#because I really do love developing concepts

[stagefoureddiediaz]

This quote is so heartbreaking

Newly estranged relationship😭😭😭 is bad enough but then to follow that with there’s no one in Eddie’s life really is soul destroying.

Buck supporting Eddie through this is a given - the very literal visual metaphor of Buck being at Eddie’s back - of having his back as well as being the supporting hand on his shoulder we saw at the end of the season as Chris left. This is the next phase of that and how it looks remains to be seen. The way this is worded suggests that Chris is going to refuse contact with Eddie - at least initially and that is going to really hurt Eddie.

To me it feels like we might see Buck being in contact with Chris and therefore being able to feed back to Eddie to be the one connection to Chris he has. But also then become some sort of mediator for them as things settle and time and distance allows perspective to be gained and anger to settle. This channel of communication between buck and Chris and Eddie is something we’ve seen develop through the seasons - Buck being a safe space for Chris - someone not his father he can talk to and open up to or go to for help, and also someone Eddie can do the same things with.

It feels like it’s very much going to be a continuation of that established dynamic and a way of tightening the bonds between the three of them further in the long run. It truly is very coparent loaded and really a compelling narrative to explore.

The no one in Eddie’s life really quote also is loaded. It gives rise to the concept that his reltionship with his parents is going to deteriorate as well - that they may refuse to give him information on Chris or not take his calls, not involve him in decisions about Chris that really should have his input.

I found Ryan saying Eddie’s going to lean on buck very interesting as well - especially as he also said

Bucks going to lean on Eddie as well. (Also second mentions of the relationship flourishing and being stronger than ever!)

The fact this is in direct opposition to what Tim said - that Eddie is going to end up feeling a bit out in the cold because Buck will be spending more time with Tommy is interesting. Because which one is it?

Obviously Tim likes to spin his words so they never mean what he actually says. So I take all his interviews with a pinch of salt but I do think we will see that distance he spoke about because it’s good for Eddie to have that space for himself.

Well it can actually be that both are true and that is really interesting from a story telling perspective - and not exactly as a point of conflict, but as a way of juxtaposing Eddie and Tommy - it’s the pulling of the triangle that Buck Eddie and Tommy form.

This idea that Buck is going to be dealing with Gerrard and pushing back against a very different authority figure to bobby has a lot of potential for Buck and his journey of self discovery and self love and acceptance that his arc seems to be set up for this season. I don’t want to talk about Buck and BT in a meta about Eddie though!

I’m really interested to see how Eddie let’s buck lean on him and what that support looks like. Because it will be exactly what Buck needs - Eddie understands Buck and how to nudge him in the right direction - it’s a key part of their dynamic and, I’m of the opinion that we’re going to see s8 as a sort of s3 redux so I think this next iteration of buck and Eddie’s relationship - with Eddie also leaning on Buck is going to be the fight club/ lawsuit arc but in juxtaposition. Whereas in s3 they didn’t lean on each other and support one another, this time they will - it will show how much they’ve changed and grown and trust one another since s3 and how much depth there is to them as a unit. (Which will also be a perfect juxtaposition of how little buck and Tommy know and trust one another!)

[sanflawoah]

Black Myth: Wukong

More brainrot commentary because I'M NOWHERE NEAR DONE WITH GOING INSANE OVER THIS MONKE GAME.

Cursed texts and massive spoilers bellow. Lots of random bits and wee woo wee woo.

First of all, YEEESSS to everything well written big budget media with heavy cultural elements that isn't western centric. Love it 👏, a thousand more like this please.

HONESTLY can't get enough of the character designs. Watching the old tv show in my childhood got me imagining the JTTW characters as these cute human with animal ears. But since the game took a more serious and darker tone they took the character design to 1000. So many memorable characters with distinct style, drip, and combat.

Ok so whose idea was it to make some of the plants sentient and will beat your ass for daring to pick them up. I now have trust issues with ginseng and mushrooms

The toad bosses reminds me of Gamabunta. For a moment they also gave me a war flashback of Jedi Survivor's Oggdo-Bogdo, I want those things vaporised from earth 🔫🔫

Kang-Jin darkening the environment during her second stage, I legit thought it was a problem with my screen, until I found out other players had it too lmao. Also looove her design, silver loong with holographic glow, prettiest loong in the game

Boss musics are so LIT, I've been looping them for weeks

The Scorpionlord. First I saw him I was like HANZO HASASHI :DD??? But instead of hellfire, this time he uses venom. And the fact that the environments have autumn palette, connects me to MK 11 Shirai Ryu fire garden arena lol

an NPC called Starved Abomination. The name really sends me because ngl it's a relatable concept, I too became an abomination whenever I'm starving.

