#because i hate the show so much it pains me

[thedoritodealerofthewoods]

OooHOOOHOO

Man

Copy pasting my thoughts from my ramble at the friend who showed this post to me because I'm satisfied with the way I put them. Spoiler warning for wof arc 1 below

How does this work? Does she know the prophecy is fake from the moment Morrowseer visits the cave to observe the dragonets? Maybe he wasn’t thinking about it well enough for her to realize he doesn’t believe the prophecy - “hmmm…. This one isn’t good enough. This one will work better. This one will accomplish the need very effectively-” could all be interpreted as someone who doesn’t trust in fate to do it’s own work. Maybe this annoys her, but the truth doesn’t register.

Or does she deny obvious “lol this thing isn’t real” thoughts with the certainty that he’s wrong. And maybe she hates him because of it right off the bat - though she might not tell the others exactly why beyond a potential cryptic “he doesn’t even know what he’s talking about!” To which she gets the average response of “lol alright Sunny. Anyway I want to punt him into the sky because he hates Glory” - !!! Right - iirc, Morrowseer tells the guardians to kill her, but to the side where the dod don’t hear him. (Can’t check atm cause cat on lap). Maybe Sunny gets all bolt-upright-shock at a certain point and starts frantically trying to convince everyone that Glory is in danger the second he leaves, before anything is overheard. They maybe think she’s overreacting, that of course he hates me Sunny I’m a rainwing and yeah but they wouldn’t go that far haha - but eventually the conversation is overheard and they all realize the truth and the escape kicks off (with the difference of Sunny being in on it this time - unless they maybe still think she might accidentally let something slip).

Also - the moment in the tunnel with Morrowseer fits a little too well to change at all. He opens his mouth to gloat, to tell them all the truth, and no, no, no! She’s pleading for him to stop before he speaks a word because she knows, she knows, and maybe she always has, maybe she should have seen it sooner but it’s the only hope the others have, the only reason they’re still trying and she can’t let them lose it. She can’t lose it. She can’t lose them.

Oh! Also - does she tell the rest of the dod? Probably not, I’d guess. Starflight would be crushed. As far as they all know till the last book, she’s just a weird SandWing. Not only did Starflight fail to have any powers, but she got both. Maybe she tried to tell them before it occurred to her that it might hurt him, but no one believed her. She’s just supposedly really good at picking up on stuff. Can’t hide anything from her.

Also - mindreading and foresight would only feed into the hyper-empathy. She’s so worried about everyone all the time because she can hear their pain, she knows what they’re worried about, she can hear their hopes and dreams and she can see the fates everyone tumbles through. When the dod eventually find out about her powers, I can see Tsunami probably saying something along the lines of “hey, if you can see in everyone’s heads, why did you still trust the guardians so much? Why do you still care about them? Why do you still want to help everyone when everyone is trying to KILL US!??” To which she simply responds that that is the reason.

thrice-moonborn sunny :)

[sansaorgana]

— IN PERPETUITY (I)

PART TWO

PAIRING — Sauron x fem!Maia!Reader

SUMMARY — Two most powerful Lieutenants of Morgoth and twisted lovers in private form a pact through cursed marriage to become their master's equal successors and rule Middle-earth together. He, however, has other plans and does not intend to share. She takes the matters into her own hands.

AUTHOR’S NOTE — The idea for this fic showed up in my head while I was working on a different fic with a Maia!Reader, in which she is good and pure and all that. And that other story will be finished and posted, too, but with a delay because I focused on this one first. 🙈 The Reader in this fic is a Maia, so she changes her appearance like Sauron does but I am not describing any of her forms in any details. This fic will have a second part with Annatar!Sauron but in this part you get only Jack Lowden!Sauron because that ginger loser needs some love and attention as well. 😭🥰 The title of the fanfic and its vibe are inspired by the song Sugarbread by Soap&Skin. Special thanks to @dinsbeskar for giving me the most appreciated feedback before I posted this fic! 💕

WARNINGS — Reader is evil-evil with sadistic undertones, betrayal, murder, manipulation, gaslighting, blood drinking/pact/magic, mentions of Sauron being tortured by Morgoth, SMUT, sub!Sauron

WORD COUNT — 4,650

🔞 THIS FIC IS 18+ 🔞

ENGLISH IS MY SECOND LANGUAGE.

IN PERPETUITY (I)

It was no surprise to any of The Valar that you were one of the first to follow Morgoth. You always found it troublesome to obey the orders, to show respect or loyalty. As if you had been already created flawed, although no one dared to question Eru’s decisions.

The gods were aware, however, that Morgoth wanted you as his servant as well for he was a god like them. Therefore, they expected you to come back with your tail between your legs, begging for their forgiveness since they were much more merciful masters than he ever would be.

Nevertheless, that did not happen and you became one of the most loyal Lieutenants to the Dark Lord. You sometimes amazed your own self with the amount of cruelty you were able to inflict. Perhaps Eru himself had created you this way indeed – perhaps you were evil by his design. Dark creatures like Morgoth or you were needed to emphasise the lightness – cursed outcasts to show an example.

Morgoth did not even need to break you as much as others who had followed him. He did not feel the need to rebuild you or push you as far as most of his followers because it did not take much for you to become the very worst version of yourself.

You were the lucky one.

Mairon was not.

You could hear his whimpers and screams of pain as he was tortured. And you watched and watched in awe at him transforming with Morgoth's help into the man that would from now on be known as Sauron amongst many.

But to you he would remain Mairon. And Mairon watched you in awe, too.

He observed you with admiration and curiosity. He wanted to be more like you – so terrifyingly beautiful in your art of cruelty. And he was learning the craft from you.

Until, eventually, with your master's help and by his twisted design, Mairon became a Lieutenant as loyal and fierce as you.

And each time he failed at a task given to him by Morgoth, he would come to you first, seeking comfort and hoping you would ease your master before their encounter – like a child would come to their mother, fearing their father's anger.

Everyone knew Morgoth was gracing you with a special treatment. And even though it was unlikely he was able to feel any real affection towards you, many knew that you were the only Lieutenant of his that he actually cared about because you were the only one who abandoned The Valar thoroughly and wholly.

You did not care about him, though. The Valar were right – you did not enjoy being under him; under anyone. And you truly hated the destruction that he was causing as you could not understand the desire of becoming the King of ashes.

You wanted to be the Dark Lady yourself and you often fantasised what you would do if you were him. His god-like status did not intimidate you and you could not care less whether it was a blasphemy or not to imagine yourself as a Vala. No god had ever intimated you.

You were your own god and you wanted to rule over the world. To make it perfect and harmonious.

You became closer with Mairon when you sensed his heart was corrupted with the same thoughts and feelings. And while your Maiar bodies remained focused on the battles and schemes – so unfamiliar with the carnal desires of the flesh – as you spent more and more time together and he shared with you his dream of forging the very special and powerful Rings, you could feel the strange and odd desire growing within you.

One day, you gave in to them.

You heard his screams of pain throughout the fortress like the ones back in the day when Morgoth had been shaping him to his whim and design. Now he was punishing him for one of his failures and your master’s wrath was undeniable.

Mairon was one of his best Lieutenants, therefore Morgoth expected from him the most.

And when the punishment ended, Mairon found himself knocking weakly upon the doors of your chambers. You opened them and gasped at the state of his flesh. He was too weak to heal himself fully, allowing the bruises to form and cuts to bleed.

You welcomed him and laid him down in your bed before tangling your limbs with his; his face buried in your chest as your fingers brushed his ginger hair and gently teased his pointy ears.

"My poor Mairon," you whispered and leaned in to place a kiss upon his temple.

He looked up at you with devotion.

Unlike you, he had been once Eru’s perfect creation – Mairon had been pure in his past, worshipping the Valar like he had been designed to. The Valar were no more in his heart but the devotion remained and you were the subject of it.

"Let me ease your pain," you spoke softly and caressed his cheek with your fingers, making the small cuts disappear as bruises began to fade away. He closed his eyes and sighed out of relief. "Where else can I aid you, my Mairon?" You asked as his eyelids fluttered and opened.

"Everywhere," he breathed out. "I need you everywhere, my Lady."

The odd desire you had been fighting within you for a long time now apparently was not one-sided. Perhaps a Maia fallen was a Maia burdened with such humiliating and carnal needs.

