#bc really this is pretty much a ground up rewrite of part 3 and thinking of it like that is like ok this is why its so big of a project

[renegaedz]

I think once i finish writing this jojo fic im gonna start writing the script for one of my longer comic ideas

[housewarningparty]

I've seen like one episode of Buffy maybe but I've watched most of Angel including the episodes that had Faith in them and I feel I understand the concept of Buffy the show and the character, anyway should I read Faith/Buffy fanfic and if so which ones?

god okay i REALLY think you should watch buffy though. i mean, i'm remarkably biased because it's one of my all-time favorite shows, but if you have the time and even the slightest bit of interest i'd recommend at least season 3 (IDEALLY. season 2 + 3 because they are very much part of one big conversation, but if you can only commit to one thing then i'd say prioritize s3 for the faith arc).

BUT you didn't ask me about that, you asked me if you should read faith/buffy fanfic so - yeah! yes. there's a lot out there that's SO good, of course you should read it.

i think ground-up AUs are good for this bc you can read them with basically no knowledge of the source (i mean. it's enhanced by source knowledge, but you can get by without) for this I'd recommend the no-powers college AU 2001 by @morningsound15, which does an incredible job of translating the important parts of the characters and their relationships and hang-ups and issues to a world where they aren't wrapped up in supernatural shenanigans.

Aside from that, I think there are a few season-rewrites that are pretty accessible if you've got a basic working understanding of the show and the characters. Some of my favorites are:

Coexist by @coraniaid which is a lovely (and recently completed!) canon-divergence AU that explores what would change if it was Giles, not Jenny Calendar, who was killed by Angelus in season 2. It's a rare type of AU that consistently surprises me with how intricate and thoughtful it is in exploring the ripple effects of such a huge change and it does some great character work with both Faith and Buffy.

to hold off the lightning by @episode5s which is a season 3 AU that picks up about halfway through s3. Again we get some really amazing character work (the character voice here is just insanely good) with a lot of amazing fallout from another canon-divergence point - what if Faith was able to be walked back from the ledge after killing Allen Finch? It's a tricky proposition - I genuinely think a lot of the best parts of Faith's character arc are tied into the fact that she has her heel turn and goes dark, but here the author is able to preserve all the best of the tension and trauma of that arc, while still allowing things to play out differently. Incredible slowburn romance here, too.

Finally, I'd be remiss to write a fuffy fic rec list without touching on a truly inspirational all-timer from one of the fandom's best and most prolific writers: the Vengeance verse fics by @aliceinwondrbra. The series begins with Vengeance a Wishverse AU - season 4 Buffy meets an alternate universe version of Faith that didn't go dark and experiences a belated gay awakening in the course of working together. The sequel, Hypnopompia, is where things really take off for me - back in her universe, Buffy is determined to help Faith. There's a ton of great stuff here: shared coma dreams, Faith redemption, a really great exploration of Faith and Buffy's sexuality and related traumas. Alice is one of the best in the biz when it comes to voice - absolute, total pro. I read this fic like two years ago and it changed my brain. Left me feeling like "wow, I want to write something that will make other people feel the way I felt reading this" and I don't know if I've done that yet, but I'm gonna keep trying.

ALL those fics are great and I can't recommend them enough. Luckily for you, if you want to get into this, the fandom has been going strong for years and there's a ton of good stuff out there I haven't linked here. There's plenty to discover. Enjoy!

[waynedunlaptheorgandonor]

ok, if i don’t write this im gonna lose my mind -cue dmx ‘party up’-

here is a ridiculously detailed analysis of why i am bordering on near certainty of caryl endgame, and how everything that’s been set up from the start of s9 (yes, even c@rzekiel and d@nnie) has been leading up to this

spoilers and long-winded analysis under the cut

let’s take this step-by-step, okay? starting with:

The Titles:

i have said this about a million times now, but the very first indication of caryl came from the new opening credits, where mmb’s name was very strategically placed above the graphic of daryl’s crossbow, what’s meant to symbolize henry’s pike, and a bunch of cherokee roses. it was foreshadowing, not only of henry’s death, but also how her relationship with daryl was going to unfold, and, bear with me here, the downfall of c@rzekiel. speaking of which, let’s go there

C@rzekiel:

i have also rambled about this, too, but the way that kang designed this relationship between zeke and carol was so brilliant, because it was never supposed to be real, but you weren’t able to fully see how until the whole story was laid out before us. (which goes with my belief that kang tells stories over long, connected archs, and not just “you know what would be fun to toss in here rn for some drama?” 