To punish Wukong for his lifetime worth of trash-talking, the game now choose The Destined One as shy and doesn't talk much except for when he screams during fights. All my grievances of expecting him to be chatty and noisy actually works out the more I understand the story. And turns out it was all part of his journey, you are meant to complete him by collecting Wukong's scattered senses. Lil introverted fur-ball of scream I love you so much. Since the NG+++ Wukong stance actually gave him voicelines, I'm guessing the Destined One is going to complete his development in actually becoming Wukong in the DLC.

Everyone and I mean EVERYONE had a beef with Wukong and now we gotta pick up after his mess. My poor Destined One walked into an area completely clueless and suddenly everyone is jumping on him because "REMEMBER THE THING YOU DID TO ME A FEW HUNDRED YEARS AGO??? WELL FUK YOU, NOW DIE."

~

🐱Yin Tiger🐱. First time I met him I was like ohhh who are you, you look so cool and kinda cute tho, look at those big boba eyes, pspspsps.

He's all busy with his hammer and zabuza sword, thinks you're so annoying for bothering his work. Then there's this "challenge" option and suddenly he rose and casually tossed his hammer to the ground, I was like wait I was just joking aYO I WAS JUST JOKING-, then proceeds to delete my HP in 30 seconds. Anyway I love how he appears big and heavy and yet moves so swiftly. Of ALL the tiger bosses in this game, imo he's the coolest and THE SANEST. I still can''t get over the Tiger Vanguard and Mad Tiger trauma, those orange cats are on a whole new level of insanity.

🕷️Fourth Spider Sister🕷️. I'm actually so INVESTED in her mystery, like why are you helping me? Why do you look so sad? Are those tear stains on your cheeks?? Why did the Immortal Crane said that I'm giving you "false hopes"? What were we in the previous life?

"Think about her, won't you? Should you feel like stirring trouble in your next life." WHAT DOES THIS MEAN, TELL ME. SHE SEEMS SO NICE THO, she's just a sad goth girl what did she do?? What did WE do?? And her journal entry is so interesting.

🐉Yellow Loong🐉. LISTEN.... I literally had to pause for a moment when I saw him. Cutscene plays and I was like Oohh it's going to be that type of charismatic character reciting monologue, and then I saw his name and it's THE YELLOW LOONG??? This suave horned man is The Yellow Loong??

Well damn I have to say that's one handsome loong. He's one of those elegant style fighters, my favourite genre, up there with Whiteclad Noble and Erlang Shen.

👁️Erlang Shen⚡. The way I turned up the volume when I heard Andrew Koji's Erlang voice.....It's just so.......pleasant to hear. Something about the way he did his voice, the smug taunts, the gentle almost-whispers, and the gROWLS???

I can't even with the entirety of Erlang's character design in this game, because dAMN BOI what a BEAUTY. I thought the game was going to make his appearance more mature looking, or even scarier, because that's just how it is with game character design formula, especially in games like this. But NOOOOO..... they made him ABSOLUTELY BEAUTIFUL. His face, his voice, HIS MOVESS, the way they designed his martial arts so elegantly. When you perfect dodge everything with him, it really feels like a dance. I have to note that when sometimes you tried heavy attack on him aND HE SIMPLY JUST-.... took one step to the side.... THE ABSOLUTE SLAYYY DISRESPECT💅💅. Welcome back Isshin from Sekiro.

Also I just found out that depending on what transformation you're using, he's going to react differently on each. Particularly interesting one was when you use Azure Dust. Most of the time, when you transform, he's going to transform too and chances are he's going to one-shot you out of the transformation. He doesn't do that with Azure Dust for some reason, instead he got amused because Lmao returning back to your origin?. And this line, "Walking his path is no easy feat, it will test you relentlessly". SOMETHING SOMETHING ABOUT ERLANG HAVING THIS HIDDEN BURDEN THROUGHOUT THE PLOT IS DRIVING ME INSANE, I NEED THE DLC TO EXPLORE HIS CHARACTER MORE I'M BEGGING YOU GAME SCIENCE. You can't leave me hanging with his journal entry please I want him to have some peace and closure.

Powerful quiet character with hidden struggle, the bane of my existence, my beloved.