You rolled him over onto his back as you sat astride him with a sparkle of excitement in your eyes. Maybe it was not a burden... Maybe it would be a new adventure, a new path to follow.

You got rid of his robes in a haste as his hands weakly caressed your thighs wherever they could reach under your dress. And once he was naked for you – under you – you felt like an animal, driven by the urges you could not stop.

That felt ungodly.

Your fingers curled on his chest, scratching the flesh and you watched your nails leave red trails upon his pale skin. Instead of healing him, you only added more to the pain but the pathetic whimpers leaving his mouth were not of suffering but of pleasure.

"Yours..." was all he gasped as your pupils widened even further. Yours... How good it felt to have him at your mercy.

You were like Morgoth himself now with Mairon laid out for you, eager for you to shape him the way you wished him to be.

And you loved to feel like Morgoth, to share at least a tiny bit of his power. The realisation was enough to make you feel the itch deep inside the heat of your core.

"Mine..." you nodded at Mairon and grasped his length to squeeze it, watching him wince as the flesh hardened under your touch.

You kept pumping him and observing all his sighs, eye rolls and the tremble of his thighs. His eyes filled with tears as he kept bravely staring up at you despite his vision getting blurry and hazy.

Your pace quickened and you used your free hand to caress his thighs gently as if you were trying to soothe them but it only caused them to tremble more while you watched his body giving in to your touch so eagerly and easily.

All of the sudden, just to tease him, you stopped your hand's rapid movements and squeezed the swollen tip. Mairon whined and bucked his hips desperately, the tip of his cock pulsating under your thumb. When you let go of him completely, he spilled himself with a groan and blushing cheeks as his hips kept rutting into nothing.

What a pathetic and yet delicious sight it was. You felt the wetness between your legs leaking down your thighs already.

“You're so fun to play with, my Mairon," you pointed out. "I wish our master allowed me to be the one responsible for your punishments."

"I wish that, too, my Lady," he breathed out, putting his hand on his chest, surprised to feel how fast his heart pounded.

"It is not over yet," you pouted. "You spoiled my fun by giving in to your desires so quickly."

You smirked and with one swift movement you took your dress off to throw it on the floor, revealing your naked form to him. You adjusted yourself and grabbed his cock once more, so swollen and sensitive, which caused Mairon to whimper. You lowered yourself slowly on his length, hissing at the new experience of feeling full.

Your eyes rolled all the way to the back as you threw your head and scratched Mairon's chest when you felt his cock hardening once more inside of you and brushing all the right spots that made you aware of pleasures of the flesh you had never even known of before.

"Divine," he breathed out and you rolled your hips slowly with a whine.

When you adjusted to the slightly burning feeling, your eyes opened with a sparkle of mischief as you began riding him – faster and faster with each given bounce, keeping your eye contact with him although his vision was too hazy to see you clearly.

It was like a trance and you lost track of time. The Maiar needed no rest, therefore it could have been days – maybe even weeks – spent on nothing else but fucking yourself on his cock, using him for your own, newlyfound pleasure; reaching your highs countless of times and beginning all over and over again until the matters much more important than indulging yourselves interrupted your blissful state.

"One day, there will be only the two of us," Mairon whispered into your ear as he watched you getting dressed in front of the mirror. "And we will not leave our chambers for a whole century."

"Would you leave your kingdom unattended for such a long time?" You raised an eyebrow at him. "I certainly would not," you added harshly and fixed your gown's corset one last time before leaving him behind inside your chambers as you walked out with your head held high and back straightened.

With an illusion of dignity that was supposed to hide the fact you had just spent long and endless days on worshipping Mairon’s flesh with nothing but pleasure and devotion as he had been only laying there and receiving and you had been the one to do all the work like he was the master you served.

After Morgoth's defeat, Mairon and you both were the only ones who could possibly become your master's successors for you were his most powerful Lieutenants.

Instead of starting a war between yourselves, you chose to create a pact of taking over Morgoth's legacy together as equals.

The holy bond of marriage was the most suitable way to seal this union for all eternity, especially when it seemed that you two shared the same goal and the same vision of healing Middle-earth and crafting it to fit your peaceful ideal.

The oath had nothing to do with the holy Valinor's customs. You used forbidden dark magic to bind you two together in perpetuity; mixing your black bloods together and drinking the cursed mixture from the cup as you exchanged the rings forged by Mairon himself with your aid; made of dark iron and with powerful spells engraved on them.

Adar was the master of your ceremony. He had stayed by your side after Morgoth's defeat and Mairon had promoted him to the rank of Lieutenant because you two needed smart and loyal people – especially if they had a whole army of the Orcs following their every order.

You could sense your marriage pact with Marion was making Adar a little uncomfortable. He was watching you carefully throughout the ceremony and also during the feast where he was sitting nearby.

Mairon's behaviour was surprising you a little. Never before he had been so open with the amount of his devotion towards you. And now, despite the audience of the Orcs and the fallen Elves, he was all over you, kissing your neck between the sweet nothings whispered into your pointed ear as his fingers intertwined with yours under the table to squeeze your hand.

He was like a dog, you thought, but you could not blame him. He had admired you from the very beginning of his service to Morgoth and now he had you as his spouse. You allowed him to enjoy himself because it was the day of your wedding.

For you, it was more of a transaction. You cared about Mairon to some extent and your flesh enjoyed to fuck his but there was nothing in this world that you would love more than power.

"My Lady, can we talk?" Adar approached you when you were left alone for a moment.

You looked up, surprised, but the seriousness of his expression was making it obvious that the matter was rather important.

"What is it, Lieutenant?" You asked him as you followed him to the dark corner of the room where you could hide in the shadows together.

"I am a bearer of the bad news, I am afraid," Adar started and you furrowed your brows.

"Did Elven armies find our fortress?" You asked.

"No. Not the bad news of this kind," he lowered his voice even more and he glanced at Mairon from the corner of his eye.

You looked at your husband, too. He was talking to some of the fallen Elves and his excitement was revealing that he probably discussed his plans for the future.

"Do continue," you nodded at Adar, looking back at him with curiosity.

"Mairon does not plan to share anything with you," he informed you. "He re-fired Morgoth's crown to fit himself."

Your blood turned cold at the revelation. Morgoth's crown was supposed to be melted and turned into two smaller but equal crowns. That was the deal between you and Mairon – two spouses, two crowns, two Rings, one kingdom.

You glanced once more at your husband. How innocent he seemed at the moment, how devoted to you. And yet…

Your own student outsmarted you in the art of cunning treachery, so it seemed. You gritted your teeth.

"How do you know?" You asked Adar just to make sure.

"I was there," he answered with a hint of smirk, knowing very well that his delay of bringing you the news created a new problem for you.

"And you are telling me this only now? After I am bound to him forever?" Your jaw clenched out of anger as you realised.

"I have been a loyal servant to your husband and it still pains me to betray him by telling you the truth but I must think of my children first and at this very feast I overheard his plans for the Uruk. I cannot let this happen," he revealed and you sighed. You knew what plans he was talking about.

Mairon had never considered the Orcs to be smart creatures, therefore he often was speaking freely and openly about what he planned to do with them or what he was thinking of them because he thought they would not even understand.

Perhaps they would not but their Lord Father would.

"I have never been fond of your children either, Adar," you reminded him.

"Yet you make a better ally than he. I know you can give up on enslaving the Uruk if I helped you to rule over Middle-earth with their army in return. Alone. A Queen with no King," he whispered and his tempting words sent a shiver down your spine.

After a very short moment of hesitation – which surprised you to exist at all – you nodded at Adar.

“Say no more,” you whispered.

And when Mairon informed you a few weeks after your wedding that he wanted to be crowned soon and that he wished for you to be the one to put Morgoth’s crown onto his head, you agreed with a sweet smile that should have made him realise how false it was. But he was too relieved with the fact that you seemed to have no problem at all with giving him the most important title, therefore he did not notice the coldness of your gaze.

"My dear," he kneeled in front of you while you were sitting on the edge of your bed and he held your hands softly in his as he leaned in to kiss them. "It brings me so much joy to know it will be you to lay the crown onto my head. I do not wish for anyone else to bless me for I would not be here if it was not for you."

"Indeed, my sweet Mairon," was all you said with a scolding gaze but, once again, he chose not to see it. “My King,” you added with irony – one more time the tone of your voice remained ignored.

Sometimes, he would use his illusions to fool even himself. And that very thing would turn out to be his demise.

