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caelum-in-the-avatarverse · 6 months ago

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Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available.

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community.

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company?

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists.

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits.

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people.

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it.

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

#ao3 #lore.fm #fanfiction #fandom history #gift economy #caelum rambles

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coffee-and-geto · 4 months ago

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“HOW CAN I LOVE WHEN I’M AFRAID TO FALL?”

“I fell in love with you as soon as I saw you, as soon as you covered me from my father, as soon as I heard your laugh, saw the amazing mother you are, and realized I never wanted you to leave this house.”

pairing: CEO! satoru gojo x f!reader

summary: to your almost regret, your life as a single mother seems to be weighing more and more heavily on your worn-out shoulders. so what could be better than pretending to be the CEO’s girlfriend of the business you work for, knowing that his father is the general manager?

warnings: +18 only, smut, nsfw, her daughter is called hinata, fake dating/single mom tropes, angst, mother insecurities, fluff, reader’s ex is a jerk, unprotected sex, sex (p in v), overstimulation, pussy drunk (satoru), nipple play, fingering (f!receiving), oral (m), this fic is (really slightly) inspired from the french book ‘un printemps pour te succomber’ by morgane moncomble, including therefore small similar dialogues, (pls guys learn french only to read this masterpiece!!), fanart by @/ilameys on twt.

wc: 10,154

“Can I taste the frosting?”

Your lips curve into a smile. “Of course, angel.” You crouch down and hand the spatula coated in pastel pink frosting to your five-year-old daughter. Her little fist wraps around the handle, and joy spreads across her angelic face like rays of sunshine. “So? How is it?”

“It’s so good!” she exclaims, and you chuckle.

“I’m glad you like it.” You glance at the clock in your kitchen. “I’ll put the frosting in the fridge. While the cake bakes, go back to playing, and I’ll call you to help decorate the cake as soon as it’s ready, okay?”

Hinata nods, blowing you a kiss that you return after a moment of surprised hesitation, your lips forming an “O”. Amid delighted laughter, she skips away, and you turn back to face the bowl of cake batter.

Why does it have to be so hard?

Every birthday, you hold back tears because who said ‘single mom’ doesn’t rhyme with ‘baking your own birthday cake so your daughter can sing to you’? But what hurts more — this, or seeing your flesh and blood envy her female friends who have their dads in their arms and their mothers content with their families?

The silence of loneliness can sometimes be louder than company.

“Happy birthday! Happy birthday, mama!” your daughter sings, clapping her hands as you blow out your candles in the warm, yet dimly lit, living room. “Come on, come on! Let’s eat the cake!”

With a knife, you cut two slices, one for each of you, and it only takes a few more minutes for both your mouths to be covered in pink frosting, with laughter echoing in the room. The heartache, briefly chased away by the short-lived joy, returns later that night when your daughter snuggles up in your arms in your double bed, which seems to be missing something.

Fuck, being a single mom is tough, you think as you wipe away the tears flooding your cheeks with the back of your hand. No one to support you, all the responsibilities fall on your shoulders, and now doubts about your daughter start invading your mind: “What if she blames you later for not having a father?”, “What if she thinks you’re a bad mom?”, “Do her friends at school say anything about you being the only unmarried woman among all the parents in her class?”

These thoughts have never stopped, not even during your pregnancy, whether about the weight gained or lost, or the changes in your body. Are these regrets? But how could you regret bringing such an angel into the world? Maybe it’s more about the lousy partner who left you the second he found out you were pregnant.

Probably the second option.

°°°

“WHERE IS MY SON?!”

A male voice thunders across the entire floor of the company. You jump, turning to one of your colleagues over the small partition set up for employee privacy. “Who’s yelling like that?” you whisper, eyebrows raised in surprise.

“I heard it’s the new general manager…”

Your frown deepens. “Is that why they handed me the summary of our sales figures to drop off at the office upstairs?” To prove your point, you lift the massive stack of documents.

Your colleague presses his lips together, his eyes widening in a way that already gives you the answer. “Oh God, you’re the one in charge of that? Good luck. It’s to be delivered to the new director.”

A sigh escapes your lips.

For a start to the workweek, it seems you’re about to face the stormy mood of the new boss, who apparently brought his kid to the office. What a perfect beginning.

As usual, the upper floor is deserted, as it’s generally reserved for executives with direct ties to the company’s CEO. Few people take the elevator to reach the top floor of the skyscraper. Arriving in the lonely hallway, it should be a simple task to knock on the boss’s office door, drop off the elephant-weight stack of documents, and leave.

So why does the sound of running footsteps seem to be getting closer and closer behind you?

In a flash, a man dressed in a navy blue suit rushes past you, bumping your shoulder. He nearly topples the threatening stack of papers, but you manage, at the last second, to catch everything before you lose your balance. The young man opens the door to the women’s restroom, and before entering, he glances over his shoulder.

Never in your life have eyes made such an impression on you.

Two cerulean blue orbs lock onto yours with a mischievous aura. A smirk tugs at the corner of his thin, pink lips. From his pale skin to his albino hair, the man exudes charm and beauty from every pore. The sheer allure of his appearance leaves your brain too stunned to react, numbing it. How can someone be this handsome?

“SATORU!”

His serene and amused expression vanishes instantly, and you jump in response. Replaced by an exaggerated look of fear, he addresses you, “Cover for me. If he asks you, you never saw me!” And his tall, slender body disappears into the women’s restroom.

More footsteps echo down the hallway, this time from a second man, just as tall and physically similar to the young man you just encountered — though slightly older, with wrinkles lining his face and a mix of albino hair and silver from age. You have no time to react except to straighten up against the wall.

His blue eyes, more gray and stern, settle on you as he approaches. “Did you see a man? A tall idiot running around and flirting with any woman he sees,” he grumbles the last part, his eyes thoughtfully fixed on the light carpet.

You shake your head robotically. “No… I—”

“Never mind,” he cuts you off with a dismissive wave of his hand — as if your answer is irrelevant and he’s heard it at least twenty times before. He sighs and scratches at the stubble on his chin. “Who are you, anyway?”

“An employee, sir.” You gesture to the stack of documents that’s beginning to make its weight known in your arms. “I was asked to drop this off in your office.” The tone of your voice almost pleads with him to let you in and relieve you of the annoying burden.

“The report? Ah yes, of course.” You sigh in relief as he unlocks the door with his keys. “I suppose you’re wondering who I am?”

“The new general manager, I guess?” you reply, raising an eyebrow. You drop the heavy stack onto the desk and exhale deeply. “We heard you on every floor.” You can’t help but chuckle at your own remark, offering the director an apologetic smile.

He rolls his eyes, but a light chuckle still rumbles in his chest. “You’re right. It’s because of my son.”

His son?

You repeat the word aloud, confused, and he clarifies. “My son is the new CEO of this company, and I almost regret my decision to give him that position.” He shakes his head, his gaze drifting toward the blue sky visible through the large window, then refocuses on you. “I apologize in advance. He’s going to be a real handful.”

“I understand. I think we’ll manage to put up with him,” you add with a smile.

In the end, this new boss doesn’t seem as strict as your colleagues have been saying, and his story about his son is more amusing than anything. You cough slightly into your elbow and clear your throat, murmuring an apology.

“Are you sick?” the director inquires.

“A little,” you admit reluctantly, feeling embarrassed as you adjust the mask on your face. “Sorry. I couldn’t stay home.”

“No problem.” He crosses his arms over his chest and sighs. “Well, I think I have some work to do. See you later, I suppose.”

You don’t hesitate to leave the boss’s office and quietly step into the women’s restroom. “Is… someone here?” you murmur in a hoarse voice.

The creaking of a door answers you, and the general manager’s son emerges from a stall, looking cautious. He looks like a little boy checking to see if his hiding spot in a game of hide-and-seek has been discovered, which makes you stifle a discreet giggle. He turns to you and offers an apologetic smile. “Sorry about earlier. I didn’t hurt you, did I, sweetheart?”

The nickname catches you off guard, and warmth floods your face. “N-No, I’m fine. You’re the new CEO, right?”

“Satoru Gojo, at your service, pretty girl.” He winks, a reminder that he’s quite the flirt.

You introduce yourself in return, running out of things to say, your hands nervously clasped by your sides.

“Pretty name,” Satoru murmurs. He closes the stall door behind him and exhales, shaking his head. “Phew! That was a close one! Thanks again!” He strides toward the exit with one last charming smile in your direction, leaving the restroom and a lingering scent of cologne behind him.

°°°°

“Why aren’t you answering?”

“Damn it, you’re so annoying with this!”

“There’s no point in moving every few months, I’m going to find you.”

“For fuck’s sake, answer my messages! I told you I need you! I swear I’ll help you raise Hinata this time.”

“I made a mistake, so let me fix it by answering my fucking messages! I know you’re reading them!”

You swallow hard, your throat tight, and press the “block this contact” button on your phone. It’s the fourth time this month. He’s been harassing you with messages and finding a way to contact you no matter how many numbers he uses, even when you change yours. The same goes for your address, as apparently changing apartments is no longer enough to escape him.

You know he’s in debt — one of the many consequences of his excessive gambling, even when you were still in a relationship with him. Smoking, drinking, and of course, downing tobacco like it was water, only to charm you while hiding this lifestyle to get you into his bed, then fleeing the moment you were pregnant.

So now that he needs a woman and a child to escape his debts, he’s reaching out to you — the woman he abandoned after promising marriage (without a ring, of course), got pregnant, and deserted, only to come crawling back to you.

“Mama? You okay?”

Your daughter’s concerned little voice pulls you out of your daze. The cartoons playing on the TV haven’t had the desired effect — they’re not distracting her from the anxiety that’s been gnawing at you day by day. Maybe today, it’s showing enough for people to notice?

“I’m fine, angel,” you reassure her with a perfect smile — perfectly fake, because that’s something you’ve learned to anchor over time.

You pat the empty spot on the couch next to you, and she nestles under your arm. “If you say so…” Hina murmurs, clutching her worn-out bunny plush.

The state of the plush catches your attention, and a pang of guilt stabs at your heart. What kind of mother lets her daughter carry around a stuffed toy in such poor condition? Maybe you are a bad mother? Otherwise, why would Hina deserve such a pitiful situation? She deserves so much better than you…

“Little angel?” you murmur as she wraps her tiny arms around your waist and nuzzles into your belly. “Are you okay?”

“I love you.”

And the three little words sound… unreal.

Hot tears blur your vision, and it takes every bit of strength you have to whisper back, “I love you too, Hina.”

°°°°

3:00 PM.

In less than an hour, you’ll need to pick up Hinata from school.

Normally, you avoid lingering at work. You go through your usual routine as an employee, nothing special or fun — a hello, goodbye, see you tomorrow to colleagues without worrying about what’s happening around you or the gossip, even when it involves coworkers getting together.

The only change: now it’s you who gets stuck with the task of delivering all the documents to the general manager. According to one of your peers, he doesn’t seem to be strict or threatening when it comes to you. So this time, you’re tasked with delivering an additional file about the production of a new product on the market to both the CEO and the general manager. For the second time, you head up to the highest floors of the company headquarters to knock on the CEO’s door — it’s the closest. But no one answers.

No surprise, since the director’s son spends his time running through the hallways to avoid his father and shirk his responsibilities, right?

You’re about to knock on the Director’s door, but a familiar gust of wind brushes your face with a soft, fresh breeze. Satoru Gojo appears beside you with a charming smile and glances at what you’re holding.

“H-Hello, sweetheart. How are… you?” he greets, slightly out of breath from yet another chase with his father.

“I’m fine. Here.” You hand him one of the folders, and he takes it, pretending to read it. “The next meeting—” But he grabs the second document and, before you can react, opens the door to his office and casually tosses them inside before shutting the door.

“SATORU GOJO! KEEP IT UP, AND I’LL DISOWN YOU!” The boss’s voice echoes through the entire floor as he appears from behind the emergency exit door. “YOU!” He points a finger at you, standing right next to him. “Still bothering our employees?” He grumbles, his jaw clenched so tightly that you can hear his teeth grinding.

“That’s not true, father!” Satoru protests, feigning outrage. He wraps an arm around your waist and pulls you closer. “You’re chasing me while I’m just saying hello to my girlfriend?”

You freeze, turning your head toward him, as lost as the Director, who squints his eyes. “Your girlfriend? Since when—”

“I was going to tell you,” Satoru continues, shaking his head, his fingers squeezing your waist while you remain paralyzed. “Here’s my new girlfriend.”

“Are you lying to me and dragging some poor woman into your childish games?”

In the back of your mind, you note that he doesn’t seem to recognize you despite the last time you saw each other.

“What? I’m telling the truth! Isn’t that right, sweetheart?” And he leans in to plant an affectionate kiss on your cheek.

Your heart almost stops for a second. But you quickly snap back to reality under the insistent embrace of his arm and his hand around you. “Y-Yes…”

What kind of mess have you gotten yourself into?

“Well, if you’ll excuse us, father, my darling and I are in a hurry.” He leads you away before you have time to protest and heads toward the elevator with you.

Once the doors close, Satoru takes your hands in his and leans toward you. “I can explain everything.”

If his cerulean blue eyes hadn’t been so persuasive, you would have exploded right there and then to yell at him.

You, the girlfriend of the CEO of the company you work for? Did this really have to happen to you? You can already picture your termination letter under your nose as you exit the back of the building. A glance at your watch tells you that if you don’t hurry, you’ll be late to pick up your daughter.

“You’re in a rush?”

“I have to pick up my daughter before I’m late,” you reply curtly, “and look at the mess I’m in now!”

“I know, I know…” Satoru rubs the back of his head, right where his immaculate undercut is. “Maybe I can explain on the way? Where’s your car?” He looks around the parking lot, his eyes searching.

The question — however mundane — makes you blush with embarrassment. “I… take public transportation…” you mumble, pouting.

He furrows his brow, as if you just admitted to showering with maggot-infested soap. “Excuse me? I don’t take public transportation.”

“Well, I do.” A hint of defiance returns to protect your pride.

How could he possibly understand when he lives like a rich man, without worrying about grocery shopping, paying bills, and of course, taking public transportation during the week to avoid wasting gas because it costs an arm and a leg! But for him, that must not be part of his daily life, especially since he’s one of society’s privileged.

“Let’s take my car then.” He says this without waiting for you, as you remain standing there. He pulls out his keys and opens the passenger door. “What are you waiting for?”

“But— I— Are you out of your mind?” you burst out. “I’m not getting in that car! I’m supposed to pick up my daughter, and now I’m pretending to be your girlfriend! In front of your father!” You emphasize your words with wild, energetic gestures.

He bursts out laughing.

Cute.

“No chance. We’re going to pick up your daughter and clear this all up. And please, stop refusing to get into a car that’s way better than those buses that reek of sweat.” He rolls his eyes, and you note how much he resembles his father when he does that.

“I have an errand to run anyway,” you persist.

“And that doesn’t change the fact that I want you to get in this car,” Satoru chuckles.

Taking a closer look, the car is as luxurious as the ones you dream about at night — yours, by comparison, looks like a junk heap ready for the scrapyard. Reluctantly, you climb in, Satoru’s chivalrous demeanor not going unnoticed as he snickers at your surrender. He quickly gets in, asks for the address of the school, and sets off after starting his car, which smells just as good as he does. You feel like a piece of trash in the middle of this little universe he inhabits.

“My father bugs me every day to find a woman,” Satoru murmurs at first, one hand resting on his thigh, clad in business suit trousers, his eyes fixed on the road over his round sunglasses. “That’s one of the reasons I avoid him.”

“And why involve me?” you snap back.

“Well, to be honest, it was partly impulsive. I met you the other day, and then, in the moment, I just wanted my father to leave me alone.” He has a half-smile that makes you swallow hard, and he gives you a knowing look before returning to a serious expression. “I’m sorry for dragging you into all this.” A pause. “I just hope you’re not married, otherwise—”

“No, I— No.” You close your eyes for a moment, the innocent question burning like a fiery arrow piercing your already aching heart. Did you just hear a sigh of relief? “And your father doesn’t seem to have recognized me since the other day,” you can’t help but point out.

“The mask.” Satoru grips the steering wheel until his knuckles turn white. “He didn’t recognize you because of that. He’s always had a bad memory and poor eyesight.”

“But you recognized me.” You focus on the road’s scenery to avoid confronting his mesmerizing eyes. “I’m not going to wear my mask forever, you know? And I don’t want to keep pretending—”

“Please,” Satoru whispers, placing a hand on yours, sending a shiver down your spine. “Just until he and my family get off my back.”

“I’m sorry, but—”

“How much do you want?” He asks immediately, as if he just remembered something.

