#bc the reality is that they have an enormous power and life imbalance

[incorrect-ikevamp-quotes]

Can you please tell us about the whole scenario where MC gets kidnapped and Comte rescues her? The one with the CG I mean.

Sure thing! I’ll do my best to relay the events accurately, as this is one of my favorite moments in his rt~

Sizable Comte rt spoilers below, pls don’t click if you’d like to wait for the ENG release!

Okay so some much needed context before I delve too deep. In the first few chapters of the route, MC debuts in French high society (introduced by Comte as a friend’s heiress from overseas). As such, the better part of the Parisian population knows MC as somebody of noble birth. This is important moving forward.

One day while she’s in town she goes out with a friend upon request (also of high rank, somebody she met and made friends with at her debut) and Sebas encourages her to have fun before meeting up again to return home. Problem is, there has apparently been a great deal of unrest among the people in the lower rungs of the social ladder. Joblessness has been a prominent issue, and so a group of men decide to target members of the elite in order to force them to give a damn about the problem. In their desperation, they choose to abduct MC and her friend and tie them up in separate locations.

The other young lady’s butler/servant is present when they’re taken, but is unable to do anything to stop them. Surprising no one, he races over to find Sebas and tell him what’s happened. Naturally, Sebas is beside himself and takes the man with him in order to alert Comte. And Comte.........well........let’s just say he does not take the news well to say the LEAST. He hears them out, goes silent and it shows his furious sprite, and he’s about to storm out when Leonardo appears out of nowhere after he says MC’s name raggedly. (Note: not that odd bc purebloods seem to be able to sense each other’s feelings easily, and it’s likely he was responding to Comte’s acute and sudden distress). Leonardo has to grab Comte’s shoulder and tell him to calm down before he collects himself again, and then he leaves with Napoleon and Jeanne to go find them asap. 

Iirc, Sebas/the other residents take up the task of alerting the police and trying to find more information while the search party is underway. There is a hilarious tidbit I’d like to share, only because it’s uproarious and makes me laugh every fucking time I translate it fdkhdgdjfsf. So basically they’re all trying to figure out what’s going on, until Sebastian mentions the whole coalition of impoverished people looking to get back at high society for the financial inequities of the historic moment. Now Mozart, in a moment of brilliant word association, says “Oh, well yeah under those circumstances that would make MC the ideal target.” And I fucking. Isaac just turns around and is like. “Could you not. Say it like that. When our dad is hAVING A FUCKING MELTDOWN AND A DISPLACED HUMAN WOMAN IS IN MORTAL DANGER. COULD YOU MAYBE NOT???? JUST THIS ONCE.” And I just fucking lose it every time????? Like are those not the most Mozart-core and Isaac-core responses imaginable????? Mozart being so focused on the logic of the situation he just doesn’t seem to be able to read the room/keep in mind how upset Comte might be. Isaac being HYPERSENSITIVE to the emotions in the room and being MORTIFIED that Mozart wouldn’t word things more carefully.

Also a short note since I’ve been thinking about it for a while now. One parallel between Comte and Isaac I find utterly fascinating is that the two seem to share a formidable understanding when it comes to anxiety especially. Despite how composed Comte appears in the game, we later see more and more evidence of how deeply anxious he is when it comes to his future and the prospect of sudden loss. As a result, I feel like their biggest difference lies in the fact that Comte is a great deal older--so he has an easier time concealing/stifling/de-escalating his anxious responses. Even so, they seem to share difficulty in maintaining emotional distance. If Comte doesn’t exercise control, he gets too close to people, and the inevitable fallout (since they usually die first) is devastating. I think Isaac operates similarly, but his anxiety was so overwhelming he didn’t manage to get that close to most of the people in his time (Essentially, he doesn’t have the same charisma Comte possesses and he hasn’t lost as many people consecutively as Comte has). 

