#be so genuinely flawed. in my mind palace because i dont speak.

[slugandthorn]

Little dump post bc people were kind enough to extract companion head meshes so I don't have to do it and felt so teehee hee and tried to sculpt one into my warden as a little test.. wanted to show the basic sculpt I have and the concept art just for ref :] and then I found a bunch of doodles I forgot about while digging through my files

[randomthefox]

okay im split on the whole thing with idw stuff

"sonic paincking that much furing the metal virus arc is ooc" kinda? i mean yeah he would have his concerns and he not immune to doubt but he wouldn't take him THAT long to get back on his feet

"Sonic is this flase god" whlie that's clearly bs and that whole "write sonic like a superhero" nonsense its mostly coming from characters who don't understand him

surge has spent most her life (at least the life she can remember) with everyone saying sonic is either the best there ever was or low as dirt and when surge see's a problem she thinks with rage and only uses logic when she's asked to justify her anger

starline is can only see sonic as stain on Eggman's career and not a person

most characters who say that dont see sonic as person

Okay look, I can't speak for anyone else, but my problem with this panel is that it's too much fucking words. Like, bro, shut the fuck up and go DO STUFF. ("But he's not even talking it's thought bubbles" don't be such a disingenuous shithead you know what I mean).

Sonic is not this deep thinker who is wracked with internal conflict over his moral choices. Sonic is not a thinker, he is a do-er. He operates on close to pure instinct. He is prone to leaping before he looks, and sometimes it comes back to bite him in the ass. But even when he doesn't know what's going on, he knows what he's going to do.

Seriously fucking look at this shit: "which is 'right'"??? SONIC DOESN'T CARE ABOUT WHAT IS WRONG AND WHAT IS RIGHT! THAT'S LITERALLY THE WORDS OF HIS FUCKING THEME SONG. SONIC DOES WHATEVER HE FEELS LIKE DOING BECAUSE IT'S WHAT HE WANTS TO DO, IT DOESN'T MATTER WHO IS WRONG AND WHO IS RIGHT!

Personally I just do not view Sonic as being the kind of person who has a multilayered and nuanced inner monologue. Frankly I imagine that if we zoomed into Sonic's mind palace, it would just be a kaleidoscope of tropical beach imagery with the Wii Sports title theme playing on an endless loop.

Tails could have this thought bubble of "what should I do? Should I do this? What would happen if I did that? Maybe it's not the right thing to do? Should I do this instead? What if that doesn't work either? What should I do?" and it'd be reasonable for him. It is not reasonable for Sonic. Sonic is a man of action.

And the argument that Surge is "supposed" to be wrong about the inhabitants of Sonic's world argument doesn't really hold up when the Zeti said the same thing, and were not challenged. Zik said the exact same thing as an explanation for why they were not facing any opposition in their attack, and the comic presents this explanation as correct and it is never refuted or disproven.

You can't really convincingly argue that Surge is being written as a flawed character with a warped and incorrect view of the world, when the comic writes OTHER CHARACTERS unrelated to Surge as sharing that same view and the comic NEVER DEMONSTRATES THAT THAT VIEW IS INCORRECT. This isn't Surge voicing the lie she believes to be the truth. This is Ian Flynn making commentary on how he believes the world of Sonic functions using Surge's mouth.

This is what Ian Flynn believes to be true about the world of Sonic. And you are simply interpreting it as Surge being written as a flawed character with a warped world view because it is so provably demonstrably false that the sane and rational mind rejects the argument. But you as the audience are not SUPPOSED to think Surge is wrong when she says this. YOU are supposed to agree with her about it. Because Ian Flynn genuinely and sincerely thinks this is how the world of Sonic functions.

He thinks he's making biting meta commentary on the status quo of "the Sonic cycle" with nobody in the comic ever saying "uhh, no? That's wrong and stupid?"

[inevitably-johnlocked]

Weird q..but i really dont understand why most fans hate season 4, especially the last episode. Why? I think it gave us a deeper look on both sherlock and mycroft! I felt it tells a lot about mycroft how he had to step in and take control of things ever since he was a kid himself. Also he is not a robot or a killer. Also redbeard thing. It was an appropriate deep psychological trauma (cause most shows usually disappoint in that area). I am not trying to impose my opinion. Just want to understand

Hey Nonny!

It’s all good, and I totally respect your opinion and how you enjoyed S4! It’s totally okay! I know that there are quite a few who got a lot of of S4, and who genuinely enjoyed it.

Sadly, I am not one of those people, and I’ll try to be as diplomatic a possible in my response, but PLEASE know that I don’t think you’re “terrible” or “stupid” for liking S4 because I DO get passionate sometimes in my responses, and I’m just merely speaking as someone who studied the series very closely for quite a long time before S4 aired, and as someone who knows Day-One-ers (ie., people who watched Sherlock on its day one airdate) who also are a large majority of the people who did not like S4. This is just me simply stating why I didn’t like it, but it’s different for everyone.

