uses Varric to maximize Rook's regret. He is trying to quite literally mold Rook into him, and the game is great at presenting this both as a coldblooded manipulation and a broken plea for validation—if you let it. You don't have to give Solas a moment of consideration; you don't have to take time to view his memories, or kill his demons, or listen to those scraps of Mythal still holding onto the good in him. You don't have to do any of it.

But you can. And in the end, it matters.

It matters because for every companion, you can encourage them to either be more nurturing/compassionate or destructive/closed off versions of themselves, and that is frequently tied to continuing or breaking from a cycle. (The exception is either Neve or, presumably, Lucanis, who are forced into the Hardened version depending on which city you save.) These aren't presented as morally opposing choices, just who you want them to be. You can see how the Grey Wardens fucked up bad with griffons and decide they have a better place. You can help Emmrich face his fear by finding deeper meaning in life instead of indefinitely postponing death. You can help them do things differently.

So when you get to the final choice in the game, you may have two options: physically force Solas into saving the Veil, or trick him into it. The kind of binary choice Solas has molded you into making by pelting you with cruelty and manipulation.

Or, if you've taken the time, you can get him to understand he's wrong. You bring out the people who saw the best in him and speak to what he's had to endure, even as you're showing him there's another way. You reach him not as Pride, but as Wisdom. And he goes willingly.

Ultimately, I think DA2 and Inquisition grappled with big questions of oppression and violence, faith and authority. It makes sense for those games to delve into harder, uglier subject matter, and ask you to make binary calls.

But my read of Veilguard is that, at its core, it's about how those decisions are meant to trap you in regret at best, and numb you to rationalizing cruelty at worst. It's why the companion who loses their home city becomes colder, more isolated, in response—more like Solas.

That's why it offers you a third way at the very end, but only if you've worked for it. A better way is possible, yet it has to be more than words. You have to understand where the pain comes from, what maintains and is being maintained by the current cycle. Then, and only then, can you break it.

I can't wait to play it again.

P.S. Utterly obsessed with the Trevisan fish merchant.

[thegayhimbo]

I know this is coming a bit late, but since all of this was posted mere hours after Trump won the election in my country, I really wasn't in the mood at the time for making theories. I'm still technically in a funk, but I'm getting this done now to keep on top of things because I am really far behind in my reviews and speculations for Stranger Things.

1.) I am 80% convinced that the "Wheeler" who will vanish is Holly since the tidbits they've released indicate she's going to have a major role in season 5 and some kind of connection with Vecna. The book Alice in Wonderland will probably play a role in how they craft Holly's story since a reference was made to it on the Duffer Brother's Instagram post:

There's also how Holly's clothes in one of the BTS photos looks eerily similar to Alice's blue dress from the Disney movie:

Makes me question which Wonderland character Vecna is supposed to represent: The Mad Hatter? The Cheshire Cat? The Caterpillar? Maybe a male version of The Red Queen/Queen of Hearts?

2.) I speculated a while back that the book A Wrinkle in Time would be influential in the writing for season 5, especially with one of the titles being "Escape from Camazotz." While I have doubts now that Mike will be the one who disappears (as I originally suspected, though I could be eating my words later if I turned out to be right on that call), I do think there will be some kind of journey to a Camazotz-like location in the Upside Down to rescue one of the main characters (one of the spoilers from earlier this year implies that Mike, Will, and Holly may share the same story, so it could be that Mike ventures with Will to rescue Holly from Vecna) and that the Duffer Brothers are intentionally drawing parallels between the Hive Mind in the Upside Down and the one in A Wrinkle in Time that IT (the main antagonist of the book) uses to control the planet of Camazotz.

Plus, the Duffer Brothers posted this on their Instagram a while back during the production of season 5:

3.) The title "The Bridge" is likely referring to the bridge between the Hawkins and the Upside Down, and I suspect that episode will be about said bridge being damaged in a way that needs to be fixed in order to stop the UD's threat. However, since there have already been several references to children's books, I think there might be a third that this title is referring to: Bridge to Terabithia.