carol

1. denied zeke’s proposal

2. never once told him she loved him

3. explicitly told those saviors she could have done without her ring (a line that had absolutely no need to be in there)

4. continuously rejected the title of queen

5. regularly visited daryl in the woods

6. said herself that all it was, was a fairytale. something i’ll delve into more when i talk about carol’s ptsd

but let me touch on how daryl plays into this. we know she regularly went out into the woods to be with daryl, and she did it because he was her tether back to reality. she was living a fantasy life, and knew deep down that it wasn’t real, but had to do it, for henry’s sake, and for the sake of her mental health, because at the time of the relationship, she had not remotely begun to deal with any of her grief

the first scene we get with her and zeke is directly after daryl saves zeke’s life, which is telling. and the first time we hear her talk about her feelings about zeke’s proposal she turned down it’s with daryl, and let us not forget that the script notes stated that daryl was experiencing jealousy about it. he never asked her not to, though, because he thought she was happy, and that was more important to him than her being with him. he was willing to give her up if it meant she was happy, like what kind of angst trope suffering is that?? -chefs kiss-

and we can’t forget that zeke canonically views daryl as a threat to his marriage (i mean, rightfully so). he literally tells daryl to back off his wife so that he can fix their marriage, because he knows carol is starting to go back to him

next!

flowers:

flowers have been being used as symbolism between these two across the past two seasons a bunch. flowers are in mmb’s title card. the first scene of carol/daryl in the time jump shows them seeing flowers. daryl brings carol a flower on the dinner tray. one of the upcoming episodes is “look at the flowers”. obviously the cherokee rose scene is iconic between them, and flowers to carol represent this weird dichotomy. on the one hand, they represent daryl comforting her and giving her hope, and on the other hand, they represent her downfall mentally from the grove. interesting that one of the threads throughout this current season is carol grappling between trying to stay grounded with daryl, and her losing herself to her grief

speaking of grief!

Carol’s PTSD:

people have bitched that kang is just telling carol’s same storyline all over again, to which i’m like, tf show are you watching?? here’s what kang has done. gimple dealt with carol by literally just locking her away in a house to mull over how terrible she is a person, while never once actually dealing with her grief, and then handed that over to kang as a boiling slop of diarrhea, and somehow kang managed to take that, perform alchemy, and turn it into delicious loving carol juice.

she had henry killed off to parallel sophia, yes, that’s true, but the /reason/ she did that is because she’s righting the wrongs that were done to carol by essentially rewriting her storyline the way it should have gone. carol has lost So Much. more than most, i think, and kang is like, “that would fuck someone up pretty fucking bad, i think, so let’s see her actually have to grapple with that.” kang stays true to the carol gimple created, in that her instinct is to run away (think boat), but she’s using daryl as a means of forcing her to confront her demons. the two of them, at any given time, are running away from their struggles, but daryl is finally at a place of stability, and so he’s taking carol by the hand and saying, “no. i’m not letting you do this again. you have to stay,” and carol does, because she loves him, but consequently she’s having to actually feel it (something she explicitly stated she “can’t let herself do”), and is now experiencing the consequences of it, and poor daryl is stuck trying to handle it. his entire plotline this season has revolved around trying to help carol heal her wounds so that they can finally be together the way they should have been ten years ago.

they should be together, and daryl shouldn’t be with anyone else? glad you asked, because that brings us to:

D@nnie:

i actually think that kang never meant to make daryl/connie a ship, bc nothing in season 9 really indicated anything more than a mutual respect, and part of me truly believes that she saw the reaction to the two of them, and was like, “you know what? i can work with this.”

carol is pushing daryl towards connie because she wants to take alpha down and knows she might go down with her and she needs to know daryl won’t be alone. that’s it. period. end of sentence.

but okay, let’s extrapolate. she asks him if he’s interested in connie, and daryl very, very bluntly says no. you can’t tell me that his answer was meant to be evasive. he delivered that line like straight up “no.” no room for debate about his feelings. if they wanted to leave room for doubt they would have had norman redo his delivery, because it is too obvious. he is shutting it down completely. and carol is like, “why not?” and /that’s/ when daryl gets evasive. very “don’t worry about it, why are you worrying about it, i’m not in love with you, shut up.” 