Stating what I DO like: The acting and cinematography of the first two episodes were brilliant for what they had to work with, and I’ve never faulted any of the actors for the flaws of S4. And for TFP, they did the best with what they had to work with.

That’s… pretty much all I really liked about S4.

Now, here’s my problems with S4:

Nothing made a LICK of sense to the narrative that they were telling in Seasons prior. 

This series was always based a bit in reality, and suddenly everything became comic-book rules: X-Men villains, shitty “redemption” arc, destroying favourite characters just for drama, ludicrous physics, explosions that only destroyed one small room in an apt where in previous episodes one explosion destroyed an entire block, etc.

Sherlock was OOC.

Mary was being built up to be a fantastic villain? Ah, nope, here’s the lacklustre twist where tee hee Mary’s just an assassin with a heart of gold that still emotionally abuses Sherlock and John and just won’t fucking stay dead.

And speaking of this, the DVD’s make NO LOGICAL SENSE unless she was planning to kill herself

AND she tries to make her death equatable to Sherlock’s??

Everyone was RIDICULOUSLY out of character in TFP, I’m so sorry: Mycroft is a bumbling coward for the most part, Sherlock disregards John when he gives the Vatican Cameos warning, the Holmes Parents are assholes because Mycroft COULDN’T SOLVE A PROBLEM WHEN HE WAS 12?? ARE YOU SERIOUS???? And that creepy Moriarty / Eurus thing, and LITERALLY they’re implying that EVERYTHING HAPPENED BECAUSE EURUS DIDN’T GET A HUG. Like, I’m so sorry, but that’s lazy writing.

And don’t even get me started on the ridiculousness of the entire character of Eurus. She LITERALLY had X-Men powers, and like… just nothing made sense. Her involvement in the entirety of S4 MADE NO SENSE. Why go back to prison if you can get out?? WHAT IS THE POINT?? AND I repeat: She did all this because she didn’t get a hug. Yes. I’m oversimplifying, but at the base level, that’s what it was, because she wanted Sherlock’s attention. Welcome to the club, kid, stand in line, everyone on the SHOW wants his attention.

The ENTIRE plot of the first 2 seasons got wiped out all because it wasn’t Moriarty who was interested in Sherlock, but Eurus?? What… What about Carl Powers?? Like…. the ENTIRETY of season one and TGG makes no sense now, because of that one 5 minute scene where Eurus “enlists” Moriarty. I… ugh.

The SUDDEN tonal switch from kind-of Sherlock to James Bond, for some fucking reason.

And on that note, how terribly lazy and cheap TFP looks in comparison to the other two episodes. The whole episode looks like it was filmed in a small house with 4 identical rooms.

EVERYTHING that was etablished in 2 episodes prior were COMPLETELY forgotten when Mary was “shot”.

The complete character assassination of one loyal blogger John H Watson in favour of Mary for some fucked up reason, even though AT HIS OWN WEDDING HE COULDN’T STAND BEING AROUND MARY. I’m sorry, but I don’t believe for one damned second that John would EVER forgive Mary for murdering his best friend after seeing what it did to him. That’s not love from her, and that’s NOT John’s character EVER in the ENTIRETY of the series.

And speaking of character assassinations, Molly’s character being devolved to S1E1 Molly, where instead of giving her agency like they were doing with her the ENTIRE series, so much so that Sherlock picked up on her dominance enough to give her a big role in his mind palace in HLV and TAB, only to make her a sad little self-insert Mary Sue pining for the main character, and in turn made Sherlock a TERRIBLE human being for MAKING HER say what she did. It’s gross.

AND speaking of Molly’s character, they’ve been setting up Mollstrade since as early as ASiB, but I guess that plot line got shafted. Look I LOVE Hopkins, and I am ANGRY they didn’t give her more than 3 fucking lines in the entirety of ONE episode after HEAVILY promoting her actress and character, but they essentially reduced her to a piece of ass for Lestrade to chase. AND THAT’S NOT HIS CHARACTER EITHER. EW GROSS.

The constant plot holes being gaped wide open, and the Chekov’s gun moments where they bring up shit but do nothing with it!! 

TD-12? Nope, just a lame reference to a story we like. 

John got shot at the end of TLD with a VERY REAL FUCKING GUN? Nope, it was a dart gun. 

John not suddenly knowing how to be a doctor.

The TGG one I mentioned up above. 

What was in the letter? And who was Anyone??

Moriarty essentially being erased as anything other than a hired thug and had no part whatsoever in Sherlock’s history. 

Eurus… Just all of her character is asinine. 

Everyone in T6T suddenly not knowing John’s the blogger, which is in direct contradiction to literally the entire series. 

The AGRA plotline was ridiculous, in the end.

Baby? What baby? It was only there when convenient.

They dropped whatever plotline they were going to do for Mycroft: He was being set up as either dying, or the villain.