“What? No! I don’t want your money!” you protest as quickly as he did. “No, I…” And you groan, sinking into your seat.

Holy shit!

“What have I gotten myself into, seriously…” you moan, crossing your arms over your chest, a grimace distorting your features.

“Please. I know it’s a lot to ask, but I’ll do everything to make it just a minor detail… I’m only asking you to change your name in front of my father when you pass as my girlfriend, wear a mask, and change your hairstyle at work — if we want to avoid suspicion. He won’t suspect a thing, I swear.” He pulls into the school parking lot and parks quietly.

Thoughts bombard your already exhausted mind, and you massage your temples. Why does this have to happen to you and no one else?

Satoru murmurs your name, making you lift your head. “It will only be a few family events, just for appearances, nothing more. I won’t bother you any further.”

You sigh, and the sound of the bell signaling the end of classes rings out. “I need to think about it. Thanks for the ride. Have a nice—”

“Come back. I’ll take you home,” Satoru suggests, pressing the button to unlock your door.

What’s the point of refusing?

You nod, finally getting out of the car to go pick up your daughter, who runs toward you as soon as you reach the gate.

"Mama!" She jumps into your arms.

You return her embrace, heading towards Satoru’s car. “Did you have a good day?”

“So much fun! I made you a drawing!” She’s practically bouncing as you reach the car.

Noticing your daughter’s confused look, you clear your throat. “Uh… A-A friend of mine is giving us a ride home, okay?” She blinks innocently and waits for you to open the car door, which is almost as tall as she is. Hinata gets in as you do, and you cough slightly. “This is Gojo. My friend.”

“Hello, princess.” Satoru turns his head over his shoulder with a big smile. “What’s your name?”

“Hinata,” she replies, her legs gently swinging.

“Very pretty.”

“Thank you.” She blushes and tries to hide a smile.

On the way, you try to fill the awkward silences with small talk until you arrive at the supermarket.

You had promised to buy Hinata a new stuffed animal since last night after spending hours worrying that you weren’t being a good mother. Again.

“That one!” Hinata almost runs towards a bunny plushie that’s twice the size of her head. She grabs it with her little arms and gives it a hug.

Satoru and you reach the aisle, and out of habit, you check the price under the albino’s watchful eye. Your eyes nearly pop out of their sockets when you see the amount, and you place a trembling hand on Hina’s shoulder. “Angel, I think it’s—”

“…Perfect,” Satoru finishes, his large hands taking the plushie from your daughter’s tight embrace to check the price tag with its shocking number. “Do you like it, little one?” he asks, looking down at her.

Hina nods energetically. “Yeah!”

“Then we’ll take it.” Satoru hands the plushie back to her and turns towards the checkout lane, already reaching into one of his pockets for what looks like… a wallet.

You react immediately, your hands finding their way around his arm. He doesn’t push you away at all and even smiles at the contact. “Gojo… No.”

“It’s Satoru to you, sweetheart,” he whispers gently. “And why not? It’s just a stuffed animal,” he scoffs. He takes Hinata’s hand so she can place the plushie on the conveyor belt.

“No, it��s not nothing to me,” you persist through clenched teeth, embarrassed that the cashier might be paying attention to your conversation.

Satoru shrugs. The cashier scans the plushie, and he uses contactless payment to pay for it. With your hands still around his arm, he places one of his on top, an intimate closeness.

“I could get used to this,” he murmurs near your ear, making you turn beet red. But he can’t continue as your daughter clings to Satoru’s leg like a koala, showering him with a thousand thank-yous for the gift. “You’re welcome, little one.” His hand gently ruffles her hair. He grins, now turning back to you. “It’s on me. You don’t owe me anything.”

Your discreet protests, so Hinata doesn’t suspect anything, come to an end when he drops both of you off in front of your home. Hinata commented that Satoru’s car looked like the one from the movie Barbie: Princess Charm School she had seen recently. He unlocks the doors as you get out of the car. Satoru’s hand catches yours, slipping a piece of cardstock into it. His contact details are on it.

“Just in case,” he mouths silently.

Nevertheless, you slip the business card into your pocket and respond just before closing the door, “I accept.”

°°°°

“And no funny business, okay? Never run in the hallways, if he tells you to wait, don’t move an inch, and—” You stop yourself as you notice your daughter is more interested in admiring the elegant decorations of the office hallways with wide, doe-like eyes and an adorable, slightly open mouth.

To your great misfortune, Hinata’s preschool is on strike for a while — which means almost all the teachers are absent. So how do you take care of your daughter when you can’t afford to miss work? By bringing her to your fake boyfriend’s office, of course! You quickly make your way toward Satoru’s office, Hinata following with her hand in yours. But just as you raise your fist to knock on his door, two large hands land on your shoulders, nearly scaring the life out of you.

“Hey, hey!” You whip around abruptly, a new mask on your face — just as the plan intended.

“Satoru…” you grit through your teeth. Hinata looks up at him and grins. You sigh.

“What do I owe the pleasure of all this lovely company?” Satoru asks, not taking his eyes off yours while giving Hinata a high-five.

As usual, he’s dressed in a luxurious suit — probably worth the rent of the apartment you live in — his slightly tousled albino hair and the familiar scent of cologne filling your nostrils. You catch yourself staring a little too long, and mentally kick yourself when his curious gaze turns mischievous.

He just realized you were checking him out, damn it!

“Hinata’s school is on strike. I need you to watch her for the day, if that’s not a problem, and since you seemed so insistent on returning the favor I’m doing for you…” you mumble, avoiding his gaze. “I see you’re spending your day roaming the offices rather than staying in yours…”

“No problem at all,” Satoru replies automatically, a pleased smile on his lips. “Ready to go to the CEO’s office?” He picks up Hina, who giggles and clings to him like a koala.

It’s your turn to smile in relief. “Thank you so much. I have a meeting with your father in an hour, and I’ll come get her at noon and again at the end of the day.” The sight of the two of them close together makes your heart melt — and for once, you don’t blame yourself for seeing Hinata happy to be with someone else.

°°°°

5:00 PM.

You’ve sent a message to Satoru asking where he was, since knocking on his perpetually empty office seems to be pointless. The meeting with the other company members about organizing the launch of a new product was particularly painful, but one thing is certain: the general manager didn’t recognize you with your more subdued hairstyle and the mask plastered on your face.

“Come to the parking lot like last time.”

And that’s the last message from Satoru (you gave him your number during lunch).

In the empty parking lot, only Satoru’s car is present, and you cast a curious glance through the windows. The two troublemakers give you a grimace — tongues sticking out and faces scrunched up. You sigh as the passenger door opens automatically.

“Satoru, you don’t have to—”

“Hina said yes and that she wants to come to my place,” Satoru cuts in with a mocking expression.

Reluctantly, you get in, your heart pounding in your chest with all sorts of panicked thoughts. However, Satoru doesn’t seem to share your reservations and starts driving as soon as you’re settled.

“So, this means you’re coming to my place,” he says, hands on the wheel and a quick glance in the rearview mirror, “and I’m inviting you to dinner.”

“No—”

“Mom! Please, Satoru is being too nice.” Hinata complains. You glance back, and she looks at you with wounded, pleading puppy eyes, arms crossed over her chest.

You grumble, slumping back against your seat as they both cheer in victory.

“By the way, I’m stopping by your place so you can pack. We’re invited to a family wedding, and my father invited us.”

“WHAT?”

°°°°

You place a box with your gift on the designated table for presents, and an arm wraps around your waist. “You look stunning,” Satoru murmurs against your neck, his lips brushing against your skin, which breaks out in goosebumps.

With a flushed face, you turn your head. “Satoru…”

“What? Just because we’re pretending to be a couple and barely know each other doesn’t mean I can’t speak the truth.” He pauses. “Well, actually, we do know each other a bit, don’t we? We’ve had dinner together.” He chuckles at your half-grimacing, half-deadpan expression, pulling you closer as music fills the wedding reception hall.

You turn your head along with him toward the back of the room, where the bride’s bouquet is about to be thrown. A tight smile curves your lips — this is one thing you’ve dreamed of. Dreams have always been just that — dreams in your life, and even when love comes knocking at your door, it’s only passing through, just like your situation with Satoru.

His father didn’t notice anything, and since Satoru lives alone in a villa, it’s hard to say no when he offered for you to stay with him until he’s settled, with your own room and a staff available 24/7. He even had a tailor make a custom dress for the wedding you were both invited to. Hinata is looked after by a lovely nurse, and you’re enjoying a life you’ve always dreamed of. So why not make the most of it despite your past?

A Satoru who’s too comfortable with you isn’t so bothersome given the time you’ve spent together lately — both at the office, acting as a couple in front of certain people, and sometimes showing affection to each other to appear believable, even though they haven’t asked for kisses yet, so—

A fluffy and soft object lands right in the middle of your face and falls into your arms. You search for what seems to be a petal in your mouth and suck in your breath at what you realize it is.

The bride’s bouquet.

A gulp forces its way down your throat as the whole room applauds because… you’ve been hit in the face with the bouquet? Not to mention the lamentations of other female cousins who had jumped with all their hopes to catch it… But why you, who hadn’t asked for anything?

“Sweetheart?” Satoru mutters, his chest still pressed against your back. His tone is so sweet, nonchalant, as if you’ve been a couple for years. “My father is watching us, and I think he’s expecting me to do something.”

You swallow and nod, dreading what might happen next. Will your heart stop beating when Satoru says:

“May I kiss you?”

Never, ever, has anyone asked you that question. Not even your ex.

So, with a nervous nod, you allow him to capture your lips in a soft, languid kiss. His tender lips taste like the cotton candy children eat at the fair. They cherish yours with every movement (which you can’t help but return in kind). Each press sends butterflies fluttering in your stomach.

When the kiss ends, Satoru places one last kiss on the corner of your lips and clears his throat. “This is the first time I’ve wanted to marry my girlfriend.” His warm breath ignites your body.

Has your heart exploded?

If not, why can’t you breathe?

“Awww… How adorable you are with your pretty girlfriend, Satoru!”

An elderly woman approaches you both, supported by her old cane, and you note her albino hair, similar to Satoru’s.

“My dear aunt…” Satoru smiles widely without breaking away from you.

“You make a lovely couple,” Aunt Gojo continues, giving you a wise look.

“Oh, thank you.” You immediately bow and introduce yourself. Satoru’s hands squeeze your waist, and he chuckles at your manners.

“Take good care of her, you idiot,” the aunt finishes before drifting away, a tap of her cane on Satoru’s head making him sigh and rub his sore skull.

“Well, at least we look convincing, right?” he adds.

“Yes…”

Of course, he said that because he saw his aunt before you! Don’t think he said it because he meant it or—

“By the way,” Satoru takes your hand in his and leads you to the center of the dance floor, “I meant what I said before my aunt interrupted us.”

And you’re at a loss on how to interpret his playful wink.

°°°°

“WOW! Hinata, you’re so rich!”

“Is this your dad’s castle?”

Hinata takes Satoru’s hand and faces her friends in his chic living room. “It’s my daddy’s!” She nods proudly and runs off with them toward the games and festivities organized for her birthday. The children run everywhere, scream, and burst into laughter throughout the room. The perfect atmosphere.

It’s exactly what you’ve always dreamed of giving Hina.

“You didn’t have to do this,” you murmur to Satoru, who, despite your comment, shakes his head joyfully.

“I’m glad she likes it,” he replies.

“I wasn’t talking about the party.”

He freezes and turns his head toward you. “Didn’t you tell me you’d never been married?” he dares to whisper, possibly afraid of hurting you.

“That’s true. My ex left after learning I was pregnant with Hinata.” You exhale the breath you’ve been holding, the weight of the secret finally lifted.

Maybe he won’t want to keep pretending to be your boyfriend after this…

“You can still tell me his name, you know, sweetheart?” Satoru moves closer to you, wrapping his arm around your waist, as if it’s completely natural for him, but there’s a tension in his touch. “I can take care of him and—”

You shake your head to dispel the tiny bit of resentment that’s urging you to say yes. “It’s okay. Thanks for agreeing to pretend to be her father. I know it’s going to be a bit of a hassle for a while, but she cares a lot—”

“Nuh-uh.” He places a kiss on your cheek, then another on the side of your neck, causing you to shiver. “She’s already talked about it in my office.”

You open your eyes wide. “What…?”

“Hinata likes you much more than you think… You’ve suffered too much,” His other hand glides over your stomach, and his thumb traces affectionate circles on your waist.

“Thank you,” you breathe, leaning into his touch. And for a moment, the weight on your shoulders completely lifts. “We haven’t had the best birthdays recently, so I’m happy to see Hinata get what she wants.” Your eyes rest on your daughter, dressed as a fairy, waving her glittery wand at one of her friends dressed as a witch. “So, thank you for everything.”

“No need to thank me, sweetheart. But which birthday are you talking about? Yours? When was it?”

Embarrassed, your mouth feels dry. “...A while ago.”

Satoru pulls you tightly against his chest, wrapping his strong arms around you, his nose buried in your hair. “You’re such a strong woman… I can take care of you if you want. You and Hina will live like princesses, and if you want to sleep with her or have your own room, that’s no problem for me.”

“What? No, Satoru, you’re joking…”

“I’m not joking,” he insists, his gaze diving into yours — and for a second, sincerity fills his cerulean eyes.

With your mouth slightly open, you whisper, “We barely know each other, and—”

“Mama! Papa! We need to break the piñata!” Hinata rushes over to you, not paying any attention to how close you are to Satoru, and grabs each of your hands.

“Yes, angel, we’re coming,” you respond to your daughter with a weary smile, before glancing at Satoru, who is no longer looking in your direction.

Why are his ears so red?

°°°°

You place the last birthday decoration box in a corner of the living room as Satoru asked and straighten up with a grimace from your aching back. “Geez…”

The upper floor of the huge house is strangely quiet, and you furrow your brows. Could they have gone downstairs?

“Hinata? Satoru?” you call out as you walk through the hallways.

The evening darkness makes it hard to see clearly, and only the faint beam of light escaping from the kitchen door guides you.

“Are you there?” you ask, gently pushing the door open, and what you find leaves you stunned.

“HAPPY BIRTHDAY!” the two of them exclaim, holding an enormous cake between them.

A few candles illuminate the underside of their beaming faces, party hats perched on their heads. The kitchen is a huge mess, counters covered in flour and frosting, and dishes overflow from the sink, threatening to topple over.

You stand speechless as they continue to sing your birthday song. Your nostrils and eyes start to itch strangely. Why is your vision suddenly blurring? It looks like transparent waves just above your lower lashes, threatening to overflow if you dare to blink. Yet, you can’t escape it.

Not when they set the cake on the table and pull you into a hug while your nose runs, tears roll down your cheeks, and your choked-up throat is on the verge of bursting into sobs. Satoru keeps kissing your hair, never stopping for a second to comfort you with sweet and reassuring words, his hand drawing circles on your back. Hinata wipes your tears while her own roll down her little cheeks.

Seeing you cry has always been contagious for her.

The moment gives you a glimpse of what your life would be like if you had a complete family, and Satoru’s words echo in your mind. How could he be so perfect in just a few weeks of knowing him?

Once the emotion passes, a few minutes later, you eat your birthday cake with laughter and cheer, accompanied not just by the one person who now means everything to you, but by both.

°°°°

“Watch out, Hina. You have applesauce on your chin,” Satoru chuckles, his hand grabbing a napkin to wipe the excess food around the child’s mouth.

The heartwarming scene makes your heart swell. You definitely don’t regret going out with Satoru and Hinata to have a meal at a chic terrace in their company. The family atmosphere finally gives you a glimpse of the life you’ve always hoped to live. Hinata growing up with a loving father and mother, and you, loved and supported by an ideal partner. Why not reconsider Satoru’s proposal, then? He’s the first man to think of you, even after your birthday had passed some time ago.

“I’m going to the restroom,” you murmur to Satoru, who nods in response, a wry smile curling his pink lips.

But why did it have to be on this day that a man finally approaches the two people you care about just as you slip away? He clearly waited from afar for you to let your guard down around your daughter so he could show up right in the middle of the table, facing a little girl — his daughter, technically — next to a man who isn’t her father.

Satoru slowly raises his head toward him, brows furrowed and wary. “Can I help you?”

Your ex says your name. “Where is she?” he mimics asking as if he didn’t know.

“What do you want with her?”

“To talk to her. I have the right. And you’re with my daughter, just so you know.” He crosses his arms over his chest, trying to appear threatening, but Satoru remains stoic, more contemptuous than anything else in the face of such a scruffy, unshaven nuisance.

“She’s not here; you can leave,” Satoru responds. And out of protective instinct, he pulls Hinata’s chair closer to him, his eyes narrowed. Satoru understands perfectly that your ex is back to claim his rights over his daughter, just as he’s been harassing you with messages about it.