☂️🐉The Four Heavenly Kings🎸🗡️. MAN I love these guys, their fight feels so rewarding somehow, because after all those struggles with Erlang, they feel more like a reward battle for visual entertainment.

Aside from being relatively easy, they're just so fun to watch. I keep wanting to stall the fight just to see what move sets they could perform because their coordinated attacks are just SO COOL.

South king throwing the sword at us, joined by the West king throwing punches, and then the West king passing the sword back to South king. That brief moment of them passing weapons, they need to do more of that, so sick.

The North king combo with every other kings. The West jumping up using the North's umbrella, summoned the dragon, the South yeeting the sword, and the East buffing up the umbrella thrust attack with his Pipa magic. I'd hate to be a normal human citizen under them during that scene GODDAMN. I'd say the West is the game's favourite king because he's the one with the most screentime. He's the one with distinct glowing eyes and he was the most visible behind Erlang during the opening. The North being the coolest because WTF WAS THAT TYPHOON UMBRELLA WITH THE WEST'S DRAGON ROLLING WITH IT, AND THE MUSIC QUE, ABSOLUT CINEMA. The East probably being the chillest of them all because my man was just serenading the fight yo, I like how his fingers actually moves accurately playing the BGM. I know they're on the heaven's side, but for some reason I want them to be on our side if it's possible in the DLC. If we could get Erlang, then surely we can get them? They're too epic not to have.

🐒THE GREAT SAGE'S BROKEN SHELL🐒

THE MONKEY, THE MYTH, THE LEGEND. SUN. WU. KONG. THE SCREAM I SCRUMPT WHEN THIS MF SHOWED UP ON SCREEN. TEARFUL CHEER AND AND UNIMAGINABLE TERROR. AND WITH THAT BITS OF THE OG TV SHOW THEME MOTIF PLAYING WHEN HE SUMMONED JINGU BANG.

Who would've thought that we're going to fight our former self as a literal your greatest enemy is yourself concept. Like yO IT'S THE G HIMSELF WUKONG but now FUK I HAVE TO FIGHT HIM?? Look, sir, Mr. Great Sage, I know I've been playing around as you and I don't even know what I'm doing, I'M SORRY.

So now we're fighting zombie Wukong. He's literally soulless inside and his voice sounds demonic. YET STILL he radiates that lively asshole energy. You try pillar stance to get away from him, he does the same but his pillar is TALLER than yours. You try to walk off calmly, he does the same but then taunts you for it, eats a peach and then flicks the seed to your head. Kicks you to the sky and transforms his jingu bang into a pillar and plants it to the ground with you under it. He cheats by summoning kintoun and body slammed you. He summoned his clones to kick you in all directions only for the original Wukong to wait on the side yawning, then he kicks your jingu bang back at you like "pick it up bitch", and taunts you with his hand gesture to come at him. Ok now you're raging and you tried to pillar stance heavy attack at him, he's like "shut yo bitch-" and GRABBED YOUR JINGU BANG WITH YOU STILL HOLDING ON TO IT AND STARTS USING YOU AS A FLY SWATTER. Just as you think that these suffering couldn't get any worse, you tried to heal and he IMMOBILISED YOU, SNATCHED YOUR GOURD AND TOOK A SIP, decided that it tastes like shit and threw it back at you. Now THIS is the little shit that I know and love.

The whole time you tried to do a move against him, he returned the favour but better. You think your staff extension is long? Ok he'll extend his staff to a kilometer, and that's STILL him holding back. You can do ring of fire? His is bigger in diameter and burns brighter. The game had to nerf out his lore accurate skills because it's just so atrociously OP.

Ok so you finally defeated him? Just as he got dusted away he still managed to croak a last laugh.

Que good ending animated cutscene with the JTTW plot in reverse serenaded with Celestial Symphony. Happy onions, happy onions tearing up the eyes. Crank the volume up, it's all coming together. That's Ba Jie, that's Sanzang, that's Wujing, that's horse.

MMMMMMM MONKE.

[youzicha]

Simulacra, Simulation, and Girls' Generation

That take that "anime girls don’t correspond to anything" reminded me of one of my own pet theories, which is that the same is true about Kpop groups.

Groups like Girls' Generation are like the opposite of American singer-songwriters. The singer-songwriter's core value is authenticity. Their songs are taken to be autobiographical, and to be valuable because they are a true description of the emotions that the songwriter felt. The singer-writer must be a single person so we can be sure that nobody has tampered with the depiction before it reaches us. This is Baudrillard's "first order" image, we in the audience should believe that the song is "the reflection of a profound reality".