“You will be my right hand, my Queen, my goddess,” he kept assuring you and kissing the palms of your hands as you kept gritting your teeth.

His right hand, he dared to say. You were supposed to be one body, one soul. His Queen and yet she would bear no crown – not the same as his at least. His goddess but his devotion was a lie. He loved power more than he loved you.

But you loved power more than you loved him as well, so it was only fair.

And how else could you repay for his betrayal if not with a betrayal in return?

You already had a whole plan formed with Adar and all you had to do now was to patiently wait for the day of the coronation. You truly hoped that Morgoth's crown was powerful enough to kill your husband, so he could exist no more and so would the bond of blood magic between you be broken forever.

You were wearing beautiful, matching robes with your husband and your only audience were the Orcs and Adar, who was holding Morgoth’s crown as Mairon decided to give a speech to his new army.

You couldn’t help yourself as you kept glancing at the re-fired and re-shaped crown with a bitter and sour expression. 

“Always, after a defeat… the shadow takes another shape and grows again. Morgoth is gone,” your husband announced to the Orcs. “Leaving us alone and disgraced. But today, a new age begins,” he added and you exchanged a meaningful look with Adar at the sight of Mairon’s fingers fidgeting nervously. “Under me. Your new master. Sauron.”

It should have been you. Giving the speech. Being crowned. And you would be. Soon. Very soon.

However, you loved the dramatics as much as your husband. And you would gladly allow him to make a fool out of himself first.

“And with a new age, I bring a new vision. A path to unconditional conquest. For I seek a new kind of power,” Mairon raised his right hand as he spoke, posing to be some sort of a sage sharing his wisdom. “Not of the flesh, but over flesh. A power of the unseen world. One we shall use to enslave the peoples of Middle-earth to our very will.”

The Orcs seemed to be content with his words and for that one thing you admired him, actually – the way he always knew what to say to make people follow him and be enamoured with his visions.

You knew that he did not care about what the Orcs wanted and the words he was using now were nothing but a temptation for them to obey his orders. But it was them he wanted enslaved, not the others. The others were meant to be healed.

“Many Orcs will die,” Mairon added and you felt Adar moving uncomfortably. The Orcs did not seem to be as happy as before and you could not blame them. You glanced at your husband with a raised eyebrow.

Sometimes, even the ones most graced with a gift of the golden speech, would say a sentence too many.

“But out of the chaos, we will forge a new and perfect order. No longer will we be hunted as the demons who broke Middle-earth, but rather worshipped as the saviours who finally healed it,” Mairon smiled, excitedly and you rolled your eyes. “By bringing its peoples together, to rule them all as one!” He raised his hands but he was overdoing himself, it was too much and the Orcs were not as stupid as he believed them to be.

You could sense their nervousness and you could hear their whispers in the Black Speech: “Sauron lies”.

It brought you lots of satisfaction as you smirked to yourself, however you had to hide that smile quickly because your husband’s eyes desperately seeked for yours. He needed your comfort and your encouragement, so pathetically. So desperate to prove his worth as he had always been.

You nodded at him with a sympathetic smile, playing a role of a dutiful and supportive wife.

“Doubt me at your peril,” he began once more but his voice slightly weakened as he did so and then he clasped his hands while his voice suddenly turned darker. He decided to use a different tactic. “You have nowhere else to turn. The Valar will never forgive you. Elves will never accept you,” he pointed out. “Men… Men will never look upon you with anything but horror and disgust,” he added with a hint of satisfaction and contempt.

Perhaps you were not as skilled as he was with your speeches but you knew that this was not the way to lure the Orcs. It was not the way to lure anyone. Mairon was losing control – even the fact his hands were clasped was only trying to hide how shaky they had become.

“A corrupted and ignoble race, worthy only to be haunted and slaughtered,” he continued as the Orcs began to growl. In that moment, you were glad you had your pact with Adar, because otherwise you would not feel safe amongst them.

Suddenly, one of the Orcs standing closest to Mairon attacked him with his blade, making an assassination attempt. Your husband swiftly defended himself and slit his throat, for which you were glad.

You would kill that Orc yourself if he maimed Mairon before you could lay your hands on him. He was yours to slaughter.

As the creature dropped down to his knees and continued choking on his own blood, you watched Mairon pull the Orc even closer and watch his suffering with the same fascinated expression as you had used to watch him when he had been reshaped by Morgoth.

And then, he finished the assassin off with his own blade being put into the Orc’s skull. Over and over again as Adar flinched at the sight of his son being treated this way and the Orcs kept growling in anger.

And you, in that moment – for a short while – actually considered following your husband like you had once followed Morgoth. To forgive him his betrayal and to play along the role of a dutiful wife.

His cruelty spurred you on as you watched and watched, refusing to look away until the Orc’s body hit the floor and Mairon threw away the blade to fix his ginger hair that had gotten messy from the fight.

You could sense his frustration. His blood was now flowing in your veins just like yours was flowing in his.

“I am your only future and my path is your only path!” He yelled at the Orcs, fury and rage filling him whole and causing the veins of his face to fill up and swell with his thick and black blood.

You cleared your throat, awkwardly. The admiration you had felt not even a minute earlier was all gone now and once again you felt ashamed of your husband.

Morgoth had never yelled desperately like that to get respect. He had never threatened – not so openly. His very presence had been enough to follow him out of fear.

“Who among you dare say otherwise?” Mairon asked, more calmly now.

Soon, he would find out who exactly dared.

But so far, he still trusted you. He turned his head around and nodded at you, his eyes filled with faith.

You nodded back and took Morgoth’s crown from Adar’s hands. It was heavy and powerful as its dark magic vibrated from it all throughout your body when you carried it towards the crowd.

The Orcs were snarling at you when you raised your hands with the crown, not pleased at all that you were about to lay it upon your husband’s head.

“All Hail, Lord Sauron!” Adar exclaimed in the Black Speech. “The New Dark Lord.”

The Orcs hesitated but they followed what their Lord Father said.

“All hail!” They chanted and you walked away to your husband, who had just kneeled for you.

Like in the old days, before all the battles Morgoth had been sending him to. Mairon would kneel and you would bless him with your sword.

You raised your hands once more as a thrill of excitement went through your body. Mairon looked up at you through the crown placed above his head and you could spot the hint of doubt. Your bond worked both ways and he could sense something disturbing about you but you soothed him with a soft and fake smile.

Unsurely, he lowered his head once more and looked down, waiting for you to grace his head with the burden of the crown.

And the crown was a burden indeed. So full of dark and powerful magic that you knew already it was most certainly enough to kill a spirit like your husband.

You turned it around in a swift movement and lowered it with all your strength to stab him in the back of his neck as the crown’s poison infected his veins and made him move back out of the sudden pain.

You took the crown away from him and took a few steps back to stand next to Adar as the Orcs began screaming and approaching you all. Mairon’s eyes were full of surprise and disappointment and he kept them only on you as you graced him with the same soft smile you had been giving him for weeks now; for him to finally realise how false it was all this time.

“You could have kept your promise, my pet,” you told him in the Quenya language.

Your words angered him and he tried to stand up with his weakened limbs to fight you but in that very moment a group of Orcs attacked him all at once, stabbing his flesh continuously as you watched. He was making an attempt to fight them back and for the state he was in, he was truly doing well, but they were too many and he was alone.

And even if some part of you would truly mourn for your husband, the dark item in your hand with his blood dripping down on the floor from its iron spikes was enough to bring your mind back on the right path.

And as the Orcs kept stabbing his body, which was laying now in the puddle of dark and sticky blood, you raised the crown once more and put it on your own head, feeling Mairon’s blood dripping from it onto your face.

You licked your lips to get the taste. For the one last time you tasted him as you smirked.

You turned your head around to nod at Adar and he nodded back at you.

All hail the New Dark Lady.

MASTERLIST

[arcanegifs]

This is the last time I'm going to be annoying about this, I swear.

A few examples of that I, a gifmaker, personally love seeing under the tags:

Analysis of said scene, show, or character, especially the long ones going in depth that span like 1000 words

People saying how crisp the GIFs look and how nice the coloring is THANK YOU. ILY GUYS. That's always huge praise for me.

Reacting with how emotional you got with the scene. How painful and emotional or how touching a scene is.

People making funny jokes, memes, comments, etc.

Literally ppl horny posting LMAO. It's super funny to read and I love seeing all the unhinged comments.