“Excuse me? When my daughter is in the arms of a stranger? I could call the police immediately and we’ll sort this out very quickly,” your ex retorts sharply. He takes a step toward a lost Hinata, her big doe eyes blinking innocently between the two men. Of course, she doesn’t recognize him.

An altercation begins between the two, which naturally attracts the attention of other diners around. And you walk into the middle of the scene, frozen in shock at the sight of your ex hurling threats at Satoru.

“She’s taking my daughter, so I’m taking her back! And it’s not a bastard like you who’s going to help her regain my rights!” your ex spits with venom. His icy eyes find yours, terrified, your hands trembling and your complexion as pale as a sheet. He’s about to address you with the same angry speech, his face flushed with rage and a vein ready to burst at his temple.

Do you get déjà vu?

“‘Your daughter’?” Satoru repeats with a deadly gaze and a jaw quivering with rage. “She’s been sitting next to me for over an hour, I’ve been feeding her for over an hour, she’s been calling me by my name for over an hour, and you’re talking about ‘your daughter’? At this point, whose daughter is she... yours or mine?”

Your ex, publicly humiliated, opens his eyes wide with hatred. “You little son of—”

“Sir, we ask that you leave the terrace; you’re disturbing our customers,” a security guard declares firmly. He’s accompanied by another colleague, and when your ex protests, they grab him by the arm and escort him away amidst his shouting and the murmurs of other customers who keep staring at the three of you.

You move closer to Satoru, who immediately stands up upon seeing you — having not realized you were there — and can only offer you an apologetic look. “Let’s go,” you silently mouth (your throat too tight to dare let a sound escape, fearing it might break before you say anything), taking the hand of a silent and lost Hinata. “I’ll pay the bill and—”

“It’s already taken care of; we can go,” Satoru gently interrupts, following you to his car.

And it’s on the silent drive back that you realize something.

You’ve officially fallen in love with Satoru Gojo.

°°°°

“Look, Mom, Dad and I made a drawing for you!” Hinata proudly holds up a colorful picture with three easily recognizable characters on it.

“Did you brush your teeth?” you ask as you take the drawing to admire it, just as much smiling as your daughter. She nods and then does a little twirl to show off her new pajamas that Satoru gave her earlier in the day. “It’s beautiful. You’re so talented,” you chuckle, leaning in to plant a kiss on her cheek.

Satoru appears in the doorway of Hinata’s room, leaning against the frame with his arms crossed over his chest, a perpetual playful smile curving his lips. “Ready to go to sleep?”

“Yes, and I showed our drawing to mama,” Hinata asserts, bouncing on her bed.

“Oh yeah? Did mama like it?” Satoru asks softly, his eyes now locked with yours.

“Mama loved it and thanks Daddy,” you whisper, your voice quivering with emotion that threatens to spill over.

Half an hour later, Satoru and you find yourselves in the hallway with a sleeping Hinata and her little lullaby snores.

Satoru wraps his arm around your waist as usual and buries his face in your neck. Your heart is already racing, and your breath catches when he says, “I’m sorry.”

“Why?” The embrace is a simple hug but with unspoken words easily guessed.

“For everything.” Satoru sighs, and for a split second, you hope he’ll let you speak, but no. “I didn’t mean to make a scene and—”

“And you think I’m going to blame you for protecting us? That I wasn’t touched by what you said about Hina?” you mumble near his ear. The closeness gives you another chance to see his ears turn red. “Is Satoru shy?” you giggle, open to teasing. He hums, hiding his face so you don’t see his expression.

“I love you.”

You blink, because you must have heard wrong. “Huh?”

“Marry me.” And he’s already on his knees before you, eyes pleading. That usually confident cerulean blue is now so submissive, so close at hand… But the sudden turn of events leaves you stunned. “I want to be your husband, not just have you as my wife. I want to raise Hina with you and give you everything you need.” Not letting himself be distracted by your stunned expression, he continues, “Want my money? I’ll give it to you. My house? It will be in your name. Want my body? It belongs to you. My heart? It’s already yours.” And he starts kissing the backs of your hands desperately. “I love you, I love you… Please, marry me…”

“Satoru… You—” you stammer, backing away, your brow furrowed. Everything is a jumble in your head, both from his touching declaration but also because it’s all moving too fast for you. “You… love me?” you manage to whisper.

He crawls to you and wraps his large arms around your thighs, almost choking with desperation. “I fell in love with you as soon as I saw you, as soon as you covered me from my father, as soon as I heard your laugh, saw the amazing mother you are, and realized I never wanted you to leave this house.” He whispers your name like a divine invocation. “I’ve fallen in love with you more than just once.”

You don’t immediately respond, and that’s okay in his eyes. He doesn’t want to pressure you, just for you to know the truth and for him to be completely transparent with you.

“It’s okay if you don’t share my feelings; I just want you to know that—” But he’s cut off by your rush toward him on the floor as you press your lips to his, pulling him into the dance of your lips that one gives to the other in a long, passionate kiss. “God… I love you so much…”

“I love you too, Satoru,” you murmur against his mouth between kisses that turn into moans as he slides his warm, wet tongue between your lips to request access to your mouth.

Both of your breaths become ragged and heavy. Satoru takes the opportunity to lift you by the underside of your thighs and lead you to his bedroom, carefully closing the door behind him without breaking the contact of your swollen, desirous lips. He gently lays you on the king-size bed with silver satin and frost-blue sheets.

With a tenderness of loving slowness, Satoru breaks the kiss. “Do you want to continue?” he asks, his voice husky. You nod timidly, but he shakes his head with his mischievous smile — finally back. “Nuh-uh. Your words, sweetheart.”

“I want it, Satoru,” you reply after a sigh of exasperation so adorable in his eyes that it makes him laugh, then he places a light kiss on the corner of your lips.

“Alright… Gonna take care of my beautiful girl, the best, the most wonderful mother, and maybe future wife—” He places a finger on your lips. “Oh no, you’ll answer that later if you want, when I have something concrete for that occasion.”

You sigh in frustration because the answer is already on the tip of your tongue, but it soon turns into a moan as he kisses the side of your neck with such deliberate slowness that you really wonder if he’s going to tease you to the limit. His hands roam over your clothed chest, exploring your already hardened nipples. His lips find their way to your collarbone, marking it with love bites and hickeys that elicit muffled moans from you.

“If you knew how long I’ve dreamed of doing this…” Satoru comments with a touch of affection, his fingers deftly undoing the buttons of your shirt. “Exactly how I would act with my wife—”

“And your father?” And he chuckles again.

“We don’t care about him.” He casually tosses your top aside to tease your sensitive, erect nipples through the fabric with his thumbs. “Such humble underwear… Would you like me to buy you something more daring?” he purrs, pulling on a strap to snap it against your gooseflesh-covered skin.

“Would you do that?” You bring your lips to his, and he immediately responds to the kiss. You also remove his black turtleneck sweater to reveal his toned, muscular torso. An adventurous hand glides over his chest, making him groan slightly, and then stops at his lower abdomen where a vein runs lower down. You place a kiss there with a small, sly smile.

For the first time, you’re about to make love with someone.

“Hmm? Satoru? Have you ever thought of me in outfits like this?” Your nimble fingers unbutton his pants, revealing a prominent bulge in his fly.

“Sweetheart, don’t—” he hisses between his teeth from the sensation of the slight friction between his erection and your eager fingers as they pull down his pants to caress and rub his dick through the thin fabric of his boxer. “Your hands feel so good…” He breathes softly, his hands stroking your bare arms with a feather-light touch.

“Answer my question…” you purr, your nails pulling at the underwear to free his hard, twitching cock. The tip is perfectly reddened, with veins coursing along its pale length of 8 inches. Almost automatically, your mouth waters, and you waste no time kissing the slit of his already glistening tip with pre.

“Babe, don’t tease…” Satoru closes his eyes and lets your hand wrap around his length, begging to be touched. “F-fuck— Yes, yes, I’ve thought about it, about buying you the most expensive and luxurious lingerie— ah!” he almost whimpers. You take a little over 2 inches of him into your mouth to stroke the base. “But also in those maternity clothes— oh god… C-can you really blame me?” He rolls his eyes and can’t help but buck his hips toward you, his body pleading for your mouth to take care of him.

You withdraw his cock from your mouth to whisper, “So you’re a naughty boy, hmm?”

“I won’t last if you keep this up— hgnn…” he whimpers completely, his dick splitting your mouth in two as you take him all in. Your head starts to bob back and forth, and he is so close that he spills moans of your name. “G’nna cum, baby, don’t—”

You hollow your cheeks, and the next moment, he cums in your mouth, long, thick ropes of his release filling your already full mouth with his shaft. You hum under his orgasm and swallow slowly. You slide his dick out of your mouth with the same rhythm to smile at a Satoru with ears as red as his cheeks.

“F-fuck, sweetheart,” he pants, his calloused finger wiping away the mixed cord of your saliva and his cum with a swipe of his thumb.

“M-hmm… You taste so sweet…” He doesn’t let you continue and crushes his lips against yours, tasting himself on your mouth. “I want you, Satoru…”

“I’m yours, princess.” He helps you quickly remove your remaining underwear so that you’re completely naked in front of him, knees resting on the expensive mattress. He kneels at the foot of the bed, and his fingers explore your sensitive, already dripping cunt.

“So wet for me… Did I do this to you just with my cock?” His fingers spread your swollen folds to gather your fluids and rub your throbbing, needy clit.

Your nails dig into his arm as you lift your hips under the sharp pleasure. “Satoru, it feels good…” you gasp in a whimper. His forefinger and middle finger spread your wetness all around your intimacy. “Please don’t tease…”

“Not tease? Weren’t you doing it, sweetheart? What a nerve,” Satoru scoffs, tapping his finger at your entrance. “Can I?”

“Please…” You wince as you move your hips down for more. And that’s exactly what he does, immediately inserting his finger into you, cursing.

“You’re so fucking tight… and so wet,” he curses, his finger moving in and out of you with careful softness. “I can already fuck you without making you cum first.” He stops finger-fucking you and looks up at you. “Is that what you want, love?”

You nod before arching your back on the bed. Satoru climbs onto the mattress and helps you wrap your legs around him. “That’s it…” He takes his length in his hand and teases your responsive cunt with the tip to get it wetter.

“Don’t tease, Toru, I swear…” And he smirks.

“Toru?”

“Sorry, I—”

His tip presses against your tight, pulsing entrance, and he grins. “I want you to moan that nickname while I fuck you, ’kay?” He grips your hips to pull you closer to him, and with one swift movement, he slides into you, a groan escaping from behind his lips as your deliciously tight, warm, gummy walls wrap around him as if you were meant for him.

The stretch causes a slight discomfort at first, and you almost cry in relief when Satoru notices. He patiently waits for you to adjust before starting a slow, deep rhythm inside you.

You widen your lustful eyes, tears forming at their corners. “Ah! Toru… Jus’ like that…” Your eyes roll back as the tip of Satoru’s dick hits the back of your cervix, making you shiver and tighten around him. “Fuck… s’deep…”

“So fucking perfect, so fucking mine,” Satoru groans, his hips rocking into you without ceasing to swell between your gummy walls. His chest rises and falls in a breath as ragged as yours, asking for more every time you moan for him to go deeper. (He discreetly rolls his eyes and babbles incomprehensible words — completely pussy drunk.)

And that’s exactly what he does. He slams back in brutally, making you cry out his name with each thrust. “Shhh… You don’t want Hina to hear us, right? So keep quiet, baby…” He helps stifle your gasps and moans of pleasure by capturing your lips with his, alternating between fast, rough thrusts and slow, gentle ones in your hole that he fucks shamelessly.

Blood rushes to your ears, a rare sensation you haven’t truly felt the last time you were with someone. It wasn’t just about carnal pleasure between Satoru and you — but about love. The fusion of bodies loving each other and providing mutual pleasure, even as they burn for each other— physically and emotionally.

One of Satoru’s hands slowly slides to one of your breasts and teases a sensitive nipple. The arch in your back encourages him to detach his mouth from yours to capture the other nipple with his wet lips. The growl he lets out sends a wave of intense shivers through you, making your eyes roll in overstimulation.

“P-please, Toru, please, I’m already close,” you whimper against your trembling palm — a feeble attempt to contain your sweet sounds as he speeds up his hip movements in your sloppy cunt — the sound of his balls slapping your skin filling the room. Your words are punctuated by the tightening of your walls around him, swearing he could cum inside you just from hearing you beg.

“Cum on my cock, baby, cover it,” he coos, giving another kiss to your abused chest. The clenching of your jaw with your teeth dug into your lower lip forces you to groan. “Want me to fill you up?” And you nod, tears showing your imminent orgasm. “Anything for you, my beautiful girl.” His hips slam against yours, and his fingers continue to tease your breast, rubbing your puffy clit.

Satoru’s own breath becomes heavier, more labored as he keeps singing praises while you gasp, his lips pressed along the line of kisses he’s placing down your jaw. “T-Toru, Toru, cumming!” you cry out as your walls spasm around his cock while he reaches his peak and fills you with his hot, liquid release, warming your lower abdomen. You see blinding stars illuminating your vision.

He hisses almost gutturally, his nails digging into the flesh of your hips. “Oh god… S-Squeezing me while I’m cumming too…” He closes his eyes for a moment, letting his peak subside at the same rhythm as yours, his forehead damp with sweat resting against your chest.

Only pants and groans escape your lips, each one accompanied by difficult swallows and the feeling of your sweaty bodies pressed against each other.

“How was it? Did I make you feel good?” Satoru asks immediately, once his breath has returned.

The concerned questions touch your heart so deeply that you lift tearful eyes to him. “Are you going to leave, after this?”

His expression falters, and he gently withdraws from you to envelop you in his embrace. “No, baby, of course not… I won’t, I swear on my life I won’t leave you… I’m not him. I’m the one who hopes you won’t leave…” he whispers hurriedly. “Don’t think about that. I’ll always be here, for you and for Hina…”

You sniffle, your eyes red. But Satoru smiles tenderly, wiping away your hot tears. “Save your tears for later, sweetheart.”

“Why?” You clear your throat.

He sighs, the aftermath of the effort from the activity settling on him, and places a chaste kiss on your sweaty temple. “Did I tell you that my father invited us to dinner tomorrow night?”

“No,” you shake your head, “but what’s the link?”

“Don’t you understand?” he murmurs in your ear, butterflies fluttering in your stomach. “It doesn’t matter. You’ll understand in time.”

°°°°

“I see. So it was an unexpected encounter.” Gojo’s father nods, shrugging his shoulders. “But I wonder how a woman like you can have feelings for such a fool…”

Satoru chokes on a piece of meat he’s chewing and takes a sip of his water. You stifle a giggle, with some steamed vegetables speared on your fork, just waiting for you to devour them. For a man who appears so stern and strict, Mr. Gojo is quite a wealthy man who spends his days reprimanding his son for not doing this or that.

Yet, there’s a certain paternal camaraderie between them — a father-son relationship, if you will.

“That’s not true,” Satoru retorts, his voice still gravelly. He has an adorable pout on his lips, like a child wrongly scolded.

“Yes, like you’re not a womanizer,” his father retorts, rolling his eyes.

“It was so you’d leave me alone,” with furrowed brows, he wears a mischievous smile at his father’s incredulous expression, “but sweetheart came into my life,” he continues, looking at you with a tenderness he has rarely shown.

“I hope you manage to put up with him until… well, until you decide to marry — if that’s what you choose,” his father sighs, turning his attention back to the dish in front of him.

“Satoru isn’t a bad person, you know,” you start gently. “He is certainly a thoughtless brat with grotesque immaturity,” Satoru almost spits out his water this time, and you continue with a wry smile, “but he has a great sense of attention and unmatched generosity. I believe he will be a good husband, I assure you.”

“I must admit,” he says with a wise smile, his wrinkles less pronounced.

Satoru casually says your name, “Yeah, yeah… By the way, could you pass me the salt, please?”

You freeze, while Satoru’s father suddenly looks up with an incredulous expression. “Who?”

And you smack your forehead with the palm of your hand.

°°°°

The cries of a newborn fill the room as, breathless and on the verge of fainting, the midwives congratulate you, bringing your second child wrapped in clean blankets at your request.

“He’s beautiful…” Satoru murmurs as he approaches you, leaning down to the tiny baby with his albino hair and blue eyes — his exact likeness. “Thank you, my love, thank you, thank you, thank you…” His voice breaks as you raise a weak, exhausted hand toward him, but with a serene smile on your lips as you whisper how much you love each other.