With the kpop groups, what we enjoy is that the song does not represent any underlying reality. Each music video is the impersonal product of songwriters, producers, choreographers, stylists, video directors, etc. Rather than a spontaneous expression, you can see the moves being developed in the behind-the-scenes dance practice videos. The online discourse emphasizes the role of the entertainment agency (e.g. SM Entertainment): the group members themselves do not have "agency" so we can be confident that their own emotions didn't make it into the love songs they sing.

Let’s look at the music video for Oh! (2010) to see how this plays out. It's like a game of dress-up, showing off two different cheerleader uniforms. Argumate once wrote that Girls' Generation perform "a detailed sequence of dance moves that are very 'sexy', i.e. strongly coded as suggesting sexiness without necessarily being sexy-without-quotes", and I think we can say something similar about cheerleader outfits. They are not there to convey a message or story (and as if to stress the arbitrariness, the last few seconds of the video show the girls dressed in a completely different "strong woman" style, to tease the upcoming next look). Rather, the "sexy cheerleader" is itself a stylized, free-floating signifier to be quoted. "The whole system becomes weightless … an uninterrupted circuit without reference or circumference." (Although I believe it is still possible to overcome the ironic stance.)

So far everything is straightforward, but now consider the lyrics:

Oppa please see me, please look at me It's the first time I talk like this (ha!) I did my hair and I did my makeup too But why is it only you who doesn't know? […] Don't think of me just like a little sister You might regret that after a year

I claim that this also works in the opposite direction to the normal mode of storytelling. When creating a movie or play, the auteur-director starts with an idea or a story, and then casts actors to best represent his vision. Or, if that is not what it in fact took place, it is still the convention the viewer is supposed to apply to interpret the work. But with an idol music video, the starting point is the singer, who already has a fanbase. "Please see me, please look at me"—well, we already were. (This is not the only Girls' Generation song about looking at the idol, by the way, compare e.g. The Boys, which begins "I can tell you're looking at me / I know what you see".)

Given the opposite starting point, the representational function of the lyrics changes correspondingly. Rather than focusing on the new fictional person who emerges ex nihilo, the fan's attention is still on the singer, and the "little sister" character is yet another stock signifier for them to bring out and put on, much like the uniform. The function of the story is erasure: there was in fact a hairdresser and a makeup artist who styled Yuri, but instead we're invited to project a different fantasy over her. The effect is to further stress the unreality of all the symbols involved.

With this in mind, I think one Girls' Generation song has a really interesting concept for the lyrics. In Paparazzi (2012) the idol looks out across the crowds, spots a photographer who is trying to be discreet, and speaks directly to him: "shall I give you a better photo? let's be friendly, after all aren't we allies?"

It re-establishes the inauthenticity and unreality of the idol! As time goes by, pesky reality intrudes. People will follow the individual group members devotedly, and there are paparazzi images of them. Members will capitalize on their fame through individual brand endorsement deals. There is the perennial problem of girl group girls getting boyfriends, jarringly peeking out as an actual human being from behind the illusion. Or in the extreme case they can even use their new independent existence to leave the group.

In Paparazzi, those candid photos are re-imagined as performance. And furthermore, just like in Oh! we are invited to imagine a fictional character speaking directly to us. But in this case the character is superimposed not just over the image from the music video, but also over all the already existing photos. The actual person of the idol is crowded out by the fantasy…

[tomorrowxtogether]

Tomorrow X Together's Yeonjun on solo release: 'I'm going to keep challenging myself'

Yeonjun of popular K-pop group Tomorrow X Together isn't one to shy away from a challenge. Over the last five years, the Korean performer has built a reputation alongside his four bandmates as a versatile all-rounder who can execute any choreography or genre thrown his way.

"When I was young, I just purely loved music and dance, and that love is all I had. After it became my career, music became a source of both joy and sometimes stress for me," Yeonjun tells USA TODAY. "Still, I feel like music takes such a big part of my life. I think music is what allows me to be really free and really express myself as I am."

Now, the 25-year-old is taking a new step in his evolving career. Yeonjun released his first solo mixtape, "GGUM," Sept. 19.

"I'm super excited, but at the same time, I'm kind of nervous," he says. "This is my first time doing a solo project, I do feel a bit of a pressure, and I feel responsible for doing a good job."

