#because i wanted to change a little something

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

[lupinqs]

CRUSH CULTURE ━━ paige bueckers x reader

☆ ━ summary: paige has a hopeless crush on you, a cheerleader.

☆ ━ word count: 5.4K

☆ ━ warnings: alcohol consumption, kissing, this one’s tame

☆ ━ links: my masterlist, inspired by this request (lol i know this was forever ago)

☆ ━ author’s note: hiii i hope y’all enjoy—lemme know if you guys want a part 2 and if so send in ideas for it!!! i have been hopelessly uncreative recently!!! also yes i have been writing tmtc and safe and sound i promise—new chapter of tmtc should be out sometime this weekend, no idea on safe and sound because goddamn that fic takes me forever to write

PAIGE HAS ALWAYS noticed you—though, funny enough, at first it wasn’t because you cheered. That part didn’t even register until her junior year, when she started paying attention to things off the court. But she’d first noticed you back in her sophomore year, in that one class she didn’t feel like she needed at all. She’d often zone out, either doodling in the margins of her notebook or letting her eyes drift around the room as she let her mind wander. Her gaze would skip over classmates until, one day, it stopped on you.

And, God, she remembers that moment. The way she’d blinked, like she needed to reset her brain for a second because… well, you. It wasn’t anything specific, nothing she could even name at the time. But there was this something about you that made her stomach flip. From then on, whenever she zoned out, her eyes would find you before she even realized it. You’d be focused on your notes or lost in thought, completely unaware, and Paige would catch herself staring just a little too long.

She’d think about talking to you, but for some reason, you made her nervous. And that wasn’t something Paige was used to feeling—not with girls. She’d been confident her whole life, even a little cocky when it came to flirting, and her reputation certainly proceeded her. But with you, all of that confidence vanished. Her brain would go blank, her hands would fidget, and her heart would pound just watching you, sitting across the room. The idea of walking up to you, striking up a conversation, felt almost laughable. You’d somehow managed to turn her, Paige Bueckers, into a stammering mess with just a look.

And then there was the other part—the part that kept her from making a move even when she managed to work up the nerve. You looked so…straight. She knows it’s a stupid assumption, but something about the way you carried yourself—she’d convinced herself that you had to be straight. Maybe it was the way you fit in with the other girls, how they flocked around you like they were all in some effortlessly straight, picture-perfect group. Whatever it was, Paige felt certain you’d never look at her the way she looked at you.

So she let it go, or at least, she tried to. But you kept slipping into her thoughts, distracting her in that class, making her mind wander back to you when she least expected it. Her silly little crush on you lingered all through sophomore year, and even when summer rolled around, she found herself thinking of you every now and then, imagining what it might have been like to know you outside of that class.

Then junior year rolled around, and her whole world changed with that ACL tear. Benched for the season, her focus shifted in ways she never anticipated. Instead of charging down the court, she found herself sitting on the sidelines, watching, observing things she normally wouldn’t have noticed. And it was during one of those games, one of those long, frustrating nights when she just wanted to play, that she saw you again—this time, on the court as one of the cheerleaders.

At first, she couldn’t believe it. She actually had to blink a few times, like her brain was trying to catch up with what her eyes were seeing. This was her third year at UConn, and she hadn’t noticed you were a cheerleader ever. Maybe she really was just unobservant, but it truly shocked her. You looked completely different from how you did in class—more animated, more alive, like you were in your element. And when you started that long, impressive tumbling pass down the court, her jaw dropped. She didn’t even know you could do that, and it left her staring, heart hammering in a way she hadn’t felt in a long time. (And maybe the tiny little uniform helped speed it up, too.)

From then on, Paige couldn’t keep her eyes off you during games. She’d always find herself watching you, wondering if you’d somehow feel her gaze, hoping that maybe, just once, you’d look her way. She spent so many games like that—sneaking glances, letting her mind wander, imagining what it might be like to finally work up the nerve to talk to you. But game after game, you never seemed to notice her, too focused on your routines, your teammates, and the cheering crowd around you.

And Paige? She knew she was hopelessly stuck. She’d sit there on the sidelines, feeling ridiculous, pining after a girl she couldn’t even talk to, a girl she thought she’d never really have a chance with. It was her worst crush yet—the kind that left her feeling off-balance, stumbling over her own thoughts, trying to convince herself that it didn’t matter—and she’d never even spoken to you. But each time she saw you out there, smiling, moving with that same effortless grace, she’d feel that same pull, that same quiet, persistent ache.

It’s senior year now, and Paige has one thing on her mind: basketball. It’s been more than a year since she’s played, and she’s determined to make this season count. All summer, she told herself the same thing over and over: Stay focused. Don’t get distracted. No more drifting thoughts, no more daydreams, and absolutely no more pointless crushes on girls she can’t have. And especially no crushes on you.

You, the cheerleader she’d spent too many junior year games staring at from the sidelines. You, the girl she still thought about when her mind wandered late at night, even though she knew better. No, this year, she was locking in. She’d worked too hard, too long, to let her head get all twisted up over you again. She was here to play basketball, not to chase after some unattainable crush.

But as she jogs onto the court for warm-ups, trying to ignore the butterflies that come with her first game back, her eyes somehow find you anyway. Just like they always do. And it’s like no time has passed at all. You’re laughing with the other cheerleaders, your hair perfectly styled in a half-up-half-down, a bow nestled in it, your uniform hugging you just right. The lights catch on your skin, giving you this soft glow, and your smile—God, that smile, so open and sweet and painfully distracting—has her heart skipping a beat before she even realizes it. Paige quickly snaps her eyes away, reminding herself she’s here to play, not to get lost in some imaginary world where she has a chance with you. This is her first game back, and even if it’s just an exhibition against Dayton, she’s got to make it count.

With a deep breath, she manages to brush you off. The pregame excitement kicks in, and her focus sharpens as the game begins. And it’s everything she’s been waiting for—the sounds of the court, the rush of the crowd, the thrill of moving with the ball in her hands again. She’s finally back, and for the first quarter, she’s locked in, feeling the rhythm of the game, feeling unstoppable.

Then it happens. KK makes a bad pass, and Paige is already in motion, chasing down the ball to save it from going out of bounds. She dives, stretching to reach it, but it’s just out of reach. Before she can stop herself, she’s crashing full speed into the sidelines—right into the cheerleaders.

Right into you.

The impact is quick and jarring, and she scrambles to her feet as fast as she can, heart hammering in her chest. She’s prepared to rattle off an apology when she realizes who she’s just barreled into. You’re significantly smaller than her, and her stomach drops as she takes in your wide eyes and the faint wince that flickers across your face. But you handle it with the same grace she’d always admired from afar, waving her off with a laugh and saying, “It’s fine! You’re good!” Your smile is easy, casual, and she’s even more mortified by how sweet you’re being about it.

She tries to apologize again, but you’re already brushing it off with that smile, and she feels her face heating up as she mumbles something unintelligible before hurrying back onto the court. But now her head’s a mess, all her carefully built-up focus gone, replaced by the embarrassing replay of what just happened. She tells herself to get it together, but it’s no use. Her mind keeps drifting back to the look on your face, to the sound of your laugh, to the softness in your smile when you waved her off.

The rest of the game passes in a frustrating blur. She’s off her rhythm, missing open shots she’d normally sink with ease, getting caught in rotations she usually anticipates. By the end, she’s only scored eight points—a painfully low number, especially for her—and she feels the weight of it like a stone in her stomach. She should be thinking about the game, her missed shots, how to get her focus back. But as she sits on the bench, watching the last few minutes tick away, all she can think about is you standing there, laughing off her clumsy collision, looking up at her with that easy, unbothered smile.

So much for not getting distracted.

After the game, Paige is still kicking herself over how sloppy her performance was. She lingers in the locker room, hoping to avoid any unwanted run-ins. But finally, when she’s convinced she’s given it enough time for everyone to clear out, she heads out into the quiet halls of Gampel Pavilion.

Except, of course, her luck isn’t that great. Just as she’s walking out, she spots you—still in your cheer uniform but with a UConn sweatshirt thrown over it, heading down the hall, cheer bag on your back. Her first instinct is to turn around, bolt back into the locker room, and hope to avoid any more humiliation, but it’s already too late. You look up, and your eyes meet, and suddenly she’s frozen in place, panicking because she’s actually staring straight into your eyes.

And then you smile at her. That smile, the one that sends her brain into a meltdown every time. But it’s so much worse now because your smile is directed at her. And, suddenly, you’re walking up to her and saying, “Hey, good game tonight,” and Paige is pretty sure her heart has stopped.

She tries to seem casual, to play it cool, but all she can manage is a shrug and a half-hearted, “Eh, wasn’t my best.” She’s hoping you don’t notice her stutter, but her cheeks are burning, giving her away.

You just wave it off, your dimple showing as you grin up at her. “Nah, this was just your warm-up. You haven’t played in, like, over a year. Next game you’ll drop thirty.”

Paige blinks, and the fact that you know she’s good at basketball—even though everyone knows she’s good at basketball—is enough to send her into a coma, she thinks. “Oh, gosh,” she says, rubbing the back of her neck, struggling to find words. “Gonna have to now, just for you.” The second it’s out of her mouth, she mentally facepalms. That totally sounds like she’s trying to flirt with you.

But you just laugh, eyes crinkling as you look at her, completely unfazed. “I’ll hold you to it,” you say, and that smile doesn’t waver.

There’s a pause, and Paige knows this is where you’re about to say goodbye, and she panics because, after two years of thinking and practically obsessing over you, she’s finally talking to you, and it feels too short, too fleeting. Before she can second-guess herself, she blurts, “Oh—uh, hey, about earlier… when I ran into you. I’m… really sorry about that.”

You shake your head, smiling even wider, brushing it off with an easy laugh. “Don’t worry about it. Happens all the time; more than you’d think.”

There’s something so casual and warm about the way you say it, and she feels herself relax a little, caught up in the fact that you’re looking right at her, not at all bothered, almost… endeared? And for some reason, seeing your dimpled smile has her stammering like she’s never done before.

“So… uh…” Paige stumbles, her words failing, her confidence gone. “Are you, um, going to Ted’s tonight?” She bites her lip the moment it’s out, but she presses on. “You know, a lot of people go there after the first game—it’s kinda, like, a…thing. Which, y’know, I guess you probably already know about because… you’re, like, not a freshman…” She sounds so stupid. God.

You tilt your head slightly, considering, before you smile at her again. “I wasn’t really planning on going, but…” You pause, looking at her with a bit of a spark in your eyes, and for a second, she feels like she might actually combust. “Should I?”

Paige’s eyes widen, and she’s nodding before she can stop herself. “Y-yes! I—I think you’d have a good time.” She mentally scolds herself for the stutter, but you’re just nodding, still smiling, still looking so effortlessly at ease while she’s a nervous mess.

You laugh softly, a sound she’s sure she’ll replay in her head all night, and say, “Alright. I’ll think about it. And if I do decide to go, I’ll see you there, Bueckers.”

And with one last smile, you turn and walk away, leaving her standing there in shock, her heart racing and her mind replaying every word you just said. She’s tempted to pinch herself, convinced this has to be some elaborate daydream because there’s no way she actually just talked to you.

She doesn’t move for a long moment, replaying the way you said her name, the sound of your laugh, and the chance that she might actually see you tonight.

IT’S LATER in the night at Ted’s, and Paige is doing her best to stay composed, talking with one of the guys from the men’s team. Dirty Shirley in hand, she’s feeling just the faintest buzz, not enough to loosen her grip on reality but just enough to feel the edges of her confidence soften. She’s nodding along to something the guy’s saying when, over his shoulder, she spots you walking in.

Paige’s attention falters as she takes you in. You’re in baggy jeans that hang low on your hips, and a leather tube top that clings in all the right places, dipping enough to make her gaze lower slightly. She can barely tear her gaze away as you head over to the bar with a couple of friends, both of whom Paige recognizes from the cheer team. You’re laughing, leaning into one of them, completely at ease, and she can’t stop watching.

She realizes she’s staring a little too long, so she quickly excuses herself, not to talk to you—God, no, she can’t even think straight around you—but to hide by her teammates before she does something stupid. Her teammates notice her the moment she approaches, grinning as they watch her flustered expression.

“You see who just walked in, P?” Azzi teases, nudging her.

Paige groans, cheeks burning. “Don’t start.”

But they’re all laughing, and Ice is elbowing KK with a smirk. Nika, who’s been listening with a barely disguised grin, rolls her eyes. “Okay, this is ridiculous. You’ve had a crush on this girl since, like, forever. Go talk to her.”

“Are you kidding? I can’t. She’s—” Paige doesn’t even finish the sentence, glancing over her shoulder just in time to see you at the bar, waiting for your drink. She’d be lying if she said her confidence hadn’t evaporated the moment you walked in, looking like that.

“Girl boo,” KK sighs dramatically, before grabbing Paige’s wrist and dragging her toward the bar. Paige stumbles after her, mumbling weak protests, but KK is determined, practically hauling her across the crowded floor until they’re standing right next to you. KK orders a Sprite, leaning casually on the bar and glancing over at you with a grin. “Hey, girly pop! You cheer, right?”

You smile, looking more at Paige than at KK, and Paige’s heart thuds against her ribs. “Yeah, I do,” you say, introducing yourself and holding out a hand to KK, but your gaze flickers right back to Paige, who’s half-hiding behind her friend, cheeks pink and looking slightly caught. “Hi, Paige.”

Paige’s voice comes out a little sheepish. “Hey.”

KK smirks, clearly satisfied, and gives Paige a quick wink before excusing herself, leaving Paige standing there alone with you.

There’s a beat of awkward silence as Paige shifts on her feet, trying to keep herself from looking like an idiot, which is hard considering how aware she is of every single thing about you—your posture, your smile, the way you’re leaning in just close enough that she can catch a faint hint of your perfume.

“So,” Paige says, trying for casual. “You glad you came?”

You tilt your head, your lips quirking up. “Hmm, not sure yet. I’m not too impressed so far.”

She nods, stifling a wince, feeling more awkward than she can ever remember. And yet, her mind’s racing, urging her to just go for it, because this is her moment. She’s Paige Bueckers—she’s supposed to be confident. She always is. Besides, if you’re not interested, at least she’ll know. And if you are…

She hesitates, then swallows, trying to keep her voice steady as she says, “Um… can I buy you a drink?”

There’s a flicker of something in your eyes—maybe amusement, maybe surprise—and she’s mentally bracing herself for you to say no when you glance at the bar and say, “Actually, I just ordered one.” Her heart sinks a little, but she forces a smile, trying to play it off. Of course you’re not interested; she should have known better—

Then you’re leaning closer, nudging her elbow with yours, and you smirk, your voice soft and playful. “But you can buy my next one, if you want.”

Paige’s brain short-circuits as your words settle in, her mouth going dry as she realizes what you just said. “Uh, y-yeah, totally,” she manages, trying to keep from looking as giddy as she feels. “I…I’d love to.”

Your smirk turns into a grin, and you’re looking at her like she’s the only person in the room. She’s trying to come up with something smooth to say when, suddenly, one of your friends pops ups beside you and Paige, tugging on your arm, pulling you off the barstool and towards the crowd with a teasing, “Come on!”

Paige opens her mouth to protest, but before she knows it, you’re being swallowed up into the throng of people—not before you send her a quick, apologetic look over your shoulder, your friend still dragging you. Paige frowns, a little disappointed, but quickly catches herself. It’s fine, she thinks, though a twinge of regret lingers. She pushes it aside, grabbing her drink from the bar and returning back to her table, telling herself to focus on celebrating. She’s finally back on the court, and after such a long, difficult recovery, tonight is meant to be about unwinding. So she does, letting her team hype her up as they cheer and clink their drinks in her honor, pulling her deeper into the night.

As the time passes, Paige’s frustration eases, replaced by a warm buzz that dulls everything except the elation of being surrounded by her friends. But even as she sips her drink, she can’t help but think about where you’ve disappeared to, if you’re still here, still laughing with your friends somewhere across the bar. She finds herself scanning the crowd more than once, looking for a glimpse of you. She tries to push it down, laugh it off with another round, but every time she looks around, her gaze seems to search for you.

Eventually, the heat of the crowded bar gets to her. She feels flushed, dizzy from the alcohol and the mass of people, so she slips out the back door for some air. The cool breeze hits her face, and she closes her eyes for a second, sighing as the sounds of the bar fade behind her. She barely has a moment to herself before she notices a figure sitting just a few feet away.

It’s you, sitting on the curb, looking down at your hands as if lost in thought. Paige blinks, unsure if she’s seeing things. But then you look up at the sound of the door closing and smile, that familiar, gentle smile that makes her heart stutter. You seem just as surprised to see her, but your expression softens, like you’re genuinely happy she’s there. And that’s all the encouragement Paige needs.

“You care if I join?” she asks, trying to sound casual, even though her heart’s racing.

“Not at all,” you reply, and she takes a seat beside you, a bit closer than she planned. She feels your warmth even in the night air, and it makes her head spin in a way she can’t blame on the alcohol.