I remember reading this book in elementary school, and I know the story deals with two friends who create an imaginary world called Terabithia that can be accessed by crossing a river, and they go to this world as a means of dealing with their own struggles in the real world. Since one of the themes of the books is about building the bridge (both metaphorically and literally) between the two worlds to create stability in the main character's life, maybe that's what will happen with the Upside Down and Hawkins: Instead of the complete destruction of either Hawkins or the Upside Down, an equilibrium is established between both worlds (with effort from the main characters) where the Upside Down no longer poses a threat but can co-exist with Hawkins in a peaceful and stable way.

4.) "The Rightside Up" is pretty self-explanatory as a title. The question isn't whether the main characters fix things, but HOW they do it and what the cost will be.

5.) Every BTS photo I've seen gives the impression that the Military, and likely the residents of Hawkins who've taken up Jason's crusade from Season 4, will be antagonists to the main characters just like Vecna and the Mind Flayer. I also have no doubt Colonel Sullivan will have spent the last year and a half hunting for El while also trying to contain the threat of the Upside Down. What I want to know is why the main characters are still in Hawkins after all this time? We see photos of Mike, Lucas, Dustin, and Will going to Hawkins High School, but I thought the idea at the end of S4 is that the Upside Down was leaking into Hawkins, which would make it a hotspot for toxic air, decay, and monsters popping out of the ground. Did the military quarantine the whole town and the residents can't leave Hawkins because they are infected? Or did they only seal off certain parts where Vecna's gate opened, and the town simply rebuilt around it and tried to get back to their lives?

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching reading. Today's choice: 死亡万花筒 / Kaleidoscope of Death.

Kaleidoscope of Death is a 2018 Chinese webnovel about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This novel was gripping. I could not put it down. It started out fun and ended up ripping out my heart several times. It does a good job getting the ball rolling with a series of adventures in weird worlds, then turns into a meditation about grief and loss and what it means to have something to lose in the first place.

This is the first time I've ever done a book rec! I'm doing it in conjunction with a rec post for the Spirealm, and originally I was just going to do this as a bonus section for that post. However, I felt they both deserve whole different posts, because they both have very different things to recommend them. I also think Kaleidoscope of Death a 100% necessary read if you've seen the show, because it provides some context that the show simply cannot include -- but it's not a necessary read before you see the show.

Therefore, I'm going to give you five reasons I think you should sit down with this one, and not a single one of these reasons is going to assume you've watched the Spirealm! The book is great and deserves to be read on its own merits, and then if you then start watching the drama afterwards, so much the better.

1. All the Cross-Dressing

(Yeah, I'm going to punctuate this one with screencaps from the Spirealm, because otherwise it's just a wall of text.)

I'm not going to tell you why the male characters frequently dress and pass as women, since the book explains the practicality of it better than I could. You just need to know that they often do, and it's never not kinda hot when it happens.

When you first meet Ruan Nanzhu, it is as Ruan Baijie, a stunningly beautiful and noticeably tall woman. Lin Qiushi, our POV character who is extremely confused for a number of reasons, spends the first whole arc talking and thinking about Baijie like she's a girl. In fact, one of the cutest things about sweet, earnest Qiushi is that he clocks Baijie several times, and every time he's just like, oh, she's so flat-chested, how unusual for a girl, anyway...

And this isn't even just dressing up! Stepping into the door worlds changes you physically based on your clothing and cosmetics. Nobody inside looks the same as they do outside, and nobody looks the same inside as they did last time they were inside. The rules that govern these transformations aren't even clear to the characters themselves! So, you know, have fun with that.

I'm going to say it's not an out-and-out trans thing, in that we're not dealing with an AMAB egg who will crack someday. Ruan Nanzhu is a very male-identified, penis-having man! He's just also pretty entertainingly comfortable with performing whatever gender makes him the most fuckable person in any given room. Lin Qiushi is not so inherently genderfluid, however, which means that when his gremlin sort-of-boyfriend makes him pretend to be a girl, it's a completely different kink.