He immediately wraps his fingers around yours, your wedding rings sparkling as they brush together like stars sealed for eternity.

a/n: how i love desperate men, hihi! 🤭 hope you all enjoyed this one-shot!

tags: @ssetsuka @zara-zara11 @bearwithmoo @elliesndg @lymsfm @mutsu422 @whathappenedtobees @drippymcdrippison

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why-animals-do-the-thing · 6 months ago

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I promised you some lions! Let's talk about manes, males, and management.

This is Tandie, the current male lion at the Woodland Park Zoo.

Notice anything odd about him? He's got one of those hilarious awkward teenager manes. Except... this cat is nine years old.

I was, of course, immediately curious.

Manes serve a lot of purposes for male lions, including being an indicator of health and fitness - it's actually a sexually selected trait and a social signal. Mane texture / hair quality / length is dependent on nutrition and the body having energy to grow (and carry around!) that much hair! The color is also a signal: males with darker manes have been found to have higher testosterone levels.

In one research report, wild males were much more likely to avoid a lion decoy when it had a longer or darker mane - but the girls really loved a dark mane. It's thought this is because a long, dark mane is an indicator of mate quality. Males with longer, darker manes have higher testosterone and were pretty healthy: meaning they had more energy for fighting, had a better chance of recovering if they got injured, and generally had a higher rate of offspring survival. Manes matter!

So, back to Tandie. He was actually born at the Woodland Park Zoo in 2014 alongside two brothers, to dad Xerxes and mother Adia.

This was Xerxes (rip).

Obviously, a very large, dark, lush mane on Xerxes here. So where did these blond muttonchops come from on his son?

I asked the zoo docents and got an answer that didn't make a lot of sense. They told me that after the three cubs grew into adolescents, they were moved to the Oakland Zoo together. But living together suppressed his testosterone, and he never grew a mane.

Hmmmm.

Here's a photo from 2016, when the brothers debuted at Oakland. They're a year and a half old in this photo.

(Photo Credit: Oakland Zoo)

And here's from an announcement for their third birthday.

(Photo credit: Oakland Zoo)

Okay, so these dudes obviously all were growing manes as of 2017. I think Tandie is the one on the left in the first photo, and laying down in the middle on the second. What happened?

I was just in the Bay Area for a zoo road trip, of course I went to Oakland and tracked down a docent to ask some questions.

It turns out that shortly after the brothers turned three, they started acting like adult male lions: they started scuffling regularly. It's a normal social thing for male lions to live in groups, called coalitions, but according to my lion experts there's generally a baseline level of some social jostling within them. It wasn't quite clear from what the docent said if they couldn't manage the boys together, or if they just wanted to avoid the scratches and small wounds that result from normal lion behavior. Regardless, they put all three of the boys on testosterone blockers in order to be able to keep them together as a social group.

Now, I don't know a lot about the use of hormone alteration as a form of captive animal management, except in the case of birth control. I don't think it's something that's unethical - there was just a webinar on it that I saw go by - but I don't think it's commonly done with big cats. Lions have kind of complicated reproductive cycles, and for instance, we've been learning that female lions can take much longer to come into estrus again than expected after coming off hormonal birth control.

In males, testosterone blockers (or being neutered) means they lose their manes. This is why a lot of rescues will do a vasectomy on their males instead of a neuter - it allows them to keep their mane and the social signals that accompany it.

Tandie returned home to Woodland Park Zoo after Xerxes passed in early 2022, and the docent told me all of the lions had been off their blockers "for while." I'd guess those things happened around the same time, since bringing the trio down to a duo at Oakland would reduce some of the social tensions.

Hormones are such interesting things, though. One of Tandie's brothers has a full mane again, and the other is still totally mane-less.

As for Tandie, his mane is growing back in, and it looks like he might rival his dad for length and coloration.

He started here, in February:

Yesterday:

What a difference four months (and maybe proximity to a girl) makes!

#big cats #lion #african lion #big cat behavior #zoo animals #zoo animal welfare #captive animal management #zoos

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chuluoyi · 1 year ago

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✎ treasure

- gojo satoru x reader

the strongest sorcerer meets his match in his petulant son, who inherits his six eyes and is having trouble with them

genre: taking care of your son with dad!gojo, fluff/comfort

note: AAAA i love this waaay too much!😭 this brilliant idea gave me baby fever so bad came from an anon who so energetically dropped by my askbox, thank you! and seeing this artwork by Yoon in twitter definitely gave me more ideas too!

a part of gojo's love entries

general masterlist

"No!"

"Why? This helps—"

"That's ugly! I don't want to look ugly—like you!"

Satoru blinked in utter disbelief, and you broke into the most satisfying fits of laughter. In front of him, standing tall and sullen and very much like him was his own son, now barely five years old.

Your boy mentioned that he had been experiencing discomfort in his eyes lately, which also caused him to become dizzy. And Satoru attempted to persuade him to use a blindfold like he did because it was effective.

However, as we can see, his son didn't take his suggestion well at all. His bright blue eyes, ones your husband passed down, bore an intense glare aimed squarely at him.

"I..." Satoru sputtered, his eyes twitching. The sight was comical as no one had ever managed to elicit such a reaction from him. And no one ever considered him an unattractive person too! "I'm not—"

"You are!"

Once again, you let out a triumphant cackle, and this time your husband shot you a glare. But you didn't care. All those years of tolerating his antics had paid off. His son had finally put him in his place!

When he was a baby, you thought your son was Gojo Satoru incarnate. He was the spitting image of him—with all gaits and expressions too. And you had worried if he would turn out to be just as much of a menace as he was.

But apparently, life has other sweet plans because like you, he was a relatively calm boy, diligent, and didn't like to make a fuss. Satoru argued that it was definitely in his genes—claiming he had also been a sweetheart when he was a child, but you couldn't quite imagine him being remotely as reserved as your son.

That aside, the cause of this hilarious exchange did actually make you worry a bit.

"Look, I know it probably looks odd," Satoru gestured at the blindfold in his hand, but your little boy still didn't seem convinced by the pout he displayed. "But it will help you, I promise. If only you would—"

Oh, but it was almost like karma because besides his appearance, the other trait your son inherited from your husband was his strong sense of winning.

His face reddened from sheer indignation, and he once again screamed, "I don't want to! I'll just cover my eyes with—" he took a nearby napkin and pulled them over his eyes, "—this!"

Satoru sighed in annoyance, and you decided to jump in. Crouching down next to him, you gently pried the napkin from his hand.

"Papa just wants to help you, okay?" you reasoned, cupping his plump cheeks. Gods, he used to be this round thing in your and Satoru's arms and now he was already this big. "He uses it everyday and he has no problems, see?"

"But it doesn't look good..." Your son drooped his head in disappointment, and you could feel Satoru rolling his eyes beside you, evidently miffed at the thought of him being less than good-looking.

Parenting is challenging, especially when your husband still holds onto some of his childlike tendencies. So you decided to end the discussion here.

It was later at noon, while you were in the kitchen preparing lunch when you heard your son's scream and something crashing. Your heart was in your throat as you rushed to the backyard, only to see something that made your heart lurch even more.

Your sweet boy was wailing on the ground, clutching his head, and Satoru—

His expression was as horrified as yours if not more, as he ran and caught your son in his arms, pressing him tightly against his chest as if shielding him from the sun altogether. "Shit. Hey, hey—buddy, you okay?”

Satoru lifted him up and carried him inside. You were right beside him as he settled on the sofa, gently hushing your son, who was still shaking and had his eyes covered against his chest.

"M-My head..." your son whimpered, tears streaming down his chubby cheeks. "...h-hurts..."

"It's okay, it's okay..." he murmured, caressing the child's hair in a soothing manner, and it reminded you so much of what he would do to you in the early mornings. "I've got you now, nothing’s going to happen to you. Hang on a little longer, yeah?"

You felt warm tears threatening to well up in your eyes at the sight. It was heart-wrenching to see your son in such torment, and the way your husband was consoling him deeply touched you. It served as a poignant reminder of just how many years had passed from when Gojo Satoru was still that brat who used to mess with you during high school.

Soon, your little boy's breathing became even, and he went to sleep in Satoru's comforting embrace.

You looked at him while biting your lip, undiluted worry in your voice. "What should we do? He's been experiencing pain often lately..."

Satoru really wanted to wipe that expression from your face, but with his precious child clinging onto him for dear life, even he didn't have the heart to.

"Don't worry, I'll be with him," he assured, a plan already forming in his mind. "If he hates blindfolds that much, then I'll get him some pairs of glasses just like the ones I have—for kids. We'll start with that."

Bearing the weight of his clan's revered eyes was a heavy burden, and honestly, he would prefer it if none of his children had to inherit them. After all, he went through it all too as a child—the manifestation of the six eyes' powers marks the beginning of life as a sorcerer. The perilous world he was still trying to keep away from his son.

Nonetheless, he would be there for him every step of the way. It was what he vowed to himself on the day he was born. He wouldn’t let anything befall him—or you.

You had calmed down after hearing his plan, and as you gazed at your precious boy’s innocent face in his protective grip and the gentle pats he gave him, you suddenly found yourself in a mischievous mood once again.

"Heh, quite the doting papa, aren't you, Satoru?" you winked, a teasing smile on your face. You could have sworn his cheeks slightly flushed as he retorted:

"Hmph. He is my personal little body warmer, after all."

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felassan · 6 months ago

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June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript

Under a cut due to length.

Update: This post has now been updated into a word-for-word transcript.

[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]

Update: This post has now been updated into a word-for-word transcript.

If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )

Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.

----

Katey: Hello!

John: Hello.

Katey: Beautiful, your mic sounds beautiful. How's everybody doing?

John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.

Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.

Corinne: Can you hear me okay?

John: Yep.

Katey: Yep, we can hear you beautifully.

Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.

John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.

Corinne: John!

John: Hello.

Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.

Corinne: Our, our resident artist-poet, Matt Rhodes.

Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.

John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.

Corinne: Well there you go, right?

Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?

Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.

John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.

Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.

John: The Fade has taken Matt.

Corinne: That’s right, that’s right.

Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?

Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.

John: Yeah, yeah.

Corinne: I think that’s a, a great question.

John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.

Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.

John: Oh -

Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.

John: Well, I think –

Corinne: Those are some of my favorite parts.

John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.

Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.

John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.

Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.

Matt: Testing.

Katey: Oh hey Matt!

Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.

Katey: Yes.

Corinne: Welcome Matt, the lovely Matt Rhodes.

Matt: Testing, testing.

Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.

Katey: So mysterious.

Corinne: Oooh!

Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.

Matt: Thank you.

Katey: What faction, what faction you would choose if you could choose one for yourself?

Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.

Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?

Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.

Katey: I love that answer.

Corinne: This is my favorite answer so far.

Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?

Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.

Katey: I love that.

Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.

Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?

John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.

Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –

John: Mhm.

Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.

John: Mhm.

Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.

John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.

Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?

Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.

John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.

Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.

Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?

Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.

Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?

Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.

Katey: Will there be a Photo Mode in-game?

Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.

Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.

Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.

Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?

Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.

Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?

Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.

Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?

Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.

Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.

John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.

Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?

Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –

John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.

Katey: He’s just taking care of it elsewhere.

John: He’s just taking care, it’s, it’s his most important possession.

Corinne: The Pride there, huh?

Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?

Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.

Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.

Matt: Yeah, me too. I, I will say, what’s, what��s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.

Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?

John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.

Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?

John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.

Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?

Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?

Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?

Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.

Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?

John: Ooh, that’s a good question.

Corinne: Isn’t it?

John: Corinne, you wanna go first?

Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.

Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.

John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.

Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.

John: Absolutely.

Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.

John: Hear, hear.

Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.

John: Just for [inaudible].

Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.

Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?

Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.

John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.

Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.

Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.

Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?

Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.

Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?

Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –

John: Oh no.

Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.

Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.

John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.

Corinne: All these griffon emojis are, y’all are killing me.

Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?

Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.

Katey: This one is –

Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.

Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.

John: I love this one.

Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.

Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.

Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?

John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.

Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?

Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.

John: There’s lots of opportunities to interact with the griffon.

Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?

Katey: Assan in chat everybody.

Corinne: Assan in chat, alright!

Katey: I love it.

Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.

Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?

Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.

Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?

Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.

John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.

Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?

John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.

Corinne: Getting into the deep-cut questions now.

John: Deep-cut questions, yeah.

Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?

John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.

Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?

John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.

Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?

John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.

Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.

Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.

Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?

John: Much like the other two, we will have more information on required PC specs soon.

Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?

John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.

Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?

John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.

Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.

John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.

Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.

John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.

Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!

Katey: Will our heroes and companions leave us if we go against their wishes?

Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…

John: No spoilers Corinne!

Corinne: Aughhh, I’ll leave it there, I’ll leave it there.

John: No spoilers.

Corinne: Okay, alright, alright. But they want it!

John: Yep.

Matt: Don’t try to stop me, Smee!

Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?

John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.

Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?

John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.

Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.

John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?

Matt: Yeah.

John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.

Matt: And, and when I say was, I just mean, in Inquisition.

John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.

Matt: Yeah.

Katey: And what approach are you taking to quest and world design in The Veilguard?

John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.

Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.

Katey: Are there any locations in the game that can only be accessed by making specific story choices?

John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.

Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?

Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.

Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?

John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.

Katey: Will our decision of who in particular was left behind in the Fade be important?

John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.

Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -

John: That’s a, that’s a deep cut!

Corinne: Very, that’s a deep cut.

John: Holy smokes.

Corinne: My goodness.

John: The sound of my childhood.

Katey: Will we have mounts again? If so, any hints to what types we’ll have?

Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.

Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?

John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.

Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.

John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.

Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?

Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.

Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?

Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.

Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?

John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.

Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.

Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?

Matt: Thanks everyone.

John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.

Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.

Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!

John: Bye y’all!

Matt: Bye.

[source: The dev BioWare Discord Q&A on June 14th]

Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.

#dragon age: the veilguard #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #solas #feels #lgbtq #mj best of

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moondirti · 3 months ago

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working at a hardware store, you're too familiar with the odd customer. couples who come in with specifications so detailed, you can only imagine they're for kink purposes; women old enough to be knocked out by the fumes of the paint they purchase, looking to remodel after their husbands passing; men on the verge of a mid-life crises, more devoted to their lawns than they are their families. and though it takes a couple hours of dedicated customer service to get them out the door, satisfied with their purchase, that comes with the job that sees you paid. so it's not so bad. generally fine.

a one and done sort of thing.

(of course, that's because none of them hold a candle to this freak.)

cargo net, nylon cordage, duct tape, disinfectant. all that's missing is a shovel, and the police wouldn't fault you for calling this purchase in.

"moving?" you ask, tongue lashing against your best interests in face of the oppressive presence across the counter. a monster of a man, almost too big to fit through the store. thick arms and neck, a healthy serving of fat over every muscle, filling the space of his shirt beyond what it was sewn to handle. the camo balaclava is both ridiculous and an essential component to the intimidation he strikes in you, framing a set of eyes that squint at your remark.

(jesus, you didn't think people like him existed in real life.)

he looks like he's about to bite back, but decides against it.

"hunting." he says, then nudges the objects towards you like he has somewhere urgent to be at 10 pm. but okay, fine, you can take a hint. you scan the suspicious list of things and tally up his total.

"uh, 85 quid. thanks."

"bloody extortionate." the man mutters, stacking his purchases upon one, curled arm, before throwing a pink note your way.

nonplussed, you don't notice the offence immediately. the matter of payment is instead superseded by his offhand exit, his shoulder shoving open the door, head bowing to shrug out. and you watch as he walks across the parking lot, long strides taking him there in three steps, and watch as he slips around the brick perimeter. only then does your stomach settle.

but at that point, it's far too late.

50 pounds stare smugly up at you.

that asshole underpaid you.

by the grace of the gods (your manager), your shift ends soon after. it's a wonder you manage to get to your car at all, migraine splitting your skull in two. though it should be doing something to alleviate the pain, all your body wants to focus on is the lightened bulk of your wallet, now missing 35 quid after paying the difference out of pocket.

you take the time once you're seated to smash a fist repeatedly onto your steering wheel.

"fucking fuck! cock sucking bastard, son of a bitch!"

the screaming, though cathartic, drills your sorrows further into your head. you're temporarily blinded when your head slams back onto the headrest, phosphenes overwhelming your vision. little stars, ropes, knives and dots dancing over the windscreen.

it's a miracle you're able to discern the eyes in your rearview mirror as real.

"well, which is it?" the brute from earlier derides. his hand comes over your jaw, big enough to trap the whole lower half of your face in his grip. tucks his pinky under your chin, too, the makeshift muzzle keeping you from biting. it's all you can do to breath — long, filtered gulps of air, the space between his fingers smelling of salt. something sticky smears onto your nose. "am i a bastard, or the son of a bitch?"

not a one and done thing, then.