There’s a pause, a comfortable silence stretching between you. Paige watches as you draw patterns in the gravel with your fingers, the lights from the bar casting a soft glow over your face. She swallows, summoning up the nerve to say something—anything that might keep you sitting here with her.

“Why you out here?” she starts, genuinely curious.

You shrug, glancing back toward the bar. “Got a little claustrophobic in there,” you say, voice soft.

“Yeah… me too,” Paige nods, grateful for the fresh air and this quiet moment with you. The silence returns, but this time, it’s charged, heavy with something she can’t quite put into words.

Finally, Paige finds her voice again, her words slipping out before she can think them over. “You’re a good cheerleader, y’know. You do all those flips and shit—it’s impressive.”

You let out a small laugh, looking away for a second as if flattered. Paige is almost certain she sees a faint blush on your cheeks, and the sight makes her smile a little, lips curving upward. “Didn’t know you really paid attention to the cheerleaders,” you respond, teasing.

Paige scoffs, shrugging as if it isn’t a big deal, even though she feels like she’s been caught in some sort of confession—which, she kinda has. “Well, I did sit out for a year, so… I had to find something to watch.”

You tilt your head, smirking as you ask, “So you chose to watch me?”

Paige’s cheeks warm, and she silently thanks the alcohol for the courage that lets her meet your gaze. “Yeah,” she murmurs, watching as you look away, biting your lip as if trying to hide a smile. The sight makes her heart skip in a way that’s both exhilarating and terrifying.

After a moment, Paige adds, “I think we… had a class together, couple years ago?”

You nod, eyes lighting up at the memory. “Yeah, we did. Sociology, right?” you reaffirm, nodding in tandem with her. “’M surprised you remember that—you always seemed so disinterested.”

Paige nearly blanches, genuinely surprised you’d noticed her too. She didn’t think you’d have remembered her, much less noticed her back then. The notion gives her some of her usual confidence beck and she manages a chuckle, shaking her head and tilting it slightly toward you as she murmurs, “Ah, so you were watching me too, huh?”

You roll your eyes, but your smile betrays you as you nudge her shoulder. “Shut up,” you mutter, but the blush on your face doesn’t go unnoticed.

There’s another pause, the two of you sitting side by side in the quiet, both of you lingering on the edge of something unsaid. Finally, you break the silence, voice soft and hesitant. “How come you never said anything before?”

Paige swallows, the question catching her off guard. She doesn’t know how to answer without giving herself away, without admitting the way her stomach twists every time she sees you around campus. So instead, she asks, turning the question back on you, “How come you never did?”

You don’t seem to mind that she didn’t really give you an answer. Instead, you just shrug, looking down at your hands. “I don’t know… you make me kinda nervous.”

The confession makes Paige’s heart alight, feeling like it’s on fire and might spread throughout her whole body. She’s used to people being in awe of her for basketball, for her skills on the court. But hearing you say that you feel that way too, like she’s someone more than just her reputation, shakes her. Besides, you’ve always seemed so incredibly at ease around her, never even bothering to look her way. So, almost incredulously, she asks, “Why?”

You scoff, looking at her like she’s missing something obvious. “Um, because you’re Paige Bueckers. Basketball prodigy, campus celebrity.” You raise your eyebrows at her. “I think most people would be.”

Paige feels a rush of warmth at your words, the way you say her name like it means something special. She searches your face, feeling the air grow thick around you, heavy with something she couldn’t quite name. And maybe it’s the alcohol in her system, maybe it’s the way you’re looking at her like she’s somehow both intimidating and endearing at the same time, but she’s feeling bold. Bold enough to keep this conversation going, to see where this moment might lead.

She clears her throat, a small smile tugging at her lips. “Well, if it helps… you make me nervous.”

You laugh, a little breathless, clearly surprised. “Yeah, right.”

“I’m serious,” Paige insists. “You ain’t see the way I stuttered around you earlier? Ion know, ma, you just kinda fuck with my head.”

She watches, grin widening, as you blush at her words, the color blooming across your cheeks. It’s addictive, seeing you react like that—because of her. She doesn’t even try to hide her amusement when you ask, gaze set out in front of you instead of on her, “Why would I fuck with your head?”

It’s a good question, one Paige asked herself for a long time. It never took her long to figure out the answer. Though, she’s a little nervous to explain herself.

And she gets even more nervous when your gaze slides back onto hers, your head turning towards her. Paige’s smile falters, just slightly, at the eye contact. It’s intense, the kind that feels like it’s holding the world still for a second. Paige’s heart is a drum in her chest, each beat vibrating through her veins. Her eyes slide across your face, your features, tracing the slope of your nose, the curve of your lips, the faint shimmer glitter swiped along your eyelids. She catalogues every detail as if she’s never going to get this close again—a very real possibility if she doesn’t up her game.

Finally, she leans in—just slightly—her voice low and steady as she answers you. “You got this positive energy that makes you just… stand out in front of a crowd. Big smile. Bright eyes. Mm, I just… like seeing that in people.”

The words settle in the space between you, warm and lingering. Paige hesitates, letting them wrap around you both before adding, her voice dipping lower, her boldness shooting upward, “And it doesn’t help that you’re too beautiful for your own good.”

You blush deeper this time, cheeks tinted more red than pink, and it makes Paige’s heart skip. She can’t help the way her lips twitch into a grin. She’s waited so long to see this—see you flustered because of her. It’s everything she imagined and more.

“Stop,” you protest, fighting a smile as you push at her hands, your tone not carrying any weight behind the word. Paige just laughs, soft and easy, catching your hand in hers before you can pull away. She lifts it slightly, letting her thumb brush over your knuckles as she murmurs, “Nah, really.”

It’s then that the air changes—shifting into something heavier. The space between the two of you is practically nonexistent at this point, your sides tucked right into each other. You’re staring at one another, and Paige can’t help it when her gaze flickers down to your lips, just for a second. But it turns out to be enough. Because then she sees your eyes dart to her mouth in return, lingering there. And that’s when Paige knows.

Still holding your hand, she locks her gaze on yours, her voice firm but soft when she repeats, “Really.”

It’s like that word unlocks something between you because suddenly you’re leaning in, and Paige is doing the same, her breath catching the moment your lips touch hers. It’s soft, tentative at first, like neither of you are quite sure if this is real. But then you press into her just slightly, and Paige swears the whole world tilts on its axis.

The kiss deepens, slow but deliberate, and Paige feels her whole body light up. Your lips are warm, soft, and you taste faintly of tequila and strawberry chapstick. It’s intoxicating, the way you move against her, gentle but with enough purpose to make her head spin. Paige’s hand slides up to cradle your jaw, her thumb brushing against your cheekbone.

Your fingers grab at her bicep, holding on like you don’t want to let go, and it sends a thrill through her. Paige’s lips part slightly, and when you follow, letting her slip her tongue into your mouth, it’s like a fire ignites somewhere deep inside her. The kiss isn’t frantic or messy—it’s unhurried, like the two of you have all the time in the world to explore this. She can feel the heat of your skin where her hand cups your face, and she wants to memorize every second, every sensation.

The way you tilt your head just a little, giving her more access, nearly undoes her. Paige tilts her own in response, deepening the kiss further, her fingers slipping from your jaw to the back of your neck. The touch is light, almost reverent, but the closeness makes her heart race.

Your other hand moves, grazing against her side before resting lightly on her hip. Paige’s stomach flips at the contact, her body leaning instinctively closer to yours. She swears she can feel the warmth of your breath between kisses, the subtle hitch when she nips at your bottom lip.

It’s slow, it’s sweet, but it’s intoxicating. Paige swears she’s never kissed anyone like this before, never felt this much just from simple lip-locking. When you pull back slightly—not breaking the kiss entirely, just catching your breath—she can’t help herself. She follows you instinctively, her mouth chasing yours in a way that feels both vulnerable and utterly fearless. You allow her to, tongues half entwined between your swollen lips.

When you finally part, Paige keeps close, her forehead gently pressing against yours, her hand still cradling your neck. Neither of you moves far, the space between you so small your breaths still mingle, soft and warm against each other’s lips. Paige’s eyes flutter open, but she doesn’t look away from you, her gaze locked on yours like you’re the only thing in the world that matters—which, right now, you might as well be.

Her voice comes out lower than she intends, husky and laced with something she can’t quite hide as she murmurs, “You gonna let me buy you that drink now?”

Your lips curve into a slow, easy grin, and Paige feels her chest tighten, her heart skipping a beat at the sight of it. You’re so close she can see the faint glimmer of mischief in your eyes, the way they soften as you look at her.

“Yeah,” you say, your voice soft but sure, “I’d like that.”

The way you say it, the way your smile widens just slightly after, makes Paige’s heart race all over again. She can’t help the small, satisfied smile that spreads across her face. Paige leans back just enough to take in the sight of you—your flushed cheeks, the way your hair’s slightly mussed, and that lingering, breathtaking smile she knows will haunt her in the best way.

“Good,” she murmurs, her thumb brushing your jaw lightly one last time before she pulls away completely, standing up and offering you her hand. When you take it, she holds on a little longer than necessary, leading you back into the bar, already planning how she’s going to keep you smiling for the rest of the night—and, hopefully, much longer afterwards.

[clockwayswrites]

The Birdritch's Nest part 25

masterpost

“That is a lot of plants,” Jason said. He swept his eyes over the space as he slipped his lock picks back into their little pouch.

“He has a botanist friend, apparently, and she keeps giving him plants,” Dick explained as he squeezed past Jason and into the apartment.

“Why are you here again?”

“Because I have a car which is better to carry all of Danny’s stuff in than your bike,” Dick explained. He went over to the wall of plants in front of the windowed corner and squinted down at something on his phone.

Jason pulled out his own phone to glance at what Tim had sent. “You say ‘all Danny’s stuff’ like the list was long. The guy hasn’t exactly been demanding.”

“The ‘guy’ expects to actually go home in a few days,” Dick pointed out.

“And is an adult and so can, you know, actually go home,” Jason retorted.

“Damian’s attached.”

“…I concede to your point,” Jason said once that thought sunk in. “Double the clothing asked for?”

“Basically. Make sure that he has a weeks worth, Alfred can always do laundry,” Dick said before letting out a little noise of triumph and doing something over by the plants. “There, watering system turned on.”

“Congratulations, you’re a genius,” Jason drawled. “Now go get his medication gathered up and snoop a little while you’re at it.”

“I thought we weren’t supposed to be snooping,” Dick, words a teasing sing-song as he passed by.

Jason flicked him off. “Like you wouldn’t anyways. I just want to know what you find.”

“Only if you tell me what you find in the bedroom.”

“Deal.”

The bedroom was almost startlingly normal after the plant filled living main room. It didn’t look like Danny really spent much time in it beyond sleeping. The bed was absentmindedly fixed, a black down comforter over pale blue sheets. There was a paperback on the nightstand next to a lamp and a pocket sized notebook with a pen clipped onto the bent and battered cover.

It was the first thing that Jason picked up.

The notebook was obviously where Danny made notes when he was already settled in bed. As Jason flipped through the pages there was everything from to-do lists to invention ideas to… a lot of thought about wings. Jason turned the notebook in his hands. That page wasn’t in English. The language felt like it was on the tip of Jason’s tongue but he just couldn’t get it out.

Maybe some sort of dialect?

Jason couldn’t actually read it, but there was enough to piece together from similarities that tugged on his memory. Enough to understand it was about the wings. Something about the process of change? Aging?

“Hey Jay?” Dick interrupted, scattering Jason’s thoughts. “Can you read the label on these bottles? There’s some serious printing issues happening, I can’t even tell what language it’s in.”

The pill bottle felt oddly cold in Jason’s hand when he took it from Dick, but maybe the bathroom just had shit heating in this place. It would be just like Gotham builders to mess that up.

“Oh, that’s the same thing Danny is writing in here,” Jason said passing the notebook to Dick. “It’s something about wings and getting old, I think, but I can’t really read it.”

“Read it? I don’t even know what it is. Gives me a headache just to look at it,” Dick grumbled as he flipped through the notebook. “The whole bird thing has really been on his mind, hasn’t it?”

Jason gave a little huff. “Do you blame him? The guy has wings now. It would be on my mind too.”

“Yeah… guess I really can’t,” Dick said and snapped a picture of the page with the unknown writing to send to the group chat. “Any idea what it is?”

“Nope. It’s like it’s a distant dialect or that it uses some of the same alphabet of something I learned some of once. Like how Chinese and Japanese use some of the same characters, you know?” Jason explained as he opened the side table drawer and then quickly closed it again. That was more than he needed to know about Danny. “Maybe something from when I was catatonic in the league, who knows. There were a lot of languages in that place.”

“Cass or Damian might now it then,” Dick said as he eyed the drawer Jason had now moved away from.

“Don’t, trust me,” Jason said. “Did you get the medications you needed to grab?”

“Yeah, they’re in the bag. Just a standard bathroom, really. Though he keeps his toothbrush in this old mug with a hero I don’t recognize on it, someone called Phantom.”

“Doesn’t ring a bell, but it sure sounds like a hero name. Add it to the list,” Jason said as he started on gathering up the requested clothing and extra enough to last a week. “Check the closet to see if there are any shits in there that work around wings.”

Jason rolled his eyes as Dick threw the closet doors open dramatically and focused on his task. Jeans, sweatpants, underwear, what he guessed was pajamas were all added to the bag.

“So, nothing that looks like it was made for wings,” Dick said and tossed some normal shirts and a few sweaters into the bag. Jason sighed and folded them neatly. “Maybe he hasn’t had time to find any yet? It hasn’t been that long since the bird thing and seems it all started there. Or maybe he’s just always home when he’s had then?”

“Better let Alfred know then. He’ll want to get something as soon as possible.”

“Yeah, good point,” Dick agreed.

While Dick stepped out of the bedroom to call Alfred, Jason took the time to double check the list. It really was pretty basic. Jason didn’t know if Danny was just trying to not be demanding or if the guy didn’t need much, but Jason went ahead and put the bedside paperback and notebook in the bad too. Jason slung the duffel bag Dick had brought over his shoulder (he totally could have ridden his bike like this) and took a little bit of time to snoop through Danny’s bookcase while Dick finished the call. Sci-fi, horror, old text books, and a ton of notebooks filled the shelf with knickknacks and a few figures. Jason at least had to give Danny points for having some of the sci-fi classics, even if the range of works was pretty limited.

“Okay, Alfred is on it,” Dick said. “Anything else we need to do?”

“Nah, I think we’re good,” Jason said. Something made him not want to look through the notebooks, like they had already done enough snooping. It was an odd feeling. “Let’s get going, I’m hungry for whatever dinner is.”

“You’re always hungry,” Dick said.

Jason shrugged rather than dealing with how true that statement was. “I’m a growing boy.”

“You’re a trash pit.”

“Yeah, you want to go there, cereal boy?”

“Leave my cereal out of it!”

---

AN: I do love writing Dick & Jason so much. Can you tell I have an older brother? Also sorry for the mistakes I'm sure are abounding. Guess who turns out to be anemic? This critter! Maybe getting that fixed will help...

[nochepsicodelica]

You and Toji are sitting at a table at a bar, talking about different things that went on throughout your days over some drinks. Toji tells you about how Shiu's been a real asshole lately, because his marriage is hanging on by a thread and he hasn't gotten laid in almost a month. He gives you a look that you interpret as him saying 'thank fuck that's not us' to which you respond with a little smirk.

When it's your turn, you tell him about how the new hire broke the copy machine, knocked over and broke the water gallon for the water dispenser, and crashed into someone, spilling hot coffee all over their shirt, all in the course of one day.

"That poor fucker's cursed," Toji says, amusement riddling his expression as he brings his glass of whiskey to his lips.

"He looked like he really needed a hug by the end of the day," you add, biting back a smile, before you take a sip of your own drink.

"Tell me you didn't," Toji says, taking in the seemingly telling look on your face. "Ma."

"I'm kidding. It's jokes, baby. I have no interest in hugging someone I haven't spoken a single word to."

Toji flicks your forehead, watching with a grin as you bring a hand up to rub the sting away. "Gotta piss, be right back, doll. Want another drink before I come back?"

"I'll wait for you to finish yours," you say, to which he nods before standing up from his seat.

"Be right back," Toji repeats, affectionately setting a heavy hand on your head, before he heads off in the direction of the restrooms.

You pull your phone out of your pocket and scroll through your socials while you wait. Altogether, Toji was gone for no longer than four minutes, and yet somehow, that was enough time for a rando to pull a chair up to your little table and start a conversation with you.

"Hey," he starts. "Why are you sitting here looking all lonely?"

You turn your head to face the person with the unfamiliar voice, slightly widening your eyes as if to question if he's talking to you. He looks at you with raised eyebrows, awaiting your response. "Oh, i'm not here alone. My boyfriend is in the bathroom," you respond, with a polite smile, before returning your attention to your phone.