Moving right along. So! Comte and our swashbuckling friends (the Baguettes, as I like to call them) pinpoint the location/bunkers where MC and her friend are being kept against their will. (They find them after they receive a tip as to where the two ladies were last seen in town.) I’d like to note that in Comte’s POV of this chapter, he continuously blames himself for everything that’s happened. Saying that if he had been more careful, if he had done the right/smart thing and kept his distance, then she would have been out of harm’s way. (I disagree in that, when trouble seeks to find you it’s usually more a matter of entropy). In the midst of his agonizing, his mind goes to the worst case scenario and he forces the terror down--desperately wishing that he isn’t too late. 

So our bois split up into two groups, one being Comte and the other being Napoleon and Jeanne (yes this is Area 51 and Comte literally does Naruto run--but he doesn’t dodge the bullets bc they can’t kill him). Naturally our pureblood wonder manages to take out all the guards present and kicks down the door to where she’s tied up. The moment he sees her relief floods him and he rushes forward, untying her immediately. MC sees him covered in wounds--blood and torn clothing as far as the eye can see--and has a moment of genuine shock. She’s so used to the immaculate and ethereal appearance (not a hair out of place) that seeing him so disheveled and wild-eyed startles her. He asks her if she’s injured anywhere and she’s able to confirm she’s fine. He seems to be unable to register that she’s alright until she says those words, and he draws her close in his arms and starts shaking. She’s surprised again by his sudden proximity, but when she feels him trembling she hugs him back and strokes gently along his back, murmuring over and over again that’s she okay. She feels fine, she’s safe now.

In his POV, he speaks to the terror of her life lost that was weighing on him. He’s only able to verify that she’s alive when he feels her body heat, can feel her heart beat, can feel her arms moving--that’s why he hugs her; to have undeniable evidence that she’s still breathing. He hates himself for being so fragile, for being so needy, but melts under the gentleness of her touch.

Before the scene ends, MC hears his broken mumble at her shoulder: “Thank goodness...I don’t want to lose anyone anymore.”

And just to make it hurt even more! From Comte’s POV it reads (the brackets are his unspoken thoughts): 

"I......I don't want to lose anyone.......anymore" [I don't want to lose you... She hugs me back and her hands stroke gently along my back, as if cradling my heart. Her hands are so warm, proof that she's alive. You're so strong.....and so, so gentle. I know I should be prepared to say goodbye. I know I shouldn't be doing this. But I don't want to let you go...]

;-; I just. Every single time I read those lines I just start sobbing. He’s so tired of being alone, so exhausted. He loves her so much!!!!!!! He just wants one moment of PEACE GOD DAMN IT, LEAVE HIM ALONE CYBIRD!!!!!!!!!!!!

ANYWAY the story then skips to the aftermath, where Comte is back to his usual collected self. He’s at his desk doing his work (as usual) when MC comes in asking about how everything's going. He explains that he was able to find work for the people who attacked her, citing once again the concept of “Noblesse Oblige.” (For those unaware, it means “noble obligation” in French and alludes to this notion that the wealthy/privileged parties of society have nothing short of an obligation to use their resources in service to the less fortunate.) MC starts gushing about how both her and the police are really impressed by his ability to forgive them and help them anyway. This is where Comte drops that L E G E N D A R Y line where he says “Forgiven them? I never said I had forgiven them. On the contrary, the only reason I’m doing this is because they left you unharmed.” with that chilling smile.

So like. Get you a fucking mans that has the ability to pretend everything’s fine when you get abducted, beat the shit out of your assailants to free you, have a panic attack after you’ve been secured, and then still manages to have the grace to help the people that put him through his literal worst fear imaginable/re-traumatizing him even if they didn’t know it. This was essentially the scene that made me fall 100% in love with him. It was one of the first moments of profound, undeniable proof that not only does he care about people--he cares so deeply it shakes him to the very core. There’s just something....so moving about the fact that no matter how hard he tries to pretend that he’s distanced from something/someone, beneath that persona you just find a veritable avalanche of compassionate feeling/love.