#tw kidnapping #my silly contribution to serial killer ghost #giving him the most annoying girl in the world and making her too cute to kill just yet #sorry LOL it's jus smth to stave myself over cuz this other thing isn't ready yet #simon 'ghost' riley x reader #simon riley x reader #ghost x reader #ghost/reader #simon 'ghost' riley/reader #simon ghost riley x reader

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eddiesghxst · 11 months ago

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LIGHTS, CAMERA, ACCIÓN - AN EDDIE MUNSON X READER AU

credit for cute lil cut off divider: @cafekitsune

————

18+ — MINORS DNI

pairing: eddie munson x pornstar!reader

summary: eddie is short on rent this month and needs quick cash, luckily he stumbles upon an ad for casting in an adult film and finds himself shooting a porno with you

contains: strangers to lovers trope, drug and alcohol use, mentions of smoking, awkward situations, oral (f and m receiving), p in v (unprotected — be safe pls), mentions of people being judgemental of readers line of work, mentions of anal, slightly exhibitionism, lots of smut, a sliver of mechanic!eddie, and eddie being the charming loser he's always been <3

word count: 13.5k (i am so fucking sorry omg)

-masterlist-

Eddie might be way in over his head.

Eddie’s been naked in front of groups of people before (the high school boy's locker room is a scary place to be, honestly), but never in those awful days of forced physical education was Eddie’s dick the center of everyone’s attention.

It’s weird, no doubt about it, standing at the front of a conference room with a table full of producers and writers and whatnot just… ogling Eddie’s naked frame.

“Can you lift your dick, please? So we can see your balls.”

Yeah. This is definitely going at the top of Eddie’s ‘weird things I’ve done for money’ list.

Still, Eddie reaches down and presses his dick up against his lower stomach to give his audience an unrestricted view of his balls.

Jesus.

“Okay, you can put your clothes back on.”

Honestly, Eddie wouldn’t be in this situation if it weren’t for Robert, the manager at Eddie’s job— well, old job.

Robert had some kind of weird fucking vengeance out for Eddie. Maybe it was because Eddie came back high from, like, most of his lunch breaks, but should that really matter if Eddie still got the job done? How coherent do you have to be to organize music records by name? Not very fuckin’ much.

Robert disagreed, though, so he fired Eddie.

Robert was an asshole, though, and whenever Eddie would nicely warn him, ‘Hey, Rob, I’m gonna be out of town next Saturday,’ Robert would still fucking schedule him to close on that exact day!

Good riddance.

Except now, Eddie’s short on rent for the month, which is why he’s found himself standing fully naked in a room full of adult filmmakers.

Eddie’s almost dropped out of this deal ten times by now. He wasn’t sure if he was keen on the idea of his bare, naked body being out for the entire world and future generations to see. But then Eddie thought about it, and, well, he’s got a pretty decent cock. It’s an average size, and it’s not weird looking or anything, and his balls don’t sag— and, like, isn’t his dick primarily the star of the show? Eddie Jr. could pass for a star, Eddie thinks, and so do the people looking at it right now.

And he also really fucking needs the money, so. Porn it is.

Whatever.

Eddie could deal with it as long as he gets enough money to keep a roof over his head. Which reminds him— “Hey, uh, how much will I be getting paid, by the way?”

Eddie’s now fully clothed, car keys in hand, and ready to go now that he’s been dismissed, and he’s scratching the back of his neck as he waits for an answer.

One of the men at the table (Eddie thinks his name is Brian, but he’s not 100% sure) glances up at Eddie from the pile of papers he’d been sorting through, “Eight hundred for the booking and ten percent from the sales.”

Which, yeah, that covers Eddie’s rent. It also leaves a little bit of change in Eddie’s pocket, so “Sweet.” Eddie nods.

So, Eddie follows one of the assistants to her office, where she hands Eddie a file with the word SCRIPT written in bold and red letters, “Read over it, practice the lines a few times, do whatever you need to do to prepare for Friday.” She kindly smiles.

She’s sweet. Short, stout, and pretty, and she has these cute glasses that remind Eddie of a ladybug. Eddie takes the manila folder, bowing his head with a cheesy smile, “Thank you, Emily.”

“So, will I be getting a costume? Do pornos still have those dramatic plots with, like, pirates and shit?” Eddie rambles as he cracks the folder open to take a gander.

Emily snorts, “Sure, but unfortunately, you’re not a pirate for this one,” Eddie glances at her and dramatically pouts, “You will be taking on the role of a neighbor. Pretty simple and easy, not much setup needed, but I’m sure you’ll see that when you read over the script.”

Eddie looked over the script as soon as he got in his van, and Emily was right: there’s not much setup at all. There’s a few cheesy lines, cliche porno shit that definitely gets skipped over, and then they go straight to fucking. Eddie tries to run his lines a few times, but then he fails miserably, so he ends up tossing the script in his passenger seat and making a mental note to look at it later.

How hard can it be?

Apparently pretty fucking hard.

It’s Friday, and Eddie’s a chaotic mess as he walks in through the doors of the film studio. He’d just spent the last 30 minutes in his van trying to practice his lines, but Eddie was never the greatest theater kid, and the lines wouldn’t stick, so he ended up smoking a joint to ease his nerves.

People are bustling around the room, calling out orders and setting up lights, mics, furniture— the whole mile. It’s an entire ordeal that Eddie has walked into, and for a second, Eddie forgets that he’s one of the actual stars when someone walks up to him and says, “You're the new talent?”

“Huh?”

“New talent. Are you the guy we’re filming today?”

Eddie glances around and catches a glimpse of a half-naked girl eyeing him from across the room as a lady fixes her hair for the cameraman. She’s pretty. Gorgeous, actually. Nice body and soft-looking skin that Eddie would like to sink his teeth into and leave pretty little marks.

“Uh, yeah. Yeah, I’m Eddie.”

“Good. You’re late.”

Shit. Eddie must’ve lost track of time while practically hacking up a lung in his hotboxed van.

The person drags Eddie to a vanity and nudges him toward the high chair, “You’ll get your hair and makeup done, then we should be rolling in about half an hour.”

It’s jarring, really, seeing the amount of work that goes into the shitty raunchy films Eddie jacks off to, but it’s captivating nonetheless. Eddie can see the movement behind him through the vanity mirror, but he’s more focused on the pretty girl still posing for the camera. If that’s the girl Eddie will be working with, then this will be way easier than Eddie thought it would be because he’s already getting hard. Some might call it pathetic, but oh well.

“Hiya, hon! You the new talent?” A chirpy girl walks up behind Eddie, pearly white teeth and glossed lips working in tandem as she chews her gum and blows a quick bubble. She doesn’t wait for Eddie’s response as she digs her fingers into Eddie’s curly strands, tossing and gently pulling them about to see what she’s working with.

Her name is Nicki. She’s friendly and very talkative; Eddie comes to learn, because for the majority of the time that she’s working on Eddie’s hair, her mouth is running nonstop. Eddie doesn’t mind, though; honestly, it helps to take his mind off of whatever the fuck he’s gotten himself into.

Emily, the assistant from earlier, walks up to the vanity, her cute ladybug glasses slipping down her nose as she steps into Eddie’s view— and Eddie is happy to see a familiar and kind face. “Will you be needing a fluffer?”

Eddie blinks, eyes fluttering when the hairstylist dusts his bangs over his lashes, “Uh— a what now?”

Nicki loudly pops her gum as she shakes a can of hairspray, “A fluffer, honey. Someone to jack you off and get you ready for the scene.”

Eddie’s eyes widened for a split second, and he made the mistake of glancing over at the girl who was still modeling across the room. Her tits are out now, and they’re perfect, and she catches Eddie’s eyes for the second time, and it makes his already stiffened cock stir within his pants.

Eddie shakes his head as he looks back at Emily, his voice higher when he responds, “No, I uh… I think I’m good.”

Which, duh. Eddie's dick is practically breaking the seams of his jeans because of the pretty girl, and it’s only getting worse because now she’s walking toward him dressed in a white robe. “You must be Eddie.”

Eddie’s surprised you know his name, but then he figures, obviously, you must know his name given the fact that you’re about to let him swing his dick near you. “That’s me,” Eddie smiles, “You must be… I’m sorry nobody’s told me anything.” He awkwardly laughs.

You nod with a shrug and tell him your name, “Is this your first time filming?” You ask.

Eddie nods, “Is it that obvious?” He nervously asks. You shrug, “Most guys in the industry need more than a pair of tits to get that hard.” You nod towards Eddie’s crotch— and oh god. How embarrassing! She knows you were checking her out!

“No need to be embarrassed though, Eddie. Pretty soon, you’ll be shoving your cock down my throat, so.”

Eddie’s cock may have gotten harder from those words alone.

“A rookie? Seriously, Don?”

Your makeup is being done, so you don’t see how your manager rolls her eyes at you. “When I said I wanted someone fresh, I didn’t mean never-been-under-the-camera fresh.”

The makeup artist finishes with your touch-ups, and you take the opportunity to turn to Don and glare at her, “He doesn’t know what he’s doing, Don.”

The older lady waves a dismissive hand, “He’ll do just fine, babe,” she deadpans. You shake your head, turning to look at the man of the hour. He’s attractive; you’ll give him that. Tall, pretty curly hair, sweet brown eyes, a panty-dropping voice. Sure, he’s attractive, okay. But he’s got no clue how to do this type of thing. Clearly— I mean, you’re literally watching him gaze down at the dildos that have been lined up for you as if he’s never seen one in his life— which you doubt. If he knew how to find an adult filmmaking studio, then he’s definitely seen some fucking dildos.

You suppress a laugh when he accidentally drops a glass dildo, turning back to your manager as you ignore his chorus of apologies to the staff, “My case in point.”

Don fails to hold back a laugh, “So he’s a little off the walls,” she shrugs, “He’s cute though. And his dick is nice. Trust me.”

And, well, she’s not wrong.

Don’s never been one to lie without reason, so unfortunately, Eddie’s cock is nice. Pretty, even. Which is weird because after some time being in this industry, the thrill of a nice-looking cock has gotten lost on you because they practically all look the same— just different shades of colors, really.

But Eddie’s cock is nice in the sense that it’s real. He’s not shot up with steroids to make it overly veiny and big or cleanly shaved or any of that superficial camera-ready shit. No, Eddie is natural. He’s got neatly trimmed curly hairs across his pelvis that smell like his body wash when you nuzzle your nose against it, and he’s big enough to wrap your hand around, but you know the second he pushes inside of you, it will be a nice stretch. He’s cut, and he has a slight curve to the left, and he’s so sensitive his cock jumps when you tap the pearly white drop that leaks from his tip. You giggle, shuffling forward on your knees as you stroke him.

You’re already done with the opening scene, finally. Eddie couldn’t remember any of his lines, so it took a lot longer than it should’ve, but you think it was worth it either way because the way Eddie moans when you finally wrap your lips around his tip is the prettiest sound you think you’ve ever heard.

“F-fuck,” He quietly curses, hips shifting as you swallow more of him. He sinks a slightly shaking hand into your hair, gently cupping your head as you work your mouth over him. Your eyes flutter to gaze up at him, and your stomach flutters at the cocky grin he gives you. “You’ve got such a good little mouth on you, sweetheart. Gonna let me fuck it?”

You hum and nod as best as you can with his cock in your mouth, and he hums, “Open up for me, baby.”

You shift on your knees, finding a comfortable position for the action before blinking up at Eddie, indicating you’re ready. Eddie’s hands are steady and certain as he cups both sides of your head, holding you still as he draws his cock out once before slowly thrusting in until your throat tightens around his tip.

He fills your mouth so perfectly, just enough to where you won’t get bored, but you also won’t get an overly aching jaw, and you can’t wait to feel him inside you. Can’t wait to feel how his cock twitches when he first nestles deep in your walls or how much better the sounds he makes will be.

It’s a nice feeling, having Eddie fuck your mouth, and you usually don’t care much for shots like this because most of the time, it’s either underwhelming or overwhelming, but Eddie fucks your throat in a sense that’s dirty yet so caring. He’s spewing out filthy praises, and you're drooling onto his balls, but he’s looking at you with these soft brown eyes and caressing you so gently you might quiver. Fuck, you really wanted to hate him.

Behind the camera, the director makes a motion for you to cut to the next action, but since your back is to them, Eddie is the one that sees it and gently coaxes you off from his cock, cooing when you let out the smallest whine that only he can hear. He smiles, thumb running beneath your swollen lip to catch the strings of spit and cum, “What? You liked having me down your throat, sweet girl?”

You mewl, pressing your chin into his palm as you nod.

"Yeah. Want it, please?" You whisper. God, you didn’t expect to be fucked out within the first scene. "Aw, maybe next time, princess. You can keep me warm as long as you'd like."

It’s almost embarrassing, how much you like the sound of that and how it makes your tummy flip, but you don’t have much time to think about it because Eddie’s ushering you up from the floor to climb onto the couch and straddle his lap.

You’re both bare now, and when Eddie had first taken his shirt off, you wanted nothing more than to run your hands down his graffitied chest, but you were too busy sinking to your knees. But now you have the chance, and boy, do you fucking take it.

You marvel as you coast your hands across Eddie’s body, fingertips gliding through fields of inked stories and vast skin. His breath hitches when you graze over his nipples, and his hips shift beneath you, wet cock slipping against your sticky folds. You whimper, grinding down onto him, and he curses as he grabs ahold of your hips. “Y’like them?” He sweetly asks, referring to his tattoos.

"Yeah," you nod, grinding down harder to have his cock nestled between your folds, his ruddy tip nudging your clit. “I can tell you all about them if you want.”

You giggle at his timing, but before you can respond, a director speaks up from the side, “Less talking, please.”

Eddie glances over your shoulder and salutes the man, “Roger that, sir.”

You can’t help but snort at his actions, but you’re quickly hushed when Eddie reaches down to paint his cock between your folds before lining himself up, “Go ahead and sit on it, baby.” He whispers.

You listen, nuzzling your face against his shoulder as you wriggle yourself down the length of his cock.

And god, you love being fucking right. The stretch is so good, better than you had imagined it to be, and you can’t help the high-pitched moan that slips from your lips when Eddie thrusts up into you.

"O-oh. Oh fuck," You whimper. You’re practically boneless as Eddie fucks you, your entire body just draped over him as his hands dig into your ass to help bounce you on his cock. “Jesus fucking— you feel so good,” He pants, and you mewl, cunt clenching around his cock as he drills up into you. “You gonna cum for me, hm? Be my best girl and cum for me. I know you’ll sound so pretty.” He whispers.

Before you know it, you’re moaning out and writhing in Eddie’s hold, juices dripping down his cock and forming a sticky mess in the patch of curls at his base as you cum.

“Let’s have a shot from the back.”

Your body feels weightless as you and Eddie change positions so you’re on all fours. You’re blinking through a hazy fog, and it feels so good. Eddie’s hands send chills up your spine as they grip your waist and tug you towards him.

“Oh, baby, you’re shaking,” Eddie hums, running his hands over the fat of your ass, thumbs digging into the skin to spread you open. You’re so wet you can hear the sticky noise of your folds parting, and Eddie groans as he watches your pussy clench around nothing. “You open up so well for me, sweet girl.”

Jesus.

You don’t get much of a warning before you feel Eddie lapping and sucking at your cunt, devouring you until you’re nothing but a mess of moans and quivering limbs.

Jesus Christ, that wasn’t in the fucking script. Half of the shit Eddie’s doing isn’t in the fucking script, and it's making your head spin.

God, who is this man?

You whimper his name, reaching a shaky hand back to grapple at his hair, and Eddie nuzzles his face deeper into your cunt, nose nudging your ass in a way that makes your toes curl. He’s good. He’s really good, you’ll give him that.

You and Eddie go at it for about an hour, switching positions and pausing every now and then to get a good shot of your cunt wrapped around Eddie’s cock, or Eddie’s tongue lapping over your clit or tits.

And it's fun doing this with Eddie.

Eddie is like a breath of fresh air. Most guys in this industry are stuck up and make things annoyingly serious, and most girls are either bitchy or just want to get it over with, which you don’t blame them for.

But Eddie makes things feel so normal— like you’re just two best friends getting filmed having sex— because he keeps whispering tiny jokes to make you giggle. He tells you how pretty you sound and look, and he’s so incredibly clueless because he keeps leaning in and asking things like, “Is this, like, a good angle for the camera?” and “Should I maybe kiss you more?” and “Is it okay if I stop fucking you for a second? Because I’m about to blow.”

And all you can do is breathlessly moan and nod because he’s plunging himself so deep into you that it almost hurts, but it’s so good.

You’re so fucked out you barely even register Eddie’s words when he tells you he’s about to cum, but your body immediately reacts when he pats your hip, indicating for you to get ready.