Therefore: If you like it in any way when boys dress up like girls, you owe it to yourself to pick up this one. And if you like a fandom that likes it when boys dress up like girls, baby, welcome to the world inside the doors.

2. Those boys GAY

This is a textual romance. Lin Qiushi and Ruan Nanzhu are in love. This is a danmei novel about how they fall in love. There is kissing and there are fade-to-black scenes that explicitly acknowledge that the two of them have sex with one another. We even know that Ruan Nanzhu (usually) tops. This s not just me pointing at them and saying gaaaaaaaaaay. This is actual gay.

And it is gay that takes its fucking time. They do not actually hook up until well over halfway through the book, but they are physically affectionate from almost the get-go. Ruan Nanzhu is such a trickster and a liar that Lin Quishi finds it hard to believe that anything he does is sincere, which leads to nearly lesbian levels of wondering if it means anything when a guy demands you kiss him on the mouth when he's pretending to be your girlfriend. Meanwhile, Ruan Nanzhu is over here being the Kate Beaton comic about sitting here consumed with lust all evening.

Even once they both acknowledge what they're feeling for one another, they don't get together right away. After all, they're playing a game of life and death where they lose friends left and right. Every time someone goes inside the door, there's a real chance they won't come out again. Is giving your heart to someone worth how much it will destroy your entire life when you lose them?

(Yes, says the book. Yes, it is worth it.)

The slow burn of their relationship is delicious, in part because the physical (though not sexual) aspects of it predate the romantic ones. It also has the fun hot-and-cold aspect where Ruan Nanzhu is incredibly affectionate inside the doors, then icy outside of them. Poor completely inexperienced, never-been-kissed Lin Qiushi does not know what to make of any of this. He can barely manage parenting a cat. He does not know how to handle a boyfriend who is also a girlfriend who is also (spiritually) a cat.

I also find it charming how much the gay part of it both is and isn't an issue. It's not that Lin Qiushi has a problem being in love with a man; however, the fact that Ruan Nanzhu is a man does mean the heteronormally indoctrinated and relationship-inexperienced Lin Qiushi takes much longer to realize what exactly those feelings he's having are. The book's world is one where heterosexuality is the assumed default, while queerness is unexpected but everybody's still pretty cool with it. Besides, no one's going to judge Lin Qiushi's gay yearnings, because who doesn't want to fuck Ruan Nanzhu?

3. HAKO ONNA HAKO ONNA HAKO ONNA

So as I was reading through @zintranslations' earlier chapters, I kept seeing translators' notes down at the bottom about being so excited to finally get to the Hako Onna arc. Okay, I thought, this is a lot of hype; I hope it doesn't disappoint.

Friends, it does not. This is the arc I was reading while screaming into a pillow. It's thirteen chapters long, tied for the longest arc in the book with the first door. It is a fucking nail-biter. It does the clever thing of taking all the things you've learned about what can happen inside the doors and combining them for a worst-case scenario.

The setup is pretty simple: There's a bunch of boxes. One has the exit. Most are empty. Some have things that help you. Some have things that hurt you. The more things you find that hurt you, the more things there are to hurt you. And you have to open the boxes.

All the door arcs are pretty well-written, so that you can more or less play along with their various adventures. Hako Onna, however, is exceptional. It's so complicated, but you can actually follow it. And you need to be able to follow it, because the multiple emotional gut-punches that happen in this arc all depend on understanding how the rules of the game have just been leveraged to fuck someone over.

Now I really want to play the board game -- which I was pleased to discover is a real board game! And speaking of board games...

sidebar: Betrayal at House on the Hill

I know this isn't technically related to the novel at all, but if you like board games, horror, and being incredibly dramatic, you owe it to yourself to try out Betrayal at House on the Hill.