fucking kills me, guys.

now the current spoilers about carol telling daryl to get angry at her for (supposedly/probably) killing connie furthers this belief that she wants daryl to pull away from her. because he’s her tether, she loves him, and as long as he still wants her around she can’t leave. she wants him to hate her, and daryl refuses. he’s pissed as all get out about what she did, sure, but he doesn’t hate her. also, the idea that daryl going back to try and save connie and magna means he’s in love with connie is absolutely baffling. have you met daryl? his instinct is to save people at all costs. he wouldn’t leave his friends stuck in a fucking cave, are you serious? just because connie is a woman doesn’t mean daryl wants to fuck her. he’s allowed to care about his friends.

but anyway, the point here is that every “d@nnie” spoiler has been music to my ears, bc not once has it been actually shippy. that first episode with the asl book and them together? it was supposed to juxtapose zeke and carol, and how carol and daryl immediately forgot about connie and zeke in order to be with each other. every other thing with connie has either been very cute and platonic, or has been carol trying to push her on daryl. -chefs kiss- my dudes, you’re worrying about nothing

Misc bc I’m Late for Work:

here are just a handful of other indicators that caryl is on the horizon

-the dream where she dreams she’s MARRIED TO DARYL, and the scenes where she wakes up in bed and looks over and he’s not there. why set that up if the end result isn’t going to be them together in bed?

-the bracelet/the acorns and what they symbolize 

-the use of “we” (”we don’t sleep” “it was like that for us before all of this” “since when have we never been enough?” etc)

-their parallels to alpha/beta (see my other long-winded text post on that one)

-ten years worth of history between them!!! that kang understands and references (carol’s claustrophobic, look at the flowers, etc)

so anyway, i don’t have time to tie this up with a nice bow bc i really have to get to work, but this is all to say that i am very very confident about the caryl endgame. i think it’s being drawn out bc kang needs to right the wrongs done by gimple first, but that caryl is where she’s eventually headed. every spoiler has been 100% caryl positive to me. i am zen af, and i think you should be too.

i’ll add to this if i think of anything i missed, but here you go. caryl is endgame and they gon fuck

the end,

-diz   

[jhindraven]

okay now that issue 6 is out and ive read the thing like 3 times, im gonna do my full review/breakdown of the zed comic and allll my thoughts on it.

no screenshots bc i dont want this to be longer than it is already, and also im not gonna talk about the art itself either. this is simply about the characters, the story, and how that relates to the lore of league itself.

all of this is my opinion, you can agree or disagree with me whatever, yadda yadda lets begin

ISSUE ONE

Probably the best one? In my opinion. The lack of expectations really helped this one not suck. Also the most consistent when it comes to characters personalities, comparing them to the in-game voice lines from league and the card game.

There are scenes in issue 1 that almost foreshadow, or at least reference, the events of Issue 6, specifically Zed looking up to the statue of Kusho, and how Zed kills Althon vs how Zed kills Kusho later on.

The dialogue between Shen and Akali is.. a little clunky? Shen’s dialogue is just a little. formal. but to the point that he sounds like he’s lecturing a stranger, not talking to a former student.

Jhin giving Zed his scalpel from 19 years ago is a neat detail that I wish they used more in the story. Sure, we can assume now that Jhin probably only got it because Kusho gave it to him at some point after releasing him- which means that the scalpel is one of the many wasted plot opportunities I’ll bring up here. Part of the appeal of that scene, if only just for me, was the idea that Jhin stole it from Zed while he wasn’t looking. I remember people pointing out background characters and being like “but what if that’s Jhin there! what if he was there all along!!”  But that has now been thrown out the window.

A thing I wish they did was shown more of Jhin’s ‘performances’, even if only in a montage. To show more of the impact this had on Zed and Shen, the strain it put on them mentally and emotionally, and how it affected their relationship. But I understand time and probably page restraints. So whatever about that.

Again, I think this was the best one. Set up the story well, showed why everything happening is important for the character. Neat, cool. Let’s move on

ISSUE 2

Seeing the bodies was pretty fucked up, but tbh? That shit vibed. It’s one of those things I hoped they were gonna do and they did. The bodies looking like porcelain with gold blood?? And the peacock feathers???? Thats fuckin cool as hell.  Then they never did it again.

In the flashback comes one of the worst fucking things in this comic. Yevnai.