Curating 'GGUM' and its concept

"I'm always looking for opportunities to expand my artistry, expand my different musical performances," Yeonjun shares. "During the middle of the US tour, we started talking about this project, and we slowly built on that."

"GGUM" and its feature track highlight Yeonjun's vibrant tonality. The hip-hop inspired song is bold and dynamic, commanding attention from the second you hit play. So how'd it get its name?

"I was actually chewing on gum when I was in the car, and it just came to me all of a sudden," Yeonjun reveals.

When you're chewing gum, you can exude a certain swagger and confidence, he says. "I think that vibe really suited me well, and I thought it was a perfect concept for my first solo project," Yeonjun adds.

"GGUM" is striking in its lyrics, sonics and performance – "Blow and spit out a banger, this song's now stuck in your head," Yeonjun raps. His flow is fierce and unfaltering, while the choreography is kinetic and intense. Yeonjun helped develop the track's dance.

Facing challenges solo: 'It was no walk in the park'

Yeonjun's first solo project tested his mettle.

"Honestly speaking, I thought I was ready for this, but then I realized after working on it, that it was no walk in the park," he shares.

"It was really difficult. It was very challenging to do the vocals, the rap and the dance all at once. I tried doing everything at the same time. It's very tiring. So while working on the choreo and the song, I came to really respect solo artists," Yeonjun adds.

But Yeonjun's experiences with a group helped him along the way. "I think only because I am part of Tomorrow X Together – and I've been through so much together with them – that's why I could try this. I could take on this challenge," he says.

"If I weren't in the team, I don't think this would have been possible," Yeonjun adds.

Even though Soobin, Beomgyu, Taehyun and Hueningkai are not performing alongside him, Yeonjun felt their support.

"I did feel a lot of stress, a lot of pressure, sometimes to the point that it almost scared me. Whenever I was met with those emotions, the bandmates would come to me, they would give me a lot of words of encouragement and boost my self-confidence and self-assurance," he says. "Thanks to them, I could pull it off and finish this journey."

Yeonjun vows to 'keep challenging myself'

Yeonjun hopes "GGUM" can be a "pleasant shock to everyone." He has already established his identity through TXT, but this mixtape allows him peel back another layer.

"I hope that the people would feel that I'm bringing something new to the table," Yeonjun says. "I think it's a new start for me and a new challenge that I took on. It really means the world to me."

Yeonjun will continue to build upon the foundation he has previously laid, whether it's with Tomorrow X Together or on his own.

"I want to keep pushing my musical boundaries and make sure that I expand my artistic spectrum, and I'm going to keep challenging myself," he says.

[fakecrfan]

I know most people on here don't like to go to the gym because you're all gay nerds. I like to go to the gym. For the purpose of understanding this post please try to imagine that you, too, enjoy going to the gym so that you can empathize with my point here.

Anyway, so imagine you are going to the gym. You're pumped about the concept of getting some muscle on you. Plus, the gym has this "lift weights every day!" challenge with a feasible plan to slowly and safely increase the amount of weight you can lift by the end of the month. Cool!

So anyway you go there, and you're having a good time. But then you notice something. Some people are coming in with these guys in shirts that say LIFT FOR HIRE. You're curious, and you notice over time that some people are actually paying these guys to come in and do the lifting challenge for them.

"Huh," you say to your mega hot, muscled gym buddy. "That's so weird. What's in it for the people paying these guys?"

"Dunno," says your friend, mid bicep curl.

"Um, actually!" says the gym owner. "Some people are disabled, so the only way they can lift weights it to pay LIFT FOR HIRE, inc."

"But wait," you say. "They still aren't lifting the weights though? Paying someone else to lift for you doesn't mean you've lifted the weights."

The gym owner gasps. "How could you SAY that?"

"Because... it's true?" you say. "Uh, if you pay guys to lift your weights, that's probably really good for the guys you are paying. But it's not going to develop your ability to lift at all. Your muscles aren't going to grow, you're just going to lose money and get no results."

"That's ABLEIST," they say. "How DARE you! Some people are LITERALLY paralyzed, did you think of that?"

"Well, yeah, some people are, and that means definitionally they can't lift weights," you explain. "And paying someone else doesn't change that. Maybe if they wanted to like, move something in their house it would make total sense to hire these guys! But if you hire them to do your workout you get nothing, because the purpose of a workout is personal development. I'm not morally condemning people who do it, but it seems like a waste of money when this event is, again, about improving one's personal abilities."