"Ah. What kind of man leaves a pretty thing like you by herself in a place like this?" The stranger says, in a tone that almost seems pitiful towards you.

You look at him again and attempt to keep your expression neutral. "He'll be back any second now. He's just taking a piss, i'll be fine. Unless you're here to make things troubling for me."

The man chuckles, entertained by your quick shift in tone. "With a feisty attitude like that and a pretty mouth to keep up, it seems like you want me to get you in trouble."

You furrow your eyebrows, blatantly offended by his inappropriate insinuation. It's disturbing to see how he turned your warning into something sexual.

"I already told you, I have a boyfriend. Try someone else," you respond, no longer hiding your irritation.

Toji scans the room for the table you're sitting at, locating you and who-the-fuck in three seconds. This man looks awfully cozy with you, leaning in close every time he speaks to you, so he doesn't stand around any longer and quickly makes his way back to you and this new "friend".

"You sure you don't want another drink, doll?" Toji asks, sitting down in front of you, again, his gaze darting between you and this pocket square looking man. There's a difference between your demeanor from before he left and now. You clearly aren't comfortable, anymore.

"That's it? That is your supposed boyfriend?" The man asks, attempting to minimize Toji by referring to him as if he's nothing in comparison to himself. "Oh, princess. You see this watch?" He asks, raising the cuff of his sleeve to fully reveal his golden watch. "Four thousand dollars, and that's chump change."

You look at Toji and pull his hand into your shaky one, giving him a forced smile. Toji keeps his eyes on yours as the stranger continues spewing arrogant sludge about how much money he makes a year and how even the luxury car he has parked outside didn't put the smallest dent in his wallet.

"You would have it so good with me, baby," he continues blabbering. His hand goes to your wrist, a gesture that Toji quickly puts an end to by aggressively shoving the man's hand away, your empty glass clattering on the table from the force. Toji would have snapped the man's wrist and twisted his hand off, but he didn't want to scare you with the bloodshed. He feels like he's buzzing from the anger bubbling inside, and surely it won't be long before he acts out.

"Don't fucking touch her," Toji spits, glaring at the man with an expression that would have put him six feet under, if looks could kill.

Your heartbeat is in your ears and your blood is boiling. This man is disgusting for being persistent towards someone who doesn't want him. It's masochism, at this point, with the amount of times that you've made it clear that you're not interested.

The man snorts, snobbishly. "He brought you here, of all places. Even just glancing at him, you can tell this cheap ass place is all he can afford. He'll never be able to give you everything you want, so just come with me, doll face."

You rip your hand out of Toji's grasp and stand from your chair, delivering a resounding blow to the man's already hideous face. Tables and chairs wobble as he tries to keep his balance, but when you quickly strike him again, hard enough to increase the pain you felt in your knuckles with that first hit, you manage to knock him onto the ground.

"Fuck you, you fucking asshole. You don't know shit!" You grit out, dropping down to try and land another hit to the man's bleeding face. By now, Toji is behind you, restraining your arms and pulling you back as a small crowd begins to form to observe the commotion.

"Ma, come on. Let's just go."

"Let me dent his fucking face in, Toji," you mutter, writhing in his grip.

The vile man manages to sit up, dabbing his fingertips against his busted lip. Though there is red blossoming on his face, his lips still form an amused, twisted smile. He laughs as he watches you get reeled back by Toji, seething as you are dragged away like a child having a meltdown in the middle of a store.

"Hey-- Hey, I said let's go," Toji says, his tone sharper when you continue to try to break out of his hold to fight the idiotic sociopath.

You take a deep breath and stop, willingly letting Toji take you away from this chaos you created in his defense. His hand rests on the nape of your neck, as he guides you through the stuffy bar and leads you outside to the car.

"Stop pacing," Toji says, watching as you threaten to make the asphalt beneath your feet waste away with every step you take in your heated state.

"Fucking asshole, dickhead, motherfucker." You groan, loudly, furiously, before covering your face with your hands. "It's fine, it's fine," you mumble to yourself.

"Then, stop pacing," he repeats, watching on as you walk the same steps, over and over, as if you're on autopilot. "Ma, eyes. Eyes." His hands go to your shoulders, manually forcing you to halt your movement. "Listen to me. I said eyes."

"I'm so... I can't stand still," you say, weakly.

"Stop looking around. Right here," Toji instructs, lifting one hand from your shoulder and pointing two fingers at his eyes. You release a shaky puff of air and hold his gaze as best as you can.

"Talk when you're ready," he says, following your eyes whenever they derail from his.

You aren't ready soon enough. You feel like your heart is trying to burst out of your chest and the adrenaline coursing through you isn't helping at all. Your hand hurts. Your knuckles feel bruised and they're bloody. The night might be ruined, but you felt your reaction was the only way to release the pain you felt when that nothing started talking the way he did about Toji. All you can think to do is hug Toji to prevent yourself from crying about your cause for attacking the gross man. It's all so much. You've never felt so strongly for someone, to the point where you hit a stranger for insulting them. It's scary how Toji brings that defensive, yet, offensive side out of you.

Strong, heavy arms reciprocate your embrace, keeping your tense body close. You feel warm and safe, his scent and the pressure of his hold managing to slowly calm your unsteady heartbeat. After a few seconds of quietness, you turn your head and rest the side of your face on him, finally prepared to speak.

"I didn't like how he was talking about you, Toji. He was talking shit even before you came back, and I hated it. I hated it so much, that I felt nauseous and if I hadn't done something, I would have been sick."

Toji sighs, not out of disappointment or feelings of that sort, but because you seeking out danger for his sake, was not something he ever wanted to see.

"Doll, you know how much I love you."

This sounds like a layer of sugar preceding a talking to. You're trying not to be nervous before the scolding even begins, but you feel the need to brace yourself, as well.

"I love you, too," you mumble.

Toji knows it. He's known it all along, and the events that transpired tonight were just another way of you proving your love and showing how much he matters to you.

"Want you to look at me," he says, lowering his arms on your back, allowing you to make the space necessary to give him your attention. He offers you a soft smile. "Don't get all fidgety on me after you just ripped a stranger's face open."

"I feel like you're about to yell at me," you say, lowly.

That makes him want to laugh, but he keeps his amusement to a minimum, since you're clearly anticipating something terrible.

"Nah. When have I ever raised my voice at you?"

"Never."

"Exactly. Never, and I won't start now, but I want you to get this through your pretty head... It's not your job to beat people up for me."

"I know, but-"

Toji shakes his head. "Hold on, mama. Let me finish talking, then it'll be your turn."

Your heart feels like it's in the depths of your stomach, but you nod, and allow him to continue talking.

"I'm not mad at you, i'm not gonna yell at you. Just wanna keep you safe, is all. That guy was already a fuckin' weirdo, harassing you like that and trying to get you to go with him while I was right there. I wouldn't be surprised if he was into hitting women, too, if he's so comfortable with making them uncomfortable."

It's quiet while you think of what to say. You don't want this to escalate into something that turns you against each other, when it started out as an act of love. You could argue about how you did this to defend him, but in the end, you know his own need to protect you, will stomp all over your arguments.

"I'm sorry we had to leave, but i'm not sorry for the reason behind it. I don't regret what I did."

"Ma..."

"No, Toji. He didn't even know you and yet he still said things that aren't fair." Your voice quiets down, the beginnings of stronger emotions threatening to outwardly reveal themselves. "He insulted you. He questioned your abilities as my boyfriend when he saw me alone— even after I told him you just went to the bathroom. He judged you superficially, he said you can't give me everything I want and--" you pause, interrupted by a shaky inhale and the painful lump in your throat. "Sorry," you mumble, when the first set of tears roll down your cheeks.

"No, you're alright," Toji says, in response, his warm hands coming up to cup your cheeks, thumbs wiping away your fleeing tears. There's a small pinch in his brows. Why are you crying? It's something he can't ask you, because he knows that if he makes a big spectacle out of it, you'll end up drowning in your tears and shutting down everything you have to say. He resorts to keeping your cheeks dry and encouraging you to keep talking.

"Go on, mama."

You sniff, before picking up where you left off. "I don't care about all that, Toji. I don't care where we go to spend time together, because we're together. I need you, not for you to buy me things or take me to fancy places. That's not what I'm with you for."

Your heart is beating fast, again, its rhythm no longer controlled by fear or nerves, but instead the focus that Toji has on you. He's good at holding eye contact with you, something that occasionally gets distracting if you become too aware of it. You notice that his expression is softer. Maybe it's your brief flash of tears or the way you are always subconsciously finding a way to indirectly recite some of the reasons for why you love him.

"I love you, Toji. That means I won't just sit around and let someone talk about you like you're worthless. And I know, I know you can handle things like this on your own and you don't need me, but it was hard to listen to that."

You pause, as if to give him a break from your bulldozing heart. Silence takes over the moment, both of you just looking at each other. Toji's speechlessness has you wondering if you spilled too much of your heart out to him. You know some things are better left to be figured out, such as the range of a person's love, and yet you just poured without measure. "You can call me crazy if you want to."

Toji's shit-eating grin is unexpected, but it's definitely a sight that lifts some of the heaviness you feel in your chest.

"You love me," Toji says, still smiling like a doofus. He knows your serious facade will crack if he looks at you like this for long enough. He can already see a shift in the expression of your eyes and the way your lips are pressing together just a little more. He tilts his head slightly, a gesture that pushes you even further towards that pretty smile he wants to see. When you finally crack and give into his charm, you do so with a mutter of 'you're so dumb.'

"I'm glad that's what you got out of my rambling," you say, wholeheartedly and in better spirits. Toji pulls you in, this time, his soothing warmth and familiar scent tangling around you, again. His chin rests on top of your head and his arms secure themselves around you, tightly.

"I'm not gonna call you crazy, ma. It's not what I think. Also, don't go saying things that aren't true. I do need you," Toji says, his voice level kept at an intimate volume, as if there are other people there in the parking lot with you. His words are solely meant for you to hear anyway and getting them to you in this manner ensures that you won't go home with your heart feeling heavy, after a talk that was meant to comfort you.

"You know, I don't care what other people think— and that's not to say I don't appreciate you throwing a few punches for my sake. You're a sweetheart and you care so much, but if it's a stranger saying some unimportant, dumb shit, it takes a lot for it to actually get to me. If it really bothered me, they'd be gone."

"Yeah... I know," you mumble, into his shirt, knowing you would do it again and again— countless times. You loosen your arms around Toji and he does the same, his hands dragging towards your waist after you separate.

"How's that hand?" Toji asks, picking your wrist up before you can even respond. He whistles at the sight of the slight swelling and the dry specks of crimson spotted over your knuckles.

"A little tender," you say, feeling a tinge of fear when his other hand lifts off your waist to feel the damage.

"Looks real good on your pretty hand," he says, dragging his index finger over the protruding bones of your hand.

"Does it?" You ask, your barely there smile falling when you wince at the little bit of pressure Toji applies.

"No," he responds, bringing it up to his lips and pressing a kiss to the sore area. You wince again when his thumb drags over your skin with slightly more pressure than before. "It doesn't. We'll ice it when we get home, alright?" He lets up on the torturous touching, but keeps your hand in his. The words aren't meant to hurt you. He doesn't mean them and he hopes he communicates that with the way he still opts to hold your hand. Your hands will always be pretty to him, he just can't say that to you, right now. Not if it serves as the smallest bit of encouragement for you to repeat what happened earlier, in the future.

"Okay." You nod.

"Gimme a kiss and we can go home or wherever, if you wanna stay out."

You tilt your head up and wait for his lips to meet yours. It's a gentle brush of lips, but the second Toji's hands start slipping under the back of your sweater and your shirt, you know it's going to be more than a single kiss. You can feel the night's cold wind nipping at your skin, as his hands go higher up, his fingertips reaching just below the hooks of your bra. To your surprise, he unhooks the garment, causing you to quickly press your hands to your chest when the cups loosen, to prevent them from fully sliding down.

"Toji," you manage to utter out during the wave of kisses. You turn your head, receiving a kiss that was meant for your lips, on your cheek.

"Yeah... I think we should go home," he murmurs, against your skin. "Maybe we can rock the car a little bit before we go, hm?" Toji smirks when you let out that flustered giggle he's so familiar with. He presses another kiss to your cheek before you turn to face him, again.

"Okay, but let's not blow it all here. We have a nice and comfortable bed at home. Let's add another good night to it."

You don't miss the way Toji's lustfully lidded, green eyes, keep glancing down at your hands on your chest, or how he's mindlessly caressing your bare waist, under your shirt.

"Alright, ma." He pulls out his car keys and with the press of a button, the car unlocks with a beep and the brief, dull sound of flipping locks. "Get inside."

[choslut]

# PUSSY TALK !! (vi x reader)

$YNOPSIS. you’ve been feelin’ a little insecure about yourself lately. good thing you have a girlfriend who’s head over heels for you, no matter what! // wc. 2.4k

warnings. insecure!reader, talk of body image + weight, face sitting, spanking (ass + clit), praise, dirty talk, stripping, oral sex, size kink (?), teasing, fingering, begging, squirting, overstimulation, mirrors, awkward aftercare, spooning, pet names

NSFW below the cut. minors, stay away. enjoy your read!

Dresses aren’t your favourite piece of clothing. They never have been and they never will be, and even as you stare at yourself in the floor length mirror of your bedroom, you absolutely hate how this dress looks on you.

When you asked for something flared that would hide your curves, you didn’t expect your tailor to make you look like an overstuffed cream puff. The flared sleeves hang off of your arms like misplaced scraps of fabric, and the material pools at your feet, surrounding you in an unceremonious circle. You look frumpy, you feel frumpy, and nothing in the world could have convinced you that this is the dress you were going to wear to the annual Councillor’s Gala.

“What the fuck…” You turn around to inspect the back, and it’s even worse than you thought. It seems as if the tailor has attempted a daring backless design, but to you, it just looks like a gaping hole, the fabric tight and loose in all the wrong places before messily accumulating just above the apple of your ass. It looks horrible, and if you weren’t insecure enough, this dress makes you feel like a laughing stock. 

And that’s when the dreaded words come out of your mouth. “I seriously need to lose weight.”

Someone doesn’t like that, because out of nowhere, you feel a strong pair of arms wrap around your waist and a sharp chin on your shoulder. “And why’s that? I think it looks perfect.” 

Vi loves seeing you in dresses. She thinks they make you look so graceful, no matter what shape you choose. It solidifies the fact that you are her perfect princess, and she will never understand why you hate them when they make you look so pretty. 

She also doesn’t understand this whole weight thing you have going on. If anything, one of the things that first had her on her knees for you was your body, and like now, she always feels a need to be touching it, whether it be stroking your thighs or kissing your collarbone or, like now, wrapping her arms around your perfect waist and pulling you into her chest. 

“‘M not perfect though, Vi,” you grumble, hands running along the sides of your chest and resting over where her hands cradle your tummy. “I look like a creampuff.” 

“Creampuffs are sweet. I like creampuffs,” she says, her eyes making contact with yours in the mirror as she noses your neck. “I like you.”

You roll your eyes and whine. “I know you like me, Vi. But that’s not gonna change the fact that I hate this dress.” 

“Take it off then.” She says it like it’s the simplest thing in the world, like you’re not going to be stuck in it for three whole hours, playing the part of a member of high society whilst trying your hardest to ignore the obvious stares at the atrocity which is your outfit. You want to tell Vi that it seriously isn’t as easy as that, but you’re distracted by her hands slipping into the open back of your dress. 

“I can help you,” she whispers in your ear, and you can feel the cold metal of her nose piercing against your heated skin. “Take it off, I mean. Relax.” 

“Vi…”

“Can we try something?” She begins to kiss your neck slowly, and you whimper when you feel the rough scar on her lip brush against your heated flesh. “I know you’ve been feeling some way about your body lately, and to be honest, I have no idea why because your body is already so fucking perfect…” Her hands slide up the insides of your dress, and you lift your shoulders automatically as she slips those god awful sleeves off of your shoulders. “There’s something I want you to do for me.”

After all this time, she hasn’t broken eye contact once, and you notice her eyes go dark when she shoves the front of your dress down, only to find your perky nipples staring right back at her. “What is it?” 

“Sit on my face,” she states simply, hands coming round to rub at your tits. “I want all of it, baby. Your whole body. I want you to fuckin’ suffocate me.”

You probably will. You stare at your girlfriend in the mirror incredulously, because there’s no way in the universe that you’re going to sit on her face. Not in a million years, and certainly not today. “No.”

“Give me one good reason why not.” She has a point, because it’s getting increasingly hard to refute her when her hands are making their way underneath the front material of your dress, letting it drop to the floor and revealing your regulation panties. “Go on, give me one good reason why you shouldn’t sit on my face.” Before you can open your mouth to protest, Vi smiles and bites your shoulder. “And your weight is not a valid answer.” 

You raise your eyebrows. “Violet.”