Listen I adore Yevnai as a character, one of my favourites to come from the comic. You know, in the ONE ISSUE SHE ACTUALLY SHOWS UP IN????? She shows up as simply conflict between Shen and Zed (which never actually comes up mind you), as bait for Jhin, and for? Zed to show that he can sense magic from her kids to show that she’s been cheating on her husband with Quno the vastayan servant (bc we know Zed hates vastaya i guess?). oh and Guess What? the sensing magic thing also doesn’t show up again. 

Oh and Jhin follows Zed to Yevnai’s place. But nothing happens from that.

Issue 2 was good, but just a total waste imo. A lot of plot points set up only to never happen again. Best things about it were dead bodies, Jhin’s tiny Zed and Shen puppets, and the knowledge that Shen still writes letters to Yevnai :’(

ISSUE 3

I got so fucking pissed when this issue came out, no shit. They took the events of The Man With The Steel Cane and just. Threw it out the window. I did a whole other post about my issues with it so I won’t just rewrite the same shit twice. But I had to actually stop reading and pace angrily for a bit. I HATE issue 3 bro.

The scene with Kusho :) . Good to know that was now a waste of misdirection because EVERYONE seemed to call that Kusho was still alive. What bullshit. But I’ll get to that.

The inconsistencies in character really show in this one. And that connects to it being a shitty rewrite of The Man With The Steel Cane. They probably wanted a fight between Shen and Zed by this point, being halfway through the comic, and just shoved it in there. Doesn’t mean I’m not mad about it.

Akali and Kayn’s dialogue was probably the best thing in the entire issue. I don’t vibe with Akali/Kayn as a ship personally, but it got a giggle out of me im ngl.

Akali attacking Zed. I guess yeah sure she would. Fits her whole “fuck you i wont do what you tell me shen” vibe. But SHEN? calling off the armistice between the yánléi and kinkou due to the actions of one of HIS ex-students?? Shen would never. Let’s add another point to the ‘This Is Really Out Of Character’ board!

The sworn and witnessed scene was nice, it’s what Kayn deserves. Finally knowing the Kashuri Faction was nice, too bad they never get fucking mentioned ever again I guess.

There’s so many references to The Man With The Steel Cane that they could’ve implimented so much better, especially dialogue. I can’t read the original story without feeling cheated out of what it was before Issue 3. So more wasted potential I guess.

Issue 4

This was a big step up from Issues 2-3. My personal favourite, but not the best (if that makes sense). But there isn’t too much to talk about here? Jhin sets off his bombs from the last issue, it looks cool, but there’s no real story to talk about here. There is a lot of character stuff to talk about though.

Zed choosing to save Shen over getting Jhin is fucking HUGE for Zed as a character. For a character so hellbent on vengence throughout the entire thing choosing instead to save his "hated enemy and closest friend” ?? im sobbing.

This whole comic was emotional as hell, and the most character development we ever fucking saw in this thing. From Zed’s daddy issues to the realisation that Zed’s shadows are shades of Jhin and Kusho (which is now fucking hilarious and makes no sense after Issue 6).

There was a lot of setup for plotpoints that actually did show up later for once, like Kayn being the temporary leader and all that jazz. What it had in emotion, it seemed to lack in real story progression until the end. 

Issue 5

This issue was weird for me. Like there was a lot of plot and a lot of character shit that seemed so condensed that it felt like nothing. Zed’s confession in the cell-wagon and the information that Shen was out fighting Noxians too? Alright, sure okay. 

Shen still seems wildly out of character for me, since we mostly know him as this beacon of peace and calm- he’s so violent towards Zed all the time it’s strange. Like he points a sword at Zed while saying that he isn’t allowed to kill Jhin, wtf

The callback to Awaken is fucking superb. Really solidifies that video into the lore of the game. Camille being mentioned had me like :hearteyes: This is a nitpick- but I wish we knew what happened at the end of Awaken. Is Camille okay? Did Jhin get injured? It was a week ago, if he did get injured- where and how did he recover so fast? Little details  that I wanna know, not really for any real story purposes.

Rhaast finally showing up :hearteyes:, nothing else to add bc nothing else happened with him.

Jhin making the most of Piltoven technology is really cool, and its a scene that made me go “OH YEAH he was a stagehand for a good period of time!!”  That’s what we call Tying In Pre-Existing Lore fellas.

Jhin just really shined in this issue. Really set him up to be The Big Bad of the comic, like he had a monologue and everything! Once again, though, that gets absolutely wasted by Issue 6.