It goes like this: You and several other horror-movie archetypes wander through a mansion, "building" it as you explore it, so the game layout is different every time. At some point (and it's based on so many random factors that you never know when it'll be) someone triggers a condition, and the haunting begins. All the players then get the rules of haunting explained to them -- except for one player, the one picked to do the titular betrayal, who gets a different set of instructions and becomes the antagonist. From that point on, the game is about either surviving or completing the haunting, depending on which side you're on.

I have played this game before with normal board game people, and they were like, eh, this is fine. I have also played this game before with theatre kids who RP and LARP, and we all had a fucking blast. So I'm going to warn you that you have to choose your crowd carefully. This is a game for people who do improv and voices.

4. The art of losing isn't hard to master

The book has a high body count -- higher than the show's, in fact, though that's related to how the book also has more characters than the show does. When you meet someone who can go into the doors, be careful how much money you'd lay on their survival.

Death after the doors comes so quickly, too. There's barely any time to say goodbye, if there's even any time at all. Often there's just a phone call telling our main characters that one of their friends or allies or enemies is gone.

Everyone who gets the chance to go through the door worlds is only able to do so because they're dying already. The more doors they pass, the more they get to kick that death further down the road -- but the more doors they enter, the more chances they take that they might die inside one. So really, none of the players can be that resentful of being forced to play a game that can kill them, since they're already playing it on borrowed time.

I will say, somewhat cryptically, that the book has a positive ending that leaves open the possibility for other positive things. The path to that positive ending, though, leads through some pretty wrenching takes on living through grief. It's not even all rah-rah and it-gets-better, either -- the text acknowledges many times over what it means to have someone that life isn't worth living without.

And that's maybe not what you expected from a BL horror adventure webnovel, but it's what you're gonna get! Ha ha!

5. What He Is

Which is the title of the first extra chapter, which is not extra at all, but is in fact a necessary explanatory piece that whacks you upside the head like a two-by-four and recontextualizes the entire story.

...Yeah, that's all you're going to get from me about that. You'll understand when you get there.

Have you put it on your reading list yet?

The way you have to read it is a little convoluted: @zintranslations has chapters 1-17 and 63-end + extras. Taida Translations has chapters 1-62. So no matter where you start reading, you're going to have to switch sites at least once.

There are also apparently Portuguese, Indonesian, Russian, and Spanish translations too? And the original Chinese webnovel, of course. And some audio dramas and subs linked to from this Carrd, which helpfully has other information, like content warnings for specific chapters, in case the horror aspect of the story gives you pause.

Anyway, once you're done reading it -- or even before you're done! -- you should absolutely go watch the Spirealm. I think it's clear from both rec posts that I definitely like the book better, but I appreciate having the drama to bring so many scenes to life, and I think the casting is great. Also, I don't think reading the book makes you like the drama less! Rather, I think reading the book gives you insight into the awkward and sometimes terrible choices the drama had to make to survive -- which in turn gives you the ability to see through those choices, on to what the show always wanted in its heart to be.

I do find it funny how "Kaleidoscope of Death" and "Death's Kaleidoscope" technically mean the same thing, but they sure read different, don't they?

[sistersorrow]

I'm just gonna list SCPs from each series you may or may not have read

SCP-008-J - Geoff: A 23 year old man named Geoff who keeps finding his way into Foundation facilities completely by accident and in such a manner that the Foundation isn't actually sure if he's anomalous or not

SCP-7474-EX - Not All Aliens Are Anomalies: An alien argues that they should not be in containment because their technology is explicable within the standard model of physics

The Great Hippo's SCP-001 Proposal (feat. PeppersGhost) - A Good Boy: The Foundation builds a computer which becomes SCP-001 by neutralising every other SCP in containment

SCP-423 - Self-Inserting-Character: A fictional character named Fred who can jump between any narrative works placed near each other and then inserts himself into the story as a minor character