“Yes, baby?” She acts like nothing is wrong, like asking you to crush her skull in between your legs a couple hours before the most important event of the year is a completely normal request. And she continues to act this way, even when she slips her hand into your panties, fingers eagerly in search of your clit. “So what I’m hearing is you don’t want to sit on my face, and you don’t want me to make you feel so good that you forget all about this stupid dress and that stupid gala?” 

Your back arches into her chest when she starts rubbing your clit in small circles, lips widening into a smile as she watches you unravel against her. “That’s not what I said.” 

“So why are you acting like you don’t want it?” She’s taunting you now, fingers halting all movement on your clit and sliding down lower, tips starting to tease your quivering hole. “Because I know you want it, baby. She’s telling me you want it.” 

You hate how Vi can read you like a book. You do want this, but you’re worried, and she makes sure to eliminate of all of that worry by slipping her fingers into your cunt, mouth dropping open in wonder when you begin to crumple against her.

“Vi, please.” 

“No.” Stubborn. “You’re not cumming unless you’re where you're supposed to be, princess. My game, my rules, and no amount of that pretty begging is gonna change that.” 

You bite your lip as you feel her palm grind against your clit, fingers speeding up and continually assaulting your sweet spot. It’s so hard not to beg her to let you cum, especially with the way she’s holding eye contact with you so intensely. 

“Say the words, and that orgasm’s yours,” she mumbles, smile ever present as her fingers alternate speeds. “Come on baby, I know you can.”

You can, you will, and you do. Your pleas to cum are replaced with nonsensical begging and whimpering, your hands futilely clawing at her biceps as you try to rip her fingers away from your weeping hole. “I’ll do it, I’ll do it, just let me cum, Vi, please-”

All of a sudden, the pressure building up inside of you dissipates, and you notice Vi licking her fingers clean as she backs towards the bed. “That’s what I like to hear,” she laughs, sitting down on the bed in a way that has you weak in the knees. “Come take a seat, princess.” 

Embarrassingly enough, that’s all it takes to have you stepping out of the pool of fabric on the floor and crawling onto the bed towards her, legs planted on either side of her hips as you bend over and catch her lips in a heated kiss. It’s loud and it’s messy, her hands sliding up your thighs and onto your covered ass as you grind down onto her knee, tongue intertwining with hers in a clash of passion and need. 

“Good fucking girl,” she groans, squeezing the flesh of your ass before slapping it hard, drawing a quiet gasp from your lips. “Come on, baby, c’mere, come sit.” 

Your hands splay the surface of her chest as you push her back onto the bed lightly, chest heaving gently with every heated breath you take. Vi looks up at you like you’re the most beautiful girl in the world, because to her, you are, and she wouldn’t want to be underneath anyone else. 

“There she is,” she whispers as you situate yourself comfortably on her chest. “My pretty girl, huh?” 

“I’m nervous,” you mumble, hips beginning to move slowly as you plant your hands on either side of her head. “I… don’t wanna hurt you.”

“Trust me, you won’t.” She captures your hips in her strong hands and pulls you further up her body, letting you hover just above her collarbone. “I’ve lifted this perfect body with my own two hands before. What makes you think a little face sitting will hurt me?” 

In a way, she’s right. Vi is strong, more so than most people. If it got too much, she would be able to move you effortlessly, and-

You’re pulled out of your train of thought by the feeling of Vi’s nose nestling in between your legs, rubbing up against your pulsing clit under your panties. “Vi…”

“You’re thinkin’ too much, baby,” she groans, voice muffled in between your thighs. “Just do it.” This time, she doesn’t leave you any time to think, because she’s now mouthing at your cunt through your panties, strong arms wrapping around your thighs and pulling you ever closer. You gasp in surprise, one hand coming up to grip onto the headboard as you fight not to lose balance. 

Another thing about Vi: she’s impatient. And when you hesitate to begin moving your hips, she does it for you, fingers pulling the seat of your underwear to one side and arms pushing you down hard. 

“She’s so wet, baby, I don’t know how you can say you don’t want this.” Her tongue darts out to lick your throbbing clit and you whine, hips stuttering as you stare hazily at the mess of pink hair in between your legs. Vi is staring up at you with lust swirling in her eyes, and you can feel her smile on your cunt as her tongue slides downwards to your entrance. “I mean, she is practically begging me to eat her out. Is that what you want?”

Before you can answer her, you’re caught off guard by her hand slapping at your clit playfully, sending pleasured shockwaves throughout your system. “ ‘M not talking to you anymore, silly,” she laughs, thumbs rubbing at the area she just assaulted. “I’m talking to her, since my girl doesn’t seem to know what she wants anymore.”

“Stop it,” you grumble, but Vi pays no notice, resuming her languid licks on your pussy. Your protests are quickly turned into prolonged whines and whimpers of her name, the pressure once taken from you beginning to build in your core with each shallow thrust of her tongue into your hole. 

“Not until she’s satisfied, angel.” And she means it, because the grip she has on your thighs is nothing next to lethal, and you feel yourself begin to shake as the pressure builds more and more. “And she’s getting close, don’t you think?”

She is. Your head begins to swim and you tangle your fingers in Vi’s hair in an attempt to stabilise yourself but it proves futile, mouth dropping open as you beg her to let you finish. “Vi, please, please, I’m sorry, I-”

“Nothin’ to apologise for, angel, you’re doing a great job.” You have no idea how she still manages to speak when she’s being all but crushed in the trap that is your quivering thighs, but her voice drives you ever closer, your hips grinding down onto her happily awaiting tongue as you chase your orgasm desperately. You want it- no, you need it, and when she begins to massage your ass sensually, you think you might just squirt.

“Vi...”

“Yeah, baby? Is she telling you something?” She loves playing this game, delaying your orgasm as long as possible whilst making it impossible to hold yourself back. It feels like her hands are everywhere because suddenly her thumb is massaging your clit, and you’re begging her like there’s no tomorrow.

She seems satisfied by your begging, because she takes one arm off of your thigh to use her fingers to fuck your needy cunt. “Cum for me baby, c,mon. Give it to me.”

And give it to her, do you, and in gracious abundance at that. Your juices drench her face unceremoniously as you twitch above her, spine shaking as you hold on to her hair for dear life. You’re all but riding her tongue, and she’s moaning profusely into your cunt, the vibrations only heightening your sensitivity. And try as you might, you can’t pull her away, her mouth a suction as she pushes you unforgivingly into overstimulation.

When you’re all but ready to surrender your stability to her relentless assault in between your legs, you feel a strong pair of hands lifting you off of her mouth gently, and light kisses being littered all over the expanse of your thighs. Vi’s mouth travels along your skin lazily, her powdery blue eyes looking up at your shaky form with nothing but love etched into her irises. You barely begin to register the sweet praises she gives you, instead basking in the afterglow of your intense climax mixed with the feeling of her hands stroking your back.

Moments later and you’re laying down on the bed next to her, curled in a foetal position as you fight the army of sleep threatening to overthrow you. “Are you tired?”

“Mhm.”

“Why don’t you… skip the gala? Stay here with me, I’ll cook, and…”

You think the difference between the Vi laying next to you now and the Vi who made you climax to the brink of passing out is a cute one. She’s never been too good with aftercare, instead trying to make awkward conversation in an attempt to divert from the fact that she just rocked your world in more ways than one. “We can stay home. I’ll tell the organisers I wasn’t feeling too well.” That, and the fact that god awful dress made you want to bust a nerve.

Vi smiles at you gently, and you wish you could stay like this with her forever. “Sounds good. I’m looking forward to it.”

© this work belongs to choslut. do not copy, translate, repost or feed my work into any regenerative ai system.

main masterlist

[vaspider]

I've been thinking about the one post that had some weirdo TIRF on it talking about how "men 👏 don't 👏 experience 👏 misogyny" and everybody just kind of skipped to talking about how ofc trans men experience misogyny but like

We can't just skip how fucking asinine that sentence is on its face. That is not ground that should be conceded, bc trying to state as if it's a plain fact that "men don't experience misogyny" should get you laughed out of any room you're in.

Every time a boy is told he "throws like a girl" or is called a "little baby girl" for crying, he's experiencing misogyny because he's being devalued for traits that others see as feminine, traits which those doing the mocking see as belonging to women. Every time a fat dude's "moobs" get mocked, he's experiencing misogyny. Every time a girl makes fun of a dude for enjoying something she perceives as feminine, he's experiencing a double whammy of misogyny and homophobia.

There is no other reasonable way to discuss what these men are experiencing. That's misogyny.

The longer I talk with people in all kinds of marginalized groups online, the more convinced I am both that it's very understandable that people want their experiences and their hurts and their oppressions to be totally unique and unable to be experienced by anybody who isn't part of their group and also that anybody who hammers away on the idea that "only [X] can experience [Y]" and devotes excessive time to guarding the borders of their little fiefdom is not just not helping the cause of liberation, but is actively degrading our chances of making meaningful change.

I would go so far as to say there probably isn't a man alive who has zero experience of misogyny. Misogyny is leveraged against men constantly as a form of social control. Just because it's "do X or we will devalue you by calling you a woman" doesn't make it not an experience of misogyny.

Is it exactly the same thing that women experience? No, but also what different groups of women and different individuals experience is also different. There is no flawlessly singular experience of oppression experienced only by women, experienced the same way by all women, and never endured by men.

With that very simple fact in mind, spending time endlessly trying to police the way that another marginalized individual speaks about the method and effect of their own oppression rather than finding solidarity and commonality is fucking fed shit. It does not serve us and actively sabotages all of us, serving only those who actively benefit from our subservience and our infighting.

So fucking stop it.

[wowitsverycool]

people who posture that odile forgiving siffrin and thinking The Time Loop is cute is out of character are a little silly... she is such a creature of practicality that it simply would not make sense for her to hold a grudge. and the 'cute' bit is her weird old lady way of recontextualizing the loops as not only necessary (as she explains later) but also *not worth being ashamed of*.

she is adding levity to the situation *and* building a brick wall of "it doesn't bother me, so stop apologizing about it" to signal to siffrin to stop arguing about how Evil it Makes Them. it expands upon her established character by showing that she is quickly learning to meet siffrin at their level while maintaining that sense of practicality. like "oh you think your yearning makes you awful and disgusting? bro it's not even a big deal. it's cute. i am more interested in discussing literally anything else about what happened."

the alternate perspective she offers is also one that shocks siffrin out of their own perspective (and evidently the perspective of some players lol), which has been the precipice of her character for the entire goddamn game!! think about it! the sus quest, the toilet paper scene, the end of her friendquest where she corrects siffrin on why her mood has improved -- she is constantly challenging what siffrin has accepted and resigned himself to!! all of the main characters embody change in different ways, but odile is arguably the only one who *actively rejects* stagnation in all its forms. so it only makes sense that what siffrin endlessly ruminates on -- the morality of their desire for closeness -- odile flippantly dismisses.

it wouldn't make sense for her to be Angry and Unforgiving because that's what siffrin expects (and, in a way, wants). it would be contrary to both her role in the narrative and her established character. her forgiving siffrin is maybe a bit jarring (as it is supposed to be), but not unnatural. It Just Makes Sense.

also, total forgiveness is neither unrealistic nor unsatisfying. it's just something that is often deemed 'too sappy' to properly depict.

[darthmasterchief]

Overanalyzing this scene:

1. Vi is speechless. Cait is being playful. Cait is teasing her. Also, she’s basically saying, “I sent my guards away so we can be alone.”

2. Vi gets the message. Months of yearning finally come to the surface. Vi initiates, and Cait is receptive. The yearning could not be more mutual.

3. Cait goes to grab that ass, but something stops her. Maybe she’s not sure how far Vi wants to take this. Or maybe she was just trying to embrace Vi, and the editors pulled a little sneaky on us. Regardless, Cait closes the distance between their bodies. She wants to feel Vi against her.

4. Vi knows what she wants. She wants Cait. She wants to taste her sweet Cupcake.

5. Vi goes for the neck. Cait is responsive. She likes how it feels.

6. Another kiss, but Cait pauses. She doesn’t want any more secrets between them. She tells Vi about Maddie.

7. Vi gives Cait the honest truth. She doesn’t fucking care. She wants Cait, and nothing will change that.

8. Up until this point, Cait has been holding back because of Maddie. Now that that’s been cleared up, she matches Vi’s intensity. Look at her hand sliding up to Vi’s face, mirroring Vi’s hand on her face. She wants Vi just as badly as Vi wants her.

9. They’re moving. It’s getting heated. Vi goes up on her toes so she can bury her face in Cait’s shoulder, then goes for that ass. Cait starts pulling her shirt up. Cait is eager to get to the point, and Vi just wants to feel her.

10. Vi’s fantasies are starting to become a reality. Look at her face. She never thought this day would come, and now it’s happening. Now look at Cait’s face. Look at her eyes. She’s happy. Look at the way she casually blows the hair out of her face.

11. Vi is understandably nervous, but look at Cait’s hands. She’s being so gentle with Vi. Plus, you know that shot of Vi’s tattooed back was meant to mirror a similar shot from S1E4.

12. Cait likes what she sees. She goes to touch Vi’s wound. She’s gentle.

13. Vi recognizes that Cait is trying to be gentle, but she doesn’t mind getting rough. She pulls Cait back in and kisses her. Cait kisses back. This is happening.

14. Cait finally gets to second base, and look at her left arm. Look at the way she embraces Vi. Then Vi makes it clear that, although they are equals, she’s the top, at least this time.

15. Vi goes for the pants but fumbles slightly, and Cait not only smiles, but giggles. They both giggle. They’re so happy.

16. They may be vertical, but this shot basically cements that Vi is the primary top in their relationship.

17. The neck kisses. The way Cait is starting to cling to Vi. Cait doesn’t just want this anymore, she needs it, and the feeling is mutual.

18. Vi starts moving south. She can probably feel Cait’s heart pounding. Hers is probably pounding too. Look at Cait’s face. She’s already lost herself in the moment. Look at the way Vi looks up at her, watching for her reaction, ready to stop if Cait gets uncomfortable.

19. Vi finally gets to taste exactly how sweet her Cupcake is, and Cait finally gets to experience an orgasm that brings her joy.

ARCANE LEAGUE OF LESBIANS: 2x08 - “Killing is a Cycle”

[julymusings]

dark chocolate cherry

i want to bring you flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. i want to do with you what spring does with the cherry trees.

or; your boyfriend shows up when you just want some alone time [3.2k]

jason todd x fem!reader; reader gets her period and describes painful symptoms; just fluff; jason "words don't come easy so here's acts of service" todd this is supposed to be earlier in the relationship which is why he's still a little shy but i think she knows he's red hood? idk man. i was just going with it; can you guess what inspired this? (everything is awful) and this is like…not that good

The day started at 2 AM when you woke to shooting pains in your abdomen and blood everywhere. It continued until 2:45 while you cleaned yourself, changed clothes, put on a fresh pad, took some painkillers, and changed the sheets. It paused for about an hour until you woke up again at 4:00, courtesy of Gotham’s patented night-life that had taught you to completely tune out the sound of police sirens. Tonight, however, they weren’t tuning out.

The sirens quieted at 4:10, by which angry tears collected in the corners of your eyes as you flopped around in bed in an attempt to get comfortable. No matter what you did, there was always something wrong; the pillow was too hard, the blanket was too scratchy, the position hurt your arm.

From 4:11 to 4:12, you screamed into your pillow.

By 4:15 you had settled in front of the TV with a bowl of dry cereal (it took everything in you not to cry over the lack of milk in your fridge), a heating pad, and your favorite comfort show queued up.

At 8 AM you managed to drag yourself to work, where you half-assed the day’s tasks, took a 15-minute break to cry in your car, then dipped out a half-hour early.

Now, at 5 PM on a Friday evening, you’re curled into the fetal position in front of your TV with your comfort show resumed and your trusty heating pad cranked to the highest setting. Prepared to spend the entire night here, you already changed into pajamas and kept a couple blankets within reach. Your phone buzzes on the coffee table, and you stretch to reach it, careful not to lose your comfortable position or roll off the couch.

Jason About to leave Be there in 20

You groan out loud. You want to throw your phone across the room, but decide against it because no amount of hormones from hell are worth six hundred dollars. You’re still angry, though, for being so stupid as to forget about the date you had planned for tonight. Scrolling up to earlier messages, you see another text from today wishing you a good morning and telling you he was excited to see you tonight. But, too down to bother checking any messages today, you had missed it.

You I can’t tonight anymore I’m sorry I don’t feel great

After hitting send, you place your phone on the ground, not even having the energy to reach for the coffee table again. Or the energy to lift your arm back up, apparently, given how it hangs limply over the edge of the couch. You feel guilty about cancelling, but you are in no state to go out tonight. You’re used to the symptoms of your period hitting so hard. As much as you and Jason care about each other, you’re not sure you’re ready for him to see you like this. You’ve managed to plan your relationship around your hormone cycle so far, but today it came early.

Your phone’s buzzing is muffled by the rug, and you almost don’t hear it. Jason’s photo is displayed on the screen.

Your hanging hand clicks ‘answer’ and puts it on speaker so you can take the call without moving from how you're curled up.