Issue 6

Where do I fucking start?

Let’s start with Jhin. I don’t know about yall, but since we spent a solid 5 issues chasing after him I expected more of a dramatic fight. More like the explosions in Issue 4. But uh we got. Some fancy prop work before he got punched in the face twice and thrown on the ground. It’s What He Deserves but like you know, he deserved worse.

As much as I didn’t want it to happen, I’m disappointed they didn’t unmask him at all. His mask was still fucking pristine by the end of the fight!! Not a scratch, not a chip!! But to be fair I think we got maybe 2 pages worth of a physical fight with Jhin so,, sure. Whatever. Out goes 5 issues of setting up? Not to downplay the conflict in that scene of course, I think it was pretty cool. It was just so anticlimactic at the end like wh-

Kusho! Haha they got us good!! The dead dude is actually still alive oooo~ [heavy sarcasm]. Why. It wasn’t a good twist! It was a “oh. okay yeah sure” twist. This might be my heat of the moment response but I have no words for how cheap and absolutely horseshit that twist is. Good thing we only have to think about it for 10 pages because HE FUCKING DIES AGAIN. WHAT A WASTE!!

Whatever, whatever, thinking about it makes me so mad because they set it up barely in Issue 5? I’m just tired this actually drained me irl.

At least we have baby Kayn and good dad Zed at the end to cleanse us of that.

HEY actually did you know that they thought that Good Dad Zed was considered contoversial by Marvel’s editors?? HUH????

whatever, whatever. i’m pissed. 

BONUS SHIT

So Jhin’s lore has now had an update to connect with the comic. And it’s fucking weird. Now suddenly Kusho didn’t care about catching Jhin after he found out it was just a human person murdering people? And that it was essentially Not Their Job anymore??? excuse me??

CONCLUSION?

This comic started with a good beginning and a lot of potential. It brought up so many new theories and so many new headcanons. But all that potential and all that interesting story got washed away with unconnected plot points, ‘important’ characters that show up once, and a cheap twist ending that simultaneously came out of nowhere and was easily predicted (in the bad way). It was a fun read for a while, but the ending has soured the experience I had reading it.

Some issues may come from time + page constraints, and the limitations of the medium. But those were mostly minor issues. I wanna give the artists and the writers the benefit of the doubt, maybe blame Marvel as I like to do. But...

6 months worth of waiting for an ending like this? I’m just disappointed.

[resbang-bookclub]

AMA Transcript: Simple Melody

For our final AMA of Resbang 2017, @alliope, @bbbutterfingers & @daciafu stopped in to answer questions about their Resbang, Simple Melody! Here’s some of what went down:

Q: My first question for Allie is what inspired you to do this AU?

Allie: Well I've generally had the idea for an Over the Garden Wall AU for a while, not necessarily for SE, but as the first check-ins deadline was approaching I ended up rewatching bits of Over the Garden Wall and it just kinda clicked? Mainly I think it came from Crona's betrayal and Beatrice's betrayal and everything fell into place from there. I thought the eerie atmospheres would work well together! So I ended up scrapping my previous idea and wrote 3k plus a summary like three days before the first check-ins, rip.

Q: For butter/dacia, what went into how you decided which scene(s) to art?

butterfingers: HM well there was some chitchat when we started about what kind of work we wanted to do and I said that I loved the Boom comics covers, and then I shouted WHAT IF I MADE  COMIC BOOK COVERS! and I think Dacia went WHAT IF I DID BACKGROUNDS and I guess we just approached it as if we were doing something comic-y haha!

Allie: You two were the power duo.

daciafu: I've always been in love with the style of the backgrounds of OTGW since that's where all those cozy and spooky feelings of fall and the Unknown really shine and I'm honestly HORRIBLE at designing backgrounds so I wanted to take the challenge and push myself to get better! Mimicking other people's styles really helps me break down how they make their choices and teaches me how to make things look Decent so I was super hyped to pick up the OTGW style! And then when Butters and I were trying to figure out What Do and she said she wanted to tackle covers, I decided to do background-heavy scenes. 😊

Q: What is generally your guys’ process (writing for Allie and arting for butters and dacia)?

