#because i feel like if the plays weren't so “mature” i would've read tsukasa and rui's most recent events as though it was like a first arc

[demodraws0606]

I feel like this is important for analysis but WxS's plays/in-story scripts have been getting gradually darker.

Like this isn't me reaching or anything they've factually have gotten darker and in some ways more ""realistic"" (keep in mind i'm not counting the play at the end of Happy End cos that's just a rewritten version of an old play).

I think the best way to really see this change is to kind of go through each arc and kinda view how the plays are. Now I'm doing this by memory so if I get a play wrong that's why.

1st arc.

So from Rui's first to Emu's first, we have the zombie play, the christmas play and the play to help revive Pheonix Wonderland's popularity.

Those are all pretty child friendly plays, that can be seen as lighthearted even if they do have their own emotional moments.

2nd arc.

This is where things start transitionning into a more serious tone in terms of the plays.

At first we have the play in Nene and Tsukasa's second event which both are kind of the same vibe as the 1st arc plays.

HOWEVER it's when we reached Rui's 3rd even that things take a turn in my opinion.

The story focusing on the tragic story of two androids having lived different lives, one being turn into a weapon for war.

Rui's 3rd event kind is overall a massive turn in WxS's story in general and it was kind of the point where extremely painful events started being handed like candy.

There is the Peter Pan play in Admist a Dream that kinda contradict this switch in tone but I don't really count it since it's story is not really the focus of the event and more so serves to push certain themes with Emu.

Then we have the famous Pheonix event...which like I think I don't need to explain.

3rd arc.

Now things get weird since, the Android and Pheonix play while both being a lot more dramatic and "darker" still had aspects of fantasy in them.

However the two "plays" (the second one is not a play but a film script but shhhhhhhh) are purely set in a realistic setting and obviously feel a lot more mature as a result.

This is also without pointing that both of the stories are extremely similar with a depressed male lead who is said or hinted to have suicidal thoughts until something brings them out of it.

So yeah, here's some food for analysis for what this means for WxS's story as whole