“Is everything okay? What’s wrong?”

“Nothing, I’m fine, I just don’t feel up for going out tonight. I’d rather stay home.”

“Did something happen?”

“No, I just got my period so I’m not really in the mood.”

“Okay, we can stay in tonight. What do you feel like eating? I can pick something up.”

“No, Jason…I want to stay home alone tonight.”

There’s a beat of silence on the other end of the line.

“Okay…did I do something?” His voice comes out a little smaller.

“No, you’re fine, I promise. I just don’t feel like seeing anyone right now.”

“…Not even me?”

Your hand presses against your temples to soothe the building tension headache. The self-doubt in his tone brings the anguish of the entire day bubbling up your throat. You feel like the worst person in the world. Exactly how you don’t want him to see you.

“Jason…it’s not you. I just…I feel like shit right now, honestly. Everything hurts, I’m miserable and sad and angry at everything, I’m breaking out all over.” You feel yourself welling up at all these little stresses coming out. “I’m craving everything but feel too sick to eat anything…I feel pretty disgusting right now, and frankly, I don’t want you to see me like this.” You finish your rant with a sniffle. You wipe your nose, trying to hold back the sob that’s threatening to break through. But at his silence, your worst, most improbable fears claw their way to the surface: he hates you now. You scared him away. You exhale heavily into your sleeve as more tears spill.

The phone is quiet for a long moment.  Then; “I could never find you disgusting,” he says, gently. “But if that’s what you want, then we’ll reschedule.”

“Thank you. And sorry.”

He speaks with a tone you can’t quite parse. “Don’t apologize. Just feel better.”

-

-

-

It’s one hour after your phone call, and at the first knock, you know who it is. Who else could it be? With that soft, somewhat hesitant, one-knuckle rap on the door. Only one person knocks on your door like that.

“Jason, I told you not to come here,” you say a little more cutting than you intend to, but your back and shoulders feel like they’re about to snap under a phantom pressure and the frustration of your request being outright ignored leaves a burning bitterness that channels itself into a violent wrenching open of the door.

He jumps a little at the abruptness of your greeting. One look at your face and he visibly deflates.

“I’m sorry…I know you said not to come, but…” his gaze casts downward to his hands. You follow; he’s clutching a reusable grocery bag. Peeking out of the top is a gallon of Neapolitan ice cream. The ice cream carton’s condensation seeped through a small patch of the cloth bag and dripped onto the other items; a bushel of greens, among some other fruits and vegetables, as well as a parcel of brown paper that was fastened closed with a twine string. You return your gaze to his face.

“I think—” he cuts himself off, free hand coming up to rub the back of his neck. Then he drops his hand and sighs. “I’m sorry. This was a bad idea. You told me not to come here and I ignored you, but I thought…” he trails off, probably hoping you’ll say something so he can gauge your reaction.

You just stare at him.

He shifts his weight back and forth. His hand twitches.

“Okay, yeah, I’ll—”

Then, you burst into tears.

Jason’s eyes widen. He reaches out to touch you, then stops himself. “Oh, fuck, I’m sorry! I’m sorry, this was stupid. Please stop crying, I’m so sorry—” He’s panicked, trying to calm you down with apologies and soothing assurances that he will leave immediately and never go against your wishes again. All the while you stand in the doorway, blubbering like a toddler with a skinned knee, new tears forming faster than you can wipe the old ones away.

He once again raises a hand towards you, before it stutters, then clenches into a fist as if it takes all his strength to fight against the instinct to be close to you, fighting against the string that tethers him to you. He drags his hand down his face, then it falls back to his side.

“Okay, I—I’m leaving now. I’m leaving. Do you…want this?” He holds the bag out to you.

With it now in front of you, its further contents are visible. You manage to tamp down your tears enough to get a few words out.

“Did you—hic—buy me groceries?”

“Yeah…” There’s a wince in his tone, as if he’s only now realizing that his gesture is not translating as he intended.

You look back up at him with pursed lips and knitted brows, sniffling. Sure, the ice cream you can understand, but…you have no idea what to make of the rest.

The bag drops back to his side. “I figured…it’s just— it’s the stuff that you’re supposed to—” He strokes his palm over his mouth, eyes screwing shut for a moment. He huffs at himself, then continues. “I mean I’m sure you already know all of this, so maybe you already have all these things, and now I’m realizing how unnecessary all this was, and I shouldn’t have assumed—”

“Jason,” you say. Your upset has since been overshadowed by something else, though you can’t tell what it is. And your crying has stopped, but its lingering effects have you feeling congested and a little foggy. You’re half expecting this to be a fever dream that you’re moments away from waking up from in a cold sweat.

“—because obviously you know what helps you feel better much more than I do—”

“Jason.”

“And you— yeah?” His eyes are a little harried when they find yours again. But off your tired and still-confused look, he gets the message and collects himself.

“Right, yeah, I just thought that…maybe I could bring you some of the stuff with all those minerals that are supposed to help women when they’re…menstruating.” He briefly breaks eye contact at the end of his sentence, red rouge creeping up his neck.

You can’t help it; you start to giggle. You can’t remember the last time you heard a man use the term ‘menstruating’ in a non-medical context. And the fact that he’s so shy about it— upset as you may be (though not at him), there’s no denying how adorable your boyfriend is. His head shoots back to you as your laughter intensifies. He blushes harder.

“It’s not that funny,” he mutters.

You step away from the door, finally closing the space between you, and wrap your arms around his torso. Your head nestles into his chest. He gently drops the grocery bag on the ground and reciprocates your hug. He rests his chin on your head, which fits perfectly under his. Like two puzzle pieces clicking into place. You breathe him in.

“Sorry I’m such a mess,” you murmur into his shirt.

He breathes into your hair. “You have nothing to apologize for. And you’re not a mess.”

You look up, chin resting in the space between his collarbones. He looks down at you with a small smile, but some wariness is still etched into his features. Fear of unwittingly upsetting you again. He brings up a hand to push some hair out of your face and tuck it behind your ear. His hand remains there, toying with the hair that falls below your shoulder.

"Thank you for the food,” you whisper. The moment feels too intimate to speak any other way.

“I’m sorry for not listening to you. I just…” He imitates your quietness, like his admission is also too vulnerable to say loudly. “I really wanted to see you. And I hated the idea of you feeling bad about yourself, or being in pain. I didn’t mean to upset you.”

Your eyes feel wet again. The first instinct is to hide your face, maybe press it to his chest once more. But, for some reason, you don’t. You want him to see you like this, messy and emotional and upset. You want him to see every part of you, and you want to see every part of him, the good and the bad.

“You didn’t.” A tear slips past the effort to keep it at bay. He shows no reaction to it, eyes never leaving yours, other than a quick swiping away with his thumb. “No one’s ever done anything like this for me before. That’s why I was crying. Not because you showed up.”

“That doesn’t seem right. This is nothing. You deserve even more.”

With no words to fully, adequately communicate the blooming in your chest, you stand on your toes, reaching up to him for a kiss. But given his stature, your lips only reach his chin and brush over its underside.

At your quiet whine, he chuckles and leans down to meet you in the middle. The kiss is soft; filled with the innocence of fresh blossoms in the spring, and the sweetness of its borne fruit.

You pull away when a vicious cramp roots you back to the present. Your limps tighten around Jason with a groan.

“I need to go back inside. I’ve been away from my heating pad for too long.”

His shoulders sag when you step away from him. “Oh, um…do you still…want me to leave?”

With a simple exhale of humorous disbelief, you grasp his hand in yours and tug him to your front door. He’s like an excited puppy, eyes brightened and perking up as he grabs the grocery bag and happily trails after you.

He goes straight to the kitchen, pulling out a chair at the counter for you to settle into, then sets the bag on the counter. The ice cream carton has dampened most of the cloth by now, and likely the rest of its contents, but rather than attending to the groceries, his first action is retrieving your heating pad from where it rests on the couch. He unplugs it from the wall outlet and brings it to you. You curl up on the chair with it pressed flat against your lower stomach. It only takes a minute for the pressure in your hips to abate.

Then he moves to the groceries. The ice cream immediately goes in the freezer, and he unloads what’s remaining onto the counter, one by one, and you take note of each item. There’s spinach, carrots, apples, oranges, dark chocolate, some kind of meat wrapped in brown paper, and, strangely enough, an entire block of cheese.

You give him a quizzical look, picking it up to read the label. “You got me…cheddar cheese?”

He retrieves a cutting board and knife from its spot next to the sink, then takes the cheese from you. “Good for certain symptoms.” He slices open the plastic wrapping and cuts out some cubes with skilled efficiency. He does the same with an apple. “They all are,” he says, referring to his entire haul. He completes the makeshift charcuterie board with a couple squares of dark chocolate and slides it across the counter.

You look down at the cutting board, thinking about everything he’s done for you; everything you never even had to ask for. The words sit on your tongue, encaged by your clenched teeth; an admission that coils itself around your spine and squeezes tight, restricts your breathing and pumps your heart at thrice its speed. But you feel yourself welling up again, and the first bout of tears already exhausted you so much that all you can manage is, “I don’t know what to do with all this. I don’t have the energy to make anything good.”

But he just smiles and says, “That’s what I’m here for, honey. Can I make you something?”

You nod. He gets to work. The immediacy of his actions, how he takes no time to decide on a dish or find a recipe, makes you think his previously stated intentions of ‘just dropping this off’ were less genuine than he lead you to believe. Nevertheless, you munch on the snacks he laid out for you and watch him work. The cheese and apples are a surprisingly cohesive combination, the meshing of sweet crispiness and savory creaminess eliciting a contented sigh from you. You try to ignore the way Jason smirks in the corner of your periphery. The chocolate is incredible, yet unfamiliar. You read the label on the packaging: 80% Dark Chocolate with Cherry and Almond Filling. Even if you hadn’t tasted it yet, the quality of the packaging itself would have been enough to let you know that this chocolate is extremely high-quality. Like, special-order-from-Europe quality. Not stop-at-the-grocery-store-on-the-way-home quality.

“Where is this from? Did you buy this today?” You ask him through a mouthful of the rich, melting chocolate.

He doesn’t look up from the carrots he’s dicing. “Uh…no.”

Anyone else would attribute his avoidance of eye-contact to standard kitchen-knife caution. You are not anyone else. You could blindfold him, spin him around ten times, put a sharp knife in his hand, and he could still pull off a perfect julienne. You look closer. His cheeks are dusted with pink.

You let out a laugh. “Jason, you’re not embarrassed about liking fancy chocolate, are you?”

“No! Not at all,” he says, ceasing his chopping. He looks up, but not quite at you.

“Then?”

“‘Then’ what?” He asks.

“Then why are you being so shifty right now?” You try to catch his gaze.

“I’m not!” He defends. “It’s just chocolate! Do you like it? I’ll bring you more.” He’s stealthy with the way he avoids your eyes; you almost can’t notice how hard he’s trying not to make eye contact.

“Jason!” You reach across the counter, having to rise off the chair slightly, and take his face in your hands, making him look at you. When he does, he wears a sheepish smile.

“It’s…” His removes your hands from his face, holding them in his. He mumbles something, turning his head to the side. But you catch the tail end of it, a goading grin already creeping up your face.

“What was that?” You tilt your ear towards him, exaggerating the action.

“It’s Bruce’s.” He, in turn, exaggerates the enunciation, rolling his eyes at your simpering. “I…found it. In his pantry one day. And I liked it, so I took it. And then I…kept taking it. Every time I visited.”

You pout teasingly. “And you’re ashamed to admit that you think he has good taste in something?”

He doesn’t say anything, only hiding his face in his shoulder. You pull on your intertwined hands and he gets the message, skirting around the kitchen counter to come closer.

“You are so adorable, you know that?” You say. You reach up and pinch his cheeks. He swats your hands away, but there’s no mistaking his broad, childish grin for anything but affection.

He breaks off another square from the chocolate bar and holds it to your lips. You bite off a small portion, then push it back to him. He takes the remaining piece in his mouth and his eyes close for a brief moment as he savors the sweet, tart, and nutty flavors. You simply watch, entranced by him. Then, he kisses you. You lean into it, hands sliding up his shirt to grip the fabric and bring him even closer. His hold finds your waist.

He tastes like cherries and dark chocolate.

He breaks the kiss to rest his forehead on yours, and you want to tell him that. That, and so much more. But from the look on his face, the way his eyes find yours and the tips of his ears have a similar heat to the one in your chest, you can tell he already knows.

when it comes to jason's post-pit-repressed-teenager characterization (aka despite being older he's still as inexperienced and confused and insecure about the world outside of vigilantism and w/ women as a 15 y/o would be) (aka my favorite characterization tee hee), i think that he's mature about periods, knows they're normal and not gross or shameful etc, but still gets shy about saying the actual word, for no other reason than the 'shy around women' part always makes me giggle

also bruce is keeping the chocolate stocked specifically because he knows jason likes it and will keep taking it because he loves his son even if his son doesn't love him (he does he's just in his angsty teen 'i hate this family you don't understand me' phase rn)

divider is from here

quote at the beginning is pablo neruda <3

[revelboo]

I absolutely love your writing! Scratches my brain just right! How do you think they would react to tattoos? I'm pretty much covered and just curious about your thoughts!

Tattoo Reaction Scenarios

Various Transformers x Reader

IDW Starscream

• Skimming his lips against your neck, Starscream feels you shiver when his denta graze you. Optics devouring as he lazily maps you out with his mouth and servos. Lingering on the colorful designs inked on your soft skin. “I like these decorations.”

• “They’re tattoos.” Sprawled on your belly beside him, you feel his servos tracing along your shoulder and lingering there. “Do you guys do anything like this?” Inhaling as he finds the one on your hip with gentle touches.

• “Decorating our armor plating is fairly common,” he replies, moving your hair aside to trace over your neck. He’d never bothered with the practice, liking himself the way he is, but he likes the art decorating your skin. “Some change their color schemes regularly.”

• Rolling onto your back, his optics heat as he looms over you. “You could write out your name for me in Cybertronian characters and I could get it tattooed somewhere,” you tease, tugging at his wrist so you can lay his servos against your collar bone. “Maybe here.” Pulling his down to your inner thigh, you grin as his expression becomes possessive. “Or here.”

IDW Sunstreaker

• Ignoring the twins doing their own things, you turn your back to them and pull your sweater off over your head, stripping down to a tank top. Because for once, it’s not freezing cold. Or maybe, you’re running a fever. Sitting crosslegged to fold the sweater, you don’t even realize Sunstreaker has moved until a big servo touches your shoulder nearly scaring you to death. Something that big shouldn’t be that quiet when he wants to be. Reaching back, you swat him. “Don’t sneak up on me.”

• Ignoring your annoyance, his optics trail over your shoulders and upper back. Studying the colorful designs winding over your skin that you’d kept hidden. You’d made yourself a canvas, so why hide it? “Different artists,” he murmurs, servo tracing a pattern on your bicep.

• There’s no judgment in his tone, just curiosity and it eases the tension bracketing your spine. Reaching, you touch one. “Yeah, I designed this one,” you say, chin lifting. “This one a friend sketched out.” You wonder what he thinks of them, unwilling to explain their meanings to him just yet. Some of them still hurt you if you dwell on them like the script on the inside of your wrist with a signature painstakingly copied.

• Fascinated, he explores each one. Wondering what they mean, the stories behind them. Also knowing from the way your jaw is set, that you’re not ready entrust them to him just yet. Venting softly, he turns over his wrist, servos tracing a scar marring his otherwise pristine paint. Not art, but a mark with a story and your eyes study it and then lift to his optics. “A story for a story?” He offers and you smile slightly.

IDW Bluestreak

• “Needles?” He ask, his tone so dismayed you almost laugh as his servos hover over your skin. Not touching you, because he’s always so conscious of your personal space. Afraid of upsetting you or crossing a boundary he’s not allowed. “Didn’t that hurt?”

• “It gets easier every time,” you say, catching his big servo in your hands and pulling. And finally he cautiously touches your arm and the scrolling tattoo there. “I kind of look forward to that little bite of pain now.” Door wings lifting slightly at that, he can understand all too well needing pain to ground yourself. You’re like him, then. Carrying around something you keep hidden inside.

TF Earthspark Megatron

• “Gladiators painted themselves before battle. To inspire themselves and to instill fear in their opponents,” he murmurs as he gestures at the ink peeking out at your collar. He’d worn such paint in the pits, remembers striding out under those blinding lights as the bloodthirsty crowd looked down and screamed his name. Fans that would still cheer whether or not he survived his next battle. “They usually weren’t permanent marks, though.”

• He sounds so melancholy as you reach to touch his servos, bridging the distance between you both and surprising him. “If you ever want to talk about it?” Smiling ruefully, he gently traces your cheek with a servo. And you know it’s a no. Or at least a not yet. Laying your palm against his lingering servo, you begin to speak. Explaining your tattoos and showing them to him. Reaching out even if he’s not ready to share with you just yet.