"This is absolutely DISGUSTING, CLASSIST rhetoric!" the gym owner roars, and then turns to one of the LIFT FOR HIRE guys, "Pay no attention this disgusting person, dear sponsor, we support your business and we totally want you to keep funding our gym!"

"Sponsor?" says your hot muscled friend who was way too busy actually doing their workout and getting gains to engage in dumb discourse. "Oh, now it makes sense."

"Shut up, you don't understand our love!" says the gym owner, before sloppily making out with a LIFT FOR HIRE guy in front of you.

Anyway, that's what learning about the whole AI nanowrimo controversy was like for me.

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[ferociouslycreativemystery]

The opening of episode 7 of Renegate Nell is genuinely the best thing I've seen in any series this year it's fucking ✨SPECTACUAR✨

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[lunalunawillow]

Just read Kick It Up a Notch and while the event's story was good why did it do the thing that a good chunk of VBS stories do (especially the more recent ones since Walk On and On) of just dragging the fuck on certain points 😭

Project Sekai's pacing is overall pretty great considering how story heavy and extensive it is! With Leo/Need and Nightcord being perfectly paced and WxS and MMJ having minor yet negligible hiccups but then Vivid Bad Squad's is just all over the place?

Don't get me wrong, I'm not saying their story is bad (trust me they do have banger,good paced stories and I'm excited for the heartbreaking plot twist coming up in June) but some of them just drag on for far too long

For example, Toya getting inspiration from the hospital guy is interesting but it loses it's appeal when it feels like 75% is focused on him and not Toya making music (and later getting to appreciate his bond with Akito) which was supposed to be the plot of the event??

And also the aforementioned recent Kohane event with the middle just feeling like meandering to have the ending randomly feel like her version of Vivid Old Tale minus the nostalgic undertone turned sad by more recent info and the much better pacing that event had

I have more examples of this but I don't want make this rant(?) much longer but TLDR vbs please stop making parts of your events go on for far too long 😭

[heatmiiiiser]

Ggrrr I wish disenchantment was better. I binged it all because I'm sick somebody talk to me about this.

[karouvas]

hmm random but does anyone have any ideas or headcanons about what Adam and Jordan’s dynamic would be like?

[herestoburiedsecrets]

Thinking a lot about Mary moving on…

I love how it was handled, for although while the ghosts talked about it a fair bit, I didn’t actually think the show would go there, and I think it was portrayed really well. It makes sense for Mary’s character development, especially given that she mentions in 2x4 that she ‘dreamed of the day when [she] would be sucked off’ which makes this a happy ending for her, but it still hurts so much, and I don’t think i have even fully accepted it yet.

I am a bit unsure as to whether her moving on was something that almost randomly occurred or whether it was due to the fact that she was healing from her trauma in a ‘unfinished business’ type way. I am leaning more towards the former just because of the actual timing of her moving on, although it did happen quite shortly after some huge character growth and development within the season.

I do love the thought that her healing and sharing her trauma and finding her voice led to her moving on, but the implications of that are very hard to accept, because it means that any growth or development of the characters could lead to their eventual sucking off, and that is so hard to think about. It implies that the Captain learning to let go and express his emotions and accept his sexuality will mean that he will move on, or Kitty coming to terms and accepting how her sister actually treated her and finding a new family in the ghosts leading to her moving on, and that is so overwhelming to think about because I really don’t want any more of the ghosts to move on. I know it is an inevitability with the actual rules set within the show, but I really love these characters and I would hate for them to not exist anymore.

If moving on is a more random process, which I am inferring it is given how it just *happens*, then it means that none of the ghosts will necessarily move on if they change and grow and develop, which is comforting because I really want to see them all learn and develop without the knowledge that all this change is bringing them closer to not-existing, because I feel like that means I can’t enjoy their character development as much, or appreciate how they are all growing as people. I want each ghost to personally grow, but also to be able to sit and exist with the growth without it meaning that they have to leave the world behind for good.

Mary was, in my opinion, the perfect character to move on, not only because of her amazing recent character development but also because of Annie, because Annie was her best friend in a way that none of the other ghosts were, and so in a way it felt right for Mary to go with Annie. Also while I am sure a lot of ghosts would like to move on (probably Robin especially, definitely not Thomas tho), Mary has explicitly stated her desire to move on, which makes me happy for her since she got her desire, even though it is terribly painful to watch. Being a ghost is it’s own specific form of torturous existence, but it also allows the ghosts another shot, and they have become a family together, and I really don’t want to see anyone else move on.