Redbeard. I’m sorry, I disagree with you on that. Mofftiss is trying to tell me that a little boy fell down a well and went missing, and that WASN’T the first place searchers / the police wouldn’t have looked? Sorry, no. And then. AND THEN his parents just… go along with this thing where Sherlock shuts down and they DON’T get him therapy? Yes, I agree the mind is a funny thing, and we can be traumatised into forgetting or dissociating from traumatic events. I GET IT. But… like I don’t believe the Holmes are so heartless as to just never grieve or have memories around about their supposedly dead daughter. It’s another OCC thing for me.

John’s cheating.

Disappearing and reappearing characters, like this scene, and the entirety of the aquarium scene.

Mary and John being terrible parents

OH GOD THIS FUCKING SCENE. That bomb SHOULD HAVE DESTROYED THE ENTIRE BUILDING.

What… who was this girl on the plane? What? Like I know WHO, but if she’s supposed to be Eurus talking to Sherlock, why don’t we see Eurus… talking to Sherlock? I … Ugh.

NORBURY. 

The glass SUPER SECRET GOVERNMENT ROOM THAT NO ONE SHOULD SEE INTO in T6T.

Sloppy camera work that some believe was intentional, but if it wasn’t, jesus c’mon.

The RIDICULOUS amount of 4th Wall Breaking. Like… even the actors didn’t give a shit.

Essentially, everything on this list here and in this blog tag here.

And everything mentioned on these three posts:

T6T: 10 Revealing Things That Haunt You Late at Night 

TLD: 10 Revealing Things That Haunt You Late at Night

TFP: 10 Revealing Things That Haunt You Late at Night

There’s SO much more I can go into, but please go through my “something’s fucky” tag in that last link.

Notice how probably 90% of that has NOTHING to do with “johnlock not becoming canon” because the Johnlockers get MONSTROUS accusations as to THAT being why we didn’t like S4, even though it was, like critically panned by the GENERAL AUDIENCE who have NO investment in the series other than “I liked it in the past”.

Two of my fave YouTubers have interesting (not perfect, but still good) takes coming at the series as casual viewers:

‘The Day Sherlock Died’ by The Closer Look

‘Sherlock is Garbage, and Here’s Why’ by hbomberguy

So it’s NOT just Johnlockers. I’ve talked to Sher1011ies at 221B con who didn’t like S4 either, because most of them realized how shitty Molly was treated in the last episode. So yeah, a big middle finger to those who think I dislike S4 because of  “no Johnlock”. No, I disliked it because I need my stories to make logical narrative sense. I disliked it because I love John and they ruined his character all for the sake of drama and because Moffat has a “hurting Ben” kink. I disliked it because Mary should NOT have been “redeemed” because she was an abuser. I disliked it because Moriarty was turned into a cartoon villain, even though he was already overused in the series. I disliked it because the core of the show – the FRIENDSHIP of Sherlock and John, and their solving mysteries together – did not exist at all. I disliked it because John got sidelined. I disliked it because TFP was a ridiculous episode that, if you replace ANY of the characters, it wouldn’t make a difference, because it didn’t feel like an episode of Sherlock. I disliked it because everyone was OOC.

Anyway. Sorry. One too many accusations my way over the past 1100+ days LOL.

As for your assessment of TFP, I’m going to have to respectfully disagree with you. There was no growth and actually it implies something far more sinister: That the Holmes are and were terrible parents that gave no shits about their daughter, their traumatized son, and expected their eldest to essentially be a parent. It implies that Mycroft, at 12 years old, orchestrated the ENTIRE Sherrinford thing… Look I can suspend my disbelief, but there’s limits, and this is one of them. A LITERAL CHILD. Perhaps Uncle Rudy had a hand in it somehow, but then why not shit on Uncle Rudy? Why is Mycroft blamed for it all?

Look, I don’t doubt Sherlock had a traumatic experience regarding “Redbeard”. But then why play into the fact that he was a dog? Why bring another character into the series just to have a gotcha moment? Because Mofftiss wanted a “Shyamalan twist”, that’s why. They threw EVERYTHING away for a twist ending either because they GENUINELY thought it was good, or they got tired of doing Sherlock. ALL of TFP is LITERALLY a really bad plot twist because reasons. TFP makes no sense to the ENTIRE narrative structure of the previous 12 episodes. It erased EVERYTHING from the previous episodes, and coated it with a gross closing by a character no one wanted in the series, and then tried to convince us that it’s a new beginning – “a journey they had to go through” – but it SOLVED NOTHING.

Anyway. I have big feels about S4, and the only way I can enjoy it is to watch it subtextually, but even then, I cannot sit through TFP without cringing. 

That said, Lovelies, please do not attack Nonny for enjoying S4! I know you guys won’t, but Nonny came out with an olive branch and they just want to understand why the fandom is passionate about S4′s… whatever it was. We can have a civil discussion about it, and point out – without attacking – why S4 is universally panned. It’s okay to like things no one else does, and Nonny was respectful to me in this ask! 

So with that, feel free, lovelies, to express why YOU didn’t enjoy the series, or why you did! I’m interested in both “sides” / pov’s whatever :)