You scramble down from the couch, limbs weighted from pleasure as you settle on your knees, batting your lashes up at Eddie as he towers over you, stroking his wet cock. Eddie rests a hand on your head, fingers grasping your hair to keep you still as he gazes down at you. You’re impatient, so you can’t help but let yourself sneakily lick the tip of his cock, and he grins, “It’s coming, precious girl. Stick your tongue out for me.”

You shuffle closer, sticking your tongue out as you eagerly await the taste of Eddie on your tongue— and when you get it, god, you never want it to stop. Everything about it is perfect: the way his face twists up, the way he tastes, the pretty moans he lets out. You want it on repeat.

You might buy this film just to relive it.

You take every last drop Eddie has to give you with a happy hum; a little bit catches your lip, and Eddie swipes it with his thumb before bringing it to his mouth and suckling. You whine, frowning and causing Eddie to laugh, “You got most of it, sweetheart. Can’t be too greedy, can you?”

It’s like you’re both in your own world. Only talking to each other and enjoying each other's bodies because Eddie just… it’s weird, but he makes the room go away. He makes things feel less performative— and maybe it’s just your hazy, blissed-out state of mind, but you think you might like Eddie.

You’re snapped from your trance when the director yells cut, and then everyone’s springing into action to tear down the set because another crew will be using it next. Eddie helps you stand on your wobbly legs, “You alright?”

You nod, “Great. You did good, by the way.”

Eddie leans forward and grabs your robe that had been pushed to the side. He smiles as he holds it open for you, “Thank you. You did pretty awesome yourself.” He responds as you slink your arms through the sleeves.

You turn to Eddie as you close your robe and tie it shut. Your assistant, Emily, hands Eddie a robe for himself, and he thanks her, curtly bowing his head as he grabs the plush article. “So,” Eddie starts as he slips on the robe. You both start walking towards the dressing rooms as he speaks, “Think I could make a career for myself here?” He asks.

You halt at that, turning to Eddie with a confused look, “Is that… is that not why you’re here?” You ask.

Eddie shakes his head as he ties his robe, “Nah, I got fired from my job. Needed some cash for rent this month.” He explains.

Is it selfish to say you’re disappointed to hear this? If Eddie had been wanting to join this industry, you would’ve had the opportunity to work with him again. But maybe it’s more selfish to say you’re happy he isn’t joining this industry. Eddie becoming an adult film star would mean half of the time, he’d be fucking other people, and unfortunately, that idea alone makes your gut twist with jealousy.

You nod, pursing your lips as you fiddle with your fingers, “Well… would you be interested in this type of thing?” You try your best to sound casual about it, and you think it works because Eddie only shrugs again with a short hum, “I don’t know. Wouldn’t be opposed to it, I guess.”

Before you can respond, Emily calls your name, “Don needs to speak with you in the other room about your next shoot.”

You turn back to Eddie and try to commit his pretty brown eyes to memory, “I guess I’ll see you around, Eddie.” You smile. Eddie smiles back and does somewhat of a dramatic bow, and you snort as you walk off.

You glance over your shoulder as you walk with Emily.

“Could you do me a favor?” You ask her. Emily nods, and you take one last glance at Eddie before he disappears into the dressing room.

“Get his number for me. And leave it in my purse, please.”

A couple of weeks have passed since Eddie made his big debut in the film world.

Eddie made a pretty penny from that film, enough to pay his rent and have some play money on the side. Thankfully, Eddie doesn’t have to scramble for cash this month again because he got a job at the mechanic shop downtown. It’s a lot of labor and a lot of hours, but the pay is good, and nobody gives a shit if Eddie comes back from lunch smelling like a dispensary, so.

Suck that, Robert.

However, Eddie’s still thoroughly surprised to see you sitting in the shop office when he returns from a quick smoke break. “Woah, funny seeing you here. Car problems?” He questions. Eddie tries not to think about the fact that he’s seen you completely bare before. Tries not to think of how he’d spent over an hour in your guts last month or how you swallowed his load like it was nothing. Eddie fails miserably.

You shake your head as you stand up from the leather couch in the office, grabbing your purse as Eddie walks closer to you, “No, actually, Lola’s doing great.”

Eddie cocks his head, “Lola?”

You nod, “My car.” You gesture out towards the window where your car is parked. Eddie makes an understanding noise as he nods.

“I was actually hoping to talk to you.”

Eddie pauses at that, confusion settling over his body as he looks at you. You’re beautiful, kind, soft eyes with soft, pretty lips that Eddie thinks about kissing when he goes to bed. Eddie points to himself with raised eyebrows, “Me?”

You nod again, “Yeah, about like… my job and stuff.”

Oh.

Ohhhh.

“Oh, shit, yeah, um,” Eddie glances around the office and nods, “Yeah, we can step out and talk, like, in my van, maybe?” He offers. Not because he’s, like, ashamed to talk about porn or something, most people watch it! But a few of the guys that work here are downright dipshits, and Eddie won’t hesitate to punch one of them if they say some sly shit about you or your job. And, well, Eddie would like to keep his job, so.

You don’t take offense to it, though; you just nod with your pretty smile and tell Eddie to lead the way.

Eddie’s van smells like weed, cologne, and a hint of whatever he had for lunch.

“Sorry,” Eddie mumbles as he clears off the passenger seat that’s filled with bottles of different drinks, rolling papers, food wrappers, and things of the like. “She’s seen better days.”

You smile nonetheless, thanking him when he steps away and holds the door open for you. You hop into the seat, glancing around as Eddie shuts your door and jogs to the driver's seat.

He gets in with a heavy sigh, hair unruly from the wind, brown eyes wide and excited when he looks at you. “Hey.” He huffs with a smile, and there’s a piece of hair in Eddie’s bangs that’s sticking straight up. “Hey.” You giggle, reaching out to fix the rebellious strand. Eddie softly thanks you, and you swear you see a hint of pink dust across his cheeks.

He shifts in his seat, rubbing his hands against his thighs as he sighs again, “So… what’s up?”

God, he’s so cute. So incredibly weird and awkward and cute. He looks handsome in his navy blue coveralls, grease stains smeared across his torso, and some sneaky smudges on his neck. “You’re very hard to get ahold of, you know?” You tease.

Eddie’s face twists in confusion, “Huh?”

You shrug, distracting yourself by poking around at his dashboard, sifting through the CDs and tapes he has lying about. Eddie doesn’t stop you; he only watches, and you give him a cheeky smile. “My assistant got your number, right? But then you, like, never answered my calls.” You shrug as you flip through more of his things. You hear Eddie mumble something about needing a new cord for his home phone before he asks louder, " So, how’d you find me?”

God, he must think you’re a stalker or something. You didn’t really think that through, honestly.

You hum, “Just asked around a bit. You’re a bit of a hot commodity around here, by the way. Heard you started a cult? What’s that about?”

Eddie’s eyes widen at your words, and you laugh, “Oh god. Jesus, no, I didn’t start a cult. I just,” he groans as he pinches the bridge of his nose, “I was just weird in high school.”

“You’re still weird.”

Eddie’s face falters at your words, but you smile as you add, “I like it.”

Eddie blushes again, but he turns to look away this time, and you think he’s the cutest thing you’ve ever set your eyes upon. He turns back to you with a shy grin, “Did you come here just to flirt with me?” He teases, wrapping a strand of his hair around his finger to twirl in a shy manner. “Maybe… but I also have a question.” You respond.

Eddie nods, “Shoot.”

You take a deep breath as you shift in your seat, “Well, uh, I wanted to ask if you maybe…” You glance at Eddie, who's expectantly awaiting your question, and your stomach twists with nerves. Why are you so nervous to ask Eddie for something you’ve already done before?

“Well, I’m doing a shoot tomorrow,” you finally begin, “And I just found out the guy they paired me with is, like, a total asshole— I’ve worked with him before, he’s just… awful,” You explain. “So, I was just… I don’t know; I was just wondering— hoping— you’d be up for it, maybe? To take the guy's place, I mean.”

You finish rambling and glance at Eddie as his eyes widen, “Oh, um. Like— like, film with you again?”

Eddie could leap for joy right now.

Not only are you, like, the cutest, prettiest, kindest fucking human being to ever grace this earth, but you’re sitting in Eddie’s van, chewing on your lip and asking Eddie to fuck you for the cameras again.

Eddie must’ve done something incredibly right in his past life.

“Oh!” Eddie starts, “ Um… yeah, I’d love to!” What? Weird, take that back. “No, I mean, like, not in a weird way. I just— I’d rather not let the asshole do it if I can do it.”

God, could Eddie sound any more pathetic?

Still, despite how dumb Eddie sounds, you smile and clasp your hands together, “Oh, are you sure? I know it’s last minute, and it’s not really the ideal task—”

“Woah, wait. What do you mean not the ideal task?”

Because literally, what do you mean? How could that not be the ideal task? And who made you think that fucking you isn’t the ideal task? If it’s that asshole you were supposed to work with, then Eddie has a few colorful things to say about and to him.

You shrug, fiddling with your fingers in your lap, “Nothing, I just know my job isn’t… you know, traditional or whatever. And you had only done it that one time because you needed it, so I get it if you’re, like, not in the mood to fuck on camera for a bunch of random people.” You ramble. Which, uh, no. You could not be further from the truth. Eddie would love to fuck you on camera for a bunch of random people. Hell, Eddie would love to fuck you under any consensual circumstance, if he’s being honest, so. Yeah, he’s pretty excited.

“No,” Eddie shakes his head, “No, I— I want to, really, I do.” Eddie nods.

Your unsure frown spreads into the prettiest smile before you reach across the center console to pull Eddie into the most bone-crushing, you-scented, chest-warming hug Eddie’s ever been given as you spew out a chorus of thank yous.

“I brought a copy of the script for you to look over so you’re not totally confused,” Eddie watches as you pull back to reach into your bag and pull out a manilla folder. “I usually like to color coordinate my scripts, so I did it for you too. The pink is me, and the red is you, and the specific actions they want us to do are in blue.” You point out. And Eddie thinks he might kiss you right now— you’re so fucking cute!

“Wow, thanks, um… I wish I were, like… good with these types of things, but I think you saw how majestic I am with scripts.” Eddie huffs out a laugh as he scratches the back of his neck. You smile, “I can help you— if you’d like.”

Oh, you’re trying to kill Eddie at this rate.

Eddie nods either way, even though he’s six feet underground and knocking at the fiery gates. “I would love that, actually. I finish work in about three hours if you’re free.”

Eddie definitely broke a handful of laws while driving home.

Since you offered to help Eddie with his lines, you both decided to meet at Eddie’s place. He gave you his address, told you how to get into the complex, and said see you later. Now, Eddie is ecstatic to see you, obviously, but Eddie can’t remember if his home looked normal or like a Walmart clearance aisle after black Friday, so he ran through multiple stop signs and red lights to get home before you showed up so he could clear things up.

He’s hustling through his apartment like a madman, picking up strewn clothes and cat toys before speeding through the few dishes he had in his sink. Honestly, Eddie’s apartment has seen worse days, so there’s not much cleaning he has to do, but he’s still stressed when he hears a knock on the door.

Eddie doesn’t even like candles, but he lit one just in case there’s a smell he’s grown used to lingering about. Eddie just doesn’t want you to think he’s a slob. Because he isn’t. He just has an orchestrated chaotic lifestyle.

Eddie couldn’t be happier when he opened his door because there you were, beaming with a smile and a bag of takeout, and Eddie thought it wasn’t normal to be this soft for someone you’d basically just met.

“Welcome to my humble abode,” Eddie dramatically bows with an extended hand to show the entrance of his small, homey apartment. You smile as you walk in, taking in your surroundings.

It’s nothing extraordinary, honestly. Eddie’s home is really just vomit of everything Eddie likes: favorite colors, favorite movies, favorite game characters, etc. It’s like Eddie’s brain exploded and painted itself all over the place. Eddie had a girlfriend many moons ago, and she changed things around to become more coordinated, so now it’s less of a shit show and more of an abstract museum sort of thing.

Whatever. Doesn’t matter anyway because you’re gasping and picking up the little roommate Eddie has.

“Who’s this?” You coo at the little creature. You’re looking down at the furball as you scratch behind her ear, “That,” Eddie sighs, “Is the reason why I didn’t get your calls.”

You look up at Eddie, confusion written across your face. Eddie points across the room to the wall where his home phone hangs, except the wire is broken. “Little asshole chewed through the wire, and I’ve been slow to replace it. Her name is Banshee.”

The cat meows at the mention of her name, wide eyes blinking up at Eddie as you coddle her. She’s a fluffy cat with a black coat decorated with two white spots: one on her back and the other just behind her ear.

You hum, “So technically,” You drag, “It’s your fault.” You tease. You coo as you press your cheek to the tiny kitten, gazing up at Eddie with these soft eyes, “I don’t think you can blame this cutie for your laziness.”

Eddie rolls his eyes, wills away whatever power he has to not kiss you, and gently takes the takeout bag from your hands so you have less to carry. “Fine then. Ask her what happened to the laces of my work shoes, too, since she’s so innocent.”

Eddie’s home is so… Eddie.

He’s got music and horror movie posters framed along his walls, cute little scary figurines randomly placed within his bookshelves, and there’s an overall smell of Eddie’s musk and the sandalwood candle he has burning. It’s cozy, a nice space for one person who enjoys their alone time, and he let you choose a record to play from his extensive collection, and he has the world's cutest little cat, so it’s safe to say you could spend an eternity in Eddie’s world.

“Shit, that wasn’t my line,” Eddie stresses. You smile as Eddie tosses the packet onto his coffee table and falls back onto the couch, “We’re wasting our time here, princess. I dropped out of theater for a reason.” He grumbles.

You sigh, tilting your head against the couch cushion as you gaze at Eddie, “You’re thinking too hard about it.” You say. “It’s a porno, not a Grammy-nominated film.” You point out.

Eddie snorts before giving a short shrug, “For the record, I think you could land a Grammy, sweetheart.”

You roll your eyes, “Yeah, right. You don’t need to suck up to me, Eddie, you’re already gonna fuck me tomorrow.” You jokingly say.

Eddie waves you off and shifts into a more comfortable position. “So,” He starts, “What’s the asshole guy's deal?”

Banshee has hopped onto the couch and made her way into your lap, tiny paws kneading the material of your jeans as she settles. You gently pet her as you glance at Eddie and shrug, “Not sure, he’s just a total dick,” You grumble. “I worked with him once last year, and he, like, told me I wasn’t the best or whatever— which, okay, I can totally understand,” You ramble, “I don’t think I’m, like, some sex god. I don’t expect to be everyone or anyone’s best fuck, but still! It just… it didn’t make me feel good, the way he said it.” You windedly explain. You distract yourself with the cute animal in your lap as you finish your explanation, “So, I asked my manager never to pair us again, but—” You shrug.

Next to you, Eddie shifts once more and scoffs. “He’s a fucking shitfaced liar, princess.”

You snort, playfully rolling your eyes, “Eddie—” “No, I’m serious. He’s a liar. Anybody who even gets the chance to touch you is a lucky fucker, okay? If anything, he probably begged your manager to let him work with you again.”

“You’re just saying that. I don’t need you to try and make me feel better, and it was so long ago anyway.” “Yeah, but that’s the thing, I’m not.”

You frown as you gaze over at Eddie, watching as he sits straight and looks at you with a serious gaze in his eyes. “I don’t know what’s up with that guy, maybe he was dropped as a baby too many times, but anybody with common sense and a properly functioning dick knows just how fucking amazing you are. End of discussion.”

And well, it’s pathetic how your chest warms at his words, but it does. And as Eddie goes on to ramble about his hectic week at work, you can’t help but let your mind spin with Eddie’s kind words until nothing is in your mind but the echoes of Eddie, Eddie, Eddie.

Not many times has Eddie woken up with a girl in his home. Well, at least not a girl that he’s actually liked for more than a one-night stand or a shortly-lived fling.

After running the script for the last time, Eddie suggested putting on a movie and digging into the takeout you’d brought. The meal was delicious, and the movie you’d landed on was hilarious, but it’s hard to keep your eyes open on a full stomach, so when Eddie felt your head drop onto his shoulder, he couldn’t help but let his body sink into the couch and fall asleep too.

You’d woken up about an hour later and tried to make your escape quietly, but Eddie insisted you shouldn’t drive in such a sleepy state, so he let you make yourself comfy in his bed. Banshee, the little traitor, trotted right behind you and left Eddie on the couch to snuggle up beside you for the night.

You’re cute in the morning, Eddie thinks. You have an adorable little pout, and you yawn about 80 times until you’ve had a sip of coffee.