Allie: Well, I wrote in little scenes, like I would get an idea for a scene and just go for it, the fic wasn't at all coherent until maybe a few days before posting. This actually posed a problem since linking scenes took longer than I thought it would. Because I had most of my scenes written, I thought I had more finished than I really did. By the end of Resbang, I had 56k written but only 20k remotely post-able. I'm a super obsessive planner though, so my whole fic was outlined in detail early on, which was nice cause I knew what I was doing lol

butterfingers: I loved going through Allie's notes, I was always excited to see how they'd connect the dots! My art process is as follows: scribble something, put it aside, look at it a lot throughout the day with the thought that maybe I can surprise myself into seeing something new, find something I hate, fix it, rinse and repeat. For this project I actually... have a friend who works with Boom Comics and she was able to hook me up with a nice little gallery of illustrations for the OTGW comic so I got to go through and put together my mood board for it 😊

daciafu: I read over the gloriousness that was Allie's draft and immediately picked out some neat scenes or wanted to reimagine the classic OTWG ones. I spent a lot of time studying first! Looking at the art books, and poring over the show’s scenes and kind of getting a feel for the color palettes, textures and compositions. Then I watched a tutorial on Youtube where someone just deadass uploaded their painting process on a piece of official art that made it into the show. So that was EXTREMELY helpful to watch the way they painted back-to-front and kind of blended the planes without like, losing depth?? The internet is so, so wonderful. And then I got to work! Started with a soft brush for lineart so it wouldn't be too prevalent, moved onto base colors, then shading, and then really trying to establish textures and make the atmosphere Just Right(tm).

butterfingers: Genius!! Oh damn that sounds like such great advice vis à vis backgrounds. /takes notes

Q: You sound like the dream art partner Allie, I weep for my artists and my last minute HERE IS 10K I JUST TYPED UP BC IM A MESS.

Allie: Ahh geez, these two were the dream partners honestly, like I'm so glad they could gather stuff from my notes, cause I've always got everything together in my head, but then it gets out there and it's a mess, these two deserve all the love.

butterfingers: There was one thing I regret that I didn't have the chance to draw and it was like a throwaway line somewhere in your notes about Maka presenting Soul with a praying mantis and him freaking out. I resonated with that so hard hahaha.

Q: What was the hardest scene for you to write?

Allie: The hardest scene to write that's actually posted was anything with Justin really, I don't get his character and it was tough to write him. There were a few scenes that were hard to write because I rushed them, but I wouldn't say they were genuinely difficult scenes, I just gotta rewrite 'em! But overall the ending scene I'm still struggling to write and there's a dream scene that occurs which has been difficult to write just for making it dream-like enough?

Q: And what was the hardest to art? :o

butterfingers: I had a hard time with Maka's expressions. I had many scribbles designing a Ragnarok lantern, too, but it was very fun!!

Allie: Your design for the Ragnarok lantern was so good, I still cry over it.

butterfingers: Ahaha thank you! He was very Calcifer inspired ;)

daciafu: I struggled quite a bit with the first one I painted, just because it was all so new to me. I had to base color 3 different times because the soft lineart bothered me if something extended too far, or there was white background peeking through. And then reimagining the texture in the leaves and the ground to try to separate the planes there but also wanting them to be cohesive was a bit of a headache. If I had to go back and do that one over again I think I'd be more prepared to deal with the foliage lmao.

butterfingers: Your textures were very excellent, that was a quality I struggled with as well!

daciafu: The first one I painted was the Golden Light scene where Maka and Soul are leaving the woods and entering the fields.

butterfingers: Trees r hard.

Allie: They all came out so incredible though, I'm in awe of how you were able to create those leaves.

daciafu: Omg ;;;;; At the same time trees are so organic and flowy and the chances of getting them wrong are pretty slim considering they can get janked as hell lol they're super fun to just zone out to. "I’ll just put a happy little leaf here, ooh and how’s about another one right next to it. They can be happy friends. Oh look, the squad showed up!!" Channeling my inner Bob Ross... but yeah you can just do whatever with them and they somehow come together.

Q: Daciafu how do u.....background, like you did so well and all I hear from art friends is various levels of pterodactyl screeching when the word background is mentioned.

daciafu: I heavily based the Leafing the Forest scene and the church scene after stills from the show so I don't get composition points there, but I built the pumpkin fields just based off of the environment’s design elements. I really wanted to push the depth of that scene but also give it that same never-ending quality to it, and I'm super happy with the results. Another note is that I omitted the characters entirely while building the backgrounds. Since I'm usually a pretty character-heavy artist, I wanted to tackle it like I was preparing the scene for an animator later. And then once they were done, I added in our sweet kids. Doing it that way first really helped to cement the characters in the space rather than my usual "character is done, how can I put them in an interesting physical space?" struggle lmao.