[eldragon-x]

well anyway

[wingsofaether]

hm this is a bit interesting to say the least. I'm not really iffy about time travel in general and parallel universes could be interesting if done right.. just a lot to think about

Link to article

https://www.eurogamer.net/naoki-yoshida-on-dawntrail-criticism-community-feedback-and-the-future-of-final-fantasy-14

[evilminji]

Okay this is going to drive me INSANE. D:>

Dearly beloved, Phandom darlings...

Can DANNY EAT VIDEO GAME/TV FOOD?

I... I NEED to know. You don't UNDERSTAND!? Think about it. No, seriously. THINK about all those HIGHLY unrealistic, too good to be true, PERFECT looking meals. Animated shows n games etc where there are chefs who will "cook for Anybody!"

Now think about being 14 going 20. A teenager. A broke college student. Your fridge is empty and everything you touch? Comes back to LIFE. You're... you're just so hungry. Tired. Your bruises have bruises and you have a paper due tomorrow.

I kinda want to CRY.

Can only eat cup ramen so many times before you DO.

And this show? That commercial? Yonder cooking game?? Well... they did a REAL good job animating it. It looks so WARM. So FILLING and COMFORTING. You can practically SMELL it.

You look down at your sad, soggy, cheap but you can afford it, EZ Noodles and? Feel something BREAK inside. You... you KNOW you can travel inside technology. KNOW this. Have done it before. Why... why AREN'T you? You can't keep living like this.

You gotta TRY, right?

I? Wanna believe it TOTALLY works?? Because Ectoplasm is weird like that? And just shrugs? Says "actual food, the concept of food backed by electricity, what's the difference? Sure, we can fuck with this"? And so Danny? IMMEDIATELY fucking switches his diet.

Like? Dead stop screech, slam on the breaks, u-turn to take that last off-ramp. Type IMMEDIATE.

Grocery bill? No, no, you mistake him! No. NOW it's his "carefully researched for their cooking, games and shows" bill. Touch his collection and he'll FUCKING BITE.

They got sticky notes on the cases. Menus n lil fold out "grocery store" locations. He punched a dragon for this fruit. Mmmmm, home cooked meeeeeals~

Just? Weird Foodie Danny. Yes he DOES know what those steaks taste like. While YOU fuckers were staring at the cat girls bizangas, HE was eating granny cat lady's home made meatball stew! Ha! YOU FOOLS!

More then that? I want him to write reviews. Like "yeah, fight system was OKAY but- *5 hour glowing rant about the food, sounding like a food critic who'd actually fucking gone and loved it* " and people are like?? Who? Is this funky lil madman? This is hilarious?

I want it to be DPxDC JUST? So everyone slowly starts to play the game "Meta or Shtick?" Because no one REALLY knows who he is. This dude gets POPULAR though. For some reason can't be hacked (shame on you guys! Way to try and ruin the FUN!). And like? Eventually? Someone just fucking ASKS?

And Danny is like... " wouldn't YOU like to know, weatherboy?"

So everyone is like:

"Meta."

But hey... since they're already ASSUMING~? >:3c WHOOOOO wants to help him PAY RENT~? Let's VLOG this fucker! Wooooo! Say "hi" Catchef! *feline noises* like? It's like a let's play combined with a mukbang.

Teen Heros everywhere are FACINATED. Game developers are suddenly like? "If there's food. You BETTER make it look amazing. We want that weird YouTube twink to... whatever his powers are, our game! Free viral marketing!" Food channels? Rending their clothes, on their KNEES, please! PLEASE! Just ANSWER OUR EMAIL! Just ONE SHOW! A one off! Guest appearance!

We have MONEY!!!

All while Danny? Is finally happy with his life. Weird as hell. Harrasing the world. Good food on the regular. Gets to travel, kinda. Best of all? He's raising money from it! Can help people! Now... who wants salad?

@babbling-babull @hdgnj @hypewinter @legitimatesatanspawn @spidori @dcxdpdabbles @the-witchhunter @lolottes

[honourablejester]

I’m realising as I browse around that I really love lore when it comes to ttrpgs, games and game worlds. And by that I don’t mean I like to obsessively learn lists of dates and wars, and the names of leaders of factions, I mean …

I like learning weird, juicy details about the worlds of games. I like finding little nuggets that say things about the set-up and culture and assumptions of the world. I like finding fragments of ideas to hang whole story and character concepts off.