Seeing how much you loved the show and its characters

Things I don't like seeing under the tags. And these are just two very specific things:

How much you hate the show, how much you think a scene is bad, how much you hate a character, the ship, the creators, etc. or how much you dont like this ship anymore, calling a ship horrible because ____ reasons. OKAY! I get it! But I don't want to see that. Make your own hate post on your own blog! You're free to have an opinion on how much you hate something. Just do it on your own blog.

Asking why I leave out certain scenes out, why I decided to gif this scene, or not gif more of these characters. Sometimes, I'm just exhausted. I can overlook things. You guys don't know how draining making gifs can get to me, especially the scenes that are really long. But I do it because I LOVE Arcane, the story, and the characters, and the particular scenes that I make gifs of. I have my own biases too. Of course I’m making them first. Please, just make them yourself instead of complaining under the tags of my edits. Yes, I can see them.

Don’t get me wrong, I wholeheartedly appreciate everyone who supports and follows the blog. I want to make a million more HQ gifs of this amazing show, but sometimes, the very rare negativity can still get overwhelming, to the point where it demotivates you.

Arcane is extremely special to me because it's such a fantastic show, and that alone motivates me in trying to create more GIFs. Honestly, if it was any other fandom or show? I would've probably left already. Arcane is THAT great.

I know the block button is there. I use it too, but sometimes, the amount of effort and time you exert to create FOR FREE just isn’t worth it. And that’s why gifmakers and creators stop making things for fandom. It’s not fun anymore. It’s not worth it.

Some people think that making my style of GIFs is easy. Then great! Since you think so, then do it yourself and help create for the fandom too! I wholeheartedly encourage you to do it!

TLDR: Don't be rude on people's fanwork, especially when they are created FOR FREE. If you don’t like their fanwork, you can make them yourself.

[heretherebedork]

You know what the scene in the school where Jack left Joke to be surprised by his father cemented in me?

That the show is more interested in specific class commentary than in the commentary that the characters themselves offer about their situations.

Which is to say...

Joke's trauma is being underwritten and turned into something funny because Jack's trauma is the serious part of the show, because Jack's trauma from poverty overrules Jack's trauma from his struggles with school and with feeling like a constant scapegoat and unworthy of being loved.

Jack is allowed every trauma, he is allowed to say that he has never dreamed and that being poor means you don't dream even when he's the one who dreamed where Joke never had a thought of his own future in his mind but that wasn't important because he wasn't poor and he wasn't trapped in that way and so it doesn't matter as much ans his lack of dreams is never commented on.

Jack leaves Joke standing in front of a class full of children with a problem he can't solve and it's played as funny, as lighthearted, as if Joke on the verge of a panic attack is something that everyone should be laughing at because his trauma isn't treated as deep or serious. His father, who is the reason for most of this trauma, is sent in to rescue him and then they resolve their relationship. And... that's that! He's invited home. It's over. None of that trauma matters anymore and it was all meant to be funny, to be a joke, to be something Jack did for him... you know, humiliate him because he's bad at school. Funny.

The show is more interested in making class commentary than it is on character commentary and that's why I'm worried that Jack won't be the one to go after Joke but that Joke will have to come back again, that Joke will have to fight for them again, that it will always be Joke fighting because the show doesn't care about Joke's trauma except to solve it as quickly and unimportantly as possible so they can focus on Jack and his neighborhood.

And I'm not saying Jack doesn't have trauma or that commenting about that is wrong or that class commentary is wrong but what I am saying is that Moonlight Chicken did it better and deeper and faced down the fact that trauma happens no matter how much money you have and that trauma might be different depending on class but it's all still trauma all the way down.

Jack has his trauma but so does Joke but the show doesn't care about Joke's trauma because they want to make a commentary on classism and class issues and that means that Joke's issues can never be as bad or as important as Jack's because he's not part of the commentary or at least he wasn't. Now he is and so his new trauma is allowed but the old things? They have to just... stop.

I am struggling with this a lot so I'm making this post to get words and thoughts out. This doesn't mean I hate the show or the characters or the creators or even that I'm not enjoying it! This is just a specific aspect of the show itself and an ongoing issue in Thai B: that has frustrated me for a while tbh because it's so often that they can only honor the trauma of one of the characters in a relationship so the other gets brushed aside (see also: Mhok of Last Twilight).

I also really think that if the show had been more invested in the specific struggles of the characters we could have gotten even more painful social commentary about Rose's trying to help that never does and Jack's struggles with failed dreams and Hoy and Tattoo being trapped where they are and Aran arriving and just so much that would have been just as interesting as The One Ring of Crime.

[kj-yikes]

Do you personally like Andrea Rojas as a character?

I honestly wasn't a huge fan at first, but I think with some rewatches, I've changed my tune.

On my first watch of S5 when she's first introduced, I think I kinda brushed her off. She was fine but not the most compelling to me. She seemed written as kind of a means to add depth to the Kara/Lena rift (Lena needed to get away from CatCo, Lena needed more backstory for why betrayal hurts her so much, the weird way they wove in Lena's magic and how she needed the medallion to stop Lex) and Andrea really shakes things up at CatCo, so I was kind of annoyed about her at first. And then Crisis happened and honestly I fucking hate Crisis because I feel like they handled it so poorly on Supergirl (idk how it was for other arrowverse shows) and she just kind of seemed confusing post-Crisis, so I didn't really give her much attention.

But now that I've watched Supergirl, like, so many times, she's grown on me and I get a little upset about how they introduced her as a character just to totally underwrite all her character development with crisis. Andrea is actually a really tragic character, to me. Here are some moments that really shine for me pre-crisis, and I wish we had gotten a little more depth especially post-crisis:

(putting under the cut because wow, maybe I need to read/write some Andrea fics? I clearly have a lot of Thoughts?)

I do like her backstory with Russell and it adds to her character. Their meet-cute is adorable. And she's definitely a "you jump, I jump" kind of gal even with Russell. "Don't kill Russell, he's useful to you." Andrea is super smart and strategic. We don't get a "please don't kill him, I love him, what you're doing is wrong," change your mind/inspire hope kind of speech like we'd get from Kara. Andrea doesn't know a lot about Leviathan, but she knows enough to realize that showing that Russell could be useful is a better tactic to saving him than begging for his life. And it kind of works, sort of. He's alive.

Andrea fiercely loves. Lena asks her to drop everything and go pretend to be explorers to find some medallion that may or may not exist, during a very tumultuous time in Andrea's life, and Andrea does it. She accepts some mysterious bargain for her father's life, then kills when she has to to continue protecting her father. She reasons with Leviathan for Russell's life. Truly, she will do anything for those she loves.

But that's where the tragedy happens. She loves Lena. She loves Russell. But when she has to choose, she chooses her father first, and it destroys her other relationships eventually. (And the fact that her post-Crisis, Earth Prime father blames her when Obsidian tanks is heartbreaking, but I guess we'll get there.) She says it's the biggest mistake of her life, that she never wanted to betray Lena, that the medallion is a burden. I honestly want to know why the medallion unlocked her powers. What does that mean? I have so many questions.

Andrea pre-crisis is a pretty sympathetic character too. She doesn't kill because she's evil. She does it to protect the people she loves. Yeah, it's for evil Leviathan, but honestly I think that's what makes Eve a sympathetic character to me too. Getting blackmailed to do evil things because you love someone? That's some interesting shit, and I do think we kind of get some payoff on this post-crisis.

The scene where Andrea asks for Lena's help to break into the DEO is delicious to me. Andrea just wants to fix her mistakes. She wants to do good, too. ("Honey, when I look at you all I can feel is pain." Why can't queer people have normal breakups??) Lena says she's tired of people hurting each other. She reluctantly agrees to help Andrea (which is, in a way, betraying Kara for Andrea) and then turns around and betrays Andrea (she seems to be all bark and no bite though. "Russell, put down the scalpel" LOL Katie's delivery is so good there). Lena's hurt (she just wants to be someone's #1 for once) and she lashes out like she normally does. It's so deliciously messy and heartbreaking and makes for a good story. There's no doubt that all three characters (including Kara in this, because it's hard to talk about the theme of betrayal without her) are motivated by love, and they all choose to handle it in such different ways.