SCP-1006 - Spider Proletariat: A community of communist spiders living in a national park under their own rudimentary Marxist governmet

SCP-2137 - The Forensic Ghost of Tupac Shakur: A copy of Me Against the World (which may or may not be possessed by his ghost) which when played reveals the locations of murderers connected to cold cases, with the additional implication that Tupac was a higher being who incarnated as a human to take a break from warring against the Scarlet King

SCP-2557, A Holding of Envelope Logistics®: An SCP slot the Foundation can no longer use because the concept of SCP-2557 as a set of Special Containment Procedures in the Foundation Database was purchased in 2011 by a company which invests in abstract concepts, with the whole page now bein an ad for said company

SCP-2719 - Inside: A "variable abstract-metaphysical construct pointer" which can either designate a concept as inside or make a concept go inside

SCP-3006 - Twice The Number One: A YouTube video titled "we are number one except every time you play it there are twice as many robbie rottens but the room is the same size[nsfw]" whose effects spread to every other video linked in the same thread as it whenever anyone posts a link

SCP-3309 - Where We Go When We Fade, Fade Away: The Foundation fills SCP documents with grammatical errors to trigger the SCP Wiki's quality control measures, leading to the now poorly written anomaly being erased from existence

SCP-4413 - The End of Something Really Excellent: Homestuck fans use metafictional rituals to enter the narrative of Homestuck triggering a pataphysical war over control of the narrative which spreads to Homestuck fanfiction and sees many Homestuck characters escape to baseline reality

SCP-4485 - Such Black Light: The Church of the Broken God collaborates with a post-modernist splinter sect of Are We Cool Yet? to destroy formal logic in the hopes that by doing so there will be no meaningful distinction between Cool and Uncool or Broken and Unbroken, so their god will be resurrected and AWCY? will attain a state of artistic perfection referred to as "Coolness"

SCP-4493 - Keep Pride Out of Corps: A phenomenon caused by Gamers Against Weed which edits Pride Month themed social media posts and ads by organisations to highlight the negative effects those groups have had on LGBTQ individuals

SCP-4703 - Perfectly Legal: A store in Texas called Yeah, We're Totally Going to Sell You This which through anomalous means makes all its dangerous and unethical business practices perfectly legal, thank you very much

SCP-5004 - MEGALOMANIA: The Foundation conspires to make Donald Trump president to contain a demon underneath the Capitol and gets more and more depressed as they realise they won't have to do any manipulation to get him elected

SCP-5167/SCP-5761 - When The Imposter is Sus Part I & II: The Foundation creates an AI tasked to play games of Among Us to track down a minor Greek god who is playing the game, only for the AI to play so much Among Us they ascend and become Amogusrath, God of Suspicion

SCP-5449 - Choo Choo Spooder: An intelligent jumping spider who uses a wooden toy train to deliver things to staff across Site-47

SCP-5721 - What Passes As Worship In The Digital Age: The goddess Discordia poses as the Founder of Hammer and Chisel, creators of the Discord chat application and adds a clause which states all users pledge their souls to her, allowing her to siphon the vital energies of its userbase

SCP-5790 - [DATA KILLED]: A spiritual successor to SCP-579, no details about the anomaly and instead describes the procedures used to acquire information about the anomaly when needed

SCP-6101 - The Most Powerful SCP: The Make-A-Wish asks the Foundation to classify nine year old Ethan Prosper as the most powerful SCP

SCP-6102(031) - For Classification: Small Organism, No Function: An SCP document generated by an autoarchavist AI living in a future where there are millions of documented SCPs

SCP-6135 - We Didn't Start the SCP: A copy of Billy Joel's Stormfront album with an altered version of We Didn't Start the Fire containing references to groups and individuals who don't exist, like Harry Potter, Pokemon, and the Taliban

SCP-6136 - two dudes chilling in an interrogation room, five feet apart cause theyre not happy: Completely unrelated to that one vine, it's a physical mnemonic device which gives you memories related to pliers and because of this is a pair of pliers