I love that in D&D 5e’s Spelljammer, the Astral Sea is full of the corpses of dead gods that you can fully sail up to in your ship. Just. Floating out there. Waiting for you to rock up to them.

I love that in Sunless Sea, the king of the drowned is the way he is because he fell in love with an eldritch sea urchin from space, and successfully married it. His niece is an angry sentient floating mountain whose mother is a goddess-mountain and whose father is a face-stealing humanoid abomination. This is fine and normal.

I love that in Starfinder, there are mysterious bubble cities in the surface of the sun that the church of the sun goddess discovered and cheerfully occupied despite having no idea who the hell built them or for what purpose.

I love that in Dishonored, the entire industrial revolution that has built the empire we’re in the midst of saving or destroying was built on the properties of whale oil harvested from eldritch tentacled whales that live half in the oceans and half in an eldritch void personified in the form of a weird-ass black-eyed shit-stirrer of a deity who was formed from a murdered and sacrificed child. And this is largely a background detail.

I love in the Elder Scrolls that the dwarves up and fucking vanished, as a race, at some point in history and absolutely nobody has any clue what happened to them or where they went, but their technology is so insane that ideas like ‘they time-travelled’ or ‘they erased themselves from existence’ are absolutely on the table.

I love that in Numenera, so many incredibly advanced civilisations have risen and fallen on this world that it’s absolutely littered with bonkers science fiction artefacts that have caused the current medieval-esque society built over top of them to develop in bizarre ways, and also you can find a mysterious artefact that absolutely baffles and delights your character, but that you the player will fully recognise as a slightly-more-advanced thermos flask.

I love that in Fallout, an irradiated post-nuclear apolocalypic hellscape, there’s a cult that worships the god of radiation as they have come to understand it, and they are mysteriously immune to radiation with absolutely no explanation whatsoever. They’re not ghouls, the usual result of fatally irradiated humans with some resistance, they’re perfectly normal humans who can somehow just tank rads all damn day. It could be a mutation, but Lovecraftian gods apparently do also fully exist in this setting, so it’s also possible that maybe they were on to something with this Atom thing.

I love that in Heart The City Beneath, there’s a mass transit train system that they tried to hook up to the eldritch beating god-thing buried under the city so that they could metaphysically chain the stations together more easily, which went horrifically and metaphysically wrong in entirely predictable fashion, and now there’s a whole order of train-knights who have to keep people safe from the extradimensional weirdness magnet the network has become.

That, and all the fantastic little details you can stumble across. There’s a biotech augmentation in Starfinder called an angler’s light that gives you a little angler-fish bioluminescent antenna on your forehead, and it was developed by asteroid miners who needed light but also both hands free for work. In Dishonored there’s a festival that everyone pretends is outside of time so nothing you do during it can be held against you. There’s a god of snuffed candles mentioned in a single line from Heart The City Beneath who has pacifist cannibal priests, and that is literally all the information you get on him.

While things like the history and geography and timeline of a world do also fascinate me, I’m not really here to memorise stuff like that. I’m here to find weird little nuggets of information and worldbuilding and delight in them. Give me funerary customs and weird myths and oddly specific circumstances and baffling little objects and absolutely bonkers cosmological implications. Give me the corpses of dead gods, and aesthetic movements with highly specific backstories, and bureaucratic fuck-ups of titanic scale, and mysterious things that seem to break all other rules of your setting with absolutely no explanation because people in-universe have no fucking clue how they work either. Why are the Children of Atom immune to radiation without ghoulifying? Not a clue, but Confessor Cromwell has been cheerfully standing in that irradiated pond that kills the player character with about 10 minutes of exposure for the last year and he’s still absolutely fine.

I just. I really love lore. I like my settings to have some meat in them, some juicy details to dig into, some inexplicable elements to have fun trying to explain. Particularly that last bit. I feel like a lot of people when building worlds feel like the rules have to be absolute and everything has to have an explanation, but nah. Putting some weird shit in makes everything immediately feel bigger, more real, because we don’t have even half an idea of how our world truly works, there’s always something we just don’t fully understand yet, and you can put that in a fictional world too. Some mysteries, some contradictions, some randomness, some weirdness. There’s a line, obviously, this depends on execution, but a little bit of mystery really does help.

Lore is awesome. And weird lore is even more so. Heh.