TFP Ratchet

• “Another one?” He growls, spotting that shiny stuff taped to the inside of your wrist. Knowing you’ve gone and had another human embed ink under your skin again even though he can’t understand why. The designs are pretty enough, but he’d done some research and he knows it’s a painful process. So why harm yourself for art?

• Rolling your eyes, you ghost your fingertips over the dressing covering your tattoo. Still too new and sore, but you wonder what he’ll think of it when he realizes you had tattooed his cross with the Autobot insignia inside it on yourself. Most likely, he’ll just gape at you and get flustered. But you’d wanted to wear his badge, wanted something permanent of him to carry for the rest of your life.

[aplaceinme]

“I’m just saying… there’s a reason why people say ‘three times it’s a charm’ Evan.”

“And I’m just saying I don’t want to risk it, Tommy,” Evan huffs, crossing his arms over his chest.

“C’mon, what could possibly happen?” Tommy insists. 

“Hmmm…let me think… oh, yeah, I got it! Given our track record, we break up for good,” Evan says exasperated. 

“That won’t happen again, Evan. We’ve talked things out. Everything has been laid out on the table. We are better than ever,” Tommy says softly, walking up to Evan and tenderly cupping his cheeks, “We are good! Nothing bad will happen, I promise.” 

Evan tries to resist, his pout really pronounced but he can’t fight the smile tugging at the corners of his mouth. 

“Fine! Fine! We will go and have dinner at Miceli’s again,” Evan relents, throwing his arms up in the air. “But if things go south again, it will be all your fault, ok?” 

Tommy leans in and kisses him softly, letting the kiss linger a little. “Ok, if something happens, it will be my fault.”

Evan goes to his bedroom to change his clothes, all the while angrily muttering, “Thousand of places in L.A. to go but no! We have to go back to that place… all because the pizza is good… fuck that place.”

“Did you say something?” Tommy asks, trying not to laugh at Evan’s adorableness. 

“Nothing�� except… We are not getting spumoni, Tommy!” Evan yells from his bedroom.

Head thrown back in laughter, Tommy sits down in one of the barstools to wait for him to be finished. “Fine but, again, everything will be alright, love.”

“Yeah, yeah, you keep saying that! But you know what else people say? Famous last words! That’s what they say,” Evan says before closing the bathroom room. 

Nodding, Tommy quietly says under his breath as if trying to convince himself, “It will be alright.” 

—

“Will you stop muttering? We are here, and everything has been ok so far, right?” 

“Yeah, so far,” Evan says stubbornly. At Tommy’s raised eyebrow, his shoulders relax. “Sorry, sorry. You’re right! Everything is fine. We are together and everything is fine.”

Tommy holds Evan’s hand across the table and intertwines their fingers. “Exactly.” 

“I’m just glad we aren’t going to the movies after this. I think they also bring bad luck to us,” Evan teases, though he also seems to be serious. 

Wanting to tease him back, Tommy says, “Actually, I saw that they are playing this movie that I wanted to check out…”

“Do not even think about it! Not tonight at least,” Evan points at Tommy seriously. 

“Alright, alright, no movies tonight,” Tommy laughs. “We will just go straight to my place then… find something else to entertain us with.” 

“I’m sure we will,” Evan says with a smirk. 

“Oh my God! I think he’s choking! Somebody help us!” 

Tommy and Evan look over at the table from where the scream came and, after sharing a small glance and a nod, they get up and run over. 

“Move over, make room, make room, we are firefighters,” Evan says loudly, reaching the patient first. 

As Evan starts doing the Heimlich maneuver, Tommy reassures the family and makes sure they give Evan room to work. 

After a couple of agonizing seconds, the man spits out the food and everyone at the restaurant releases a breath of relief and they start to clap.  

Tommy moves over and helps Evan to sit the man down as they start to assess him, asking him if he is feeling alright or if he would rather they call an ambulance. 

Once the man reassures them that he is ok and thanks Evan profusely, they start to walk back to their table. 

“Glad that turned out o-” Evan starts to say but a scream interrupts him. 

“What now?” Tommy asks. 

“Fire in the kitchen!” Someone screams. 

It takes two seconds for chaos to reign. People start to scream and run desperately, pushing tables, chairs, and everything out of their way. 

While Evan calls 911 and starts helping people out of the restaurant, Tommy runs up to the kitchen.

Grabbing a fire extinguisher, Tommy tries to put the fire out, but it’s not enough. The fire is spreading fast, so he just makes sure that no one else is inside the kitchen and then runs outside. 

“Tommy, Tommy,” Evan calls to him and hugs him as soon as he is within reach. 

“Everyone out?” Tommy asks him, quickly looking Evan over to make sure he isn’t hurt. 

“Yeah, I got everyone out and the firefighters should be here any minute now.” 

“Good, good, that’s good!” Tommy says in relief, his adrenaline starting to recede. 

—

Tommy and Evan are standing a few meters away from the restaurant, watching as station 56 put the fire out. The fire spread out so much that the restaurant is absolutely destroyed, Tommy doubts the owners could salvage anything from inside. 

“What is it? I can see you looking at me,” Tommy asks, turning to look at Evan. 

Evan gestures wildly at the restaurant and looks at him incredulously. 

“What?” Tommy plays dumb. 

“What? What?” Evan yelps. “Oh, I don’t know… maybe the fact that the restaurant is literally destroyed. Third’s time a charm, my ass!” 

“Technically, I was right, Evan.” 

“Wha- How?” Evan sputters. 

“Well, nothing bad happened to us. We are ok, there hasn’t been any misunderstanding, no one has confessed anything from their past… we are ok, just like I said we will be,” Tommy reasons.

Evan shakes his head and chuckles, “I can’t believe you! You’re so…” 

“Evan…” Tommy starts but gets interrupted. 

“I love you,” Evan says. 

Tommy does a double take, not expecting that. “What?”

“I love you,” Evan repeats, shrugging his shoulders. 

“This is the first time you’re saying that,” Tommy says, bewildered. 

“I know.” 

“I… I- I…” Tommy looks around them, in disbelief that Evan could love him. 

“You don’t have to say it if you do-”

“I love you too. Of course, I love you,” Tommy tells him quickly, not wanting Evan to doubt it for even one second. 

“Yeah?” Evan beams at him. 

“Yes,” Tommy nods and leans in to kiss him, not caring about the fire, firefighters, bystanders, or anything else. 

Once they part for air, Tommy asks him, “Should we get going? They seem to have everything under control.” 

Evan nods, and they slowly start to walk to where Tommy had parked his truck, with Tommy’s arm around Evan’s waist. 

“Since no one got hurt, I feel ok with admitting that I’m kinda happy that the restaurant went up in flames,” Evan whispers as if it is a secret. 

Tommy chuckles, “Yeah, me too.” 

When they are near the truck, Tommy jokes, “So, what about that movie then?” 

Evan playfully hits him on the shoulder but laughs. “I believe someone said something about finding something to entertained us with at their place?”

“Let’s go then,” Tommy says with a smirk, walking faster towards his truck. 

[dytabytes]

As a dentist, I have to slide in here with some notes:

1) If you want to keep your teeth healthy, vaping is actually, unfortunately, a really bad option. The carriers used for most vape juice are often some kind of vegetable glycerin, which will stick to the teeth, significantly weaken your tooth enamel and promote bacteria growth, which leads to cavities. It might not stain them as much, but if you want to protect the look of your teeth, vaping is definitely not the way to go.

2) Marijuana use affects the effectiveness of lidocaine, which is one of the most commonly used dental anaesthetics in North America. This means that, if you want to be numb in the dental chair, I recommend trying to take a break on use for at least a week, if not more, before going for treatment. That said, if you really need some help calming down (and I know a lot of people do), tell your dentist so that they can change their treatment plan! Depending on the patient, sometimes I'll give a double dose of anaesthetic right off the bat, or I'll switch what I'm using altogether for something that's not as affected by marijuana use! Your dentist wants you to be numb just as much as you do, believe me!

3) Night grinding is often related to a sleep breathing issue. If you're a clencher or grinder and/or you snore, I'd strongly recommend speaking to your doctor about a sleep test before having a nightguard made, because treating the sleep issue might negate the need for the nightguard altogether! This would either be because you won't be grinding anymore, or because the doctor might put you into a specialized kind of nightguard made to treat sleep breathing problems. If you've already have a nightguard made and you find you can't sleep with it, or you're taking it out at night because it's uncomfortable, that is also a sign that you might have a sleep breathing issue. A normal nightguard takes up just a little more space in the mouth, which decreases your airway size, and if you already have an airway that is too small, your body will respond by saying "I don't like this".

4) Xylitol is actually more than a saliva stimulation item! It's what we call a "cariostatic" sugar; the bacteria in your mouth can't process it, so it slows down their growth. Because of that, I actually also recommend people use it if, say, you have trouble brushing regularly because of mental illness or sensation trouble, or if just get cavities a lot. That said, be careful with how much you eat! The bacteria in your mouth can't process xylitol, but neither can the bacteria in your gut. If you have too much, you might end up with bloating or other tummy trouble. Everything in moderation! 5) Last tip! A lot of people out there have trouble affording dental care. If this is an issue for you, I strongly recommend searching out if you have a dental school or hygiene college near you. Students are watched over super carefully, so the work you get done at those institutions will be very thorough, and schools often give steep discounts on price to encourage people to come. You will, however, likely be paying for your treatment with time, instead of money. It's been a while, but as an example, when I was in school a root canal at a dental office would have taken an 60-90 minutes and cost over $1000. In school, the same root canal would be 6 hours, split into 2 appointments... but would have only cost $75. Stay healthy, friends c:

STUFF NOBODY EVER TOLD YOU ABOUT TEETH (and how to take care of them if you are poor and/or depressed)

Contrary to what the US health industry would have you believe, your teeth are NOT luxury face bones. You need them. Healthy teeth are a cornerstone of good health in general for a lot of reasons. You can’t eat well without them. You need them to speak. And tooth bias is real.

This makes me very sad because I love teeth. I am not a dentist. I’m a biological anthropologist whose expertise is oral disease and the evolutionary anatomy of teeth. My dad’s an oral surgeon and I worked in his office from the tender and illegal age of 8 to the ripe old age of 18, which is when I went to college. At 12, I was assisting with the disposal of biowaste, aka packaging up the teeth to send them to dental schools. I live, breathe, sleep, and occasionally eat teeth. I found a human incisor on my floor this morning and wasn’t even surprised. I study how teeth go bad partly so that I can help living people protect the teeth they’ve got. It’s my goal with this post to teach you about a couple of different types of procedures and oral injuries, as well as what you can do to help keep your teeth functional. So in this post, what I am going to do is outline a few common things that can go wrong with your teeth, how they happen, and how to catch them before they get bad. A lot of the advice in this post is for people who maybe can’t get to the dentist for a cleaning and checkup every six months. This post is also gonna be LONG AS HELL and there is going to be a separate post called “luxury face bone hacks for the busy/broke/b’mentally ill” or something like that, so like. If you don’t like super long posts, just hit this one with a like and actually read through that one.

First, let’s talk about dental anatomy.

What Are Teeth?

Teeth are extremely cool. They’re these amazing little packages of dentin pulp, protected by enamel, nestled into the jaw like truffles in a box of chocolates, held in place with a teeny tiny ligament. They’re gorgeous– enamel is a beautiful substance, translucent and opalescent. Teeth are also extremely weird when you think about them. You have these weird not-bone things emerging from holes in your jawbones. They’re snapped into place with a biological bunjy cord and you can actually SPRAIN THEM if you put too much pressure on them.

Here are some important things to know about teeth!

First, the nerves in your teeth were never meant to be exposed to the air. They only process stimulus one way: pain. This means that when you get a cavity or do anything else that exposes the nerve, it is going to hurt like a bitch.

Your teeth may come loose! Usually they stay put and go back to normal in a day or two. Don’t panic. This is usually the result of you spraining your dental ligament that holds the tooth in place.

Root canals suck but they can prevent dental abscesses. Dental abscesses can kill you. If they spread and get into your sinuses, they can cross the blood/brain barrier and you will die. This doesn’t happen much any more, but in rare cases… it can.

The phrase “like pulling teeth” is a misnomer. Pulling teeth is extremely easy if you know what you’re doing. Extractions are usually a very simple procedure. What’s complicated is things like root canals and setting up implants, which, in the case of implants is the literal opposite of pulling teeth.

Pregnancy will fuck up your teeth because a.) the fetus is leaching your vital essence and other nutrients and b.) your hormones are telling a lot of ligaments in your body to loosen up to get ready to give birth. Sometimes wires get crossed and other ligaments at non-mobile joints get the loosen up message, too. Just be sure to keep up your dental hygiene regimen during pregnancy and you’ll be fine.

Your gum tissue isn’t just weird wet skin. It’s a mucous membrane that protects the mouth. It can get diseased and inflamed, so pay attention to it! Also, there’s a lot of blood vessels so if you poke yourself with something, you’ll bleed like a stuck pig for a minute. The kind of bleeding you should be worried about is prolonged bleeding, where you see blood welling up around your teeth for no apparent reason.

Now that you’ve been equipped with some fun facts, lets talk about diseases and procedures.

Braces: if you’re reading this, you probably don’t need them

First: Pediatric orthodontia is largely a scam. People who put standard braces on their child before that child has lost all of their baby teeth are stupid and causing their child needless pain because those teeth are going to fall out anyways and the alignment of the adult teeth was decided long, long ago. The kids who NEED orthodontic intervention are kids with bad crossbites/underbites/overbites. This requires specialized headgear most of the time and is more intense than the standard braces because they are made to solve a much bigger problem. The standard bracket-and-wire braces? Don’t put those on a child. They won’t help. Also, your kid doesn’t have their third molars yet, and those are the molars most likely to come in twisted anyways.

As an adult, you may want braces for cosmetic reasons or for comfort reasons. This is a CHOICE that is YOURS TO MAKE. If your dentist suggests you need braces, ask why. You don’t have to get them. Now,If you have certain kinds of dental overlap- like, your lateral incisors have been pushed behind your frontals- then yeah, you should get braces. But is it the end of the world if you don’t get braces? No.

Wisdom tooth removal: you might not need it

The human jaw is in a state of evolutionary mismatch right now. Basically, our last molar, the third molar, doesn’t come in until we’re an adult. Unfortunately, thanks to ten thousand years of agriculture, give or take a few millennia, we have much more gracile jaws than our ancestors. There’s not always enough room for it. Now, this isn’t true for everyone, because no two skulls are identical and all, but sometimes there is a condition where you really should get those suckers out. If they are impacted, or coming in sideways, they can push your other teeth out of alignment and cause jaw issues down the line. If they come up straight, don’t worry about it.

Cavities: you need to get these taken care of

Cavities are a pain in the ass and are honestly the main reason you should go to the dentist for checkups, so that they can take the x-ray of your mouth and see how any potential trouble zones are progressing. You should call a dentist and seek help if you notice pain that persists over three days, as that’s an indicator of something more serious than just a sprain.

Tooth Grinding: this is a problem

If you grind your teeth, your dentist may recommend a night guard. Actually listen to them about this. Grinding your teeth can cause major jaw alignment problems that are a pain to fix, so just bite the silicone and suck it up. Also maybe talk to a therapist if you can, because grinding can be a result of stress/anxiety.

Whitening your teeth: bad idea

First off, your teeth ain’t supposed to be white. Enamel is not white. Enamel is translucent and pearlescent, so its actual color is very hard to pin down. Your teeth are naturally going to look more ivory-colored over time. That’s just part of being human and having teeth. Embrace it. You are a badass omnivore with thirty-two gorgeous enamel teeth. They weren’t put in your mouth to look pretty, they were put in your mouth to feed you.

Second: Whitening your teeth weakens your enamel. Once your enamel’s gone, it ain’t coming back, baby. There are some gentler whitening methods, like whitening toothpaste, but these are only going to give you about one to two shades worth of improvement. If you have extremely stained teeth and you want to whiten them, make sure you talk to your dentist about all the risks. Unfortunately, there is no truly safe and effective home-style (read: not a million gotdang dollars) remedy for whitening teeth.

There are a few that are kicking around, but seriously, some of them are dangerous. Do NOT rub wood ash on your teeth. That’s lye. Don’t put that in your mouth. Do NOT use actual bleach, hair dye developer, or non-dental peroxide gel. They are poisonous. DO NOT PUT ACETONE ON YOUR TEETH i have seen this exactly once and the person came into my dad’s office with chemical burns on their gums and lips. I do NOT want to see this again.

It is a misconception that brushing your teeth keeps them looking white. Brushing your teeth removes plaque and biofilm, but those buildups don’t actually stain the enamel itself. Instead, really the only way to keep your teeth looking light is to pay attention to what you’re putting in your mouth. If you’re a tobacco user, vape! Tar is a major staining agent. Coffee’s also a major stainer, and the big trick there is to put a little milk in it. See, enamel staining doesn’t come from the color of the food. It comes from chemical properties. Acidic foods stain because acid damages enamel. Food with high levels of tannins, like coffee or tea, stain because the tannins change the PH of the mouth. So what you should do to avoid staining is balance your mouth PH by eating something basic after eating something acidic. Add a lil milk to your coffee or tea to weaken its acidity just a bit. Swish with water afterwards to help clear the acid. Don’t eat lemons or any other acidic food after drinking coffee. Why would you want to eat lemons after drinking coffee, anyways? Seems like a weird flavor combo to me.