Q: Did you guys feel like your writing/arting changed at all or that you learned anything/picked up new skills/honed old ones etc. etc. during Resbang?

Allie: Gosh yeah, it changed a lot. In hindsight a bad idea, but this was the first fic I'd ever written with intention of posting and the longest piece I'd ever written. Before this I had written very little and my longest piece was maybe 10k. Throughout Resbang I've learned most of everything from the ground up, it's taught me a lot about my limits, how I work and writing in general. I've definitely improved a lot from the experience!

butterfingers: Let me tell you all about the airbrush tool that I discovered during Resbang. Amazing. Incredible.

daciafu: I learned how to paint backgrounds!!! Which is something I've always wanted to get better at. And I got super comfortable in Clip Studio (I'd just gotten it) as well as using texture brushes, so overall it was a very helpful and wonderful experience as a Resbang participant and as an arteest.

Q: Oh that reminds me butters, what program do you use?

butterfingers: Paint Tool SAI for the most part, and then Photoshop for color correction, borders, and, like, finesse things! :)

Q: Did you guys listen to any music that inspired you or helped you create?

Allie: Ah, yeah! I had a playlist actually! https://www.youtube.com/playlist?list=PLjTCaFkFU6rkD1edJwCZmHvJiUwlSUeGZ

If you want I can explain some bits of it? I use music a lot when writing aha. I like to associate certain songs with characters and character relationships, so most of the songs are connected to a particular part of the story. The Monroe Transfer, Wayfaring Stranger, and Mountains were all more general atmosphere stuff. Blame was very much related to Maka, which may not be apparent now, but yeah. Ragnarok I actually connected a lot with Willow Tree March. Soul was probably closest with A Lady. Crona had a lot of songs, but Neptune was most specific to them, as was probably Ghost Towns. Some character relationships I associated with certain songs, Crona-Ragnarok and Soul-Maka were both pretty connected to Always Gold, especially that dang last line "there were holes in you, the kind that I could not mend" oh man. Crona-Maka was definitely We Could Be Friends, Bloom, and Spell. Meet Me in The Woods I thought was a pretty good group song! Those are just some general bits of my thinking with the music aha.

daciafu: Definitely checked out Allie's dope playlist. For most of my working time, tho, I was either listening to TAZ: Commitment or MBMBaM oddly enough lol. I will forever think of Justin's uproarious laughter whenever I look at them lmao.

Q: Were any of the relationships difficult to characterize?

Allie: Mmm this may sound weird but early Maka-Crona was weird for me, cause they were kinda at that point where they want to (or at least Maka wants to) like each other, but they don’t like or trust each other at all and it's a weird spot for them. I'm used to writing them as at least interested by one another, if not enemies or already fond of one another, so this felt like a very odd place to start with them.

Q: Do you guys have future plans for writing/drawing? Aside from polishing and posting the rest of the fic!

Allie: I have,,, too many plans,, I need less plans,, someone please take them away from me, I can't be trusted with them,,,, I do want to do a sequel for this when I get it finished, playing on the detail about crows memory lasting five years so. Beyond that I have a SoMa fic to finish for the prompt challenge!! I'm working on a gift for Crescentcrona, which is a fantasy Kirona fic called Eat The Rich. I have polyam week fics that I'm cleaning up, I think my favorite so far is a Azusa/Naigus/Sid/Mifune one for Through The Seasons. And God I have so many CroMa fics I want to write, I gotta fill the AO3 tag. I think the biggest one right now is a wings-related soulmates au that I've been working on on the side since October I think?

daciafu: Yo there's one scene that I'm like sUPER hyped to do if Allie does the sequel because I already know exactly how I wanna draw it but I wasn't able to fit that in near the end, and it didn't end up in the first part. But there are a couple of other scenes Allie and I workshopped that would be super fun to do and I would love to draw them. Other than that, my drawing plans are pretty much working on commissions as they come in. Surprisingly my queue has been maxed out and I just got a full time job so of course now I'm like.... hm.... I'll get 'em done eventually!!

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That’s the end of the AMAs for the 2017 season! Thanks again for reading along with us, and see you next year! :)