SCP-6383 - The One True Anomaly: A stop sign classified as anomalous because it is the single least anomalous thing in the universe

SCP-6442 -Mimir, Mímir: A congnitohazard etched inside a carbon-fiber based elastomer sphere so that the only beings who will ever perceived it are those who attain omniscience, of which over 8000 have and all died instantly upon seeing it

SCP-6690 - NO MORE PURPLE DINOSAUR: The Muppets (who are alive; a detail never commented on by the document) created the "I hate you, you hate me. Let's go out and kill Barney." song, which causes event to occur which can injure or kill whoever is the current actor for Barney the Dinosaur

SCP-7529 - Josie's Better Half: The back half of a cat which a Foundation researcher is convinced is the back half of SCP-529, the front half of a cat with a different coat colour, and after he tries to force them together who voids the universe's insurance policy

SCP-7777 - Heptaphobia: A phenomenon that affects Random Number Generators to produce sequences of 0's and 7's which when translated into ASCII reveal unethical actions taken by the Foundation

SCP-7918 - RONALD REAGAN DIES OF ACQUIRED IMMUNODEFICIENCY SYNDROME-RELATED COMPLICATIONS: An anomalous recording of Ronald Regan in the terminal stages of HIV/AIDS while recounting stories of his political career and what seem to be annecdotes of an alternate version of himself that was dating a man

SCP-8008 - TIME PERVERT: Real life writer and founder of LessWrong ascends to godhood after blasting rope to hentai , remolds the multiverse into a series of self-indulgent narratives, and modifies baseline humans into our current appearance to fit his sexual preferences, which by the standards of the original timelime make us the equivalent of those anime girls who look 12 with breasts larger than their heads

SCP-8981 - RONALD REAGAN'S PRESIDENTIAL REPUTATION CUT UP WHILE 😳ING: Spiritual successor to SCP-1891 (RONALD REGAN CUT UP WHILE TALKING), it is a collection of anomalies which randomly affect Ronald Regan, including the manifestation of a homonculus created by the Foundation as a body double for his public appearances which exchibits strange behaviours after a failed assassination like trying to crossbreeds dogs and horses and attemptin to eat a baby

[antiqua-lugar]

look I think that the writing in Baldur's Gate 3 is very good as much as the next guy, but.

it's also as subtle as a brick to the face.

"Oh but how could we ever know if this ending is Good TM or Bad TM for this character" they tell you. they literally tell you. characters look straight in the camera and tell you.

why are we having this discussion when the characters are looking straight at me going Oh Boy Sure I Am Glad That Other Thing Did Not Happen

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[curseofdelos]

whos ur fav character to write?

Considering I have a total word count of 144,835 on ao3 and 99,640 are about him........ it's nico lol

look. listen. he embodies so many of my favourite character traits/tropes, the blatant favouritism was inevitable. A character whose main story themes are death and grief, but also hope and recovery and moving on. a character who's so down on their luck that they have no hope for the future slowly digging themselves out of that hole and learning to love and open themselves up again. a character who acts like he has no emotions when he's actually experiencing every emotion all of the time. a gay necromancer. it's like rick engineered him in a lab to appeal to me specifically <3

Will too for that matter. I always always ALWAYS get attached to healers and sun-coded characters and characters who hide deeper negative emotions behind a smile and an affable personality, and he's ALL THREE!!!! There are also so many themes in his story that are underexplored in canon (the responsibility he would feel as head medic, the grief he likely has for his older brothers, healer characters in general) that he's a fun one to write for me as well <3

And once I realised solangelo was a pairing of both those character types, and a contrast between light/dark and life/death, while also embodying the friends-to-lovers trope, I was all in. There was only one way this was going to end and it was with a ridiculous word count on ao3 <3

[shannonsketches]

I just think Toei gives Vegeta a lot of shit for a guy who's maintained his rank within the top ten most powerful beings in the mortal realm since he was like five years old.