And while we’re on the subject…

MOUTH CHEMISTRY

What’s in your mouth? Your teeth, your gums, your tongue, your spit… yeah, your spit. Saliva’s important. It’s probably THE most important thing in protecting your teeth because salivary production constantly washes the teeth, clearing off as much bad bacteria as possible. If you have an issue with saliva production, you should drink as much water as you can throughout the day, and get a bottle of dry mouth tabs for nighttime. Or daytime, if they don’t bother you. This is really important because dry mouth is a major side effect for a lot of drugs, like anti-depressants. This is actually a huge part of my research- the population I study used a natural painkiller, but in the end its use caused them more pain because the way it works, it decreases the efficacy of the salivary glands. They stop making sufficient saliva, the teeth dry out, the mouth PH changes, and the bacteria that destroy enamel go buckwild. If you can’t make your own spit, store bought is fine. Water for the day, tabs for the night.

Now, you might think that ok, acid isn’t great, let’s eat more basic foods to balance that out. You can, but it… isn’t great. Your saliva is naturally acidic for a reason, and if you neutralize it completely, that ALSO messes with your teeth. You should be drinking plain water as much as possible.

Seltzer and Soda

Some people think seltzer may hurt your teeth, but it really won’t… unless it’s citrus-flavored. Reason: citrus seltzer uses citric acid as a flavoring agent, and that messes with your teeth. So if you want to drink citrus seltzer, drink it with a meal or with food. Don’t sip it slow over the day.

Soda, on the other hand is a goddamn nightmare. The acid’s kind of a problem but the sugar… dear god the sugar. So. your teeth are covered in a bacterial biofilm. Some of these bacteria excrete acid, and that’s what gives you cavities. This is another part of my research- looking at how cavity prevalence changes as sweetening agents and sugar availability changes. As different carbohydrates enter the diet, populations’ disease responses change. I know more about this than probably anybody else in the world, and here is what I know: the best thing you can do for your teeth is stop drinking American soda.

It’s the corn, you guys. The chemical compounds in corn make the cavity-causing bacteria kick into overdrive. Sodas sweetened with high fructose corn syrup create the perfect environment for these dudes to excrete out a storm. Sugary beverages in general promote cavities, but NOTHING does it like sodas sweetened with high fructose corn syrup or any other corn byproduct. Try to limit your soda and juice consumption and if you can, make sure that when you do have them, you’re getting some food,too.

Other Acids

Ok this next part is going to deal with eating disorders. I’m going to be talking about some of the side effects of bulimia, what they can do to your teeth, and how you can take care of them. Eating disorders are serious business and I hope if you need this section you are in supportive recovery and have the love and support and resources you need. If you don’t want to read about what this can do to your teeth, scroll real quick until you seen the big green text.

If your teeth are in frequent contact with stomach acid, acid etching can be a real problem. Your enamel is tough but stomach acid is gnarly, and your gums don’t have that same protection. If you find yourself vomiting frequently, for whatever reason, try to swish water around in your mouth afterwards to help clean it out. I know that’s not the thing that’s likely on your mind after that, but a lot of what we’re doing here is damage control. I’m not here to judge you in the slightest. I’m just here to help you with your teeth.

Do not brush your teeth immediately after vomiting. The enamel is weaker, and you can cause even more damage by brushing too hard. Wait for at least an hour until after you’ve rinsed your mouth to avoid spreading the acid around.

You can also add some (1-2 tsp) baking soda to the water you rinse with, if you feel ok with doing that. It will taste gross and salty but it will help neutralize the acid. You just rinse with this, you don’t swallow.

ok that part is over

TOOTH HACKS

This is the funnest part, I get to tell you good ways to take care of your teeth that require very few spoons and very little money!

Brush ‘em twice a day. Once when you get up to clear out whatever happened the night before, and once before you fall asleep. You can brush more but you don’t have to. Use a soft-bristled brush and whatever toothpaste you like. If you hate mint, kid toothpaste that tastes like bubblegum or berries is totally fine!

Don’t want to get out of bed? totally fine. Use a finger toothbrush! these are designed for babies which is actually great because they are SUPER soft. If you have sensitive gums, these are going to be really helpful.

Don’t have access to a finger toothbrush? honest to god you can just dip your finger in water (though a mix of water and baking soda or water and salt is better) and brush your teeth with just your finger. The point of this isn’t to freshen your breath or anything, it’s just to get the biofilm off of your teeth and protect them.

Floss. This gets the biofilm out from between your teeth and promotes good gum health. Don’t just run it between the teeth- you need to floss below the gumline a little bit to help clean out plaque.

If you don’t have the spoons to do your whole mouth, floss between your molars if you can.

There’s lots of products that are great for people who can’t go through the whole flossing routine. Pre-threaded flossers are ideal because they’re designed for minimal effort and maximum gain. These are also killer for people with physical disabilities that affect hand dexterity.

If flossing hurts because you have sensitive gums, a water flosser can really help. This is more expensive but will last a very long time.

You can also get topical numbing gel that you can smear on your gums when flossing. Just be careful that you’re not flossing too hard because you can’t feel it. This brand is kind of expensive but it has a nice minty flavor. If you have a dollar and a way to get there, I saw Orajel at Dollar Tree yesterday… when I was buying a bunch of those pre-threaded flossers to throw in my car. I oughta do a Dollar Tree field trip to show you like, what products are available at the absolute cheapest in the US. Dollar Tree has a LOT of good dental options.

There’s a tiktok that says you can use a strand of hair to floss. This is a bad idea. A single strand of hair is likely to break and can cut into your gums. If you want to use hair as floss, you need to use a couple of strands twisted together. Go slow and gentle if you’re using hair. Obviously actual floss is better but this isn’t “perfect dental tips for perfect people,” this is “life sucks but your teeth don’t gotta.”

If you can’t floss or can’t brush, gargle. Put two tsp of baking soda in a glass of warm water. Swish it around, spit it out. If you can do that, you’ve helped clear out biofilm and bacterial waste.

Prioritize your teeth. You only get two sets and you lose the first one by the time you’re twelve. If you can only do one hygiene thing today, make it be your teeth.

Eat some pineapple. Bromelain, which is only found in pineapple, is super good at protecting enamel.

That’s… all I got for you now. Take care of your teeth!

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[hard-core-super-star]

brought you together so nice [W.Maximoff + N.Romanoff]

pairing: dom!natasha romanoff x sub!reader x switch!wanda maximoff

summary: natasha takes care of you until wanda comes back. needless to say, the witch is more than happy about the arrangement you both came up with in her absence.

warnings: SMUT, MINORS DO NO INTERACT -> porn with very little plot but even more feelings; mommy + daddy kink; slightly more established dom/dub dynamics; a dash of pet play (as usual); bondage; gagging; soft domme nat + bratty wanda!!!!; vibrator use [R receiving]; praise + degradation + a dash of humiliation; hair pulling; spanking; aftercare

wordcount: 4.1k

a/n: well, well, well...guess who got too attached to another series? yup, me 😅 these two have taken up more of my mind than i originally thought so here is part three of this little series. i don't have a plan to make another full part, but i might mess around and write a few blurbs here and there. we'll see what happens. anyway, thank you for all your support, especially regarding this little series. i'm thinking of opening my requests back up until the start of the new year so keep an eye out for that ;) [commissions are still more than welcome, though!] okay, i'll stop rambling for now, hope you enjoy <3

* * * * * * *

Natasha could be sweet when she wanted to.

That was the first thing you learned after agreeing to become her and Wanda's submissive. 

The rules and details weren't too clear yet, the redhead promising to answer all your questions as soon as the Sokovian came back from her mission. Still, she did what she could to fill in the gaps of your knowledge, allowing you to ask her as many questions as you pleased before showing you, in great detail, what she meant.

Despite the cold exterior you'd learned to love, she was much softer with you than you'd ever imagined. Sure, she was still a mean domme at heart, but she wanted to show you heights of pleasure you'd never experienced before.

And she went to great lengths to guarantee it.

It quickly became clear to you how much she loved impact play. Even outside of play sessions, she would always come up behind you, landing a hard smack to your ass before pulling you into her arms. You didn't mind, even when she did it in front of the others.

(Although Tony did whistle at you guys once and promptly earned himself a punch to the stomach. He laughed it off but made sure to never tease the Widow about her behavior with you again.)

You knew there were a lot of things you didn't know or fully understand, but Natasha always seemed to find a way to make you feel more excited than nervous about it. It was almost funny how quickly her personality changed once she allowed you to see past her walls.

Sure, she was still a little mean and more than a little snarky (which is exactly how you liked her, if you were being honest) yet there was a softer, affectionate, side that started coming out more and more.

She told you it was simply because Wanda wasn't around and she wasn't allowed to "break you in" without her around. Maybe it was a silly excuse perfectly crafted to keep you on your toes, but you didn't really mind.

Well, except because you really missed Wanda.

Being without the witch was harder than you thought it would be, but the Widow kept you busy enough to forget the empty spot beside you in their bed.

Your bed.

That was the second thing Natasha made you learn. 

Yes, you were technically an addition to their relationship, but you weren't an outsider. You never were.

That was the third thing you learned.

Both Natasha and Wanda had their eyes on you from the very beginning. They loved each other, and their relationship made them happier than they could put into words, and yet they always felt something was missing. A third energy to keep them in check. To stop them from getting too rough, too mean with each other. To help remember how to be soft after spending so much time fighting with the world.

It was...strange, but you couldn't deny what they meant to you. The attraction you felt toward them had always been there and after Wanda opened that door...well, let's just say there was no going back.

You didn't understand how real that was until now.

Because somehow, someway, after carrying guilt you didn't even need to have in the first place, you were here.

You were theirs.

You were waking up in their bed with Natasha's arms wrapped tight around your waist.

A shudder ran down your body as the redhead's lips met your bare shoulder, peppering kisses across the skin. "Morning, detka. Sleep well?"

"Yeah," you reply as a smile forms on your face. "You're a fantastic cuddler."

"Shut up," she mumbles. There's a clear lack of annoyance in her words despite her attempts at sounding tough. "I don't know what you're talking about."

"Your grip on me begs to differ."

At your response, her hands move to grip your waist, her nails digging into your soft skin. The sensation makes you gasp, your back arching almost instantly. You can feel the redhead smiling against your skin. It hasn't been that long and she already knows your body better than you do.

"Sorry, were you saying something?" She says, taking advantage of your reactions to grind against your ass. "You seem a little distracted."

 It's a bit of a cruel game but it's one she loves to play with you. Truth be told, she loves playing with you, period. You're so different from Wanda, so much more responsive, more honest about your constant neediness.

"I don't know what you're talking about," you mumble, not so subtly grinding back against her.

Just because you were slowly learning the rules regarding your place didn't mean you didn't love pushing Natasha's buttons whenever you could. Which really only happened in the mornings and during aftercare. Those were the only two moments when the older woman allowed herself to be soft with you, to let you see behind the walls she'd expertly put up to keep everyone out. Everyone except you and Wanda, it seems.

Her voice remains low, straddling the border between a tease and a warning. "Is my good girl trying to be a brat?"

Your heart skips a beat at her words. At the mention of being her good girl. Of being hers.

After the rough beginning your relationship had, you never thought you'd be let into her heart in any way. And yet here you are. You're her good girl, her kitten, her darling submissive.

"No..." You trail off, trying to decide whether to behave or push her buttons a little more. Ultimately, your desire to be a little shit wins out. "...Daddy."

Natasha chuckles behind you, her hands moving from your hips and toward your breasts. She gives them a soft squeeze as her thumbs tease your hardening nipples. "Oh, kotenok, you woke up cheeky this morning, huh? You know what mouthing off like that will earn you, right?"

You do know. She's told you many, many times before, usually while she's praising you for being so good for her and drawing out orgasm after orgasm from your overstimulated body.

However, she's never actually acted out any of her warnings. It's a good thing, you know that, and yet you can't stop yourself from wanting to see what it will feel like. To explore what that kind of submission will do to you.

"Yes, Daddy. I know."

She hums before going right back to kissing across your shoulders, nipping at your skin just to get you to arch into her teasing hands. "I see...you want to be punished, don't you? Want Daddy to remind you of your place until there's nothing else inside your mind?"

You're about to reply when you're interrupted by F.R.I.D.A.Y. "Miss Romanoff, Miss Maximoff has asked me to notify you of her return."

Your cheeks flush, even though the disembodied voice can't see what exactly you're up to this morning. At the very least, F.R.I.D.A.Y. is a lot less nosy than Jarvis ever was. Although, if you're being honest, you liked him better before he turned into a robot.

"I'm assuming she'll be at the Medbay for a while?" The Widow replies, her mind no doubt full of the things she'll do to you to pass the time.

"Yes, it seems she'll be there for the next half hour."

"Good. Thank you, Friday."

The AI doesn't reply and you can practically imagine her making a swift exit out of the room, leaving you to face whatever it is that the redhead has come up with.

"y/n..." Natasha purrs, her breath hot against your ear. "I have an idea. Why don't we give Mommy a nice surprise, hmm? Don't you want to be her pretty welcome back gift?"

You're not sure what being Wanda's "welcome back gift" will entail, but you can't deny your curiosity about it. Especially since the witch has no idea what you and her girlfriend have been up to. You have no doubt she has her suspicions, she is a mind reader after all, but it'll still be nice to surprise her.

You agree before you even know what you're doing, and Natasha wastes no time in springing into action.

In a matter of minutes, you go from lying comfortably under the covers to being spread out on your back, your limbs tied to each corner of the bed. You're exposed, vulnerable, and you love every second of it.

Of course, Natasha isn't satisfied with that. No, to top off the pretty sight you make, she places a deep, dark red ball gag between your lips. You shouldn't be surprised since, after all, you did ask for it.

"There we go," the redhead hums appreciatively, her eyes taking in the beautiful sight. "Now, just sit tight, okay, detka? I'll be right back."

You whine instantly, but she pays no mind to you, quickly making her way out of the bedroom and going to look for Wanda. You're not exactly happy about being left alone yet, there's nothing you can do. All you can do is throw your head back in frustration and wait for your lovers to return.

You're not sure how much time goes by, although there's no doubt in your mind that Natasha does her best to draw out their return just to mess with you, but eventually, they make their way back to you.

The sound of the door opening makes you practically vibrate with excitement, your hips wiggling from side to side without thinking.

"Well, would you look at that," Wanda says as she steps further into the room. "Looks like someone was having fun without me."

Natasha follows her in, standing behind her and wrapping her arms around her waist. There's something so domestic about the action that makes your heart clench.

"I had to get her ready for you, darling," the redhead replies as her chin finds the other woman's shoulder. "She looks good, doesn't she?"

"She sure does. I take it you worked out your issues?"

"We came to an...agreement, yes. I couldn't let you have all the fun."

Wanda chuckles, the corners of her mouth quirking up into a fond smile. There's no mistaking the fire in her eyes, though, the desire simmering below the surface. "And you said I was crazy for wanting her to join us."

The Widow grumbles, clearly not quite ready to admit her girlfriend was right. "You're still not off the hook, you let her believe you cheated on me."

"When are you going to let that go?"

"I'm not sure, maybe you should make it up to me."

Natasha's eyes remain on you but Wanda turns around, silencing her girlfriend's complaints with a fiery kiss. All you can do is watch, feeling left out and far too involved at the same time. You're slowly getting used to their competitive antics.

Their kisses turn desperate in nothing short of a few seconds, leaving you far too desperate and needy while you squirm around on the bed. They take their sweet time getting back to you, though, instead letting their hands wander over each other's bodies.

You'd love to complain but you're still gagged so talking is pretty much impossible. More than that...you can't say you're not loving the view. It makes you feel a little dirty, like you're watching an intimate scene you shouldn't be, and it brings a rush unlike anything you've ever felt before.

They know, because of course they know, and your obvious arousal only motivates them to tease you.

Natasha moves first, expert hands reaching for the hem of Wanda's shirt and lifting it over her head in an instant. "I missed you."

"Are you talking to me or my boobs?" The witch replies with a perfectly raised eyebrow.

"I'm talking to all of you."

"Nice save, 'Tasha."

"Shut up."

There's something comforting about the scene in front of you, even as your frustration builds. You've been with them before, but it's different this time. You can feel the change in energy, the easy chemistry that flows between all of you now that Natasha isn't trying to push you away.

"Come on, I think we've teased our good girl long enough," Wanda says, taking the redhead's hand and leading her toward the bed. "Isn't that right, sweetheart? You're feeling a little frustrated, hmm?"