Idk. I could go on. They really packed quite a bit into the 7? 8? episodes before crisis and I think it pays off pretty well. And then crisis happens, and Earth Prime Andrea is there and....??? They let us lean on knowing Andrea's character pre-crisis but do nothing to distinguish her or tell us what her Earth Prime backstory and motivations are (this just seems to be the common theme with crisis. Like, how does Kelly react to crisis? I think she gets her memories back, but like, she doesn't even know Kara is Supergirl at this point, so??? Anyway this is about Andrea not Kelly).

They get rid of the Russell backstory completely (? I think?). She still has the medallion, so I guess she betrayed Lena, but Lena seems over it because Andrea is useful, so they don't even really get a good reconciliation since Lena brushes it off (not that they ended pre-crisis on good footing, but at least everything was out in the open?).

The only real scene I think has some substance is when Andrea is tasked with killing Supergirl, but even then, I feel like this scene does much more to show Lena's character arc than Andrea's given that we're given practically nothing about Earth Prime Andrea. If you think of it in light of where we know Earth-38 Andrea ended up, it's kind of beautiful to watch Andrea make the choice to be the person she really wants to be (@fazedlight has a really great post about this).

I also think the scene where Kelly finds Andrea crying after the Obsidian debacle to be quite poignant, but only through the lens of knowing Earth-38 Andrea. Earth-38 Andrea sacrificed everything for her father, and her Earth Prime father is so quick to push her under the bus.

I'm getting things a little out of order in my head and I don't have time to go watch, but I think after that, Andrea chooses to kind of rescue herself, make sure she's set up when everything falls apart. I think this is an interesting choice for her. I love that she's choosing herself for the first time, and not doing something self-sacrificial for someone else. But it's still pretty morally gray of her to break into her father's account to buy up her shares of Obsidian. And then, later, she tries reconnecting with Lena for what seems to be the sole purpose of getting a scoop, which Lena doesn't appreciate.

Are those examples of Andrea being who she wants to be? It could go two ways: one, yes, this is her being who she wants to be, and that person is someone who's gonna do anything to get to where she wants to go. I could see it, but it's kind of a sad way for Andrea, who loved so fiercely in Earth-38, to end up as a character. Two, it could be that choosing to do good is hard, and sometimes we slip up. If that were the case, I wish we had gotten more from her as a character at the end of S5 and into S6. Lena and Andrea do somewhat reconcile I think (I’m not quite remembering exactly how, but I remember they’re friendly by the time Lena goes to Newfoundland), but we don't get a lot of them after that.

SO. Do I like Andrea as a character?

Yes? Earth-38 Andrea is certainly an interesting and tragic character. Earth Prime Andrea? Eh. Earth-38 Andrea was kind of set up to be an interesting comparison to Lena and Kara’s falling out and then they were like, well I guess she’s on Earth Prime but we don’t really care to redevelop her backstory. It’s a shame, because I think they could’ve done so much more, especially with her relationship with Lena.

[lettre-romantiques]

6#-> 💌: a letter has arrived from satoru gojo.

dear y/n.

i’ve been selfish, y/n. so selfish. sorry for not starting it like i usually do, sweetheart, but i have to be quick with this. i never told you how much i relied on you, how much i needed you to stay by my side. you’ve seen the mask, the facade. you’ve seen me pretending to be the untouchable, invincible one. but you need to know—i’m terrified. terrified of losing everything. terrified of dying. terrified of not being able to protect you, or anyone else.

but more than that, i’m sorry. i’m sorry for every time i pushed you away. every time i made it seem like i didn’t need you when i did.

i wanted to protect you, y/n. i wanted to save you from this fate, from the pain of losing me. but now, i realize that i’m the one who’s done this. i’m the one who’s failed. i know this is gonna hurt you, which is gonna hurt me way more, even after death.

i’m sorry for all the things i said. for all the things i’ve done. but now, i don’t have time to fix it. i don’t have time to make it right. all i can do is pray that you’ll keep fighting after i’m gone. keep pushing forward. because there’s still hope. there’s still a way to stop him, even if i’m not there to see it.

i’m sorry i couldn’t protect you like i promised. i’m sorry that i didn’t love you in the right ways, didn’t give you everything you deserved. i’m sorry i never let you see some parts of me that were just satoru, not the strongest, not the guy who’s supposed to help people, not the guy who's childish and can't shut up sometimes— but the man who would’ve done ANYTHING to keep you happy.

i wish i had more time. i wish i could be with you when the world doesn’t feel like it’s crashing down. but the truth is, i know i won’t make it out of this one. i’m sorry for that, more than you’ll ever know.

and that’s the worst part, isn’t it? i never wanted you to see me like this- weak, vulnerable. it’s not something i’m good at. i never let anyone see the cracks. i should’ve told you everything. i kept you out because i didn’t want you to worry. i didn’t want you to feel like you had to carry this burden with me. but i was wrong. i should’ve let you in. i should’ve trusted you more. i should’ve let you love me the way you wanted to.

and now.. now it’s too late. you’re going to hate me for all the times i pushed you away, for all the times i acted like it didn’t matter, like you didn’t matter. but it did. you always did. i just didn’t know how to say it. didn’t know how to show you. i didn’t think i deserved to have you that close to me. but i do. and now i’m losing you. losing everything.

please don’t blame yourself. please. this is all on me. on my failure. i’ve known for a while that this was coming. i just thought i had more time. i thought maybe i could fix it. but it’s too late.

i guess that’s what i’m trying to say in this letter: i’ve made mistakes, and i’m not perfect. but i did my best. and maybe that’s all any of us can do in the end. do their best and still make mistakes.

i want you to know that i’ll be thinking of you. i wish i could’ve done more for you. i’ll be honest with you, i always thought i’d have at least a little more time. but if nothing else, know that i’m grateful for the time that i had with you. i’ve had a lot of great moments with everyone. even though i acted like i had everything figured out, you kept me grounded in a way that i never told you enough.

if i don’t make it back, keep going. keep pushing forward. i’ll be rooting for you— hell, i’ll be watching from somewhere, if there’s a "somewhere" to be. if the somewhere is in your heart, then please let me stay there.

i want you to know that i’ve always loved you. more than you’ll ever know. and i’m sorry. so fucking sorry for all the times i took you for granted, for all the times i made you think i didn’t care, when in reality, you were all i ever cared about.

don’t cry for me when i’m gone. i’m sorry. i’m so sorry.

goodbye, y/n. i hope i’ll be able to send you one last letter. i love you baby, always have and always will.

p.s. i’ll always be with you, even if you can't see me. take care of yourself, y/n. that's all i ever wanted for you.. please give satoru the third a kiss for me every time you see him. that poor kitty.

[penguinkyun]

chapter 166 review

continued cw for discussion of canon suicide

ITS THE FINAL CHAPTER......!!!

honestly. i really really wish i could give praise and a positive review about this chapter because its the end of a manga i really truly loved and enjoyed and it makes me really sad that i can't do that

because this ending is shit. thanks akasaka!

with two chapters remaining, i knew that any fallout would be rushed and underexplored without the time it would deserve but it really does amaze me how this chapter managed to feel both rushed and excessive in its exploration of grief

just like kana last chapter, focusing so much on rubys grief here feels oddly exploitative (but everything about these last three chapters have felt exploitative and excessive so) and yet we did need to see rubys reaction so its just this contradictory mess of too much and too little at the same time

i guess it feels that way because like @aihoshiino mentioned, of this trend in the latter half of the manga of showing horrible things happening to the characters, but theres either very little or no healing and rebuilding to provide catharsis. aquas death is horrific and theres no resolution or refutation to the self hatred he has of himself and he died believing his only role while living was to be in service of others and everyone else is shown grieving in detail for a few pages before moving on because theres not enough time to give their emotions the space to breathe and not enough time to give them the space to heal and rebuild so it just feels like an endless cycle of suffering and suffering with tiny hints of healing and then its back to suffering and it is so draining to read through

its kind of sad that ruby, who is supposed to be the second main character of this series, doesn't even get to narrate the last chapter, like she narrated the beginning of the first chapter after ai's death. all her thoughts and feelings are told to us by akane instead of her- her story can't even be told by ruby herself

burning.mp3 sure is playing loud during the beginning of this chapter

ough mem's notice that shes taking a break contrasting her one million subscriber video...that sure hurts

and what hurts even more is why the fuck is taiki not at the hoshinos family grave where aqua would be buried. why is he giving a bouquet to parents he absolutely hates instead of being allowed to grieve the brother he actually loved and cared for???