It takes nearly a lifetime to drag you away from Banshee so you and Eddie can head to the studio because you adore the little asshole, and Banshee loves anything that’ll give her the time of day. You make Eddie promise to let you see her again, though, so you sadly say goodbye with a soft peck to the fluffy area between her eyes and let Eddie drag you to his van.

The car ride is nice; Eddie lets you mess around with the contents of his van and go through the stack of CDs he’s compiled over the years. You land on one of Eddie’s favorites, an old mixtape Wayne made in college that Eddie spent most of his high school blaring loud enough to blow out a speaker.

Today, you’re shooting in a house— a nice one that Eddie could only conjure up in his dreams—but he doesn’t have much time to dwell on it because he’s being dragged over to makeup and hair as soon as he steps in.

“You thinking of joining the industry?” Nicki asks as she works a nice-smelling mousse into Eddie’s hair.

Eddie had been busy watching you talk to one of the producers, but he finds the strength to tear his eyes away and gaze at Nicki through the vanity mirror. “No, not exactly. Just… doing a favor for a friend, I guess.”

Nicki raises an eyebrow, “A friend? Don’t act like I didn’t see you two come in together.”

Eddie’s face warms at that, the tips of his ears turning red as he stutters, “Huh?”

Nicki looks at Eddie with a ‘Don’t bullshit me’ look.

“I mean, like, yeah, we had breakfast together–” “Mhm.”

Eddie huffs out a gentle laugh, “No, really, we’re friends.”

“Friends that fuck on camera and look at each other the way you two do? Sure.”

Eddie doesn’t ask what Nicki means by that because— well, he knows what Nicki means by that. He’s caught himself looking at you like you put the stars in the sky one too many times, and it’s almost embarrassing. Almost.

But can you blame Eddie? Can you really blame him when you’re the prettiest girl he’s ever seen, the softest smile, the greatest laugh, and the sweetest personality? It’s not Eddie’s fault that you’re perfect.

Eddie just thinks you’re neat.

He thinks you’re amazing, actually, and it’s hard to remember his fucking lines when you’re standing under a steaming shower, wet body glistening and pebbled nipples practically begging for his mouth.

He’s butchering the script, that’s for sure, but he figures it’s not too bad since nobody’s corrected him.

The scene starts with you taking a shower and Eddie being a peeping tom, which ultimately leads to Eddie sinking to his knees and licking into you until you’re a quivering, sticky mess on his tongue. Eddie would spend forever on his knees, between your legs, if he could because you taste heavenly and sound better than any song Eddie’s ever listened to, and that says something.

Your fingers thread through the wet strands of Eddie’s hair, and Eddie rapidly blinks when he gazes up at you, only to get an eyeful of his wispy bangs. You smile, petting back his bangs so he can see, and he hums, nudging his face further against you, his tongue teasing more, fingers curling deeper.

It doesn’t take long to make you cum, and the second you do, Eddie is standing up, shutting off the shower, and ushering you out into the expansive main bathroom. It’s almost as if it’s just Eddie and you in the room. No cameras, no directors or producers, or that weird pervy lighting guy that compliments you way too fucking much for Eddie’s liking. It’s just you and Eddie.

“Let’s do an over-the-counter shot next.”

Fuck. It’s not just you two, actually.

What a buzz kill.

Either way, Eddie finds himself pressing your wet, naked waist down against the sink, smiling when you squeal at the cold marble touching your skin. “Stick your ass out, baby, let me see that gorgeous ass.”

You mewl as you follow Eddie’s instructions, tipping your hips back to present yourself to him and the cameras. You’re dripping. Swollen and wet and throbbing, and Eddie— god, Eddie feels like a fucking animal.

“Got such a pretty pussy, honey. All wet and ready for me, hm?” He teases, gently running his fingers through the sticky arousal between your legs. You shakily breathe as you nod your head, “Yeah. All for you. Please.”

Eddie steps forward, grabbing his cock and painting it between your swollen lips as he hooks his other arm across your shoulders, pulling you back to press against his chest. He presses a wet kiss to the skin of your cheek in front of your ear, voice dry and needy as he whispers in your ear, “You’re so fuckin’ pretty,” His eyes catch yours in the mirror as you keen. “Ask me to fuck you.”

You whimper out loud, wriggling your hips back into his as your hands grip the counter, “P-please fuck me. Please. Need it so bad, want your cock so bad I— o-oh.”

The slide to home base is fucking otherworldly. It was life-changing the first time, and it’s life-changing now, and if Eddie ever gets the chance to fuck you again, he knows it’ll be life-changing then.

You’re so warm, and you're sucking Eddie’s cock in so nicely, so sinfully, that Eddie almost makes a deal with the devil right then and there. Your chest is heaving by the time Eddie’s pelvis presses to your bum, his cock nestled deep into your pulsing cunt. Eddie leans forward, pressing his chest against your back as he loops an arm around your shoulders, holding you tight to him as he gives one slow thrust. He coos when your eyes flutter shut, and your jaw drops, a shaky hand reaching up to sink your nails into Eddie’s forearm.

“S-so deep,” You slur, wriggling your hips back against Eddie.

Eddie grunts, “Fuck. You feel so good, baby. Always so warm and ready for me, hm?” Eddie’s lips are wet against your jaw as he whispers into your ear, and you nod with a mewl.

Eddie works up the pace relatively fast in favor of the cameras, and at some point, he reaches down to grip the thick of your thigh and haul your leg up to rest on the counter so you’re spread open even more. The angle makes it easier for him to catch your spot, and it’s better for the camera to capture the sight of your soaking pussy wrapped around Eddie’s cock, dribbling onto both of your thighs and creating a sticky ring of arousal at the base of Eddie’s dick.

Eddie’s hand is wrapped around your throat when you begin twitching around him, mumbling promises of your climax, and Eddie doesn’t waste time in sinking his hand between your legs to help you reach the edge quicker. Your moans fall silent, eyes squeezed shut, and jaw dropped wide open as Eddie fucks you through your orgasm— and fuck, you feel so good. Squeezing and pulsing and dripping around Eddie’s thighs, throat vibrating beneath his palm when air comes back to you.

“There we go, baby. Get it all out, push it out, honey.” Eddie encourages you.

You’re shaking, trembling like a leaf in Eddie’s arms, and Eddie wants to spend forever tucked into your pussy, warm skin sticky against him, pretty little whines and mewls coating his brain in this cutesy pink fog that makes him want to fucking marry you.

Get you a home, give you his babies, maybe even get you a fucking dog and just live happily goddamn ever.

Jesus, Eddie’s a goner.

“F-fuck, I’m gonna cum.”

Eddie pulls out last second, jerking himself off between your cute ass cheeks until he’s spurting white ropes of cum up your back.

Eddie, ever the considerate man he is, pushes your hair out of the way to avoid getting any of his sticky release in it. You’re breathing heavily, pretty eyes glazed over as you glance back at Eddie, a shy glint in your eyes at the sight of your skin painted in his cum.

Eddie’s obsessed with you now, no doubt.

His ringed fingers slide through the sticky mess on your skin as he grips your ass cheeks, gently spreading them apart and humming when you arch your back, proudly swaying your ass in front of him. The sight makes Eddie dizzy; pools of cum dripping down your back to slink its way through your ass and over your sticky folds. “You’ve got such a cute little hole, baby.” Eddie compliments, taking his thumb and smearing his cum over the puckered muscle, softly laughing when you whine.

He lightly slaps your ass then, reaching forward to gently grasp your face with his messy hands and pull you back to press a firm kiss over your lips. His thumb, the one that had smeared his cum over your tight hole, sinks between your moving lips, pushing into your mouth and onto your tongue as he whispers a small command to taste it, and you mewl.

“So good, princess—”

“Cut!”

You both jolt at the booming voice, getting rudely snapped out of the daze you’d fallen into.

These fucking cameras.

You smile, dropping your cheek onto your shoulder as you bat your eyelashes up at Eddie from over your shoulder, “You’re a natural, Eddie, you know that?”

Eddie huffs a laugh, thanking the assistant when they bring you towels and robes.

“Well,” He breathes as he slinks the robe over his shoulders, watching as you do the same, “I’ve got the best coach.” He winks.

Now that you and Eddie have done two films together and basically had a sleepover, you’re practically inseparable.

It’s funny, really. Eddie thought maybe the fact that you’ve seen each other bare and had sex on camera might hinder the aspect of any friendly connection because, well, Eddie’s never done this before! He’s not a pornstar, so he’s not sure how the friendship/relationship aspect of it works, but luckily, it’s easier than most normal friendships Eddie’s had before.

You talk almost every night over the phone (Eddie finally fixed the wire), going over one another’s day and laughing at embarrassing or funny moments. You go on for hours until either one of you falls asleep, and it’s usually you since Eddie has the sleep schedule of a newborn baby who doesn’t know the difference between night and day. All the better for him, though, because he gets to poke fun at you the next day and tease you about how you sometimes snore.

And Eddie loves listening to you talk— could spend hours cuddled up with Banshee as he listens to you ramble on about whatever new show you’re watching or the latest gossip at work. It’s Eddie’s favorite part of his day, talking to you, so he kicks himself when he realizes he forgot to call you last night.

He’s getting ready for bed when he remembers, and he practically sprints to his phone on his nightstand and dials your number in less than thirty seconds. It takes you three rings to answer, and Eddie smiles at the sound of your voice, “Hello?”

“Hi, princess,” Eddie responds.

You gasp, “Eddie, hi! Oh, I was just about to call you! Where have you been?” You ask. Eddie groans, dropping back onto his mattress with spread arms. “Working. I’m so sorry I forgot to call. I just started a new schedule at the shop, and the hours are awful.”

Eddie can hear your frown when you respond, “Bummer. I’ve got a way to cheer you up, though.”

Eddie’s eyes are closed, and sleep is so heavy in his bones he feels like he’s sinking through the mattress, but he smiles as if it’s second nature when he responds, “Hit me.”

You cheer, and Eddie hears the rustling of grocery bags on your end as you speak, “My manager gave me a shit ton of holiday chocolates she had left over, and well, I was wondering if you’d like to drown yourself in sugar with me?”

Eddie softly laughs, folding his arm to rest his hand on his tummy as he nods, forgetting you can’t see. “You didn’t even have to ask.”

The drive from your flat to Eddie’s is typically around twenty minutes, but with the benefit of it being nearly midnight and most normal people being in bed by now, you’re knocking on Eddie’s door in just a little under twelve minutes.

Eddie opens the door to let you in and immediately just wants to kiss you. You’re dressed in an oversized sweatshirt, loose pajama pants with cute little ducks printed on them, and fluffy house slippers. You grin up at Eddie as you lift a bag full of candy, “I come bearing gifts!”

Eddie had been exhausted all day, but now that he’s had two handfuls of sugary treats, he’s ready to run a fucking marathon.

He’s sucking on a sour apple jawbreaker and watching some shitty romcom with Banshee curled in his lap when he feels your head softly drop onto his shoulder. He glances down at you and sees the soft flutter of your eyes, “Are you tired? You can take my bed.” He offers.

You tilt your head to blink up at him tiredly, “Will you come with me?”

And well, Eddie was originally going to take the couch, but you’re looking up at him with these cute, bleary eyes, and Eddie can’t even imagine saying no. So, he shuts his TV off, makes a mental note to clean up the candy wrappers sometime tomorrow, and lets you drag him off to his room.

Banshee decided to take advantage of the new space on the couch and sprawl out, so Eddie doesn’t have to worry about asking if you’re okay with her cuddling up on his bed like she usually does.

Eddie doesn’t do this very often— sleep with other people in his bed, he means. And sure, he’s had partners before that would stay the night here and there, but he hasn’t had that in over a year now, so it’s safe to say that Eddie’s a little bit nervous.

He doesn’t know if you want to be close, but considering how cuddly you are on a daily basis, he’s not surprised when you press yourself into his side with a content sigh, snuggling deeper into the warm covers. He turns, shifting to wrap his arms around your frame, trying his best to ignore the fast beating of his heart in his chest— but that’s not the main issue. The bigger problem is— “Eddie? Are you hard?”

Shit.

God, this is awful. Nothing even remotely sexual happened, and Eddie’s popping a boner and practically stabbing your stomach. Fuck, you probably think he’s a perv now. Nice going.

“No.”

It falls silent for a moment, and Eddie can feel the quiver of your body as you giggle into his shoulder. He smiles, an embarrassed blush rising over her cheeks as he lifts a hand to palm at his eye, “I’m so fucking sorry.”

You turn in Eddie’s arm, pressing a hand to Eddie’s shoulder to lay him on his back. You stay lying by his side, body pressed to him, head resting on his shoulder. You nose at the curly strands of hair on Eddie’s neck, and your hand runs down his torso, fingertips dipping beneath the waistband of his sweats. “O-oh. No, you don’t need to, princess.” Eddie says, yet his voice is shaky and holds anticipation as you drag your nails through the coarse hair leading to his cock.

“I want to. Please?” You ask. And you’re so good, so obedient, not touching Eddie’s cock until he swallows and nods his head yes. You wriggle, like a happy pup that got a treat, and your hand sinks lower, wrapping around the thick of Eddie’s cock.

Eddie’s breath hitches, sinking into the feeling of your warm hand stroking up his cock, your thumb running over his leaking tip. Eddie curses, hips twitching up into your hold, and you press a kiss to his jaw, and Eddie nearly bursts into stars.

You press another kiss to his jaw, soft and sweet, and Eddie slinks an arm around you, sinking his hands into your hair and shakily breathing. “You keep kissing me like that, and I’m gonna— fuck.”

And it’s so pathetic; you��ve only had your hand down his pants for less than five minutes, and Eddie’s quivering like a virgin having their first time. God, this is so embarrassing.

You kiss Eddie once more, “Wait, wait. Not yet.”

And then you shuffle away from Eddie, and he’s frowning because he feels cold without you snuggled against him. But then you’re sinking underneath the covers, and Eddie’s cursing, “W-what are you doing, honey?”

He lifts the covers just as you wriggle your way between his legs and hook your fingers over the band of his sweats. You peel his sweats away, mouth opening like a hungry lion when Eddie’s cock pops out. You push the front band of his sweats to catch just below his balls, and Eddie’s hips squirm from the pressure making you giggle when his cock twitches.

You loop your fingers around his cock, twisting up on a long stroke, “Did I ever tell you how pretty your cock is, Eddie?”

Jesus Christ.

Eddie breathes shakily through his nose, tummy quivering as your gaze flickers; he shakes his head no. Eddie sinks a hand to pet your hair back, smiling when you nuzzle into his touch, letting your lips brush against his tip, “You think it’s pretty, baby?” He asks.

You nod, letting your tongue loll out of your mouth to catch the pearl of pre-cum dripping from his tip. You don’t say anything else as you lean forward and wrap your mouth around him, languidly taking him as far as you want and sucking him for all he’s worth.

Eddie’s head drops back then, his entire body just losing strength to do anything as you slowly fuck your mouth over him. The blanket falls over you then, and Eddie curses, scrambling to push it back over your head so you don’t, like, suffocate on his cock.

And Eddie was already close before, so it doesn’t take long for him to start cursing and warning you that he’s gonna cum. Before he knows it, he’s emptying himself into the warm cavern of your mouth, soft mixes of curses and your name tumbling from his mouth as you happily take every last drop.

You pull off of him with a small pop, licking up the small remnants of cum that drool down his cock. Eddie feels weightless now; the effects of sugar are long gone now that you practically sucked his soul through his dick. You tuck Eddie back into his pants, and as if you couldn’t get any cuter, any sweeter, you press a gentle kiss to Eddie’s tummy right where the waistband sits.

Eddie’s got a loopy grin on his face when you crawl back up to snuggle back into his side, mumbling something about how you love licking his cock. Eddie nearly dies, by the way.

He thinks he’s in love with you, maybe.

You breathe in deep, draping an arm across Eddie’s tummy and slinking your leg between his, and you sigh all sleepy and cute as you say, “G’night, Eddie.”

Yeah. Eddie’s definitely in love with you.

Weeks go by as you and Eddie become thick as thieves.

You carry on with your nightly calls, obviously, but now there’s a healthy mix of one of you going to the other's home and crashing there for the night, then that bleeds into the next day where you just spend hours with each other doing fuck all.

Eddie just likes being around you. You don’t have to be doing anything particularly fun or sexual; no, Eddie just enjoys your company. And most times, you and Eddie will be doing your separate little activities— you reading or watching a movie while Eddie writes up new campaign ideas for Dustin— and you will reach out to twirl a strand of Eddie’s hair around your knuckle and gently tug or poke your finger into his cheek where his dimples reside and Eddie just melts.

Most of the time, you’re only doing it for your peace of mind (Eddie knows because you told him when he asked), but something tells him maybe you actually have something to say when you poke Eddie’s cheek for the third time.