You nod desperately in response, tugging at the rope that holds you down. Your actions only make both of your lovers chuckle.

"Look at her, she's drenched and we haven't gotten started yet," Natasha comments, her eyes trailing up and down your body like a predator assessing its prey.

"I'm guessing this means training's going well."

"She's a quick learner. A bit bratty sometimes, though."

The way they talk about you as if you're not a part of the conversation has you clenching around pure air. It doesn't help that the Widow is so accurate in her assessment of you. You love being submissive, being under their control, but you can't deny how much fun it is to disobey. To push against the boundaries she's set for you, not to defy her but to tease her. Maybe even test her a little.

It's far too fun.

"Is that right, sweetheart?" Wanda asks, even though your body language makes it clear how correct Natasha is. "I thought you liked being our good girl. Because if you don't, well...you know what happens to naughty girls, don't you?"

Of course you know. It was one of the first things the redhead taught you. Sure, the rules and terms weren't too fleshed out yet since Natasha had wanted her girlfriend to be a part of the whole exchange, but she'd gone over most things with you. Rewards, punishments, hard limits, all that stuff.

You're unable to tell the witch that, though, thanks to the gag in your mouth. Your incoherent mumbles seem to entertain her for a few seconds while Natasha sneaks off toward their closet.

Wanda's chuckle cuts through the air. Your attempts at convincing her you've been good clearly amuse her. "I know, baby, I know you like being good. Otherwise, Nat wouldn't be so attached to you."

"I'm not attached," the redhead grumbles.

A month ago, her words would have made your heart drop into your stomach. Now, though, you know she's only playing a part. She has no problem telling you how she feels outside of a scene, but when you're playing, when you're being their pet, she's right back to being mean. Right back to degrading you and humiliating you until you're riding the edge of pleasure and pain.

"Keep telling yourself that, darling."

"Oh, I will."

Their banter is borderline comforting. You've loved spending time with Natasha, but this, being with them and seeing their personalities come together, this is where you thrive.

Well, it's not like you're doing much. Then again, they like you most when you're like this. Vulnerable, at their mercy, and so obviously loving every second of it.

Wanda climbs onto bed with you, crawling over your body until she's hovering over you with a gentle smile that steals all your worries away. "'Tasha's such a liar, isn't she, sweetheart? It's okay, let her act like she's the big bad."

You want to laugh, but it's a little hard when she's leaning down to pepper kisses all over your face. The action is far softer than what you were expecting and it makes your heart soar.

You were ready for a rougher training session, for a trial run meant to show you what you had been missing in the witch's absence. But this? This is really good too.

Wanda continues her loving assault on your skin, trailing kisses down your jaw and toward your neck. You tilt your head back in response, earning a soft giggle muffled against your skin, as she kisses and nibbles all up and down your throat. There's no doubt in your mind that she's littering your skin with hickies and noticeable marks, but you find you really don't mind it.

The witch steals your attention long enough for Natasha to gather a few supplies before making her way over to you. You feel her set a few things down next to you, but you don't get to see what they are. Not that you really mind considering how busy your mind is.

"Stop hogging her attention, that's not very fair."

"It's not my fault you left her so fuzzy-headed. Poor girl didn't even stand a chance, huh?"

You shake your head, a few muffled whines making their way out of you.

Natasha chuckles as she shifts onto her knees next to you. Her hands find their way between you and Wanda's bodies, teasing your skin as she explores the territory she's spent the past few days claiming.

"Oh, please. This is nothing. You should've seen the state she was in last night."

The reminder makes you squirm in your restraints, trying to get closer to them to no avail. You know how desperate you look, how absolutely needy you are, but you can't find it in yourself to care. This is what you had been waiting for. To be completely theirs. To surrender to them and accept everything they were willing to give you. Sure, it was intimidating and yet it felt incredibly right.

"Are you trying to make me jealous?" Wanda responds, working her way down your body, expertly avoiding the areas where her girlfriend is touching you.

"You deserve it. Wasn't this your fantasy?"

"Maybe. It was hers first, though. Isn't that right, detka?"

The change in topic makes you blush. It shouldn't be surprising to hear that the witch had already known about your feelings for her but it's still a little embarrassing. At least she seems to enjoy it.

You nod, your movements slightly frantic and no doubt fueled by the feeling of her lips on your flushed skin. She takes her time dragging her lips up and down your inner thighs as Natasha teases your hardening nipples.

"Such a good little slut. I bet you're already so fuzzy. Just want your cunt played with and nothing else." The redhead distracts you with her words, leaving you completely unprepared for Wanda's continued assault.

You don't hear the thrumming sound of the vibrator coming to life, but you sure feel it against your sensitive clit. Your whole body shudders in response as your hips buck in a desperate attempt to escape the overwhelming sensation.

Your reaction makes the witch laugh and she leans down to press a few more kisses to your thighs. "There you go, that's what I like to see."

Her words feel more like humiliation than praise and yet you can't find it in yourself to care. Not when it feels so good that it borders on painful.

"Excuse you, we were having a little chat." Natasha's tease is coupled with a firm grip in your hair as she tilts your head toward her. "I'll have to train you if you don't fix that attention span, pet."

"Be nice, Nat, it's not her fault she likes me more."

"God, you're such a brat, Maximoff." Her free hand leaves your body to land a sharp smack against Wanda's ass. "I'll put you in your place too, if I have to."

The witch hums in response, very clearly pushing herself back against the redhead's hand. "You know I'd enjoy it."

Natasha spanks her again and the sight has you bucking your hips faster as you search for more pleasure. You let out a string of whines, already feeling yourself on the edge of an orgasm. It's a little embarrassing how quickly you're reaching your limit but in your defense, you've been worked up ever since you woke up. You were bound to lose from the beginning.

"Don't tell me you want to cum already, sweetheart? We've barely gotten started."

You want to defend yourself, but your attempts are instant failures. Natasha seems to get off on how pathetic you sound, though.

"It's alright, kitten, why don't you go ahead and cum for me? Mommy hasn't earned her reward just yet."

Wanda opens her mouth to object but she doesn't get very far since the redhead goes right back to spanking her.

You're not used to seeing the witch in a slightly more submissive position. She always seem to straddle the border between being fully in control and immersed below Natasha's dominance. This change of pace is more than welcome, though.

The vibrator gets pushed harder against your sensitive clit and the pressure sends you over the edge almost instantly. You don't get a chance to warn them, all you can do is give in to the sudden pleasure as your body trembles beneath them.

They're both distracted by the sight of your orgasm crashing into you so suddenly. So beautifully.

"What a good girl," Natasha murmurs appreciatively. "You could learn a thing or two from her, Wands."

"Whatever." You miss the way the witch rolls her eyes since your eyes are more than a little blurry and there's a soft ringing in your ears. "It won't be my fault when she forgets her place, Daddy."

That earns her another spank, but she's too busy moving the vibrator away from your drenched cunt to care. You whine softly at the loss of contact even though you feel far too sensitive to take much more.

Apparently, you look as out of it as you feel because the older women take a few moments to let you catch your breath.

Wanda's hands gently stroke up and down your legs to keep you grounded while Natasha shifts closer, her hands reaching out to undo the ballgag. "How are you feeling, kotenok? Do you want to keep going?"

Your throat's a little dry, but you manage to form a reply. "I'm okay. Just need to catch my breath."

The Widow nods before reaching over to grab the bottled water on the nightstand. She helps you take a few sips of water while Wanda continues to caress your skin, both giving you as much time as you need to recover. It's such a small thing and yet it's a reminder of why you're so attached to them. Why you need them more and more with every day that goes by.

Your relationship with them might have had a bit of a rough start, but you couldn't imagine a better outcome. Couldn't imagine two better people to surrender your heart to.

"Someone's in a romantic mood," Wanda pipes up with a soft smile.

Her words cause an instant response in you and you feel your face grow warmer by the second. "Why are you in my mind right now?"

"Because your thoughts about me are so loud," she replies almost instantly. "Don't look so embarrassed, detka, I think it's cute."

"Shut up," you mumble, momentarily forgetting where you are and what you're in the middle of doing.

Wanda's smile turns slightly dark and her hand comes down against your thigh before you can even think about what you did wrong. "Where'd your manners go, huh?"

The sensation makes you shiver, but Natasha reaches a hand out to stop the witch from smacking your thigh again. "Time out, darling. I don't think we're quite ready to keep going."

You want to argue with her and yet you make no real effort to. As much as you might want to keep going, you can't deny how overwhelming it all was...and how desperate you are for some cuddles.

"Sorry," you mumble.

Wanda instantly shushes you as she uses her magic to undo the restraints keeping you tied down. "Nonsense, you have nothing to apologize for."

The second your limbs are free, Natasha's hands are on you again. This time, though, she merely maneuvers you onto your side so she's able to slide in behind you. The second her arms wrap around your waist, your shoulders let go of the tension they've been holding. 

Wanda wastes no time in joining the two of you, laying down in front of you and reaching up to play with your hair. "Just relax, we have all day to pick up where we left off."

"Don't rush her, little witch."

Natasha's words make you chuckle and you lean forward until you're practically buried in the witch's chest. "I'm okay, guys. I don't break easily."

A beat of silence goes by as they allow you to soak in the afterglow, in the feeling of their embrace.

But the Widow really can't help herself.

"Are you sure? Maybe we should test that out."

Her words are a tease, but none of you can deny your curiosity...or your arousal.

Needless to say, you spend most of the day tangled up in their bed.

Your bed.

With the two women who mean the absolute world to you.

[disabledpossumprincesses]

I realiseed something along these lines as a teen becyayse when like you look at dinsey's last theatrical 2D movies it really feels like they "put out the hit" so to speak. Treasure Planet got no marketing, against a harry potter movie, and just "expected" it to be a hit? Brother Bear once again had limited marketing and released at a stacked time, and if you watch the behind the scenes it's clear that there was a lot of executive meddling going on. Fucking Home on the Range didn't even have a single licensed tie in game - Chicken Little, a movie literally no one likes fucking got 3 - and kept having the plot be changed, it was originally supposed to be The Pied Piper in the wild west, and then it was going to be a more comedic movie with Smith wanting to take over Washington with a cow army, and then it just became kind of nothing. The Princess and the Frog, they did admittedly try with but like I feel it was just kind of a victim of wrong place wrong time as well as once again poor marketing (as well as 2D becoming so associated with cheapness at the time due to anime not quite being mainstream yet and Disney's cranked out DVD sequels), and they advertised Winnie the Poo with trailers parodying the final harry potter movies and released it on the same fucking day, despite Harry Potter being the biggest thing ever at the time and both largely hitting a family audience.

Disney never wanted 2D to be successful because they care more about fucking over workers than making good movies

[sleepingdiaryzzz]

yandere!young justice x magician and sorcerer!reader

BUUUUUUUUUT,the readed is a part of the team,however,shows no interest in them,and it just there because she kinda just has to,and no matter how much they try to get her attention,she never gives them any of it.

(I love your writing btw😼)

Yandere! Young Justice x magician! Reader

The Cave was quiet, as it always was at night, the hum of machines and distant murmurs of the world outside barely touching the stillness that clung to the mountain like a second skin. In this isolated hollow, surrounded by the cool stone walls, you could hear your own thoughts—the whisper of spells, the pulse of magic, the unspoken words you chose not to say.

You never had to explain yourself here, never had to wear the mask of pleasantries or pretend you cared about anything more than the mission. The others, they didn’t understand. They couldn’t, not really. You weren’t like them, never had been. You didn’t need the comfort of their companionship. You didn’t want their attention, their curiosity, or their pity.

And yet, they tried.

Conner was always watching. A silent presence, brooding and intense, always lingering in the background, his eyes following your every movement. He never asked questions—no, that wasn’t his style. Instead, he observed, the way a predator watches its prey, calculating, waiting. He never made an effort to speak, not in the way Wally did with his incessant jokes or M'gann with her quiet warmth. Conner was patient, cold, waiting for something to crack, for something to change.

His silence was a constant reminder. He didn’t need to speak; you could feel his presence, the weight of his gaze pressing down on you, always at the edge of your vision, always waiting.

It was unsettling, but you never let it show.

Wally was a different story altogether. His energy was like a crackling fire, unpredictable, always bouncing from one thing to the next. He couldn’t sit still, couldn’t leave you be. "Come on," he would say, leaning over your shoulder as you worked on a spell, his grin wide and carefree. "Show me something cool. You know you’ve got some crazy magic tricks up your sleeve."

His insistence was always accompanied by that grin of his, mischievous and bright, as though his charm could draw you out of your shell. But you never did. You never gave him the satisfaction of seeing you smile, never let him see you as more than just another teammate. It wasn’t his fault—he was just trying to make the team feel more like a family. But you didn’t care about family. You didn’t care about any of them.

“I’m busy,” you’d say, dismissing him with a flick of your hand, returning to your spell. And Wally, ever the optimist, would laugh and zip away, the sound of his footsteps echoing as he left you to your silence.

But it wasn’t enough for him, no. His persistence was a thing of legend. Sometimes you’d catch him watching you, his gaze fixed, a question burning in his eyes. "Why are you always like this?" he seemed to ask with every look. But he never voiced it. Instead, he’d turn away, hoping that somehow, eventually, you’d change your mind.

Then there was Robin. The dark and silent watcher. He knew how to stay in the shadows, how to be everywhere without being seen. His presence was like the night itself—always there, always watching, never truly gone. Robin was the most subtle of them all. He never asked outright; instead, he would drop little comments, observations that always felt like a puzzle, like he was trying to figure you out, piece by piece.

"You know, you could talk to us more," he’d say, casually leaning against the wall as he watched you work. His tone was light, almost playful, but you could sense the undercurrent of something more—something deeper. “We don’t bite, you know.”

You didn’t respond. Of course, you didn’t. The only response he got was the steady flick of your fingers over the spellbook, the quiet hum of magic filling the space between you. He didn’t try to get too close, not like Wally or M'gann, but his eyes never stopped tracking you, always measuring, always calculating. Robin was patient, the kind of person who knew that some things took time, that some people had walls that needed to be broken down slowly.

And you? You weren’t going to let him.

M'gann was the opposite. Her presence was always warm, soft, inviting. She would sit beside you, her legs tucked under her, her eyes wide with curiosity. "You know," she would say with that gentle voice of hers, "I could help you with your spells. I can be a good study partner, if you ever need one."

Her kindness wasn’t forced, never had been. It was natural for her, as natural as breathing. She wasn’t like the others who were driven by some sense of duty or curiosity. No, M'gann’s attention was genuine, a quiet offer of companionship. She was the one who tried to reach you without asking, without expecting anything in return.

But you didn’t need help. You didn’t need her to reach you. And so, you’d quietly decline, giving her nothing more than a polite smile before returning to the words in your book, the pages filled with symbols that had no need for her warmth.

And then there was Artemis. The sharp, straightforward one. She didn’t waste time on subtlety. Her approach was always direct, blunt, like a sharp blade that never hesitated. "You don’t have to be so closed off, you know," she’d say, her voice a mix of irritation and something else. It was hard to tell with Artemis—her eyes were always guarded, her emotions always hidden behind a wall of indifference. "We’re all in this together."

She had a point, of course. But you didn’t care. You didn’t care about being “in it together.” You had your own path to follow, and they weren’t a part of it. You didn’t need to explain that to her, or to anyone. So, you’d give her a nod, a brief acknowledgment that wasn’t really an acknowledgment, and move on with your work.

Kaldur was the calm one, the quiet one. His respect for you was obvious, but it never crossed the line into anything more. He would offer you a nod as he passed, his gaze soft, his presence steady like the water he controlled. He didn’t push you the way the others did. He didn’t try to break down your walls. He simply respected them, kept his distance, and allowed you to be as you were.

But even Kaldur had moments when his gaze would linger on you, just a second too long, like he was waiting for you to finally open up, to let him see more than the cold silence you kept locked behind your eyes.

It wasn’t much, but it was enough. Enough for you to feel the weight of their gaze, the quiet pressure of their attention. They thought they understood you. They thought that if they just tried enough, kept reaching out, eventually, you’d let them in.

But you wouldn’t.

In the midst of their attempts, you kept your distance, always lost in the pages of your spells, your incantations, the quiet hum of power that thrummed beneath your fingertips. They were drawn to you, like moths to a flame, their fascination burning just beneath the surface of their words, their glances, their actions.

But you would remain untouched. You would keep your secrets locked away, your magic a barrier between you and the world they wanted to draw you into.

They didn’t understand it, not really. They couldn’t. You were not like them. You didn’t need what they offered. You didn’t need to be a part of their team, their family, their world. You were the silent watcher, the one who kept their distance while they reached out, always hoping that something would change.

But it wouldn’t.

You weren’t there for them. You were there because you had a purpose, one that had nothing to do with them, nothing to do with the team, and nothing to do with any of their quiet, unspoken obsessions. You would remain distant, and they would keep trying, never understanding why you remained so cold, so unreachable.

And that, for now, was enough.

(A/n: thank you kind fellow fur🤭😽)