WHY IS HE AT THE HIMEKAWAS GRAVE. WHY. WHY TAIKI WHY. THIS MAKES NO SENSE HE HATES THEM??? WHY WOULD HE GIVE THEM FLOWERS??? WHAT THE FUCK. WHY IS THIS THE LAST TIME WE SEE HIM???

coughs. anyway

the ending really is just "aqua died and we were all sad about it. then we moved on."

and its honestly terrible that everything is going exactly as aqua predicted. his death only boosted ruby and 15YL, and everyone else was able to get back on their feet in what feels like almost immediately. i don't want the characters to suffer more or any of them to commit suicide like half the predictions were in the weeks after 164, but the way its presented here- due to the lack of pacing and rushed ending- the narrative is retroactively justifying aqua's suicide and thats. well bad! its bad message to send! rubs forehead. seriously the messaging is all sorts of fucked up this chapter

i dont actually have all that much to say about the rest since its pretty much what i figured-- akane and kana going all in on acting and everyone getting their footing back

we really just brought in two random bkomachi members out the wazoo!

the two stars in the sky did get me a little though i wont lie

what i didn't expect though was akasaka taking the themes of the series and burying them even deeper than six feet under in the final chapter

because ruby's essentially become Ai 2.0 here, even more than she was in c.159. she's become a liar that lies constantly as being an idol, hiding her pain so she can continue to shine- the very ending that neither ai nor aqua wanted for her, the very thing she never wanted to become– how is this a happy ending? or even a bittersweet one?

hoshino ai was a greedy girl for wanting happiness as an idol and happiness for herself, so what does this chapter tell us? what's the moral of this story? that you shouldn't want happiness for yourself? hoshino aqua died without ever receiving the fulfillment and happiness he wanted, ai died because the toxic culture and misogyny around idols and idol culture prevented her from living her life in happiness, and hoshino ruby survives without any fulfilling happiness in her life? is the lesson here you shouldn't be greedy for too much happiness? that you simply need to grin and bear it? thats an absolutely terrible message to send!

this ending feels like holding dry ice because of how devoid of any warmth it feels

the last panels are so cold— ruby saying goodbye to a wall filled with the commodified versions of her mother and brother (especially their signatures what the FUCK) and one single true picture of them both and its from her childhood and going to a job she lost any sort of joy and fulfillment in and has to hide her pain everyday with lies

it'd be one thing if ruby had to lie if she still found any sort of enjoyment in being an idol but none of that is there! It's just empty.

sidenote: ruby do you not have a single picture of aqua as a teen?? even gotanda has one wtf?? what about miyako??? this is not the time for product placement!

ALSO WHY A PLUSHIE. OF ALL THINGS. WHY AN AI PLUSHIE?!

the fact she says ``towards the future [you] illuminated for me`` is so insulting to those deaths because. neither of them wanted this for her! and ai didn't die for her and as far as she knows, aqua was murdered so this line is as confusing as it is wrong

its such a bad ending for ruby because being an idol was something she wanted to do for two lifetimes and now she has everything except her family and the happiness that she used to have doing it

sighs. in the end the saitous were the only ones with their dreams fulfilled huh? they got an idol to the dome.

kana never got her dream fulfilled, akane couldn't save aqua, ruby lost all her family and lost the love and enjoyment she found in being an idol, aqua died horribly without ever seeing any of his dreams come to fruition. ai's wish has been desecrated completely. towards stars and dreams? hah. what a terrible name for this arc. what a bitter ending.

despite all this, i really do love this manga and thats why seeing this ending destroy all the themes it had of breaking the cycle, of moving forward, its sad. and heartbreaking.

its a fun ride though! and i enjoyed being here and reading this manga. honestly a little emotional now thats its officially oshi no over! i'm not done with this series though and probably will still be posting and discussing it for a long time to come! in the end, i love all these characters way too much to let go now and they have all been a pretty important part of my life, so...happy end of series everyone. i hope you all enjoyed this ride as much as i did!

see you all!

[tumb1rprincess]

Been having a lot of thoughts about Mouthwashing and I just want to get them out

Yeah, kind of late to get into this game, but ever since I watched a playthrough of it, it's been rotating in my head. I feel like I wasn't really scared per se, but definitely uncomfortable, that feeling where you want to look away but you can't. Just, everything slowly unravels before your eyes and like most members of the crew, especially Anya and Curly, you're helpless to do anything about it.

As soon as Anya asked why the sleeping quarters didn't have a lock, I immediately knew what that meant, and now when I go back and watch her interactions with Jimmy after the crash, it makes me sick. She has to suck up to her abuser, interact with him like everything's normal, and praise him when she can, hoping that it'll be enough to keep her safe. And after the crash, she had to take care of Curly all by herself and probably had a lot of difficult emotions about him. He failed her, but she can't hate him, because she believes people aren't defined by their worst moments. And when she has to give him his medication, she sees her own helplessness reflected in him to the point of making her sick. And she probably had to deal with that for a long time before it became too much and she had to ask Jimmy to do it instead.

Curly just becomes another victim of Jimmy's and it especially has to hurt because he trusted him, he was his friend, and now he's seeing him for what he truly is, and he can't do anything about it. He knows he's probably feeling the same fear Anya did whenever Jimmy walks into a room. Or when he gives him the painkillers, he knows it's going to hurt, just like how Anya probably knew that anytime Jimmy forced himself on her. And the game doesn't even show it when Jimmy gives Curly the medicine, you just hear it, and it's these awful choking/gagging sounds like he's being strangled and he can't breathe and it makes your stomach twist so uncomfortably, especially when he cries afterwards. And then it's made even worse when Jimmy cuts off his leg and forces him to eat it, because you see it that time. Every turn of those little wheels to line up his insides right makes him bleed and gasp in pain, and you're the direct cause of it. And if you don't get it right and it gets lodged inside him and he gets sick from it, it's your fault.

Out of all the bad things Jimmy did, I feel like it was his manipulation that I hated the most. He berates Anya when she asks for help, and makes her so meek and scared. He preys on Daisuke's need to prove himself to get him to climb into the vent. And when Curly finally talks to him about what he did to Anya, he turns it on him and makes it all Curly's responsibility, saying it's his fault when Jimmy is the one who assaulted her in the first place.

[katerinaaqu]

Thank you really much I am glad you liked it.

Well you know what I am going to say that I ain't a fan long time how but yeah one could say that I guess but as you see I am not a fan of "Little Wolf" either not because it is a bad song but because it twists the meaning of Telemachus as I said above to my analysis. If anything I think "Little Wolf" would be an amazing song to add during the murder of the suitors. Athena could have encouraging lyrics or stuff to both Odysseus and Telemachus to also show her character development. For example for Telemachus who fights a real murderous fight for the first time needs encouraging so Athena appears behind him and be like "Fight Little wolf fight Little wolf show them that you got some" and go to Odysseus and be like "Fight my dear friend fight my dear friend show them what's your real strength" or something. I would love that context much more than whatever we got there (not to mention as my dear friend mentioned to the comments Odysseus was perfectly okay to defeat the freaking king of earth alone but Telemachus had his ass handed to him with Athena's help)

So yeah many things could have been done much better in my opinion and again little does it matter to me anymore because I respected what Jorge said during the first two sagas that were actually following the sources but of course they were having liberties so Jorge made sure that people knew. Right now it feels like "Fuck yeah did my duty and told them I am not following the Odyssey so screw the Odyssey from now on I'll do my own shit instead of creating an original character and story let's just screw the most iconic parts! I already told them I am not accurate so from now on it's free game" and this pains me beyond words!

But I agree to what you said he absolutely was alone in a sea of people he hated alone in his home when his own mother; the one steadfast figure he had in his life finally broke 💔 his grandfather probably he respected now gone mad in sorrow and of course his grandmother who had such a shaming death on top of his own doubts about his inheritance. His loneliness and depression were key parts to the story.

I am glad I gave some food for thought and yes I agree. Telemachus absolutely NEEDED that journey. He needed to discover himself his roots and his father. He needed to know on his own which is why he had no doubts when he embraced his father in the Odyssey; he heard from others that he was a good man, someone admired. Telemachus got to know him a little bit and so that embrace was redemptory. It was of outpost importance!