He turns to you, brows raised and hiding beneath his bangs that so badly need a trim, “Yes, doll?”

You smile now that his attention is on you, and you shift, careful not to wake Banshee in your lap from your movements. Eddie thinks Banshee might like you more than she likes him, which is just downright traitorous, considering Eddie’s the one who feeds her and keeps a roof over her head. He doesn’t really blame the cat, though.

“What are you doing on Saturday?” You ask.

Eddie hums, closing his notebook and leaning back into his couch, “This Saturday?”

You nod, and Eddie shrugs, lips pouting as he speaks, “Nothing, I’m pretty sure. Why?”

You sigh heavily, sinking into the couch as you gently pet Banshee behind her ear, “We have an event for work, and I was just wondering if you would maybe wanna tag along?”

Eddie’s head tips in interest, “Sure. Is it, like, fancy dress shit?” He asks. Eddie thinks he has a tux somewhere deep in the trenches of his closet. Probably the one he wore to Wayne's wedding two years ago; he hopes he still fits.

You shrug, “Eh, nothing too fancy schmancy. Slacks and a nice shirt will do,” You mindlessly watch the television, gently rubbing Banshee’s ear between your fingers. “That I can do, princess. But uh,” Eddie pauses, “You don’t seem too ecstatic about this.” He points out.

You shrug, glancing over at Eddie, and Eddie wants to kiss your pouty lips because you look adorable swallowed up in a throw blanket with sleepy eyes blinking up at him. “S’cause I’m not,” You huff, “I hate those ignorant assholes— don’t get me wrong, some of them are good friends of mine! But most of them are just…” You make a face and roll your eyes, and Eddie softly laughs. You let your head lazily turn to gaze at him, “Don says I have to go, though. So I figured I may as well drag someone I actually enjoy being around.” You softly smile.

Eddie’s heart flutters and grows three times the size of his body.

Saturday night comes quicker than most, and Eddie spends nearly an hour digging through his closet. By the time Eddie finds a nice enough shirt to pair with his neatly ironed (to Eddie’s standard, which is probably not very high) slacks, he’s running behind and starts to stress that he won’t pick you up on time, and he’s just totally made an ass of himself.

It’s five o’clock when Eddie gets to your flat, and when he knocks on your door, he’s out of breath because he smokes more than a godman grill, and he skipped every other step on the staircase to get there quicker. He’s thinking of a million ways to apologize for being late, and he thinks he has it right when you open the door, but then— “Oh. Hey Eds! You’re early!”

Eddie huffs, nearly doubling over in exhaustion because he seriously needs to quit smoking, “Wha– early?”

You hold the door open for Eddie to step in and nod. You’re in a white fluffy robe with house boots on, and your hair is tied back, so you have a clear canvas to work with for your makeup. “Yeah, it starts at seven.”

And, oh, what the fuck? Here Eddie was stressing and thinking he’d completely ruined his chances with you because he decided to be an asshat and lose track of time on his video games, but in reality, he’s nearly two hours early?!

“Oh, but now you can help me pick a dress. Come on.”

No, Eddie has zero complaints, actually. He’s grateful that he’s timely challenged, he thinks as you drag him toward your room.

Eddie spends the next thirty minutes or so seated at the foot of your bed, judging whichever dresses you surprise him with from out of your closet.

It isn’t easy to give a solid answer because, well, you look good in all of them. And Eddie’s not even being biased because he’s got a sickening crush on you— no, you genuinely look amazing in every dress.

“Eddie, you’ve said yes to all of them.” You huff. “Because they all look good!” Eddie exclaims.

You frown, resting your hands on your hips and tilting your head at him. Eddie shrugs, “I don’t know why you’re upset with me when it’s technically your fault.” He points out, to which you roll your eyes and jokingly throw a dress at his face.

It takes a while for you to decide; by the time you’ve figured it out, there’s about forty minutes until the event begins.

The dress you landed on is evil, to say the least.

It’s a black puffy babydoll-style dress, except instead of a poofy top half, it’s tight fitting and pushes your chest up to sit nice and pretty, and the straps are thin, and Eddie thinks about the sound you’d make if he just reached out and teasingly snapped it against your skin. Wants to coo when you squirm and mewl and press yourself into him.

And the dress is so short, long enough to cover everything, but you wouldn’t have to bend over very far to flash a lucky person, and the sight of your thighs makes Eddie’s head spin.

He doesn’t know where the courage comes from because Eddie is anything but bold when it comes to people he has ridiculous crushes on, but Eddie couldn’t help himself, watching you bent over the sink as you do your last touch-ups to your makeup, the way your silky thighs rub against one another when you shift to get closer to the mirror— Eddie didn’t stand a chance.

He’s behind you before he knows it, and you’re smiling at him through the mirror, “Almost done, promise.” You say.

Eddie lets his hand slink around your waist, dropping his head to nuzzle into your neck, brown eyes fluttering up to hold your gaze through the glass as he kisses your skin before playfully nipping at you. You squeal, curling away from him, and he smiles as you push at him. “You’re cute,” Eddie softly says, and he grins, teeth digging into his bottom lip when you shy away from his gaze, “So pretty.” He adds.

Eddie turns you to face him as he presses you against the bathroom sink. He seeks your lips, but you pout and shake your head, “My lipgloss.”

Eddie huffs out a laugh, shaking his head before pressing a kiss to the corner of your mouth, careful not to catch any of the sticky application before sinking to his knees, hands gentle and greedy as they caress your thighs.

Eddie leans forward to kiss the inside of your knee, “Gonna let me taste you, honey?” He hums, leaning in the press a kiss further up the inside of your thigh. Your breath hitches, legs subconsciously spreading wider to accommodate Eddie. Your nails dig into the countertop as you shakily breathe, “W-we’re gonna be late,” You weakly say as Eddie lets his tongue draw shapes in your skin. Eddie hums, sucking the fat of your thigh into his mouth before leaving with a pop, lips brushing against your hot skin as he says, “I’ll be quick. Promise.”

He doesn’t wait for your response as he coasts his hands up your thighs to loop his fingers around the band of your panties, dragging them down your legs and helping you step out of them.

Eddie doesn’t waste time then; he kisses a sloppy wet trail up the inside of your thigh, fingers digging into the fat of your skin and helping you spread open for him so he can nuzzle his head beneath the fluffy tulle of your dress and begin his task of devouring you. You’re wet, dripping, and throbbing for Eddie’s tongue, and this is the third time that Eddie has found himself licking into you, and god, it never gets fucking old.

The sounds you make, the way you writhe, the tiny gasps you give, and then the way your cunt pulses around his tongue— it’s the pinnacle of Eddie’s night, he already knows.

“E-Eddie— oh,” Your breathy whine makes Eddie stuff his face further into your pussy, nose brushing against your clit as he thrusts his tongue into you, your hands scrambling down to sink into Eddie’s hair and tug.

And it took Eddie longer than he’d like to admit to get his hair slicked into the neat bun he’s sporting, but with his tongue plunged deep inside of you and your pretty moans filling his ears, Eddie can’t seem to care that you’re definitely messing up his hard work.

Eddie could spend eternity here, down on his knees, under the dress of your skirt, lapping at your pussy like it’s the last meal he’ll ever have. And sure, Eddie makes this conclusion, like, every single time he finds himself between your legs, but can you blame him? You’re the sweetest thing he’s ever had the pleasure of dealing with.

You lift a leg to hook over Eddie’s shoulder, the heel of your foot pressing into his shoulder blade and pushing a moan from the depths of Eddie’s chest as he snuggles deeper into you, licking and sucking and nipping.

“S-so close…” You whimper, thighs beginning to quiver on each side of Eddie’s head. He fixes his grip on your hips because Eddie wouldn’t dream of letting you fall in his presence, and you’re standing on your tiptoes when you fumble over the edge, crying out for Eddie as you soak his tongue.

Eddie’s moaning into you, fingers massaging and caressing the thick parts of your hips and thighs as he continues working you through your orgasm. You’re twitching and heavily breathing when Eddie parts his mouth from your slick folds, strings of arousal and spit snapping and falling to his chin. God, it makes Eddie ache in his pants.

He presses sweet and sticky kisses to the insides of your thighs, savoring every moment he has here, breathing you in, tasting you, feeling you, hearing you. He doesn’t doubt for a moment that he looks like a madman when he brings his head out from under your dress, and you giggle, pressing your hand to your lips.

Eddie wants to hear that noise on repeat. Put his headphones on and, like, clean his house or something. Let your giggles play on a constant loop until they’re engrained into the grooves of his brain so he never has to go a second without hearing them.

“What?” Eddie smiles, hands still under your dress and soothingly squeezing the shaky muscles of your thighs. Your eyes are glazed from pleasure, and you look warm as you speak, “I– your hair,” You laugh. You press the wispy curls of Eddie’s bangs back, “I’m so sorry. It looked so nice, and I messed it up.” You happily frown.

Eddie huffs out a laugh, pressing a kiss to your knee and shaking his head, “That’s okay,” He responds, reaching over for your panties to help you slip them back on. “It was for a good cause.” He winks.

Eddie doesn’t frequent fancy parties.

The fanciest event Eddie’s ever been to was a masquerade-themed dinner that he and Jeff snuck into because there were rumors of a big hit producer being there, which, big fucking shocker, they never found him since everyone was in a fucking mask. It was a waste of time, but at least they ate like kings that night.

Besides that, Eddie doesn’t go to fancy places— it’s just not his kind of scene. And it’s not like the event you’ve brought him to tonight is, like, Buckingham Palace tier, but everyone here looks like a million bucks and up, and Eddie’s not quite sure he’s up to that standard.

He would be more worried if you weren’t clinging to him like a koala bear and keeping him in light conversation.

You introduced Eddie to a few of your industry friends, and one or two of them even remembered Eddie from the films he’d done with you, which, Eddie doesn’t know why, but his head grew three times bigger in size from that. And for the most part, you keep to Eddie’s side, pointing out different people from across the room and telling him the lore behind them and whatnot as you share a plate of snacks.

And you love grapes, apparently, because Eddie’s had to get up and refill on them about three times now. “Do you want more?” Eddie asks when he realizes you’re almost done. You glance at him with a small smile as you nod, “I’ll get it this time, though. I want to try some of the cheese.”

So, Eddie nods and keeps an eye on you until the crowd obstructs his view. He busies himself with watching the room, tries to see if he can pick out anyone from any pornos he’s watched before he realizes that’s fucking weird and cringes at himself for being a perv. He finishes his glass of champagne, which Eddie isn’t a champagne guy, but it was either that or whiskey, and Eddie would rather not get shitfaced tonight.

And what’s taking you so long? You’ve been gone for a while now, and Eddie had first thought you maybe made a quick stop at the restrooms, but it’s been more than enough time, and he misses you (as fucking sappy as that is), so he gets up and makes his way to the food bar.

He’s got his empty flute in one hand and the other in his pocket, brown eyes softly scanning the room as he walks. And then he spots you, near the food where you said you’d be, with some guy talking to you, but something isn’t right.

Eddie’s spent enough time with you now to be able to tell when you’re feeling uneasy just by the way you anxiously drag your nail against the length of your thumb, the way your eyes dart around, or the tense pull of your shoulders.

Your gaze lands on Eddie, and your eyes soften, and Eddie doesn’t even have to think twice before he walks over.

The man's back is facing Eddie, so he doesn’t see the curly-headed boy until he steps around and slinks an arm around your waist, pulling you close with a soft smile, “Been looking for you, sweets.” He presses a kiss to your forehead as you sink into him.

“Mm, just catching up with..a friend.”

Eddie doesn’t miss the pause. He looks over to the man you’d been talking to, and you take a breath, “Eddie, this is Chris, a coworker.” You introduce the man. And Eddie remembers that name; he thinks he remembers seeing it on the script of the last film you and Eddie did together— the one where you’d asked Eddie to take over because the other guy was an asshole.

Chris reaches out a hand, “Chris. You must be a good friend of hers?”

Eddie doesn’t like that. Doesn’t like that he doesn’t refer to you by your name, or the smug grin on his face, or the sly tone in his voice when he says it.

And Eddie doesn’t know why he does it, okay. He doesn’t know why the words fly out of his mouth or why he didn’t, like, think it through, but suddenly, Eddie’s introducing himself as your boyfriend. Which, Eddie is not your boyfriend. And you’re not his girlfriend.

Eddie would love to be your boyfriend, and he’d love for you to be his girlfriend, but— but you’re not. So, Eddie doesn’t know why he does it, but he does, and god, it’s comedic how the guy's face falls. Eddie can feel your gaze on him, and he panics a little because what if Eddie just crossed the line big time?

Chris’s gaze flickers to you, and his brows raise as you look at him, “So, I take it this is why you’re only doing solo content now?”

Which, fucking gross. That’s definitely none of this meathead guy's business! So what if you’re making solo content only? And why does he know, and why does he care? God, this guy’s a creep.

But also… why are you only doing solo content? Eddie can’t help but wonder. Did something happen? Was it this asshole's fault? Eddie will kill him if he has anything to do with it. You and Eddie have become so close; you tell each other everything about everything, so why didn’t you tell him about this? It’s not a big deal or whatever, but—

“Does it matter?” Shit, Eddie didn’t mean to say that out loud.

You’re both looking at Eddie in shock, and Eddie just blinks and waits for an answer.

You take in a deep breath, arm squeezing around Eddie’s as you answer— since this guy can’t take a fucking hint, “Yeah, actually, it is. Just didn’t feel right.” You shrug.

The guy nods, pursing his lips together, “Fair enough. Well, if that ever changes, you know where to find me.” He winks before turning around and leaving. Eddie cringes, and he almost steps forward to say something, to tell him to fuck off somewhere, but your grip tightens around his arms, and Eddie understands that you just want the conversation to be over.

Eddie’s quickly turning his attention to you, though, when you press yourself into his side, “Thank you.” You sweetly say.

Eddie nods, a warm hand reaching up to squeeze your hand that's resting over his bicep, “Don’t sweat it, princess. That guy’s a douche.” And you huff, nodding your head, “Yeah. You definitely scared him, though. It was pretty hot.”

Eddie tries not to let that get to his head.

He fails.

The rest of the night goes well with fewer dickhead run-ins and more grapes, and Eddie is more than Elated when you say it’s time to go.

The ride home is pleasant, and you’ve been extra cuddly all night, so Eddie’s heart is practically the size of Texas when you bring his hand into your lap and slink your fingers together. You’re spending the night, so Eddie’s kind of excited to get in bed and snuggle until you both pass out— but then Eddie’s thrown in for a loop when you both get under his covers.

Banshee is busy in her bakery down at the foot of the bed, kneading little biscuits in preparation for her sleep, and you’re fresh-faced and wrapped in one of Eddie’s shirts when you look over at him with a teasing look, “So,” you start, “You’re my boyfriend.”

Eddie blinks at you, wishing the bed would just let him sink in and become one with the mattress. “Oh god,” He groans, pressing his hands to his face, “I’m sorry, it just came out! That guy was being a dick, and it was the first thing that I thought of, and— god, I’m sorry.” He drags his hands over his face and shoots you an empathetic look. “You can totally, like, kick me in the nuts.”

And Eddie kind of braces himself for you to chew him out or something; tell him he’s a weirdo, and he’ll never in a million years get to call himself your boyfriend because you’re way out of his league. But then you giggle.

And it’s not the teasing ‘get a load of this loser’ giggle— no, it’s your sweet, kind, and adoring giggle.

“No, no. I was… I was wondering when you would ask, actually.”

Eddie’s never turned his head so fast. He thinks he imagined you saying it, like, maybe he drank too much champagne even though he literally only had less than two full glasses the entire night. “Huh? I– w-what do you mean?” Eddie gapes. “Like… like, ask you to be my girlfriend?”

And you’re so cute as you shyly nod, glancing at Eddie with this expectant gaze.

“Shit, well uh, I-I wanted to ask you in like a bigger way. Like flowers and shit because I… well, I really like you, and it’s what you deserve and—”

You cut Eddie off with a laugh and scoot closer to him, and if Eddie’s heart beats any faster, he might die. “Eddie,” You lowly and softly say, holding his gaze. Eddie nods, eyes darting down to your lips as he holds his breath. “Will you be my boyfriend?”

Shit, Eddie’s never said yes so quickly in his life.

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a/n: HELLOOO! if you have made it to the end of this awfully long baby i am so thankful and appreciative of you, these two are my babies so I hope you enjoyed them as much as I've enjoyed my time with them <3 as always, thank u for reading and being here, i love and appreciate any feedback, ILYSM MWAH <3

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cutie teeny taglist: @vol2eddie @paleidiot @hideoutside

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