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[have-you-seen-my-sanity]

OI characters with tourette s/o headcanons

This has been a request but I wasn't able to find it again. :(

Poe Dameron: Poe would be the most caretaking of you. This man puts you above anything else, even important meetings with Leia.

Whenever a tourette tic happens, (depending on what the tic is) and how much it may affect the people around you, he will take you into his arms, telling you how nothing should make you feel out of place, especially not your tourette.

If Poe can't be with you at the moment, he would ask BB-8, Finn or Chewie to look out for you. It breaks his heart knowing he can't be with you.

Whenever you feel particularly shy to go under the crowd out of the potential fear of getting weird looks or worse, Poe takes you out for a trip in the Millennium Falcon, visiting all your favorite places and planets.

If Poe and you aren't sharing quarters, he'd send BB-8 into yours for whenever you need some comfort. Ask BB-8 to get Poe and the droid will zip out to get him.

Poe wouldn't spare even a fracture of a second if you'd ask him to stay for the night. Has you in his embrace within a second.

Jake Lockley: Jake fights the urge to pull out a gun everytime he would see people looking at you in the wrong ways.

Jake always carries some meds for you if you think you'd need them.

If some of your tics causes something against him, Jake's face softens, his heart sinks down inside his chest at seeing your regretful gaze looking back at him. Will calm you down, wrapping his arms around you and telling you how strong you are.

Whenever you had a specifically bad day he would drive you around in his cab with comforting music, and if you fall asleep will carry you bridal style back inside your place.

If you think you don't deserve Jake with how good he's treating you, Jake will always prove you wrong, showing you the opposite.

Jake may be the ruthless menace working under Khonshu, but with you he is tame and understanding. Even Khonshu is surprised by how soft Jake could actually be if he really wants to. That stupid god won't understand anyway.

Steven Grant: This man has a whole row of books dedicated to tourette and how it may affects you.

Steven will try his absolute best in making you forget you even have tourette. If you're having your tics(again, depending how strong they are), he slowly calms you down, one hand on your back and the other holding your hand.

“'s okay love, breath with me. Breath. It's going to be alright, 'm here.”

Whenever you're having strong tics or getting looked at, Steven takes you into his arms, wanting nothing more than to shield you.

Just in case, Steven carries your meds and depending if some tics cause even harm to yourself, he has first aid always near him.

He won't get hurt or mad if you insult him because he knows it wasn't your intention to do it, then tries to comfort you.

Marc Spector: He literally is a mix between Steven and Jake. Marc himself has some trouble/drama going on in his life, so seeing you struggling with your tourette is tugging on his heart strings.

Just like Jake, he's ready to throw hands if someone makes a comment about you. Marc hates people insulting others for something they have no control of.

Marc does the same breath in-calm down with you like Steven does, mainly because it helps him with some situations too.

He knows life itself can be a pain in the ass sometimes and your tourette may make things harder, so he's always supportive of you no matter what.

Goes with you to the doctor and makes mental notes of everything that will help you.

Kindly reminds you to take your meds if you haven't already(they all do by the way).

Leto Atreides: Leto will spend 99% of his freetime with you. If he can't, a servant will take care of you, though he prefers to have a doctor near you if something happens.

Leto's guards will keep you safe and make sure no one even gets the thought of saying something bad to you.

The good behaved leader that he is, Leto has strict rules for his guards and servants if you're near them, especially the servants, he wants them to carry the best medicine.

He will always re-schedule his meetings for you, he knows it can be tough for you having those tics, so Leto stays with you all night, all day.

Leto tells his troops to not only defend house Atreides, but also you.

---------------------

Tags:

@nekoyin @steven-grants-world @iolaussharpe-24 @buckyssugarchick @krakenkitty

@deceasedream69 @lunaana-02 @sugarplumz100 @cordeliaelise @mochiitoby

@mooksmouse @my-secret-shame-but-fanfiction @minigirl87 @chaithetics

Wanna get tagged?

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[ebonytails]

sorry my post is just to complain but guys i literally hate adobe after effects. i can not explain to you the mental torture and how LOW it has brought my mental health because I *need* to use it for my post production class because it's "industry standard". ADOBE After Effects has made me write off the entire film and video production industry as a turn off and I never want to do it ever again.

The amount of times this has crashed on me where I lost everything? 5+ hours of work? 8+ hours of work? It's my fault for not saving sometimes but I also have auto-save on. it didn't save anything so im just left with nothing.

You want a trip to burn out town really quick? Use adobe after effects in an academic setting where you have no choice but to use this program.

I have never in my life TOUCHED a program SO TERRIBLE that it made me never want to do anything about that form of art/media EVER AGAIN

[dykedvonte]

Ty for answering my asks! Recently, I saw some fanart of the gender bendered crew and it got me curios, how much would the plot change if Jimmy was a woman. I mean, she would still be emotionally abusive (esp to Fem!Curly), but at lest, I guess, the crash would've never happened (?)

Also, her relationship w/ Anya: if she was assulted still, it prolly would've been dissmissed, since it's between 2 women. Or, if Anya is male in this scenario, he couldn't really be able to talk abt it, since society decided that "women can't r*pe men", so it's not serious and he should suck it up. Man, it's just sucks to be Anya in any scenario my poor girl 😭

What do you think? If you have an opinion on that at all, that is

-💀

I think the scenario's where the gender was flipped or any level of gender based intersectionality is expanded makes it so much more complex.

If this is the scenario with fem!Jimmy, it comes with the territory of questionable internalized homophobia. Does Jimmy brush it off in this scenario because she doesn't think lesbian encounters are real ones? Is she struggling with her identity and taking it out on Anya who may be openly queer compared a fem!Curly who is either straight or just not interested in Jimmy? Perhaps it's a sort of weird entitled that can occur in female dominated spaces "We're both girls, I know what you have, it won't matter." It's still is something I don't see Jimmy denying in this scenario, he never really denies it in canon just talks around it with Curly. Here I can see it's less about the pregnancy and more so about the internalized homophobia. Not seeing Anya as anything but an unwanted aspect of her femineity and the allure of it, there's a lot more objectification of both Curly and Anya in this alteration as I would believe feels better thinking of them in that light if they are just fodder in her mind. Guilty pleasures that no longer bring her such. It's a careful situation because I don't want this to fall into predatory lesbian stereotyping, Jimmy is just a person who does not respect other people or their choice, if it conflict with what he wants or perceived is owed.

The idea of Curly having to report it and outing her not only as a rapist but queer and the denial, especially in the case Anya and Curly are both out as she feels a sort of resentment she can't be secure with herself that way. If it is masc!Curly, there could be the jealousy of him being able to actively pursue relationships he wants while she feels she can't, Anya and Curly playfully flirt, its casual but it's something she longs for in the same way she doesn't. She obsesses over Curly because she wishes she could be Curly in a social sense in both aspect male or female Curly.

If it's fem!Jimmy and masc!Anya? It's a much more delicate situation. In this scenario Jimmy gets pregnant. Maybe Anya does a blood test after the incident and finds out Jimmy is pregnant. It's a very sensitive matter because if it's fem!Curly her first assumption is Anya may have done something. That is just the immediate assumptions in cases like this. I think the fact that Anya is telling her would make Curly think it's not that simple, especially since Jimmy isn't brining it up or really caring but everyone reacts differently. Jimmy is pregnant however, and that's a big deal, she'll figure that out eventually on her own but how will she react? Curly knows it won't be good, Anya knows too.

I think the crash is instigated in this scenerio by fem!Curly actually doing more, refusing to sweep it under the rug because she can conceptualize that fear, likely she and Jimmy are the only girls on board. She trusts everyone, well did trust everyone, but it's just something you live with. She can't just live with that double standard but I feel like she really doesn't know how to address it. How does she bring it up to superiors without implicating Anya? What does she do with Jimmy, it still feels like she's catering to Jimmy but now the concern is primarily focused on the life this baby will be born into. If it is born at all. I don't think Jimmy would try to kill Anya in this concept but try to spin the narrative it was mutual up until she got pregnant. Curly doesn't really buy it but it's a lot of processing, a lot more he said she said but what Jimmy is saying just doesn't make sense. It gives Jimmy too much time to really settle with the fact she's pregnant and likely can't support a kid nor wants to give birth out in space. Jimmy feeling like she's being othered from the only other woman could also be a factor, maybe even starting into her thinking Curly is behaving like a "pick-me" for siding with a guy over her. The crash is more spiteful in terms of having to protect herself alone, due to Curly not outright supporting her delusions.

It really adds a certain horror to Jimmy's pregnancy hallucinations because after the crash they are about her, her symptoms the sign of showing. She doesn't want the child either and considering what being pregnant can do to your mental/physical state, especially some of the more negative symptoms, I doubt she is handling it well. A lot of Anya's struggles are with the stigmas around male victims. His body reacted so did he want it? He's gonna be a father and courts likely will make him pay or care for the baby even if they take Anya's side, their world is just like that. Would the other's blame him for not doing more, he is a man after all? Should he be considered lucky a woman was that into him? It's eating away at him because not only does he not feel safe, he actively blames himself.

In the case Curly is still a cis guy, its that weird feeling guys often get when talking about male victims of assault. I don't think he'd victim blame but he likely asks or thinks about how it could've happened, why wouldn't Anya just overpower Jimmy? Maybe he couldn't? Maybe Anya didn't have it in him to strike a woman. He wouldn't. Now he thinks of what he would have done if Jimmy did something like that to him. SImilary to my trans!Curly post, he's wondering if it could've been him. It's likely one of the first times in his life he has to think of that type of vulnerability in terms of himself and other men and against likely his girl best friend. I think that arm pat right before Jimmy crashes the ship would really make him feel weird, not like he'd have the time to really dig into those feeling but y'know WERE GONNA CRASH!!!.

In terms of Jimmy and Curly's specific relationship, it just gets messier if they aren't both guys or girls. There's a lot of misogny on Jimmy's side with fem!Curly. He often points out she's a woman captain or makes a point of her being one of the few independent woman in her field and how certain men hate that. It's insidious but Curly doesn't think about or like to cause she likes to believe Jimmy isn't one of those guys. He can be a bit antiquated, maybe a bit of a pig but no ones perfect! Here a lot of his resentment is more gear toward a woman having that power over him as Captain/filling the typical male roles he fails at. He can't stand that she's above him in almost aspect and he likely takes it out on other women. Similarly, fem!Jimmy and cis Curly is just as bad. It's a fact of not knowing if she wants to be him, wants him or wants to destroy him. It's obsession without anything positive. She feels entitled to his space and life and time and he has a hard time setting up boundaries cause, well, Jimmy's a girl, his bestfriend and it comes with all the stigmas around boygirl best friends. To him it's a sort of oppressive doting, he feels wrong telling her not to pick and like he's being controlling. That's how she'd spin it whenever he'd try to make boundaries with her.

They are still just friends but most people can't tell even if they can tell it's not healthy, in both cases. Either way I feel like if they were opposite genders to each other there would a specific infatuation Jimmy would have with Curly that would be less hidden but sort of unaddressed because the idea of Curly rejecting them would make them lash out in a way Curly may just leave for their safety. It's also Jimmy wouldn't want to be with Curly specifically but just want what would consistently provide/available.

If they are both girls, its envy. It's that sort of hate that someone fits the standards you don't, wanting them to be picked second or crack. She likes to get into Curly's head, point out flaws and act like it's just her being helpful. She wants Curly to be a girls girl but only for her. There's a sort of possessiveness like purposely jeopardizing relationships because why would a man come first? That girl hates me and is a pick me, why are you friends with her still, Curly? Like this is silly but think about how Regina George treats Gretchen Wieners and that's effectively how fem!Curly and fem!Jimmy would work but technically Curly has the sway of Regina.

I believe the crash would always happen. Jimmy would try to escape responsibility or really thinking about what they did in any world, any gender. It's about facing the consequences, losing things he refuses to let go of or having to deal with responsibilities he's not ready for. The switching of sex or gender really doesn't change those core aspects.

[everysongineverykey]

and for my next trick i present... my Grand Tv People Freakout Extravaganza!!! *falls to the floor weeping violently*

[melovrs]

banging my head against the wall every time an edgy 14 year old boy says that the lore tsubaki or togame is badly written

sry i talked a lot in the tags so it got cut off but basically tsubaki's backstory is amazing i love them i love how they don't give a fuck

[pastafossa]

Hey I just wanted to ask a writer question. I really admire your writing and the amount of work and dedication you put into your stories and characters. You are one of my favourite authors ever. I have been wanting to get into writing and I was wondering how you flesh out your characters? For example you have a character that you’ve thought out, do you have a template that you fill in? Or just write a whole bunch of points about the character in a Google doc? I know that question might not make the most sense but I have a few characters that I’ve given quirks and backstories in my mind but I have no idea how to transfer them onto paper? Like Jane from TRT, is there just a big template or doc where you randomly put points into or some other type of organization? I know it’s not an easy thing to answer on text or even something you might not want to answer but even one sentence of advice is much appreciated :) Thank you so much for everything! I appreciate you. I will also put this into the ask thingy if you want to answer on there instead of PM 😁

I've managed to hammer this out in bits and pieces over the moments I've been more coherent so I think I'll make sense. First, thank you so, so, so much! I honestly love these characters so I'm always happy to hear someone likes it, even if I enjoy the work! 😭

Second - I do in fact have a template in doc form that I use to keep things organized! It's one I've been using since I took a novel writing course years ago by a published author, and in one particular class we went over character development, which is where I learned the template. The way I was taught (and the way I develop major characters) - first, even before filling in the template, I figure out their archetype(s). What story role are they filling? Who will they be a foil for? I like to think of those as your foundation, because every character is an archetype of some kind, and you can use that to build them up. To use Jane as an example, she's an antihero archetype, yes, but I've also pulled elements from: the Unscrupulous Hero, the Sympathetic Murderer, the Combat Pragmatist, and the Ineffectual Loner. Compared to Matt's hero archetype, she's the Lancer. Archetypes can help you if you're struggling to build up from the bottom.

Once I have the archetype, I start filling in the Major Character/Hero template, which roughly looks like this (if you don't fill it all right away, that's fine, because there's a step after this to fill it in the rest of the way). I like this one because I feel like it covers VERY important things that a lot of online character profiles skip, and has much less of a focus on looks (which I find way less important from a writing perspective):

Name: Age: Family History: Career: Physical Description: (include things like scars, notable or unusual features) Preferred Style of Clothing: (instead of listing brands, try to instead describe their style of clothing as it relates to their character - ex: Jane wears upper-end pantsuits in muted colors when meeting clients, because they carry a strong emphasis on professionalism; when hunting things down, she wears what is practical over anything to do with aesthetic) Goal: (every character should have one; what are they trying to do?) Motivation: (WHY do they want that goal?) Big Secret: (if it were Jane, it'd be what happened in Los Angeles; so what are they hiding? Keeping to themselves?) Self-image: (How do they see themselves? Are they confident and secure? Insecure and depressed?) Internal Conflict: (what are they struggling with?) Game: (What's some little game they enjoy?) Pet: (if applicable) Temptation: (what's aaaalways going to lure them in?) Vehicle: (if applicable; alternatively, how do they prefer to get around?) What makes them unique: (our fake post-apocalyptic character we made as a class had his teeth sharpened into points to scare people; Jane is often fidgeting with threads; just anything that stands out) How do they speak: (do they speak very precisely? Use lots of slang? Do they have an accent?) Quote: (What quote sums them up, or what quote do they relate to most? I have an entire folder of these for Jane tbh, and some for Ciro as well) Lesson Learned: (All characters should grow in some way, rather than stagnating. So how do they grow? What do they learn through the story?)

Now, this is something I was encouraged to do after the template, and also something I was already doing on my own. Once you have the template as finished as you feel comfortable with, you might feel like you need to develop the character a little further to fill in the rest, or solidify what you already have. The way you can do that? Write something short with this character. It doesn't have to be anything you need to post; it can be based on a short scene, based on a prompt, things like that. I like dumping them into: humorous scenarios, angsty scenarios, and Action Oriented (TM) scenes. Those really help you get into the meat of the character (aka: how they react to teasing/flirting/jokes; how they react to strong emotion; how they react in situations that might cause panic). Basically, it's your way of introducing yourself to them and becoming more comfortable writing them, because often a character might act a certain way in a cold, rigid template, but behave entirely differently once you drop them into a scene. Alternatively, you might get to writing and realize you need to make an adjustment so that they have better chemistry with the other characters. Writing a new character's a dance, and you're both going to step on each other's toes in the beginning, but once you learn how they move, it gets easier. And it helps them develop and grow as you learn about them!